#than i do of him as a Force in the narrative

[ramshacklefey]

Wait hang on this actually got me thinking about the stuff that leads up to Waternoose (ohhhh shit I just got his name wow) being held accountable:

Mike and Sully realize that the narrative of human children being dangerous is false.

They act against social and legal standards to protect Boo.

They discover that Randall is acting to exploit children in the interests of the company.

They try to inform Waternoose of Randall's actions and discover that he is complicit in them, claiming that he is doing it to protect society from the disaster of having insufficient resources.

They decide to act against Waternoose, the interests of the company, and possibly the interests of their society as a whole, because all of those things are dependent on causing harm to and exploitation of another group.

The government agency responsible for protecting Monster society from the perceived "danger" of human children acts to reveal Waternoose's corruption and hold him accountable, again in spite of the fact that this will destroy the company and cost Monster society their main source of energy.

Mike and Sulley realize that there is an alternative form of energy available that is better than Scream and doesn't require exploiting others.

THE KEY ELEMENT HERE IS THE HEAD OF THE CDA ACTING AGAINST WATERNOOSE.

Roz could have turned a blind eye to Waternoose because his plan would benefit their society in the short term. She had the power to do that. But she chose her duty to protect society from corruption and greed over everything else.

That's what allowed Mike and Sulley to use their new knowledge to improve their society's well-being and prevent the harm being done by the collection of Scream.

Without Roz, Waternoose would have gotten rid of Sulley and Mike, preventing them from realizing that there was an alternate source of energy available. The Scream Extractor was already a solution to the problem, and it's one that fit in with the social belief that children are dangerous!

So, what's the takeaway here?

It's that social/political changes will only come about if:

Ordinary citizens have the knowledge needed to find new ways of doing things;

Those citizens are willing to act against social norms and powerful people to protect others. (And potentially to act on their discoveries. Mike and Sulley had all the pieces they needed to discover the power of laughter before Waternoose was gone. In the story, it didn't come to this, but we can imagine a scenario where they tried to set up a new business in competition to Waternoose.); AND

Those with the power to regulate and hold accountable people like Waternoose actually do so.

When it comes to many current problems in our society, we already have the first two things in place. Our Waternooses are actively working to prevent Number 3 from being a thing. They're to get rid of Number 1 by destroying education systems. They're trying to get rid of Number 2 by convincing people that they're invincible and necessary to the functioning of our society. That there's no hope for change and that trying to change will hurt everyone.

If we want to change things, we have to stop them from doing that. And we can. We have the means to work from the bottom up, to educate and encourage others, and to start forcing that change.

And damn if a kids' movie from 2001 didn't manage to say all that. (I give the corporates who funded the movie no credit for agreeing or supporting that message, but the writers and animators who managed to get the movie past them.)

[danyseastar]

this is an INCREDIBLY disingenuous take, which doesn’t shock me in the slightest despite season two utterly destroying the fanon perception of alicent many have made up in their minds.

rhaenyra did not want to marry laenor, book or show. it is a direct consequence of viserys’ inability to be anything other than a complacent door mat, and daemon attempting to sully rhaenyra’s reputation in the hopes that viserys will marry her to him. the only husband she chooses is daemon.

the show did her far less justice in that it created a storyline of rhaenyra being given a ‘choice’ or at the very least the ‘illusion of choice’ before being forced to marry. the situation leading up to it is roughly the same minus that aspect is the book. i have no doubt in my mind that viserys would have concocted some scheme to bring the velaryon’s back into the fold regardless of rhaenyra’s reputation being put into question, but i digress. i’m not here to talk about hypotheticals.

rhaenyra has no intentions of not ‘doing her duty’ or ‘not sacrificing herself enough’ in this endeavor. this person is purposely misleading with their usage of only part of the quote (the one that fits the narrative they want to push). below is the dialogue for the scene this person is talking about:

the conversation, as this person so eloquently put, is not about rhaenyra wanting to ‘fuck whoever she pleases.’ it’s two teenagers put into a predicament they don’t want to be in; one because she both does not want to marry and wishes to find love with someone else, and the other a closeted gay man with no interest in women. the full quote is, “that we perform our DUTIES to our fathers, then each of us dines as we see fit.” rhaenyra had no initial interest in not having trueborn children with her husband. this is further proven with the season one episode seven line, “i had hoped to bear your [laenor’s] children.”

