#thai writing

[alenasbdesign]

CARD

Dimensions: 18" x 24"

Printed on durable opaque plastic in vibrant full digital color

Can be written on with a sharpie. Wait for ink to dry

Printed in the USA

[k9effect]

Tiktok's censorship of words like rape, kill, murder, abortion etc. etc. as well as censoring hard to hear topics, over the past few years has deeply contributed to the sanitisation of the internet and therefore directly resulted in the birth of "fandom purists" and the destruction of old fandom culture (the death of "don't like, don't read", "ship and let ship" mindsets as well as safe spaces for dark and "immoral"/unethical storytelling i.e "dead dove: do not eat") in a way that has fundamentally changed the mindsets of people who are new to fandom spaces and now view these such topics as wildly inappropriate for any social space as well as deeming anyone who is intrigued by them narratively or creatively as "immoral" and a bad person. In this essay I will

[bingsoo-jung]

I said this in the comments of someone else’s post, but I’m going to say this here. Taash identifying as non-binary is good actually, and in fact better than the dev’s making up some new term for them. Let’s get into it.

So for a bit of background, I’m non-binary and Thai. If you don’t know, Thai has specific terms for different gender-sexual identities, they’re quite old, they date back a few hundred years. However, the thing about culturally specific terms is just that, they’re culturally specific. The reason you use them is because you are tied to the culture in such a way that you gender-sexual identity cannot be disassociated from it. Because, to be clear, these terms are never just about your gender or sexual identity. They encompass a role you play within society itself.

For instance, in Thai culture we have tom/tomboys. These are AFAB folks who occupy a masculine societal role and date women. If you’re AMAB you cannot be tom. If you’re transmasc and feminine? You cannot be tom. If you’re transmasc and not attracted to women? You cannot be tom. If you’re transmasc and mostly date men? You cannot be tom. If you’re transmasc but don’t particularly feel like taking care of the girl you date, taking her out, being the ‘man’ in the relationship? You can’t really be tom.

Because the thing about culturally specific genders is that they come with a lot of rules. Being tom isn’t being non-binary. There are cis women who are tom, and there are non-binary people who are toms. You do not get eschew gender roles in these cases. You are quite literally taking one on. You have a role and place in society that has been made for you, and you are expected to carry it out.

Because of this, none of these terms are a one-to-one for other identities, and nor should they be. Being kathoey or hijra is not the same as being a trans woman or non-binary, and visa versa. You can be kathoey and not be trans. You can be trans and not be kathoey. Being aqun-athlok or any other specific term shouldn’t be either. The idea that it is, is more ahistorical and inaccurate than the word non-binary itself. Giving Taash some new, culturally specific term, would inherently tie them to a culture, and one perhaps that they didn’t feel apart of. Especially since Taash’s entire story is about struggling to figure out where they belong. Arguably the biggest issue with their story is that you have to make them decide, and fundamentally tying them to a term would’ve compounded that problem.

The reason I identify as non-binary and not a tom, is because I am not occupying some specific role in Thai culture. Despite living in LA, I rarely interact with other Thai people who aren’t my family. I do not live in a cultural context that would allow me to identify as a tom.

The thing about terms like non-binary, or trans, or agender, is that they’re meant to be acultural terms encapsulating the concept of truth to oneself and ones identity. Whereas culturally specific terms aren’t, they’re about the role you hold in society and where you fit in. It’s about your identity within a status quo. Taash is a character who is eschewing societal roles, and breaking the status quo, giving them those terms just wouldn’t work.

And finally? Using non-binary itself allows the writers to very specifically say where they stand. There is no space given to transphobes. You either accept that DA is queer-friendly or bust. And that’s a very important stance to make in an era where trans and non-binary folks are being actively targeted. There’s no ‘well Taash isn’t actually trans or non-binary they’re [insert term here]!’ Because people would’ve done that, we know they would’ve. This means people can’t do that. They have to just say that they have an issue with the term, and thus we can call them for what they are. Transphobes. Plain and simple.

