#that i just stand still instead

[kath-artic]

should i go back on dating apps. not sure if thatd be me avoiding my problems or what

[lokh]

so ive been thinking so hard about that transfem butch zoro au.

i feel like at the Very beginning (after kuinas death) she does try to present real feminine like but it doesnt feel like Her and eventually she stops doing it (and in any case its not like kuina was super feminine so why would she try to be like that??)

on the other hand she HAS to make sure everyone knows shes a woman when she beats their ass and becomes the worlds greatest swordsman. so sports bras (or equivalent whatever) and open shirts are a staple

i think she would do hrt (or equivalent Whatever) because again she wants to prove that kuina could have done it. unfortunately i do also think this means she trains about 1 million times as hard

trans sanji............. coming to the realisation that maybe she Wants to be taken care of by a hot butch........................ as a pretty femme

[starry-bi-sky]

"Stillborn? No, no, still born." -- DPXDC AU

Based off a comment I saw where Bruce knew about Talia's pregnancy in the earlier comivs, and was ecstatic to be a father. So much so that Talia feared he'd give up being Batman for it, so when she gave birth she put the baby (Damian) on a doorstep and (seemingly) told Bruce that the baby was stillborn.

Instead of Damian, that baby was Danny! Meet Daniel Brown, the 14 year old foster kid whose been living with the Fenton family for the last two years. He's about two years older than Damian.

His last name, "Brown", was a generic surname given to him because the note he came with didn't have one on it. It just had the name "Danyal" on it, but albeit 'Daniel' was the one that had been put into the system for, I'll be totally frank here, racism reasons.

(I looked it up to make sure, and it's generally not permissible for foster parents to change the names of their foster kids even if it's a permanent residency, and for that reason Danny doesn't have the last name "Fenton".)

Danny's got ✨~issues!~✨ He's been through a handful of homes growing up, most of them terrible for a variety of reasons. Which has, as a result, left lasting scars. He's generally a very sweet kid, just very distrustful and jumpy. He's got the signs of a kid suffering from PTSD, and a handful of other issues including attachment and insomnia. His inferiority complex could rival Damian's, and that's going to make for an interesting mutual hatred for when they finally meet.

(something I'll get into later)

He still has the blanket he was found in. It's made of a very high quality material and is a beautiful emerald green with little golden thread accents, it's high quality as a result has Danny clinging onto a desperate hope that his bio family might be out there, and the only reason they gave him up was because of some outside factor. It's been taken a few times in old foster homes, and he's flipped out each time.

While he still calls Jack and Maddie by their names, he likes them well enough. The bar isn't that high though, and while they're some of the better foster parents he's had, "better" doesn't equal "safest". Their laboratory malpractice. Basically, C- Fenton Parents. They're negligent by virtue of being engrossed in their work, but they do care equally about Jazz and Danny. So he doesn't hold it against them that much.

He kinda prefers it that way, their loud affection is overwhelming and Danny doesn't know what to do with their attention, even if he craves it. It's a bit of a complicated situation.

They took in Danny because they genuinely wanted another child, but didn't want a big age gap between them and Jazz. It was actually Jack's idea to foster, and they discussed it with Jazz beforehand. She was all for the idea. Thus, a handful of weeks later, a ton of paperwork, and inspection later, and Daniel Brown entered their household with a trash bag in one hand and eyes like shards of stained glass.

His relationship with Jazz is kinda strained, but that's by virtue of her constant psychoanalyzing and helicoptering. Like with the parents, Danny's overwhelmed by the attention and also just, straight up doesn't like the fact that she's telling him that there's something wrong with him. He knows that, thank you. He pushes her away when she does this.

Other than that though? When Jazz isn't smothering him and is acting like an actual sibling and not a third parent, they're pretty close, and Danny really likes her. They've hung out a few times on their own volition, and Jazz showed him how to take better care of his long hair.

His school situation,, pretty similar to canon with the bullying, albeit with a few more instances of him blowing a fuse and lashing out against his attackers. He's a rather angry kid, but it's quiet. It builds up, piles on top of itself, until eventually, like a volcano, it erupts and burns everyone within radius.

