#she also calls me a tom funnily enough
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bingsoo-jung · 3 days ago
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I said this in the comments of someone else’s post, but I’m going to say this here. Taash identifying as non-binary is good actually, and in fact better than the dev’s making up some new term for them. Let’s get into it.
So for a bit of background, I’m non-binary and Thai. If you don’t know, Thai has specific terms for different gender-sexual identities, they’re quite old, they date back a few hundred years. However, the thing about culturally specific terms is just that, they’re culturally specific. The reason you use them is because you are tied to the culture in such a way that you gender-sexual identity cannot be disassociated from it. Because, to be clear, these terms are never just about your gender or sexual identity. They encompass a role you play within society itself.
For instance, in Thai culture we have tom/tomboys. These are AFAB folks who occupy a masculine societal role and date women. If you’re AMAB you cannot be tom. If you’re transmasc and feminine? You cannot be tom. If you’re transmasc and not attracted to women? You cannot be tom. If you’re transmasc and mostly date men? You cannot be tom. If you’re transmasc but don’t particularly feel like taking care of the girl you date, taking her out, being the ‘man’ in the relationship? You can’t really be tom.
Because the thing about culturally specific genders is that they come with a lot of rules. Being tom isn’t being non-binary. There are cis women who are tom, and there are non-binary people who are toms. You do not get eschew gender roles in these cases. You are quite literally taking one on. You have a role and place in society that has been made for you, and you are expected to carry it out.
Because of this, none of these terms are a one-to-one for other identities, and nor should they be. Being kathoey or hijra is not the same as being a trans woman or non-binary, and visa versa. You can be kathoey and not be trans. You can be trans and not be kathoey. Being aqun-athlok or any other specific term shouldn’t be either. The idea that it is, is more ahistorical and inaccurate than the word non-binary itself. Giving Taash some new, culturally specific term, would inherently tie them to a culture, and one perhaps that they didn’t feel apart of. Especially since Taash’s entire story is about struggling to figure out where they belong. Arguably the biggest issue with their story is that you have to make them decide, and fundamentally tying them to a term would’ve compounded that problem.
The reason I identify as non-binary and not a tom, is because I am not occupying some specific role in Thai culture. Despite living in LA, I rarely interact with other Thai people who aren’t my family. I do not live in a cultural context that would allow me to identify as a tom.
The thing about terms like non-binary, or trans, or agender, is that they’re meant to be acultural terms encapsulating the concept of truth to oneself and ones identity. Whereas culturally specific terms aren’t, they’re about the role you hold in society and where you fit in. It’s about your identity within a status quo. Taash is a character who is eschewing societal roles, and breaking the status quo, giving them those terms just wouldn’t work.
And finally? Using non-binary itself allows the writers to very specifically say where they stand. There is no space given to transphobes. You either accept that DA is queer-friendly or bust. And that’s a very important stance to make in an era where trans and non-binary folks are being actively targeted. There’s no ‘well Taash isn’t actually trans or non-binary they’re [insert term here]!’ Because people would’ve done that, we know they would’ve. This means people can’t do that. They have to just say that they have an issue with the term, and thus we can call them for what they are. Transphobes. Plain and simple.
So yeah, Taash’s identity does have nuance, it has a lot of it. And to be honest with you, I wouldn’t be surprised if Trick Weekes, a non-binary person whose wife is First Nations and thus from a group with culturally specific gender identities, knows about the difference between something like two-spirit and trans. And to be honest with you, using something like non-binary has nuance I doubt was actually afforded to Krem, considering they cast a cis woman to play Krem.
So yeah.
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docholligay · 9 months ago
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NOW FOR PART 2, WHICH YOU CARE EVEN LESS ABOUT BUT YOU LITERALLY ASKED: The Overwatch gals.
Hana: I had to actually do research (ugh) for this one, because I know she'd be into whatever young people are wearing, because despite her best efforts and calculated marketing and overwhelming responsibility, she actually is a Young People. Young people in the US and Europe overwhelmingly wear vanillas and gourmands, but young people in Korea have much more affection for florals, which are considered more 'mature' in the western markets.* So. I wanted to find something floral but softer and with a bit of the sweet brightness that is identified with a lot of 'young' perfumes. Finally got to smell my frontrunners in Harrods this winter.
La Tulipe by Byredo. Byredo makes some FANTASTIC stuff but by God are they expensive (she wouldn't have to care anyhow) so it took me a long while to get a chance to smell this one. Even buying a decant, how I normally do perfume, was spendy. But it is exactly what I want, almost a top jammy note with this gorgeous subtle floral. It's young, but 'grown up' and composed. (the second frontrunner was Jo Malone's Wild Bluebell, but after smelling both, I think La Tulipe is right)
Fareeha. In much the same way, Fareeha's tastes are influenced by the middle east, though I know enough about that to not need to seek out stuff. She was actually extremely easy. I knew it the second I smelled it, as in, I was walking by and had to walk back because I knew it.
Oud Wood by Tom Ford. It's masculine and commanding. This is a leader's perfume. It's a very well balanced oud fragrance, appropriate for Cairo or London. It really strikes that balance between Western and Arabic perfumery in a way only a handful of perfumes do, and the other ones I can think of have spice or floral notes I don't think Fareeha would like. The wood and amber notes really come through, and lend this air of mystery and purpose to the whole thing. it's a great perfume honestly.
Angela I see as only wearing perfume for special occasions not even in a "not like the other girls' way, but in a 'she struggles to prioritize and take care of herself' way that i see a lot of her 'sloppiness' coming out of. I think if she did have one, she would pick something sweet and warm and very 'comforting'. There are so so many choices in this vein that it was genuinely difficult for me, but I think I like what I ended up with.
Apple Brandy on the Rocks by Killian. Funnily enough, I thought I would like this for me, but i absolutely do not. It's giving boozy apple pie, which fits so well with my concept of Angela at her greatest and highest that I'm annoyed I didn't think of it years ago. It should have been a Fareeha-type situation.
Lena. I have had an idea of what Lena smells like for YEARS, but I could never find it. It's young but masculine leaning, the smell of citrus brightness and an old leather jacket. For years I was layering perfumes to sort of get there but was never happy with it, and then one day I sampled something offhand just in case and there it was.
Sicilian Leather by Memo Paris. Honestly, everything i have smelled in their leather line has been killer even if it's not for me to wear, so I didn't think it would be a waste. (I absolutely recommend trying some of their stuff) But the second i smelled this, it was THANK GOD FINALLY. It's so hard to find something that uses leather that is also bright and cheerful and young, but this is it. Orange oil and Cedar, and laying under that, a gorgeous leather accord. It's perfect.
OKAY SORRY TO SPEND SO MUCH TIME
*I love a floral, and not even a subtle young floral. Give me an old-money, faded debutante floral. Call me Buffy and set the table for six, Alice
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the5thcellar · 6 months ago
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wanna know how old I am? old enough to have been RIGHT HERE on Tumblr when HP and the Deathly Hallows premiered and the hype over Emma Watson x Tom Felton reached its peak - that was when both of them were at somewhat of a career high as well (although sadly for TF it never went anywhere).
at that time TF had a girlfriend he was very serious about - he called her his Mrs and everything, always posted her on IG, said how it was love at first sight on set. funnily enough she was also called Jade.
I participated in the circus over the shipping by reblogging and liking and chiming in (lol always at the scene of the crime). there were people slamming Jade and saying malicious things about her (not me). AND SIMILAR TO WHAT'S HAPPENING NOW ... there was also suddenly a legion of Jade fans who came out of nowhere to defend her and insist her and Tom were the real deal etc. - mind you Jade didn't even HAVE much of a social media presence at that time.
fast forward several years and they broke up. fast forward a few more years and she's happily married to someone else with a kid now.
guess what's still going strong though? TF and EW's very precious friendship - evident through them hanging out over the years (privately as EW has said), their professed pure love for each other during the fairly recent anniversary special, and the fact that she personally penned the foreword to his memoir).
I'm not saying this is the same thing as L/N. I'm just using it as an example of how things aren't one and done as so many people are claiming.
Life goes to many many places.
I outlasted the anons who were all up in here talking about how TF and Jade were going to be together forever.
It took me 14 years.
I'm gonna outlast all of you too :)
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marvelobsessed134 · 1 year ago
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A rant about a horrible movie I just watched I stopped midway cause I couldn’t finish it it was so bad😍
So literally like 20 minutes ago I wanted to see this movie I saw on HBO Max called Rock Of Ages. The description read that it was a story about a girl falling in love with an aspiring 80s rockstar. Literally up my alley right?
Well anyways I play the movie getting excited. Paradise City plays in the intro so I’m getting hyped. The first scene is where the main character is on a bus on her way to Los Angeles. She’s flipping through her records in her small suitcase. I think everything’s fine and dandy until she starts to sing.
Now I don’t think the actress is a bad singer but I didn’t know it was gonna be a musical. I didn’t want it to be a musical as I’m not a big fan of them. Well anyways I decide to keep going because I think that maybe it will actually be good and will only have a small amount of musical sequences. Nope. She gets out the bus and starts singing AGAIN. Then it cuts to inside this rock club where these rocker boys are dancing around (not on stage btw so another musical sequence) singing Nothin’ But A Good Time by Poison and I will admit I did jam out to it.
There’s this one character who looked like a mix of Douglas Booth’s Nikki Sixx and Tommy Lee. And clearly they were trying to make him look like Nikki it was so embarrassingly obvious. Anyways I’m like “ok he’s kind of cute” then he speaks with a British accent. I have nothing against British people but it’s so random. And even if the actor is British he could’ve just faked and American accent like how every other British actor does.
So that was disappointing. Anyways the plot goes that the main character is outside the club and this rocker guy talks to her as a way to mug her. Which he gets away with. The love interest-who’s hair is way too short for a ‘rockstar’ of the 80s-takes his sweet ol time trying to help her get her suitcase but it’s too late.
He reveals he’s a bar back and wants to be a rockstar like his (fictional) idol, Stacee Jaxx (played by Tom Cruise funnily enough). Anyways she complains that all her records are gone. He manages to get her a job as a waitress at the club. It then cuts to a scene where they’re both at a record store and it’s kind of sweet how they’re bonding over records and such. Until he starts to sing. Que another musical sequence.
It then cuts to the British Nikki Sixx looking guy I mentioned earlier and the owner of the club who’s this older guy singing and dancing to a completely different song. It then cuts back to the two in the record store singing their song and so on and so forth. Then once the singing and dancing ends (by the way the main love interest picked up a guitar and doesn’t play it the whole musical scene) it cuts to the British Nikki Sixx and the club owner and they’re literally about to kiss. And of course I have no problem with gay relationships I’m literally bisexual that would be hypocritical of me. But it was just so random and weird? Like we knew nothing about these people and now they’re almost about to kiss. I don’t know.
There’s also a scene before all this about a mayor election that has nothing to do with the characters and it’s so random. Like am I supposed to care?
Anyways the almost kiss scene is when I died of cringe and turned it off. Maybe I’ll go back and watch it but I don’t know.
The movie is called Rock Of Ages btw. Came out in 2012 so I guess that might explain some things?
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karmiccurse · 1 year ago
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@viciousbite
Having those beautiful golden hues focused on him caused him to feel a slight shiver run down his spine. Something about her gaze and her thoughtful expression did something to him. Watching as her eyes examined his frame, he wondered what was going on through her mind. Though he wouldn't have to wait long for the answer.
At her comment about him being unashamed and how she'd be pleased, Johnny would chuckle. He may not be the strongest jujutsu sorcerer out there, but he put the work in to become as strong as he had and survived numerous near death encounters to get to this point. So of course he'd be happy to show off his hard work and survival to a pretty lady such as Sin especially if she was being serious about her taking pleasure in the sight and touch. Maybe it could lead to another sense of pleasure.
Something Johnny absolutely didn't hesitate in speaking up on after she had made her way over to him. He'd look up at her towering over him with a smile, thinking for a second if this was how Tom Cruise felt before commenting, "You know there's another form of gutting that I'd be happy to do, threat or not. They call it, rearranging your guts. But that's only if you're interested." Yup. He absolutely took his shot there. Would the inhuman actually understand what that meant, who knows but he sure sounded confident and also very suggestive so maybe she'd get what he meant.
Quickly getting back on the subject at hand though, her touch caused him to shiver once more. He wasn't used to someone actually touching him like she was. Most only brushed the scarred skin, but Sin actually showed proper interest and it only showed him how sensitive the flesh still was. That, or he was still simping for the woman and so her touch just set of sensory overload in his brain. Maybe a bit of both.
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Either way Johnny would smile and nod to the inhuman. "You picked a good set of scars to start off with. They're actually my first believe it or not." He'd state with a chuckle. "And funnily enough like they say with never forgetting your first, I remember these like it was yesterday. They're technically self inflicted too. You see my cursed technique Karma effects both me and anyone I target with it the same. So I have to play by the same rules as others bad actions get me bad karma good actions, good karma. However, this was before I knew how my technique worked properly. In fact, this was still back when I was a teenager. I went to the zoo with some friends and we may or may not have snuck in and lied to get into a closed exhibit. Well, because of that I racked up some negative karma so when it came time for the results of said karma, I slipped and fell into the tiger pit, and wouldn't you know it the damn tiger just had babies so it was much more protective of its space so it lashed out at me before I even realized. At this point I was already training to be a jujutsu sorcerer so dealing with the tiger was no big deal but it did nick me."
He'd pause reminiscing on the day, a time much simpler than today, and also the day that marked the many scars he'd accumulate along the rest of his life. "So yeah this scar is the first of the many reminders that my curse technique is both a blessing and literal curse."
@viciousbite
Having those beautiful golden hues focused on him caused him to feel a slight shiver run down his spine. Something about her gaze and her thoughtful expression did something to him. Watching as her eyes examined his frame, he wondered what was going on through her mind. Though he wouldn't have to wait long for the answer.
At her comment about him being unashamed and how she'd be pleased, Johnny would chuckle. He may not be the strongest jujutsu sorcerer out there, but he put the work in to become as strong as he had and survived numerous near death encounters to get to this point. So of course he'd be happy to show off his hard work and survival to a pretty lady such as Sin especially if she was being serious about her taking pleasure in the sight and touch. Maybe it could lead to another sense of pleasure.
Something Johnny absolutely didn't hesitate in speaking up on after she had made her way over to him. He'd look up at her towering over him with a smile, thinking for a second if this was how Tom Cruise felt before commenting, "You know there's another form of gutting that I'd be happy to do, threat or not. They call it, rearranging your guts. But that's only if you're interested." Yup. He absolutely took his shot there. Would the inhuman actually understand what that meant, who knows but he sure sounded confident and also very suggestive so maybe she'd get what he meant.
Quickly getting back on the subject at hand though, her touch caused him to shiver once more. He wasn't used to someone actually touching him like she was. Most only brushed the scarred skin, but Sin actually showed proper interest and it only showed him how sensitive the flesh still was. That, or he was still simping for the woman and so her touch just set of sensory overload in his brain. Maybe a bit of both.