another point i’d like to make is WHY exactly is it seen as such a character flaw to not want to be looked down upon, or taken advantage of? to want freedom and flights of fancy and the ability to be happy? a certain someone DID her duty, and she wasn’t happy. she SACRIFICED everything, and she still wasn’t happy. she ultimately decides to gift her sons on a silver platter to the enemy in her pursuit of protecting her daughter and granddaughter; after a conversation where she admits that she was jealous of rhaenyra, for finding that happiness she herself was unable to grasp. this is not a moral failing on rhaenyra’s part. i don’t care what the in world ethics are of any given situation, i’m not going to sit back and look at a system meant to hurt women and root for it, whether my favorite character supports it or not. whether i deem it the ‘safest’ option (it isn’t) for my favorites lives to continue. how is anyone meant to break the wheel if they continuously allow themselves to be stepped on, or god forbid uphold it for their own personal gain?

‘i’m supposed to root* for her?’ you don’t have to root for her. you’re not obliged to. you’re not going to be burned at the stake. you’re not special for siding with overt female subjugation because the only women you deem to deserve better are those who perform their duties unwillingly and sacrifice their bodies and minds in the process. those who don’t fit into mold of the patriarchy be damned, the imperfect victims that they are, the ‘bad’ women of society.

[magical-reid]

Little Things

Pairing: Reader x Bucky Barnes

Word Count: 1K

Narrative Perspective: Third person limited (Reader’s POV)

Prompt: 25: “You bought me flowers?” “Yeah, well I noticed you’d seemed kinda down, so I wanted to cheer you up.” 

Summary: Feeling trapped in the weight of her own mind, you’ve spent days lost in a fog of hopelessness, convinced no one would notice. But when Bucky shows up at your door with a bouquet of flowers and no judgment, his quiet understanding pulls you out of your isolation, reminding you that you're not alone, and maybe, just maybe, there’s light even in the darkest moments.

You couldn’t remember the last time you’d felt light.

Everything seemed weighted, from the gray overcast sky outside your apartment window to the simple act of breathing. Even getting up this morning had felt like scaling a mountain, each motion slow and deliberate, like you were dragging your limbs through molasses.

The world outside continued to churn—cars honked, people shouted, a dog barked somewhere down the block—but it felt distant, like you were underwater. It didn’t matter what was going on out there; you were stuck here, trapped in the storm inside your own head.

A part of you knew it wasn’t supposed to feel this way. That people didn’t sit on their couch for hours staring at the floor, lost in thought spirals that twisted tighter and tighter. That it wasn’t normal to feel like your chest was caving in every time someone asked, “How are you doing?” because the answer was always wrong.

I’m fine.

I’m tired.

I’m busy.

None of it felt true, but what were you supposed to say? “I feel like a hollow shell of myself, and I don’t know why or how to fix it”? Nobody wanted to hear that.

So you sat there, unmoving, as the afternoon bled into early evening, your apartment dimming around you. You didn’t bother to turn on the lights. Maybe it would be easier if the darkness just swallowed you whole.

A knock broke through your haze, startling you. It wasn’t loud or forceful—just two soft raps against your door—but it jolted you all the same. For a moment, you considered ignoring it. What if they just went away?

But the knock came again, and something about its persistence pushed you to your feet.

When you opened the door, Bucky stood there, his broad shoulders hunched slightly against the drizzle falling outside. His dark leather jacket glistened faintly with rain, droplets clinging to the strands of his hair where it curled at the ends. In his left hand, the metal one, he held a bouquet of flowers.

For a second, you just stared. The image didn’t compute—Bucky, who always seemed to carry the weight of the world on his shoulders, standing at your door holding something so bright, so cheerful.

“You bought me flowers?” The words tumbled out of your mouth before you could think.

Bucky shifted awkwardly, his eyes darting to the side. “Yeah, well…” He scratched the back of his neck, looking almost sheepish. “I noticed you’d seemed kinda down, so I wanted to cheer you up.”

Something cracked in you at that. It wasn’t a clean break—it was jagged, sharp—but it let something through the fog. You lowered your gaze to the bouquet, taking in the vibrant sunflowers, soft daisies, and delicate sprays of baby’s breath. The yellows and whites seemed to glow against the gray of the day, like a stubborn little patch of light in an otherwise dark world.

“I…” You tried to speak, but your throat felt tight, the words sticking. You hadn’t expected anyone to notice. You hadn’t expected him to notice.

