#that me the bitch who writes it all

[mamawasatesttube]

the whole "jason rules crime alley and none of the other bats are allowed there!!1!" thing is so funny like. tim LITERALLY lives in the theater where bruce's parents died,

[stevebabey]

Eddie is beginning to wonder if he’ll ever reach a point where Steve couldn’t reduce him to this state.

This state being… transfixed. Eddie is sure he must look like a lovesick cartoon. In fact, if he could manage to drag his gaze away, he’d probably find red hearts circling around his head in a halo, popping like little bubbles.

But Eddie can’t move his eyes. Can’t even close his mouth either.

Steve’s talking to him too, which is most definitely worse — he’s totally missing every word. He can see Steve’s lips moving, pink plush lips wrapping around words but fuck, that was a total trap because now Eddie is just looking at his lips. He tries to refocus, to listen. His eyes just wander back to what he was staring back at the first place.

Was Steve like this all the time? Just a walking around looking so damn delectable?

Or is it Eddie, just a starved man who’s been living off stolen glances, for as long as he can remember? For once, he’s learning, he’s allowed to look.

And by God, is he looking.

Steve’s not even doing it on purpose either, which probably makes the whole thing funnier. Eddie knows what his boyfriend (boyfriend! he thinks giddily in his mind) looks like when he’s cleaned up to impress. He can spot the way Steve preens beneath Eddie’s lingering gaze.

This is not that. Today, Steve is just cleaning, a usual Sunday morning ritual.

He’s got some old sport shorts on and he’s clearly grown a bit since he first got them— unless Hawkins has always been giving out slutty little shorts to the basketball team (They haven’t. Eddie would know if they did.)

He’s wearing one of his wife-beater singlets too. It’s a little on the scrappy side though, considering it’s nearly see-through with how worn it is.

Honestly, in Eddie’s humble and gay opinion, it’s stupidly hot. The dark hair dusted across of Steve’s chest is visible beneath it, the shirt showing off the shape of his broad chest. Even better, his happy trail is visible and goddamn, if that doesn’t make Eddie happy, he doesn’t know what will.

But it’s not even that.

Quite frankly, Eddie’s rather embarrassed that he’s basically blue-screening because Steve is pulling out the cord out from the vacuum cleaner.

But… but he’s yanking it up towards his chest, slow and strong repetitive motions— that take enough effort to make his biceps bulge with every tug.

Eddie can’t stop watching. The cord must be several metres long and he’s not sure if he should be cursing it or thanking it for the view he gets; Steve’s tan arms flexing and rippling. Try as he might, Eddie can’t help imagining how they must look when Steve’s got his hand aroun—

“—hello? Are you even listening to me?”

Steve’s voice cuts into Eddie’s dangerously side-tracked thoughts and he pauses his tugging at the same time. It’s the thing that finally allows him to break his lustful stare at Steve’s arms. Oh God, he just got all hot and bothered over his boyfriend doing the vacuuming.

“Hello.” Eddie says back, because that was the first word to register in his brain. “I mean- yes. I’m—”

Eddie decides mid-sentence that he’s not getting away with the lie. He pivots. “Okay, no, I didn’t hear that. Would you please tell me what you just said, oh lovely sweet man of mine?”

Ever the butterer-upper, he was. Thank God it works on Steve. He rolls his eyes a little but there’s an adoring grin on his lips.

“Man of mine,” Steve mutters amusedly under his breath. He drops the vacuum cord on the carpeted floor and leans down the grab the handle of the vacuum. “You just kinda froze when you came in. I was asking if everything was okay? I’m just doing this room then I’ll be done, if you don’t like the noise.”

Eddie adores that Steve’s taken his silence as though he might be afraid of the vacuum cleaner or something. He nearly snorts aloud at how far from the truth it is.

