#teru analysis

[teruwasright]

Yes I am a firm believer that Teru has a name calling complex...

Teru is almost NEVER called by his first name almost ever-

Akane calls him "pres" or in formal settings "president minamoto" sometimes "minamoto senpai" I believe as well

Aoi calls him "minamoto" or "minamoto senpai" (in the new timeline I'm pretty sure she calls him "Teru kun" something like that)

Nene calls him "minamoto senpai"

The priests call him "minamoto sama"

The students call him "minamoto senpai" as well

The only ones that actually call Teru by his name are his siblings....idk why the fact that Teru is almost never called by his name is so sad to me.... I 100% feel like he's super disconnected from his "name" being called and he probably feels like people are never talking to HIM-

And I AM aware that it's a formal thing in Japan so ofc it makes sense that the only ones that call him "Teru" are his siblings (who are family) and he isn't close with almost anyone else besides them (at least to the point of first name calling)

But idk...I feel like he would be so disconnected from being called "minamoto" since he was little and just EVERYONE calling him that- I feel like he would be super surprised to hear someone call him "Teru" not just bc it wouldn't be formal but bc he's almost NEVER called by his name...it sets such a sad tone of him being dehumanized his whole life fsr too me-

Idk it makes me sad bc it's such a tiny detail but it really sets in when you notice how alone he is and that no one truly sees HIM...

[tofusfortbhk]

Tbhk Ch120 Analysis:

(Warning: Spoilers)

#1: Teru did not kill Kou on accident or by reflex.

I’ve seen this take on tumblr and Twitter and I disagree. As much as I like the poetic irony of Teru’s violence towards supernaturals causing him to hurt whose he’s sworn to protect from them, I think it’s wrong.

As Teru blasts Kou, Teru is already upset.

Comedy moments in the manga aside, this is the 1st time we’ve ever seen Teru visibly devestated. Prior to this he has always, consistently approached supernatural danger with whimsy and lighthearted cheer. Even when there were dire stakes:

Teru after realizing Aoi was essentially dead after coming getting kidnapped by Number 6. (Ch70)

Teru in ch79, after learning his baby brother went into the notably deadly Red House. (Ch79)

Teru after getting betrayed and apprehended in the Clock Keepers’ boundary. Where they’re supposed to be “undefeatable.” (Ch109)

The uniting factor is that Teru had some level of control. That there wasn’t any true danger/death. He’s gonna get Aoi back, he had faith in Kou to not succumb to the house’s wishes, and you can’t die in boundaries (applies to when the gang got jumped by Num 6 too).

Here, Teru is devastated — not bc Teru is sacred that Kou may get hurt (active threat) but bc Teru knows Kou is already dead.

Look at how Teru walks to the well immediately.

Teru isn’t falling to his knees like “Wait, I didn’t mean to kill him. What have I done?“

He walked there immediately. With intent.

He’s not acting like someone who’s killed his brother on accident. On reflex. He’s acting like someone who knows. Who’s already grieving. Who’s checking for confirmation.

Confirmation that his little brother died in that well. Has been dead.

This isn’t a boundary or fictional world. That is the real Kou — just of a different timeline — and in this one he died. No control, no games, no convenient truth. And Teru couldn’t protect him.

[venusdayo]

The gender of the person that Teru likes and the wrong translation in this scene, a really small analysis:

(Reuploaded here bc a month ago I uploaded it to Twitter and no one saw it... )

Okay, all of this investigation started bc I asked myself “what if teru actually likes aoi (girl)” And this scene came to my mind, i didn’t remember what he exactly said (about if was a girl) so i rewatched it after. If you want the short answer is no, teru doesn’t mention gender.

If you want the explication, read this post (pls this took me like two hours to investigate )

Let’s begin with the dubbed scene, where he says “her” referencing that hes crush is a girl. I almost added the subtitled scene but I didn’t bc it says the same lol

So, I went to the manga, if i was correct, i remembered that he never said the gender/ pronouns, and I was right

I could have confirmed that, but I wasn't convinced. What if the MANGA was poorly translated?

So, i went to the raws panels.

“But Venus! I don’t speak Japanese, what says there?” If you translate ぃ僕 好きな子が ぃるんだ on google, the first option is “there’s a girl I like” but ALSO shows up the option “there’s someone I like”

"but it is implied that is a girl, otherwise It would give the option of "there is a boy that I like"" be patient my little friend, let me explain you:

I started to investigate deeply the kanjis, conjugations and things like that, after a while I learned what I am going to tell you and now I understand why it is simplified to the feminine gender

The translation of ぃ僕 好きな子が ぃるんだ depends on the context and the tone of the phrase. In general, it can be translated as “there’s a girl I like” or “there’s someone I like”, but it can also have other meanings

According to the DeepL dictionary, “ 僕”is an informal and affectionate way of saying “I” or “me”, which is mainly used by young men. 好きな子 means “child/person I like”, and does not specify the gender of the person.

ぃるんだ is a colloquial way of saying “there is” or “there are”, which expresses emphasis or confession.

Therefore, the phrase could express the feeling of a boy who likes a girl, or a girl who likes a boy, or a person who likes another person regardless of gender

So, in the translation (anime dub and sub) it refers to a girl bc the "僕" (mostly used by young men,who teru is ) and the 好きな子 which refers to liking someone, it can be assumed that it refers to a girl because of the assumed heterosexuality, you know lol

it is never confirmed that “them” is a GIRL, the gender is never mentioned, so there are chances that the person he likes is not a girl. Obviously them could be one, I don't deny it, but it also doesn't rule out the possibility that Teru being queer.

Conclusion: the manga in English is well translated but not the anime, the person Teru likes can be either a boy or a girl. End of explication.

And if you're wondering, could I find the answer to the initial question? Well no, but it reduces the options for Aoi to be who he likes, since it doesn't boil down to her just being a girl, which leaves other options.

But then who could be the person Teru likes? Well, I don't know, but I could make a thread theorizing about it.

*cought* *cought* 𝒶𝓀𝒶𝓃𝑒 *cought* *cought*

[lavatory-sealed-hanako-kun]

Words on Chapter 120

“You became what you hated most.”

