#that favored that good

[mxtxfanatic]

Random Thought #33: Idk how to say this without sounding like I’m tryna diminish Jin Zixuan’s one moment of unambiguous good, but I don’t think Jin Zixuan defending Mianmian would ever have happened if he had to do something more proactive than just…ignoring the words of a man he had been building a simmering hatred for over the course of a few weeks.

Jin Zixuan is shown (and explicitly said) to side with people he considers “his people.” While they are all hostages of the Wen during the indoctrination camp, outside of that shared victimhood, Mianmian is simply a stranger to Jin Zixuan, while his “defense” of her is simply refusing to move out of the way when Wen Chao—the man who had been targeting him for harassment every day for weeks on end��ordered him to. This is a very passive resistance. And not to say that this wasn’t a good deed or any less of a powerful moment, but if Wen Chao hadn’t singled out Jin Zixuan for bullying, would he have still ignored the former’s words to move out of the way? If Jin Zixuan hadn’t happened to be standing by Lan Wangji and Mianmian hid behind only the Lan, instead, would he have said anything in her defense? Would he have even physically moved to shield her? Is any of that in-character with the behavior we are shown of his throughout any of the rest of the novel?

[farshootergotme]

Occasionally I picture Nightwing calling Red Hood "little wing" in front of others and people looking between this huge, 6'0 feet tall man with growing white hair, and then Nightwing, a shorter man who has flawless skin, probably around his 20's, and a fit but not too buff build and they just- don't know what's happening. Is it some kind of inside joke they aren't aware of? Why is Nightwing acting as if he's years older than Red-fucking jacked-Hood?

Nightwing: Little wing, you actually were decent in that fight! I'm impressed.

Hero, who was helping during this fight as well, listening in to the conversation: little...?

Red Hood: Wow, feeling very appreciated right now. Got any other backhanded compliments in there?

Hero: Wait, excuse me-

Nightwing: As a matter of fact-

Red Hood: Nope! I'm outta here. Screw you!

Nightwing: You know you love me!

Red Hood: In your dreams, dickhead!

Nightwing: Hey! We don't use that-

Red Hood: Not listening!

Nightwing: Jeez, kids these days...

Red Hood: I'm an adult and fuck you too!

Nightwing: What? Thought you weren't-

Red Hood: See you never, I'm out.

Hero: ...

Hero: what the actual fuck?

[mumblesplash]

i know it’s like years old at this point but i love that one collab mumbo and grian did with tommyinnit bc it’s like the single most concentrated example i’ve seen of mumbo’s Chaos Nullification Powers

you get to see a bit of it on hermitcraft, mostly via his interactions with grian, but until seeing that collab it didn’t really hit me just how completely mumbo can no-sell other people’s attempts to control a situation. tommyinnit is possibly the single shoutiest, most chaotic minecraft youtuber out there, and in most videos i’ve seen he pretty much overwhelms everyone else and sets the tone for interactions because of this. but mumbo just. doesn’t let him. no matter how much tommy escalates in intensity, mumbo reacts with *exactly* the same energy he always does. grian largely comes across in the whole video as annoyed and reluctant to engage with the whole thing, but mumbo’s not even affected. he just rolls with anything he finds funny and basically ignores anything he disapproves of, only seeming more and more unflappable the harder anyone tries to get a rise out of him.

AND imo, this is the key to my favorite interpretation of him as a character

see, when the people around him are being more reasonable/calm, i think mumbo often comes across as anxious and a bit easily overwhelmed. the thing is, his nervous wet cat vibes do not scale. he has one setting. his responses to the last life ‘ah-ha!’ jokes and to hermitcraft 8 starting to crumble to pieces under a falling moon are almost identical.

mumbo jumbo is inexorably and eternally Just Some Guy, but that gets stranger and stranger the weirder his surroundings become. the giggly incredulousness that makes him an easy target for goofy puns looks Very different when it’s also his reaction to the impending end of the world.