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Either way Johnny would smile and nod to the inhuman. "You picked a good set of scars to start off with. They're actually my first believe it or not." He'd state with a chuckle. "And funnily enough like they say with never forgetting your first, I remember these like it was yesterday. They're technically self inflicted too. You see my cursed technique Karma effects both me and anyone I target with it the same. So I have to play by the same rules as others bad actions get me bad karma good actions, good karma. However, this was before I knew how my technique worked properly. In fact, this was still back when I was a teenager. I went to the zoo with some friends and we may or may not have snuck in and lied to get into a closed exhibit. Well, because of that I racked up some negative karma so when it came time for the results of said karma, I slipped and fell into the tiger pit, and wouldn't you know it the damn tiger just had babies so it was much more protective of its space so it lashed out at me before I even realized. At this point I was already training to be a jujutsu sorcerer so dealing with the tiger was no big deal but it did nick me."
He'd pause reminiscing on the day, a time much simpler than today, and also the day that marked the many scars he'd accumulate along the rest of his life. "So yeah this scar is the first of the many reminders that my curse technique is both a blessing and literal curse."
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mrsbsmooth · 2 years ago
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what do you think would be the cause for an argument with s4 LI post-villa?
omg firstly, LOVE THIS ASK!
Angie
She works too much. The hours are long already, and emergency services are almost universally understaffed. But Angie's always so worried about others that she rarely turns someone down if they need someone to cover their shift. MC's not saying anything to start with, because she's literally saving lives... but she wants her to be home more. She misses her. And it's going to fester a little bit. They're going to have to have an open and honest convo about this.
Bruno
Oh my sweet baby. Many things. He's going to embarrass her in his stand-up. He'll post something too personal on social media. He'll say exactly the wrong thing to exactly the wrong person at her family gathering or work event. He might get a bit better once he gets more comfortable around her friends and family, but realistically, he couldn't change even if she wanted him to. He could avoid a lot of these by just slowing down for a second. If he's willing to do that, they'll be okay. If not, he's gonna piss her off. And fast.
James
He doesn't stand up for her against his family. Don't get me wrong, James's family are lovely people. But if it came down to it, she feels like if they told him to dump her, he would. She feels like he's never on her side, and she doesn't feel like they're a team. It makes her feel very isolated, especially if she's moved for him.
Najuma
Partying too much. Her wildness is one of the reasons MC fell for her in the first place, but seriously? Every night? After a while, MC's either going to get completely worn out (from joining her) or very, very lonely (if she doesn't). Either way, it's going to be the source of a big argument.
Oliver
He's a bit naïve, and lets people take advantage of him. I can see some of his wider group of mates doing this - rides to the airport, helping move house, etc. But like, every weekend. MC is going to get pretty annoyed at it, and try and get him to say no to people. Sales calls, scammers, even door-knockers. He seems to attract them and he always has a smile and a nod for them. Especially if money's tight, it's going to be a real pressure point for MC.
Tom
He doesn't listen to her love language. He keeps showering her with gifts, and buying her things, even if she expressly tells him it's not what she wants or needs from him. He also has similar issues to James, in that he's gonna take his parents' side on something, or not stand up for her when it's really, really important. She's going to be left feeling like she's always going to come second. If he doesn't step up, start listening to what she needs, and start making her a priority, she's gone.
Will
Easy. Not opening up. He doesn't want to bring things up in case it starts an argument. He just lets things fester and simmer until it's far, far bigger of a deal than it needs to be. It gets to the point where every time he says "Can we talk?" she gets a sinking feeling in the pit of her stomach, because she's going to be feeling so guilty about something bothering him for weeks. It's not healthy. They both needs therapy.
Youcef
Funnily enough, I actually don't see there being any major arguments between these two. If he confesses to her, it's already established that they've got very open and honest communication. So out of all the couples, I think this is the one that will have the fewest arguments. Though, I can see him getting a little bit jealous at times. Teehee.
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nanatsumu · 4 years ago
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HIGH SCHOOL!SUKUNA x F!READER
thinking about bad boy itadori sukuna who all the kids at school try to steer clear from because they know he’s bad news and if you get involved with him then you’re bound to be tied with bad luck for as long as he lives. well, that is everyone except for the president of the student council who so happens to be his childhood best friend turned lover.
this is mostly written for my own self indulgence and to project my fantasies of having a boyfriend onto sukuna but feel free to treat this as any other headcanon! ps i am pretty sure canon sukuna would kill a baby at any given situation, but this is going to be a revamped version of sukuna written by yours truly ;) and its a high school au so sukuna won’t be a complete menace to society and will actually have a heart heh
also i didn’t realize how long this was going to be??? this is kind of all over place too because i just wanted to throw all of my thoughts onto this post so there might be some plot holes in this LOL
i feel like sukuna would be the type of bad boy who isn’t necessarily a bad boy but everyone at school just paints him as some kind of delinquent because of all the tattoos and piercings he has.
he actually shows up to school more often than you think he would (but that’s only because you’re in most of his classes so long story short: you’re his only motivation for attending class)
“forgets” to bring his work books to class more than usual (in reality he does this on purpose so he has an excuse to be near you) so he requests to sit next to you the entire class period so he can share with you for the meantime but whenever the teachers not looking he’ll go back to admiring your face.
his older twin brother, itadori yuji, is very fond of you since you three grew up together and you both had your chances of being a victim to his antics!
exhibit a: in middle school when you and yuji were watching tv together, the show you two were watching would keep switching to some wrestling match broadcasting on a sports channel and no matter how many times you turned the tv on and off, it just would not stop. but it wasn’t until you heard snickering from the kitchen that you realized sukuna had a spare remote and was the mastermind behind the whole thing.
exhibit b: sukuna and yuji’s mom was the owner of a bakery so every now and then she would have either one of the twins come deliver freshly baked pastries to your household! oh how wrong was she to trust her youngest. sukuna was now a freshman in high school, and by now you would’ve thought that sukuna would have grown out of his childish phase, but WRONG! sukuna was still a menace in your life even past childhood. so when you bit into one of the macaroons, instead of being hit with the overwhelming taste of [favorite flavor], all you could feel was the burning sensation of wasabi kicking into your tastebuds.
yeah after the whole wasabi macaroon freak accident, you stopped accepting everything sukuna offered to you and opted to only eating pastries out of the boxes that yuji delivered to you. (sukuna eventually caught onto this and was just TEENSY bit upset but he would rather down a whole tube of wasabi than to tell you upfront)
now, how did you two even end up dating??? oh boy now that is a story
you see, yours and sukuna’s dynamic growing up was similar to that of tom and jerry’s— you being jerry and sukuna being 10x worse than tom of course
but it wasn’t until a confession after school behind the cherry blossom tree that was known for bringing good luck to successful confessions that sukuna finally realized that maybe he really did like you just a little lot bit
sukuna overheard the boy who was planning on confessing to you talking to his friend group about how “sweet and caring” you are (although sukuna could argue otherwise, you were a little brat. *LIKE HELLO?!&:&:& YOU WEREN’T THE ONE WHO ATE A MACAROON FILLED WASABI**) and obviously his ears perked up at the mention of your name. he grew up with you after all so naturally he would be interested in a conversation that revolved around you.
but then the boys started going on about how “you looked like an easy catch” and how “your body was bangin’!” yeah no, that’s where he drew the line. sure sukuna was an ass and talked shit about you most of the time (in his defense it wasn’t like he was doing it behind your back) but if he ever caught someone else talking about you like that then he would be sure to give them a hard time.
he hid behind one of the bushes near the cherry blossom tree while the boy was professing his love for you. funnily enough, for a moment sukuna forgot why he was originally there because he was too busy trying to stifle a laugh as he watched the boy stumble over his words.
“okay shows over” sukuna thought as the confession was reaching its conclusion, but just as he was about to step in and give the poor boy a piece of his mind, he stopped in his tracks when he heard you roaring with laughter.
“did you really think that i wouldn’t hear about what you and your friends said about me earlier? you’re really pathetic if you think any girl would be easy enough to fall to her knees for you because news flash! you’re a disgusting pig and you deserve to rot in hell for speaking about a girl’s worth like that.”
“it’s kind of sad too, i thought you were a nice boy and i probably would have given you a chance but it seems like you’re even worse than scum! damn it, to think there was somebody out there who’s even worse than sukuna.”
of course sukuna was not pleased to hear that last bit, but he did have a proud grin forming on his face as he watched the boy run away, flustered from your rejection and the embarrassment he was put through.
“sukuna i know you’re hiding behind the bush.”
“huh? i came here way before you got here, there’s no way you could have seen me.” he said as he stood up to his full height.
“well, your laughter isn’t exactly the quietest, plus i can spot that hair of yours from a mile away.”
lets just say, sukuna was glad you didn’t ask him what he was doing there because he wasn’t sure if he could spare the embarrassment of telling you that he was planning on ruining the confession.
after that whole fiasco happened, sukuna started to feel(!&:&::&) things
like he started to notice how you styled your hair differently one day and how you switched to a new perfume that smelled like spearmint (was that weird? for sukuna probably not. he just excuses it as being highly observant)
you weren’t dumb either, you had a feeling sukuna was there that day of the confession because he too had overheard the conversation between the boy and his friends as well (you knew he was prideful and if you brought it up then he probably would’ve denied it)
so from there on out it was just mutual pining at the point except... well.... not really??
i feel like it was just an unspoken agreement between you two that you guys were “together” but not “together together” because he started to treat you differently than he would before. like for example, he’d carry your bag for you whenever you guys would walk home (yuji was confused by this at first because if anything, it would have made more sense to see sukuna make you carry HIS bag, but he eventually caught on to sukuna’s feelings for you because they were twin brothers after all), he started walking you to class more often even though his class was all the way on the other side of the school (you asked him why but he just shrugged and said he was just “killing time” so that he wouldn’t have to go to class and then you ended up scolding him), and there was also that one time you miraculously found a $20 bill in your backpack after mentioning to sukuna that there was this cute top you saw at the mall the other day but didn’t have enough money at the time to purchase it (you asked him about this but he said it was probably yuji, but you didn’t want to pry any further since you wanted to cherish the fact that sukuna cared that much)
but eventually you got sick of this whole push and pull game that you physically had to tug the collar of his school uniform and pull him in for a kiss (he was visibly shocked at this because he never would’ve imagined you as the assertive type. not that he was complaining though)
“oya? didn’t think you liked me this much kitten.” he said laughing while you rolled your eyes.
“as if, i got tired of you being a wuss so one of us had to wear the pants in the relationship.” you snorted, causing him to irk.
to be honest, your relationship with him is smooth sailing because you both were pretty chill people and you didn’t have to worry about him sneaking behind your back to see other girls because 1. literally all the girls at school are terrified of him and 2. he knew what you were capable of doing to him if you were to ever catch him cheating on you so he wants to stay on your good side
jealous and possessive don’t exist in his dictionary because he is the epitome of those two words. remember what i said about how your relationship is smooth sailing? i kinda lied.
he’s easily jealous like for example: when you were in english class and the teacher had you guys jot down some notes, you realized you forgot to ask for your pencil back when you lent it to your friend last period.
so you asked sukuna to borrow a pencil but instead of giving you a pencil, he called you an idiot for being so forgetful.
this makes you mad so you turn to your male classmate since he was sitting on your opposite side and ask him for a pencil instead.
sukuna was practically fuming the entire class period and once the day ended and you two were back at your place, he made sure to mark you real good. (oh he also went out to buy a pack of mechanical pencils to sneak into your backpack so that next time you forget your pencils, you’ll have 10 extra pencils sitting in your backpack as backup)
he’s not a big fan of pda in public, but on the chances he will show some of it, the most he will do is wrap an arm around your shoulder or waist whenever some dude is trying to hit on you.
BUT IN PRIVATE? better buckle up because your in for a ride wink wink
really likes putting hickeys on you to a fault! but will never put any visible ones on your neck because he doesn’t want your parents to view him as some kind of animal (but he has nothing to worry about because your parents really like him and are grateful for the fact that he’s very loyal to you, and you guys grew up together so it’s only natural that your parents are accepting of him since they already know he has a good heart underneath that tough facade of his)
oh, and yuji starts learning how to knock whenever you come over (or shuts himself in his room for the meantime if he thinks it’s unsafe to step out of his room) because chances are, you’re probably making out with sukuna in his room or smth.
now onto the spicy stuff
when you and sukuna first started dating, the first thing you told him was that you weren’t ready to have sex yet because you were nervous and sukuna understood and told you that he was willing to wait for whenever you were ready.
but when you were ready though, it was kind of spontaneous and you weren’t even wearing a matching pair of bra and underwear that day
you two were chilling in your room watching some stupid (according to sukuna) animal documentary when suddenly you felt his hand on your thigh
dating sukuna and all, it was normal for him to have his hands on some part of your body (whether it be your thigh or your waist) while you two were in bed.
but you were feeling a bit bolder HORNEE than usual so you began to leave a hot trail of kisses starting from his jaw all the way down to his neck.
sukuna obviously got the memo but before those kisses could escalate into something more daring, he asked you once more if you were completely sure you wanted to do it and once you gave him the green light, he was quick to tug his shirt over his head and pounce on you.
he started getting really into it though and accidentally bit your thigh which made you loose your high and scold him for it, but he let out a hearty laugh and muttered a quick apology before getting back into business
sike i lied, remember what i said about it being spontaneous? yeah, you technically didn’t loose your virginity to him that day because after he finished prepping you, you both came to a realization that you didn’t have a condom.
oh well, there’s always next time!
i think sukuna is a sucker for pet names: his favorite thing to call you is either kitten or princess and that’s it LOL he finds calling you baby or babe is a bit too cheesy for him
but he likes it when you call him baby or babe ;)
date nights consist of either staying in and cuddling in his room, going out for a walk at night (but very very late though. there’s still lamp posts that guide your way through the streets but it gives you the heebie jeebies to be out walking outside so late. sukuna always reminds you that nothing bad will happen as long as he’s right by your side), or just spending time with you and your families.
but if you’re really down to do it, he’ll probably initiate a make out session that’ll lead to y’all fucking one way or another (he only ever does it if he is 100% sure that you’re feeling it because he knows you get easily embarrassed if he asks you straight up)
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(this part is mainly written for me because i love the idea of sukuna being over at family functions, but it can be applied as part of the general hc heh) if you took him to any of your family functions as your plus one for the first time, all the aunts and uncles would be a bit wary of him at first due to all of the tattoos and piercings he has (sukuna swears he has never felt so self conscious before) but after they strike up a conversation with him and find out that he’s actually a good guy who knows what he wants to do in the future and is very loyal to you, they start to like him more.
your little cousins adore him and love it when he comes over because sukuna is a very tall high schooler which makes him the perfect candidate as a monkey bar
so when you noticed that all the little ones started to climb on his body and mess around with his hair, you were quick to react because you knew your boyfriend was easily irritable which prompted you to think he hated kids
but there was nothing to worry about because when you saw him playing around with them and even crack a smile, you felt your heart grow fuzzy at the sight and you knew right then and there that you wanted to stick by sukuna’s side for the rest of your life
and in the unfortunate circumstances that sukuna is too busy to make it to one of your functions, the first thing everyone asks is “where’s your boyfriend?” or “where’s ‘kuna? i wanna play with him!”
so you have to facetime him and let him know that everyone is wondering where he is (your phone is dead by the end of the night because after the adults get their turn at saying hi to your boyfriend, the kids snatch your phone and end up talking to him for the rest of the night)
but in conclusion, everyone is waiting for the day he gets on one knee to propose to you and your parents are itching to get to get call sukuna their son-in-law :))
also don’t forget that your parents want two grandchildren: one boy and one girl!
