#thank u for asking about it...

[stompandhollar]

you asked to keep the requests coming, so here you go

a jmart wedding

i took some creative liberties with this ask, bc it kicked my brain into gear to think of them finding a drawer of clunky old (probably haunted) antique jewelry in the guest room at Salesa’s house. they joke around, oh they’re wedding rings, wonder who they belonged to, killer ghost brides, blah blah blah, and then before they know it they’re wearing two and they fall asleep.

Well, Martin does. Jon stays awake a bit longer. just a little bit longer.

[krazieka2]

I've played the Fire Emblem Husbando Dating Simulator Games

[1000dactyls]

Rewatching all HTTYD media and realising Hiccup is one of the best shots of the show like genuinely sticks funeral arrow hitting the target that far away, the fact he shot down toothless in pitch blackness while toothless was completely camouflaged there's some more I'm missing but damn get that kid in the Olympics right this second

imagine how much shorter rtte would’ve been if they gave hiccup a gun

[figloom]

…….We are so back🗣️‼️

Twisted from the Mouse himself. By all means an art prodigy, Lille longs for the creatively pure years of his childhood. He’s been burned by corporate interest too many times rendering him distrustful and tired. Perhaps he might reignite his passion in NRC…

[broh3m3]

'#missing the old men' are there more old men? Can you tell us about the old men? 🥺👉👈

Behold, more old men! Not the most confident with getting Kalims face the way I want it to look (bear with me, most of these sketches are from earlier this year) but he exists! It's very important to me that he lives a long life in at least one timeline

Small notes on their faces/wrinkles: -Jamil has more wrinkles around his forehead/eyebrows with a sharper cheek bone. -Kalim's eyebrows have a feathered effect where it tapers outwards, and he's got a more prominent crows feet.

like so! I'm hoping to flesh them out more as I study older features, but these are the main points for now

Misc notes under the cut 🐍🦦

-He puts up a stoic face so that others won't bother him, but the kids of Silk City regard Jamil as an eccentric figure with lots of fun stories to tell about his travels. He's well loved.

-Kalim uses a cane to walk and is the frailer of the two. He's a little more subdued with age and his memory is poor, but he's always able to recount his memories of NRC, friends and Jamil with a bright smile and waay too many side plots. Jamil still holds himself with a strong gait and would rather keel over than be assisted, but he's got the worse eyesight (side effect of his signature spell) and experiences minor body aches in his arm/hands. -I think this kind of just goes on par with the regular scarabia/jamikali antics but they're casual with their skin ship, neither really notices unless it's called out. You'll often find one supporting the other with a hand by the waist while they walk.

-Though he's chided for it, Kalim makes it a routine to look after Jamil's hands every morning (it's important!) On the opposite, Jamil is the one that encourages Kalim to walk with him, even if it's only for short periods. In their later years, carpet is often accompanying them to help out when it can.

-When his strength begins to decline and he's bedridden, Kalim resorts to using his water magic to communicate. Jamil doesn't like it, but it's more of what it entails rather than the gesture. He talks more to fill the silence, sometimes responding back with his own magic. -Kalim's the first to go. Depending on how his life panned out, Jamil either stays in Silk City for the remainder of his days (if he came back to retire) or leaves to go on one final adventure, taking carpet with him (if he stayed with Kalim.)

-The detail of him wearing Kalim's feather accessory was inspired from a fic collection ! I'm happy it was noticed

[cashmoneyyysstuff]

having scary dog privileges when going out in public with Bakugo

Except people only avoid him because they’re afraid of getting rabies 😭😭

he’s just so chaotic he has to be infected

LMFAOOO UR IN MY BRAIN BC I THINK THIS !!!!

(him n my oc r like this cough coiugh cough)

i mean,, look at him..💀 sure, he's scary and big n buff n whatnot but also he looks like a damn dog with rabies the way he walks around shoulders slouched n saggy n with that impossible frown on his face. (plus his little waddle) and if you catch him on a good day he's even scaries cus hes walking upright like he does when he has those big ass gauntlets on his arms and hes just smuch more imposing and scary😭😭😭 (🤤)

and the way he practically snarls foaming at the mouth at the thought of anyone daring to approach you with any typa romantic intent,,very scary stuff indeed. goosebump inducing.

like he's scary in the way hes intimidating and also he looks like a freak😭 plus he's just soo loud when he feels threatened. like if he thinks someone (god bless their soul for even having the balls big enough to walk up trynna flirt) is trynna start something with you hes all GLARESS. the pressure in the room goes hard and when the person doesnt get the hint he will very much start talking for you. he'll lean over your shoulder where he was walking next you and full on get in ppls faces😭😭

"HAAAH???!!! you can't hear or somethin' ?! we're fuckin' busy !"

he'll be so pissed off about the interaction he'll keep mumbling about some "tch,,damn extra..trynna start shit with me.." he'll keep doin this till you kiss his boo boo's better

[aru-art]

long time no tma, here's the archival gang in my friends' & i's outfits :]

[popppyfur]

sometimes when i like characters thisssss much i like drawing unnecessarily complicated comics of them having a normal ass conversation

[sallufix]

If you don’t mind me asking, what’s the process you go through to shade? How do you make it look so textured?

