#thank you god for his existence

[wriokitty]

This 2 second cameo of my boyfriend’s back is enough to get me through this rough work week. If all else fails the width of his thighs will keep me motivated and joyed through the tragedies of capitalism as I watch my hard earnings go down the drain through endless bills. If I have nothing else I have the view of his preciously messy hair from the back to be the one thing I’ve got left. If there isn’t anything to keep me going at least I have this glimpse of wriothesley to spark some motivation in me

[fumifooms]

Kaka compilation

Because everyone is sleeping on him. Witness his greatness!! First two Kaka colored icons were colored by me, lineart by Ryoko Kui though!

Kaka & Kiki are kinda like Laios & Falin… Kaka being stoic and giving repressed energy like early Laios, Kiki being cryptic and always smiling and kinda soft-looking. Autism siblings 2, ostracized and othered as kids and have a deep bond due to sticking together through it all, though unlike with Laios their parents are very loving so Kaka developed family as a big value more than Laios (bc asides for Falin Laios doesn’t care much about it).

In the gnome festival comic you can see Kaka is more emotive than he seems! Full with a :3 face, and he’s the one crying at the end. He’s insecure about his legs and being tall… It really got to him. Conceal don’t feel. In the gnome festival comic you also see him sensing others’ gaze on him and that something is off unlike Kiki, again Laios-like in the way that judgement from others gets to him more than her.

[vaguely-concerned]

just had the thought 'in the end the most important thing varric taught rook was how to make a home for, with, and in other people' and then I had to go lie down on the floor and clutch at my head in unceasing agony for a few hours, as you may well imagine. hawke and the kirkwall crew........ in the end you kind of saved the world a bit in the most characteristically indirect and chaotic of ways. not by anything in particular that you did or achieved or accomplished (lmao imagine!), but just by -- having existed, and by the love that was always there, despite it all, in all its imperfections, even when no one was saved by it in the end. you're not here right now and you're not quite haunting the narrative but I hear your voices bickering and arguing and laughing from the other room. (and so, I think, does varric. all the time.)

'did you think you mattered, hawke? did you think anything you ever did mattered?' yeah actually, varric says with da2 and keeps saying through the series. you were here. and I loved you. and as it turns out that mattered more than almost anything in the world, no matter how long it lasted or how fucked up it was at the time or what else happens, because varric manages to pass that feeling, that intangible... home, that echo of you all as you were together, that love, hopefully the best parts of it, on to someone else for them to bring with them on their journey, with their family. and maybe the world will be kinder this time. you never know. merrill's line of 'Everything affects everything. We were born, a bunch of things happened, and now we're in a mess with our friends.' varric's greatest fear of becoming his parents. even through the wreck and the ruin of the world, ghosts upon ghosts upon ghosts of love -- malcolm hawke, who we never even see, but his life touched hawke's and hawke's touched varric's and varric's touched rook's and rook is passing it on to the family they're creating. the unbroken legacy of love shines through in ways that are stronger and stranger than any magic. help

[scribz-ag24]

i checked the italian blind run that apparently is very popular in the IT community. and. was anyone.

so was anyone. was anyone going to tell me in this version dusknoir asks if his existence had value.

his line about saying with full sincerity that life is marvelous.

why didnt i hear of this until now i crave to know every little difference between translations so i can cry again and again over the same guy.

[lurakha]

FAR CRY 5 (∞)

[caorl]

at least in this lifetime we're sticking together

[akai-anna]

shinichi: *takes a deep breath* shinichi: i lo- anyone who has spent five seconds around shinichi ever: yes, you love ran, we know, you love mōri ran so much, she's the light of your life, you love her so much, you just love ran, we KNOW , you love ran you fucking love ran ok we know, we get it, YOU LOVE MŌRI RAN. WE GET IT.

[unriding]

hi evie !! how have you been ? :33 i hope you dont mind me borrowing you and moze for something ehehe <3

[sciderman]

howard the duck (1976) #10

[honeyvettel]

good news is, yall discussions about david being rosquez child of a divorce yesterday has switched something inside my brain and we’re opening that google doc right the fuck now; bad news is, i have no idea how a four year old child is supposed to act like

[skitskatdacat63]

2011 Japan Post-Qualifying

[sevendutchies]

People in this fandom will really look at The Fool, Patience, Lacey, Carson, Sedric, Hest, Davvie, Lecter, Kennit, Ash/Spark, and yes, even Fitz himself, and still have the gall to call it queer bait.

These characters are explicitly queer, their actions impact the narrative, they are well written, and their identities are treated with respect. That is the best possible queer representation you could ask for in any story.

I've seen people on tumblr basing the likelihood of if they read this series on whether or not it's "actually gay" and I'm here to tell you that it is. There are queer characters. There are queer protagonists. And no matter what you see people in the fandom say, Robin Hobb wrote some amazing queer representation in a genre that rarely sees it at all.