Danny's got a fire core, not an ice core. Phantom's hair is made of white magma; thick and heavy, setting itself on fire when his anger runs hot. When he gets angry, his skin begins to char and split open to reveal pulsating lava underneath, and he crackles and pops like a raging forest fire.

I haven't decided yet on how he meets the batfam -- i've got two ideas but they're both in opposition to each other, and drastically alter how the rest of the plot goes. But I do know that him and Damian hate each other in the beginning. And it has nothing to do with inheritance or "being the blood son" -- although their blood relation absolutely plays the major role in their disdain for each other.

Simply put, they're jealous of each other for the same thing: thinking that the other was wanted.

Damian hates Danny because, unlike Damian, Bruce knew about Danny since conception and wanted him from the moment he heard about him. He had a whole nursery set up, and still does. He never took it down -- just locked the door. Damian was thrust upon Bruce without warning, and he feels like he forced himself into the family. And while on some level Damian knows and understands that Bruce wants him and loves him as much as his other children, that doubt and feeling of inferiority still remains. He looks at Danny and sees him with what Damian always feels he needs reaffirmed.

Meanwhile, Danny hates Damian because he looks at him and sees him with everything Danny's ever wanted. He hates him because Damian grew up knowing both of their parents, with one of them for most of his life, and then moved over to the other. There was never a moment where Damian was (seemingly) left to doubt his place within the family. Damian was raised with the very same woman who left Danny on a doorstep, with no clue to his identity beyond a little green blanket and a note with only a first name. Damian was wanted everywhere, and Danny was wanted nowhere. Damian is Danny's replacement in his eyes.

(It's the little revelation that Damian grew up with their mother that elevates Danny from being quietly envious of Damian to downright despising him. What did Damian do, that Danny didn't? He could live with Damian living with Bruce -- Bruce didn't know Danny was even alive. But him living with their mom? Are you fucking kidding him?)

Damian never outright attacks Danny physically, but it's not like he hides that he didn't like Danny. Meanwhile, Danny, in all his repressive anger, quietly despised him from a distance until finally one wrong snide side-comment has him blowing up and it becomes a screaming match. They're both just enough similar to each other that when they look at each other they really just see a mirror.

They'll work it out together, eventually. But it'll be ugly and cruel and explosive, and they'll start mending the bridge to become brothers in more than just blood relation in the end.

But yeah, stillborn Danny has... a lot going for him.

[unfinishedslurs]

The boy stops in his tracks. “I know you,” he says, tilting his head curiously. He’s not tall, but he’s regal nonetheless, dressed all in white. Something about him makes Leia’s hair stand on end, and although she hides it she feels a stirring in her own chest. I know you like I know my own soul, she thinks wildly, and wonders where it came from. Has she gone insane?

“That’s nice,” she says, and shoots him anyway.

He deflects it in a flash of light, a glowing blue laser sword appearing in his hand like magic. She’s only seen one of those before, and it’s Vader’s. If this boy is anything like Vader, she realizes, she’s in deep shit.

She’s smart enough to know when she’s outmatched. Leia makes the tactical decision to run for her life.

Later, as she’s getting the hell out of there, she wonders why he didn’t try to stop her.

She remembers being young and tugging on her mothers skirts, demanding to know why their guest was so sad. “Does he not like it here?” She’d asked, and then, trembling, because Kenobi always seemed saddest around her. “Is it…because of me?”

“Oh, Leia,” her mother sighed, lifting her into her arms. “It’s not that, I promise.”

“Then what is it?”

“Master Kenobi lost a child under his care, years ago.” Breha’s eyes grew deeper, darker. “It was not his fault, but he blames himself. You remind him of that child, that’s all.”

Leia had quieted at that, contemplative.

The next time she’d seen Master Kenobi, she had given him a hug. He didn’t seem to know what to do with that, so she resolved to give him more of them. “He’s lonely,” she’d told her mother. “No one should be lonely.”

Looking at Obi-Wan Kenobi now, the memory seemed so far away. He’d aged thirty years in the ten it had been.

He looks, Leia thinks with a small twinge of regret, very lonely.

“Leia,” he greets. “It’s been a long time.”

Out of the corner of her eye, Leia sees a glint of white.

