#tell me that's not sick as hell

[questcult]

IT CONTINUES

BEHOLD MORE LORE!:

MAGIC:

Magic is an omnipresent force on Akkera that does 4 simple things, move, combine, separate, and fortify. Through clever application of these traits myriad wonders are possible. Every living thing slowly passively absorbs magic and uses it instinctually to grow and survive, even warriors who eschew overt use of magic fortify their bodies instinctually over time.

ORICHALCUM:

Orichalcum, as low-orichalcum is know in it's stable form, is an indestructible material that resembles gold. The basin which holds Akkera aloft in the void, The Chains that hold up The Chandelier City beneath it, and many of the most wonderous artifacts are made of this ancient material, sadly the secret to it's creation has been lost since time immemorial, though breakthroughs have been made resulting in false-orichalcum.

[desire-mona]

wanna know the rsl photo that haunts me most? yes you do its this one

why do u have a doohickey vest. put those toes away this is a conceal carry household. like this is unnecessary

[perplexingly]

.

[mikeslawyer]

mike completely missed the fact that will’s painting had been from him since the beginning, despite el having said in one of her letters that will is always painting, I think for someone he likes.

that’s because mike never really paid attention to el’s letters, and has always paid attention to will’s art. there are multiple scenes of mike crumpling the letters and throwing them away carelessly and there are many scenes of mike cherishing the art, looking through the binder.

mike’s actual girlfriend indirectly told mike that will is in love with him but mike broke his own heart thinking otherwise, just because he wasn’t paying attention to his own girlfriend in the first place.

quite the irony, huh?

[unfinishedslurs]

The boy stops in his tracks. “I know you,” he says, tilting his head curiously. He’s not tall, but he’s regal nonetheless, dressed all in white. Something about him makes Leia’s hair stand on end, and although she hides it she feels a stirring in her own chest. I know you like I know my own soul, she thinks wildly, and wonders where it came from. Has she gone insane?

“That’s nice,” she says, and shoots him anyway.

He deflects it in a flash of light, a glowing blue laser sword appearing in his hand like magic. She’s only seen one of those before, and it’s Vader’s. If this boy is anything like Vader, she realizes, she’s in deep shit.

She’s smart enough to know when she’s outmatched. Leia makes the tactical decision to run for her life.

Later, as she’s getting the hell out of there, she wonders why he didn’t try to stop her.

She remembers being young and tugging on her mothers skirts, demanding to know why their guest was so sad. “Does he not like it here?” She’d asked, and then, trembling, because Kenobi always seemed saddest around her. “Is it…because of me?”

“Oh, Leia,” her mother sighed, lifting her into her arms. “It’s not that, I promise.”

“Then what is it?”

“Master Kenobi lost a child under his care, years ago.” Breha’s eyes grew deeper, darker. “It was not his fault, but he blames himself. You remind him of that child, that’s all.”

Leia had quieted at that, contemplative.

The next time she’d seen Master Kenobi, she had given him a hug. He didn’t seem to know what to do with that, so she resolved to give him more of them. “He’s lonely,” she’d told her mother. “No one should be lonely.”

Looking at Obi-Wan Kenobi now, the memory seemed so far away. He’d aged thirty years in the ten it had been.

He looks, Leia thinks with a small twinge of regret, very lonely.

“Leia,” he greets. “It’s been a long time.”

Out of the corner of her eye, Leia sees a glint of white.

Kenobi freezes in his tracks. “Luke?” He whispers, and through the distance Leia can hear it as if he’d been speaking directly into her ear.

Master Kenobi lost a child under his care, her mother whispers in her head. He blames himself.

In an instant, Leia understands everything.

Kenobi is still staring at the boy he’d lost so long ago when Vader cuts him down.

Later, as she’s pacing around on the Falcon to Han muttering darkly about Princesses and supernatural abilities, she rememberers the way the boy collapsed, as if all his strings had been cut. Vader was too occupied with him to even look at her as she shot at him desperately.

Luke. She hates him more than she hates herself.

“They know where you are,” he hisses frantically. “They’re coming for you. You have to run.”

“Wait!” Leia quickly pulls up their sonar. Nothing yet, but it would explain the distant queasiness she’d felt since they’d landed. She tended to trust her gut. “How do you know? How much time do we have?”

“Not important, and not enough,” he says. “I have to go, and so do you. You need to leave yesterday.”

“How do I know I can trust you? I don’t even know who you are.”

He pauses. “Call me Skywalker.”

“That’s not an answer, Skywalker.”

“Yes it is.”

She opens her mouth to argue, but there are faint voices on the other end, drawing nearer.

“Shit,” Skywalker mutters. “I have to go. I’ll be in contact, okay? Don’t ever tell me where you are, or where you’re heading. Vader and Palpatine aren’t shy about reading minds. Just leave as soon as you can, and figure out the rest.”

“But—“

It’s too late. The comm has disconnected.

She stares down at it, disbelieving. How would the Empire know they’re here? Why should she trust a stranger who somehow got her personal comm code?

Gut feeling or not, on paper this was a perfect location. Supplied, armored, and most importantly, extremely well hidden. There was no real reason to think it would possibly be found out.