So yeah, Taash’s identity does have nuance, it has a lot of it. And to be honest with you, I wouldn’t be surprised if Trick Weekes, a non-binary person whose wife is First Nations and thus from a group with culturally specific gender identities, knows about the difference between something like two-spirit and trans. And to be honest with you, using something like non-binary has nuance I doubt was actually afforded to Krem, considering they cast a cis woman to play Krem.

So yeah.

[tankhunmybeloved]

The reviews for Heart Burger must be spectacular:

"Free show with every meal. Service is so-so."

"slowest service on the planet. I think they make everything from scratch. Doesn't matter, you're not here to eat. Every day during the lunch rush this twink in a crop top appears like a comet foretelling a great doom. I'd assume it was a kink thing but I think he and his boyfriend (works in the kitchen) genuinely hate each other. Riveting."

"The carbonara is okay. The burger are pretty good. Whatever the owner has going on with his boyfriend is great tho."

[naonap]

men used to go to war

[anpanman95]

“this time, let me do it”

is anyone surprised they delivered? because I’m the fuck not.

[khaoala]

❝I won't sell it no matter how much you pay me. Because this is a birthday gift from my friend. This is the first gift you gave me. Am I right, Mo?❞

EARTH PIRAPAT as HENG HARAN and MIX SAHAPHAT as MOMO HATAINUTT episode 4 of OSSAN'S LOVE

[secriden]

Style in episode 4 made me soft in a way that I truly did not expect. I’ve used the word “guileless” (def: innocent and without deception) before to describe him but I don't think that has been shown more clearly then in this episode.

He tries to be manipulative and lasts for all of one single morning and then comes running to Fadel the second he hears about Fadel asking about him. He's so excited, so exuberant at the thought that Fadel misses him, so happy that his little (terribly obvious and juvenile) plan worked.

Which is why I think he was genuinely taken aback when Fadel only had harsh words for him as a reply (this is not a criticism of Fadel; in this he has been consistent. Doesn't mean they weren't hurtful though). Look at the way Style's grin slowly dies. Watch the way he straightens and backs away a bit, like he wasn't expecting the clawed swipe of Fadel's dismissal.

But Style is resilient. He's tenacious. We see him rally and steel himself to resume his pursuit: because Style is nothing if not determined to hold on to the thinnest thread of hope that he's breaking through Fadel's shell. And can I just take a moment to get emotional about Style offering forgiveness even when Fadel hasn't asked for it?

This, though. I do think this was uncalled for (this is a criticism of Fadel). You can make the argument that Fadel has tried honesty and blunt rejection and it hasn't worked, but I would have respected Fadel more if he'd stuck to his guns and kept rejecting Style in the same manner. Especially when everything else about his character shows he's actually very up front and direct. With Bison, with Kant, hell even with himself.

Fadel is mocking Style's clear and wanton desire for him. Look at the sardonic little grin Fadel gets right before he says, "You won't ever get what you want." Consider the way he was touching Style with that gentle, focused intensity; how he cuts up his shirt and tears it open and leans in close in a way that suggests purposefulness while having zero intention of seeing it through. Fadel knew what he was doing and he did it on purpose, to hurt.

And you can see that Style is genuinely hurt here. I think he has always been prepared for Fadel's rejection, but not his cruelty. Not Fadel making sport of him and his very real emotions and desires. Because Fadel has been rude and condescending before, but he's never been contemptuous like he is here.

And I wonder, partly, if this is because both times we see Style and his dad, his dad is scolding/chiding/correcting him to some extent. Perhaps that's just how they interact. Or perhaps, as implied by the way Style sarcastically said "Thanks, dad" as Fadel drives away in episode 1, Style doesn't enjoy the way his father scolds him and always has criticisms or corrections for him. Perhaps Style just wants to be accepted for who he is, especially by the man he is starting to have real feelings for.

Edit (after Ep 5): I'm so sorry, Papa Style, I did you so wrong. ;u;

@lazzarella made a post recently about Dunk's phenomenal acting in this scene (among others) and I concur so hard about how intense and scorching and "both fiery and steely" Style's anger feels in this scene. He's furious and wounded and you can see it in his gaze, the tension in his jaw, the way he bares his teeth up at Fadel when he says "...punch me in the face? Go on!"