“Uh huh.” Eddie nods, not bothering to correct him. He jerks a thumb behind him, pointing at nothing. “I’m just gonna…”

He spins on his heel and exits left stage, fast as he can while still looking normal (he’s unsuccessful, as he leaves a baffled Steve behind him.) As he enters into the kitchen and decides to fix them both a pot of coffee, Eddie lets himself giggle over the pure absurdity of what just happens.

It’s mortifying. It’s hilarious. He can never tell Steve.

Except, when Steve comes to find him in the kitchen and trades a kiss for some coffee, Eddie can’t help it. All he ever wants to do is make Steve laugh.

He decides it’s worth the embarrassment when Steve laughs so hard coffee comes out his nose.

Steve teasingly promises that he’ll to try be less distracting, then rescinds his words at Eddie’s abject reaction (“Don’t you dare.”) looking far too smug— in a delighted sort of way. Preening, in that way Eddie loves.

Their first kiss, as Eddie slides onto Steve’s lap and loops his arms over his shoulders, fingers dancing on those tasty arms, tastes a little bit like coffee. Their mugs grow cold, untouched.

Eddie doesn’t mind — he’s too busy finding out that the rest of their kisses taste like something between sunlight and Steve.

[lemongogo]

they should get to kill each other at least twice .i think

[simaraknows]

i see your "'does he want to lick my boots or chop off my hands' is a Nicki reference" and raise you "what if Armand's relationship with sex is so fucked that his two modi are total submission and 'don't touch me or I'll chop off your hands' and Louis is still clowning on his trauma" in this essay I will

[toytulini]

listen im ace and im pro kink at pride and whatever, but the way some of yall are wording your posts in response to the backlash against it is uh. really taking me back to the ace shitcourse era.

yall know theres nothing wrong with being a "virgin", right? that its not inherently shameful to have not had sex, to never have sex, even if youre not ace, even if you do want to have sex someday, like, its fine that you haven't had sex?

maybe if your problem is that theyre trying to police your behavior and shame you for expressing your sexuality, you can say that? instead of resorting to "haha stupid virgin gets no bitches" like my god. do you not hear how fucking regressive that attitude is? i know, i know, youre "joking".

get a better joke

[dootznbootz]

You can horny post and thirst for Circe and Calypso without making fun of Odysseus, a victim of both, btw. 👍

[front-facing-pokemon]

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[antebunny]

a summer is sold

[part six of my fae!Tim AU. masterpost here]

~

Bruce returns to the Unseelie Queen. He steps through the fae circle with the trusty protections of salt and iron. It is quite unlike Batman to use tools that are so low-tech, but he will not deny the efficacy of that which has protected humankind from the fae for thousands of years.

“Unseelie Queen!” Bruce shouts. Last time the forest of mushrooms simply melted into a clearing where he placed his protections and conducted his business. Today, the poisonously red caps simply grow and grow until the mushrooms tower over him.

The smell of organic matter decaying and a swirl of turquoise leaves. She arrives in her usual fashion. Ten feet tall and dressed in a gown of rushing rivers and starlit nights. A gray face and the smile of nightmares. The Unseelie Queen attempts of human beauty and misses in a manner so violently unsettling, so uncanny-valley-upsetting, that even Batman feels fear.

“I have come to make a new deal.” Bruce shows no fear. Rule number one.

“Oh?” The Unseelie Queen bends down until her back splits in four places and they are eye to eye. Screams dance madly in her silver-violet-smoke black eyes until Bruce drops his gaze to her chin. “Do you wish for me to take back my gift?”

Not Jason. It is love that pangs around Bruce’s heart, love that morphs into fear when she threatens Jason’s life out of curiosity. 

“You overreached,” Bruce accuses. He will not acknowledge her threat. Rule number two: admit to no emotion but rage. “You made a deal with Tim for humanity. If he fails, he leaves.”

This is once again educated guesswork on Bruce’s part. He’s still not sure what the Unseelie Queen is getting out of all of this. But Tim clearly wants to stay in the human realm. How else to punish him but to make him leave? 