TLDR;

Queer bait = disrespectful marketing ploy that exploits queer audiences

Queer bait ≠ "my two favorite characters never have sex"

[eek-a-tron]

CATWOMAN & RIDDLER ARE DATING

So much wild stuff in Catwoman: Lonely City by Cliff Chiang

[allthecastlesonclouds]

tell me about drawtectives. what is this little show.

oooooh my god oh my god. they are my guys. so.

drawtectives itself is a youtube series created by julia lepetit on Drawfee. it's an rpg mystery show– s1 is a murder mystery, s2 is just a mystery– that doubles as an art challenges show. she draws all of the backgrounds and npcs and most of the assets (the 'cutscenes', you could call them) and then the team gets together, knowing absolutely nothing besides what julia's asked them to prepare, and does some funky improv to create a very funky storyline.

there are 3 players and one dm; the pcs are rosé, york, and grendan/grenda/grandma/gma, and the Big NPCs are Jancy True (s1/s2) and Eugene Finch (s2) and they're, in their own words, a found family, so. beloved. their backup plan if all their jobs fail is to move out east and open a bookstore. jancy and eugene have fully accepted their titles as mom/ancestral ghost and son despite meeting each other likely once before the drawtectives dragged them together. overall though if i had to summarize, it's a bunch of friends getting together, making a bunch of puns, appreciating julia's art, and laughing together. the vibes are 10/10 so loving. in writing the transcripts i've written (Karina laughs) (Nathan laughs) (All laugh) So Many Times it's just fun.

so there's three pcs. first one we meet is gyorik 'york' rogdul, who's a half-orc come to the city to learn about his mother's culture. he is the character we have by far the most lore for– if I compiled all the lore I had about the Northern Tribes and Wild Trains, I think the document would be multiple pages. he's also illiterate, which was an interesting decision for the english major of the group to make (in other words, York Will Not Be Illiterate For Season Three bc Y'all Cannot Read) and morally gray if you think about it too hard (he killed his own brother) but yknow he's hot so it's okay. they're all hot any crimes committed are okay. he's also aroace (confirmed by the player, which is!! vibes!! THANK YOU SO MUCH FOR TELLING ME @axolotllee!)

rosé is the Human Rogue and the youngest of the party; her main trait in s1 was Millennial and she Dealt with that. she, in contrast with York, has so little lore we are scraping the barrel. she was a thief, then left everything about that life behind and changed her name to rosé when she went to work for jancy. she lied on her resumé. she knows how to sew; she's sewn Pockets of Holding on most of her clothing. she bonded with a stray cat that lived outside her last apartment. she's three credits short of graduating college. she's, in addition to being a drawtective, jancy's intern, and cried when jancy got her a cupcake. she won't tell her best friends when her birthday is or where she goes to school or what her last name is. that's all we know about her and i love her and she could probably kill someone as she has multiple knives on her person and does not use them. she's bright and funny and can be pretty dark but really does find the humor in it which is. wonderful.

so grendan highforge starts out as The Snobby Rich Boy which. already love the trope something Always Happens To Them if they're a pc. then through s1 they make an offhand comment about a character (faucon, whose name is pronounced 'falco') and how if her name was pronounced that way it'd be grenda. faucon asks how they feel about it. they are caught very off-guard by that and then ask to be called it for the next hour or so. then the next witness calls him gma, and then grandma, and then. yeah she realizes she's genderfluid. and he uses any pronouns and has a full beard and also wears a romper and loves dogs and the player is the Most Experienced TTRPG-er so through maybe using resources a bittt grandma is the most observant character of all of them. he's also a dog walker and a lightweight and does canonically have druidic magic though that was Not Touched On Much and showed up to their first day on the job slightly stoned (they did stop doing that though.) she carries around a box to make the height difference (york is 7'. grendan is 4'. rosé is 6'. you can see the formatting issue) slightly less difficult. she doesn't know how rhinos reproduce but has had a fascination with them since a police chief said one might've committed a crime. i think they could kill someone by talking too much but they don't actually have the strength or dex to do Jack Shit.

and jancy true is the head pi (a great many of the characters are puns and i love it so much) and is there to make sure things get done and clues don't get missed. she has a cochlear implant and uses a cane and solved s1 just by Reading The Paper and hearsay. she solved about half of s2 before Someone Stopped Her. she says hello children to the drawtectives and it is such a fond thing. eugene is. a guy who i love. julia started the show thinking he would be some mysterious character to join them and then made the wonderful improv decision– avoiding having to do npc-npc conversation– of saying 'yeah eugene is spinning a camera on its stand' and rosé just says so gleefully. 'guys. i think he's stupid.' and he became their son. his character is a lot of The Plot of s2 so i don't want to get into it too much but. jancy and eugene my beloved.

they're just. such a family. to quote nathan (grenda's Player) from the s2 talkback: "That's one of my favorite things about this show, is we came in with these vague ideas for characters, and just playing them with each other, they became friends and became better people as a result of knowing each other and solving mysteries. ... Like, we all kind of independently made our characters people that either were distant from their families or, you know, just had tenuous connections to other stuff, and so these are, like, the realest connections they have in their lives."

and then karina (rosé) about 10 seconds later: "Yeah, we love a found family where they bond over just being the worst."

god. them. they're chaotic and loud and feel very real to me. they have excitement and are pretty bad at social cues but they love each other and want to die together because they would hate too much to be separated. i could articulate this better but it's one in the morning and they mean a great deal to me.