Point Nr. 1: When Teru attacked Kou with spirit lightning to save Nene, Kou was already a ghost.

I am going to throw out a seemingly controversial take here immediately: Teru did NOT KILL Kou and additionally, there are NO PARALLELS between him and Hanako/Amane within the current events and arguably most of the entire manga. Especially not in relation to his hate of Hanako for having killed his twin brother.

This is going to be a very detailed and long one, so have fun.

In chapter 118, Sousuke and Kou are dragged into the exact same door, next to which Aoi later finds Nene's hair clip laying around. We know from the current chapter that this door leads to the basement of the Red House and the opening of the well. We also already know what purpose this well had, since it was established in chapters 68 and 80, that this is the well leading into the pit to which the Kannagi were sacrificed as offerings to a god.

It's a pit of sacrificial corpses, which due to the events of chapter 118 where Sousuke and Kou were dragged into that door and down to that basement, as well as this current one where Kou's possessed spirit tries dragging Nene into it, is clearly a spot still piled up with sacrificial bodies, nowadays the victims of the Red House. And those two boys were both thrown in already.

So now back to the scene where Teru attacks Kou!

Teru specifically uses his spirit lightning to slash at Kou’s hand gripping onto Nene. His sword blade never comes anywhere near Kou's body and we know for a fact that, while spirit lightning can hurt humans who are to some degree supernatural-

It has never been shown to go so far as to chop off limbs or leave very long lasting damages. (Which again, Kou’s hand being chopped off wasn't from Teru's blade either, it never came anywhere near Kou or Nene.)

After the attack, Kou's entirely blood and gore-free wound is shown and he suddenly starts crumbling into mist, exactly like most of the supernaturals did throughout the manga, showing us that this is exactly what a supernatural looks like when they’re exorcised!

Point Nr. 2: Teru knew Kou was already dead.

Alright, buckle in.

When we see Amane kill Tsukasa in flashbacks, it is bloody. He's got him pinned to the floor, using a knife to stab him in the torso, clearly spaced out in some way but committing a very real murder on a very real, living person beneath him.

Without even fully getting into just how completely different Teru's and Kou's dynamics are with each other, in comparison to the situation Amane/Hanako and Tsukasa have going on, you can't just claim that two characters are “parallels” to one another simply because they both happen to have siblings? Tsukasa and Amane were twins, Teru and Kou are not, they’re not even each other's only siblings, they have Tiara there too. Amane was never the one to sacrifice his childhood and future for Tsukasa's wellbeing, he killed him. Teru didn’t take his brother's life, the Red House did.

Tsukasa and Amane always had a very strange dynamic, glued by the hip and overly dependent on one another, Tsukasa even sacrifices animals and later himself to the wishing entity to grant Amane a chance at life without constant pain and illness. For several reasons Amane wants less and less to do with his brother as time goes on, they're still close, but Amane’s keeping his secrets from Tsukasa, and he in turn even accuses Amane of wanting him gone again. Amane immediately refutes that, yet still through a series of still somewhat unclear events, Amane later ends up brutally killing his own brother with what looks to be a kitchen knife (so very likely at home) on the floor, very dazed, but clearly intending to hurt Tsukasa.

Now back to a member of the “I professionally catch strays from the fandom” trio.

I’m going to remind everyone of the fact that this isn't the first time Teru has attacked Kou with his spirit lightning within the last few chapters. A couple chapters prior, when Sousuke invites Kou to search the school for his missing upperclassmen, they encounter the Red House. Aka Tsukasa's possessed soul most likely, since it only seems to take on the appearance of victims it already devoured and we know from the Yugi family photo in chapter 119 that Tsukasa must have died either before or after he went into the red house as a 4 year old, since he doesn't show up in the photo even when he would've still been very young. (This is a bit of a timeline discrepancy, considering the clock keepers went back to 1968 and not 1959 when Tsukasa first goes into the Red House, but I won't get into that right now.)

After this encounter, Kou gets possessed from chasing the entity around and right as he's about to seriously hurt Sousuke, Teru interrupts them by blasting Kou with spirit lighting, a thing he acts VERY CALM about (keep that in mind!). His stance is measured, he's clearly using a lot of force here too despite not using his preferred weapon, it even leaves Kou knocked out and a bit charred on the ground, but clearly not severely hurt in any way.

When even Akane points out how this was a bit overboard, Teru basically assures him that this wouldn't actually hurt Kou, he consistently has a ton of confidence in his brother's toughness.

This also shows he has experience with also using spirit lightning on possessed people and that it proves severely damaging or even fatal on supernaturals, but seemingly never on living humans.

And yet, attention back to the moment it all goes down: Teru is clearly screaming Kou's name in distress, moving to slice the space BETWEEN him and Nene, intending likely to merely free Nene from Kou's grip. If his intention was to just exorcise the entity possessing Kou’s body like he did earlier (in a very calm manner), why didn’t he just blast Kou with spirit lightning again? Why was he screaming his name with a face of agony before even making his attack?

It's because he already knew by this point, that wasn't Kou's living body, that was his ghost. Kou was already dead. He was too late to save him and now all he can do is stop him from dragging another victim down into the well.

Point Nr. 3: But how did he notice?

We can guess Teru has almost completely different senses from anyone else in the cast. He feels and notices things even Kou, Nene and Akane, all of whom can see supernaturals, don't notice. He mentioned seeing literal cracks between the near and far shores in chapter 73, he saw Hanako looking like that on the rooftop, he was the only one to immediately react to Nr. 6’s ambush attack and he is the ONLY ONE in the red house to feel a cold dread and fear of something powerful overcome him, a sensation neither Kou, Akane or Nene felt at all in the house. And again they can all see supernaturals, but they're not attuned to them like he is.

He could see down that well in complete darkness, immediately knowing that what he was looking at were the corpses of Kou, Sousuke and countless other victims. Akane needed a flashlight to get even a glimpse of what had made Teru collapse at the sight, he couldn't see it immediately, no one's eyes are as sharp as Teru's.