It’s probably a trap. Almost definitely a trap.

Han sticks his head in the door, a sour look on his face. “Hey Princess, can you tell these idiots—“

She makes a decision then and there.

“We’re leaving.”

“What?”

“We’re evacuating, effective immediately.” She pushes past him, and he follows so close he’s nearly stepping on her heel.

“Why? I think it’s pretty cozy here. Actual sunlight doesn’t hurt, either.”

“Apparently too cozy.” She grabs the first person she sees, a pilot who stares at her with wide eyes. “Emergency evacuation. Spread the word to pack everything you can and leave, I’ll let you know where we’re headed when we’re in orbit.”

He salutes and scurries off.

“Woah, hey now.” Han snatches at her elbow until she turns around to face him. “What’s going on?”

“There’s a new informant. He told me the Empire knows we’re here. They’re coming for us.”

“And you trust this person because…”

“I don’t have a choice,” she snaps. Someone runs past them, holding three packs filled to the brim with rations. “It’s either he’s lying and we’re not in danger, or he’s telling the truth and we’re going to die if we don’t listen. It’s not exactly hard math.”

It could be a trap of course, but he hadn’t suggested any sort of direction or destination to follow, and Leia wasn’t inclined to share. Especially not after his tidbit about Vader and Palpatine reading minds.

He squints at her. “That’s not it.”

“What?”

“I don’t believe you,” he insists. He’s so infuriating. Leia doesn’t know why she hasn’t kicked him out yet.

“I don’t know what you’re talking about.”

“Yes you do, and you’re either gonna tell me why, or find a different transport when we head out of here.”

“Who said I was riding on your hunk of junk?” She demands. She actually was planning on going with them, since the Falcon has more than enough room for all the supplies that can’t fit in the other ships and none of the trustworthiness of the other pilots, but Han doesn’t need to know that.

“Well?”

Damn him. Damn him for knowing how to read her. She doesn’t know when she let that happen.

“I feel it,” she admits, defeated. “Something tells me he’s trustworthy. We’ll wait and see if it’s right.”

He studies her. She holds her head high, but inside she’s jittery at the scrutiny. They don’t have time for this.

“Yeah, all right,” Han finally says.

“Really?”

“Yes, really.” He rolls his eyes, like she’s not acting absolutely insane by putting all her trust in a random man she’s never even met. “Now come on, Princess, weren’t you the one who said we had to hurry?”

What is it about this man that makes it impossible to tell whether she wants to punch him or drag him into the nearest supply closet? They don’t have time to find out.

“So there’s good news and bad news.”

“Bad news first,” she demands.

“They know there’s a mole.”

“Shit.” Of course they know, how could they not? She should have been more careful, less obvious about the correlation of their movements with the Empire’s plans. “The good news?”

“They’ve tasked me with hunting down this ‘pathetic rebel spy,’” Skywalker says, humor in his voice. “That should buy me some time.”

Leia can’t quite stop the snort she lets out. “Seriously?”

“Yep. You’re speaking to a professional mole-hunter, here.”

“Well congratulations on the promotion, Skywalker.”

“Thank you,” he says grandly. Then, quieter, “It won’t last, Princess. They’ll find out eventually.”

“I know. Just hang in there, it will be over soon.”

“Will it?” He asks, suddenly sounding very young. She realizes that she has no idea how old he is. She doesn’t know anything about the man who has saved them more times than she cared to admit, and the idea rattles her until they sign off.

Later, she looks up the name Skywalker in their archives. There are a few results, but only one sticks out.

Anakin Skywalker, Jedi Knight and hero of the Clone Wars. Killed at the hands of Darth Vader. There are gossip articles too, speculations on his relationship with the pregnant Senator Padmé Amidala, who died around the same time Skywalker did. The baby, it seems, died with her.

Unless he didn’t.

It’s ridiculous. It’s impossible. The idea is so ludicrous that Leia almost rejects it entirely.

But it makes sense. By the Maker, it makes sense.

The child of Anakin Skywalker, it seems, would be a powerful Force user indeed. Powerful enough for Kenobi to take the baby and run. Powerful enough for the Emperor to want him for his own gain. Powerful enough to send Vader after Kenobi and take the boy himself.

Maybe even powerful enough to shield his mind from Vader and Palpatine’s intrusions.

Powerful enough to hide the fact that he’s a spy.

Leia sinks into her chair, covering her face as she laughs.

Maybe Luke isn’t so bad after all.

“No, no, no,” she mutters, digging through the smoking wreckage of the TIE fighter. “Don’t be dead, please don’t be dead.”

“Princess…” Han lays a hand on her shoulder that she immediately shrugs off.

“No, he’s not dead. He’s not. Luke!”

A faint cough answers her, and she’s so relieved to hear it she could cry. Behind her, Han starts bellowing for a medic and, “Some damn help here, do you expect us to move all this ourselves?”

“Luke, it’s me,” she sobs. “It’s Leia. You’re at the Rebel Base. You’re safe.”

More coughing, and there’s a worrying rasp to his voice when he says, “You know…my name?”

“I figured it out.”

