#text: len

[leonardcohenofficial]

lmao i know this is so low stakes but i do not know how to explain to people that the man from midcentury television you are obsessed with is almost definitely not in fact queer coded, you are reading a character through a queer lens

[jesse-pinko]

It’s literally not my fault that the themes of Breaking Bad become that much stronger if you read Walter as a closeted gay man… like where to even start okay it’s 2008 and this guy is so, so insecure in his masculinity and so, so resentful of his picket fence family life. He’s done what he was “supposed” to do by societal standards and he still doesn’t feel like enough of a man compared to his brodude brother-in-law specifically. He can’t escape the feeling that something is missing, that it’s all a charade, and he finds it hard to believe the rest of the people in his life really are content with this lifestyle. Nobody seems to understand, and he hates them all for not seeing how unhappy he is. He gets his cancer diagnosis and is suddenly acutely aware that he feels burdened and unfulfilled by the life he’s built for himself, and that time is running out to change things.

It’s when he sees Jesse Pinkman fall half naked out of a window that everything changes. He’s pretty, and young, and floundering without guidance or a support system. He desperately craves human connection and lacks the self-esteem to take his life in any particular direction without someone instructing him. He’s grieving his aunt, the only person he had looking out for him, who died of cancer. He already views Walter as an authority figure. He’s alone.

And with Jesse around, Walter doesn’t have to come to terms with anything about himself that might challenge his masculinity, because it isn’t an equal relationship. Because he’s still “the man” in this dynamic, the one with the power, the one calling the shots, the dominant one, the firm hand. Moreso than in his relationship with Skyler, who refuses to be bullied into the role he would assign her, that of the submissive, subservient little wife who looks to him for guidance and permission. As a criminal, Walt can express care for another man in the only way that traditional masculinity would deem acceptable; through violence. His love language is violence. Violence toward Jesse and violence on Jesse’s behalf. He runs over two men with a car for Jesse. He kills Jane and Mike, a romantic and paternal threat respectively, because they were going to take Jesse away from him. He tries on occasion to verbalize their relationship into something more traditionally familial, as if saying it might make it true, but it never quite fits the mold exactly. He reasserts, over and over again in what he later admits is a lie, that he is doing this for his family, that everything he does is an extension of his masculine role rather than deviant from it. He would kill and die for Jesse, he does kill and die for Jesse. In fact, in a story of self-actualization that still has Walt cling to his delusions of grandeur up until the very end (almost as though becoming Heisenberg wasn’t actually self-actualization so much as an escapist fantasy) his arc concludes with him actually self-actualizing by committing one last act of violence on Jesse’s behalf. In Ozymandias, he tells Jesse about Jane as a way of playing into Jesse’s worst fear that Walter never cared about him, that everything they did to and for each other meant nothing. Walter’s last act on Earth is a refutation of that; it’s an admission of care. His last act of self-actualization was a confession of love for another man.

[vivid-bad-brainrot]

some of my vbs textposts from me and oomf’s textpost acc over on twt….

[thecryptidzenith]

Thinking about. Rizbert. Erizabeth. Rizwalda. Riz has to be short for something because... because why? Is he 'too good' for a short name? (a goblin name?) Isn't he surrounded by non-goblins who cannot think outside their cultural perceptions of what a name is supposed to be? Riz both as a name and as a person seems short & lesser but don't worry, he's really something greater, something larger and longer than can be expressed with his native name. As if something small cannot be powerful and important without secretly being large. As if there is only one way to be great. It's like Sklonda said, his name is Riz. Just Riz, as if there's anything 'just' about it.

[isabelguerra]

I always make an effort to look at paranatural through the ~2013 era lens it was conceptualized from, back when it was at it’s most subversive, in tandem alongside its contemporary lens. Because thats what Paranatural was, for those who aren’t aware — paranatural played off of & against the common shonen & cartoon tropes and character expectations that were prevalent in that age: the wise and just mentor, the prejudiced bully, the action girl implemented to pushback against sexism + the subversion of the action girl, the excited rare skilled selfless battleprone protagonist, etc.

most new fans will likely see the comic and take it at face value — why shouldn’t they? — when in reality there’s so much more of a dialogue happening underneath the hood. There is so much underlying, forgotten context that makes paranatural, paranatural

[liorlen]

why did he say this

[numberonedukethomasapologist]

DUKE AND DANNY SHINANIGANS

what should Damian do to have Duke pay him back for being the best little brother ever?

[liorlenn]

(Spoilers for KCD2 romance)

One thing that really surprised me about Kingdom Come: Deliverance II (particularly the Hansry romance) was the direct reference to Galehaut and Lancelot (let me tell you I CHEERED), so I wanted to start talking about some other queer medieval Arthurian texts and Arthuriana adjacent texts.

