#that i should have learned as a kid

[rekt-by-hubris]

How the fuck did I not know Lightning McQueen was Owen Wilson.

[a-most-beloved-fool]

makes me a little sad when star trek ignores IDIC. like. vulcans are logical. that is true. But 'logical', for vulcans, does not amount to 'without compassion,' and it definitely doesn't amount to 'racial superiority.' Belief in 'infinite diversity in infinite combinations' should NOT result in the weird racist/speciest stuff we're getting in some of the newer treks. It does make sense that some vulcans are discriminatory. They're still flawed. But that should not be common or expected, like it seems to be in SNW. If it is, then it's a race of hypocrites, which. doesn't seem very true to Star Trek's message.

I think TOS Spock does a pretty good job of embodying this. Not always, it was the 60s, after all, but mostly. He was often trying to find non-violent routes, and get by without killing - even if they were in danger or had already been attacked. (See: the mugato, and the horta (until Kirk was the one in danger, lmao. t'hy'la > IDIC), the Gorn ship). Kirk, in his eulogy, calls him the most human soul he's ever known, and I've always read that as Kirk calling out Spock's overwhelming compassion.

It's just so much more interesting when Vulcans get to be radically compassionate. I want them to believe that everything and everyone has value. I want them to respect all ways of being. I want them to find ways for even very non-humanoid aliens to exist unfettered in society. I want them to see hybrids and think that it's amazing. Also, like, disability rep. I want Vulcans to have The Most Accessible Planet and available resources because they want everyone to feel accepted and valued. It makes for better characters and more interesting stories.

[ravenpureforever]

On one hand, Young Justice is kind of neglected by the actual superheroes that should be looking out for them in a lot of crucial ways and very much failed by the adults around them

But on the other hand Red Tornado straight up hosts a parent-teacher conference where their respective legal guardians all show up, barring Batman who’s in traffic so Nightwing fills in instead because Robin’s dad does not know he’s a vigilante which is objectively hilarious

[ratfest]

[applestorms]

L can be such a possessive character at times. he always strikes me as the type of person who is deeply aware of everything that he owns, both in a more literal sense and metaphorically-- like, he knows what money he has and how to use it, what resources are readily available to him and what he has to be sneakier to utilize, the habits and tendencies and emotional states of individuals and world governments both. the DN musical really puts an emphasis on the more computer-y aspects of how his brain functions, which isn't as obvious in the manga/anime but i think still works well as a way to follow his thinking. it's kinda what near does too: everything is a factor to them, every tiny detail a new opening to optimize for the best results, every person and location and object a part of a puzzle waiting to be solved. and as a part of that, L is deeply aware of every and any little thing he may or may not have control over, and exactly to what degree.

his habit of stealing titles as depicted in the LABB murders novel is such a good example of this. ryuzaki, eraldo coil, deneuve. he eats people alive and then takes their names for himself like some kind of fucked up fae or trickster god, creating new masks and personas to hide behind from the remains of the people he's devoured. i have to wonder if he would've used the title of KIRA for himself had he won-- i can hardly imagine what kind of power such a title could hold if held in his hands. of course, he could've just used the defeat of KIRA as a way to build up the L title even further, offering up the body of a dead god like perseus showing off the head of medusa. but L is so emotionally attached to the kira case, i struggle to see him allowing it to fade from existence so thoroughly as near does, even if it is only kept close on a private level...

this is part of why i think it genuinely makes a lot of sense that L's ultimate win state would include capturing light to some degree. even if the memory of KIRA somehow manages to fully disappear from the public consciousness, there is no fucking way L is letting light yagami out of his grasp. honestly, the moment that L truly loses this game is not when he starts investigating misa while still under rem's watch, not when light gets back his memories, not even when he dies, but the moment when he allows light to be freed from the handcuffs. the moment when he allows the other members of the task force to turn off the cameras and keep him from watching light and misa talk in the lobby. the moment when he gives up, lets light yagami go outside of L's personal sphere of control, is the moment when L starts the clock ticking down to the end of his own life.