“Smart.” This time, the coughing is so bad Leia and Han both wince.

“Shit, kid,” Han says, moving another piece of rubble. “Don’t talk. We’re gonna get you out of here, all right?”

“Stand back,” Luke chokes out.

“What?”

“Stand back. Please.”

Han protests, but something in Leia knows they should listen to him. She drags him back, and motions everyone else to fall back with them. They do, albeit reluctantly.

“Clear,” she calls, hoping Luke can hear her.

The TIE explodes.

“Fuck!” Han goes back in, Leia on his heels with the terrifying feeling that she’d just allowed Luke to die, before they both stop in their tracks. Around them, the broken pieces of the TIE are floating.

And curled up in the middle is a man dressed all in white.

“Luke!” She pushes past Han to start dragging him out, and after another moment of staring around them, he helps her.

As soon as they get clear, the pieces fall to the ground with a clatter. Luke falls limp with them.

Han is still looking at the TIE. “Can you do that?” He asks quietly.

Leia pauses her examination of the unconscious man in front of her to glare at him. “Is that what you’re most concerned with right now? Really?”

“Excuse me for asking, Princess!”

“It’s white,” Luke grumbles, pulling at his hospital gown bitterly. “I hate wearing white.”

“Should I be offended?”

He rolls his eyes. “Don’t even. You look great and you know it. I just feel like I never left.”

“Well,” she says gingerly. “I guess it’s a good thing you got sick of it. If we went around in matching outfits all the time, people might think we’re twins.”

He snorts. “Yeah, right.”

[lucabyte]

hello

is this how your peopls work. i am obsessed with your comics and the panel layout and the way they react to eachother and sdgafkhgfdhsagfha s i very desperately need to have a grasp on how you see them in their dynamic and interacting and i feel like i don't know as much about how isabeau and loop be interacting but i am so so so so SO curious as to how that goes and how they feel about eachother pre-"i'm a former siffrin" and post-"ok you know who i am"

oh hell yeah a diagram we love a diagram

but yeah i'd say you've gotten my interpretation of the dynamic down pretty solid??

in general i think my instinct with loop-isabeau interactions is a lot tamer/calmer than others ive seen, my reasoning for why being hmm... i think i can note my core 'things im keeping in mind from the text' here

isabeau's line in act 6 remarking that loop seemed 'shy'. for all of loop's bravado @ siffrin (and thus the player's pov), they are still siffrin, so while it can be easy to percieve them as this loud bombastic personality-- there is this textual reminder that them acting this way is probably due in part to being up against siffrin, someone who won't speak unless spoken to (and thus loop takes the initiative, and is also presumably reveling a bit in making them uncomfortable and annoyed, inkeeping with their self-hatred and self-flaggellation) this to me reads as a reminder that they'd probably retreat into their shell hard when presented with other people- the party included. so even if i can see them trying to undermine their relationships with others, i think it's probably more on the insidious 'insulting siffrin to make the party protective of them' side, because that also feeds into 'proving' that the party only cares about one siffrin and that loop can be replaced. meanwhile isabeau has shown that, even with a vicious jealous streak, he can mostly keep a lid on it. he's the most emotionally intelligent of the group, and would probably be able to suss out loop's self-harm-via-getting-people-pissed-off-at-them gambit relatively simply given how obvious it is. also isabeau is not immune to insecurity-- and would probably let loop take some precidence over their relationship with siffrin because 'well i cant compete with the guy who actually went through All Of The Timeloop With Them.' because like... damn how are you supposed to do that. loop understands their pain better than isa ever could, and it would show in their fucked up unspoken understanding of each other (because how is Isa to know thats because theyre the same guy, and not just because the timeloop traumabonded the fuckers baddddly. which it also did.).

timeloop stressful as fuck. absolutely has both of them on tenterhooks the whole time. we visibly see how it affects siffrin (despondance & mania & aggression), and we see SAPfrin be very. very very despondant. so it would seem to me that loop is basically in a perpetual state of mania, given how sif's internal monologue begins to resemble their way of speaking (with the tee hees and such) when they are clearly broaching into manic states. one can assume that if you take loop out of the Torment Nexus, while they probably wouldn't faire well, all of the tension and pressure that's holding them up would collapse, likely putting them more depressive again by default? Of note, whenever i write loop's dialogue (which im told i do well? i will be honest i kind of feel like that's far too high praise.) i initially write it as very blunt and pissed off-- and will afterwards go back in and Maybe change wording to be more 'silly', but mostly i just add tildes~, italics, exclamation points and laughter to the pissed off dialogue without changing the actual content of it?

loop likes their friends! They are fucked up in the head about it (badly!!!) but they like their friends! They still care a lot, and can barely even hide it a little bit with their aloofness in game. it feels redundant to even try pointing out where they slip up because its everywhereee. They de-person their Actors because theyre the same lines over and over and over, but you see in SAP alone how any break from the script makes them overwhelmed with emotion, and how devastated they are if that deviation occurs a second time and becomes predictable (dying to the king after triggering the requisites for the true end, forcing you to go through it again). BUT!! You take their friends out of the timeloop and let them be New Unpredictable People again? I genuinely find it hard to believe mx siffrin "i love my friends so much id explode the world about it" nolastname would be able to see that and just go "nope im emotionally disconnected i can keep being a bitch to these guys forever". like no theyre gonna slip into being at least neutral no matter what. even if it's in a quiet depressive state when the mania wears off.