Kenobi freezes in his tracks. “Luke?” He whispers, and through the distance Leia can hear it as if he’d been speaking directly into her ear.

Master Kenobi lost a child under his care, her mother whispers in her head. He blames himself.

In an instant, Leia understands everything.

Kenobi is still staring at the boy he’d lost so long ago when Vader cuts him down.

Later, as she’s pacing around on the Falcon to Han muttering darkly about Princesses and supernatural abilities, she rememberers the way the boy collapsed, as if all his strings had been cut. Vader was too occupied with him to even look at her as she shot at him desperately.

Luke. She hates him more than she hates herself.

“They know where you are,” he hisses frantically. “They’re coming for you. You have to run.”

“Wait!” Leia quickly pulls up their sonar. Nothing yet, but it would explain the distant queasiness she’d felt since they’d landed. She tended to trust her gut. “How do you know? How much time do we have?”

“Not important, and not enough,” he says. “I have to go, and so do you. You need to leave yesterday.”

“How do I know I can trust you? I don’t even know who you are.”

He pauses. “Call me Skywalker.”

“That’s not an answer, Skywalker.”

“Yes it is.”

She opens her mouth to argue, but there are faint voices on the other end, drawing nearer.

“Shit,” Skywalker mutters. “I have to go. I’ll be in contact, okay? Don’t ever tell me where you are, or where you’re heading. Vader and Palpatine aren’t shy about reading minds. Just leave as soon as you can, and figure out the rest.”

“But—“

It’s too late. The comm has disconnected.

She stares down at it, disbelieving. How would the Empire know they’re here? Why should she trust a stranger who somehow got her personal comm code?

Gut feeling or not, on paper this was a perfect location. Supplied, armored, and most importantly, extremely well hidden. There was no real reason to think it would possibly be found out.

It’s probably a trap. Almost definitely a trap.

Han sticks his head in the door, a sour look on his face. “Hey Princess, can you tell these idiots—“

She makes a decision then and there.

“We’re leaving.”

“What?”

“We’re evacuating, effective immediately.” She pushes past him, and he follows so close he’s nearly stepping on her heel.

“Why? I think it’s pretty cozy here. Actual sunlight doesn’t hurt, either.”

“Apparently too cozy.” She grabs the first person she sees, a pilot who stares at her with wide eyes. “Emergency evacuation. Spread the word to pack everything you can and leave, I’ll let you know where we’re headed when we’re in orbit.”

He salutes and scurries off.

“Woah, hey now.” Han snatches at her elbow until she turns around to face him. “What’s going on?”

“There’s a new informant. He told me the Empire knows we’re here. They’re coming for us.”

“And you trust this person because…”

“I don’t have a choice,” she snaps. Someone runs past them, holding three packs filled to the brim with rations. “It’s either he’s lying and we’re not in danger, or he’s telling the truth and we’re going to die if we don’t listen. It’s not exactly hard math.”

It could be a trap of course, but he hadn’t suggested any sort of direction or destination to follow, and Leia wasn’t inclined to share. Especially not after his tidbit about Vader and Palpatine reading minds.

He squints at her. “That’s not it.”

“What?”

“I don’t believe you,” he insists. He’s so infuriating. Leia doesn’t know why she hasn’t kicked him out yet.

“I don’t know what you’re talking about.”

“Yes you do, and you’re either gonna tell me why, or find a different transport when we head out of here.”

“Who said I was riding on your hunk of junk?” She demands. She actually was planning on going with them, since the Falcon has more than enough room for all the supplies that can’t fit in the other ships and none of the trustworthiness of the other pilots, but Han doesn’t need to know that.

“Well?”

Damn him. Damn him for knowing how to read her. She doesn’t know when she let that happen.

“I feel it,” she admits, defeated. “Something tells me he’s trustworthy. We’ll wait and see if it’s right.”

He studies her. She holds her head high, but inside she’s jittery at the scrutiny. They don’t have time for this.

“Yeah, all right,” Han finally says.

“Really?”

“Yes, really.” He rolls his eyes, like she’s not acting absolutely insane by putting all her trust in a random man she’s never even met. “Now come on, Princess, weren’t you the one who said we had to hurry?”

What is it about this man that makes it impossible to tell whether she wants to punch him or drag him into the nearest supply closet? They don’t have time to find out.