And honestly, he is justified. Fadel's incredulity has no basis here: he stooped back to using public humiliation, something which Style very pointedly has not engaged with since his conversation with Bison in episode 2. Every instance of approaching Fadel since then has clearly been aimed to involve himself in Fadel's private life*.

*Yes even or maybe especially the support group in episode 3. Because while Style may have been treating the whole thing too lightly, all of it is directed privately to Fadel with his secret looks and winks. As far as the other support group members are concerned, Style was a somewhat overdramatic new member that had no connection to Fadel.

But what Fadel did by cutting up his shirt and sending him out in shame regressed them back to their early dynamic, which was far more antagonistic.

This is why Style lashes out at the support group again. Look at the anger simmering in his eyes. The way he makes direct, insistent eye contact with Fadel as he speaks, returning again when he talks about feeling used. Style, overall, is a character that doesn't take anything too seriously so it's almost shocking to see him this visibly angry and so pointedly challenging Fadel in a space where Fadel cannot easily brush him off.

But even now, even in all his rage and hurt, Style is true to himself and his heart. He doesn't want revenge or an apology, he wants Fadel to acknowledge that the thing between them, fragile as it is, matters; that what they did meant something to the both of them.

And this is why I was so broken about Style offering forgiveness without Fadel asking for it earlier: because all it took was Fadel admitting that he missed Style for him to unreservedly offer reassurance and safety for Fadel's heart. There is nothing ambiguous about what Style says at the jeep: he makes his own intentions clear by offering certainty, taking responsibility, promising the very commitment he was asking Fadel for.

He makes himself vulnerable to and for the man who literally just mocked and humiliated him that morning. Style really just let all his anger go immediately like that.

And no, I don't think he was doing all that for the car. This is just how Style talks. He has a flair for the dramatic, and this was the perfect way to reveal his news to Kant. But look at how delighted, how filled with boyish glee he is while he tells Kant the news about Fadel agreeing to be his boyfriend. Consider the way he reacted in the moment: the joy in his voice and the wonder in his eyes when he said "Really? We're dating now?", the way he covers Fadel's cheeks in a hundred butterfly kisses.

Also, a thought that occurred to me - could this be Style's first relationship? We know from episode 1 that he sleeps around, but there's seemingly no mention of a previous serious/committed relationship so far. His dad seems surprised to hear Style is seriously pursing someone. Could Fadel be the first person to capture his interest for long enough that Style developed actual feelings?

Which is also why his fear is now so visceral. He is genuinely terrified of Fadel, but I don't think it's just because he's realised how dangerous Fadel is (after all, he's known that to some extent since he watched Fadel break a man's arm with his thighs). No, his fear stems from the fact that Fadel now has reason to hurt Style.

In the face of the betrayal of his own trust, Style answers Kant's plea to friendship and entangles himself with Kant's lie willingly... and thereby forfeits all rights to the safety he was so confident of in the middle of the woods by an abandoned factory. Because now Style knows that if Kant gets found out, it won't matter that Style didn't intentionally mislead and take advantage of Fadel's vulnerability in the forest. Because he still chose Kant over Fadel here, and that makes him undeserving of the open door he asked Fadel to give him.

Style is incredibly transparent in all his thoughts and emotions and this is why I say that Style is guileless: he is incapable of true deception. His heart is too close to the surface, his desires too obvious, his thoughts too clearly broadcasted on his face.

He is the perfect foil; not only to Fadel (who until this episode held everything so buried inside his chest that we only understand his true feelings in snatches of memories or moments when Fadel is certain that he is truely alone) but also Kant (whose deception, whilst cracking under pressure, is intentional and calculated - thinking about that bowling alley accomplice right now - in a way Style never could be).

And this means that any success on his part in the upcoming episode(s) in deceiving Fadel is going to fall on either Fadel's own willful blindness or the suspension of disbelief the genre requires of the viewer -- but it won't be because Style is actually any good at playing the role now that he knows the full truth.