my biggest deviation from frequently observed fandom things here i think: i think loop doesn't actually believe that ISAT!Party are 'replacements'. they rarely if ever word a sentiment like this. this is something the fandom goes for because the horror of being replaced wholesale probably WOULD make it easier to cope if you considered those people to Not Be Your Real Friends. But loops WHOLE act 6 spiel? 'THEY WERE MINE FIRST. I LOVED THEM'? (paraphrased) they obviously desperately want to be with them again, and know they're the same people. The Fighter/Defender discrepancy clue is mostly metatext here-- since Loop never acknowledges the defender title-- just calling ISAT!Isa Fighter-- because they are the same guy. Your Fighter. They even call them Fighter in the "You got memory of X, your Fighter will now..." dialogues! Which are practically system dialogues! So. they see these isabeaus as the same. And while I would not put it past them to come up with the "they are different, my party is Dead" thing to Cope... I do think it is a delusion, plain and simple, and that I think any post-knowing-the-truth party would probably shut down weird rituals ive seen the fandom propose (often in a cute way??? it makes me feel insane?? like the concept of loop 'memorialising' their 'dead' family is not cute its nuts. they are being nuts. its like actively feeding into an extremely maladaptive coping mechanism. sorry this is like a massive sidebar but like. Yes i do think this is something loop might do if left unchecked. but it should not be presented as sane or rational? it outright undermines the themes of the game to treat the concept of 'Loop's party' being 'dead' as 'True'?? There's like several points in the game where Loop and Siffrin express that things that happened in the loops Still Happened even if the party dont recall it-- which is why their actions-- being cruel or doing 'experiments' still hold weight and can be Wrong. That it's tragic that the party will never remember but that their forgetting is NOT a pass to do whatever with no consequnce (experiment, bad touch, etc). It follows that by Nixing all of "loop's party", treating them as seperate, in some way implies loop's memories are Lesser and what they did "doesn't matter as much", which is antithetical on account of being contradictory to however you take the stated theme. PLUS... The game and Paratext are clear that there is One Timeline. SAP is in the same contiguous space as ISAT-- it is effectively just that on the loop between SAP and ISAT that we the audience dont see-- loop ate that star and when the loop restarted there were two of them. for all intents and purposes one can intuit that Loop 0 of isat and SAPfrin's first loop are legitimately identical from sif's POV, as Loop does not reveal themselves until Loop 1. BUT YEAH GIANT SIDEBAR OVER. THIS WHOLE READ OF THE TEXT INFORMS MY THOUGHTS RE: ISALOOP AND RELATED CONCEPTS VERY GREATLY)

jesus christ i wrote a lot in the above um. sorry. i dont know if its intelligable. uh. good luck?

im also on team 'orrery book and sif's thoughts about it belie a real deep-seated brainworm' re: their response to a Cautionary Tale About How You Will Inevitably Kill Your Double seemingly being "Nah, we'd be besties."... like. i do think it is. funny. and not particularly Unbased. Given how they are. For siffrin and loop to specifically be compelled by how they are the same guy. And i think that there's a lot to be mined from 'Both of them are convinced that the party knowing who loop is would fuck up everything badly, so they're going to great lengths to conseal this' played in tandem with '... they are like. very much explicitly doing things together that are directly related to a feeling of shared ownership over siffrin's body and form & the fact they are The Same Guy'. like it is a hysterical setup to me and i think is only added to when you have to put Isabeau in the middle of this polycule also. With the few exceptions of times ive drawn stuff specifically hinging on characters Knowing Who Loop Is (which is like. all bonnie-centric stuff so far? i think?), i take a lot of care to try and make their exchanges Vague as if they are worried about being overheard or saying something that's too much of a smoking gun. But also it's really god damn funny to think about how concerning some of those things could sound the vaguer you make them. Remember that above all i live and die by The Bit. (... as do they.) ie basically because im powered by The Bit thats why i focus more on the sloop side because its like. actively Funnier and more drama filled. or at least presents oppertunities for such. i feel like on isabeaus side here its kinda frequently like

yknow ? (oh god my formatting is broken now) . i DO very much think it can become like. niceys. of course. i think they can just be normal fucking throuple eventually (though if i'm going that goddamn far into the future u may as well partycule the fuckers 2 me. by the time theyve solved whatever the fuck you call pre-reveal isiloops i think odile has gotten involved at the very least. but this is why i mostly keep myself to the realm of 'the mostly immediate post-game conflict' stuff since i think all these characters leave off the end of the game with such solid springboards for arcs set up (clearly intentionally) that the infinite realm of possibilities opens up too wide for me to be comfortable with.) anyway i keep thinking about the tragicomedy of isabeau finally finding an "in" to nurture a friendly bond with loop by comisserating and steeling themselves for changing again even though it feels like a betrayal of their previous actions/beliefs and how fucking funny the idea of 'loop reveal but theyre like 2 weeks into using she/they' is. just like you get all the way through the horrors of 'oh jesus christ the timeloop was even worse than we thought it was' but now '.. d. do you still . what pronouns do you want?' is tacked onto the end. Sorry did you hear something . must've been the wind. anyway . this ask is a fucking mess i hope its readable like at all . can you tell ive been brainscramblied for six weeks

