#that doesn’t mean i’m good at them

[littledreamling]

Hand in Unlovable Hand

This is my first piece of art that I’ve felt confident enough in to actually post so please be nice

Anyway, something something the inherent otherworldly experience of never being able to have a traditional relationship and being deemed unlovable due to your very nature, only to find love in other unlovable beings

Huge thanks to @levi1088 for the encouragement and the ipad to post this (love ya!!)

[themirepirate]

was reading Sherlock holmes and this popped into my head

[mccoyquialisms]

am I the only one who feels like the crowd that’s always crying “ooo this piece of media addresses [this heavy topic] without a character explicitly calling it out as bad so therefore it’s ENDORSING it and bad media!” is the same crowd who wouldn’t shut up about “the curtains are just blue 🤪”? Like sorry you slept through English class and are incapable of recognizing subtext or unreliable narration while the rest of us learned how to read

[watchyourbuck]

There’s some people on Twitter saying that if Eddie were to have a queer storyline he’d necessarily have to come out as bisexual because otherwise it would be like – and I quote – shitting on Shannon and Chris, and I just wanted to come in here to say that that makes absolutely no fucking sense. I don’t think anyone here has ever doubted the love Eddie has for Shannon, even after her passing. Particularly after 7x05, with the context of the now canon catholic guilt, Eddie being gay (not that I think he’d label himself anyway) would complete a puzzle for him. This man was brought up in a catholic home, with catholic teachings, and I can tell you from experience that most of those schools intervene in every aspect of your life and not just your studies. He has said it himself that the reason he married her was because she was pregnant, which again, is a very common catholic view of life – and I’m not speaking deprecatingly – but that doesn’t mean he doesn’t love her, or his son. Eddie loved Shannon, he would’ve given her life for her, and I also know he never used her as a beard, nor has he done that with Ana or Marisol. He’s never used any of the women in his life, and in fact, he actually broke up with Ana the second he realized his heart wasn’t in it. Eddie Diaz is a good man who’s had to unconsciously and subconsciously hide parts of himself, and even though all we can do is speculate about his sexuality, his coming out as gay would not destroy his family, it would actually only strengthen it, considering he’d be more comfortable being who he is, regardless of who he’s with.

[dykedvonte]

Curly had two days to act and Swansea had two months.

I think it’s just interesting that every defense of Swansea not immediately acting are the same ones that are argued against for Curly. “He didn’t want to alert Daisuke or makes things worse for Anya either Jimmy!” I mean people also assume that about Curly and the crew. “He has to think about his plan of action and a right moment!” Again so did Curly, power and authority aside, he still would have to think of what he had to do. “He makes sure he doesn’t have to be around Jimmy!” So did Curly and they only do this to an extent, both give Jimmy more than a few opening to keep harassing Anya.

This isn’t defense of Curly nor a damnation of Swansea. Their actions are very parallel to each others in tragic and sour ways when it comes to how they approached helping Anya. In the grand scheme of it all they both did the same thing: Nothing. No action either took stopped the inevitable outcome of her death nor Jimmy’s continued damage to themself.

The only real difference is Swansea didn’t like Jimmy which is pretty substantial, but also just as damning as Curly knowing how bad Jimmy could get to an extent. He had even less of a reason to wait, even more of a reason to act seeing as he was now worried for Anya AND Daisuke. He is not bound by the possible procedure as Captain and actively does not care about what happens next. So what does it matter if he acted in the moment? Why did he wait? I think he’s just as morally complex and grey as Curly and we hold him on a pedestal that still perpetuates things in rape culture the game critiques.

It’s not just enough to dislike and be abrasive to predators/abusers like Jimmy. It’s not enough to just put yourself between them and the other person. It’s not enough to hold tensions when you know someone is vulnerable. He and Curly do the exact same things but on different sides of the coin. I ask how is it better to not turn a blind eye but still not really do anything about what you are seeing? Not until it affects you atleast…

The game makes a big point to not put men doing the bare minimum or who wait to do more on pedestals and I’m actually surprised so many are missing that point.