This is why my heart breaks for Style. Because Kant forced a burden on him that he was in no way prepared to bear. And eventually Style will have to choose between his loyalty to Kant and his burgeoning feelings for Fadel and, regardless of his choice, the narrative demands that Style sacrifice a piece of his own heart in the process.

[fan-fricking-fiction]

Wandee Goodday ft. commentary textposts (4)

special shout out to @jojotichakorn and @spicyvampire, i'm gonna miss y'alls live commentary of this series

other Wandee Goodday posts <3

[gunsatthaphan]

"will you marry me?"

[cirphu]

Payu’s racing suit: A masterclass in foreplay and kink exploration

One helluva title, huh? Well listen, I’ve been cursed with a great attention to detail (the notes app is sick of me atp) and an even greater desire to share so here we are. Wanna come along for the ride?

It's race day and this is the first time we get to see Payu in his gear, hence this very important full-body shot for which audience is quite grateful (I took the liberty of speaking for all of us, but if you disagree, remember that denial is a river in Egypt ���). Though we will come to see later on, that no one is as grateful as Rain.

One thing about Rain, he's going to brat. And as amused as Payu is, he's going to nip it right in the bud (hair tousle, my beloved 😭). That aside, we know that Payu is almost always in tune with Rain, and he can clearly see that baby boy is more than loving how he looks in his racing gear. And Rain saying that his suit is cool a second time gives Payu the confirmation he needs, and an opening for foreplay and the exploration of Rain's budding cosplay kink.

Now despite rendering Rain parched and speechless at that thought of him stripping out of his gear, leave it to Payu to take it to the next level.

Rain is visibly excited. And although he has not verbally responded, his body language is speaking volumes, even if at this point he doesn't fully get what Payu is implying.

Payu has essentially given Rain the permission to dress him within the boundaries of cosplay, and confirms this by asking Rain to help with putting on his gloves.

Now I'd like to think the purpose of Payu's request two-fold: (1) to show (just the audience atp because Rain doesn't understand what's happening yet) that he’s noticed the beginnings of Rain's kink and (2) to engage another one of Rain's senses as he continues their foreplay. So far there's been sight, sound, smell, and now Payu has added touch.

We all know that Payu probably entertained the idea of having Rain go full-contact right in the middle of the garage, but he still has a race to win so the gloves will have to do for now.

The race is over and Payu has fulfilled his promise to Rain: he has claimed victory unscathed. And now Payu is looking forward to his reward: reaping the benefits all of that glorious foreplay.

By the time they get home, Rain is damn near feral. He’s so turned on that even Payu is pleasantly surprised. And honestly can we blame Rain? We’ve established that Payu looks hot in his racing gear, but he looks even hotter winning in his racing gear. The latter is not lost on Rain and it’s showing in the way he’s kissing and touching Payu.

Ah yes, the touching … let's focus on that.

As they’re kissing, Rain’s hand glides along Payu’s side, pulling him close, and lingering for a bit to feel the fit and structure of the suit against Payu's body — the smooth feel of the elbow pad and the grain of the leather on Payu’s ass.

Side note: I find it fascinating that Payu starts mirroring Rain’s movements for a bit. I don’t know whether they’re just really locked in and hot for each other or it’s meant to be a form of subconscious reassurance for Rain (both. both is good.), but whatever it is seems to be working because Rain’s energy is at 1000%.

Baby boy is so lost in the sauce that even palms and strokes Payu through the suit (he really said "all hands on di—" I'm sorry lol), later pulling him close to feel the full weight of all of that leather on his body.

Now, we could say that this is just the way people touch each other while in the midst of a pre-sex make out session, but that is not the case here. Payu can feel the difference and remarks on it, continuing their earlier conversation at the garage.

Another side note: Imagine being so in tune and obsessed with your partner that you're able to continue conversations hours later as if the passage of time doesn’t exist. Absolute insanity.

Anyway~ naked and deep in throes of passion, it's at this point they switch gears for a bit (pun intended) with it being Rain's turn to do the talking.