“So there’s good news and bad news.”

“Bad news first,” she demands.

“They know there’s a mole.”

“Shit.” Of course they know, how could they not? She should have been more careful, less obvious about the correlation of their movements with the Empire’s plans. “The good news?”

“They’ve tasked me with hunting down this ‘pathetic rebel spy,’” Skywalker says, humor in his voice. “That should buy me some time.”

Leia can’t quite stop the snort she lets out. “Seriously?”

“Yep. You’re speaking to a professional mole-hunter, here.”

“Well congratulations on the promotion, Skywalker.”

“Thank you,” he says grandly. Then, quieter, “It won’t last, Princess. They’ll find out eventually.”

“I know. Just hang in there, it will be over soon.”

“Will it?” He asks, suddenly sounding very young. She realizes that she has no idea how old he is. She doesn’t know anything about the man who has saved them more times than she cared to admit, and the idea rattles her until they sign off.

Later, she looks up the name Skywalker in their archives. There are a few results, but only one sticks out.

Anakin Skywalker, Jedi Knight and hero of the Clone Wars. Killed at the hands of Darth Vader. There are gossip articles too, speculations on his relationship with the pregnant Senator Padmé Amidala, who died around the same time Skywalker did. The baby, it seems, died with her.

Unless he didn’t.

It’s ridiculous. It’s impossible. The idea is so ludicrous that Leia almost rejects it entirely.

But it makes sense. By the Maker, it makes sense.

The child of Anakin Skywalker, it seems, would be a powerful Force user indeed. Powerful enough for Kenobi to take the baby and run. Powerful enough for the Emperor to want him for his own gain. Powerful enough to send Vader after Kenobi and take the boy himself.

Maybe even powerful enough to shield his mind from Vader and Palpatine’s intrusions.

Powerful enough to hide the fact that he’s a spy.

Leia sinks into her chair, covering her face as she laughs.

Maybe Luke isn’t so bad after all.

“No, no, no,” she mutters, digging through the smoking wreckage of the TIE fighter. “Don’t be dead, please don’t be dead.”

“Princess…” Han lays a hand on her shoulder that she immediately shrugs off.

“No, he’s not dead. He’s not. Luke!”

A faint cough answers her, and she’s so relieved to hear it she could cry. Behind her, Han starts bellowing for a medic and, “Some damn help here, do you expect us to move all this ourselves?”

“Luke, it’s me,” she sobs. “It’s Leia. You’re at the Rebel Base. You’re safe.”

More coughing, and there’s a worrying rasp to his voice when he says, “You know…my name?”

“I figured it out.”

“Smart.” This time, the coughing is so bad Leia and Han both wince.

“Shit, kid,” Han says, moving another piece of rubble. “Don’t talk. We’re gonna get you out of here, all right?”

“Stand back,” Luke chokes out.

“What?”

“Stand back. Please.”

Han protests, but something in Leia knows they should listen to him. She drags him back, and motions everyone else to fall back with them. They do, albeit reluctantly.

“Clear,” she calls, hoping Luke can hear her.

The TIE explodes.

“Fuck!” Han goes back in, Leia on his heels with the terrifying feeling that she’d just allowed Luke to die, before they both stop in their tracks. Around them, the broken pieces of the TIE are floating.

And curled up in the middle is a man dressed all in white.

“Luke!” She pushes past Han to start dragging him out, and after another moment of staring around them, he helps her.

As soon as they get clear, the pieces fall to the ground with a clatter. Luke falls limp with them.

Han is still looking at the TIE. “Can you do that?” He asks quietly.

Leia pauses her examination of the unconscious man in front of her to glare at him. “Is that what you’re most concerned with right now? Really?”

“Excuse me for asking, Princess!”

“It’s white,” Luke grumbles, pulling at his hospital gown bitterly. “I hate wearing white.”

“Should I be offended?”

He rolls his eyes. “Don’t even. You look great and you know it. I just feel like I never left.”

“Well,” she says gingerly. “I guess it’s a good thing you got sick of it. If we went around in matching outfits all the time, people might think we’re twins.”

He snorts. “Yeah, right.”