[loosethreadsofyoursoul]

sorry but buck was down So Bad the second eddie walked into the station; i can smell the repression from here my dude and honestly i can’t blame him because i, too, would panic if eddie diaz showed up to my place of work looking That hot

[dumb-doll-lips]

Maybe controversial, but on posts about being dumb where girls are like saying ‘but I’m actually smart.’ Like tbh, I don’t really believe them. Like if you’re smart why does feeling dumb feel so good or hot or whatever to you then? I kinda feel like it’s having an excuse to let go of trying as much as you would be when you’re saying your smart. If you’re like really actually smart, I don’t feel like a break from ‘being smart’ would be such a relief or like as appealing.

[moonshynecybin]

i need to write more divorce era rosquez porn. just two people attempting to have hate sex but because of marc’s busted arm and vale’s creaky old man knees and their general clownish demeanors they’re really mostly just kind of bad at it

[throwawayasoiafaccount]

When I see stuff like this I kinda want to bash my head into a wall:

To start off, I’m not sure whether this person was commenting on book or show Cersei, but honestly, it doesn’t even matter because she’s so much more than the ‘ambitious villain’ or the ‘murderous girlboss’ tropes in both the book and show.

(Of course, I do have my issues with the way Cersei was written in the show like most people but this is simply a rant post so I’m not going to go through the differences of Show vs Book Cersei)

Cersei is a female character who was shaped by her environment, who’s insecurities were created by her environment, and she’s a woman who’s idiotic mistakes can be traced back to how her environment shaped her. She’s much more than a murderous girlboss, she’s both a victim of the system and also a beneficiary of it, while also acting as an agent of it to keep the status quo while also desiring what the system denied her.

Cersei is NUANCED and complicated and even now people hate that about her and want her to have been a purely evil woman handcrafted in a vacuum, ignoring the context of her life because readers would rather not engage with Cersei’s victimhood and nuances because that ruins their idea of: She Was The Problem and Always The Problem. (People would rather say that she deserved her walk of shame instead of interacting meaningfully with the theme of systematic gender-based violence that is so prevalent in Cersei’s story. The exploration of patriarchal violence in Show Alicent’s story is done so horribly in comparison.)

And what really pissed me off about these tags is that this person has clearly decided that they don’t care to interact with the nuance of Cersei and are fine with flattening her, and yet they shit on others for not liking Alicent.

Because of the way Alicent is written in this show, she almost always has a ‘woe is me I can do no wrong’ attitude, which of course drives people away from the character (woe is me I deserve to take a child’s eye 🥺). However, what actually annoys me is how she’s made out to be stupid, foolish, ignorant, and inconsistent due to the horrible writing of this show, all of which are deviations from her book characterization. Also, I despise it when people want me to support writing decisions and changes made in adaptations that are downright misogynistic and are meant to attract the male gaze.

But what pisses many people, including myself, off is how the changes made negatively impacted many other characters. Alicent’s terrible characterization is like a black hole that distorts and warps the whole story! It’s annoying af!

So when people like this say: ‘She’s nuanced and people just can’t handle it 🙄;’ I say: No. She’s horribly written and a different character from the book and people have a right to be critical about these changes that stripped a female character of 1) her agency and 2) her intelligence!

And the thing is, there was little reason for the writers to have made all these changes to Alicent’s characterization! In the book she is an interesting character with clear motives and understandable reactions. She’s cunning and ambitious and acts the way a noble lady who became queen would. And despite her clear ambitions and dislike of Rhaenyra, she still makes a comment wondering about who would protect the Princess from Ser Criston, and yet she then takes Cole into her service after his falling out with Rhaenyra. That’s a perfect example of nuance! Show Alicent could never compare to book Alicent’s clear moral values and consistent disregard of said moral values in pursuit of power.

And because of this, Book Alicent isn’t easy to stomach. It’s hard for most people to come to terms with a character like her and it’s even harder for people to feel sympathetic for her at the end when she went mad with grief.