Bucky must have sensed your struggle because he took a hesitant step forward, holding the flowers out to you. “If you don’t like them, I can—”

“No!” Your voice came out louder than you intended, and you reached out quickly, your fingers brushing against his gloved ones as you took the bouquet. “I love them, Bucky. Really.”

Your voice cracked, and as soon as it did, you felt the hot sting of tears gathering behind your eyes. You bit your lip, trying to keep them at bay, but it was no use. One slid down your cheek, and then another.

Bucky’s expression shifted immediately—softening in a way that made your chest ache. He stepped closer, his blue eyes locked on yours, and you could see the concern etched in every line of his face.

“Hey,” he said quietly. “What’s wrong?”

You let out a shaky laugh, though it held no humor. “Everything?” you managed, clutching the flowers tighter to your chest. “I don’t know, Buck. I’ve just been… stuck. And it feels like I’m drowning, and I don’t know how to stop it.”

The admission hung in the air between you, raw and unfiltered. You hadn’t planned to say any of it, but once it started, it wouldn’t stop.

“I didn’t mean to dump all that on you,” you said quickly, lowering your gaze to the floor. “I’m sorry. I just—”

“Don’t.” His voice was firm but gentle, grounding you. “Don’t apologize. You don’t have to.”

You looked up at him, and the sincerity in his expression nearly undid you. There was no judgment, no awkwardness—just understanding. Bucky, of all people, understood what it was like to feel broken.

He reached out slowly, giving you plenty of time to pull away, and brushed a tear off your cheek with his thumb. The touch was light, almost hesitant, but it made you feel seen in a way you hadn’t in a long time.

“You don’t have to do this alone,” he said, his voice steady. “I’m here, okay? Whenever you need me.”

You nodded, swallowing the lump in your throat. “Thank you,” you whispered.

He smiled then—a small, crooked thing that made your chest feel a little less heavy. “Anytime, doll.”

For a moment, neither of you moved, the quiet stretching between you. Then Bucky glanced down at the flowers in your hands. “I wasn’t sure what kind to get. They just… looked like something you’d like.”

You let out a soft laugh, brushing your fingers over the petals. “They’re perfect.”

[worrynoodle]

🥧🍻Contains spoilers for Supernatural ending🍻🥧

I take what I said about the ending back. I've been rewatching and I agree that it wasn't right.

Throughout the entire series, we consistently see Sam and Dean encounter other hunters who usually represent two paths. In this life, you die or go insane ("You either die a hero or you live long enough to become a villain" -The Dark Knight). And of the two options, Sam and Dean seem to have decided that dying is at least better than potentially hurting someone. Neither of them actually believe that because they keep bringing each other back.

But this post is mostly about Dean's ending - death, in the line of duty, by rusty rebar.

During my first watchthrough, I could see - very surface level - that yeah, sure, Dean would want to die that way. Going out saving people, Sammy at his side.

But almost every other time (if not every time) Dean is faced with his own death, he decides he doesn't actually want that. He feels he must. He dies so others can live, that's his job, it's expected. But he would live if he could. When he made the demon deal to get Sam back, he confronts his nightmare self and says he doesn't want to die. He doesn't deserve to die. With the mark of Cain, in the confession booth he tells the priest that he knows he doesn't want to die and that he wants to live and experience life differently.

Dean wants to break away from the expectation that hunters die. Maybe he can't have a "normal" life. But he wants something other than what's expected of him. What God expected of him.

This was supposed to be Team Free Will. This was supposed to be about breaking away from God's Plan. Not dying like the little soldier daddy raised him to be but to become more than that. Break away from the narrative.

In the end, though, Dean is forced to have the death that everyone else planned for him. The self-sacrificing version of himself, other hunters, his dad, God. All the people we as the audience wanted Dean to be free of, to live in spite of - he dies like daddy's blunt little instrument. Cas sacrificed himself to the empty, finding peace in the face of never seeing the love of his existence again, in the face of literal eternal nothingness so that Dean could live and be more than [Dean] thought he could be. He was happy to sacrifice his happiness for Dean's. Just for Dean's life to be cut short the same way Cas died to avoid. (Death because of the work. Death like a soldier in battle.)

All of the times Dean and Sam (and Cas) die and come back to life, all of the people they find who live happily, the family they find together, the love they find, defeating literal God - it all felt like it was building to something more substantial. That they BOTH (*) were going to get something more than they expected - or, rather, resigned themselves to.

