#thanks for all the love from the fandom
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arsillanola · 11 months ago
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Merry Christmas good omens fans!
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rainingcatsandjune · 4 months ago
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haha heyy its been a while 😭😭 sorry for the lack of activity here,,, school has been kicking my butt + i've gotten SUPER hyperfixated on disco elysium,,,, BUT THE MOMENT I SAW THE ORIGINAL I KNEW I HAD TO DRAW SAM AS THIS RAHSBBFBDN i seriously need to catch up on the recent audios 😭😭😭 ANYWAY enjoy :)
vvvvv ORIGINAL BELOW vvvvv
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shhhhghhshhshhsh youre telling me this ISNT sam??? like????
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arthursfuckinghat · 5 months ago
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I love you rdr2 artists I love you rdr2 photographers I love you rdr2 cosplayers I love you rdr2 meme makers I love you rdr2 analysis writers I love you rdr2 fanfiction authors I love you rdr2 players I love you rdr2 bloggers I love you rdr2 tumblr community mwah <3
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babacontainsmultitudes · 5 months ago
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HEH. THE COMPLETE (UPDATED) HEH COMPILATION IS HERE.
Original version is here, but now the final "heh"s have been collected (sorry for the delay I was waiting for all the transcripts to be out!) and assembled in one place 😎. Enjoy!
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lunarriviera · 9 months ago
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BONUS:
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eyrieofsynapses · 11 months ago
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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lavendarneverlands · 4 months ago
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put 5 songs you listen to, post it, then send this ask to 10 of your favorite followers <333
Thank you so much lovely🫶🫶🫶
Oh goodness this is a hard question because I like way too many songs😂 though I am a huge Swiftie & since I’ve on my TOG binge have been listening to a lot of fan playlists so let’s let my history decide🤣 these have been in a heavy rotation:
“Who’s Afraid of Little Old Me?” by Taylor Swift
“Red Wine Supernova” by Chappell Roan
“Please Please Please” by Sabrina Carpenter
“Blonde” by Maisie Peters
“Can’t Catch Me Now” by Olivia Rodrigo
@impossibelle @iwantavaldezinator @idfendyr @shadowhunters77 @archerons-elain @cheap-spirits @maevecrom @endlessdaydream @somethingsomewhereanywhere @korepio
p.s. as always, no pressure tags :-) 💕
(Heads up for some tags: this is my main account, the side-blog ur probably used to seeing (as I’m more active) is @acourtofquestions I have a terrible habit of mixing up pages/conversations; so if ur going “who tagged me?” it’s just me lol)
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lurkingteapot · 1 year ago
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Every now and then I think about how subtitles (or dubs), and thus translation choices, shape our perception of the media we consume. It's so interesting. I'd wager anyone who speaks two (or more) languages knows the feeling of "yeah, that's what it literally translates to, but that's not what it means" or has answered a question like "how do you say _____ in (language)?" with "you don't, it's just … not a thing, we don't say that."
I've had my fair share of "[SHIP] are [married/soulmates/fated/FANCY TERM], it's text!" "[CHARACTER A] calls [CHARACTER B] [ENDEARMENT/NICKNAME], it's text!" and every time. Every time I'm just like. Do they though. Is it though. And a lot of the time, this means seeking out alternative translations, or translation meta from fluent or native speakers, or sometimes from language learners of the language the piece of media is originally in.
Why does it matter? Maybe it doesn't. To lots of people, it doesn't. People have different interests and priorities in fiction and the way they interact with it. It's great. It matters to me because back in the early 2000s, I had dial-up internet. Video or audio media that wasn't available through my local library very much wasn't available, but fanfiction was. So I started to read English language Gundam Wing fanfic before I ever had a chance to watch the show. When I did get around to watching Gundam Wing, it was the original Japanese dub. Some of the characters were almost unrecognisable to me, and first I doubted my Japanese language ability, then, after checking some bits with friends, I wondered why even my favourite writers, writers I knew to be consistent in other things, had made these characters seem so different … until I had the chance to watch the US-English dub a few years later. Going by that adaptation, the characterisation from all those stories suddenly made a lot more sense. And the thing is, that interpretation is also valid! They just took it a direction that was a larger leap for me to make.