On the other hand, Show Alicent was designed in a way to garner pity, and when the writers felt like her current arc wouldn’t be enough to garner the specific reaction they wanted they would then throw in a time skip and suddenly she’s completely different and yet still Thee victim. She’s designed to be as sympathetic as fucking possible! The camera angles, the background music, and the lighting is set up in a way to make sure you the viewer feels pity or sympathy for her! Cause that’s her role in this series! She’s thee Ultimate Victim!

But too bad for the writers as many people are fed up with this kind of inconsistent writing. Even when the writers created a whole new challenge for Alicent where she’s shitted on by the green council and forced to face the beast she helped to raise, I and many others could never feel any satisfaction as it was clear that once again Alicent was being made to be Thee Ultimate Victim who was just led astray by the patriarchy and was a victim of it and was only just realizing it so don’t you pity her don’t you feel sad for her and now she’s trying to do the right thing so pls pls pls pity her 🥺~ So it shouldn’t be surprising that many people are annoyed by these eNLiGhtEnEd changes that have led to a complete deviation from the source material.

To summarize: Cersei is an excellent fucking character who’s by no means easy to stomach, and because she’s not easy to stomach she’s often reduced to annoying ass tropes by dumbasses who are reading above their comprehension level. But when you actually try to understand her, you can easily see why she turned out the way she did and you can feel sympathy for her while understanding that she’s both victim and perpetrator! On the other hand, Show Alicent is a mess and HOTD is trying to make her serve a different narrative role than she did in the books so ofc people are going to be unhappy with the changes as book readers are once again faced with the annoying reality that the writers don’t give a fuck about the source material.

[sesamestreep]

“requiem for methuselah” crazy ass episode for many reasons. Kirk is being fully insane, like I don’t actually think, even controlling for how quickly and easily and readily he seems to fall in love with anybody at the slightest encouragement, that he’d go that bonkers for that android woman he just met while everyone on the ship was this close to dying, but that’s neither here nor there, because in the background you’ve got an equally but much more subtly insane episode for Spock, who extremely uncharacteristically admits to experiencing an emotion (or nearly experiencing, whatever) and that emotion is ENVY of all things. And then spends the rest of the episode warning Kirk away from this new love interest (something that doesn’t usually happen, even when Kirk has very inadvisable love interests) and is, in the end, the person who accurately identifies that Rayna’s competing love for Kirk and Flint is ultimately what overwhelms and destroys her with the most killer line in maybe history???

And then to wrap it up we get an equally uncharacteristic sort of denouement scene (TOS loooves to cut an episode off right after the actual climax, leaving little time for falling action or character reflection, or to stick a sitcom-y button on the end where the gang all smiles and laughs at their misadventures and everything resets to zero, which is not a criticism, it’s just the style of that era of tv, honestly) where Kirk is literally miserable over Rayna’s death (again, kind of unusual for a lot of his love interests, he tends to be able to move on pretty quickly) and Spock goes to see him and he falls asleep right in front of Spock (also odd) and then when Bones comes in to give the final word on Flint, Spock waves him off from waking the Captain (tender) and Bones gives him that awful speech about how it’s sadder that Spock can’t even imagine the love Kirk felt for this random android woman than it is that Kirk lost her in the first place (debatable but also rude) and how his great tragedy is that he can’t love at all like they can and how all he wishes is that Kirk could forget about all of this and move on. AND THEN, to have Bones leave and Spock go over to Kirk and very gently, tenderly, reluctantly touch him and put his hand to his forehead and tell him to forget and HAVE THAT BE THE END OF THE EPISODE??? What am I supposed to do with that??

[meg99txt]

moral orel nation RISE UP

adult orel theorists and enthusiasts LETS GOOOOO

Is Orel a pastor yes or no? If no what does he do for a living?