He knows supernaturals, he knows the clear difference between a ghost and living human, even when others can't see those. He knew from the moment he laid eyes on his little brother standing on the edge of that well, that he was already dead, a spirit walking without a living body.

He never “killed” Kou, there is no parallel between him and Hanako. He exorcised the shackled spirit of his beloved brother, possessed and puppeteered around by the red house to lure in more victims, because it knew they'd let their guards down around the sunshine boy Kou. He was one of Nene's best friends after all. 

Kou didn't want this, he would have never wanted to hurt Nene or lure anyone else to the same fate he and Sousuke endured here. In his very last moments, there was no anger, no blame towards Teru for attacking him to stop him from dragging Nene down. And none of the morbid fascination and happiness Tsukasa felt at being killed by his own brother.

All he felt was glad that Nene was safe now, hoping he'd get to see her again when the world turned back to how it once was. 

Endword!

So there you have it. Usually I don't make these kinds of commentaries for things I read, because quite frankly I don't care and I’m too busy to make these, thank you for sticking with me through this because huuhhh it took hours to make dear god. Props to everyone who makes these more often, solid troopers fr. I’ll make an exception for TBHK this time (and maybe if I’m asked to again)- solely because I see so many takes that I find are just very strange or completely wrong and that last chapter had me actually super interested in this series again.

I will take this is due in part to the very young average age of readers for this series and the fact it is often (as much as I enjoy reading this hot garbage, find its worldbuilding super fun and love the characters in it), just genuinely not a very well written series. It has an immense amount of plot holes, inconsistent character writing, situations for the sake of it with no proper set up and lets down on a lot of mysteries it builds up because it never resolves them, even several arcs later.

Anyways, if you disagree with my points and/or want to add something to this, feel free to comment, reblog or send in an ask about it. I think discussing stories does the best job at letting people realise things they never noticed before, so I highly encourage doing that lol. Also you made it to the end of this, you get a cookie. If I could bake cookies..

[mari-lair]

Let's talk about Teru and Aoi and how interesting Teru behavior with Aoi is.

Teru is on a mission to see what has changed from the original timeline to this one, he said so himself.

But he makes a strange move and completely ignores the very big change he was presented with: His engagement with Aoi. The plan was to abandon his 'brand new fiance' and go look for other changes.

Aoi holding his armband, asking for his attention in a very Aoi way and showing a willingness to go on a date with him shocked Teru less than the engagement news but it stuck to him in a way the engagement did not.

Just compare how Teru go 'welp it is what it is, what a strange timeline,' with a level of dismissal that makes him talk to Akane instead of Aoi about the situation.

To how he takes this Aoi at least seriously enough to question her request for them to go out.

So the idea Aoi wants to date him is more confusing to him than being engaged. So much so he does what he does with the original Aoi and starts asking her questions, even picturing the old Aoi as he ask for her hand, adding a lot of '...' in it.

It feels like a test.

A test Aoi failed by accepting his hand, doing something the Aoi he knew never would.

Teru is closed up during his date with Aoi.

He goes with the flow because he needs answers to go back home, he needs to figure out why she is so different but he is tense about this date. His sword bag is a tight fist, pulling at the strap when she clings to his arm.

During their entire date, he keeps this fake little smile on. Avoiding to touch her as much as he can, and not having much to say despite usually not only being good at acting like a flirty prince when people want him to, but having fun in the role.

So Teru isn't indifferent in his date he is tense as fuck.

When he decides he'll send the picture to Akane and Aoi breaks character from lovey dovey fiance, Teru shows a hint of interest again, he goes "ohh? is there a problem?"

It's another test.

She fails but her panics about hurting Akane must either remind him of the og aoi or entertain his more sadistic side, so he goes 'hmmm', which is unimpressed for sure, but still a far more positive reaction than the "unease" that popped up when aoi had held his hand.

By the end of their date i'm pretty sure Teru comes to the conclusion Aoi likes him. I believe this for two reasons.

First, he start playing along with his fiance role instead of being guarded and silent, asking her to feed him with a smile that doesn't feel fake or tense, it's his usual :D expression instead of the :) he has been wearing this whole chapter.

The second thing of note is that this is the first time he actually touches Aoi.

During the entire manga, even in the old timeline, Teru never even poked her shoulder, but this time he lightly holds her hand to stabilize the snack.

He seems bothered by people crowding them and he actually perks up when Aoi asks him to go to a more isolated place, his smile feels somewhat casual at the invite too, not like his tense ones from before.

When Aoi slaps him he is surprised.

And this part only further suggests that when he had asked Aoi to fed him, he was under the impression she genuinely likes him in this timeline.

So he doesn't have a problem doing couple things like being fed by Aoi as long as he believes Aoi enjoys it too.

But she doesn't like him.

Just like the Aoi he knows doesn't. It feels right.

Teru is happy.

Immediately after learning this Teru tries to find more similarities with the old Aoi, asking about her crush on akane and going back to his mission of determining why changes happened.

Aoi mentions they are both unhappy in this arranged marriage and that they are only playing along to appease their families. Teru is surprised that he is unhappy too.

I am not entirely sure what this means but it is noteworthy that he seems genuinely surprised the 'him' of this timeline is opposed to the marriage Aoi.

This little Teru is a brat, but his smile and blush contrast with his word. Either he is displeased greatly by this but refuses to 'play victim' like Aoi, or he cares more than he lets on.

He was the one who found her when Aoi admitted her intention was to hide. So he went out of his way to find this "annoying victim blaming girl"

Maybe this means his parents ordered Teru to go find her fiance, make a good first impression, and put on appearances, maybe he went to find her himself for some reason?

As of now, it's hard to say, we don't have enough info about this new timeline to guess very well, but it is food for thought.

Now back to the old timeline, with the Teru we are familiar with: Aoi asks about his family, about expectations and performance, and that isn't a topic he is very comfortable with, just look at his face.

But he does answer her.

He is very awkward, but he doesn't lie, it feels genuine.

He even mentions his mom, which he hasn't mentioned to anyone before, not even Akane.