Loose adaptations and very free translations have become less frequent since, or maybe my taste just hasn't led me their way, but the issue at the core is still a thing: Supernatural fandom got different nuances of endings for their show depending on the language they watched it in. CQL and MDZS fandom and the never-ending discussions about 知己 vs soulmate vs Other Options. A subset of VLD fans looking at a specific clip in all the different languages to see what was being said/implied in which dub, and how different translators interpreted the same English original line. The list is pretty much endless.
And that's … idk if it's fine, but it's what happens! A lot of the time, concepts -- expressed in language -- don't translate 1:1. The larger the cultural gap, the larger the gaps between the way concepts are expressed or understood also tend to be. Other times, there is a literal translation that works but isn't very idiomatic because there's a register mismatch or worse. And that's even before cultural assumptions come in. It's normal to have those. It's also important to remember that things like "thanks I hate it" as a sentiment of praise/affection, while the words translate literally quite easily, emphatically isn't easy to translate in the sense anglophone internet users the phrase.
Every translation is, at some level, a transformative work. Sometimes expressions or concepts or even single words simply don't have an exact equivalent in the target language and need to be interpreted at the translator's discretion, especially when going from a high-context/listener-responsible source language to a low-context/speaker-responsible target language (where high-context/listener responsible roughly means a large amount of contextual information can be omitted by the speaker because it's the listener's responsibility to infer it and ask for clarification if needed, and low-context/speaker-responsible roughly means a lot of information needs to be codified in speech, i.e. the speaker is responsible for providing sufficiently explicit context and will be blamed if it's lacking).
Is this a mouse or a rat? Guess based on context clues! High-context languages can and frequently do omit entire parts of speech that lower-context/speaker-responsible languages like English regard as essential, such as the grammatical subject of a sentence: the equivalent of "Go?" - "Go." does largely the same amount of heavy lifting as "is he/she/it/are you/they/we going?" - "yes, I am/he/she/it is/we/you/they are" in several listener-responsible languages, but tends to seem clumsy or incomplete in more speaker-responsible ones. This does NOT mean the listener-responsible language is clumsy. It's arguably more efficient! And reversely, saying "Are you going?" - "I am (going)" might seem unnecessarily convoluted and clumsy in a listener-responsible language. All depending on context.
This gets tricky both when the ambiguity of the missing subject of the sentence is clearly important (is speaker A asking "are you going" or "is she going"? wait until next chapter and find out!) AND when it's important that the translator assign an explicit subject in order for the sentence to make sense in the target language. For our example, depending on context, something like "are we all going?" - "yes" or "they going, too?" might work. Context!
As a consequence of this, sometimes, translation adds things – we gain things in translation, so to speak. Sometimes, it's because the target language needs the extra information (like the subject in the examples above), sometimes it's because the target language actually differentiates between mouse and rat even though the source language doesn't. However, because in most cases translators don't have access to the original authors, or even the original authors' agencies to ask for clarification (and in most cases wouldn't get paid for the time to put in this extra work even if they did), this kind of addition is almost always an interpretation. Sometimes made with a lot of certainty, sometimes it's more of a "fuck it, I've got to put something and hope it doesn't get proven wrong next episode/chapter/ten seasons down" (especially fun when you're working on a series that's in progress).
For the vast majority of cases, several translations are valid. Some may be more far-fetched than others, and there'll always be subjectivity to whether something was translated effectively, what "effectively" even means …
ANYWAY. I think my point is … how interesting, how cool is it that engaging with media in multiple languages will always yield multiple, often equally valid but just sliiiiightly different versions of that piece of media? And that I'd love more conversations about how, the second we (as folks who don't speak the material's original language) start picking the subtitle or dub wording apart for meta, we're basically working from a secondary source, and if we're doing due diligence, to which extent do we need to check there's nothing substantial being (literally) lost -- or added! -- in translation?
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squorttle-pox · 8 months ago
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A message from an AO3 author to fanfiction readers:
If you leave a comment on my work, then I love you.
If you go through my account leaving comments on all my works and every chapter that I update, then I love you.
You will never be annoying. You will never be the exception. I will never not love someone appreciating my work.
If you leave kudos, then I love you.
If you just read my fic, and don't interact, then I love you.
If you scroll past my works and never read them, then I STILL love you.
We are a community, we love each other.
Let's stop forgetting that.