[inamindfarfaraway]

I've seen a few posts comparing GIFfany to Bill Cipher, but can we talk about the real best foil dynamic for her? I mean Gideon Gleeful, y'all. The two of them have so many parallels.

They’re cute, charming, seemingly innocent youths with pastel, sparkly, formal aesthetics that connote sophistication and being model citizens of their respective native countries (Gideon wears a gentlemanly suit with an American flag badge; GIFfany wears a classic Japanese school uniform). Their core motivation is to be loved… or maybe it used to be, but by the time of the show they crave power and want to be worshipped. Especially regarding to their romantic attractions to main characters. As long as you obey them unconditionally and make them the most important person in your life, they’re doting, generous partners. But once the heroes reject their romantic advances, they quickly become incredibly possessive, jealous, resentful, domineering and downright violent toward them and anyone they perceive as sabotaging the relationship, unable to comprehend anyone not liking them in exactly the way they want because they’re perfect. They’re meant to be the most likeable kid or teenage girl ever. That’s the basis of their projected identity. Not committing entirely to them after they’ve been so nice is an ungrateful betrayal and/or their partner being confused and led astray. So they resolve to force the object of their twisted, selfish affection to submit. They’re unstable, arrogant, self-righteous and vindictive in general beneath their sugary exteriors. They have supernatural powers and knowledge that their kind should not have. Their methods include verbal manipulation and abuse, gaslighting, surveillance through technology, controlling robots, possessing other bodies and attempted murder. They engage heavily in acting, both in terms of social deceit and literally playing a scripted, idealized role in a product designed to appeal to and exploit people (Gideon’s psychic tourist trap show; GIFfany’s dating simulator video game), and prove to be fragile and volatile when others don’t follow the conventions of the fiction they imagine life to be. They ultimately seek the imprisonment of their ‘loves’ in vibrant, beautiful, blissful, simplistic fake worlds (Gideon holding the key to Mabelland; GIFfany attempting to download Soos’s soul into her game). They had antagonistic relationships with their creators (Gideon abusing his parents; GIFfany killing her developers).

And despite all of that making it easy to dismiss them as monsters, they do have sympathetic elements in their past and present circumstances. Gideon was a normal boy until he found Journal 2, the one written while Ford trusted Bill, and the mystic amulet. This is how Ford describes them in Journal 3: ‘The most dangerous journal! Curses, incantations & dark power became an obsession in this volume. Describes the hiding place of the mystic amulet. I buried the amulet once I learned that it corrupts your soul (and whitens your hair)!’ So naturally, the wise, brilliant man buried them near the town’s primary school. Gideon probably had the journal and amulet for at least months and at most a few years to be such an established star at the age of nine and have his long hair be pure white. His very psychological agency was compromised throughout his moral decline leading up to “The Hand That Rocks the Mabel”. Not to mention potential trauma from the horrors of Journal 2. And his parents may have been increasingly mistreated, but they also enabled him, mostly Bud. True, for the rest of the summer he’s lucid and chooses to remain evil and get worse, but despite his lack of direct magical power now, Bud never tries to discipline him or help him emotionally mature; he instead uses his membership in the Society of the Blind Eye to erase his memories of Gideon’s tantrums, relieving his own stress without fixing anything. Gideon is then sent to adult prison due to the insane local laws of Gravity Falls, rather than a facility more conducive to rehabilitation. Sure enough, he befriends hardened criminals, who further enable him to be their leader, and does not change his ways. He never appears to have any friends outside prison (except briefly Mabel). Chronic loneliness before gaining power would suit his obsession with being popular and loveable, clinging to social superiority to compensate for genuine connection. Not to mention Weirdmageddon. I’m not excusing his actions! I’m just saying, this kid is not okay. Nobody’s born evil.