HELLO ANON!!! I'VE MADE MY LATEST PIECE FOR THIS SPECIFICALLY!!! I'm glad u asked... I love sharing my process because it makes me feel like a smartass 💀 I LIKE SHARING THINGS OKAY!!! IM A YAPPER!!! Now, click on keep reading for the shading process of THIS thing 👇

1st is the base colors, I normally color pick from their references and just adjust the settings of the pallete, but you can also just color them however you like :P for this, I wanted a good balance of yellow and blue, so I put a yellow filter by using darken. My advice for 1st step color adjusting is that you should play with the blending modes alot. The ones I use the most are lighten (if you want it to become more pastel or soft) and darken (if you want a more dull atmosphere or are planning to add alot of bright highlights anyway) so yeah!! flat/base colors!!!

2nd is first layer shading, aka the shadows themselves. Recently, I've guided myself with the direction of shading using the red sun as to figure out where the highlights or light sources would be, and the blue moon for where the shadows should be headed or inbetween. As you can see the sun is both at the top and bottom, which means the shading will be focused in the middle and shouldn't look too strong due to alot of light heading towards it!

3rd is the one I like doing the most, which is having reflective light off of shadows. It's basically light inside of the shadows due to some sort of light bouncing off of a nearby surface. Since the light here is blue, I used blue for the reflective light too. It's the one I use the most, but it can vary for what color the nearby surface is. For this step I use the blending mode hue almost always, but for this I used color since it wasn't visible on Shadow Milks shading before

4th isss highlights or lighting! As I've said, 2 light sources, so I kept in mind the one above and the one below, though the one below is more stronger than the one above. This step is pretty simple, just add thin highlights for where you've already marked the light to move to. Yipee!!!

5th and last is the overall piece adjustment and texture addition :P The thing that makes my art look more textured is this metal image thing from ibispaint's gallery, and sometimes the noise effect if this one doesn't really fit the piece. Again, I play with blending modes for everything to work! The second image displays me adjusting the colors using an effect rather than manually, this makes me have more control with the pallete and its vibrancy, that's why it begins to seem more green and desaturated than what I've shown from this point!!!

Aanndd voilà! That's how I do it!!! I switch it up ALOT of times, I change and experiment with shading styles a ton, but this one has stuck the most and is the one I've been using recently! I hoped this helped some people or just gave them a fun thing to read and learn about. If you guys want the brushes I use then I'll probably share them if there's an ask for it! bye bye :]

[choccy-milky]

Pls I beg Clora wearing only Seb’s shirt

she just can't wear it if she plans on getting anything done😇

[ladysantos]

Idk if you got an ask I sent a bit ago or not so just in case not would you mind talking a bit about AJ? I’m obsessed with her design and the peaks of her character and story from the art you’ve posted. Just in general keep up the wonderful work your art is so stunning <3

hey thanks!! im so so glad u like her and im so grateful people like these characters living inside my head 😭 shes one of my oldest ocs and has changed a bunch of times. i think its really neat that characters change as the times change, they change styles and keep up with trends and grow up just as ppl grow up.

shes the lead vocalist of a band (i havent stuck with a name yet its crazy) with 3 other guys, my last art of her features her and their drummer alan! ill introduce u to the rest of them soon. maybe.

aj is a hot mess, shes reckless and carefree and doesnt give a shit about u or what u think. she can be a real asshole and will push people away in the meanest way possible. A SAD LESBIAN. she would keep feelings to herself until shes in front of a microphone, where she could be a genuine version of herself.

heres an old art i never posted <3

[yuwuta]

JJK OLYMPICS OHHH YOURE A GENIUS

head spinning w sooooooo many athlete aus rn….. 

satoru honestly isn’t half as cocky as the media makes him out to be but he could be because you bring up world champion men’s freestyle swim times and it’s his name on the scoreboard ten times before someone else shows up. he’s faster than himself by fifteen seconds all around, he’s earned a bit of cockiness. mentioned in the last post that whenever he’s at a competition and he finishes a race, he looks at the camera and signs a little infinity sign and then blows a kiss to you. some bitter old coach always calls him out on it, and gets him fined for unsportsmanlike conduct, and he’s happy to pay the fees if it means getting a message home to you, but eventually you two come up with a new code; and at his next race, he places gold, turns to the camera, crosses his middle finger over his pointer finger and smiles. when he’s in his post-race interview, he makes sure to explain that he does it for you with the widest smile on his face.