[isaac--r]

Death by a thousand clones, unless you behave. Don't be a transphobe!

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[xmaveria]

I was part of the @swimonzine Volume 10 a shark charity zine. You may still purchase it here which I highly recommend it to shark fans and enthusiasts. I'm always excited to be part of zines like these and this was no different! I picked two Deep Ocean Sharks, The greater green lantern shark, and the lesser known Megamouth cousin of the Whale shark and Basking Shark

[nidbaesenpai]

Paper flowers seem beyond you now but you can always go back to the basics, paper cranes are easy enough...

[channnel]

What if they were friends 🥹

[joyfuladorable]

Baby Junior's First Steps (based on a scene from Bluey)

Prompt from my buddy @vadfannypack! Everyone thank them Right NoW!!

[charlesbernardbarton]

I just love when he looks a little extra elvish

House of X (2019) #4

[hitlikehammers]

The One Where Wayne Munson KNOWS BETTER Than to Lend Air to IDLE GOSSIP

(and does it anyway on accident and ends up thinking his 💕boy's boy💕 might be ✖️stepping out) ——(1/3)

Wayne Munson’s lived his life mostly free from the hubbub of small town gossip. Some was unavoidable in his tiny holler as a boy; more was part and parcel to the service, and plain keeping half-sane in war—anything for a distraction. After all that though, Wayne’d had more’n his fill of even a teaspoon of hearsay, and compared to where he came from? Hawkins, Indiana was small potatoes for keepin’ his nose clear out of it.

Which is all to say he don’t mean to collect any of the latest scuttlebutt on his way just to town after he gets off his shift with the sun barely a glimmer, just past 5 for Leah’s to be open for a better cup-o-joe than the sludge he gets on the floor. All he wants is a hot nightcap because he knows damn well his boy didn’t pick up more grounds before Melvald’s closed last night, and Wayne doesn’t want to see his bed until he’s had a full mug of fair-to-middling coffee.

And honest: he don’t think that’s more than he’s earned to ask.

But it is more than he bargained for signing’ up to, when he sees the only other people in the diner at this hour on a Saturday.

Because the only other people are a girl he don’t know, though he can’t see her real well from the back, which only really means he sees her coffee date full-on and much too well in exchange because they’re leaned in and they’re being all touchy across the table, voices low but not too low—he don’t think they even noticed him come in, let alone come to wait close enough to hear ‘em while he insists on saving the lovely Leah herself the trip to a table when he can damn well carry his own drink, thanks kindly.

“You’re gonna have a coronary if you keep hiding this.”

The girl sounds…she sounds the way Wayne remembers his Mamaw sounding when she was about to hit his Grampy up the head over some harebrained such-and-such. Exasperated, but all from a deep well of unshakable loving.

Which is what perks up Wayne’s attention, and then churns his insides quick right-next, because—

Well. The boy this young lady’s being all over-fond at for his antics is Steve Harrington.

Who, for all that Wayne understands, is meant to be his boy’s boy.

“No, no,” Steve’s shaking his head, tone bowstring-taut; “I’m gonna tell him.” Kid sounds resolved for all of half-a-second before he’s groaning, running hands over his face: “Or, I mean—”

The thunk of the boy’s head to the tabletop clatters the cutlery, and if Wayne weren’t already clued into their conversation, he’d be wholly absolved for dropping eaves given how the noise echoes through the mostly-empty establishment bar-to-door.

“Dingus,” the girl says, and it drips with concern, with affection, with a deep choler that, again, sings loud of married-couple.

Which twists Wayne’s guts all the more to hear.

Because she’s talking to Wayne’s boy’s boy.

“I’m gonna, I promise,” Steve sounds not unlike a man on his way to the gallows, even more when he sighs deep as anything and traces out his lips with his fingers, hands shaky even out the corner of Wayne’s eye for a distance as he hisses low:

“Fuck.”