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favefandomimagines · 4 years ago
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It Will Always Be You (s.s.)
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Summary: you and sebastian broke up less than a year ago and reunited at the Endgame premiere. 
AN: i pulled this deeeeeep from the drafts because i’m watching the winter soldier so i wanted to share this and it’s also a total mess lol
taglist: @amourtentiaa
You got out of the car and were met with screaming fans and tons of photographers. Your pastel blue dress flowing behind you as you walked on to the carpet. 
It was the Avengers: Endgame premiere and though you were ecstatic to celebrate such a successful film and the beginning of a new era, a feeling of anxiousness settled in the pit of your stomach.
As you were posing, Scarlet and Elizabeth quickly found you and joined you in a few pictures. Chris was the next person to greet you, the photographers yelling at the two of you to get a picture together. 
“Have you seen him yet?” Chris asked as the two of you smiled for the cameras. “No. I’m terrified to see him. I mean, we rarely filmed together and when we did he didn’t talk to me.” You answered. “If you think he hates you, he doesn’t.” Chris said. “I wouldn’t be surprised if he did. He proposed and I said no. I’d hate me too.” You said. 
Chris sent you a sympathetic look when Tom Holland gave you a quick hug. “You look stunning, Y/N.” He said to you. “Aw thanks, Tom.” You replied. “Funnily enough, you’re wearing light blue and Sebastian’s wearing light blue.” Tom said. “Tom,” You started. “It’s almost like you match.” Robert interjected. 
You rolled your eyes before you walked off to do some short interviews. You were friends with one of the Entertainment Tonight reporters and you knew she was there. 
As you were being guided on where to go, you heard your name being called and saw it was your friend calling you. However, she was interviewing Sebastian and Anthony. You swallowed the lump in your throat and put on a wide smile as you made your way over to her. 
Sebastian turned his head and saw you coming and his heart sped up and his hands got clammy. Of course he thought you looked beautiful, with your blue dress that complimented your eyes and matched what he was was wearing and if he had to speak to you, he wouldn’t be able to form a cohesive sentence. 
“Y/n! Oh my god, you look amazing!” She said to you as you hugged each other. “Speak for yourself!” You replied. “We were just talking about you.” She said giving you a mischievous smirk. “Oh god, all good things I hope.” You joked. 
You and Anthony got along well so you weren’t surprised when he was the one doing most of the talking and Sebastian just smiled and nodded his head. 
“How was it working all together?” Your friend asked, knowing better than to bring up your past with Sebastian. “It was great! Everyone is amazing and so talented and they made me better everyday.” You answered. “Yeah, we really fed off each other and collaborated a lot.” Anthony added. 
Sebastian nodded before he spoke. “Yeah, yeah they pretty much covered it.” Sebastian replied with a small laugh. Your agent called you and you had to quickly excuse yourself. 
“I’ve been summoned. I’ll see you guys later though!” You told them before bidding them goodbye. 
Sebastian watched you walk to the next interviewer and he wanted nothing more than to talk to you. And he planned that when you both had a free moment, he would build up the courage to talk to you. 
After about fifteen minutes, he saw you gathering your purse and phone from your agent before she left you alone. He stopped his conversation with Anthony and walked over to you. 
“Uh, hey, Y/N.” He greeted you. Your head snapped up and your eyes widened slightly before you smiled at him. “Hey, Seb. How are you?” You asked. “I’m good. Just taking it all in. How have you been?” Sebastian replied. “I’ve been good. I just got asked to reprise my role from the Vampire Diaries so that’s exciting.” You explained. “Y/N, that’s great.” Sebastian said with a genuine smile. 
“Thank you.” You replied. “You look beautiful by the way.” He commented out of the blue. “Really? This dress wasn’t my first choice.” You said with a small laugh. “No, Y/N you look amazing.” He said. You smiled up at him before it got awkward. 
“I’m really sorry. For what happened and I know you never got an explanation and this isn’t the place for it, but I need to tell you.” You started. “I was scared when you asked me to marry you. You know my last relationship was a mess and screwed me up big time. And I know you’d never hurt me but when you asked me, I panicked. And I’m so sorry, Sebastian. You didn’t deserve that.” You finished. 
Sebastian looked down at his feet and you knew you probably should have waited. “I should have told you sooner.” You said quietly before beginning to walk away. 
He reached out and grabbed your hand, pulling you back to him. “I understand, Y/N. It was unfair of me to treat you like I did after you said no.” Sebastian said. “I still love you.” You whispered before your agent returned. “I’ll see you later.” You told him before leaving him. 
After the movie and as you were leaving the premiere, you saw Sebastian standing in front of the car you took. “What are you doing?” You asked with a small laugh. “I, uh, thought we could go to the afterparty together.” He offered. “You want to go to the afterparty with me?” You questioned. “It’ll give us a reason to talk more.” He said. 
You nodded your head before getting in the backseat of the car. 
“I still love you too.” Sebastian said. You looked up at him with a surprised looked on your face. “Really?” You questioned. “Of course. Feelings like that don’t just go away.” He answered.
You looked at him for a moment and you noticed you already at the venue. “If you asked me to marry you today, I’d say yes.” You whispered before the door opened.
You stepped out and put a smile on your face and quickly found Scarlet and Elizabeth.
“Hey, hey, you okay?” Elizabeth asked. She saw the panicked look on your face when you walked up to them. “Sebastian told me he still loves me and I may have let it slip that if he asked me to marry him today I’d say yes.” You explained.
“Oh. Well, it could have been worse. If you got back together would that be the worst thing?” Scarlet asked. “I mean, no. But why the hell would I say that?” You replied. “You need a drink. Here’s a shot.” Anthony interjected handing you a shot glass.
You shrugged before knocking back the shot of Tequila. “Gimme another one.” You ordered, just wanting to forget how humiliated you felt.
After an hour, you were very tipsy and your self-control was at an all time low.
You knocked back another shot and spotted Sebastian across the way. As you made your way over to him, you got distracted by Chris.
“Chris! Chris, come here!” You called to him. “Y/N, how much have you had to drink?” He asked you. “I lost count after 4 shots.” You slurred. “We should get you home.” He said, wrapping an arm around you.
You shook your head until Sebastian joined the two of you. “She okay?” He asked Chris. “I’m right here.” You said, falling against Chris. “I’m gonna take you home, Y/N.” Sebastian told you. You didn’t protest because you were beginning to feel lightheaded.
Once Sebastian got you home, he practically carried you to your room. You fell onto the bed, still in your dress, and a grip on Sebastian’s hand.
“Seb, can you stay?” You asked. “I don’t think that’s a good idea.” He said. “Please. You can sleep on the couch if you want.” You begged. “I just don’t wanna be alone.” You added.
Sebastian looked at you before he sighed. “Okay. I’ll sleep on the couch.” He said. You sent him a small smile before you passed out.
Sebastian kissed your forehead lightly before leaving your room and going into the living room.
He hadn’t been in your house since the two of you broke up. He assumed that you would have gotten rid of all the pictures you had together but he looked on the mantle above the fireplace, and saw a picture of the two of you from your vacation to Australia.
He smiled at the memory and also at the fact you still had it up. Sebastian took his jacket off and laid down on the couch, before falling asleep quickly.
You woke up, your head pounding and still in your dress from the night before. You wondered what made you get so drunk in the first place, until you remembered how you humiliated yourself in front of Sebastian.
Groaning, you got out of bed and made your way out to your living room. When you entered, you saw Sebastian sleeping heavily on the couch. You paused momentarily before continuing your trek to the kitchen.
You heard Sebastian stir and you froze. Would he remember what you said? Why was he sleeping on your couch? All of your questions were about to be answered when you noticed him sitting up.
“Good morning.” You greeted. Sebastian looked over at you and laughed dryly. “Good morning to you too.” He said. “What happened last night?” You asked.
Sebastian stood up and walked over to the kitchen counter and sat down. “You got really drunk and needed someone to bring you home, so I did and you asked me to stay.” He answered.
You sighed in relief at the fact he didn’t remember you telling him you’d marry him if he asked.
“And you also said that if I proposed today, you’d say yes.” He added. Your eyes widened before you looked down at your feet. “Oh.” You said quietly. “Y/N, did you mean that?” Sebastian asked.
You still avoided his gaze as you took a moment to answer. You heard him get up and make his way towards you before you felt him lifting up your chin to look at him.
“Yes, I meant it. I mean I didn’t say it when I was drunk so,” You answered.
Silence fell between you too and you looked up at him. But soon you grew embarrassed and returned your gaze to the floor.
Sebastian backed away slightly and you feared the worst. He moved his hand into his pocket and pulled out a small object. You looked at what he had in his hand and your mouth fell open slightly. In his hand was the ring he proposed to you with.
“I’ve been carrying this around with me since you said no. Hoping that one day we’d get back together or you’d change your mind.” He said.
Your eyes widened and Sebastian dropped onto one knee. “So, if you’ll have me and you say yes this time, will you marry me, Y/N?” He asked.
Sebastian’s heart was beating a mile a minute, afraid you were going to say no again.
Your eyes began to water as you nodded your head. “Yes, I’ll marry you.” You said in a whisper. Sebastian physically sighed in relief as he slid the ring onto your finger. He got up off the floor and you pulled him into a deep, well overdue kiss.
After a few seconds, you pulled apart and had a very impulsive idea. “Let’s not have a huge wedding. Let’s get a couple people we love and go to the courthouse and get married today. I don’t want to wait any longer than we had to.” You said.
Sebastian was okay with that but he knew you’ve had your wedding planned since you were 12. “Are you sure? You’ve always wanted a big wedding.” He questioned. “I’m sure. We can always have a reception for everyone later. Please, Seb.” You pleaded.
He smiled at you before nodding his head. “Okay. Let’s go get married.” He said.
A couple hours later, you had called Elizabeth and Sebastian called Anthony and Chris, and you were walking up the steps of the courthouse to get married.
“I can’t believe you guys are doing this.” Chris commented. “Y/N didn’t want to wait any longer.” Sebastian said. “This is so cute though. Very Meredith and Derek of you.” Elizabeth interjected.
Your grip on Sebastian’s hand tightened as you entered the building.
The five of you approached the teller who recognized you all immediately. “Oh my god, your basically the Avengers.” She commented. “We’re here to get married.” You told her, smiling up at Sebastian. “Holy shit are you pregnant?” She asked.
“How come none of us thought about asking that?” Anthony muttered to Chris. “No, no, I’m not pregnant. We just don’t want to wait to get married.” You answered. She nodded her head and handed you some papers to fill out before she began performing the legal stuff that happens when you get married.
“I now pronounce you husband and wife. You may kiss the bride.” She said, just for fun. “It’s about damn time.” Sebastian muttered before he kissed you passionately.
Elizabeth was crying and Anthony and Chris were just happy for the two of you.
“I can’t believe I just officiated Y/F/N Y/L/N and Sebastian Stan’s wedding.” The teller said. “Thank you for doing this.” You told her graciously.
You exited the courthouse, feeling overjoyed that you finally married Sebastian. “Now what are you going to do?” Chris asked. “Probably move back in with her.” Sebastian joked.
You didn’t care what you did next, you were just happy that you could call Sebastian your husband.
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soyouareandrewdobson · 4 years ago
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…the ugly. SYAC: The Master Review 4
Last post I covered much of what I consider the good or passable strips of SYAC of the pre-Dobbear era. What I have admittedly not covered yet, were three certain characters of the strip that exist beside Dobson.
Persistent Pam
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 Curmudgeonly Carl
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And… this guy I am not even sure has a name.
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No, seriously. He shows up in like the 61th strip of the series for the first time and yet I never see his name mentioned once
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All I know is that he is an accountant, who pities Dobson (for good reason)
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And despite Dobson not liking alcohol, they regularly meet up in a bar as if they are some late 80s comedy duo
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Funnily enough, he shows up way before Pam, who would have her premiere in these strips
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 And despite only showing up in a few strips after her premiere (mostly to make “fun” of overbearing and snarky commissioners I suppose…)
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 She actually managed something no other character or series by Dobson managed to get: A fanclub
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 Not that she would really be of any major importance afterwards.
As for Carl, he is supposed to be something like an antagonistic embodiment of Dobson’s “old” art teachers and people being stuck in old ways, who shows up for the following strips forming a sort of arc.
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In addition, it is very obvious, that Carl is supposed to be a mockery of people flaming Dobson. Not helped by the fact that THIS character sheet of him made by Dobson assures us, that there were quite a few even less “endorsing” things he wanted to name the character.
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Yet funnily enough, Carl turned into such a popular character with readers, Dobson was essentially “forced” to make him reappear in other strips. Not of the “classical” SYAC strips, but he showed up as the “antagonist” to Tenku in the storydriven multi pagers. Though even antagonist is a strong word, as he is essentially more of a jerkish art teacher and college advisor who is harsh on Tenku, but actually has his best interests in mind. To the point he even offers him to be his “harsher” art critic in the years till he enters college, because he wants to see him grow artistically.
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 However, Carl was also more of an “accident”. Cause when it came otherwise to tackling criticism or things that irked Dobson (and were not anime related) he would end up more or less creating strips that painted him in a manner where he would supposedly always look like “the better” compared to his opposition or mock it. Which is where a lot of the irk Dobson would earn over the years eventually comes from.
Now to be fair, I do not want to call every comic in that regard “strawmanning”, nor do I want to say that Dobson doesn’t have the right to also mock to a certain extend the mentality of certain “snobs” and so on. For example…
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On one hand, I know there are people out there who think they are “special” by having the best tools at their disposal. When in reality you can achieve good results also with less expensive stuff. So mocking that sort of attitude is fine to me to some extend
BUT, when you also make down the line a comic like this…
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… essentially making yourself come off as a “better” artist or person than others because you have “chosen” the better mass produced crap (btw, that is coming from someone who types this review on a Mac that runs Windows) , then the hypocrisy ends up to be rather strong with you.
 Which is also essentially the biggest issue with the strips I am about to show. The hypocrisy of Andrew Dobson. And no, I do not mean the tumblr blog by that. I mean the simple fact, that the content of some of the soon to follow strips gets kinda muddled when you take into consideration some of the things real life Dobson had said and done either at the time or in the years to come. Well that and the way how he tries to mock issues people have with his work, not realizing how he is essentially just reassuring those “silly critics” in their opinions while making his flaws more obvious to people that may have been previously unaware of them.