[demadogs]

some of you need to hate ai way more than you currently do

[mugentakeda]

more low effort avatar doodles (spoilers its mostly katara)

[ink-the-artist]

forgive me if you've been asked this before or if its annoying, but how did you learn to use colored pencils like that? your art is so special to me.

ty :) I took an art class for a few years where our teacher had us buy prismacolor pencils as one of the art supplies and had us use them kinda like paints, pressing down hard right away and blending the colors together. its not how youre supposed to use them she was just trying to teach us to use color and ig this was more to the point. I picked them up again years after i stopped going to that class just bc they were there and i wanted to play around w them a bit and ended up actually enjoying it when doing it on my own terms lol

[wizard-eater]

Brushing your teeth because I caught a wiff of your breath with my nonexistent nose so it's toothbrush and mouthwash time eater

Do you truly hate the scent of roses that much? Rotted, yes, a smell thick and sweet enough to choke on. But roses nonetheless.

[saints-who-never-existed]

One thing I always feel with Fitzjames is that he may well have been happier if he hadn't tried so hard to build himself that great gilded life.

He may say otherwise but clearly it's a life that does humiliate him to live in many ways - he feels forever inadequate, forever a fraud and a fake right up until almost the end of his life when he reaches the end of vanity and is finally free. Perhaps an un-gilded life would have suited him better? Perhaps he ought to have forgone much of that emotional turmoil and continued just being the fighter/deadly weapon/balls-to-the-wall adrenaline junkie madman that life and the military saw fit to make him?

I would never in a million years condone his actions or condone violence and colonialism in general. But you can't deny that he was extremely fucking good at it and derived significant pleasure and purpose from being extremely fucking good at it.

Which is all to say that I'm now thinking the same thing about Hodgson...

We know of course that the real Hodgson appeared to be cut from a similar cloth to Fitzjames - distinguishing himself under heavy fire in battle and earning his commission during the Opium Wars. And there's much to indicate that his fictional counterpart shares that backstory right from his E01 dinner-table reminiscing onward.

Hodgson in the show really does often seem to be at his best under bloody, chaotic, and extremely high-stress circumstances in a similar way to Fitzjames. We see it in E05 when he's able to stop, assess the situation, rally the men around him, and lead them back towards danger to no-scope poor Tuunbaq in the arse in the middle of a blizzard. And to some extent we see it right at the end of his life when he's once again ready and willing to charge forward and make that desperate grab for Armitage's keys, even with chaos and death all around him.

Maybe Hodgson wasn't a Captain. Maybe he wasn't 'made of that'. Maybe he was just made to be a weapon and nothing more.

[rearranging-deck-chairs]

god i love doctor who

[justalittlebluetiefling]

Sometimes I try to write down thoughts about this campaign but I admittedly have not been paying enough attention to feel confident in my character analysis so I write an incoherent text post and then delete it because I don't know if I'm actually making the correct judgments.

[akkivee]

AND THE WAY!!!!!! THE BOYS COVERS ALL HAD THEIR 2/3 GUMIS IN FRONT OF THEIR LEADERS BUT!!!!!!

ITS ICHIJIKU IN FRONT OF OTOME!!!!!! ITS OTOME IN FRONT OF NEMU!!!!!!! YOU COULD EVEN SAY OTOMES STOPPING OR SHIELDING NEMU WITH THAT POSE OTOME IS BACK FR I FEEL!!!!!!!!!!

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[pianokantzart]

I was wondering why Luigi almost never says "Mario" in the Japanese dub, and only ever calls him "Niisan."

I looked it up, and apparently calling your older sibling by their first name is considered impolite in Japanese culture?

So it makes sense Luigi just calls Mario "Niisan." I think the only exception is when he first arrives in the Darklands, where after calling out "Niisan" and not getting a response he calls out "Mario" once... ...probably a last ditch effort to see if his sibling would respond, I guess.