[sleepyjuice-juice]

//TBHK 114 SPOILERS

okay okay imagine

this is kou's perfect tl, right? His family is together, his mom is alive, and not only is Sousuke alive and well, but they are close. First name basis. Sousuke knows that Kou is an exorcist even though he keeps that a secret from his other living friends, Yokoo and Satou. They share some sort of exclusive relationship.

And then... Nene, Akane, possibly Teru (Teru is a wildcard atp - Minamoto mom in the mix complicates his motives), possibly others are trying to revert the timeline, back to the one where absolutely nothing is working out for him. Dysfunctional family, loved ones dying, weight of the world on his shoulders all over again.

I mean, one part of this to analyze is how this affects Kou's character development. In the og tl, he's in a very tough spot in his character development, in which he still feels responsible for everyone else's happiness, always putting others first, always at his own expense. He feels weak and unreliable, but holds himself to such a high standard, because otherwise he doesn't know how to hope. He's barely voiced his insecurities to anyone, besides Mitsuba, and also Teru when they fought during the severance arc.

We don't know how much Kou remembers now, nor the rate he'll remember things, nor how adjusted he really is to this new tl. Because Nene, even though she initially struggled to remember the old tl, she also was foggy on some details about the current tl. And Kou set a table for three instead of 5. So, the question this begs is how displaced is Kou's memory atp?

Alright. Moving on. Depending on these factors... how is his development affected by this? He is in an environment that is fulfilling for him in every way, but it is being threatened to be taken away by people he may or may not remember (doesn't remember Nene yet, status with Akane not confirmed, Teru's motives still in question)

And even if he does remember, how will he react? He has everything he's ever wanted, and it's real this time, unlike in picture perfect. Will he finally put his own wishes first, or will he relinquish a life that's better for him, his family, Sousuke, and so many more? And would that really be selfish of him to decide, if this timeline is objectively healthier?

It's suggested that one of the Yugi twins even grew up to be one of Tsuchigomori's colleagues, likely Amane. If he thought about it, Kou could argue that if Nene loves Hanako/Amane, she would choose the world that he got to grow up in instead of the one where he dies prematurely. It's even hinted that Aoi still likes Akane despite her engagement to Teru, so, logically he'd have a really good argument against everyone opposing the new tl, right?

But... it's not his story. We know he's more than likely going to have to lose this life. Lose his loved ones all over again

And of course... to choose Sousuke Mitsuba, he has to unchoose Mitsuba No. 3. Which is another ooooof biiiig storm coming

It's gonna hurt me, I know. I'm just SO goddamn invested in how this is going to play out

[sillyyuserr]

NOOOOOO

(tbhk chapter 120 spoilers)

WDYMMM GUYS STOP DYING WHAT😭😭😭 like ik he’s coming back but shi bro

Normally i would be all ‘omg terukane🤍 he cares🤍’ but this is mega sad bro.😭 he knew his siblings, he knew kou better than nene, better than aoi. I can’t

He knew what to do😭. He stopped them i can’t rn

This is so sad to me bcs he was willing to live in a world where his crush of 10+ years was being married off to another man, a world where his whole past life is gone, a world where everyone hates him, no one trusts him, and he’ll forever be alone in the burden of this kind of being on him.

But when kou dies, when kou dies thats where he draws the line? I’m not sure if the line ‘we’re going to use the big clock to rewind this world’ mean’s like he’s going to undo what just happened, or undo the whole ‘world’ and go back to their old present.

Either way, kou’s death, and ultimately teru’s looming suffering is what tips him off?

Hmm hmm. Makes you think makes you think.

This panel especially gets me .

11/18 Update: HE MIGHT KILL HIMSELF??

[shigayokagayama]

adhd reigen not in a “hes so goofy and silly” way but in a “he has a tendency to hyperfixate on things then drop them the moment he gets bored, has trouble forming genuine relationships with people because he’s so dedicated to making himself likable, is terrified of rejection and actively self sabotages to avoid it” kinda way

[yyuxii]

One sided terukane is so heavily implied and i’m tired of pretending it’s not

[dykeyaoi]

I feel like a lot of fanon tends to miss what seem to be three pretty crucial things about Teru, and it's weird because they are easy to miss, but they're also so important that without them he's very superficial. it's part of why he gets so yassified almost every time he's adapted (see: manga into anime into fancontent)

one is that this kid is smart. on my first watch of his debut arc I assumed he was psychically cheating to be one of Black Vinegar's top students. now though I don't think so: firstly, I'll admit, because he doesn't actually seem to have a way to do that except blackmailing other kids for answers or something; but secondly because throughout the series he's just good at figuring stuff out. he picks up complicated psychic techniques more quickly and frequently than anyone else, including Mob. he was the one who almost beat Shimazaki. he figured out that Psycho Helmet was Dimple from the fact that he was a spirit who knew Teru's name, not a lot of info to go on. he draws conclusions in the somewhat haphazard but very clever way a detective does.

two, he's motivated so much by anger. this one's something of a hot take but it's so there to me that I can't leave it out if I'm Teruposting. before meeting Mob yeah he thought he was special and important for having powers but he was also extremely lonely and subconsciously mad at everyone else for not having them. he's the only one who has to deal with Claw he's the only one who has to live alone because his powers make it dangerous for his parents, he's the only one strong enough to be the shadow leader. he'll do it because he's the Protagonist but god he's gonna be pissed the whole time. it's not what he wants (we only get to see what he wants later with Mob and Reigen and everyone else) but it's all he has for a long time. seventh division shows the intersection between I Should Be Satisfied Now Teru and I'm Better Than These Guys Teru very nicely

last and kind of most important is his thing for Mob. I absolutely believe ONE wrote Teru to be queer and he definitely had or has a crush on Shigeo, but I also think that at least part of said crush is him misconstruing his adoration and the pedestal he's put his friend on. until after the Confession Arc, the two of them getting together would be really tricky and probably not good. Mob still feels bad about what he did at Black Vinegar for most of the rest of season one, and the only reason Teru changed in the first place was because of the cavernous gap in power between the two of them. until he declares Shigeo his rival and realizes that he has faults and any destruction he causes isn't perfectly righteous, Teru can't love him.

there's as much to his character as there is to the other main characters, and I get the easy appeal of the flattened version of him but when he's flanderized into this sparkly gayboy who's also sad sometimes, it makes me sad.