But enough talk, let me just show you in quick succession examples to confirm said point.
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Considering Dobson’s longterm disdain for DnD you have to wonder what the joke really is outside of him portraying DnD players as ugly nerds, supposedly too geeky even for him. Which is hilarious in hindsight as he would years later become a fan of TAZ among other things.
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Less hypocritical but the set up is kinda flawed. Like, you are obviously at a convention trying to sell stuff. Why would some old dude not interested in “kids crap” be at the convention anyway? Is he just bringing someone there and just wants to go, but first needs time to belittle your life choices?
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 Rather hilarious in hindsight to me. Cause for someone claiming he has ideas that last for a life time and who seems rather distraught on the idea of others giving their input, he turned out to be so in need of ideas. Alex ze Pirate e.g. became from 2015 onward only defined by Dobson talking about the sexualities of his characters (and not even in comic as by that point it was discontinued, but rather in tweets and so on). Formera, which ran heavily on cheap shonen anime tropes ended up cancelled after two volumes, Cabin Rest was a failure after 20 strips, 2019 he relied primarily on cheap comics about Miraculous Ladybug and his understanding of certain genres is so bad, he can’t even think up the most basic ideas for a magical girl story.
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Weirdly enough, that pitch of a garbage truck driver who fights crime? I think that could make for an enjoyable short story about a vigilante a la the Punisher or Sin-City.
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 The way Dobson perceives criticism, while also essentially giving a quick rundown how he appreciated criticism in his childhood way better than in adulthood. Yeah, because criticism by your parents as a kid was always VERY constructive. (looks back at certain drawings from own childhood) brrr. And sorry Dobson, but sometimes criticism by strangers is better than criticism from friends. Cause friends may mince their words. Plus people have over time given you quite some insightful criticism aside “U SUX” when it comes to comics. You were just never willing to listen
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Hey Dobson, you hear that? That is the sound of your career, dying and no one caring.
Yeah, I think someone who made such “brilliant” comedy as in these comics, totally has the right not to listen to what seems to be solid theoretical advice.
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BTW, that Talus comic… I swear to god the worst “joke” Dobson ever told.
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 Wow. You essentially make a point why you suck at drawing. While still not trying to change.
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And as someone else once said: Don’t play with fire if you can’t deal with the heat, BLOCK-son!
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This is not how I perceived your shit over the years. See, on one hand it is true that Alex ze Pirate e.g. has its own webpage to read the comic for free. HOWEVER most of his comics Dobson would hide from the start behind a paywall. The idea being that he would e.g. put a small reading sample of 10-15 pages up somewhere and then expect people to buy his comic for full price to get the rest. And you know, if you are e.g. a professionally published writer, that is fine. But when your average art output looks like THIS
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And you expect people to pay more than 10 dollars for something that is only around 70 pages long while most people can get 200+ pages for the same amount of money that look like this…
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 You can frankly go and screw yourself.
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On one hand I get that the joke is meant to be, that as an independent content creator you may find yourself in a weird spot where your “child friendly” work may be put in a palace between edgier stuff other creators sell at conventions. On the other hand, I find it rather insulting in hindsight, that self declared feminist Andrew Dobson portrays such competition as either psychopathic murderers or stereotypical cartoon bimbos. If modern day Dobson saw the same strip by any other person, he would be insulted on behalf of the female that she is portrayed as a bimbo, when she could also be a very smart and attractive woman who knows how to tell brave and sexy stories.
Also, I have read your “child friendly” stuff, Dobson. I would call Atea or Alex abusive bitches who like to bully orphans but child friendly? Not to forget that your work is so basic and shallow in depth, it’s like the someone tried to create a chimera out of some of the worst traits associated with Dora the Explorer, 80s toodler cartoons and the Fairly Oddparents.
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I frankly hate this theory on comedy. It is true, a lot of comedy can be deprived from conflict, misunderstandings etc. Looney Tunes, Tom and Jerry and other cartoons as well as screwball comedies such as Rat Race can depend on it. Heck, one of my favorite comedians of all time is Christopher Titus, who based his entire career on the misery and absurdity of his life.
But comedy is not just defined by misery and conflict.
There are for example also the following theories when it comes to comedy…
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And to get back e.g. to Titus, yes, he has build a lot of his comedy on the bad stuff that happened in his life. But he is also someone who in his comedy has build a lot of punchlines on the absurdity of certain situations he has been in life but which in a way have enriched his life positively.
 What I am trying to say is, comedy (and entertainment in that regard) does not just have to be defined by misery. And all things considered Dobson, you could have really tried to also just make comics wherein either you or your characters are just happy with their situation in life.
For example, this page from an Owl House fancomic?
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I think it holds more entertainment value than your “joke” right here, despite not even telling a joke.
Simply because as a page overall, it tries to convey a positive emotion. Which is more than I can say about the strip.
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Because of a lack of different level of thickness regarding your lines, which would trick people into perceiving depth, the fact that the fill bucket and shade layers can only do so much to cover for the rather monochromatic dull nature of your comic, the fact that your characters are not really all that complex and look rather simplicstic even compared to stuff from a comic like this…
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And that is just coming from the top of my head as someone who never studied art. If any reader has something to add, I am willing to listen
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And considering you could in later years never keep up to any release schedule, which among other things resulted in only three SYAC strips in total being released in 2016, I say go fuck yourself. Not to forget that even some of the worst newspaper comic strips out there tend to actually find a decent following and good jokes eventually, otherwise they would not manage to stay popular for years, if not even decades.
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As someone who has worked internships a lot in life, I just want to say fuck you in all our names. Glad to see you having just as much respect for interns than any other scumbag on the planet. Probably even less respect, cause you know, in some places interns tend to get paid.
Also, there is supposedly an entire real world story going on about Dobson having worked at his former university at the time the comic came out and Chaz is based on a fellow intern.
Things are unfortunately rather vague in that regard and only hold up by demonstrative evidence such as the name of Chaz showing up in certain pages of the university and Dobson’s internship being mentioned somewhere.
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Well, would you look at that: People have different opinions on your stuff.
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There are ways to draw memes funny and then there are ways to fail at them
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 You failed.
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Funnily enough, that comic rings a lot truer to text than you expect. Considering how Dobson would often emulate certain aesthetics in his comics of shows that were rather passee by the time he published his stuff, plus how he will obsess over certain trends and games for years to come (like Skyrim or his Quiet Hate Boner) while also being unaware about current trends (how do you e.g. not have heard of My Hero Academia by 2018 at least once by accident?) Dobson has always been kinda late to the party. Missing the “zeitgeist” of nerd culture and as such never quite finding an audience.
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Yeah, what Pam says. Not helped by the fact that yes, the floating eyebrows are real. Look at some earlier sketches or “professionally published” comics by his and you will see that each time characters get excited, their eyebrows will suddenly split into sets of three and float higher than Pennywise’s victims.
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Ironically, that fits real life Dobson at the time and later on even more so than this comic version did. Sorry, but what am I supposed to call a person who has an hate boner on anime for years for superfluous reasons, made Danny and Spot a “gaming webcomic” deliberately to piss on non Nintendo fans and has admitted in some by now deleted youtube video, that he kept a list of usernames from an old forum just to remember even years later the people that were mean to him online?
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 Fuck both of you. I do not expect the Sixtin Chapel in the background, but something to filll up the empty space behind you is at times needed.
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The comic here is actually called politics. … ironic how things changed once a certain reality show host turned president.
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Jesus Christ. I am not even that much of a Transformers fan (Prime fan for life however) but even I know that this is not supposed to be what you design the head of a Transformer like. Not even if they ever produce the Transformers equivalent of Teen Titans Go.
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Too bad you still can’t stand the heat, otherwise you wouldn’t have completely disappeared last year.
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When you know you are in a no win situation, and still manage to choose an even dumber option to escape. I really don’t get it. I just think the Portal reference makes the comic dated and Dobsn’s attempt at a smug face looks so stupid. Like his cheeks are falling in and his mouth is about ready to get raped by a garden hose or something.
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Yeah, considering Dobson’s later constant need for safe spaces and to be in control of a situation and the narrative, which led to so many blocks over the years… if you know anything about Dobson, how this comic becomes harsher in hindsight is rather self explanatory. I just want to say one thing: There is a difference between genuine agoraphobia and just wanting to be by yourself. And I think Dobson just prefers the later on average. Which is okay, but humans still need to interact with other human beings in one form or another, even just for the sake of keeping their mental health stable. Why do you think are so many people getting depressed in times of covid lockdowns, despite many having all sorts of technical gimmicks at their disposal to at least keep boredom at bay?
And by putting himself into a bubble like that, I think Dobson has deprived himself of some of the most basic human interaction, which was likely a severe factor in his mental degeneration over the last years.
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It is still a valid suggestion! Just draw some cartoon characters or a nice fantasy scenario on a mural and earn yourself some bucks. Just be sure they are not by Disney or the Mouse will tear down the school!
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… Just google up the words Andrew Dobson and Samus Aran commission by ED and you will see how this comic just further shows how much Dobson seems to actually be proud of being an unproductive asshole.
 And by the way, I know that any form of artistic work takes time. Just writing these review posts takes a lot of time for me. But that doesn’t change the fact that people should post and create stuff in a timely fashion, especially when there are e.g. deadlines to hold up too. And by the way, Sloth’s don’t have fingers, they have claws!
And that is it.
Sorry if I missed anything folks, but I just saw how many pages in word this is already filling up, so I call quits for this part here right now. I think I made my point about how Dobson trying to badly deflect arguments people may make against his art and work ethics via jokes clear enough, while also showing some posts that are either harsher or hilarious in hindsight.
Next time we will however address one certain issue about our main character, that has been not directly addressed here. In the meantime, have a little fun video that shows hopefully how entertainment and a certain amount of comedy can be gained NOT via misery.
youtube
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doudecim · 4 years ago
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I want to say that 99% of the fics here are on FF.net for I have only recently discovered the wonders of AO3, and I still didn’t dig deep in there to find all the HitsuKarin goodies.
That being said, I will put the list under the cut because this will be one very long post. So, I hope you all enjoy it!
one-shots
A Constant Fascination, by back-in-a-bit. — 'Colour me blood red passionately.' Hitsugaya makes it his personal mission to get Karin to blush. Pity it's easier said than done. In fact, it might just take him a lifetime. [rated T]
A Fall in the Fall, by MeteorLeopard. — This was ridiculous! There she was, just looking at the fish, and the next thing she knows, she's up in a tree being held against her will! And it's all his fault! [rated T]
a little suffering is good for the soul, by the milliner’s rook. —  Future fic. If there are stupider ways to get courted, Karin can't think of them. [rated K+]
A Woman Scorned, by Glowing Blue. — The twisted fairy tale of Karin finding her own invite to the ball, though she's hardly looking for a Prince Charming. [rated T]
but leave the soul alone, by the milliner’s rook. — AU. Death, it's catching. Or: the one where Toushirou and Karin share night shifts at the hospital. And coffee. Terrible, terrible coffee. [rated K+]
Collection, by ichilover3. — A drabble/oneshot dump. Shenanigans, silliness, and sexy-times abound. Also alliteration, apparently. [rated M]
crawl into your shadow, by the milliner’s rook. — AU. There's a witch in this sleepy little village now that goes by the name of Karin, but nothing has changed since she's arrived. Not really. [rated T]
Delirous, by carved in the sand. — Matsumoto finds her captain to be a lovestruck teenage boy. [rated T]
duckling theory, by the milliner’s rook. — The first thing Karin notices is watermelon. Looking back, maybe it should have been startling green eyes. [rated K]
For You, by Glowing Blue. — Death had never been the paradise everyone wished it to be. But then they found each other. [rated T, two-shot.]
frostbitten, by the milliner’s rook. — Set during the time skip. The winter they meet is unkind with snow. [rated K+]
Frozen Moments, by CrazyAce'n'PokerFace. — 101 drabbles/one-shots that give a glimpse into Toushirou and Karin's life together. A love story told in snapshots. [rated K+]
funny valentine, by SebonzaMitsuki27. — I'll be yours if you'll be mine. [rated K+]
humour me, by SebonzaMitsuki27. — True love's kiss. That ought to do it. [rated K+]
i’m high on believing, by the milliner's rook. — For the record, he prefers his plain black shoes to her fancy red sneakers. [rated K+]
ice breaker, by SebonzaMitsuki27. — AU. There are better ways to get found out than making out in a closet and tumbling onto the ground. [rated T]
if my heart was a compass you’d be north, by SebonzaMitsuki27. — Future fic. Give me a reason to believe. [rated K+]
In Every Season, by Adobo-chan. — A collection of HitsuKarin oneshots. [rated T]
In the Dark, by ichilover3. — It really wasn't anyone else's business. She should be allowed to fornicate with midgets if she wanted to. [rated T]
innocent guilt, by SebonzaMitsuki27. —  AU. Oh, I know! You're a tramp with wings! [rated K+]
Juxtaposition, by Lady Azar de Tameran. — Something within Hitsugaya Toushirou thinks that he may have met his match. [rated T]
keep me in your pocket, by SebonzaMitsuki27. — Set during the timeskip. Don't stay out of touch, okay? [rated K+]
Kuchiki Rukia, the Glorified Courier, by MeteorLeopard. — Delivering super-top-secret messages between dimensions is tough work; believe me, I know. If it weren't such a rewarding experience I'd downright refuse to play the messenger. Honestly. [rated K+]
liliputians, by SebonzaMitsuki27. — Future fic. It's alright, kid. I'm short too. [rated K+]
Lovely Complex, by Unknown lazy ass. — She slyly grinned, “Wow, you really are head over heels for me, aren’t you Toushirou?” [rated K+]
Momo knows Best, by MeteorLeopard. — Sometimes having a meddling older sister... sucks. [rated T]
of halos and wings, by SebonzaMitsuki27. — Future fic. He had betrayed Hinamori with nothing but his heart. [rated T]
Old Haunts, by the milliner's rook. — Future fic. You were just gone, Toushirou, what was I to think? I thought—I thought you'd come back, and you did, twenty years too late. [rated T]
Peeping Tom, by Glowing Blue. — The love story of Hitsugaya and Karin, as seen from open windows and heard through thin walls. "Hisagi's eyes had a tendency to stray." AU. [rated T]
phantasmagoria, by SebonzaMitsuki27. — Flickering through black and white, they find their perfect shade of grey. [rated K+, two-shot.]
put down your sword and crown, by the milliner's rook. — AU. When her old man dies to save Ichi-nii's life, everything changes. Days after the funeral, the word Quincy is spoken for the first time, and at five years old, Karin becomes defined by it. [rated K+]
Red, The Colour of Despair, by the milliner's rook. — It was strange how much difference one colour could make. [rated K+]
Revenants, by carved in the sand. — Hitsugaya ponders the ghosts that haunt the girl he still loves. [rated T]
Sports and Sex are Universal (but never the twain should meet), by back-in-a-bit. — Toushirou gives Karin a flat look. "I'm not high-fiving you over sex," he says. [rated M]
Subtle, by nublados. — Toshiro comments on the subtlety that is Karin Kurosaki. [rated K+]
The Art of Asking, by Felix02. — He should have known that her father wouldn't be able to keep a secret, especially from one of his daughters. [rated T]
The Art Of Getting By, by the milliner's rook. — AU. There's some difficulty between juggling flirting, killing Hollows and getting to class on time with the hottest guy in high school, but Karin's certain she'll get the hang of it eventually. [rated T]
The Staircase not Taken, by MeteorLeopard. — Perhaps it was a good thing that the stairs were destroyed, her brother acting demented and a violent fight going on without her just upstairs. After all, the visitor who happened to drop by was worth the wait. [rated T]
the winter sun smiled for things to come in spring, by the milliner's rook. — What is it with you! You're either too young or too old! What the hell! [rated T, two-shots.]