I’m by no means an expert (I focus more on Welsh poetry and prose) but medieval Welsh literature includes some Arthurian literature, so I know a little about Arthurian Literature in general. Most of these stories are either Old French or German and about 13th century. SGATGK is 14th century.

For one, I want to say that the tale being referenced in the game is the Vulgate Cycle or the Lancelot-Grail Cycle (the Vulgate Cycle itself is multiple parts, with Lancelot’s (The Story of Lancelot/Prose Lancelot) being the largest). It’s a big ol’ mash up and retelling of a huge part of the early tradition + new stuff. There’s also the Post-Vulgate which is itself a retelling of the Vulgate Cycle. This is NOT the one you want if you’re looking for Lancelot and Galehaut.

Another thing of note about the Vulgate is that Galehaut and Lancelot are not the only ones I would give the old side eye. Gawain says (about Lancelot even!), “If God were to grant me my health… I’d immediately wish to be the most beautiful maiden in the world, happy and healthy, on condition that he would love me above all others…” Come on man.

Now, for other queer texts!

First up, I have to plug my best friend and my silly rabbit: Sir Gawain and the Green Knight. Thanks to the movie (which was good but fairly different) this one is a bit more well-known. I could talk endlessly about the moral of the original story and I think the Gawain Poet is incredibly talented at weaving together imagery. I also appreciate Gawain’s willingness to kiss women AND men. Some argue that it’s not queer because of differing social norms but personally I think Gawain wanted it. And by it, haha well let’s jusrt say—

Next we have Parzival/Percival (referencing the German “version” by Wolfram von Eschenbach here. Each iteration of a “Percival”, including Chrétien de Troyes’ earlier (and unfinished) Story of the Grail, all have their own differences). This one is even more up to interpretation than SGATGK. There’s a very explicitly performative aspect to Parzival’s presentation (his gender is “knight”), focusing distinctly on clothing and the role clothing plays in others’ reactions to him that I think is very relatable. I don’t have much else to say about this one unfortunately. I read parts of it once years ago but it was super interesting and there has been scholarship done on Parzival and gender so…. take what you will from it.

The next stories are Arthurian adjacent (as in, medieval stories about knights). First off: Le Roman de Silence is either about a woman knight or a trans knight who is… sighs. Forcibly outed. Interesting read but definitely a bit of a downer if you interpret Silence as a trans man.

Yde et Olive, however is very explicitly about a trans man! Happy ending too! I was incredibly surprised to read a 13th century story about a trans man getting magical/miraculous top and bottom surgery (yes, forreal).

And to cap off this small list, here is some medieval Welsh literature. This one is just me being a little wistful, but let me tell you about Blodeuedd/Blodeuwedd and the Fourth Branch of the Mabinogi (Math fab Mathonwy). This one is…sad. It’s not a good ending for Blodeuedd, but I could wax poetic about her: how she was fashioned from flowers to fulfill a gendered role. How she failed to do so and was punished.

There are plenty of other stories with queer interpretations in Arthuriana and other medieval literature (do not get me started on Guinevere and Morgan le Fay’s whole… thing. Also Luned and her Lady…) and there are plenty of modern/early modern retellings that are explicitly queer. I just wanted to stick to medieval texts for this and also limit myself to a select few among that even.

[twojamie-o-clock]

this is how they acknowledge whatever they are

[officially-bug-art]

I'm killing them.

[dancers-7]

Hikaru ga Shinda Natsu by Mokmok Len

[topgunsocial]

[yanguazalie]

It's Mandy, everyone! 🎉🎉

[symbologic]

Law thought he'd need to change the world to honor Cora's sacrifice

But he was already living Cora's legacy: Simply by being with the people he loves, the family he created for himself in the wake of Cora setting him free

You'd almost expect Law to wander alone for years after Cora's death. And in a different story? I think that's likely what would've happened so the MC could finally show him what love means

But Law met Bepo and the others within a few days of Cora's death

And so Law fulfilled Cora's dying wish — continued to fulfill that wish everyday after that, even — without ever realizing it. There is something so devastatingly beautiful about that

[thatswhatsushesaid]

i am tempted to create a poll positing a number of definitions of 'death of the author' to get an idea of just what percentage of tumblr's fandom population really does have a totally borked understanding of what this term means, but 1) there's no way it would actually travel far and wide enough to glean anything meaningful from the results, and 2) the notifications. oof.

[liorlen]

that stupid woke content detector google doc has kcd2 as woke and some of the reasons they listed for it had me gasping for air

?