[djthemusicman]

Ight, i’ve been seeing a lot of people say that “Teru’s hatred for supernaturals is the thing that killed Kou” when that’s really untrue

Teru knew what he was doing, he even calls out to Kou when he has his sword out. Before you ‘Teru is a crazy guy’ start jumping for joy, Teru by no means wanted to do this. I think it’s clear when Teru drops his usual relaxed persona when he looks at Kou’s body in the well.

In fact, I think it’s important to note that Teru didn’t even kill Kou. Hanako, or the red house did, Kou couldn’t be saved after 118. We saw what was behind that door that he got dragged in chapter 118. After that, the Kou we see isn’t completely him. His hand is even see through when he puts his hand on Nene’s Shoulder.

To further cement that Kou couldn’t be saved, there’s a bit of dialogue from Akane in the severance arc about Teru’s character.

“If there was a human that could STILL be saved, You’d definitely lend a hand to them”

I find this dialog very interesting for Teru’s character. Now, I understand that some of you would put the emphasis of this line on human. While Teru’s distaste for supernaturals is a part of his character this is Kou we’re talking about. Teru cares about his siblings more than anything. There’s no doubt in my mind that if Kou could’ve been saved for even a second that Teru would take that in a heart beat.

In short, Teru didn’t kill Kou, the red house did. Kou died in chapter 118, only his spirit got exorcised in 120. What we saw in chapter 119 and 120 was Kou’s spirit under control of the red house. Teru didn’t kill Kou because you can’t kill a dead man. Kou couldn’t be saved as soon as he got dragged in that door in chapter 118.

[vamphorica]

♰ Religion in Death Note ♰

One of the most fascinating things about Death Note as a franchise is its exploration of faith and religion in the context of the world building, and how it compliments this using Christian motifs and imagery. The latter is often portrayed superficially, which I think is a shame given that there are many occasions throughout the series where relationships that some characters have with faith could be examined in accordance with the world Ohba has created.

For the sake of simplicity, I'm going to consider two main religious influences in the world of Death Note:

The Canon Explanation (The Shinigami Realm, Rules of the Death Note, Mu as the Afterlife, etc.)

Christianity (specifically, the use of Catholic imagery in Ohba’s official art.)

Let's begin with Canon.

i. The Canon Explanation

Ohba is clearly partial to weaving a complex web of rules as a means to support the supernatural premises of his stories (see Platinum End). This makes The Canon Explanation so effective not only because it limits the behaviour of the characters throughout the text, but it is also very pertinent to religion conceptually. By listing out the apparent commandments of the Death Note, a set of religious principles have been established that the users of the Death Note must follow. While you are not technically committing a sin by, let's say, trying to kill someone over the age of 124 with the Death Note (x), it sets out a guide which is indicative of rules one might follow in a religious text. You could say that Light, Misa, Mikami, and Takada each had to have a level of faith in the Death Note in order to use it. They all followed the rules, even if they did so under Light's direction as their self-proclaimed God. Light’s familiarity with these rules and his confidence with manipulating them is what ultimately makes his reign as Kira so effective. I think the act of writing a name down in the notebook itself is a form of commitment to belief – as a concept, the Death Note seems too absurd to a sceptic.

When the Shinigami begin arriving in the human world, it is obvious that they are not divine beings in the perfect, omnipotent manner that humans may expect. If anything, they are curiously quite human themselves – forgetting rules and acting as a result of emotional impulses. It is indeed Ryuk's boredom that sets the story into motion – everyone who died as a result of the Death Note did so because of him. The Shinigami pose no actual threat to the humans they follow, often noting how humans appear more competent at being Death Gods than they themselves are. While this is subjective, depending on interpretations of faith, the typical Grim Reaper figure is seen as a serious, all-knowing figure that is to be feared, while the Shinigami of Death Note are far less intimidating. I think this delivers a decent proposal that religion in Canon is not a matter of worshipping the supernatural, or suggesting that they are better than us. By having the Shinigami presented as being similar to ourselves, human characters have the ability to use their power without the fear of divine retribution. Light’s extensive knowledge of the Death Note rules and how to work around them, along with his strict work ethic, only further demonstrates his commitment to carving out his position as God when compared to the Shinigami.

Mu is explained quite simply – there is no heaven or hell. There is a notable lack of elaboration here for a reason, but I do wonder if Light might have been more reluctant in his pursuits had traditional heaven and hell been at stake. Would he have become Kira if his act of justice would damn him to hell? Would he be concerned that his victims might end up going to heaven? Mu is the Canon version for what happens when one dies in this universe, so, beyond proposing speculative questions, there is little to analyse here.

Now, there is one character who I want to delve deeper in relation to The Canon Explanation: Mikami.

Mikami -> Mikami is deeply devout. Of all the named characters in the series, Mikami is the only one who is expressly religious, particularly regarding the Canon Explanation. While I think it is interesting to consider Light Yagami's relationship to Godhood, it is only through Mikami that we understand Kira’s societal impact. Mikami is also the only character in Death Note to be granted a rather comprehensive backstory, so we are given an insight into what led him to become such an ardent Kira supporter. Light chose Mikami not just for these strongly held opinions but also because of his devotion to him specifically. Mikami is ritualistic in the way he worships the idea of Kira through his dedication to writing one page of names in the Death Note daily, following Light’s commands without question. The only other occasion where we see a similar act of religiosity towards Kira is at the very end of the manga when a group of Kira supporters take a pilgrimage to pay their respects. Yet even this does not quite encapsulate Mikami's religious fanaticism. His strong conviction that Kira is God demonstrates the societal inclination to view Kira as a religious figure to be worshipped.