And on Sam's end - throughout the show, they show us, surface level and parallel to deans death, that him living a "normal" life without dean is what is expected. He left the life. He left Dad and Dean, went to college, had goals and aspirations, and had a serious girlfriend. His life was laid out for him. Just like death was laid out for Dean. But when push comes to shove, Sam doesn't want to live without Dean. Even when Sam thinks he can do it, like when Dean goes to purgatory, he comes the moment Dean calls and gets back into the life. When Dean dies from the mark, he says so. He was wrong, and he'll do anything to get Dean back. Everybody asks him why he would ever come back when was almost out and he tells them that he actually loves this life. That now he isn't forced into it but chooses it. He doesn't want a life without his brother in it. And that is what he was doomed to suffer. By the end of the series, I don't think Sam would have just let go like that.

Chuck said one brother had to kill the other. In other words, one lives, one dies. And that's what happened.

*I wasnt going to but now I am. Let's talk about Cas too! Through the show Cas dies again and again and again. God hates the disobedient angel with a crack in his chassis who fell in love with a man. God kills him. God wants him out of the picture but he won't go. He can't go. The story falls apart without him in it. Dean falls apart without him. But somehow his death is considered a good ending for him (good story telling wise, externally)? That confessing his love was enough? That dying in place of Dean was where he wanted to be? Sure, he was happy but it came at the price of that very happiness. It was had and taken in a moment. He was destined to die by God and that's what happened. (And we are supposed to believe that Dean just... lives on, cuddlin his dog and eatin' pie like he's not wrecked? That every other time Cas dies he falls apart but this time when Cas dies, they defeat God and true happiness is supposedly possible now - Dean would just give up? That he wouldn't try to get him back? Especially after a love confession? That just doesn't make sense to me.

My theory is that there's more to the ending than we know. That they did intentionally wrap it up there, that you can take it or leave it. But it leaves you wanting, leaves just enough questions unanswered that if they were to do a revival there's things they can do with the story.

Tl:dr: for a show about breaking away from the narrative, choosing free will, and not being held back by expectations, the ending really didn't fit well and let us down. IN MY PERSONAL OPINION

[nerdishpursuits]

And this is one of the countless reasons I love chatting about Mafin with @midniteowlet: she's my very own toma a Tierra and grounds me, so I can approach things more rationally.

Upon concluding our debate of the current turn of events on the show, Mafin on the whole and their narrative? I've come to look at things as follows. The show very much reflects society as it is: a sad state of affairs where good people hurt and unsavory characters often prevail. The fact that we want everything good and wholesome to triumph at every turn? Idealistic, not realistic. Not to mention lofty expectations actually prevent one from truly appreciating the show, with all its ups and downs and winding roads. And personally, I'd like to keep enjoying it, without getting dragged down the utopian rabbit-hole.

For the most part, the representation we get is actually well crafted: Mafin feels organic, tried and true, and the chemistry between them is undeniable and thrilling. More so? Their story doesn't feel forced and thus, can be promoted to any viewership without it coming across as preachy and condescending, or having an agenda. If anything, Mafin is by far the best developed, healthiest relationship on the show. I, for one, much prefer the portrayal of good communication, heartfelt romance and overcoming obstacles together than a deluge of r-rated scenes. And honestly? We are being offered a damn good story here, even as it fails to satisfy everyone's hopes and demands (which in all honesty, it never could - at the end of the day, someone will always be disappointed)

I'm also reminded of Marta B. mentioning in a recent interview that the show is not aimed exclusively at the sapphic community. As such, it will not depict or cater to its particular needs. It's part of a larger ensemble and needs to appeal to a broad audience. And, when all is said and done, it actually manages to accomplish more with this kind of storytelling: one that's simpler, one that doesn't try to be pedantic. Ergo, they will not linger and preach to the audience. What they will do instead is allow the characters, their circumstances and actions, to speak for themselves. And they will trust they're doing a good enough job to let people draw their own conclusions. So far, I think they've achieved that: there’s heterosexual people watching the novela who love Mafin and think they’re the best couple on the show, there’s elderly people learning to be more open-minded, everyone loves Damian's character development, everyone hates Santiago and acknowledges he is a despicable lowlife etc. The show is moving the pieces along the board quite deftly and it makes for an interesting, if not always gratifying, game.