TL;DR:

yeaghj you got it. its not like im doing anything revolutionary im just trying to stick as close as i can do what i percieve the characterisation is in canon & thus generally dont tie down any of my fanwork to specific post-canon-plot-concepts. its all just nebulous extrapolation set 'pretty close to the end of the game because i think these characters are going to grow and change extremely rapidly once the game is over given how they're all intentionally poised for character arcs when the game ends'. but also you should put isabeau in the worst social bind of all time with two of the most mentally unwell BPD OCD havers youve ever seen and let him try to figure out the balance of 'be gentle' and 'treat them like the almost-30-year-old adult they literally are' while he also balances his own set of entire life changes it'll be fine he'll be fine (someone should probably check on him)

[deoidesign]

Hm... I'm feeling benevolent...

[grocerystorelist]

the body of christ – matty healy

brash and rogue, you don't know what to do with how you feel about the new priest in town. so, you find yourself in the confessional booth... aka priest!au

minors dni. dom/sub undertones, oral fixation, oral sex, unprotected sex, the man hasn't kissed anyone in a decade let him live!! wc: 3.2k

The church is dark when you approach the confessional booth, the heels of your boots ringing out and echoing throughout the cavernous room. You wonder if he hears you. A single lamp is turned on next to the booth, yellow beams dancing across the shifting fabric. You can hear Matty shuffling around inside, the shiny tips of his shoes barely visible beneath the black hanging.

It’s been a week since he kissed you, all teeth and tongue on the bench outside of his apartment, an insistent hand burning a path around your waist.

“I’ve come to confess, Father.” You smirk to yourself, crossing your ankles and shifting on the wooden seat to sit on your hands. There’s something girlish about the way you’re sitting, and you remember when your parents used to make you frequent this very booth several years ago. Then your confessions were about swiping your best friend’s eyeshadow palette, worried hands picking at your bright blue nail polish as you pleaded for forgiveness from an elderly priest. Now, the darkness of the booth no longer scares you.

“I’ve been having all of these thoughts… fantasies, if you will.” You strain your ears to your left, hoping to hear a gasp, a reaction from Matty. “I think about him all the time, and I don’t know what to do because he just won’t let himself.” A low ache settles itself between your legs, and you know that he can hear your legs cross and uncross themselves as you try to relieve yourself. As you smooth your black skirt down your thighs, you finally hear a shaky breath through the tiny window.

“I wanted him right there on a bench a few nights ago but he stopped himself after kissing me.” Your mind flashes back to the witty back and forths of that night, dangerously toeing the line of inappropriate.

“It was dark and quiet and the only thing I could hear was his heart pounding against mine.” Your cunt throbs, filled with the image of you climbing on top of him on the bench. “I tried to get off when I got home, but nothing worked.” A beat.

“What did you do?” He breathes out. In disbelief, you manage to say through the haze, “I touched myself. I touched– I was so desperate for anything. “ The wood of the confessional booth creaks as you continue.

“I couldn’t stop thinking of him bending me over, the way his fingers looked wrapped around the bottle that night.” A thunk emanates from beside you, a groan resonating throughout the booth as you squirm. “I wanted his head between my thighs, I wanted to get down on my knees in front of that bench as he fucking ran his mouth.”

“Have you-” Matty starts, hesitating. You interject before he can continue. 

“I’ve never had anyone before.” You run your tongue over your bottom lip. “But I want him.”

“Stop.”

“What? Father-”

“Kneel.” You wait until he repeats himself, sliding off the bench and settling yourself on the floor. “Kneel.” Hands clasped, you close your eyes, waiting for his next directive. In the few moments of silence, your mind wanders before you ground yourself, feeling the grain of the wood through the knees of your tights.

Suddenly, the curtain is ripped open, velvet whipping inches away from your face. You blink through the spots in your eyes to adjust to the light filtering through the stained glass. Dust motes float in a haze around Matty’s head, and you swear you see a halo for a moment. Lips barely parted, his chin is tilted up, considering you as he looks down his nose.

His eyes bore through you, brown irises giving way to widening black pupils. You rise on your knees, breathing shallowly and staring up at him, waiting for him to cut through the thick soup of tension between you two. Matty’s hand rises and his eyes flick to it, as if he can’t believe he’s reaching out to brush a strand of hair out of your face.

The heat of his palm reaches you first, and you instinctively stretch to reach his hand, brushing your reddened cheek to his cool fingers. Matty’s fingers twitch away, only to return to your bottom lip, thumb collecting your sticky red lipgloss. He pushes in further and you take the chance to suck on his finger, gently tonguing at the intrusion. The rest of his fingers come to rest on your jaw, curling around the back of your neck.