Urahara's Lawn Mowing Service, by MeteorLeopard. — Incorrect phone numbers are a messy business. Even messier though is the business that happens after said incorrect phone call. "Fine, but I bet your girlfriend didn't call back because your lawn needs to be mowed." [rated T]
velocity, by SebonzaMitsuki27. — Aim for the goal, and don't look back, no matter what. [rated T]
where angels fear to tread, by SebonzaMitsuki27. — They belong in hell. [rated K]
You Taste Like Birthday, You Look Like New Year, by the milliner's rook. — Future fic. She likes his hands, Toushirou notices. Loves them, in fact. [rated M]
complete
lune, by SebonzaMitsuki27. — AU. Me and you and moonlight shivers. [[rated T] other main pairings are ByakuyaHisana, ShinjiHiyori and UlquiorraNel, so beware that HitsuKarin is not the only focus in this one.]
Waterlogged, Wind-chapped, and Sun-bleached. — They grow up together, and the slow progression of their relationship shapes their world. AU. [rated T]
Wendybird Chronicles, by the milliner's rook. — She wonders if they ever had a chance. If they might have missed it, somehow. [rated K+]
on going
Wrong Number, by Lunatasha. — Unknown (10:22): So! I just read all of the conversations I had last night while I was out drunk and thoroughly embarrassing myself and please let me apologise for bothering you (especially as I think you were working if you were in your office?) last night. I mean in hindsight I probably should have stopped messaging you as soon as it was clear you weren't who I was looking for, but drunk me apparently hates sober me so yeah, I'm sorry. That being said thank you again for helping me out even though I must have been bothering you, I appreciate it. [rated T]
Only in Dreams, by TullyBlue. — Brother, she had called him, but he spent the entire meal acting like she was a ghost. Eating with the twins, he can’t even imagine being that cold to his sisters. Yuzu’s laughter brightens his day and that admiring glint in Karin’s eye, that he only catches every once in a while, means the world to him. The so-called brother in his dreams makes Ichigo’s skin crawl. Everything else, though, he wants to see more of, to know more about, to understand. Old, wood floors, a spacious room, flowing black robes, and those swords... [[rated T] other main pairings are IchigoRukia, UryuuChad, GanjuHanatarou, so beware that HitsuKarin is not the only focus in this one.]
abandoned or on permanent hiatus, probably won’t ever post a new chapter again
Blizzard Blues, by the milliner's rook. — Future fic. I heard your brother had an eight pack, Captain Hitsugaya! That he was shredded! [rated T]
Catalyst, by Etiena. — With captain-level shinigami in her family, it is no surprise that Kurosaki Karin has potential. But it isn't family which triggers her change. Instead, a chance encounter with a young shinigami captain leads to startling revelations. [rated K+]
Go Against the Grain, by Adobo-chan. — Old law deems that only a son may become the Kurosaki House's next leader. Born from this ancient tradition, a tragic betrayal and her mother's sacrifice, Karin is brought up as Kurosaki Kazuto, the 29th head of the family. [rated T]
oh sinful rose, by the milliner's rook. — AU. Five years after the monarchy is overthrown, a noble finds a forgotten princess in chains. DISCONTINUED. [rated T]
Quandary, by Glowing Blue. — Funnily enough, meeting such a spirited single mother was actually part of his job description. AU. [rated T] (I love this one so much!)
Roommate For Sale, by SavageTrickster. — AU. There are many things in life that she didn't know, but the one thing Kurosaki Karin was certain of is that her overprotective brother is going to blow his top when he meets her new roommate.
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revchainsaw · 4 years ago
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The Crow (1994)
Alright Cult of Cult. Do I really need to introduce this one? Let's get all 90s and gothy and maybe brace ourselves for a bit of cringe, but like in a fun way. It's the Holy Grail of Hot Topic, 1994's the Crow Starring Brandon Lee.
Sermon
Apparently before the auto industry totally crashed Detroit was already a total fucked to death pile of burning shit, or at least that's what the crow would have you believe. Sorry Bruce Campbell, and other people from Detroit, but mostly Bruce Campbell. According to the Crow the city of Detroit is the kind of place where gangs of warlock anarchist arsonists will bomb buildings, and murder and rape whoever they feel like and then walk around bragging about it the next day with absolutely zero consequences. Funny then that if Detroit was so bad they had to go to film this movie in Wilmington North Carolina which is definitely a fucked to death pile of burning shit. I can say that, I'm from there and I got the fuck out. My brother is going to kill me if he ever reads this. (It's okay, these are all jokes people). Did you know they also filmed the Super Mario Bros movie there ... also cuz they needed a really shitty looking distopia. Moving on ...
The ludicrous criminality of the Crow's Detroit is particularly on display on Halloween. In Detroit (apparently) Halloween is known as Devils Night and it's legitimately just a night of pure lawlessness and chaos and kids aren't even safe to get candy, except later when we do see trick or treaters. Eric Draven, hunky goth rocker who sort of looks like he could be Bruce Lee's Kid and his fiance are murdered by a gang of vicious criminals. One year hence, Eric is resurrected by a mystical crow (that is actually a Raven), to exact his revenge on the gang that murdered him.
He paints his face like sad Alice Cooper and refuses to listen to Joy Division, just covers. He murders Tin Tin (a knife guy) just for his long gothy duster, he murders Fun Boy and forcibly ejects heroine from her arms and tells her "Go be a good mom now" which actually works. (have I told you about our Lord and Savior Sting? He gave me the strength to get off drugs), he blows T Bird up dick first, and then comes for Skab? Scraap? Scooby? in a meeting of all of Detroits villains and just about kills them all.
He is supported by the most 90s little girl to have ever graced the screen, and I am here for it, and Officer Albrecht, who's played by Ernie Hudson but I like to call him Zeddemore: The Most Underrated Ghostbuster. The leader of the bad guys, who I cannot beleive wasn't played by Brad Dourif or Tom Waits, is pretty interested in the occult. He keeps his witchy girlfriend around and she makes him fun dishes like smoked eyeballs, and her main use is that she knows that the Crow is the Crows weakness. They set Tony Fucking Todd on the bird, and I guess you just have to hurt the bird and not kill it, and Eric loses his healing factor and other macabre undead powers.
The Crow, Jimmy the Raven, pecks out Dr. Girlfriends eyeballs, I honestly forget how Tony Todd gets offed, and Top Dollar gets Gargoyled (that is impaled on a gargoyle). Funnily enough that is more Gargoyle related impaling on screen then in the actual movie Gargoyle: Wings of Darkness where a Gargoyle is supposed to have impaled a guy.
The Benediction
Best Feature: Injustice League
In the Crow we have not only a set of super memorable villains but they are played by the bad guy all stars. John Polito as the most lowly of the bad guys as a kind of sleazy pawn shop owner who buys ill gotten gains. Tony Todd, who's size is really on display here, the freaking Candy Man is in this movie. T Bird is the head of Top Dollars goons and is played by David Patrick Kelly, you might know as the "Warriors Come Out and Play!!" bottle guy from the Warriors, or as Jimmy Horne from Twin Peaks, and of course Top Dollar himself is played by Michael Wincott. Wincott is not a particularly celebrated actor but has played villains effectively in Robin Hood, the Three Musketeers, and Dead Man.
Best Set Piece: Detroit Style Hot Dogs
The Set design of the Crow is perhaps one of it's most fantastic features. It's very moody and ethereal. It's just real enough to not take you out of the film, but fantastic enough to set mood and theme above realism. From Eric Draven's apartment, to the church where the final battle occurs they are all fantastic. I think that's why I really wanted to shine the spot light on a very minor set piece that would get nary a mention but just as effectively represents the qualities I was just talking about and that is the Maxi Doggs Hot Dog Stand, where a lot of the films exposition for audience surrogates takes place.
Worst Effect: Freeze Frame
At a few points in the movie the film makers made a strange decision to do these freeze frame transitions. I only noticed it twice in the movie where it was particularly stupid. I'm sure the film makers at the time thought it was a moody and atmospheric choice that highlighted the suffering that Eric Draven was going through, but it didn't age well. If you don't have the sensibilities of a goth girl from 1994 then it's very very hard not to laugh at just how self involved the movie is about it's super sadness.
Worst Feature: Tragic Accident
Solely based on the film itself, it is that very gothic and dated sensibility that hurts the Crow. The little sarcastic dance he does when he flees the police, quoting Edgar Allen Poe, and bowing to Albrecht. These affected behaviors that I'm sure seemed snarky and right on to the target audience only serve to make Eric Draven seem like an unbearable neck beard edgelord and not the troubled dark soul he's supposed to be. I'm sure at the time it seemed unique and gothy but that shit went out of style for good reason, people could see through it. It's a shame that the Crow himself was some of the cringiest parts of this movie now that I'm seeing it as an adult and not a 13 year old middle class boy with no real problems.
This however is not the low point of the movie. It's not news now and if you're reading some dudes review of The Crow on Tumblr then you probably already know the story. The worst thing about The Crow is that Brandon Lee was horrifically killed on set while filming this movie due to some negligible prop malfunctions. A series of unfortunate events that lead to the actor spending 6 hours in surgery fighting for his life before eventually passing. It was not a quick or painless death and it's really impossible to watch the movie without an appreciation for the fact that this kind of fun dark adventure was going to be a vehicle for Brandon Lee's career wound up taking his life. He was 28. I really wish I could have just bitched about the goofy goth stuff and moved on, but that's not the world we live in.
Best Effect: The Gargoyling
Maybe I should have called this best kill. But I'm not sure which it is. The slaying of Top Dollar at the Climax of the film was just super effective. The pointed wings impaling his chest and that horn coming out of his mouth, it was morbid and excellent and just fit the tone of the movie perfectly. I mean how many other movies can you say Cause of Death: Impaled on a Gargoyle.
Best Bird: The Raven
I tried very hard to look up the name of the bird that primarily performed in this movie and could not find anything. There was a Raven once upon a time called Jimmy the Raven, but that was in the 50s and I don't think birds live that long. There was a team of Ravens performing as the crow, they were chosen over crows for their larger size, and more imposing silhouettes. I just think it's so wonderful to see these often maligned birds get a chance to show off their talents. Corvids of all kinds are incredibly intelligent creatures. Im a sucker for animals, if you haven't already figured that out. I really liked seeing the ravens hit their marks, particularly the one whos job it was to drop the wedding ring into Sarah's hand at the end of the film. You can see that greedy little bastard do his trick and then look of camera at his trainer like "treat please!". It's very cute.
Best Actor: Top Dollar Performance
I'd love to take this opportunity to just put praise upon Brandon Lee, he truly gave everything for this role, but unfortunately with what was put to film we actually have very few character moments with Eric Draven. Stuff happens to him, and he does killings and fights. There's definitely some personality, but I felt like I walked away knowing almost nothing about who Eric Draven was. He was clearly a good dude but that and a few hobbies and a relationship and you don't really have a character yet. He's unfortunately not given a lot of acting to do, instead just relegated to stunts and action sequences. That were notably cool.
The bad guys in the Crow have a lot more character and among this who's who of character actors, Michael Wincott takes the cake. Hell he was standing next to Candyman himself, Tony Todd and still stealing the scenes.
Best Character: A Few Good Apples
Is the best character in The Crow really going to be the cop? The commissioner Gordon stand in? yeah, it is. Not to be political, but I don't like cops, but I guess in a world with magical birds and eyeball smoking I can suspend my disbelief and let Ernie Hudson be #1 cop dad. His character is really the heart of the film, since all Eric can do is brood and fight, we have to care about someone in this movie.
Best Sequence: Halloween Party
The best sequence of the movie is of course the scene where Eric Draven busts in on the Devil's Night party planning commission. I think Top Dollar brought Scrappy Doo there just so he could lure out the crow, knowing the baddest assholes in all of Detroit would be gathered it was likely that somebody was going to kill the beast, or if they couldn't at least Top Dollar could get a feel for his enemy. It's a bullet flying action sequence with a ton of weight. I can't put my finger on this all to common weightless third act problem that big budget super hero and action flicks have nowadays, but whatever that issue is, the Crow does not have that issue. From this point on the Climax feels earned and I am invested. For that reason, The Crow is honestly better in spite of its awkwardness, than many of the super hero movies out today.
Worst Sequence: My Guitar Gently Weeps
Speaking of brooding or fighting. The best sequence was fighting, the worst is brooding. I get that Eric was in a band or something, but didn't he have shit to do. It seemed like it was a cool idea for a shot, but for like a whole seen, watching somebody play an 80s guitar solo, that stood out so brazenly from the choices of music in the rest of the movie was extra corny. It felt like someone's( dad trying to relate to their kid. Oh you like Music. The Dresden Dolls eh? Oh man, then you're going to love Slash's Snake Pit!
Summary
The Crow is dated. It is iconic but I wonder how many of the people that hang that poster on the wall have watched that movie since they were kids. It's interesting how what i've liked and disliked about this film have changed so much sense I was a kid. It's a cheeseball fiesta. If you have matured at all beyond thinking that being sad is the same as being deep then you're going to like it a little less than you did when you were younger, but it is still solid. There's not much to hate on. I'd watch it over and over again. I was really afraid it would not hold up at all, but returning to The Crow was a completely positive experience.
Overall Grade: B
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royalhouseofcarrington · 4 years ago
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Weckheim Preparatory Academy, ~1pm, Same Day
Headmistress: Your Grace, thank you for coming at such short notice. 
Dante: Of course. Although I have to admit I was a bit shocked when I got the call. 
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Thomas: Dad, I- 
Dante: Not right now Tom. Did Mr. and Mrs. Gathen already come by? 
Headmistress: They haven’t responded to any of my calls so far. Mr. Gathen, do you know where your parents are right now? 
Peter: Yeah, Mom’s at a luncheon with her friends and Dad’s at work. Because they actually do their jobs, unlike someone else’s parents. 
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Headmistress: Mr. Gathen, there is really no need to be so rude. Please, Your Grace, take a seat. Now, I am very curious about what happened that caused this to happen.
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Peter: Well, I was talking to Ana upstairs on the balcony like we do everyday after lunch and then suddenly Thomas came out of nowhere and socked me! 
Thomas: That’s not what happened and you know it! 
Peter: You just walked up to me and started wailing on me!