“If he leaves, you’ve failed your bargain with me,” Bruce continues. 

The Unseelie Queen gnashes row after row of teeth to dust until her frustration works itself out. “You cannot make a deal on his behalf.”

“And you can?”

Bruce’s bargain with her depended, from the very beginning, on her right to bargain Tim away. He had believed, when she first handed Tim over, that Tim was a subject of the fae, a member of the Unseelie Court, and therefore hers to do what she liked with. A loyal subject. A spy meant to serve as the Unseelie Queen’s hand in a realm she could not otherwise reach. 

But Tim delights in the cuisine explorations Dick and Jason take him to. He soaks up Barbara’s computer crash courses, which is quite unusual for a fae; they are notoriously tech-averse. He yearns to be human. If there is any chance that Tim truly wants to turn away from the Unseelie Queen, then it is the morally right thing to do to keep him away from her. Batman has offered hand after hand to the most irredeemable villains; what is one more to a strange little creature who may still be a child by the standards of the fae? 

Moreover, it is in Bruce’s and his family’s own best interest to expedite Tim’s process of becoming human. If Tim’s deal with the Unseelie Queen doesn’t work, he may attempt to become human by eating one, or by stealing the skin of one, or whatever else a fae’s mind might think up. Suppose, even, that the Unseelie Queen has no jurisdiction over the humanity of her subjects. It made sense to Bruce that she could de-fae whoever displeased her, but he knows now that she makes promises vastly out of her reach. Perhaps she has no humanity to offer Tim. Then it is still in Bruce’s best interest to keep Tim away from her and teach him the morality of humans. 

“Very well.” The whistling shriek of wind in the trees escapes the Unseelie Queen’s nostrils. “What is your proposal?”

“I keep Jason, no strings attached.” Bruce doesn’t need Jason one slip-up away from dying again. “I keep Tim. If he fails his bargain with you–”

“Do you love him?” 

Bruce, caught flat-footed, adheres to rule number two.

The Unseelie Queen cycles through a magnificent number of eldritch recreations of faces, yet maintains the air of leering. “Do. You. Love. Him.”

Rule number three: do not lie to the fae.

“No.”

Another hiss akin to howling wind issues from the Unseelie Queen in fits and spurts. Not until she calms does Bruce realize she was laughing.

“He may be your responsibility now,” the Unseelie Queen concedes, “but he will always be mine before he is yours. You may keep Jason. But if dearest Timothy fails, he will return to me.”

Now it is Bruce’s turn to gnash his teeth. But he follows rule number one and hides it behind the stiff line of his cowl. “Three-fourths,” he suggests finally. “He’s done that much. Cancel the bargain you have with him right now and take one fourth. You’ll have him in the summers. I’ll take him the rest of the year. And I keep Jason.”

He waits patiently as an awful cacophony of bird calls, the clicking of beetles, and all the untempered rage of nature arises to spite him. The Unseelie Queen sways, collapsing into an eight-legged beast rampaging around the mushroom forest one second, then whirling into the purple sky the next. A tempest. A temper tantrum. The Unseelie Queen throws a hissy fit when she realizes that she cannot get away with her double-bargaining this time. That because of her habit of trying to have her cake and eat it too, her favorite toy is at risk of slipping away. Bruce always offers second chances, but in this instance he finds himself entirely out of sympathy.

“Fine,” the Unseelie Queen hisses once she finishes throwing a tantrum. “I accept.”

Bruce does not love Tim. Tim is not his son. He acts on moral imperatives. His heart opens glacially slow. If they had more time, perhaps Bruce would come to love Tim and see him as one of his kids. Perhaps he would not have had to fight the Unseelie Queen for 75% of Tim’s life. But the summer is escaping, and Bruce knows when compromises must be made even if he detests them.

Now he just has to tell Tim.