[billdenbrough]

fundamentally disinterested in the recurring discourse about kevin's drinking that aims to a) make it his Specific Problem To Focus On And Overcome when it is a crutch and coping mechanism to get him through a Much Bigger Problem (emotional fallout he can't square with by himself, culture shock, trauma, loss of his extremely wildly co-dependent relationship w riko, losing the structure of the nest, mourning a future he was meant to have, processing a grave injustice, anger and fear and desperate grief, all of which is his Actual Specific Fox Problem) while he builds himself back up, and b) thinks that even if it is a problem (more on that later), it's the foxes' problem to deal with.

like. it's just not.

yeah, he doesn't drink until he meets them. they gave him that habit, and in traditional terms, they're (the monsters specifically) a 'bad influence'. but these are the foxes. this is kevin day, son of exy, whose meteor is crashing spectacularly through no fault of his own. there are no traditional terms to be found here. the framework for it literally doesn't exist. neil comes into the foxes with more conventional expectations—appalled at the athletes' substance use, his horror at matt's trip to columbia, his steadfast and early repeated stance that none of the foxes should let andrew treat them the way he does, and certainly not nicky—and tends to engage with them less as the series goes on and he folds himself into the foxes. the thing about the foxes is that they've all been in pits deeper than they are tall. and some of them got a helping hand on the way—erik, andrew's extreme intervention methods, stephanie walker—and wymack was always waiting for them on the other side, ready to throw down a rope, but all the foxes dragged themselves out of their own holes. often not alone, often not without assistance, but at the end of the day, they have to do it.

there's that line neil has about aaron in that scene that got deleted when the timeline shifted around, when he thinks about how aaron got this far in life on his own, surviving on willpower and sheer desperation. that applies to aaron in a way that's a little more acute than some of the rest of them—boy who doesn't let the foxes in bc of andrew, boy who doesn't let nicky in bc he doesn't know how, boy made of flinching and seeking an escape and grieving the one who hurt him—but is broadly true for the foxes en masse.

this isn't to say the foxes can't help each other, but it's not their job. it just isn't. they'll keep kevin alive, keep him safe, keep him flanked and contained within their ranks. they'll fight tooth and nail in this battle with him, fight to get him to that championship game, fight to get that trophy in his hands. but that's all they've agreed to. that's all they're responsible for, in this covenant they've made with him. he says they can make this happen, and they're going to get him to that final game, but it's up to him what state he's in when he gets there.

like. they're foxes. they've been triaging their whole lives. they hate each other and they hate everyone else more. they're the kids with their backs up against the wall. half of them are addicts. i don't think kevin is comparable, personally; he's getting through a horrific situation with a coping mechanism. that's not the same thing as battling yourself to stop using. but that's not really the point of this. what i'm getting at here is that to the foxes, it's easy math: kevin who can lean on vodka and andrew and wymack and the foxes to stay upright when he's not ready to stand on his own two feet is still a kevin who is standing. a kevin with one less piece of scaffolding to lean on is a kevin who falls over, a kevin at risk of complete collapse, a kevin one phone call away from running back to the master, a kevin one crucial loss away from not ever making it back to himself at all. they're triaging. this is low on the totem pole of things they have the room to care about. they very much have bigger problems, both individually and even just kevin-related. if alcohol makes seeing the boy he knew best in the world and moved in tandem with his whole life and who destroyed their entire legacy and his entire life in one move — if alcohol makes facing that boy easier to stomach, then, fuck, why would they take that away? they're foxes. they've all got their demons. this is what kevin needs this year and a half to let him face his, that's all. they can understand that. it doesn't have to be pretty, as long as it keeps him in the fight. that's the priority.

i think there's absolutely space to explore this in fic and art and fandom in a way that maybe does explore it as a Problem, both that it's an active problem for kevin & that it's something to explore other foxes helping him with (there's a t&n fic that i've been gnawing at the bit to read for months that seems poised to explore this premise, and that's super up my alley)! i just think we're in different territory when we're talking about the series—and its characters and dynamics—in a conversational rather than transformational way, and end up talking about this like the foxes are responsible for kevin's choices. i love kevin day. i read these back at the start of 2015 & he's so dear to me that loving him was the blueprint for how i feel abt kageyama. but it's been pretty weird to see how the conversation has been translating Loving Kevin Day into... thinking the foxes are doing wrong by him with respect to this in actual canon. like that's just not how it operates there

[jinkieswouldyoulookatthis]

Dean Winchester: Of course, the most troubling question is: "Why do these people assume we're gay?" 

Oh, I don’t know, Dean…