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Headmistress: Is that all that happened Mr. Gathen? 
Peter: Yes ma’am. Everything that happened. 
Headmistress: Mr. Angers, I’d like to hear your side of the story please. 
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Peter: What? He punched me! That ought to be enough for you to expel him flat out!
Headmistress: As you are well aware Mr. Gathen, there are two sides to every story. Perhaps you missed the performance of Romeo and Juliet? 
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Thomas: Well, Alya ran up to Paige and I in the hallway and said that Peter and Annie had broken up and that she was going to get a teacher. We both ran upstairs and Peter was there insulting Ana the whole time and telling her how stupid she was, which she’s not. And then he shoved me, hard. 
Peter: I did not! 
Headmistress: Hush. You’ve had your turn. What happened after he shoved you?
Thomas: He insulted me and my mom and dad and grandpa. And then I told him to leave Annie alone again and then…. 
The rest of the post is below the cut!
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Headmistress: And then what? 
Thomas: I don’t want to say it. 
Dante (slightly concerned): Tom, what happened? 
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Thomas (whispering): He said that I was a bastard and that he would leave Annie alone after Mom learned how to not be a bitch. 
Peter: I did not! 
Thomas, voice cracking: Yes you did!
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Peter: See! Lying bastard. 
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Headmistress: Mr. Gathen! Thomas, is that why you punched him?
Thomas: Yes ma’am. 
Headmistress: The CCTV footage that I have does appear to support Mr. Angers’ claim. I’ll speak to those present later to…  
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Henry: So sorry I’m late, but your assistant really needs to learn how to respect the time of a member of Parliament. 
Headmistress: Funnily enough, I was the one calling you. 
Henry: Oh. 
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Headmistress: Mr. Gathen, are you aware that your son was making inappropriate and disrespectful comments towards one of his fellow peers? 
Henry: She must have made it up. 
Headmistress: Actually the CCTV footage I have suggests the opposite. As I was about to say, Mr. Angers, I’ll call you in to discuss your punishment later. You can go. As for you Mr. Gathen, this will not go unnoticed by myself or this school. Your behavior here has been unacceptable from day one, to not only your professors, but also, and perhaps more importantly, to your fellow classmates.
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Henry: Ma’am, I highly doubt those claims. Peter has always been respectful to his fellow classmates and his professors.
Headmistress: Clearly you don’t know your son as well as you think you do. Mr. Gathen has been, on a number of occasions, disrespectful to his professors, myself and his fellow peers. 
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Henry: They’re just after him for what he has in the future! They’re all trying to destroy his reputation!
Headmistress: Funnily enough, I do not hear the same about the Crown Princess to her professors and fellow peers. 
Henry: She’s just putting on a fake display for the cameras. Everyone in that fucking family does the same thing. 
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Dante: My children and my ex-wife happen to be part of that same family, Henry.
Henry: Then I’m sure you’re well familiar with those displays. 
Headmistress: Gentlemen, please. As I was about to say, I highly doubt that sir. I’ve met with the Crown Princess before, and she has always been respectful and kind to everyone and is very empathetic to the feelings of others. The other students aren’t the problem. Your son is. 
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Henry: You’ll be sued. 
Headmistress: I’ll await the letter from your lawyer then. In the meantime, Peter is suspended from this school for the rest of the year.
Henry: This close to the end of the year? That’s absurd! He’s graduating in 2 months to go the University of Carrington! 
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Peter: Please Professor. I’ll do anything!
Headmistress: I’ll let the Dean of Admissions know about his behavior here. He’ll still receive his diploma, but he will not be allowed to attend graduation or the formal. 
Henry: You’re going to pay for this. Both of you! Come on Peter. 
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Dante: I’ll speak to Richard later this week to let him know what happened. Never imagined that Tom would be the one to do something like that. 
Headmistress: I don’t condone violence between students, but I honestly can’t blame Thomas for his actions. He was just defending his cousin.
Dante: If it’s alright with you, I’d like to sign out Thomas early for the day. 
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Headmistress: Should I call for Gianna as well? 
Dante: Just Thomas. I’ll be back later to pick up Gia. I want to talk to him.
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fanficshiddles · 4 years ago
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Butterfly Into Chains, Chapter 16
Esme struggled to sleep that night, even being between David and Ben. She was really worried about spending the day alone with Tom while the others went to work.
In the morning, her nerves were rather obvious.
Tom and David were in the kitchen grabbing something to eat.
‘Is it just me, or does Esme seem terrified about being alone with me?’ Tom said as he bit into his toast.
David was spreading jam on his slice. ‘Not just you, no. Because she is.’ He said bluntly.
Tom frowned and turned to him. ‘Why would she be scared of me more than you lot?’
‘Because you’re a dick.’
‘Excuse me?’ Tom raised his eyebrows and put his hands on his hips.
David turned to lean against the counter, munching his toast.
‘You hurt her yesterday morning. Probably the first time someone has inflicted pain upon her.’ Noting the glare from Tom, he quickly added in. ‘Not that I’m saying she didn’t need the spanking. But you then just fucked off and left her without any aftercare.’
‘Because you were there.’ Tom grumbled.
‘Aye and good job too. But she saw you as the inflictor of her pain and distress. Me and Chris as her comforter who stayed to look after her. She’s bound to find you scary right now.’ David shrugged.
‘Well… She should come into heat any time now. So all her worries and fears will be forgotten.’ Tom huffed.
‘For a while.’ David grinned.
‘Shut up.’ Tom headed out of the kitchen.
-
Esme thought about hiding when the Alphas left. But she knew Tom would find her and it likely would end up with her being in more trouble. But she did try and avoid him… and succeeded... For all of two minutes.
She thought he was in the kitchen so had made her way quickly to the back door to go outside, but Tom appeared at the door, cutting her off.
‘There you are, lovely.’ He purred and reached out to cup her cheek.
Esme gulped and her stomach started to churn.
‘I… I was just going outside for a bit of fresh air.’ She said quietly, like she had been caught doing something she shouldn’t.
‘What a good idea. It’s a nice day.’ Tom grinned and slipped his arm around her, leading her outside into the garden.
Esme tried to walk ahead a little, without it being obvious that she was trying to get away from him. But Tom with his long legs was able to keep up with her easily.
‘Do you like your new home?’ Tom asked while they walked.
She nodded, but kept looking down on front of her.
Tom stopped and grabbed her wrist, pulling her to a halt too. ‘Esme. Look at me.’
She looked up at her Alpha and her breathing quickened when she locked eyes with him. He reached up and stroked her cheek with the back of his hand.
‘I scare you, don’t I?’ He asked bluntly.
Her eyes widened. ‘I… uhm… I just… It really hurt, yesterday morning.’ She said so quietly, her eyes were skittish as she couldn’t keep locked on his the whole time.
Tom frowned and gently gripped her chin. ‘I know it did, it wouldn’t have been a punishment otherwise, love. Pain is inflicted in a disciplinary manner if you misbehave, the aim is to stop you from doing it again.’ He said firmly.
Esme swallowed heavily. ‘I… I’m sorry.’ She whispered.
Tom slipped his hand round to the back of her head, he tangled his fingers through her hair as he leaned down to kiss her firmly. Slowly he moved his lips against hers, coaxing her to kiss him back as eagerly as he was.
He pulled her in closer to his firm body, his free hand slid down her back and he groped her bum, making her squeak against his lips. He chuckled and patted her bum, then leaned back a little to look at her with a mischievous look in his eye.
‘There are a few errands we need to do today, love. So some pleasurable fun shall have to wait until later.’ He hummed and stroked her cheek.
‘What kind of errands?’ She asked quietly, hopeful it would mean she would get away from the house for a bit.
‘Grocery shopping and I also need to pick up something from the post office while we are in town. So, go and get changed then we will go.’ He kissed her lips once more before letting her go and get ready.
By the time Esme was ready, Tom was grabbing his car keys. He smiled brightly at her when she joined him at the front door, ready to go. ‘Good girl.’ He purred and held the back of her head briefly as he kissed her forehead. Her cheeks turned a little pink at his praise and she felt her heart beat quicken.
Tom slipped his hand to her lower back and led her out to his car. He opened the passenger door for her and helped her in, he even buckled her in for her, being a nice gentleman. But it still didn’t ease Esme’s nerves of being alone with him. Though she knew he would look after her and protect her, she still couldn’t get the harsh spanking out of her mind.
She enjoyed the drive to town, Tom put the radio on and some of her favourite songs were on. It was a nice day too, so she enjoyed the beautiful scenery passing by.
When they got to town, they pulled up in the centre car park. Esme was excited to be somewhere different, to explore a little. If Tom would allow it, that is.
‘Esme.’ Tom said softly, she turned her attention to him and her eyes widened when she saw him pull a leather lead out of his pocket.
‘I need to put this on you, lovely. It’s for safety. You’re a fertile omega, even though you’ve been claimed there are still occasions where some Alphas would try and steal you from me. But this shows you’re taken and that your Alpha takes your safety seriously, that he would not hesitate to fight back.’
Esme’s lower lip trembled a little. But she said nothing, just lifted her chin up a little for Tom to get access to the ring on her collar. She knew there was no point arguing, unless she wanted a sore bum again. Which was something she did not want to risk getting, at all. No way.
‘Good girl, Esme. It’s to keep you safe.’ He smiled and clipped the lead on.
When they got out of the car and started walking to the post office, Esme was nervous as hell about being on the end of a lead. But as they started walking through town, she noticed that no one was really looking at her funnily. In-fact, she saw a few other Alphas walking with their omegas on a lead.
There was one or two Alphas on their own that eyed her up, but a growl from Tom had them scampering away or not coming close to her.
It was definitely so different to her old town that she was used to. Where it was safe for omegas to go out alone, knowing they wouldn’t get jumped on by some Alpha. But it was becoming clear to her that the rest of the world wasn’t as safe a place as she had thought or hoped.
Tom noticed that Esme seemed quite content being close to him, staying right at his side and not even venturing to the end of the lead at all. He picked up his parcel from the post office then they made their way to the grocery store.
They passed by a small ice cream shop and Tom stopped. ‘Strawberry is your favourite, isn’t it?’ He smiled down at her.
Her face lit up as she nodded.
‘Come on then.’ He grinned and led her inside. ‘You’ve been a really good girl today so deserve a nice treat.’
Esme was glowing after that and getting an ice cream, it was without doubt her favourite food. And she was happy to find it was even nicer than from the ice cream shop in her home town. Tom got one too, they enjoyed their treat on the walk to the grocery.
Tom let Esme pick some food she wanted, snacks too. She offered to make dinner for everyone one night so got ingredients she would need for it.
Knowing she was going to be able to cook for them sometime made her feel better in general. Just doing some normal things instead of constantly having one of their cocks shoved inside her.
As soon as they got back to Tom’s car, he took her lead off and set off for home again. Tom knew the little trip out had brightened Esme, because he heard her singing along quietly to the radio, making him smile.
Tom took everything inside when they got home. Esme went to curl up on the sofa to watch TV for a while, but she drifted off to sleep for a bit.
It was about an hour later, Esme woke up suddenly in a sweat. She wiped at her forehead, confused at how she was feeling. It was like there was a sheen of sweat covering her entire body. She felt antsy, itchy inside, like she needed something. But it was between her thighs that was hottest, her cunt was throbbing. Wanting, no… needing to be filled.
‘Oh god.’ She whined and squeezed her thighs together tightly, but it did nothing.
She needed Tom. She needed her Alpha.
‘Tom!’ She whimpered out loud.
Tom had been doing some working out in the gym room with some weights. But he started sensing something was off with his omega. He made his way to the living room and was hit with a wall of the most intense smell he’d ever smelt.
She was in heat.
He was just outside the living room when she called out for him. He rushed straight in to her, he was sweaty too and topless from working out. He had barely sat down next to her when she jumped on him, latching her lips onto his as she grinded down against him.
Tom tore at her dress, pulling it off her as quickly as possible. Esme was also quickly trying to get his jeans off, she didn’t even have them down far enough before she shoved her hand in and started squeezing his cock.
He grunted and quickly pushed them all the way down and off. He then grabbed her and forced her over onto her front, a hand at the back of her neck to pin her down as he mounted her and thrust his cock straight into her. Her body had produced so much slick in her heat, ready for her Alpha’s cock. Tom hadn’t felt anything like it before.
Esme started squeezing around him almost instantly. She moaned and whimpered in delight, the fire burning inside of her was starting to be appeased. Tom folded himself over her back, covering her entirely and getting as much skin on skin for her as possible, knowing she would need it.
He rutted into her fast and hard while nibbling on her shoulder and along the back of her neck. He took hold of her wrists and pinned them down above her as he quickened, her face was pushed down into the cushion of the sofa as he fucked her senseless.
-
David, Michael, Ben and Chris arrived home a few hours later, as soon as they stepped in the front door they could smell her heat. On the way to the living room they started undressing, leaving their clothes lying on the floor in a trail. Their cocks were rock hard by the time they got there.
When they entered, they found Tom sitting on the sofa, his head backwards while Esme was bouncing up and down on his cock like a sex crazed wild animal. His knot lodged inside of her as she moved.
Tom glanced over to the pack, his eyes glazed over. But he looked exhausted.
‘Thank fuck you guys are back to help.’ He panted.
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kimtaegis · 4 years ago
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Interview tag ✨
The rules are to answer questions and tag 20 blogs you are contractually obligated to know better :)
Since so many people beautiful people tagged me in this recently I’m just going to do it again, maybe I can think of new things or something changed over the last two months asjfghljlk
THANK YOU to @btsbias, @blondesuga, @marvelousbangtan, @sugalou, @discoooverload and @sooplover, you are all so so amazing and I’m so glad we met over here 💕💕💕
Gender: female (she/her)
Star sign: cancer (and don’t I fit the characteristics perfectly)
Height: unfortunately, still 160cm (5‘2′’) lol
Time currently: 0:59 am
Birthday: July 21st
Favourite band/group: BTS (duh), Kings of Leon, I used to be a Directioner so if they ever come back I swear I will lose my shit. I also went to a few Kodaline concerts
Favourite solo artist: Harry Styles and Dua Lipa and Agust D, obviously ;)
Song stuck in your head: Don’t Stop Me Now by Queen (?????)
Last show you binged: You can’t call it binging because I’m too unconcentrated for that atm but the last show I watched was Bridgerton and I very much enjoyed it
When you created your blog: My main blog is from around 2014/15 I think, this side blog is a BTS blog since last year October I’d say
Last thing you googled: the mail adress of one of my professors to tell him I can’t attend tomorrow’s zoom class because I have a doctor’s appointment (which is a straight up lie)
Other blogs: my main @yoongisticss. It’s retired, though, because they ruined Sherlock for me with season 4
Why I chose my URL: I guess this might be news to you but....I love Yoongi of BTS....so much. And I thought that wordplay is funny enough
How many people are you following: 292
How many followers do you have: Heeeeyy over 100 that’s definitely more than the last time I’ve done this game 
Average hours of sleep: I said 8 hours and above last time...yeah that changed my sleep schedule is so messed up right now it varies from 5 to 10 hours...