As for today's episode? There's no doubt that Marta and Fina only have eyes for each other. They're an established couple who will face anything thrown their way as they always have, as one. No mustachioed men will ever change that. Marta and Fina's narrative will never be whether they desperately adore each other. That they do couldn’t be more obvious. Their story? Ever has it been, and will continue to be, about their fight to attain freedom: freedom to live their love in a society that forbids it.

Therefore, I've reached the point where I'm not worried at all about either Santiago or Pelayo. Based on Pelayo's reaction upon learning Marta is a lesbian? I doubt he'll help Santiago in his attempt to sink Marta's ships. To me he comes across as a calculated businessman, but not a heartless one. He stands to profit more from a partnership with the de la Reina family than throwing Marta to the wolves. He also didn't bat an eye at Santiago's reveal, wasn't surprised or outraged. Which, I'll go out on a limb and say, is telling. He's either gay himself or simply plans on advancing his business / political career by securing a partner that won't demand his attention or affection. The first scenario ensures he remains socially upstanding while the second allows him to live as he pleases. To a man like Pelayo? It's a jackpot either way. Hopefully, the benefits outweigh the costs for Marta as well, should the plot move in that direction. And given all the signs? It's already halfway there.

That being said. It remains to be seen what happens to Santiago. I assume, and hope, his little ploy at denouncing Marta to the Civil Guard will cost him, dearly or otherwise. His own thirst for vengeance pushed him to make the wrong move which is, in my opinion, seeking out Pelayo. And while there's plenty of outraged cries that Marta & Fina don't need another man to save them? Let's not forget it's 1958. The likelihood of neither of them attracting a suitor, fake or otherwise unwelcome, is as doubtful as improbable. The fact they managed to successfully evade them so far? Quite the feat.

As for what awaits? Marta won't go to jail, I think, since that card has already been played. Or who knows? We might be surprised. The fear they need to instill in her requires new heights, in order for Marta to reluctantly accept another cage. Mind you, she's still trapped: as much freedom as she currently wields, Marta remains a woman whose very social status entraps her, singling her out as prime real estate. She's the proverbial golden goose, especially as dictated by the mores of society back then. Marta and Fina's shared dream of freedom remains, for now, a dream. One they've almost had at their fingertips, which makes their current circumstances all the more painful. I will say: it stings that Fina won't be the first to read Marta's journal. Undoubtedly, at some point, she will. After all, that journal is a mirror of Marta's very heart. It lays out her deepest fears, her innermost longings. It chronicles the fiercest battles Marta has had to wage with herself, her losses and triumphs, her meditations and hymns, the anguish and the deliverance of her love for Fina. To have it fall into the wrong hands? A violation of the utmost personal, a desecration of what is deemed sacred and untouchable. The diary symbolizes Marta having a safe space to call her own, one where she was allowed to embrace her true self, one that initiated her journey to freedom, her quest to rid herself of her shackles. Santiago has no honorable bone in his body and his hatred towards women, and Marta in particular, drives him to invade and vandalize her privacy, this blessed sanctuary she got to call her own. Let's see if Pelayo rises to the occasion and proves himself as a noble character. You can never have too many allies. Do I still take issue with how certain things are handled, with the inconsistencies and shoddy character work? Definitely. But I’m also able to simply sit back and enjoy. Let's see where all this goeth, shall we? Hello pain, let's go again.

[mental-mouthful]

Hickey for the character asks pls? 👉👈

ohohoho! lovey suggestion !! i am always down to talk about a fellow ratt, so yes of course!

First Impression: IS THAT FUCKING HICKEY?? THE FERRET FACED FUCK I HATED WITH MY WHOLE BEING? THAT'S HIM? THEY MADE HIM A FUCKING TWINK???? People better not be fucking woobifying him i swear to god...

Impression Now: ohh noo. oh no my worst fear has come to life... i like hickeyyyy i like him a lotttt. i feel like this is how billy feels just "oh god. oh god is this working for me? son of a bitch it's working" On a real note though, he is sooo fascinating to me. He's a lot more genuine than i think people give him credit for. He's just so paranoid and has been taught to be so self-sufficient that it overrides any actual connection he might make with people. When given the chance to help, he does so, even if it is often tied to making himself look good. He didn't have to help Manson and Hartnell take Hornby's body down. He could've just cut in to undermine Irving and left it at that. He didn't have to grave rob to propose to Billy. He could've left everyone to burn in the carnival. (The fact he gutted McDonald do so and only looked as upset as "you fucking idiot, you stained my knife"... well that's just the other half of his personality showing) But he does all that. bc he does care. in his own twisted, detached way. Adam Nagaitas said something to this tune in an interview and its like. yeah!! he does care!! ...he just cares about getting himself on top (👀) more than any of that.