megumi nepotism baby but not in the same sport. toji was a multi gold medalist back in his heyday for shooting, so it’s not really a surprise to anybody that megumi has scary good aim, but he takes to archery instead of shooting. actually the idea of megumi being an emo little kid and throwing rocks at a tree when his dad pissed him off his hilarious, and even funnier is toji watching him, slightly amused and a little scared because megumi is maybe six and hitting the exact same spot every single time. he grows to be very blase about it—it’s more of a release/hobby for him that he happens to be really good at, and well, now good enough to earn a few olympic medals. megumi is not a fan of having his dad ruffle his hair on international television after he’s won, but he supposes it can’t be helped.

i don’t know where to put yuuta…. tennis…. tempting….. him in his little white shorts…. little grunts after he serves…. cries….. a complete 180 in his personality when he’s playing vs doing anything else. so charming and sweet and kinda shy when he’s being interviewed, and the second he steps on the court his eyes are so cold it’s scary…. need him… extremely nerdy about his rackets, and shoes, and clothes, and rambles to you about aerodynamics and posture and torque whenever you ask him to teach you, and you always have to shutup him up with a kiss and remind him that yeah you sort of want to learn to play tennis for him, but mostly you came bc he looks hot doing it. once he got asked in an interview if he ever thinks about you while he’s playing and his response was very concise, “no, never. it would be a big distraction,” and did not realize the implications of his heavily televised words. 

also…. not to make this post 40% yuuta but we could pull from canon a bit and make his sport fencing. he doesn’t excel because he’s the strongest, it’s because he’s learned to treat the sword as an extension of himself and a good strategist… also because i like the image of him pulling the helmet/mask off and shaking his hair out………..

don’t even know where to put yuuji…. volleyball? basketball? track and field??? the irony of him easily being the most athletic but canonically does not want to play sports 😭 but i can see him playing a sport because someone scouts him and it turns out to be a way to make steady money to support himself and his grandpa :( by the time he’s qualified and made it to the olympics, wasuke is doing much better (thanks to yuuji having landed some preemptive sponsorships and being able to afford better medical care), but not so well enough that he can travel across the world to watch yuuji play. wasuke tells you that you should travel and be with yuuji, but yuuji is so touched by the idea that you would stay with his grandpa and be by his side when he’s away :(( he wins gold, of course, and he doesn’t even wait until the closing ceremony—which, he’d mentioned in all of his interviews, so nobody can be too upset. he’s on record saying, “i’m excited to play, but i’m even happier to be going home. my girlfriend and my grandpa are watching me and i miss them!” several times— he’s on the first flight home with flowers, and tears in his eyes. puts his gold medal on his grandpa’s neck as a thank you, and spends probably thirty minutes straight hugging you and kissing you and honestly don’t put it past him to propose now that he’s got nike ambassador money 

nanami started judo as a way to relieve the stress of his overbearing job, and someone at the gym/training center notices he seems to be a natural despite being a beginner. he starts to draw a crowd, which annoys him at first because the point of judo was discipline and release from having to deal with too many people at his office job, but nanami supposes he can’t be too mad when you introduce yourself as a talent scout and offer him professional training. there’s irony in him accepting your offer, because it was definitely not based in professionalism at all… quitting his job as a salaryman to become a professional athlete in his mid-twenties was not on his bingo chart, but if it means he will have met you, then so be it. you’re with him all the way, through his training, competitions, world championships, qualifiers, all the way until he’s on the podium. you’re the first to congratulate him, but he interjects by telling you he’s quitting. you ask him why—he just won at the olympics for crying out loud, but nanami just shakes his head, puts down his flowers and his medal so his hands are free to hold your face and tell you, “it would be unethical to kiss my manager, so i am quitting.” (later, when everything is said and done, and you two are cuddling, you mention to him that he could just hire a new manager, and not quit his new career, to which he blushes because yeah… that’s probably more rational, but rational was not in his train of thought at the time)

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[slavhew]

please draw something soft with little pq dirk and alpha dave or the silly pq older one iregrhgh ur art makes me so so sad abt them in the best way ever plsplspls

HI ANON. oh my god sorry for keeping you waiting this long. i wanted to do something nice for you but truth be told... i struggle with drawing people hugging & similar stuff. historically. but ur rq is WAY overdue so!! i did my best.

i only hope this reaches you alrighht... i wish it notified anons when their asks are answered ahgfdjksgg ;w; thank u so much for this and again so sorry it took this long...