Lucky number: 7. My birth month, and funnily enough, the singer Tom Odell once responded to a tweet of me telling him I like the number. He agreed.
Instruments: I can rock Oh, Susanna! on the recorder. And the Pirates of the Caribbean soundtrack on the keyboard.
Favourite food: Pasta. All forms. All sauces.
Favourite song: Over by Kings of Leon, Interlude: Shadow by Him, I also really enjoy Driver’s License by Olivia Rodrigo atm it’s a beautiful song
Dream trip: I just wanna go back to London, man. I miss it so much. I love city trips, I’d like to go to many European capitals like Rome, Lissabon, Stockholm. Chicago also seems like a city I would enjoy, and Tokyo. 
What I am currently wearing: a bleach-stained (oops) Topman t-shirt I initially bought for my ex-boyfriend who didn’t like it and ugly ass sweatpants
Dream job: I would still like to work in filmmaking. Cinematography really interests me. But yeah, maybe in my next life.
Nationality: German
I tried my best to change it up a bit, thanks again to the lovely people who tagged me, I love you!!!
There’re probably not many people left who haven’t done this before, but I’ll try: @flowerseokjin, @staygguks, @babieemochi, @bluengrey, @taelepathysroom and @mykrokosmo (if you’ve done it already please tag me in the posts, would love to read about you!) ❣️❣️❣️
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merry-melody · 4 years ago
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umbrella academy s2 thoughts
Or you can read here if you prefer. Formatting’s probably easier there and this is like 4k, so be warned.
So, was not much of a fan. (Wasn't surprised to learn none of the S1 writers were retained into this season, either!)
I feel like it's a little early for this show to be separating the siblings into New Lives, considering how little they interacted throughout the first season.
I would have liked more childhood flashbacks, having an additional Reginald subplot in a show stuffed with seven (or six and a half) leads seems a choice when it didn't link into the siblings in any meaningful way. 
It also made all the siblings curiously less sympathetic, as Diego and Luther in particular, but also Vanya and Klaus to an extent, are berated for showing any kind of effect of their upbringing; but without much 'showing' of said upbringing (or emotional impact at all from the last season - Vanya's obviously out for that own with the hackneyed amnesia plot; Diego is completely over Patch's death - and Grace's, for that matter, although she does at least get acknowledged; and Klaus for some reason seems to have stopped seeing ghosts 99% of the time.) 
I'm very mistrustful, as I mentioned in my S1 notes, that the show will in any way support Reginald's abuse, whether it be the siblings furthering their patterns of copying him without learning to recognise and address this; or by some kind of time loop casuality bullshit.
This season didn't really allay that, just with the general tone - the line Vanya had about sarcastically saying he was loving, or Five calling him 'no boy scout' just seem tonally a very different vibe from S1, like there were already aspects of that where it felt like none of them except Klaus really acted like they'd been raised by a guy who outright harmed them so much as a tough Professor type; and here it seems to double down on that idea. 
Five in particular was almost his father's yes man to an extent, he had several lines about how right their father was; although it was intriguing to see Diego reference how Reginald may have become even worse after Five's disappearance with that 'golden years' remark.
I was intrigued by the lizard reveal, though.
So, Luther wise...hmmm.
Also, on shallow notes, the hair and fashion was really lacking from last season, like apart from Allison/Emmy who looked lovely in the 60s clothes (and Five, Ben and Vanya, who remained pretty much the same), everyone looked worse (even Luther had a little Tintin grown out hairdo going on!)
Didn't love the toilet humour, either, but again, YMMV.
He was a little more likeable than S1, I appreciated how he acknowledged his own failings (which iirc, no one else but Vanya really did all season, and since she didn't recall hers at the time, there wasn't as much emotional impact) - although the cocked gun lessened it a little, lol. And the return of that lovely musical score during, too, nice touch.
It was good to see at least two scenes with him and Vanya interacting, and for them to return to the Five/Luther duo.
It was also interesting to see how Luther, like all his siblings, projects his own feelings onto others, (like his first instinct being that Vanya's pulling some 'bullshit game' when obviously, Vanya was pretty upfront when she lost it; whereas it was Luther who was the one scamming her into the hug-n-choke.)
I liked them bonding over Five being an asshole, too.
(Although I think once again, the lack of trust between the siblings was almost contrived, like Luther in particular seems genuinely pissed off that Five didn't, what, let them all die in a fiery death? I get that they grew up in an environment that promoted mistrust and that they don't really seem to understand their own powers or each others, and Five never explains when he makes a mistake, anyway, but I'm just not sure what Luther's ideal outcome here was.)
I'm clearly an asshole also, because the 'Rooming House for Solitary Men' sign made me laugh every time they showed it.
I feel like some of his characterisation was unsubtly telegraphed (although that's a complaint over all, not just him specific) - like they decided 'sensitive' was their key word there, and just jam in everyone referring to him as that rather than showing it. (...Is Luther sensitive? Like, not dragging him, I'd just not pick that at all for him as a description.)
I also didn't much enjoy the pairing of him and Diego, like to be honest, it was never a pairing even from S1 that I was particularly fascinated by, it's such a well-worn dynamic; and while at least they weren't bickering over numbers, the dude bro banter ('women, amirite?!') and matching lack of IQ (I never thought I'd say Diego seemed dumber than cracking a raw egg to posture, and yet...) was just kind of lowhanging fruit.
I also feel like the goon for Jack Ruby stuff seemed inserted purely for plot contrivance to link to JFK.
(This is also a universal complaint, but I really felt for the actors doing promo, like they come up with all these well thought out explanations about why their characters are making these choices, but the work doesn't really show up in the writing or what was shown onscreen. IIRC, Tom Hopper was talking about Jack Ruby as a replacement father figure and how it's Luther's first stab at independence in terms of supporting himself; and there's this whole thing of Ruby saying he treated Luther like a son, when really, he's in like, two scenes and Luther is very clearly a paid goon. Which isn't to say that's not supporting yourself, a job's a job! I just felt like it didn't really go anywhere.)
I liked the idea that he's the only one who looked for their dad; I liked him still eating his feelings, funnily enough, it's just a good character note.
I don't particularly have investment in him and Allison one way or another yet - I don't care about the moral indignation; I just feel like when they're together, it seems one part them being smug about the others, one part yearning based on the same plot as S1 (she's moved on but seems to want to keep Luther as her back up guy.) Like, I'd love to see those two actually interact over something based on their disparate characters (what would Allison have said if she'd heard Luther's little defense of the Feds to Five?)
There's also a return to that odd juxtaposition from S1 of Klaus' drinking with Luther taking drugs cheerfully and to no effect. (I'm not expecting a DARE commercial, it's just all over the place in tone. That, and I thought Luther 'waSN't ReADy for THaT!')
(This isn't Diego specific, either, but they also do that thing I hate in TV, where they purposefully reference someone specifically in the episode before they rereturn, and Diego got the short straw on that one with the Pogo mention apropros of nothing, so we know we'll see Baby!Pogo shortly.)
Diego: Again, lots of telegraphing. (Do you think the writers want to get across Diego has a hero complex? I wasn't clear after he cat leaps through dimensions, stops a mugging, obsessively stalks JFK, and almost everyone he meets literally holds up placards mentioning 'DIEGO HAS A HERO COMPLEX'.)
Diego got a lot more time onscreen, which is a plus, but the haircut combined with his role as plot monkey made it a neutral point.
I also think Castaneda got the short straw on some of dialogue this year, oof, that Luke Skywalker 'it's a great reference' dialogue felt a bit try hard. 
(Sheehan also took a body blow later with the 'Sexy trash!' one, ouch, like that felt very Designed to Retweet/Gif. 
No one's topped S1 for blatant exposition yet, though: 'You haven't been sober since you were a teen! Not since you started taking drugs to block the ghosts out.')
Randomly, I liked the decent English accent he pulled out of nowhere. And again, David Castaneda I believe, mentioned Patch's death, so it's neat that he thought about the impact of her death on his character, even though it wasn't evident in the plot.
As I mentioned up top, I think Diego kind of suffered from the same thing Klaus did last year, where upon he seems to be the only one who recalls they were actually brought up in an abusive environment; and yet here the focus seems more generic to Diego's a baby (right down to constantly talking about 'bad guys' like a three year old) who has masculinity issues about his mean pop (who tbh, seems to be presented as entirely correct in labelling him a fuckwit, since he behaves like one pretty much all season: 'We chop off his trigger finger!')
(Also there's that contrived Batman style ethics that came up with Luther last year, where they're like 'We can quip over bodies and we grew up literally murdering people', but for some reason, Diego won't 'kill a man before he's committed a crime' (he can stalk one, and cut off his hand, though?)
Likewise, there wasn't a ton of interaction between him and Allison, like in S1, I enjoyed how they kind of overcame their initial mutual dislike with small moments of bonding; whereas here he has to be prompted to talk to her (and that was an adlib, which again, means the actors were considering something the writers overlooked.)
Last year I talked about how much I enjoyed Diego's character and how they walked a very fine line between him combining his desire to be the stereotypical macho figure with his innate sensitivity, so naturally this season we get him butchified to a factor of ten ('I'm the man, here!' 'You're a big pussy!') and almost zero interactions with Klaus, the person besides Grace who brought that out the most last year.
(What happened to those two, last time we saw them they were pretty much the closest in the family besides the Allison/Vanya link; here, Diego's almost contemptous. Has he levelled up in his mind now he's bffs with Luther?) I wanted to find the scene with him and Ben endearing, since we get so few interactions with Ben and any one besides Klaus, but it wasn't even that personally linked to them beyond 'Remember our one specific memory? Anyways, lolz, u should keep Klaus' body, idgaf.')
Allison Allison I think suffers from a lot of the same problems as she was introduced with - like Vanya, her powers are kind of linked to a lack of control in a way that the guys aren't; and a lot of her development is offscreen.
I actually really enjoyed the episode focusing on her, though, I thought it was one of the strongest of the season.
Her husband got a bit OTT with his catchphrase - where Diego's was 'JFK', Ray's was very clearly ' the movement!' and I found it odd how easily all the siblings but especially Allison gave up on returning to their own time and committed to another relationship built on lies (albeit this time of omission - baby steps!) but I kind of like that, like that's Allison, kind of co-dependent and self-deceiving.
Really, I feel like Allison's more interesting when they plunge into her darker side, I was riveted in the 'more!' scene, as well as the 'I heard a rumour you killed your brother'.
I think it's especially important as she's a WOC, which this season focused on more, like, it's very important not to fall into the common writing trap where the guys are allowed to be vindictive or needy or selfish and the women are there to be the moral guidance (for the same reason, I also loved the Five/Vanya stand-off); and that goes double for the model minority bit.
I was worried that they'd fall into the trap of Allison needing to be twice as good not just with how the sit-ins were portrayed but also generally (she speaks seven languages! She makes extensive notes on the state of race relations with specific regard to Dallas in the 1960s!) and once more, it seemed like Emmy Raver Lampman was trying to put across a more interesting read on Allison in terms of how isolated she was from any awareness of oppression in the outer world, first in the Academy and then through being a powerful celebrity and the contrast that creates for her in Dallas which didn't quite get met by the writing/direction.
It was great to see how she got to become part of a community in a way the others didn't, also, and particularly being protected by the beauty shop ladies when she arrived; like, the imbalance of genders as well as races in the Academy genuinely made it refreshing to see.
(The relapse is also very up and down in tone, like they make attempts at pathos, but it's also accompanied by the Styx soundtrack/60s light effects...)
Klaus and Ben - Probably my least favourite aspect of this season.
There was a bunch of telling not showing (Klaus' three year sobriety being expressed in Ben's expository sentence and that .5 second shot of him turning down a joint) and once you remove the biggest impacts on Klaus' character (the addiction and his power) without explanation, you're basically left with 'Klaus causes problems for himself for comedic value.' 
I don't really care about who fights well or which powers are developed (didn't read the comics, don't plan to) but it seems to be like the best portrayals of superheroes show the powers as metaphors for their lives - Vanya struggles to control her emotions, Ben feels powerless, etc. If you take away the powers, you take away the reasoning behind the character.
Why is Ben pretty much the only ghost (particularly when in S1, they seemed ever-present)? How or why did Klaus learn to summon them in the alt-apocalypse?
I liked the scene of Klaus interacting with Ray before they find out he's married to Allison, that was cute.
I also liked seeing him interact with Vanya and Allison (there was an interesting shot where Allison says she has a life she worked for, and Klaus smiles - is that because in contrast, he doesn't? I'd have liked them to acknowledge the link between cults and celebrity, tbh, those two have a lot in common. Or is it because she isn't using her power and neither is he?), and I thought it was cool to note how when the group are reunited, they fall into a power structure right away.
Like, right away, Klaus sells out Vanya and Allison to the guys ('It's usually Vanya!' or mentioning how Allison's being 'involved in community politics'.) Likewise, everyone kowtows to Five, then Luther, over the rest (like when Five says they won't go with Vanya to the farm) and no one speaks up for Diego in front of Reginald.
I want to give the others the benefit of the doubt and say they were kind of shitty to Klaus in particular in this season because they were in a group, because it's a huge downgrade in compassion (especially since Allison was like, covering him with a blanket when they're alone.) 
Like, I get sibling culture, I have 'em, but I feel like when you're bringing possible 'seizures' up, you're sort of skirting what's then played as comedic (Luther dragging him, the 'check please' line), especially Diego's: 'He's probably having an overdose.' (Kinda seeing why no one rushed to join Team Zero.)
Like, he and Klaus do just kind of seem contrivedly not communicating - I would think after the isolation, you'd crack through boredom if nothing else.
Ben's kind of an odd duck - I feel like with Steve Blackman's comments, he's supposed to be this philosophical voice of reason; but tbh, he seems as self-involved as Klaus, and if anything, they mirrored each other (that line in S1 about Klaus being cowardly plays a little differently after the revelation 'He was afraid to go into the light'...) rather than separating him into his own person.
I mean, I don't want Saint Ben (or St. anyone!), but Ben does kind of irritate, like it's not like he even particularly gets much wit or personality in his lines (and I doubt Justin Min would be short of inspiration there, so it does seem to be a writing choice) or they give him much warmth or concern (I still like that shot of him walking off in the sixth episode of S1, though - where is he off to?!) In S1, we do at least get to see him panicking and how helpless he must feel that he can't alert the others to danger etc. He doesn't really offer opinions that offer a personal philosophy beyond 'Stop being a junkie' (he was willing to shut off Grace - was that to tick off Klaus for taking the opposite opinion, or is he super pragmatic generally?) or 'Admit it, Klaus, Luther's Okay!' (Again, is this nostalgia for the other siblings, or what? It would have been nice to have Ben interact with all his siblings, considering they included the whole possession plot for less than necessary stuff like 'Ben kisses a girl!' and 'Vomit shenanigans!')
I just feel like his personality was kind of an afterthought still, and it made his sacrifice for Vanya, touching as it was, feel a little unearned.