[carefulfears]

thinking about scully sitting on the floor of mulder’s apartment just holding him as he wept after his mother’s death and after she told him through tears that it’s time to stop. it’s time to stop looking for his sister.

and how she had already told him that once, seven years earlier, a month into their partnership, when she chased him out of a police station and told him to stop running after his sister because it won’t bring her back.

she called after him to just stop, because she’s the scientist, and that’s the logical conclusion that she had reached.

except later that night, he told her why he does it. that he’s been closing his eyes and walking into that room, thinking maybe, when he opens them, his sister will be there, since he was 12 years old. “every day” of his life.

and she never told him to stop again.

until seven years later, when she rocked him on the floor, and then the next day was asked “why do you want to bring all this back up now?” and answered, “someone owes it to mulder.”

so she started looking. she reopened files, she tracked down records, she went to his mother’s house to dig through the trash. she confronted CSM about what he knew, she flew to california, she held hands and prayed.

she looked at mulder and said “it hurts me to tell you this” and stayed steady in the truth anyway. she listened to him read to her about a 14-year-old girl’s pain, held his hand and told him to get some sleep. she stayed up, kept looking, and found it. “i got it, mulder. i couldn’t believe it when i saw it. it was like it was looking for me.”

the police report from when samantha ran away.

she read the hospital records, went to the home of the nurse who signed the intake report, asked him if he wanted her to go herself.

she left him by the car and walked up and knocked, asked about a patient in 1979. she listened as the nurse described how “you couldn’t forget her or how frightened she was. scared for her sweet life.” and the man who came for her, who wouldn’t put out his cigarette.

earlier the day before, she had been told to just stop. “word of advice, me to you: let it be. you know, there’s some wounds that are just too painful ever to be reopened.”

and she had responded, “this particular wound has never healed. and mulder deserves closure.”

after seven years, she knows now, that you can’t just stop chasing. she knows how heavy grief is, and she‘s seen the effects of carrying it alone. of walking into the worst night of your life every day, eyes closed, hopeful.

you can’t just stop, and you can’t really have closure, but you can help someone carry it.

and ultimately, that’s what made this the end of the road. sometimes the heaviest burden of grief is feeling that pain is all there is left of someone, and that alleviating it would be to abandon them.

scully’s right, this wound has never closed, but there’s freedom in shared remembrance and shared dedication. she doesn’t ask him to stop until he’s ready to know the truth, and she’s willing to find it. she doesn’t ask him to rest until it’s safe for him to, because it’s not forgetting samantha. she knows and she remembers.

[rosurie]

"Bailey's Little Shadow"

enjoy this kid damsel doodle while i share some rambles I already shared with wafer ♡

Damsel doesn't remember too much o her early childhood, but she does have vivid memories of always trying to stick by Bailey's side. she quickly grew out of this in her teen years but pre disappearance she was still a people pleaser who did her best to never disappoint him. post disapprance Damsel doesn't share this sentiment. but...she [begrudgingly] still has a sense of respect [and maybe even a hint of her former idolization] towards Bailey. very, VERY deep down. current Damsel hates Bailey...kinda. on one hand, Bailey is objectively awful [and also he steals her money >:( ]...but he's also very smart.

she understands fundamentally that essentially being a kingpin [like she views Bailey to be] is the easiest way to live in this fucked ass town. she almost admires his unshakable coldness, his ability to be unaffected. so in a way she starts to take aspects of him to make her. Bailey says money is everything so she monopolizes information because getting info is what she's good at. she plays the easy to talk to bubbly girl [something she learned from watching Bailey put on his caring caretaker front] so it's easy to get people to trust her because unlike Bailey, she's small and has basically no arm strength. she has no intimidation factor, except her uncanny ability to know everything, status/relationships, and money. she has nothing to give her a leg up physically so she has to play into her other strengths.

now she is subconsciously modeling herself after the way that she sees Bailey - so if you asked her why she wants to own people, to be powerful and influential, she'd never mention that it comes from Bailey. shes happily not acknowledging that she thinks he's smart because she also thinks he's an ass lol. she will NEVER acknowledge that she still in some way idolizes a man that she also hates [if that's what you want to call her feelings. she definitely will.]