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crimeronan · 10 months ago
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one big thing about polyshipping for me is, like. you know how some people will have their eyes opened to homoerotic relationships in media bc they'll realize, "wait, if these people were two different genders, i'd 100% assume they're into each other. i have a double standard that i never noticed"?
there's a polyamorous equivalent in certain media that's basically just. "if you didn't assume this character is monogamous, you would 100% believe they have crushes on & are dating all of their friends." OR, "if this character wasn't dating somebody else already, you would 100% interpret this new friendship of theirs as a crush/budding romance."
usually the creators of the media aren't thinking about polyamory when they make it! usually the creators of the media are thinking "i want this character's friends to be as important to them as their romantic partners, we don't get enough of that in media," which is great and true and also EXACTLY WHY IT WORKS AS A POLY NARRATIVE. people will be like you don't Have to polyship why can't you just let platonic relationships be important ugh 🙄 & i'm like i did my years in the "why can't two men just be friends why does everything have to be gay 🙄" trenches. you're not doing this to me. we're not doing it about polyshipping. we're skipping over that whole discourse cutscene because i am Too Tired For It. don't even start
sometimes characters are so full of love and affection and joy for so many people that i start gnawing off my hands about how polyamory isn't normalized. because i'll watch/read certain media and i'll be like. listen. this is a polycule. i know you don't know this because your creators don't know this and that is totally okay but you are a Wildly polyamorous person who's ambiguously trapped in the 2000s/2010s with Big Monogamy psyops eating your brain. please let me free you. please i can give you Everything .
PLEASE KISS YOUR FRIENDS
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wwooyology · 4 days ago
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ᕤ 𝐈𝐌𝐏𝐎𝐑𝐓𝐀𝐍𝐓 ᕦ
hi everyone, I come with a heavy heart today. this has been something that has been thought about multiple times now, but I have officially decided that it is time that I retire from enhablr. when I first came here, it was a fun and safe place I could escape to; however, the longer that I was here, the more toxic and not so fun it became. from everything that went down this past summer to all of the bullying to now with everyone at each other's necks because of the ai thing it's just not a place that I feel comfortable in anymore.
I love each and every one of my enha readers and moots that I have met and interacted with while I've been here. you guys have made this experience all the more bearable, but it is now my time to say goodbye.
my plans going forward are pretty simple, I don't plan on making an entirely new blog because that would be far too much work and would get exhausting trying to explain to everyone. I plan on changing my username and will be writing strictly for ateez now. I will be leaving my enha fics up because I know a lot of people enjoyed them, but going forward, I will NOT be writing for enha anymore. there might be a day that I come back, but for right now, this chapter has finally closed, and it is now to start a new one.
with all this being said, my whole page will undergo a full revamp. I will be deleting my enha perm. taglist, as well as any wips that I had posted. while I'm converting everything, my page might get a little messed up, so please bear with me. I won't change my username until I have everything else in place. then, when I do change my username, I will probably make another post.
thank you to EVERYONE who has tagged along in the journey with me. I appreciate you all so much. I hope that you all will continue to follow me on this journey, but if not, then I completely understand and wish you all the best. I love you all so much and will forever hold each and every one of you in my heart.
but for now, alvojake is signing off, and maybe one day we will meet again, until, then, farewell, and I hope you all do well now and in the future.
sincerely, - kayla (aka @/alvojake)
p.s. I will tag a few of my moots just so I know that they are aware. if anyone has any questions, please feel free to reach out. my inbox will still be open during this transition!!
tagging : @hollyoongs @yeonzzzn @enha-stars @addictedtohobi @ak4e7a @heeslomll @intromortal @dollyyun @kitten4sannie @simpjaes @minhosimthings @chlorinecake @naomiarai @ikeuverse @fakeuwus @fairyseungs
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pjo-hoo-toa-freakazoid · 7 months ago
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A lil rant about my experience with this god forsaken fandom
I made this blog around 2020 when I was 13 years old. This was my first shot at a dedicated fandom blog and I was pretty excited for it, to make friends, draw fanart, post fun stuff and what not.
All fun right? Right, so tell me why was it that literal 20 years olds felt the need to harass me, a then 13 year old girl with a relatively small blog, for the dumbest reasons possible?
What did I do that subjected me to 2 and a half years worth constant daily threats and harassment? Hmm???