Why doesn't Klaus tell Ben he wants to go back for Dallas for Dave? Why doesn't Ben tell Klaus he wants to go back to San Francisco for Jill? Was Ben in Vietnam? How come he's gone from using Dave as A Reason to Get Clean to a 'fling' - dark reading of Ben, tbh, like does he want Klaus clean purely for his own gain, and now he is, Dave's of no further value? What does Ben think Klaus is looking Dave up for - he says it's 'selfish', does he literally think Klaus is just there to hook up with Dave pre-death? It's hard to parse whether Ben has a low opinion of Klaus in particular or whether he, like the rest of them, has kind of adopted to a point Reginald's views - it was neat to see a comparison of the two there.
The possession stuff was a cool parallel, as well, if underused on the whole - Ben's happy to take advantage of Klaus' body despite his clear ambivalence and then outright refusal; Klaus is happy to take advantage and have sex with his own cult followers. 
The cult stuff was even less strong, imho - I said last year how I'd enjoy a darker reading of Klaus, as S1 I felt sometimes was unfair to the others in that we see them being impatient with him; but never how his addiction would have impacted upon them negatively; but here, there's no real exploration of Klaus' narcissism or manipulation (in fact the plot seems to play out exactly the same as Allison's in S1 - we start with all the action about why they pursued fame etc. dealt with offscreen, and begin when the lead has already tired of it all.)
I mean, Klaus is self-destructive, as we saw in S1, but here it's an odd combination, like he's at once both cowardly of physical harm (in a way he wasn't really in S1, even post-Dave, so it doesn't seem to be in reaction to his death) but also running a cult for the attention, but the attention is presented as negative almost exclusively throughout.
Like, I'd get it if it was an interest in money and the finer things in life, even, you could make an interesting point there (and iirc, Robert Sheehan and I think Emmy Raver Lampman have) about how while the Hargreeves were abused, they were also 'spoilt rich kids'; and reflect on that; but it's literally just there for gags.
There's no real explanation for the cult itself (they literally just regurgitate pop culture references) or an exploration of Klaus as a con artist (again - here's where you could show some kind of progression in character, whether it's forward or backwards, and use the powers; and have Klaus working as a shady medium, but nope, it's physical comedy only.)
You could delve into his refusing to even tell the others about Ben's presence, but that's handwaved as much as ever (Five didn't go 'Huh, well, Ben was there when the Soviets came...') not just from the other siblings, but also Ben and Klaus themselves.
‘Cause I could see how Klaus would feel guilty about saying that, regardless; but then Ben's all 'Well, I was chicken to go anyway' 
It might have been a little more affecting if Ben's motivation for possessing Klaus wasn't Jill, a character we know exactly zero about, but talking to his family; not to mention a lot more sympathetic towards Ben himself. As it is, it plays more like he's petty and jealous Klaus gets to be alive, rather than frustrated that Klaus is essentially silencing him.
And again, that's fine, maybe that is Ben, he stopped aging at 17, after all, but I'm not sure what the point is of a plot where we don't really get to see much exploration of either character.
Like, what did we learn about Klaus from this specific sub-plot? We knew in S1 he felt guilty that Ben died young, and that he was happy to allow his siblings to believe Ben is gone.
Likewise, Ben? We knew in S1 he was envious of Klaus being alive, and bitter that his position was so powerless.
It was nice to see the teenage actors (did they dub Teen!Klaus??? Odd.) post Ben's death, but it kind of didn't resolve much, really - it seemed like Klaus was supposed to be bullshitting about the 'golden light' and whether or not you can just...'go' whenever you please, but then it seemed like it turned out to be true?
(Might want to have mentioned that, then, like I get he's a Hargreeves and therefore a fail at interpersonal relationships, but you'd think it wouldn't take a smart guy to figure that if your brothers already toying with self-destruction in his teen years, it might not be the most genius move to additionally allow him to believe you're trapped in the 'real torture' of berating him endlessly solely due to his advice; if for no other reason than your one link to humanity is then going to keep up the booze and drugs that blocks you from his presence.)
I was inclined to like the Dave subplot a little more than I did last season, just because something was happening at all (and we got some tiny semblance of Dave's personality, even if it was basic as hell - he likes hamburgers!), but I feel like the Dave recasting thing really stretched credulity.
I would guess it was written backwards, in terms of if Dave was the clearly fully grown adult we saw in S1 a mere five years later, why wouldn't he just go 'Oh, thanks for the tip, dude, I'll avoid all that military jazz'? And why wouldn't Klaus just be like 'Fuck it, can we not just...date now?' Aha, we could make him a little younger, chuck in a Mean Uncle, throw in some manufactured conflict, and zow-pow!
It definitely wasn't the most contrived plot ever or anything (or even on this show), but I did feel like it's weird that again, via the cult, we're kind of asked to see Klaus as this expert manipulator of people, when he seemed almost purposefully stupid here (like, even compared with Luther and Diego.)
Why act as if the only chance you'll ever have to see the guy in the same timezone as you is right that second in front of his crazed uncle? Why say you've tried everything when you met the kid three times (once instigated by him, and I have to say, it's sort of odd, like Klaus is just drinking throughout, like you'd think this would be the one opportunity he'd take to truly and honestly engage without that) and basically just asked him twice, and in the least convincing way possible.
Shoot him in the foot! Burn down the recruitment office! Use your international platform and pull with local government to influence your huge movement towards stopping the war in Vietnam! 
Like, if what you're going for is that Klaus is defeatist and unimaginative, fine, but I'm not sure it's not just that they kind of didn't write beyond the circular 'telling him only made him sign up sooner' casuality because it's so Tragic. 
(Also, I feel like they're overplaying the iconography of those damn dogtags, like at this point, Klaus looking sadly at the dog tags has still probably had more screen time than Dave himself.)
I liked the scene with him and Vanya facing off? 
Five I think didn't really get much more development than S1, he drives the plot forward, but not much else. In fact, in S1, he probably was more interesting, in that he interacted with all of his siblings and showed moments of vulnerability and care (knowing Claire's name, telling Luther not to waste his life, asking Klaus if he was okay) and got to properly react to his siblings' deaths.
Um...it was cool to have two of him? 
It was nice and kind of ambigious where he lied to her about the cause of the apocalypse, like you could go by what he said about how he wanted to avert her anger, or you could wonder if it's a rare moment of kindness in his old age, lol.
I also loved it when he said to Luther about whether he could talk to her 'without squeezing her to death'.
I found Sissy probably the most interesting of the new characters (probably her and Lila more so than Lil!Dave and Ray, tbh.)
Vanya I probably have the least to say about. I was satisfied with how they portrayed the culpability of the others, particularly Luther, without erasing Vanya's part in the apocalypse. (I really, really hope this'll end the endless discourse on her emails book now, that got tired fast.
I could also do without the endless 'lolz, Ellen Page was so bad at playing straight they had to write Vanya as gay'. Ellen Page is pretty convincing as an actor - I bought her raping Rainn Wilson in 'Super', for god's sake, I doubt 'heterosexual' is a challenge.)
The amnesia plot was pretty cliched, and it did mean we didn't get so much actual interaction between the 'real' Vanya (so to speak) and her siblings but I really enjoyed the dream sequence of her in the academy.
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aliveandfullofjoy · 5 years ago
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Trivia: Oscar Winners 2019!
Parasite is the first ever non-English language film to win Best Picture (and it is so richly deserved).
Let’s actually knock a bunch of Parasite stats out of the way now, because there are a lot.
Parasite is the first film to win both Best Picture and the Palme d’Or at the Cannes Film Festival since Marty in 1955. 
With his Best Director win, Bong Joon-ho is the second person to win that award for a film not in the English language. The first was Alfonso Cuarón, for last year’s Roma. By that same token, this is the second year in a row that Best Director and Best Foreign Language/International Feature Film have gone to the same film.
Parasite is the first South Korean film to be nominated in Best International Feature. 
Parasite is the fourth non-English language film to win Best Original Screenplay, joining The Red Balloon (1956, French), A Man and a Woman (1966, French), and Talk to Her (2002, Spanish). Of the non-English language winners, Parasite is the first non-European film with this distinction. 
Parasite is the twelfth Best Picture winner with no acting nominations, joining Slumdog Millionaire (2008), The Lord of the Rings: The Return of the King (2003), Braveheart (1995), The Last Emperor (1987), Gigi (1958), Around the World in 80 Days (1956), The Greatest Show on Earth (1952), An American in Paris (1951), Grand Hotel (1932), All Quiet on the Western Front (1930), and Wings (1928). 
Bong Joon-ho is the second Asian winner of Best Director, following Ang Lee (who won in 2005 for Brokeback Mountain and in 2012 for Life of Pi). 
Kwak Sin-ae is the first woman of color to win Best Picture.
Parasite is the first film to win Best Director without a nomination in Best Cinematography since The Departed (2006). 
Parasite is the eighth Best Picture winner since the Best Picture expansion in 2009 to be directed by someone who had never directed an Oscar-nominated film before: Kathryn Bigelow (The Hurt Locker), Tom Hooper (The King’s Speech), Michel Hazanavicius (The Artist), Steve McQueen (12 Years a Slave), Barry Jenkins (Moonlight), Peter Farrelly (Green Book), and Bong Joon-ho (Parasite) all had their first nominated film be crowned that year’s Best Picture. 
Unadjusted for inflation, Joker has surpassed Forrest Gump as the highest-grossing film to win Best Actor. It is also the highest grossing film (unadjusted) to win any acting category, ironically surpassing The Dark Knight. 
Jonathan Pryce (The Two Popes) is the first actor in an Anthony McCarten script to lose Best Actor. The last three scripts that McCarten has written that received nominations were Bohemian Rhapsody (2018), Darkest Hour (2017), and The Theory of Everything (2014), all of which won Best Actor. 
Martin Scorsese has become the first director to receive the dubious distinction of having a film go zero-for-ten at the Oscars. Both Gangs of New York (2002) and The Irishman (2019) received ten nominations and won nothing. 
Matthew A. Cherry and Karen Rupert Toliver (Hair Love) are the second and third Black winners of Best Animated Short. The first was Kobe Bryant, who won for Dear Basketball in 2017. Cherry is the second former professional athlete to win an Oscar in any category, joining Bryant. Toliver is the first Black woman to win Animated Short. 
1917 is only the second film to win both the Producers Guild Award (PGA) and the Directors Guild Award (DGA) and to not win a single above-the-line Oscar. The other film was Apollo 13 (1995). 
Similarly, 1917 is only the third film to win PGA, DGA, and BAFTA and still lose Best Picture. The others with this distinction are La La Land (2016) and Brokeback Mountain (2005). It’s worth noting that those two films did what 1917 was unable to do: win Best Director. 
Hildur Guðnadóttir is the first woman to win Best Score since Anne Dudley (The Full Monty, 1997), and is only the fourth woman to ever win the award, following Rachel Portman (Emma, 1996) and Marilyn Bergman (Yentl, 1983). She is also the first ever Oscar winner from Iceland. 
Between all of the actors who have ever won multiple acting Oscars, all but three have won at least one of their awards for Best Picture nominees. The three who have not are Peter Ustinov (Spartacus, 1960, and Topkapi, 1964), Maggie Smith (The Prime of Miss Jean Brodie, 1969, and California Suite, 1978), and now Renée Zellweger (Cold Mountain, 2003, and Judy, 2019). 
With Joaquin Phoenix’s Best Actor win, the Joker becomes the second fictional character to win multiple Oscars (Heath Ledger also won for the role in 2008′s The Dark Knight). The only other role to achieve this is Vito Corleone (Marlon Brando won Best Actor for this role in 1972′s The Godfather and Robert De Niro won Best Supporting Actor for this role in 1974′s The Godfather, Part II). Interestingly, both of these roles have won in both Leading and Supporting. 
With his acting win for Once Upon a Time in Hollywood, Brad Pitt is only the third person ever to win Best Picture and an acting Oscar. The others are George Clooney (Best Supporting Actor winner for 2005′s Syriana and Best Picture winner for 2012′s Argo) and Michael Douglas (Best Picture winner for 1975′s One Flew Over the Cuckoo’s Nest and Best Actor winner for 1987′s Wall Street). 
Toy Story 4 is Pixar’s tenth win in the Best Animated Feature category. It is only the second sequel to ever win the award -- the first was, funnily enough, Toy Story 3 (2010). 
For the third year in a row, the top three films in the Toronto International Film Festival Audience Award have won at least one oscar: in 2017, the top three were Three Billboards Outside Ebbing, Missouri, I, Tonya, and Call Me by Your Name; in 2018, they were Green Book, If Beale Street Could Talk, and Roma; and in 2019, they were Jojo Rabbit, Marriage Story, and Parasite.
Sam Mendes (1917) is the first director to win the DGA, BAFTA, and Golden Globe and lose the Oscar since Ang Lee (Crouching Tiger, Hidden Dragon) in 2000. 
After Cate Blanchett’s performance of Katharine Hepburn in The Aviator (2004), Renée Zellweger (Judy) is only the second actress to win an Oscar for playing an Oscar winner. This might not be everyone’s opinion, though, since the real Judy Garland only ever won a non-competitive Juvenile Oscar. 
1917 is the first historical war film to win Best Visual Effects since Tora! Tora! Tora! (1970). 
With his win for Best Song, Elton John becomes the fourth LGBTQ+ person to win that category this decade, joining Sam Smith (2015), Benj Pasek (2016), and Lady Gaga (2018).
Taika Waititi (Jojo Rabbit) is the first indigenous person to win a Screenplay Oscar. He is the second New Zealander to win, after the writing team of Peter Jackson, Philippa Boyens, and Fran Walsh (The Lord of the Rings: The Return of the King, 2003). 
Once Upon a Time in Hollywood’s Barbara Ling and Nancy Haigh are the first female duo to win Best Production Design in Oscar history. 
Kazu Hiro (Bombshell) is the first Asian artist to win Best Makeup and Hairstyling twice. He previously won in 2017 for Darkest Hour. 
Weirdly enough, here’s a trend that held true the entire decade of the 2010s: the Best Picture winner was never among the top three domestic grossing of films of the nominees. 2019′s highest grossing nominees were Joker, Once Upon a Time in Hollywood, and 1917. At the time of the ceremony, Parasite was sixth with a domestic gross of $35 million. Below are the rest of the decade’s highest grossers and winners.
2018: Black Panther, A Star is Born, and Bohemian Rhapsody (Green Book won);
2017: Dunkirk, Get Out, and The Post (The Shape of Water won);
2016: Hidden Figures, La La Land, and Arrival (Moonlight won);
2015: The Martian, The Revenant, and Mad Max: Fury Road (Spotlight won);
2014: American Sniper, The Imitation Game, and The Grand Budapest Hotel (Birdman won);
2013: Gravity, Captain Phillips, and American Hustle (12 Years a Slave won);
2012: Lincoln, Django Unchained, and Les Misérables (Argo won);
2011: The Help, Moneyball, and War Horse (The Artist won);
2010: Toy Story 3, Inception, and True Grit (The King’s Speech won).
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