He drops to the floor of the confessional and mirrors you on your knees, eyes scanning over your flushed face. Matty slowly pulls his thumb out of your now open mouth, where it joins the rest of his fingers on the side of your face, the glistening digit smearing spit over your cheekbone.

You don’t know who leans in first, but suddenly his lips are on your lips, and you’re gasping wetly as his hand travels down to rest on your hip, pressing you into him. He kisses and kisses and kisses you, a decade of desire being unleashed in the span of a few seconds. You grip onto Matty’s black shirt, running one hand through the gel that holds his curls in place. Delight blooms in your mind, and you grin as you kiss him. A sharp tug has Matty moaning into your mouth, tongue running over your bottom lip before you let him in.

You let out a giggle, realizing you’re the first person he’s kissed in ten years if you don’t count all the hands he kisses in blessing. Matty pulls back, a questioning look on his face, and you take in the string of spit that stretches between your mouths, the rise and fall of his chest, the shadow of the veins on his forearms. Now that you have him, you want to devour him.

He asks first, though. Matty’s hands slide down the back of your skirt, toying with the hem and tracing circles on your sheer black tights.

“Let me taste you,” he tips your head up, pressing a firm kiss to your lips as your head spins. You nod emphatically as you pull away, getting to your feet to sit back on the bench of the confessional. Matty rises too, and you look up at him as he undoes the top button of his black shirt, yanking his white collar out of the lapel and discarding it behind him. It hits the wood of a faraway pew, echoing through the silence. 

All you hear is the blood in your ears as Matty gets back on the floor and hooks one hand underneath each knee to drag you to the edge of the bench. You feel your cunt throb with anticipation. He flips your skirt up, sucking in a breath at the visible lace of your underwear. Matty’s hands slide beneath the waistband of your skirt, leaving behind a trail of goosebumps as he fumbles for the elastic of your tights. He hasn’t looked up at you in a minute, transfixed by how the pale skin of his hands looks against the black of your tights.

You lift your hips to help Matty pull your tights off, his hands running reverently down you. They stop at your knees, grasping the meat of your thighs, digging in and pushing your legs apart to bare the damp red lace of your underwear.

“Did you wear this just for me?” Matty rasps out, pressing a kiss to your inner thigh. You whimper your confession, hands falling behind you as you struggle to keep yourself upright, his kisses nearing the lace covering you. He licks at the fabric, contributing to the growing dark spot on the fabric between your legs. Your hips jump, and he presses down with a hand on your hip, silently telling you to stay in place.

“Fuck, you’re so pretty. All wet for me.” His breath ghosts over you as he hooks his fingers on your underwear, slowly tugging down. “Is this what you looked like after I kissed you the other night?”

“Yes,” you manage to gasp out before he pulls them off, balling them up and stuffing them in his pocket. Matty finds your clit with an assured finger, rubbing circles. He bites down into the flesh of your left thigh, tongue soon following to soothe over the spot. Through the daze of the headrush, you see purple blooming as he traces his tongue toward where his finger is focused.

He attaches his lips to your clit, sucking and lapping at it with the same fervor as he had kissed you earlier. Matty eats you like a man starved, like it’s water in a desert, like you’re the sweetest fruit and all he wants is to consume you.

“Matty-” you moan. He slips his tongue into you, nose bumping your clit as he traces your walls. You grind into his face as he brings one of your legs over his shoulder, pulling you closer to him. 

“So sweet making those sounds for me, love,” he says, withdrawing from your cunt to grin devilishly up at you. Matty’s hair is unruly and all over the place, chin glistening with you. He looks like he’s found heaven on his knees, and he brings a hand up to swipe your juices off his face. With a smirk, he brings the hand up to your lips, pushing two fingers in. You take them down to the knuckle, laving around them, and you see Matty reach for the front of his trousers, palming himself.

“Such a good girl for me,” Matty groans, pulling his fingers out of your mouth. “Going to make you come so hard you forget your name, your prayers” He reattaches his lips to your clit and brings his soaked fingers to your fluttering hole, slowly thrusting one in. 

The fire in your lower belly is rapidly building, the waves of pleasure reaching new heights as he carefully stretches you around another finger. “Matty, shit, fuck,” you whine, rolling your hips. He diligently laps at you, and the euphoria hits you, trembling on the bench. You feel yourself spasming around Matty’s tongue as he continues to lick you through the ecstasy, legs splayed out for him. 

Eventually, you push him away, bringing your thighs together and grinning dopily down to him. Matty is disheveled, his face covered in your juices. The hard line of his pants practically reaches out to you. I did that to him, you think, sticky and sweaty on the bench. Matty comes up to kiss you on the lips, peppering your face with soft devotion as he tugs your skirt down over the evidence of his worship.

The two of you sit together in silence for several minutes, the rise and fall of your chests perfectly synchronized.

“Good first?” Matty mumbles into your hair, playing and twisting your locks. You twist to look at him, an incredulous look on your face.

“You’re one to talk!” Your mouth drops open, laughing at the incredulity of his question. “You haven’t had sex in ten years.” Matty’s face drops momentarily before he runs his hand sheepishly through his hair.