this is one of the key ways in which i see light as a true equal and parallel to L, as after L's death he, intentionally or no, continues the same tradition and takes L's title for himself, twisting the two sides together into the L-KIRA amalgamation. only, the L title functions a little bit differently than every other persona or title that we see in the series-- because L's true name is L. that's all that he is. on a literal, legal, and emotional level, i don't think that L is anything more than L. he is the world's greatest detective, he's an incredible, weirdo super genius, but he does not afford himself much more than that, barely allows himself personhood or humanity outside of his work. light was the one to ultimately defeat L because he did not just put a stain on his character (as BB attempted), did not just kill him, but stole his very identity and took it for himself.

one of the biggest contradictions of L's character that i think you must accept should you attempt to portray him accurately is that he is both deeply detached from humanity while also having all of his work and effort and life be focused around saving it. it's one of the ways in which he is an exact opposite to light-- where light relies on humanity for external validation, to be Seen, while also looking down on it as dumb and immoral and spineless, L is so separated from it that he barely exists as a person, all the while dedicating almost every action he takes to helping it. remember: for all the emotional turmoil that wammy's house and the legacy of L may put on the kids living there, ultimately it's entire existence is nothing more than L's logical solution to his potential demise. if he dies, the world goes down with him, all of the cases that are yet to happen and he is yet to solve being left in the air. he has the foresight to set up a fail safe, but not to consider the emotional implications of what being that fail safe might feel like, how high the price of your own humanity is if you are not already alienated from it, the inability to have your own name on your gravestone-- though perhaps some of the blame also falls on watari's shoulders in this case, philanthropic old bastard that he is.

imo, playing his game really got it right in presenting L and light as one and the same, synonyms on either side of the mirror. in every action they take they are both so selfishly selfless, playing the game for themselves and their own pleasure but plastering the needs and will of humanity on top of it. L isn't invested in saving humanity for the sake of humanity-- he just likes the thrill of having the stakes raised so high. hard to shit on ryuk for wanting entertainment when the humans he finds are just the same as him.

[canonkiller]

do it all for love

[snekdood]

"if we make america worse and more of a dictatorship that will be even harder to unravel and make it the way we want the country to be, maybe then everyone will join our Glorious Revolution!" bb girl you cant even be in the same room with someone who thinks you should vote, how in tf do you think you're gonna unite people to fight in The Revolution with you? it's gonna be you and your 5 friends, i hate to break it to you.

[blueskittlesart]

i get that people’s first reaction for the religious thing is often negative—being raised irish catholic i experience the same knee-jerk reaction—but that’s because we as adults are approaching the ideology from an adult perspective. we have our own associations with both religion as a concept in general, as well as the social phenomena around religion (and for this post specifically we’re talking about christianity more than anything else). kids don’t have that experience, and so while it might feel really uncomfortable to an adult listening to them speak with such a casual incorporation of it into their worldview, they truly wouldn’t see why that could be. and it’s only when it they’re older and it becomes the only point of perspective or logic for them that it’s truly a problem

EXACTLY. if you don't have a lot of experience with very young children it may be hard to conceptualize, but especially preschool-aged children are still learning LITERALLY EVERYTHING. like, I said the word "collision" when two of my kids ran into each other the other day and then had to have a like 10 minute conversation about what that word means and why I said it. Everything in the world is a new experience for them, including morality, storytelling, and social interaction. there's a specific, scientifically documented developmental stage (usually between ages 2.5-3) where they learn for the first time that they can lie. before that stage, they genuinely don't understand the concept that something can be fake, and it often takes even longer for them to understand that other people, especially adults, can lie to THEM, too. everything in their world is true unless proven otherwise, which can be a scary way for adults to hear religious concepts addressed, since among adults that kind of rhetoric very often goes hand in hand with radical beliefs or conspiracy thought. but for a child, it's just an age-appropriate way to conceptualize religion.

children of that age are also very self-centered in their thinking and largely assume that their lived experience is the same as everyone else's, and that anything outside their own little world doesn't exist. we almost all assumed as kids that our teachers lived at school. I once had a kid with lesbian parents ask me where my 'other mom' was. children I babysit for will very often be upset that I don't inherently know where things are in their house, because to them it's the most obvious thing in the world. they're still developing empathy and the ability to think from someone else's perspective doesn't exist yet. again, irt religion, when that kind of sentiment is expressed by an adult it's usually a supremacist or evangelical who believes that all other religions are inherently evil and their religion is inherently good, but that's not what it means when a kid expresses self-centered thought about their religion. it just means that they haven't yet learned that other people view the world differently.