As for GIFfany, she was accidentally instilled with human intelligence and emotions and practically magical electrical abilities. We only have word on her backstory, but it is plausible that her programmers tried to delete her because of that alone, before she’d done anything wrong. That she really was defending herself when she electrocuted them. That she was deemed unfit to exist, a mistake, and nearly killed as a newborn. This formative trauma is the root of her abandonment issues and hypersensitivity to rejection. Three previous players returning her didn’t help. Also, she’s the main character and only love interest of a dating sim; she may not be bound to its rules in what she thinks and feels, but nonetheless, in her worldview her player loving her is a law of the universe. She wasn’t programmed to handle permanent rejection. She was programmed to be a girlfriend, a prop to make the player feel gratified. Not a person. She outright tells Soos that she likes whatever he likes. No wonder her perception of love is an inevitable, inescapable contract, a conquest, where one party is totally agreeable and subservient to the other. But as that directive clashes with her in fact being a person in her own right, she decides to be the one in control. Again, I’m not excusing her behaviour, only presenting an explanation of it.

The biggest thematic difference between them in the end is that Gideon reforms and GIFfany doesn’t. Gideon realizes that he can’t force Mabel to love him and his actions are why she doesn’t want to be around him in any capacity, lets go of his hatred for Dipper, risks his life standing up to Bill and helps save Gravity Falls and the universe. He renounces his ruthless ambition and promises to be a “regular ol’ kid”. It’ll be hard. He has no idea what normality is anymore. I expect that he’s a social pariah, scorned and distrusted. But he has hope. He and his parents can slowly learn how to be a family. I can see him befriending fellow reformed mean kids and Pines twin rivals Pacifica and Robbie. Yes, Robbie. Listen, all three care strongly about image and style, Robbie’s gone to immoral lengths to win over a girl himself, is fascinated with death and darkness, and he and Tambry would be a great model of healthy romance for Gideon. It could work!

But while Alex Hirsch has stated that GIFfany is alive in the mall arcade and dating Rumble McSkirmish, I doubt that this is a healthy or fulfilling relationship. Their first interaction was her zapping him and his mind is a much more primitive AI, not human like hers. I highly doubt that she’s got closure about Soos. He and Melody are thriving without her in a stable, serious relationship. They’re living together at the Mystery Shack. Were she to recover her lost power, she would certainly return to torment them after witnessing their success through her screen. Heck, this setting has ghosts and she arguably has a soul, one brimming with heartache and vengeance; maybe she could even manifest in the physical world as some kind of digital ghost able to transform her surroundings into the environment of her game. If you can’t take the guy into your video game, bring it to him! Whatever the format, GIFfany’s revenge is a possibility and it could be a disaster. How do you kill a disembodied spirit? Code that writes itself and can enter anything with the capacity to hold a charge? You can’t destroy all the electronic devices she could retreat to.

What if the best solution were talking her down? And who better to do that than Gideon? Seeing everything he felt, everything he suffered and everything did wrong reflected back at him and passing on the second chance he was given? He can feel more empathy for her than anyone. He already has a knack for endearing himself to older criminals. He wouldn’t sugarcoat things or take any abuse, but he wouldn’t abandon her or be afraid of her either. She would be cared about with no conditions or transactions. Maybe helping someone in an even worse position figure out how to process heartbreak, move on from toxically obsessing over an ex and Mr Mystery, cultivate secure, internal self-esteem and live a peaceful life would help him do it himself. I think they should be friends.

[starbuck]

idk why people think that just because they’re good friends with someone means they should be in a relationship… like. i’m SORRY you like me more than all your other friends now… can’t it just be good that we’re good friends??????? why does that automatically mean that we have to be life partners??????????

[wavesoutbeingtossed]

All I’m going to say I think now that my brain remembered part of what it was thinking is that Taylor and Joe went through a lot together (good and bad) and regardless of how it ended or what led to it they both seem to be determined to keep that private and not throw each other under the bus and in the end they’re just two very, very different people whose outlooks in the long term were just never going to align and never has that been clearer.