“You’d probably never believe it, but back in the day I used to be quite a catch.” He wiggles his eyebrows. “That’s why they sent me to seminary. The girls couldn’t get enough of me.” You hide your face in his neck so he doesn’t see your reaction, eyes crinkling and mouth widening at the thought of a Matty your age being the talk of the town parties. 

Shaking your head, you stand up and push through the curtain, waiting for him to follow you. He emerges from the darkness of the booth like an angel, pushing back the sleeves of his shirt where they’ve started to fall down his forearms.

Matty presses a chaste kiss to your nose as his arms bracket you against the confessional. You tilt your head up to capture his lips, pulling him closer as he trails kisses down your neck. You let him for a moment before you slip out around him, spinning on your heel and smoothing your skirt down. Matty looks dangerous now, not understanding why you’re pulling him away from the booth — his eyes tell you he would take you right over a pew if you let him.

“The rectory,” you say, taking his hand in yours. Matty walks with purpose, his strides long, and you struggle to keep up with him.

“Can my poor girl walk after what I just gave her?” You roll your eyes at the endearment, focusing on putting one leg in front of the other. One wobble and you would answer his question, which you aren’t allowing tonight.

A few minutes later you lie on his soft white sheets, legs parted as you lazily slip your fingers through your folds. Matty stands at the corner of the bed as he pulls his dress shirt out of its tuck, nimble hands unbuttoning and sliding the garment from his shoulders. 

“Didn’t know priests could be so fit,” you giggle. “Is there a priest gym?” Matty throws his head back in a laugh.

“The dress code is cassocks, and it’s just rows and rows of priests on weight machines.” He jokes. “It’s practice for lifting babies out of water.” You pull a serious face, nodding solemnly. 

“I hope I’m not intruding on your priest gym time tonight.” Instead of riffing off you, Matty decides to lift you up, spinning to land you on his lap. The rough fabric of his pants zaps the nerves in your clit, and you unwittingly grind down, making contact with his length. The air in the room is charged once again, ions waiting to be aligned to carry the spark between you both.

In one move, Matty kisses you square on the mouth and rolls you over. He towers over you, eyes zeroing in on your dripping cunt. You grasp for his belt buckle, yanking it out of the loops and throwing it into a far corner. His hands replace your own as he tugs his pants down first, revealing his tight black boxers.

Your mouth waters at the sight, but your reaching hands are gently stopped as Matty breathes a question. “Condom?” He raises an eyebrow, and you frantically shake your head no. “On the pill,” you briefly explain. Matty’s eyes darken as he slides his boxers down. His cock slaps against his stomach, red and weeping.

He circles his hand around it, stroking and tugging. “You look like a wet dream,” Matty says reverently, sliding down the bed to position himself over you.

Your hand joins him on his cock, and together you guide him to your soaked entrance. He swipes through the mess, coating himself in your cum. Torturously slowly, he finally presses into you.

“So tight love, you feel so good.” You grasp at his forearms, fixating on the curl dangling from his forehead. Matty’s abs flex under your fingers as he slowly pushes into your cunt, burying his face in the crook of your neck. His pants throw a hot spear of need through you, and he stills as he bottoms out. He’s bigger than anything you could’ve imagined. Matty stills between your legs, the two of you suspended in a tableau of sacrilege. 

“Move, please,” you whisper, hugging him close as the pressure subsides into pleasure. Matty draws out slowly, and you feel every ridge dragging within you. Pleasure runs up your spine, and you whimper as words leave you, hoping he can tell you want, you need more. 

He slowly rocks back into you, hips setting an agonizing pace. You feel so hazy, and you have no idea how to make your mouth work and tell him to give it to you faster, harder. Your head lolls backward, eyes blurry with desire.

“Ask me,” he says, and you shake your head, not understanding. He reaches up to his own forehead, down where the two of you are connected, then to his left and right shoulders. 

“Oh-” you gasp, reaching up with both hands to take hold of Matty’s fist. You press a kiss to his knuckles.

“Bless me father, for I have sinned.” Matty moans, his thrusts finding a new vigor. He drills into your cunt, kissing spots in you that have stars exploding behind your eyes.

Bending down, Matty laves over your tits, sucking your left nipple into his mouth as he rubs at your clit. He rolls your nipple between his teeth, spit pooling on your chest. His mouth leaves your breast only to be replaced by a hand expertly tugging and twisting at your nipple. 

You spread the spit from your tits, pressing down on your lower belly at the hard bulge of him inside you. And shit – you feel him, tightening your body’s grip on his cock.

“Do you like that, love, me filling you up so well?” Matty groans, dragging his hand down, interlacing your fingers and covering your hand with his. He pushes down to feel his dick in you, watching himself thrust in and out as the head pokes at your belly.

You mewl, digging your heels into his lower back, letting him roll further into you, cock hitting places so deep in you you didn’t realize they existed. 

“Where do you want me?” Matty asks with a hoarse voice. You lock eyes with him, wrapping your arms around his neck. “In me.” He swallows the rest of your sentence with a kiss, tongue fucking into your mouth in time with the buck of his hips.

