#tell me more ppl to write about!

[b1ueoff1ine]

Hello Hello!

I'm back after a very much needed few month break, and back with some more prompts! Enjoy! Send a character and a number for a drabble!

Dramatic Writing Prompts

"You're being reckless, and I don't like it."

"You're not invincible- stop acting like it, dumbass."

"Just give up!" "Never!"

"People need me!" "Do they?" "..."

"Who are you to tell me that?"

"Please just listen to me for once."

"If you want to leave so badly then just leave!" "Fine!"

"I don't need you!" "You sure as hell do!"

"You're such a hypocrite." "Look who's talking."

"I can take care of myself."

[inkskinned]

you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.

you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.

he says i don't like small talk. and then he smiles again, watching you.

a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.

he doesn't like small talk, figure out something to say.

you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.

people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.

wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.

also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.

he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."

you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.

"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."

he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.

you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.

is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?

you look down to your hand, clutching the knife.

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[teddybeartoji]

ok so i have mentioned it before but i've been rewriting the "i hunger to commit the act of touch" series aka the prince!gojo x knight!reader series bc i felt like my writing has improved so SO fucking much and i just knew i could make the existing chapters so much better.

anyway the question now is whether i should hold onto the chapters until i have multiple of them ready so you guys wouldn't have to wait that long for updates orrrrrrr should i just drop them as i finish them? both are still going to take time though so remember that .

i'm still me so it would still probably take me a long time before i finish ALL of them and so i thought maybe it'd be nice if you guys can read the ones that are ready in the meanwhile yk?

[necrotic-nephilim]

I started in DC by reading fanfics, but as I began to read actual comics, I started to be unable to read the actual fanfic that got me into it in the first place because it's so out of character.

But there are still some stories that I love to read because I love the found family trope so much, even if it isn't really accurate to the source material.

As a comics purist (sometimes), are there tropes that you like enough that you'll still enjoy a fic even if it's not accurate to canon?

oh my god this is SUCH a fun question. bc while i started with the comics, there were certain characters and/or character dynamics where i was exposed to the fanon before the canon (just bc it's hard to read everything when you start out just to read some fanfic) and so i've definitely experienced the fanon to canon transition. (*especially* with Jason Todd. i had only read 80s/90s stuff where he was already dead or the New-52 bc that was on-going when i got into comics and man. the fanon misunderstandings i had about him before i got frustrated and sat down to read all his pre-Flashpoint stuff were absolutely bonkers.) and aside from that, whilst i tend to prefer canon over fanon, i'm not past giving fanon its flowers for occasionally having really interesting insights. occasionally. so some of my fanon "guilty pleasure" tropes would probably be

Morally Grey Tim Drake - this is one where if you try to back it up with canon, i *will* get salty about it. of everyone in the Batfam aside from maybe Bruce and Cass, Tim has the *most* black and white morals. often his internal conflicts are routed in such an inability to compromise his moral views and it can cause him to clash with other characters. he's *very* stiff and rigid in his beliefs and is *rare* to compromise in even the smallest ways. i mean, DC has repeatedly used Tim Drake of Tomorrow/Savior/Gun Batman!Tim for a reason. it's to demonstrate that of everyone, Tim *cannot* have his morals compromised. there's no grey area for him. he's zero or a hundred, so if he tips over the edge of "too far" he tips *all the way*, and doing so is one of his worst fears, how he could go "too far" if he let himself. a couple panels out of context from Red Robin (2009) (which was a grief spiral for Tim to begin with) don't change that. now that said. if it's done *right*, i sort of love Tim being morally grey in fanfic. it takes a specific flavor for me, and it's incredibly important to include that mental spiral along with it, of him struggling to justify it. i don't have any interest in "Tim Drake is loosy goosy with Bruce's morals and has the highest kill count and no one knows teehee" bc it doesn't play with the interesting parts of making Tim morally grey, which are fracturing his psyche. but all in all, i think it's fun to put Tim in a morally grey area and i will read it in fanfic and i enjoy writing it a lot

Joker Junior!Tim Drake - i've not written it on this account (yet) but on my main ao3 account one of my biggest fics surrounds this concept. this is one of those "well *technically* it's canon but only in a specific very divorced from the comics universe and would not work at all in the main timeline" so, i categorize it as fanon in that 95% of fics exploring the concept are not doing so within the Batman Beyond universe, but the main timeline. i just love it. I'll take any excuse to whump Tim, but this concept is so fun. psychologically breaking Tim will always be my favorite pastime. there are so many ways to explore the long-term effects this could have on him, how it could affect the Batfam. i'm not a fan of it being used as a "gotcha" to Jason or Babs' trauma with the Joker to paint Tim as the Ultimate Victim, but it is fun to see how their relationships would be affected by being mutual victims of him. (i have a vague JayTim idea where TIm fully retires from being Robin after being Joker Junior and killing the Joker, making Steph Robin for most of his typical Robin era and Jason still tracks him down out of curiosity bc he wants to know what happened and all. very underbaked but i've got thoughts.)