And Wayne, see, he don’t like borrowing trouble. He meant it about keeping his nose clean of the gossip and the hearsay. So he makes sure he reminds himself good in his own head that he don’t know the facts here, and jumpin’ to conclusions don’t do no favors to nobody.

It don’t do nothing for the way that what he does know, what he sees and hears with his own god-given senses in the now, don’t add up too kindly for the Harrington boy.

Not least because it seems to be adding up poor indeed for Wayne’s boy.

“Do you think he’ll—”

“Steve,” the girl’s voice goes softer, but also frantic almost, as Wayne sees her reach across the way and gather Steve’s hands with a familiarity to the motion that wouldn’t make sense unless…

Unless they’re something special to each other.

Wayne’s watched Eddie reach out for Steve that way. He’s watch Steve do the same. So it…it just don’t make sense—

“You’re shaking,” the girl says, all kinda pitiful, and Wayne’d seen it before, but now he chances a look again and: oh.

Boy’s a leaf in a cyclone.

“It’s a big deal,” Steve rasps out near under Wayne’s ability to hear it.

But he does hear it.

“You need to just lay it out,” the girl tells him, earnest now and more of that than any irritation, any frustration put-upon or otherwise; “be up front with him.”

And it ain’t fair, yet, even if all the signs are pointing that direction; but Wayne likes Steve. He doesn’t want to think the worst of him. And he doesn’t, really, in his heart, think Steve could do or be the worst, from all he’s learned and seen—Wayne’d had uncharitable thoughts about it he kid, before he knew better, based on hearsay which one more time, he don’t countenance as a rule, and he’d been taught better and quick from the second he saw Steve at his nephew’s bedside, and heard the only thing he’s proud and happy to have dropped in upon uninvited:

You nearly fucking died yourself dragging him out, Steve, what the hell—

That Henderson squirt, scolding Steve something fierce.

So Wayne reminds himself this boy loved his boy enough to risk himself to bring Eddie home. Before they were anything to one another. And Wayne knows damn well they’re both something to each other, now. It don’t make sense that Steve wants to…be up front about a notion with Eddie that could hurt.

But then: care can look a lot of different ways, and can change over time. Ain’t nobody to fault for that. And much as Wayne can’t quite believe the Steve he’s gotten to know these past many-months could swallow hurting his Eddie…

Wayne’s been proven incorrect about people more than enough in his life to know better than to think it’s impossible to be wrong about a man’s heart.

“Oh, I’m sure that’ll go over fucking fantastic,” Steve’s huffing, rolling his eyes—apparently he don’t want to be up front with the person they’re talking about. Wayne tries to remind himself that they’ve not flat out said it’s Eddie yet. Wayne shouldn’t go making assumptions.

“Why not?” the girl’s pressing him. “Be honest, with him,” then her tone does go a little judgemental; “you can’t honestly think he doesn’t suspect—”

“I really don’t think he does,” and it’s a strange thing, because no matter the words themselves, it don’t sound like Steve’s meaning to be deceitful about a thing. Kinda sounds a little like he’s mourning, like he’s just in a kind of pain. “If he did, then at least maybe I’d have some kind of,” he waves his hand in the air, looks frantic, at loose ends all around; “heads-up for where his head’s at.”

And they’re both quiet for a spell, and Wayne looks for Leah in the back, knew she was getting food ready and was happy to wait—for better or worse with the conversation he’s been privy to without permission unspooling at his side—but he’s starting to feel antsy for all that he’s hearing, and the way he can’t quite tamp down associating it all with Eddie, with touchy things Steve might have to tell Eddie—

“Tell him by the end of the weekend.”

And now: think he might have to tell, encouraged so damn strong and single-minded by his lady friend with her hand on his arm.

“That’s fucking tomorrow!”