“Taking me so well,” his hips set a frantic pace. Your eyes roll back in your head, spots dancing across your vision. “Come for me, love.” You fight the sensation off, wanting to come with him. Matty’s hand burns circles around your clit as he thrusts mercilessly, filling you over and over. 

With the first clench of your walls around his cock he twitches, a low grunt slipping out of his mouth as he hoists your hip up with one hand and somehow hits deeper. You think you might die if you don’t come soon. Hurtling towards the edge, you light up on the inside as you convulse underneath Matty. Eventually, you topple over, arching up into his chest as his cock begins to pulse inside you.

Sticky warmth fills you, and he fucks you through the last waves of his own orgasm. “You’re fucking perfect,” he moans, one hand next to your head as his hips still. His cock softens in you, but neither of you makes any move to shift.

You smile blearily up at him, and he dips his head to press a sweaty kiss to your forehead. His bed suddenly seems all the more inviting, and you both nearly drift off before you start to feel your cum dripping out around him.

Matty shakes some sense in himself to get the both of you cleaned up, and you wince when he slips out of you. The sudden emptiness colors your vision as you clench around nothing. He pads back to the bed with a washcloth, gingerly wiping your folds of cum and throwing the square into his laundry. He slips on a pair of boxers before handing you a matching pair, tugging a faded navy shirt over your head and gathering your hair to pull through the neck.

You feel as if you’re about to burst from the tenderness as you gaze at Matty curled towards you, perfect mirrors of each other. 

“Stay,” he whispers, kissing you.

“I will.” You close your eyes, hands reaching out to intertwine with his.

[bixels]

im gonna be honest sir for the longest time i thought you WERE a beautiful butch lesbian on account of the multitudes of lesbian art and your attire in photos and your lack of pronouns that would suggest otherwise

Sorry to disappoint.

[flowerygraves]

this aint nothing new but the state of passenger rail in this godforsaken country is fucking despicable. and we should all be ashamed

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[marblerose-rue]

click for better quality!

whaddaya think makes tracks like that? / needletail and violetpaw

[sleepyseamstress]

Today's Shy Look

Guest nugget Summer belongs to my friend Frei

[rosieparker1856]

I was dead asleep and woke up like a fucking zombie with the thought of “I wonder if when people go to Danny’s Grave to offer their condolences or whatever people do, if Danny can only hear it when he is a ghost.” I’m imagining it like an answering machine, you don’t actually know the message unless you play it back. This idea has probably been said before, but it’s 4 a.m and I’ve written 6 college papers in the last 24 hours. I wasted good sleep for this random bunny.

This premise lies solely on the fact of Danny actually having a grave stone, for people to go to.

That being said, a lot of people don’t go to Cemeteries every time they think of someone who passed away. Personally, with my Great Grandmother, when I want to remember her I bring out her old cookbooks and make her favourite recipes. And I talk to her the entire time I’m cooking. Especially during Harvest Fest.

So, in that mindset, can Danny hear everything people say when they’re remembering him? Cause that could get really annoying really fast for a boy who’s still half alive.

Like he’s partnered up with Wes on a Chemistry project and all that’s going through his head when he’s fighting a ghost when they’re supposed to meet up is “Danny Fenton, Danny Phantom, why isn’t he here already? I didn’t see a ghost on the news” or something like that. Don’t judge the dialogue literally have had 2 hours of sleep the last 3 days cause of work and classes.

Someone please, if this is a thing and there are fics about it drop them in the comments. Is that pick me? To ask you to comment? Anyways, i should try and get back to bed.

This is not proofread and I didn’t even put on my glasses for it, so if it’s clunky/there are misspelled words, no there aren’t.

[chirpsythismorning]

bylers when over 350k people don’t have the exact same thoughts and opinions as them

[hplonesomeart]

Heyyy….so I’m back to posting arts momentarily I guess (not like I went anywhere though. Still spending my life staring at a iPad screen for nine hours straight….hate this routine I loosely call “living” so much hahahahaha chronically online potato sack. Not doing so hot I can’t even anymore!)

Anyways uh-so I have a lot of scraped things because I’m loosing energy to do creative works I can’t keep pushing myself. Kinda accepted that I’ve weighed myself down exhausted myself with all this pressure and I need to let go. But it’s hard and honestly the last thing I want is fatigue again. But guess it’s a cycle for a reason huh. Can’t fight it off, just stuck powerless and letting it happen begrudgingly

So I made this unfinished gif (you can tell because the hand is missing and the background looks unidentifiable. Plus cigarette smoke just gave up on existing wow so relatable). Honestly I kinda set myself up to get stuck on the process of this anyways since I don’t like animating on Procreate. The layering frames system is a pain to navigate. Only reason I wanted to animate Mr. Puzzles using Procreate is for some level of gained “experience” and added brush diversity for the glitch effect. But guess it wasn’t enough to keep my attention. Started it on August 5th, probably abandoned it two days later or so. I don’t know it feels like a long long time ago by now but that’s just because I’ve been overwhelmed mentally and can’t keep track of days passing bye

And this is the simplified version (aka what I started with originally as a drawn base messy sketchy illustration)