[leupagus]

Half of this fic is just me looking for more excuses to put in all the cool women that the show wrote out

Still working on the next chapter for the GOT rewrite from hell, but I had to write a little about how the fuck menstruation works in Westeros (other than "oh you can get married now!" which I refuse to believe is the norm) and also to introduce the Sphinx:

The next morning, Shireen woke up to find blood on her shift and a sharp sort of twist in her stomach, as though she'd swallowed a molten pin. The blood came out easily enough, with frantic scrubbing in the basin, but the pain grew over the course of the morning.

"It's your flowering," said Maester Alleras briskly, when she went to him in a tightly-controlled panic. "How old are you?"

"Fourteen," said Shireen, realizing the date. Her nameday had passed two weeks ago.

"And what do you know of flowering?" he asked, smiling slightly at her blush. "Forgive me, but Northerners have queer ideas of teaching their children about these matters. I do not wish to presume your level of education."

"I know it can last for a week or more," Shireen said, thinking of Mother's cycles, how she would confine herself to her rooms to endure the pain in solitude and prayer. "It's very painful and disgusting, but it allows me to bear my future husband's children and therefore is a gift from the gods."

"Hmm. Well, that is what you were taught, at least," grunted the maester. He got up from his desk, rummaging through the cupboard behind him. He was a tall, skinny young man with the deep brown skin and tightly-coiled hair of a Summer Islander, and shared their fondness for brightly-colored nails: they seemed to dance along the shelves until he plucked out a jar and presented it to her with a flourish. "This will help with the pain, and stop the bleeding after this cycle. People of the North use it a great deal."

"Is it moon tea?" Shireen asked, taking it gingerly and wondering at Maester Alleras's use of the term Northerners, which sounded different from People of the North. Perhaps in the Summer Isles, everyone on Westeros was a Northerner. "Why do they use it so much here?"

"It is," he confirmed, "and as for why..." He shrugged. "I've only just arrived in Winterfell, you understand, and as you may have guessed—" this said with another smile— "I was born elsewhere. But from what I've gathered, they must be careful when they have children. The North can only feed so many."

Shireen thought of Fire & Blood, which Father had read to her as a child. The Winter Wolves had been a company of Northerners, who had answered Lord Cregan's call to fulfill the Pact of Ice and Fire with Rhaenyra Targaryen. They'd been greybeards who had knowingly marched to their deaths, for such was the custom of the North back then: at the start of each winter, the old men of each keep and castle and holdfast would choose amongst themselves who would go out into the snows. Some would return home in the spring, having endured the cold or escaped it to find their fortunes in southron lands; most would not.

"Put a thimbleful of this into whatever tea you like best," Maester Alleras continued, gesturing at the jar, his fingernails catching the light as it streamed into the rookery. "Once a day, and come back when you need more."

"Shouldn't I ask—" Shireen bit her lip.

But the maester caught her meaning; his eyes narrowed. "Shouldn't you ask your parents? Yes, I suppose you should. But they should be here to be asked, and they should have told you the truth."

"What's the truth?" Shireen asked, instead of admitting that Mother and Father had never told her anything about it. She couldn't imagine either of them even mentioning the subject. All her information had come from books, or from Mother's complaints.

"The truth is that if a cycle is painful and lasts for a week or more, that is the sign of an illness, not the will of a god. The truth is that you may well find it disgusting, but it is merely something our bodies do and should never be a source of disgust or shame to you or anyone else." He glared, though it did not seem directed at her. "And as for 'bearing your future husband's children,' the truth is that they are your children, just as much as his — indeed more so, unless he carries them about for the first nine months after their birth. But you will not be a woman grown for at least another two years, and any man who wishes you to bear children until at least that time is unworthy of your hand or your love." He sat back down, his half-dozen maester's links chiming musically. "Now run along, little princess."

Lady Sansa was just outside the door, with her brother beside her. "See, I told you she smelled funny," Rickon said triumphantly.

Shireen scowled at him. "Shut up." It was kind of him, she supposed, to have worked out that something was wrong and to wait for her outside the maester's chambers. But Rickon Stark was the sort of friend who was difficult to be grateful for.