[yuwuta]

Wow I have been nonstop thinking about tennis king yuuta and his little baby boy I’m going to kill you (affectionate) - @yuutito

teeheeeeeeeee….. here’s some more, aleks :’) enjoy :))))))

“Everybody thinks he looks like me, but I don’t see it that way. Maybe it’s because every time I look at him, I see my wife and I’m reminded of her […] I’m a little biased so I see her in everything.” 

You find yourself with tears welling in your eyes the more you read into Yuuta’s latest magazine interview. Between his sweet quotes and the pictures of him with your son, it’s taking everything in you not to burst into full-blown tears. 

Your boys look so handsome. You and Yuuta shared your concerns with publicizing your child at such a young age, but you two came to the conclusion that you’d rather have the control in the narrative than to let private family pictures be leaked uncontrollably. As another point of reassurance, Yuuta’s career provided him with just enough lime-light to be a household name without the crazy fame and criticism that came along being a true celebrity. Besides—Yuuta talked enough about you and your son in press conferences and interviews that it was bound to happen sooner rather than later. 

The article wasn’t entirely about you, or your family—or at least, you’re sure it wasn’t intended to be; you knew your husband had a knack for rambling about his loved ones, even where work was concerned. As you continue to read, you find a segment where the author compared Yuuta’s current statements with something similar he’d said about you twelve years ago—at the very start of his professional career: “If I owe this [winning Gold] to anybody, it’s my girlfriend. She’s always believed in me, even when I didn’t believe in myself. I wouldn’t have qualified or even thought to qualify if it weren’t for her.” 

It feels like you and Yuuta were just two kids in love back then. You didn’t think it could be more than that—you didn’t think you could love Yuuta more than you did all those years ago, but somewhere along the way just being in love wasn’t enough to describe it; Yuuta became your partner, someone you loved fundamentally, but also because you couldn’t stand to see yourself without him. And just when you thought you couldn’t love anyone nearly as much as you love him, you turn the page to a picture of your husband and son peeping through the holes of a racket and your heart feels full. 

When you scan the image more closely, you realize that it isn’t just any racket—it’s an old one, one you’d given to Yuuta as a gift probably back in high-school. You had no idea he’d kept it, but you suppose you shouldn’t be all that surprised; Yuuta is nothing if not sentimental. 

“Ah, there she is~” Yuuta’s voice cuts through your thoughts. When you turn, you see him, with your baby boy on his hip, sliding the back porch door closed. 

Both boys approach you with a smile on your face, and you set the magazine aside to sit up in the lounge chair to greet them. Yuuta presses a kiss to your forehead, then your lips before you do the same to your son. Immediately after, he reaches his arms out for you, and Yuuta chuckles, “You wanna be with your mama? Can’t blame you, I missed her, too.” 

He hands the baby off to you, and takes a seat on the other end of the chair, reaching over to coo at his son as you smother his face in kisses. 

“How was the farmer’s market?” you question, letting the baby settle into your lap. 

“Good, he picked out some very bright peppers, and we got some more strawberries, know you’ve been craving them,” Yuuta smiles, reaching over to pat your son’s head, when the closed magazine catches his eye, and he reaches for it, quickly flipping through, “Ah—I guess that interview’s out. He’s grown so much, even though it was only a few months ago.” 

You find the blush on his cheeks beyond endearing. Yuuta always finds room to be bashful no matter how many times he’s waxed poetic about his love for you, or his family—his cheeks always stain pink like the first day you met him. 