I think because Death Note relies so strongly on Light's internal psychology as he encounters various forms of opposition, the external impact of Kira on the world is only provided to us through passing mentions of political support. It is absolutely crucial to interpret Kira in a political context, but again, this is not really explored in too much detail. What we do know is that Kira supporters, including Misa, Mikami and Takada, may politically be in favour of Light's moral judgement, but because he poses himself as a God rather than a political leader, we must assume that he wants to play into a deific persona because it affords him far more unconditional power than he would have as a mere mortal.

From the beginning, Light is able to present his power as originating from a divine source, and it is only until Lind L. Tailor’s death that it becomes apparent what limitations Light is working within. Before then, criminals dying of heart attacks across the world could not be considered to be within human capability, let alone performed by a singular perpetrator, so Light maintained the illusion of omnipotence. Distancing himself from his humanity not only gave Light the benefit of being undetectable for some time, but also encouraged people to support Kira through the belief that he was inherently above them. It was only L who managed to shatter this façade early on in the Kira investigation.

I will now move onto something slightly more tangible, as it reflects our world within the text – Death Note's use of Catholic imagery.

ii. Christianity

As if to make up for the lack of exploration into Kira's religious influence, Death Note heavily relies upon Christian imagery to highlight its desire for religion to be seen as a core component of the franchise. Realistically, I am aware that a lot of manga and Japanese culture from the 2000s was heavily inspired by Catholic imagery and that there was certainly an aesthetic trend being taken advantage of here. However, I am still going to consider it specifically in relation to Death Note. It gives me an excuse to move on from Ohba to Obata anyhow, which I am more than willing to do.

Let's have a look at some official art.

There's a lot to be discussed about these specific pieces of art, and there are plenty more examples that I am sure can be found and analysed over, but we can recognise what their general theme is – kitschy Catholicism. This is not intended as criticism, I love Obata's art and as unsubtle as these official pieces may be, they reinforce Death Note's desire to incorporate religion into its series as a strong motif, if not an effectively developed theme. It also somewhat exposes its superficiality. The imagery is explicit, bold and bright, without doing much work in considering what the actual religious belief might be able to bring to the series beyond the visual components (according to this post -> x the Latin on the last image isn't rendered properly, which proves my point further). There are instances in the anime where there are Biblical references, such as frames that foreshadow L’s death, but the manga does not engage in these same parallels.

This leads me nicely onto talking about Misa.

Misa -> Misa is shown throughout the series to lean heavily into fashion and interior design that reflects a very Gothic Christian aesthetic, which is undeniably iconic and an important visual aspect to her character.  Mirroring the series more generally, it does appear that this is the extent to her relationship with the Christian faith. Misa’s allegiance to Kira could suggest that the trauma of her parents’ death came to some kind of resolution when their murderer was himself killed. Again, we have no idea if she actually was a religious character to begin with and I need to stress, it does not matter, but it is still worth considering given how a lot of the Christian imagery in the series is associated with her character specifically. I don't think this feeds into any flat character analysis that might suggest she doesn't know the potential significance of the crosses she wears or decorates her home with. We could just say she has an aesthetic that is very well composed but doesn't carry much weight beyond its stylistic merit.

Derailing slightly, but I do wish they had maintained this style throughout the entire series. Alas, as soon as she met Light, she lost this cool Goth look pretty quickly. Rem would never have let this happen. 💔

One more character analysis before we wrap this up. The quite honest reason as to why I decided to write up this essay was so that I could discuss Mello in relation to religion in Death Note.

Mello → Much of what I discussed about Misa's style could be applied to Mello, the only other character who visually demonstrates any religious tendency. However, I think there are some differences here that could suggest Mello is actually religious, which then allows us to consider his character in the context of the Canon Explanation. Firstly, one of the main signifiers Mello wears is his rosary, and while it is unlikely you will experience any adverse effects from wearing one as a non believer, I think those who wear a rosary are aware of the deeper connection to Catholicism than someone who wears a simple cross necklace (see Misa above, right). Secondly, narratively, I think there is more opportunity for Mello to be religious. Wammy's House, from their gates, actually appears to be a Christian organisation, and while I do not actually believe that they were, I find it interesting nonetheless. I also would be surprised if they were denominationally Catholic, if we are following this line of logic, presumably they would be CofE, but who knows. Regardless, even if Mello was not religious as a child, I think his arrival into the Mafia would certainly have introduced him to Catholicism. Of course it seems antithetical, but I would not be all that surprised if a teenage boy who is expected to do some horrendous things to rise to the top of a criminal organisation might turn to God in the process.

Following on from the prior point, Mello is a completely contradictory character, so I do not think it is all that necessary to consider his moral code from an entirely rational perspective. I think the fact his Beretta has a small cross charm on it in itself is very symbolic of the kind of character we are dealing with here (see below). Interestingly, it looks to be a Celtic cross, rather than a traditional crucifix.

What does this actually mean? Mello represents a good integration of the two religious influences I've discussed – he appears to have faith in a religion that we as readers contextually understand, and yet he interacts easily with Shinigami and the Death Note. While the two do not contradict one another exactly, I think The Canon Explanation certainly does not lend much credence to Catholic interpretations within the text. Like the others who have encountered a Death Note, Mello is initially shocked by the arrival of the Shinigami attached to his notebook, but quickly recovers. He interrogates Sidoh with such evident effectiveness that he ends up frightening him.

I think this is where I begin to get a little frustrated with the depiction of religion in Death Note because we have such a fascinating premise here. Does Mello's faith waver as his beliefs are evidently challenged by Sidoh? Does he consider Kira as a force of evil from a moral perspective informed by Wammy's, or his understanding of God? Does he believe in heaven and hell? None of these questions are answered, and I do appreciate I am being fussy because I am very fond of Mello, but I think there was a rather unique opportunity present in the series that was completely neglected. I have already explained how Death Note relies so heavily on Catholic imagery and clearly wishes to present itself as a series that deals with religious themes, so I think there is a failure here to consider the nuances that have already been set up.

How interesting do you suppose it would be to see how Kira's influence begins to impact the other established religions, as people see criminals dying en masse? Remember that ordinary people would be likely predisposed to consider this as an act of God. Society would certainly be more scared, especially as it would simply be inevitable that Kira killed innocent people who had been deemed criminals by their legal systems. There is a lot to go analyse about that topic alone, but another time!