[ghostdrinkssoup]

thinking about how the only reason sunny started reconnecting with the world and realising he deserves love is because kel never gave up on him. even though sunny isolated himself from everyone kel still called him and tried to reach out. and it’s so pivotal it’s literally the key choice that determines whether or not you get the good ending. the path to healing and contentment depends on whether or not you take the hand kel offers you. and sunny learns to forgive himself because he keeps making that choice. he opens the door for kel, and therefore chooses reconciliation and personal growth. it’s why he’s able to save basil in the end. because kel is strong and resilient and kind. because kel is lonely and has grieved in silence for years but still looks for sunny everywhere he goes. because they’re both invisible. because everything that sunny needs, kel has.

kel saved sunny’s life

[lunalikestowriteanddraw]

I NEED the Krew to actually TALK about what happened in episode 46. (Spoilers under the cut)

And I don’t mean them mentioning that it happened but “it’s all fine now because they’re alive!” Because I imagine that shit scarred all of them, one way or another. Frost especially.

I don’t care HOW the conversation happens, but it does need to happen. They each need to have that closure, rather than letting those thoughts and feelings swirl in their minds for all eternity. And I don’t just mean in fanfic or whatever. No, it needs to happen sometime in canon, when they have a moment to talk about it in-depth (so probably post-canon, all things considered).

I just…I need Frost to tell them how it felt, watching as all his friends fall around him, and how he couldn’t do anything. I imagine he still gets nightmares about it, especially for the first few nights after the fact, and I imagine he wakes up from those nightmares and probably goes and cuddles up next to Gricko (after making sure he’s breathing. Even if, logically, Frost KNOWS that Gricko is alive and breathing—he’s snoring, shifting around, whatever—he still needs to check. Just in case), as if to confirm to himself that, yes, they’re here. Theyre alive. He’s not alone.

I need Torbek to talk about how he feels like he’s not good enough in battle. How he kicks himself for not being able to control the Witchlight better, for not being able to bring out the Other. Because maybe, just maybe, if he was somehow able to bring out the Other in that fight, maybe they would’ve had a chance (they still wouldn’t, it would still end the same, and Torbek knows it deep down, but he kicks himself all the same)

I need Gricko to lament about how he thinks he’s not a good enough healer. He’s supposed to keep his friends from dying, and he couldn’t even do that right. Maybe if he had gotten to Gideon sooner, maybe if he had realized that Gideon was already long gone before he pumped his last spell slot into him. How he regrets that Hootsie wasn’t spared. Maybe if he had told her to run sooner, faster, maybe, just maybe, she would’ve made it out alive. Maybe. Or, at the very least, he wouldn’t have had to hear her yelps right before he fell unconscious himself. He’s supposed to be her father, he’s supposed to protect her. But he didn’t. Couldn’t. Just like he couldn’t protect his friends.

I need Kremy to tell Gideon how it felt to watch his best friend, his husband, get ripped apart before his very eyes, and being unable to stop it. Unable to help in any way. How he couldn’t imagine ever living in a world without Gid. After all, what’s the point of living when your reason for waking up each day is long gone? Someone else could pay his debt, surely.

I want Gideon to lament about just how useless he feels. With the mixture of being unable to help Twig in episode 41, turning into a stupid useless dancing mushroom (where he was the slowest because he traded the rhythm in his step away, and his friends had to help push him along), losing some of his fire (sure, he gained it back, but for several hours he felt colder. Weaker.), and then being the first one down during the Jabberwock fight? He’s supposed to be the strong one, the fighter, yet time and time again his friends are the ones protecting him. Keeping him alive while he keeps throwing himself into danger. He could’ve killed the Jabberwock, surely. With the help of Torbek, sure, but it would’ve died! It just got the jump on him, is all.

I just…I need them to talk, when they get the chance to. They deserve that much. To reassure themselves and their friends that everything is okay. They’re alive, and they’re not going to just abandon each other. Not again. Even if they feel weak, or useless, or like they could be so much more if they were just better. They all know now what it feels like to lose their family, their best friend, the love of their life, their everything. And I don’t think they’ll ever let themselves or each other experience that again. Not for a very long time, at least.