"Yes, please do, Rickon," Lady Sansa said, pressing a businesslike kiss on the crown of Rickon's head before turning him round by the shoulders and pushing him down the corridor. Rickon protested, but went all the same, and Lady Sansa turned back to Shireen. "Moon tea?" she asked, nodding at the jar.

Shireen resisted the impulse to hide it somehow. It is merely something our bodies do and should never be a source of disgust or shame. "Yes, my lady," she said.

"Come along, then," said Lady Sansa. "I have some excellent tea from the Arbor. How does that sound?"

"Could I have a hot water-skin, too?" Shireen asked, as Lady Sansa looped her arm through hers.

"Of course. And the lemon trees in the greenhouse have given up their first fruits — we'll have lemon cakes for lunch instead of venison." She smiled and Shireen thought that even if Sansa Stark never took another husband or had children of her own, she was still all the mother that the North ever would need.

[velvette-hussle]

*Male Character does something wrong*

The Fandom™ (& even sometimes the canon narrative itself): Quick! Where's the nearest woman we can blame?!

This is purely fueled by YouTube comments, I’m sorry y’all.

[zarnzarn]

IS THIS A DEFEAT OR A VICTORY CAN I GET A HALLELUJAH????

(requests for one-shots open in celebration!)

[vanmarkus]

Fuck It Friday ☔️

Tagged and tagging @diazsdimples @daffi-990 @wikiangela @honestlydarkprincess @exhuastedpigeon and my sweets whose continuous support means the world to me @malewifediaz @spagheddiediaz @jeeyuns MWUAH 💛💛

Hey peeps, I've been having some not-exactly-good dreams last night and then had a really not-exactly-good day, on the flipside I have officially finished the first draft of the mudslide fic. 🫡

It still has a lot of blindspots and some kinda vague bits, but the skeleton is there, all I gotta do is build on it! It ended up just over 62k and though now I'm trying to avoid guessing word counts in general, I think it'll come to round out around 70k or so. Anyway, here, have some more Buckley-Diaz domesticity:

“What is it, Chris? Where is the fire?” “Dad!” His smile was so bright that his eyes crinkled with it and it was enough for Eddie to soften and let his grumpiness melt away almost instantaneously. “The Aquarium opens at nine!” Eddie dragged his hands down his face in an attempt to make himself more alert. “You didn’t forget about that, huh?” The door to his bedroom opened behind them and Buck walked out, squinting and looking just as disheveled as Eddie left him in his bed a moment ago. “Buck!” Chris turned his head into his direction. The air stuck in Eddie’s lungs for a split second, expecting the row of questions or accusations from Chris — after all, the kid was intuitive as hell — but it never came. Instead he just pushed past Eddie and grabbed Buck’s wrist, tugging him towards the kitchen, Eddie wandering numbly in their heels. “Hey Chris, wha- what’s going on?” Buck asked, clearly still in awe of the situation he found himself in only minutes after waking up. “The Aquarium opens at nine.” He relayed the same information to Buck as well, but while Eddie just felt a little out of sorts that he actually forgot about their plans, Buck’s face lit up like commercial LED lights. “Well then, we better get started on breakfast, hm? What do you say?” “Waffles!” Christopher cheered and Buck laughed, jovial and full of love and not for the first time, Eddie found that his heart was beating to the rhythm of hope. It wasn’t his fault that waking up in the same bed with Buck, followed by a family breakfast sounded perfect. Well, maybe too perfect. “Sorry bud, I don’t think we have any left in the freezer.” Eddie informed him regretfully, but before Chris could’ve expressed his disappointment, Buck cut in. “Come on Eddie, who needs frozen waffles when I have my Sous Chef to help me with the batter?” Buck winked at Chris who just beamed up at him in response. Eddie didn’t even know what to say to that, so he just watched the two of them idle towards the kitchen before following suit.