I suppose with a lot of the questions I have posed, they could be answered through fanfiction or headcanons. I could decide that Misa believed in God until she met Light, or that Mello chose to ignore the implications of Mu given that he follows a religion that sets itself up on the premise of eternal reward or damnation. I just want to facilitate further conversation, because I do think this topic is fascinating.

Thank you @saturniiids, @vengeflies and @stylooooo for giving this a read for me! ♡

[tofusfortbhk]

Can we acknowledge how tragic of a detail this is? In ch114?

The fact that Teru views Kunishige (shrine grandpa) as the only one he can rely on despite how their relationship is at-best frenemies and at-worst hostile is downright devastating.

Reason #1: Teru and Kunishige’s relationship is predominantly negative.

In ch79, gramps was making jokes about threatening Teru’s livelihood and while Teru later joined in to counter, the comment was clearly in bad faith — an attempted power play to exert control over Teru and his flippant behavior. It’s a baseless threat stuffed within the carcass of a joke: “your family needs us — show respect.” Teru’s an instigator for sure, but he’s not the adult in this situation.

Point #2: Kunishige has done little to deserve Teru’s faith as an individual.

Shrine politics aside, gramps was beefing with a teenager and snitches on him to his dad! He pulled the “I’m telling Dad on you” with Teru’s OWN FATHER pushing 90 — like DAWG.

I don’t fault gramps for reporting the Red House incident given his past experiences or its history, but it was the professional choice — not the kind one. It doesn’t indicate any affection towards Teru nor resemble how you would treat a child you would go out of your way to support. Teru clearly has an adverse reaction to his father. He’s off-put by the idea of contacting him in ch79 and canonically views his father as absent and not someone he can expect help from in ch114. Not over Kunishige at least.

Yeah, gramps puts on the Santa suit per Teru’s request. That in itself is an undeniable act of kindness. He does care and I don’t doubt that he is there for Teru. But it’s not enough to deny this fact:

Conclusion: The only person (and adult) Teru feels he can rely on doesn’t treat him very well and won’t protect him from his father if it meant going against his shrine duties. A bottom of the barrel choice because it becomes unnervingly evident this child, Teru, as early as 14, grew up having no one else. He chooses Kunishige over his own father, family members, friends, teachers — everyone.

And Kunishige doesn’t even like him.

[angelmachines]

teru & socialization

i've posted about this before but something ive been thinking about a LOT is mp100's themes of loneliness (and eventual connections). i think this is an aspect of teru's character (in particular) that gets left out because it's not as explicit but i've been wanting to do a deep dive on it for a while and i finally sat down to do it. just a warning, this post is gonna be LONG.

these two panels are from chapter 16 of the manga (which i'm using for my evidence because i. dont want to scrub through the anime LOL). initial sentiment: teru uses his powers to cheat having friends/a good social life and wouldn't have that if he tried earnestly. this is a fair interpretation of the scene. with what we know, at this point of time (as in within the teru-mob fight) teru would not be able to connect with other people earnestly, due to his mindset. which i think is a fair interpretation, HOWEVER:

(from chapter 17 ^^) the first panel shows teru's expression to be strained and the second is visibly unhappy. this puts the first set of panels into a different context, that maybe underneath all of this, teru doesn't WANT any of this life that he's built. keep in mind that i'm analyzing this with teru's possible autistic tendencies in mind & you dont have to believe he's autistic, im not your dad, but i do find this a pretty meaningful indication of masking if he were

(note: yes, the strain can definitely be read as comp-het, and i would agree but that's not relevant so go read this post on that instead)

even if the rest of these panels show teru content with his life, i think these expressions are pretty vital to how we read his life especially because we know so little of it. think about it, if you were a kid desperate for affection because you couldn't get it anywhere else, especially not in a way that would come off as "mature" or "unaffected", wouldn't you also look for validation in your popularity? even if it aligned you with people who you consider fundamentally different to you? my point here is that teru can't not stand out-- it's in his nature-- and we are shown how he tries to blend in & receive attention in the only way possible to him; which is to say that he molds himself into something that is palatable, likeable, and superior to other people. if he's nothing, like mob, he has spent his entire life covering up for it. if he fails socially, like mob, he has to be good at everything (even if he cheats to do so) so that everyone else can look past it.

(side note for my teru angst enjoyers: this is a panel of his mom. the mom who he hasn't seen in years. doesn't it make sense that, if he hasn't heard his mom say he's proud of him for literal years, that he would overachieve in response? not related to the autism thing i just have the teru bug. also don't be misogynistic in my notes both his parents suck we just get a singular mention of his mom)

so if teru couldn't meaningfully have friends before mob, that could very easily be because of his past mindset, right?

...except, we don't.. really... see him make other friends afterwards.

but, the awakening lab, right?

(ok i lied to you sorry there is one anime screenshot and thats because it stood out to me while i rewatched it earlier this month. sorry.) id like to bring attention to this screenshot during the cultural festival because the awakening lab can definitely be seen as a direct contradiction of this and i'd like to point out a couple things:

1) in this scene the shiratori brothers are in another room 2) them and the other three are friends with ritsu (or at least close enough acquaintances to want to see him).

considering this is one of the only times they appear together for Fun i am more inclined to believe this is an encounter where they went together because they all would've gone separately anyway. this isn't to discount the possible bond that these characters might have, but thats the thing. we... aren't really shown that they're friends and enjoy spending time together outside of this screenshot, where two out of six of the members are not even present. not to mention that teru is still placing himself in a role separate from his peers. despite stripping the superiority away, teru is still the awakening lab's mentor, not friend. teru still views himself as fundamentally different in a context where his psychic powers don't make him that way.