[rottenk1sses]

Dilf art but with a bigger focus on the age gap. He feels SO guilty like he's doing something wrong even though you're both adults. Idk idk.. and maybe he gets really embarrassed with himself cos he's not like 'older bf dom daddy' and maybe even lets a quiet "mommy" slip when yall fuck and and and

cw : dilf!art, implied large age gap, choking (18+)

the guilt chews at art’s limbs like a hungry wolf. a wolf that’s so starved for sustenance that it resorts to consuming the flesh of a man as disgusting as himself.

he tries not to bully himself with the fear that he might have an intrinsically problematic attraction to younger women, but it always creeps back into his chest in the dead of night. he didn’t seek you out, he just happened to connect with you and you just happened to be young. that was all.

you’re over eighteen years old anyway, so what’s the big deal? right? it’s legal. it’s moral ethical somewhat socially accepted. so he shouldn’t let himself feel too bad.

but god, you make it worse with the way you make him feel.

it’s bad enough that he’s decades older than you are, but the fact that you make him feel like an innocent little lamb is a whole other pandora’s box of issues.

the people that can get over the age gap also seem to be the ones who can’t get over the fact that you have him wrapped around your finger. they want him to be your protector; your knight. so when they realize that he withers pathetically into the ground the second you’re nearby, they’re ready to deem the relationship ‘gross’. he thinks it’s laughable that they’d rather you have an electra complex than him be your boy-toy. but whatever.

whatever!

it’s all traditionalist bullshit.

.. but damn if it doesn’t make his insides squirm when he thinks about how objectively perverted it all is.

he even thinks about it when you’ve got him trapped underneath you, choking him with two hands wrapped around his throat as you fuck yourself on his cock. he’s still strong enough that he could easily push you off and take over, but he’d never in a million years want to do that.

he likes it underneath your pretty body. it’s where he belongs.

so he moans raggedly and brokenly when you pull another orgasm from his shaking frame, your cunning smile only fueling his pleasure as the lack of air makes his face tingle.

“that’s my boy,” you growl, rocking your hips at an agonizingly quick pace as if you’re trying to kill him, “fffuck, artie, you’re gonna make me cum again—“

your hands are off of his throat in the next second, letting him pull a hearty gulp of oxygen back into his lungs, and then you’re guiding his palms up to squeeze your tits. he keens, coughing around a hoarse whine. he’s crying. (typical.)

“fuck, fuck fuck, i’m gonna cum-!” your head tips back as the words spill from your mouth, and he uses all the strength left in his lower body to shove himself as deep as he can go, punching the spongy spot buried in your walls.

you see stars; burning waves of ecstasy coursing through your veins and lapping at your cunt from the inside out. art shudders at the way you squeeze around his length, and he grips your thighs tight because he thinks he’s about to black out.

this should be considered elder abuse.

you continue riding him through your climax, ignoring the gush of your fluids over his convulsing pelvis. your hand drags up his chest and then slides to play with his short locks.

“still with me? i’m not done with you.”

he nods up at you; brow pinched and tongue heavy in his drool-filled mouth. he can only manage two whiny, desperate words.

“yes, mommy..”

[dipperscavern]

Real quick can we talk about Jon just... staring? like, his eyes are always on you. and, fuck, I mean, you can't complain

YES WE CAN. especially postres!jon omg….

it’s a piece of the protective nature that was always part of jon, but since he was betrayed by those he trusted, it’s been horribly amplified. he just can’t help but stare.

whenever you walk into a room, his eyes are the first to find you. and whenever he walks into a room, you’re the first person he looks for. you both could be anywhere with anyone and his gaze is tracking you. watching who surrounds you, how touchy they are, looking for any trace of discomfort that crosses your features, even if only for a moment.

maybe it has to do with the faint twinge of annoyance in the back of his mind whenever you’re not near. that uncomfortable buzz of his nerves knowing if something happened — if the sky began falling — you’re too far away for him to reach.

his rationality fights to speak sense to him, to tell him the odds of such things are so slim they’re laughable, but a voice like that has much of a harder time being heard when you’re involved.

jon never thought anything of the sort would happen to him, especially by the hands of people he swore oaths with; by a boy the age of bran. it never crossed his mind, why would it cross yours? the sky’s been stable since the first men, but what if?

he’s very silent about all this, of course. tormunds too deep in his ale & goats milk to notice how jon isn’t listening to his newest story of giant-fucking. if everyone else weren’t so fascinated by his narration of tits the size of the moon, perhaps they’d see their kings gaze hasn’t left their queen since the wildling began — has followed you, tracking your movements with eyes darkening every time someone gets too close.