You wanna know my crime? Apparently I showed interest in an antagonist character, which is so awful that grown adults felt the need to bully me. And following those adults came young impressionable people my age, that joined the bandwagon of hate against me.
As if other fandoms don’t have people literally dedicating themselves to a villain, no one bats an eye to that. Why did this fandom have such an issue? I also apparently dared to criticise the main character for a few of his flaws. Such a horrible thing to do right? I need to be burnt at the stake for it right?
I didn’t follow the “fixed” standards of the fandom so I was to be sent de*th/r*pe threats daily?? For not following the “rules” I was to be ostracised?
No please someone explain…I’m but a dumb bitch, I don’t understand what I did so terribly wrong to deserve this? Did I start a war? Did I rip open someone’s plush? Did I bully someone for not having the same ideology as me?
No it was but the fandom itself that for some reason found it so fun to bully a 13 year old, send her de*th and r*pe threats all because of not being of pjo fandom standards…let’s go and bombard her with hate!!
Do you realise how fucking stupid…this all sounds? Do you realise how low this is? Was bullying a child so fun? So trendy at the time?
Then came the victim blaming- I laugh everytime I remember people saying I must have done something really bad to get such harassment, that it’s all for attention. What kid wants to get hate everyday of their life for 2 whole fucking years? Tell me?
You know wanna know what I did wrong? Fight back, call the hate anons out for their bigotry. I was vocal about it, that’s what I did wrong right? Stand my ground? People said to ignore it and I did. But I still got bullied daily even if I didn’t respond. What was all this for?
I can imagine people asking why I didn’t simply leave the fandom? Why the fuck should I? I enjoy the stories, I enjoy the characters, they were my escape from real life struggles. It was the bullying I didn’t enjoy. Everyday I’d log on to enjoy posts and a few minutes later when the bigots found out I was active I was sent an anonymous threat.
Many of my oldest friends had to reduce the amount they interacted with me in fear of receiving harassment themselves. The extent of this is bigotry is beyond my understanding.
I did not deserve this much suffering AND ALL FOR WHAT? A STUPID LITTLE REASON THAT HAS BARELY ANY WEIGHT TO IT. Do people even realise the extent of what happened is beyond me. And Idc if I sound selfish, I want a fucking apology from all those bigots. I want compensation for the 2 and a half years of abuse I endured alone. I just want this bigotry to end, which surprise surprise! Still continues to happen.
Why do I bring this up now that it’s all over you ask? I’ve actually brought it up once before, but it was swept under the rug, (My deepest appreciation to the very few people who supported me when I first talked about it) I’m just finally being more vocal, because this has stuck with me. For all those 4 years this has stuck with me. It doesn’t mean if it’s over for now that all the trauma doesn’t linger. It still affects me to this day.
In fact I’m still being stalked by one of the people who sent me hate anons. One of the hate anons was revealed to be one of my bestest friends, they had admitted this to me and had the nerve to beg me to still remain friends. They were also the person who groomed me. They have left the fandom scene and I’ve rid of them from my life but they still continue to stalk me.
What do I get from ranting about all this? A bit of solace, a bit of weight off my shoulders. But nearly not enough for me to actually fucking heal. I also want people to realise how bigoted some are and how horrible the mentality of “fixed fandom standards/ideologies” is and that we as a fandom need to fucking change. Heck I know this issues in every fandom. But can we at least start with ours for a change for once?
Along side all of this there’s also a lot of racism and trans/homophobia that still actively prevails. Just look at what Leah went through when her casting was announced. Did she deserve all of that?? “Not my annabeth” do you realise how horrible that is to say to a CHILD? She is Annabeth whether you like it or not. And you are very welcome to leave if you wish to stick to your stupid racist nonsense.
I bet there are many others who have probably suffered the same may it not be for the same reasons, but everyone of them deserve their apologies and compensation as well.
Idc if I’ll get hate for this. I said what I said. I’m just so done.
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mdr-reikas · 5 months ago
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I'm so glad that my mxtx fandom of choice was svsss from the start because what in fucking tarnation are the rest of you doing
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radioactive-dazey · 3 months ago
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I love you sanders sides artists i love you sanders sides fic writers i love you sanders sides fans i love you sanders sides
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cacaocheri · 8 months ago
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You should in fact infodump about poptropica, also have you considered doing a DCA Poptropica crossover to unite the interests together?