Favorite Moment: Goddddd what a hard question. Is it bugger victoria? (shout out fitzjamesbulletwound) Is it ratt wedding? (his smile is so sweet) is it his speech at the gallows? ("BUT ABANDONING HIS SHIP!!! SHOULD NOT BE AMONG THEMMM ��️") i could be predictable and say its him taking his lashing like a fucking champ. his cheeky fucking smile throughout really encapsulates his "fuck you, I'll endure just to spite you" attitude. No it's not any of that. It's his casual smoke after he and billy get caught. it's really indicative of his personality and the unshakable force he'll be in the narrative. "there's worse things than being lashed ;)"

Idea for a Story: would loveeee to do a deep dive into his past. even if leaving it a mystery is more compelling, I'd really like to see what kinda menace he is on the streets of england.

Unpopular Opinion: that he actually doesn't want to eat people. he wasn't going into this with the hope that they'd turn cannibal. the situation had just gotten so dire and his lead poisoning and/or god compex had corroded his brain so bad he probably thought it made him an apex predator.

Favorite Relationship: He's got so many delicious dynamics to choose from but I think I'll go Crozier. He wants to be his friend. He wants to usurp him. He wants to fuck him. He wants to kill and eat him. He doesn't want his men to rough him up. He greatly looks forward to having a chat with him at the end of the world. He chains him to a boat.

Favorite Headcanon: that he plays the piano. and he's not great, but he knows his way around it. and its great fun to play for a crowd of belligerently drunk assholes who dont know the difference.

ANYWAYS THANK U THANK U FOR GIVING ME A REASON TO TALK ABOUT THIS FREAK <3333

[dandyseedlings]

breathing out storms when she comes around, she comes around, she comes around.

[bumblingbabooshka]

When the only person who might understand what happened- understand. Not sympathize or empathize or comfort you but understand what happened, isn't there anymore. Or: 'A Man Made Me Do Something I Didn't Want To', for when you can't talk about it or look it in the eye [Patreon | Commissions]

[p2ii]

I feel like there's something to be said about the way fandom will treat characters who's trauma they can personally relate to Vs characters who they cant

[dullahandyke]

didnt even touch on the sandra lynn stuff int he tags of the last post bcos if i talk about her im liable to explode. get behind me, middle-aged divorced woman proficient in archery

[kohakhearts]

hey that pokemon 2000 gifset + your jn dub analysis made me think about the pokemon 2000 dub - I've only seen it subbed once (compared to the hundred times I watched it dubbed as a child) so I could be misremembering, but didn't the dub completely change the themes of the movie with the chosen one ash thing?

i actually haven’t watched the sub nearly as many as times as the dub either :p but i have read extensively about this topic bc it’s personally my favourite pokemon movie and yes! the first and second pokemon movies are both victim to this (like mewtwo’s epic speech we all love so much at the end of the first movie…being a complete fabrication by the dub team :p you gotta give those writers credit - they were VERY good at what they did), largely i’m guessing due to cultural values and expectations. since they were trying to sell the anime to an american audience, not a japanese one.

tangentially, i will say i also think that’s the root of this like…subtle distinction some people have between the characters “ash” and “satoshi.” i don’t differentiate them in any big way myself because fundamentally they still are very much the same, but it is true that in japanese, ash has somewhat different mannerisms and responds differently to events at times, especially in the early anime when it was so much easier to get away with making big changes for…a big assortment of reasons haha.

in THIS movie in particular, some of those things are like…well. the prophecy is probably the most obvious change. the dub team rewrote it to include the chosen one reference, which works great because of the word play on ash’s name. in japanese, it just says “an exceptional trainer will appear to help calm the wrath of the gods.” ash’s response to this is more mild trepidation than outright fear. he doesn’t hesitate like he does in the dub. and tbh? both reactions make perfect sense for his character in my opinion.

in japanese, his concern is more "do you really think i can fit that role?" this...tracks pretty well with his character development by this point. like yeah he said he could win the indigo league, but he's also thinking about dropping out after gary loses; it's that little grain of insecurity he has, which he's normally good at covering up with arrogance (a lot of which is also very genuine, don't get me wrong). but he sees the opportunity to help and he takes it. that's just...what ash does.