Renegade/Apprentice of Slade!Dick Grayson - this is another one where yes, this happened *sort of* in canon, but i highly doubt most people writing Renegate!Dick have read or are actually pulling from Nightwing: Renegade. it's just an exploration fo the concept fo Dick being Slade's apprentice and i will always eat it up in any capacity. whether Dick grows up with Slade from a young age, or chooses Slade for whatever reason later in life. it's not anything that works in canon bc it compromises Dick morally (similar to the above with Tim) and therefore will always come across incredibly fanon in most fics. but i can't say i don't enjoy it. it's fun to make Dick a little morally fucked up and see what you can make him under Slade's tutelage.

Jason & Damian Meeting in the League -there's no world where i believe this could work in the canon comics. (maybe in the Young Justice cartoon i suppose, but even then i think it's iffy) i would go as far to say it's wildly unrealistic. i don't see a world where Ra's would let Jason anywhere *near* Damian, bc Jason was Talia's pet project that he didn't approve of. that all said, there's something very interesting about how they *could've* met and them potentially bonding during that timeframe. them being somewhat brotherly during this time because Jason sees Bruce in Damian and sort of latches onto the kid and Damian is full of wonder hearing real stories about Batman and Robin, then that getting violently ripped away by Jason leaving the League is fun to me. it's fun how that could affect them within the Batfam and all. it's super fanon to me, but i do not care. i will eat it up

Bad Dad Clark Kent/Good Dad Lex Luthor - i will admit as a late, i've been less and less kind to this particular fanon bc of everything i've argued with people about, *this* one seems the most pervasive as misunderstood fanon. i don't mind when fanon exists, my gripe is when ppl try to claim it's canon. and the *arguments* i've had over this with people who can never seem to cite an actual comic are... frustrating. but that said, i think there is something fun to this strictly in fanon. the duality of who you expect to accept Kon and who you expect to hurt him being flipped is just sort of fun for the occasional guilty pleasure fic. it can make Kon's internal conflict a bit more interesting. the same goes for the Jon favoritism from Clark, it's not a canon thing (and i rlly wish ppl understood how complicated the timeline of Kon and Jon is and any distance from Clark toward Kon isn't malice, it's that Kon is from a timeline that Clark does not remember in the current canon so Clark just straight up doesn't know the poor kid.) but it's sort of fun to give Kon that complex of being overlooked and forgotten sometimes. making Kon just a *bit* more Luthor than Kent will *always* appeal to me in fanfic, especially if he *knows* it's wrong but craves approval from anyone who will give it.

Good Dad Bruce Wayne - i'll die on the hill Bruce is canonically a shitty father. maybe not to the extreme some people write him as, but he's not great at it. that said, i enjoy it in fanfiction. sometimes, i just want silly fluff or hurt/comfort where Bruce finally gets it right and manages to comfort whatever Batkid is in the fic. one of my favorite fics of all time is hinged on Bruce being a good dad, so i think it's just fun to explore how good the relationships *could* be, if Bruce was slightly less of an asshole. i usually prefer him as an asshole, but there are times i want low stakes nonsense.

Gotham Rogues Having Soft Spots for Robin(s) - just about every Rogue in Gotham has done something absolutely irredeemable, and most of them don't like or care about anyone in the Batfamily. but if there's a fic where one of the Robins inexplicably is sort of close with a Rogue and they have a cute silly relationship out of it? I'll eat it up i fear. Steph and the Riddler are besties? I'll believe it. Tim and Scarecrow get along pretty well? give me ten of these. Rogues protecting Robins just hits a spot. the unexpected nature of the relationship, as well as the fact they see each other regularly, can make a lot of good fodder.

[seaweedstarshine]

Late to the game as I’ve kinda been kinda non-here for a minute but I scrolled through the Dot and Bubble tag, and thought I wanted to write this post into existence.

There's this part in Doctor Who Unleashed where RTD says this:

“What we can’t tell is how many people will have worked that out before the ending. Because they’ve seen white person after white person after white person, and television these days is very diverse. I wonder, will you be ten minutes into it, will you be fifteen, will you be twenty, before you start to think, everyone in this community is white. And if you don’t think that — why didn’t you? So, that’s gonna be interesting. I hope it’s one of those pieces of television you see, and always remember.”