“End,” she’s narrowing her eyes sharp enough Wayne notices more in the shift of the room than to see it head-on; “of,” and then she’s smacking Steve’s arm to emphasize hard enough it rings out; “the weekend.”

Then Wayne notices how her posture shifts, and she leans closer again, so much affection, and easy with it, and welcome for it, no doubt about it:

“I don’t like seeing you like this,” she says low and earnest; “especially not when the thing you’re like this about is,” and then her tone shifts to something bright, near-on hopeful, even:

“It’s such a good thing, Steve.”

“I mean,” Steve mumbles, kind of miserable really; “of course you think so.”

And Wayne don’t like where his head goes for things the girl who’s watching Steve with such soft eyes might think to be good, might think while she’s touching him so close and —

“He’ll,” and she huffs a touch before going all heartfelt again: “Eddie is going to—”

And the moment his plausible deniability about the subject of the discussion is gone, Wayne gives up waiting for his coffee at the counter and…retreats to the corner by the door, far as he can get from whatever’s said next. He’d leave, honest, but the truth of the matter’s this:

He can’t be expected in good faith to figure out how to bring any of this up with Ed if he don’t have no caffeine in him.

☕ 👀 ☕

✨ part ii >>>

For @thefreakandthehair, who requested 'Whatever our souls are made of, his and mine are the same.' at my HOBBIT-STYLE BIRTHDAY MONTH PROMPT FEST—and since this is almost a YEAR LATE, could I possibly offer it as a normal-amounts-of-late birthday gift, more than as an egregiously-and-unforgivably-late prompt fill for you?

✨permanent tag list: OPEN (lmk if you want to be added/removed): @askitwithflours @awkwardgravity1 @bookworm0690 @bumblebeecuttlefishes @captain--low @depressed-freak13 @dragoon-ze-great @dreamercec @dreamwatch @estrellami-1 @finntheehumaneater @goodolefashionedloverboi @grtwdsmwhr @hiei-harringtonmunson @hbyrde36 @imhereforthelolzdontyellatme @live-laugh-love-dietrich @mensch-anthropos-human @nerdyglassescheeseychick @notaqueenakhaleesi @pearynice @perseus-notjackson @pretend-theres-a-name-here @pukner @ravenfrog @sadisticaltarts @samsoble @sanctumdemunson @shrimply-a-menace @slashify @stealthysteveharrington @swimmingbirdrunningrock @theheadlessphilosopher @theintrovertedintrovert @themoonagainstmers @theohohmoment @tillystealeaves @tinyloonyteacups @tinyplanet95 @warlordess @wheneverfeasible @wordynerdygurl @wxrmland @yourmom-isgay @1-tehe-1

NOTE: it's important to me that you know that Wayne's accept belongs to nowhere, and is just the voice of someone I knew as a kid, who also sounded like a little of everywhere and then again nowhere. so if you think some turn of phrase doesn't fit what you think you're reading in terms of dialect? it's just that this way of stringing words together is—with intention—its own amalgam of places and times

divider credit here and here

[packitandgo]

season 3 eliot CONSISTENTLY trying to get his partners out of situations where they could get killed, but they insist on doing the right thing and putting themselves back into danger to save other people's lives!!! and he's so upset because they worked so hard to get them out (he got to the 47th floor!! they stole a train!!!) and they're too good for that

my beloved

[lonestardust]

"No matter what the future holds, we'll face it together, TK."

[theoldkyokodied]

Uploading all my Tomgreg art at once from the past few week before season 4 hits, who knows in what kind of mental state i'm gonna be once it does :')

[k1tty5]

your mazaleian (i cant spell) smalletho gives me life, actually, do you have anything esle to share about them

thank you for asking! I did not. So here you go, some sketches fresh off the… canvas. Or something.

[nomouthtospeakof]

hey gale. gale.

halaster? the halaster? halaster fucking blackcloak?

you not only personally know halaster blackcloak --

you chose HIM --

-- as your CAT SITTER??