...except with mob. i bring this placement of power up because where he is the awakening lab's mentor, teru declares mob to be his rival, or, in other words, teru is just like him. he is accepting that mob and him are the same. (and if we view mob from an autistic lens... so on and so forth)

as if to hammer in that point even further-- in the summer vacation omake, teru explicitly states that "summer break is just a super long, super boring stretch of alone time." i'm not sure of the timeline here, but guessing from the hair, we're at least post season 1. which gives us explicit confirmation here that teru is spending the break alone despite his relationship to the awakening lab. his connection to mob is a lifeline here because mob is one of the only people who can intuitively understand teru's isolation without judgment

(also, on that point of teru's autistic tendencies: teru does and says a LOT of things that would raise other peoples eyebrows and doesn't seem to notice.

here we get teru actively admitting to his home life, right in front of reigen, WHO COULD CALL CHILD SERVICES ON HIM? this genuinely made me rethink this character entirely. teru's filter is... minimal. he isn't constantly volunteering information and generally minds his own business, but if you ask? Well.

teru is a social person, but to say he is proficient in understanding social situations seems... wrong. teru views his loneliness as boring because, despite being fairly open, does not actually allow himself to think about his own feelings and how they affect him. this loneliness is boring because he doesn't have enough of a reference to realize its not

if we are taking pre-mob teru to be a version of himself who is masking, or at the very least someone who is faking a lot of stuff in a less autistic sense, the fight with mob changes teru to the point where he no longer hides himself. in the same way that mob was able to shake teru's fragile superiority complex i think the change in appearance marks the end of the self teru had built up. from this point on we see him become a lot more... Him. his appearance and his fashion choices are, presumably, completely normal to him and we get no indication that he believes otherwise despite the reactions it gets-- which is... well, i wouldn't be writing this post if i thought it was one of his most neurotypical traits.

in fact, he seems... pretty oblivious to what other people think of him. which is an interesting distinction to make considering the intelligence we Know he possesses (which is not to say that you are unintelligent if you don't pick up on social cues, just that its common for media to depict it that way.) these traits are made pointedly, even if unintentionally, separate, ESPECIALLY when you note the amount of characters who Do ruminate on or stare at teru's appearance.

some examples. i don't even think this is all of it-- case in point.)

[teruwasright]

Tw for mentions of abuse and unstable home life- this is your warning before you start reading ♡

Ok so I've always registered that the minamoto family was rp for an unstable home life but also haven't fully registered it? If that makes sense but then this art dropped....

And idk why but all of a sudden it FULLY fully registered that the minamoto family is rp for an abusive household....

I fully released that Teru has so much symbolism for physical child abuse...

All the way down to a young sibling that wished they could do more and be stronger...

And down to the youngest that has no idea what's happening...

Idk I can't look at Teru and Kou's lines the same now bc all I can think about is "what would Teru be telling Kou if they weren't an Exorcist family...what would that line say if they were a normal family...?"

And now any time I think about an AU were there's no supernaturals ect all I can think about is that if we really wanted to make it accurate and not all happy the minamoto family would 100% be in an abusive household...

Idk ever since this art has dropped its been on my mind and been eating me alive man- thinking about them and all of a sudden there even more relatable- this is why I LOVE over analyzing tbhk characters bc I feel like you always find something new at some point-

They always find new ways to break me don't thay...

I'm just thought dumping so my thoughts aren't completely together but hopefully yall get what I mean TwT

[mari-lair]

Something I found especially interesting after this chapter was the difference in views between Teru and Akane. More specifically I think it’s interesting how Akane claims to hate supernaturals, just like how Teru does but he still goes out of his way in this chapter to defend Mirai and Kako… Obviously we’ve seen in the court arc that he clearly does care for them but still I just think it’s interesting and was wondering if you had any good thoughts and analysis on it (after all your so good at that kinda thing :))))

Akane has a reluctant soft spot for the clock keepers, deep down, but I'm a firm believer that his lackluster attempt to defend Mirai and Kako wasn't born from a place of faith or care, it was out of fear. He shares the same fear as Teru. I talk about why I interpreted it like that here.

But the chapter still show a very interesting diference in view between Teru and Akane when they learn Yugi Amane used to be a teacher.

Akane is the one who calls this teacher a murderer. Teru's focus is on how he is an adult here.

Teru also calls him by name. Consistently.

Usually, he only refers to supernaturals by their role or their seat position. Doesn't matter if he is happy, angry, or neutral. It's never by name.

This shows Teru is still separating one timeline from the other. It's hard to say if he believes Amane is a bad person or not, but Teru does seem to have decided Amane Yugi is a person, not a supernatural.

He brought up Amane's happiness to make Nene reconsider staying in this world, 100%, but I do think there is a hint of honesty to this question. I wonder what he think of the idea of a ghost, a doomed being, having an actual life, with a job, and such.

It contrasts with how Akane is treating this timeline as a reality. deciding 'Hanako is still Hanako so he is a murderer' despite not knowing anything about Professor Yugi, and 'Aoi is still the same Aoi at heart. I love her' even after seeing her differences from og Aoi.

Akane is just following his program. ("Aoi is doubting my love!" -> "I will reassure her she is the only one for me.") Which falls on their old pre-severance routine, since the original Aoi main issue used to be her lack of belief she is lovable and while the New Timeline Aoi was acting differently, she still displayed the same possessive and insecure behaviors as pre-severance Aoi used to, not wanting Akane to be too close to a girl. Still, Akane has no way of knowing if this engaged Aoi is the same as the og one. He is just assuming based on the old timeline.

(unrelated but it's interesting that Akane went from "I'll love you my whole life" to "I'll love you my whole life... No, even after that" cause he is the last person to think about becoming a supernatural. It makes me wonder if part of him is aware each timeline is a completely different world, a different life... but I don't have enough insight on him yet for that, is just food for thought/headcanons.)

The main gag of this chapter is Akane treating others like their old selves while Teru treat them as separated from their old timeline counterparts.

Teru is being a brat here, but he is right. This Aoi has none of the experiences Akane has. Akane needs to adapt.

Similarly, when he talks about the person Nene fell in love with, he isn't talking about a teacher Nene never met, he is talking about the ghost murderer we are familiar with.

I think if I were to put the difference in their view (not their approach just their view) in a very simplified box, I would say Teru sees supernaturals as unsavable and dangerous, while Akane sees them as unforgivable and dangerous.