in english, though, the prophecy is pretty clearly about him. there's no one else it could be. it has to be him. and he...doesn't like that? that scares him. which, fair. anyone would be terrified by being singled out like that. it's also so much...not ash's thing, even at this point in the series. his character development is about embracing having to work hard to do well. to keep trying until you get it right, no matter how many times you get it wrong. the idea of being a "chosen one" completely robs him of his ability to be so single-minded about what he wants his destiny to be that it manifests as pre-determined; it just...pre-determines it for him, if that makes sense. lol.

the thesis of the japanese version of the film is that no one person or pokemon can stand on their own. everyone needs help. it's about harmonizing with each other and with nature. about letting others help you, and helping them in turn. the english version rewrites that into a story about power and destiny. the title alone says it all, right? it's called "the power of one" - no reference to lugia, no reference to the birds. in japan, the title is about the revelation (or "birth") of lugia.

westerners love a good chosen one story, so this was a really good choice by the dub team in that respect. i mean, it's a narrative that's stuck really well. fandom loves chosen one ash! in general, western fanbases are really into this narrative. it's everywhere. and there's a lot that goes into that, culturally, and especially religiously, historically, etc. so at the end of the day, i don't think the change is so much about conflicting ideas about collectivism and individualism. it's more about goals and ideals, on a personal level.

let me say again for the 273456784th time, i love that they resolved ash's story by having him realize that the goal he's really been striving for all this time is to meet and befriend pokemon. to learn from them. to earn their trust. it's like...he did the thing that everyone else thought represented his goal, maybe even himself included, only to realize that his dream was never about the end of it anyway. it was about everything he learnt and everyone he met along the way. (i also suspect nobody writing in 1997 knew that that would be the ultimate resolution, either. but it makes sense in the entire context. it's kind of a nice irony, even. to only figure it out after writing the story :p)

and i think this little distinction is important to that goal! it's his whole character! which is why even though i too love chosen one characters, i don't necessarily think of ash as one. because even if he is, his whole Thing is that he wants to try. a lot of the chosen one narrative is about characters being reluctant to be used for a "greater good," or about them collapsing under that pressure. ash doesn't really have that. he does what he thinks is right because he...thinks it's right. sometimes, sure, others have to push him into it a bit, but usually they're actually pushing the other way - it's too dangerous, you're going to get hurt, etc. and to me, i don't know - thinking of times he's died, or nearly died, and some legendary or mythical pokemon has saved him at the last minute...i don't think that has to mean he's special in a cosmic sort of way. i think it just means he's special to them. that he did something for them, or for someone else they had come to care for (thinking manaphy responding to may's emotions, not just to the fact that ash was drowning, or in mpm ash convincing latios to trust him because of their mutual desire to save latias, etc.), and so they want to help him. which is completely opposite to the typical chosen one narrative, i think? because he doesn't do those things out of obligation...he does them because he thinks he can become a better trainer by doing them, and he wants to do that. and well. he did do that.

anyway my tl;dr here is YES they changed the theme a lot haha, but i find it fun that they also changed the characters’ responses to that theme. funnily that’s…kind of also what fanfiction writers do all the time, lmao, but that’s a whole other conversation.

[ninja-boo]

ok nvm i got mad at transformers writing again. back out of sheer spite

[gwynbleiddyn]

man i have such a weird ick about the found family trope that i think is purely rooted in the rhetoric that it should be a given for any dnd party that exists as a collection of societal outliers. like don’t misquote me on this it’s a great trope and i can enjoy it in the right context but it seems like there’s now a weird expectation that everyone in any dnd party should offer up their extremely personal baggage into some central pool for the party to pull from as and when they need. and it’s become so... ???? expected??? taken for granted?? whenever you get a motley group together that functions as a semi-successful adventuring party that people kind of consider you the awkward one when you say no actually you should earn my backstory and boy it just kind of sits wrong with me

[irregodless]

the answer is yeah winston probably deserved all that but not everyone else

[godsfavoritescientist]

I have a draft saved somewhere talking about my classpect headcanons for everyone, I really need to finish that sometime so people can see where I'm coming from when I say "fidds is a mage of rage". I have Ford down as a prince of light, stan as a thief of time, and bill as a lord of hope, but I think those are a liiittle bit more self explanatory

[cloudbends]

new pokemon episode!!!