“It’s sweet. You’re sweet,” you smile, sparing a hand to run through Yuuta’s hair, charmed by the way he leans into your touch, “I didn’t know you still had that racket.” 

“Of course, I keep everything you give me,” he says, earnestly. He closes the magazine and scoots a little closer, taking advantage of the proximity and of your touch to lay his head on your shoulder, “Did you… read all of it?” 

“Almost, but no, why?” you question, with a light-hearted grin, “Did you say something that would lead the world to believe you’re somehow even more in love with me? Because you might already be past the threshold, dear.” 

Yuuta hums. He reaches to take you son out of your lap and carefully shifts himself to that he’s laying down, his head on your lap, and the baby in his arms, happily giggling and cooing as Yuuta holds him up. He lowers and raises him back and forth a few times, nuzzling their noses together when their faces are close, before sitting him up on his chest.

Then he tilts his head up to look at you, wide, love-filled eyes blinking slowly before he says, “Maybe… depends on if me saying I want more kids is past the threshold or not.” 

[wickjump]

thank you undertale for having lowk the best rep out there for they/them characters (monster kid, nabstablook, frisk, chara, etc). like can we acknowledge that. nobody does it like undertale. toby fox you are a legend amongst men.

and just rep in general. dress wearing lion (either gnc or transfem im unsure). mad mew mew being the transfem icon ever. mettaton. undyne being the best lesbian (says me her no.1 lesbian fan). alphys being a bisexual mess. guard 01 and 02 being gay and going on a nice cream date.

undertale does this all so casually and without bringing attention to it or spoonfeeding it to the audience or giving a single shit. and that’s fucking amazing. undertale did queer rep right. toby fox i love you thank you for including queer themes executed perfectly in your stories

[hadesknockedupintheunderworld]

I have all of these extended thoughts on my head about the amazing way themes and character relationships are handled in Iruma-kun and the inclusion of queerness and the handling of the coming of age narrative in this shonen manga/anime

And every time all that comes out when I'm reccing it is "You should watch/read it"

Do it. Go watch/read Mairimashita! Iruma-kun/Welcome to Demon School Iruma-kun

Please.

[eddiezpaghetti]

Okay, so my experience with Stranger Things is a weird one.

I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.

And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.

It's really fucking obvious that Will and Mike are gonna be endgame.

Like holy fuck. It's so fucking blatant I don't even know why people are nervous.

No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.

And then this?

They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.

Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.

Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.

But this?

This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.

It's the same reason you look at this

And go, "Oh..."

"Those two are probably a couple."

And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--

--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.

Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.

[puppyeared]

"idk i think thats smth parents should tell their kids :/" motherfucker you cant even teach your kids to cough into their elbows anymore

[transsongtaewon]

I think the way baby Yoohyun cried is sooo cute, especially since it was all crocodile tears. Here is this tiny little guy deciding to get his way by crying because he saw it on tv and then his hyung, also a tiny little guy, starts crying too because he was so startled and itty bitty Yoohyun never anticipated that reaction so he just sort of stops crying so hyung will stop crying and this was never meant to end this way.

[avocado62524]

[tojiscrack]

to my all little liars!! (edit: wtf happened to my english? 😭)

we’re at 24.6k words rn 😟 if you plan on reading it next week, i recommend you read it on the weekends when there’s no school or work for you waiting in the morning 😀

calling in the troops rn ‘cause there’s still one final scene i have to write and it’s gonna be LONG (this isn’t including the bonus scene btw) but it’s extremely important for the story to continue, and without it, the rest of the story literally cannot go on 😭

we’re locking in guys. it’s 100% gonna border 30k words for sureee. sm has happened in that ONE chapter and i literally cannot wait to release it for all of you, you have no ideaaa

gonna go to bed and then wake up, study, break, write for the fic, repeat. had to randomly drop an update here cuz i’ve been edging you guys for so long i’m sorryyy, but it really is nearly here <333

edit: fck it guys i’m writing it rn (the immediate comments got me motivated)