And I'm like. Yeah. But the reason this works even as well as it does is largely thanks to the work of the previous showrunner with the previous creative team, which was notably the first era to have any writers of color (amongst other firsts in terms of inclusivity in directors, composer, actors). While Chibnall fumbled whenever he tried to write about race himself, he did have the self-awareness to have Black and South Asian writers writing the episodes where race is the focus (and a female writer for the episode where sexism is a focus; my point is, he seemed to know his shortcomings).

I wonder what the current creative team looks like? (not really, but I wasn't 100% sure for all of them)

To quote RTD:

“...before you start to think, everyone in this community is white.”

This is pretty non-self-aware, right? It's pretty “It is said, and I understand this, there was a history of racism with the original Toymaker, the Celestial Toymaker, who had ‘celestial,’ and I did not know this, but ‘celestial’ can mean of Chinese origin, but in a derogatory way,” right? (from The Giggle Unleashed) It's pretty “and I had problems with that, and a lot of us on the production team had problems with that: associating disability with evil,” right? (from Destination Skaro Unleashed)

—none of which are issues that should be overlooked, but think how much exponentially better they might’ve been addressed if he’d consulted with Chinese writers and wheelchair-using writers before going straight to giving the Toymaker weird fake accents and making Davros walk?

How many Black or non-white people do we think saw the Dot and Bubble script before it landed in Ncuti’s hands?

And this just keeps happening.

And like, from some of the shocked responses I've seen from white viewers to the ending of Dot and Bubble, maybe the episode's unsubtlety was needed? From the way RTD talks about it in Unleashed, the episode was written with a white audience in mind, Baby's First Microaggressions (where of course the microaggressions come from people who are pretty self-admittedly white supremacists). Ricky September, a more seemingly normal depiction of someone in the racist bubble of Finetime, seemed like an interesting element, up until the way he died.

The ending worked for me, because I do think the Doctor's reaction is true to how the Doctor would react. I just keep thinking of how much better the core themes could've been handled by someone with actual lived experience on the subject matter.

[singingcicadas]

The way it's depicted, Cybertron's pre-war societal issues had a lot less to do with Functionism and more to do with unchecked government corruption, massive wealth disparity, high layoff/unemployment rates, and disenfranchisement.

People were starving, they needed work, they weren’t getting any. Those that were fortunate enough to have work didn’t get paid living wages, much less have anything to spare for health contingencies. Even then stability’s still the luxury of the top few tiers; they live one cut away from layoff. The government cared only enough to exacerbate these issues by coming up with new ways for exploitation. Any attempts to protest or lobby were shut down through political persecution. As a result the masses turned increasingly to crime, drug abuse, thuggery, and violence. Extreme acts of terrorism gets lauded as long as the collateral damage's suffered by someone else. Morality and caution are eroded in the face of desperation.

Meanwhile the many alleged restrictions of Functionism are just lip service complaints made by the characters which doesn’t match up to most of the stuff we’re shown. Like if Rung could become a psychologist, a specialized job that requires higher education, despite having zero background on top of such a weird alt that he had to be classified as an ornament, then wow the functionists must be open-minded. If Dominus Ambus could be a scientist/doctor/explorer/author/successful social rights advocator during the height of functionist control with a minesweeper military-use alt (assuming that his secondary alt's the same as Minimus'), then wow the functionists must be accommodating. If Tyrest could become chief engineer under Nova and later go into law, a complete change of profession, while being a jet, then wow functionism's flexible. If Ratbat and Momus could become senators in a society that discriminates heavily against beastformers and labor frames, then wow that’s progressive. If every Prime from Nova to Zeta (with the exception of Sentinel, his alt’s a tank, he only has wings in Megatron Origin as part of his Apex armour upgrade), every single named pre-war senator other than Proteus and Momus, and four out of five of Nova Prime’s buddy club (only Galvatron's a grounder) were wingframes in a society that supposedly discriminates against wingframes, then wow that’s… inconsistent worldbuilding.

Megatron didn’t get into bloodsports or start a war because he didn’t get to pursue his dream job. He got driven into the pits and down the slippery slope of moral degeneration because his only source of income was cut off by the mine closure incident. People wanted livelihoods above anything else, it's the failure to provide that that made the miners go off the deep end and resulted in the death of a guard. If Functionism actually ensured that everyone could be guaranteed a job or at least minimized the unemployment rates, then stratified castes or not, there would have been no war. People, or societies, are generally capable of tolerating an incredible amount of injustice as long as the majority still have a chance at scraping by at the end of the day. But the government, and later Megatron, kept yanking the rug out from under everyone over and over until they no longer even had a chance at that; there's no other choice left but fight or die.