From the garage up until now, Payu has a created a safe space for Rain to release his inhibitions (s/o to my girl Natasha Bedingfield 🎶) and explore this new side of himself. And while that's true, the rules established in their D/s relationship are still in place. One of them is no swearing. But Rain is feeling carefree and especially bratty, so he levels up the dirty talk, adding some profanity to spice things up.

They both know that a punishment is inevitable, but there's some nuance involved. Rain is the midst of self-discovery, so Payu opts for a less severe punishment for the swearing. He bites Rain's lips, but he does it with degree of playfulness that encourages Rain to continue. Without the swearing, of course.

Taking the hint and most importantly, staying on theme (i.e. riding Payu like a finely-tuned motorcycle … again, I'm sorry lol), Rain takes over both verbally and physically, and it is absolutely doing it for Payu.

In fact, Payu is so pleased that he offers Rain a lifetime subscription of free riding lessons. All jokes aside, the way that Payu responds (in that he mirrors Rain's word choice) shows that he is enjoying this cosplay scene just as much as Rain.

Thoroughly spent and content after crossing yet another finish line for the day, Payu reassures and encourages Rain once more. And in turn, Rain checks in with Payu confirming that everything was enjoyable for the both of them.

Communication? We love to see it.

Even while basking in the afterglow of their bisexually-lit post-coital bliss, that race suit is still on Rain's mind. Again, can we really blame him? He realizes that the cosplay aspect of it is something that he likes. And although things seemed to come naturally to him, this is still very much uncharted territory for Rain. Payu acknowledges this and provides aftercare in the form of teasing encouragement, promising to purchase a few costumes for later cosplay sessions.

Rain may not be ready to fully accept his newfound kink, but knows that he can explore it further with Payu whenever he's ready. And the open and consistent communication they've had during this time will help them build a solid foundation to do that.

If you made to this point, thank you for reading. I hope you enjoyed and I'll catch you in the next one :)

Bonus: An update from the special episode

A few months have passed and as you can see our lovely couple has indeed gone on to further explore their cosplay kink.

AND they even added a few others to the mix. Good for them and may the kinks be ever in their favor.

[jesbiblesworld]

If you're the type that genuinely gets upset that bl actors are in relationships with ppl other than their on screen partners, I need yall to (and I'm gonna touch your hand when I say this), find new hobbies outside of bl. Y'all have let yourselves get entirely too invested in these men to the point where you get genuinely upset and heartbroken, even ANGRY over them having other relationships, and that's not normal. None of them are doing anything wrong and treating a "dating scandal" the same as if they were found to kick puppies and punch orphans in their spare time is fuckin absurd

[fanfictionroxs]

I really love it when couples get the 'torturing each other' part out of the way before the relationship starts, you know? Like yes, you're in a toxic relationship, but the abuse stuff was just for the courting period. Now that we are together, it's time to be gentle with each other to create a healthy relationship and go for couple activities like murdering people.

[rythyme]

did y'all see that director/screenwriter p'dome is reading peaceful property fic on ao3 or do i have to be the bearer of strange tidings

[potatobugz]

dog teeth

[mintmatcha]

do kiri and the reader ever reconnect? it really seems like he cared about her and vice versa :(

I think the unfortunate truth in that reader was unjustly upset with kirishima for years.

They spoke once on the phone, months after you had left the apartment complex. He had tried calling before, but everything went straight to voicemail, like your phone was off.

"Hey." Joy rushes through him. "Hey! it's you, hey!"

"What do you want?" The timbre of your voice is still so flat. but there's air behind it now.

"I just wanted to see how you were! You sound better."

The line crackles with silence.

"You there?" he asks.

"You told my parents I was going to kill myself, Kirishima." Anger shakes in your tone, strong enough it knocks Kirishima's excitement away. "They pulled me out of school."

What? No, he just- No. You were just sad. You weren't going to kill yourself. Why would you do that? His brain would let him pick up the pieces and puzzle them together.

"That's not what happened."

"They pulled me out of school, they sent me to a hospital. You ruined my life, Kirishima."

Instead of silence, the space between words is marked with your breathing. Heavy, labored: he thinks maybe you're crying.

"Were-" His voice goes high. "Were you really gonna kill yourself?"

The line goes dead.