1) I love you so much dude I hope you're doing well 2) poptropica infodump would take AGES this thing has lore so I will spare you a ramble for now 3) I . HAVE NOT. BUT COULD YOU IMAGINE SUN AND MOON WITH THE BIG BOBBLE HEADS
no? because I can
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oh my god they look so much more cursed than I expected I'm laughing my ass off
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evelynpr · 3 days ago
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Might be a hot take as a bkdk and tgck truther here, but I find izuocha endlessly fascinating, beautiful, but also tearfully tragic.
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I see their love for each other as something representative of their innocence and naivety when they only knew so little about who they were, and what was to come.
I think the main barrier of their relationship is that its rooted in how they see each other very idealistically, specifically that they're attached to the image of their Best Heroic Selves, and not the deeply selfish, destructive, freaky, and egotistical parts of them. To each other, they need to keep fulfilling that image or else that same person they looked up to would almost die in front of them, and that would be too cruel. Although that hero is still there, that same person they looked up to is not the same now because of...well...everything.
Izuku had barely even talked to girls when he first met her. She was Izuku's first ever real friend (Sorry Kats, everyone and him knows he was terrible), so he saved her in that entrance exam even if it was so dangerous. She gave a new meaning to his derogatory nickname just by being a friend that believed in him. After that, she saved him several more times (Blackwhip and Megaphone are the biggest samples iirc). It makes perfect sense that she is Deku's hero.
Ochako hardly knew what it meant to be a hero when she first got into UA. Just by reaching out to some kid tripping, she made a new friend who would then save her in that exam, then save him again in return. This boy then became someone who was always working so hard to save everyone in trouble, and she realized she wanted to be just like him too. "I want to save people"
But...Deku changes. The weight of One for All is on his shoulders and he needs someone to carry this burden with him. He continues to want to save other people at the expense of himself, still not letting his true selfishness and ego ever show- and it only grows more and more unbearable.
Then...Ochako fell in love with Himiko. Truly, relentlessly, selfishly and devotedly in love with a girl who then dies giving her blood to her- the greatest expression of love Himiko could ever give.
Not that they can't love each other because of this happening (and...so many other things oh god), I'm honestly not sure how to explain it- But them ending up together after losing that innocence and naivety? After Ochako will forever grieve the girl who showed her love in its most beautiful and ugly form? After Izuku changed so fundamentally as a person that the butterflies of a nice girl talking to you doesn't exist anymore? After that simple image of being a hero and being in love has completely changed for them both?
Even so, I believe they still love each other. There is no label I know of that can properly describe them though. They are each other's image of being a hero when it comes to saving people. Aside from Shoto, no one else can grasp the grief of the person you tried to save dying in your hands. They would no doubt try to cope with these losses together, and just try to get better together...but so much has changed. They've changed. The world changed. What are they now? Who are they now?
"What happened...to us?"
#I just think the tragedy of falling out of love for the person who represents who they Used to be is so...so painful#Kacchan isn't even here yet and it's already so complicated.#also. Izch healing together after all this would also be really nice#if u like them ending up together thats also perfectly fine too. im just a bkdk and tgck truther myself. thats kinda my whole thing#but izch forming a deep bond from their experiences and saving eachother#and maybe later on trying to date too...oh boy#and them being able to just...be more casual again. talk abt their lives and dreams together too just so they know they have each other#oh itd be so healing and beautiful#im so glad izuku talked to ochako on that cliff man oh man...#izuocha the underrated tragic love that they could've been if ppl werent so close minded abt them#only the real izch fans understand just how much these two actually mean to each other. god bless yall I swear even if I dont ship ship it#thank u to that person who wrote abt them being characters than run in parallel#that narrative structure for them is permanently in my brain. I love these two so much its no joke#my Extra hot take is that izch wouldve been treated better by the fandom if it was gay.#but we'd still agree on bkdk as the endgame after all that happened. maybe. idk this is a hypothetical.#if you switch ock and kats genders...this wouldve been a very different story and fandom. insane food for thought with this one.#ok thats my yap for the night oh god i have so many feelings about them...#evelynpr bnha#bnha#mha#my hero academia#izuocha#actually confidently putting this tag now. sorry for the angst you guys...and maybe being seen as a traitor#im a strong girl I could take on potential haters hahaha...#izuku midoriya#ochako uraraka
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