[fiddleabout]

TRICK OR TREAT! :D

seems like everyone i know who's getting this is posting fic snippets so uhhh okay here you go:

Ava's life ends with a fire, and with a dark sky, and with the world collapsing around her.

She crashes onto a rock, stumbling legs barely making the jump, and falls entirely onto her face.  Her whole body thrums with pain, with a loss that feels like peace, with the understanding that they succeeded, they saved the world, they saved everyone.

Beatrice lands at her side, inelegant and crumpling, filthy with volcanic ash ash and the grime of keeping them both upright after so long, from hauling Ava up the mountain when the ring had worn down the last of her strength.  She’s bleeding from a gash just over her temple, hands and knees blistered from the superheated rocks she’d landed on to drag Ava back from the edge, back from her own failure.

They saved the world, but not for them.  They saved the world, but only for everyone else.  There’s no ring left, no Sauron. No destiny anymore, no future, no journey home to a realm and a throne and a people that have been waiting generations for her to find her way to them.  Just Ava and Beatrice, here alone at the end like it had for so long been just Ava and Beatrice, a lost heir and a discarded outcast, alone together at the beginning.

Ava curls onto her side, her breaking body resisting the effort, until she can bury her head in Beatrice’s neck and drop her hand onto the ragged worn shirt covering Beatrice’s stomach, armor long lost.  There’s always been a familiar scent to Beatrice, constant as her steady heartbeat, warm and clean.  Now, though, as the world ends around them, ash settling light on them and lava creeping closer and closer, Beatrice smells like blood and sweat and exhaustion.

Distantly, the tower crumbles, a shockwave that shudders the mountain and the fading ache of Ava's pulse as she finally, finally, lets herself rest. Closer, a hand curls along the back of Ava’s neck, up into her hair, and a small choked noise escapes into the side of Beatrice’s neck.

“I’m glad you’re here with me,” Ava says, because even here, even now, with the world ending around them and no way out, she still can’t put proper words to it.  Ava’s spent her whole life running, running from her name and her blood and her birthright, from her duty and her future and her people, from Beatrice.  “Here, at the end of all things.”

[toshidou]

insecure about a part of your body? just imagine ghost, soap, gaz, whoever fits the bill, pressing their lips to the flesh without a second thought. imagine them groaning into your skin as though they can't believe that this is theirs, that you're with them.

try to imagine how it would feel as they sink their teeth into the skin, as though trying to consume you because simply touching you is no longer enough. listening to how they whisper praise in awe and reverence, quiet enough you know it's not for you, loud enough to know that your body is such a marvel to them that they cannot help but voice it.

they worship you, regardless of your own opinion. not a moment goes by where they don't find you sexy, where they don't look at you and melt. in every scenario, they will always find a way to make you feel loved, cherished, and seen.

and on the days you really can't face yourself, on those days where the cruel whispers creep on your subconscious and grip your mind like a vice, they'll be there. steadfast and constant, they will be there.

[coldblooded-angel]

COVID AU where Art and Tashi are forced to quarantine when the city wide lockdowns prevent them from traveling. They find a motel that would let them rent the room for as long as they need to. Thankfully, Lily is with her grandma and they’re both safe.

I want forced proximity. I want Tashi going stir crazy not having anything to do. I want Art still attempting to keep in shape until one day he’s too lazy to workout or get up out of bed. I want Art and Tashi forced to actually talk about anything other than tennis.

COVID AU where Patrick gets trapped in the lockdown. He knows he can’t stay in his car forever so he goes to the nearest motel and uses his emergency credit card to rent a room.

One day, he decides to use the amenities. He knows the motel has a pool and he’s not surprised to see other guests already there. He knows he should stay 6 feet apart. Except he recognizes that blunt short bob and that mop of blonde curls.

Yeah, Patrick Zweig just casually quarantining with the Donaldsons. It’s definitely gonna turn out fine.

(Blame @lovethelittlerthings for implanting this in my brain 😵‍💫😵‍💫)