[lord-squiggletits]

A tangent from the tags of my previous Pharma post (and I just thought about this so bear w/ me if it's hastily reasoned) is that the Autobots being generally sanctimonious is actually sort of a reason why I find a lot of IDW Optimus interpretations to miss the mark, specifically the accusations of calling him stuff like self-righteous, caring more about principles than people, etc. And I know that sounds really ironic, but out of every Autobot (and almost every character period), Optimus is one of the few people who has a very forgiving/humanistic perspective on life or at least has a political approach of "if we don't stop fucking fighting we're going to be at war forever and eventually just kill ourselves."

He very explicitly wanted a diplomatic end to the war and not a military victory/conquest. He extended multiple offers to Megatron personally to work together and end the war (Autocracy trilogy, which was pre/early war, and Chaos Theory, which was late/end war, so from this we can assume Optimus' stance was consistent the whole time). When ppl hated him so bad they rioted he removed himself from the planet rather than argue or fight to justify why his actions were the best he could do. Sandstorm starts murdering Decepticons and Optimus solves the murders and then throws Sandstorm in prison bc sparing one of his Autobots the consequences of his actions is less important to Optimus than keeping the peace and making sure anyone who threatens to ignite wartime hostilities is punished for it. There are multiple characters throughout the series that other people give up on as too far gone or too cowardly/evil/damaged to be worth helping where Optimus alone is the person who says "I think they can get better/they did bad things but they're still people" such as the Dynobots, Blurr, Prowl (despite how OP's patience with him hung by a thread by the end of it), Shockwave, and, yknow, fucking Megatron of all people.

And on top of that Optimus' internal thoughts most of the time revolve around feelings of guilt, responsibility, anger, hopelessness/barely hanging on to his ideals, and so on. Bro regularly has thoughts about how the entire Autobot-Decepticon war was his fault and is depressed to the point the thought of dying/martyring himself makes him feel relieved. So like. Idk guys I don't think those are the personality traits/actions of a self-righteous person who thinks he's correct about everything and everyone who opposes him or fails his moral standards is just evil or whatever.

[scoriarose]

Psst, other snake caretakers

I have an idea for April Fools-

who wants in? Private message me for deets.

[b1ueoff1ine]

why does the fanfic I hate the most after writing have so much love? like what-

~•~ Bad Day Turned Amazing ~•~

Norman Osborn FanFic

Norman x Reader(any gender)

Summary: Norman was always nice to the staff at Oscorp, but he was never this nice.

Warnings: fluff(near the end), mentions of death/ppl passing away, bullying(y/n receiving), the ending tho… 😫

A/N: i'm excited about how this turned out! also, know this: a boss or employer is different than a supervisor!(this will need to be understood for parts of this fanfic!)

                          ♤  ♡  ◇  ♧

Today was terrible so far.

Your brother passed away just hours ago. You really didn't want to go to work today, but you thought that having something to work on would distract you from the sorrow that had darkened your day.

After you had gotten ready for work, you grabbed a leash and hooked it onto your yorkie's collar, and opened your door. You trudged down the steps and you let your dog do her business in the small yard in front of your apartment complex. You returned to your apartment and let your dog off her leash.

You grabbed your wallet and car keys, and stepped outside again, closing the door behind you. You again walked down the stairs to the small parking lot.

Once there, you got in your sedan and began the drive to the Oscorp building.

●  ●  ●

Shortly after arriving at work, your co-workers had started fighting, and blamed some random ass thing on you. Could this day get any worse? You thought desperately, crying slightly.

Little did you know, it was about to get a whole lot better.

A loud slam on your desk woke you from your distracted trance, and you looked up to see a fat stack of disheveled paperwork lying on the corner of your desk with your supervisor standing next to it.

"Imma need you to get all of these done by tomorrow, Y/N. You can't use any of your lame excuses to get out of it. Deal?"

"Deal," you sigh, wishing you were anywhere but here.

As your supervisor turned to leave, they used a finger and pushed the papers until they were teetering on the edge of the desk, then left.

You slowly reached for the stack, and the second your hands touched paper, the whole thing fell to the floor.

Your co-workers didn't like this, no, they hated you for it. Harsh words spilled from their mouths as they watched you crouch down and pick up paper after paper.

Harsh words turned into furious words, and furious words turned into yelling. You cried harder as you sat there, feeling helpless as you slowly picked up papers.

"Be quiet, all of you, and get back to work." A loud voice sounded from the direction of your boss's office.

You turned in the direction of the call, but you couldn't see anything through the tears that clouded your vision.

You could feel your whole body shaking, and your face was red with embarrassment and wet from crying.

"Y/N, are you alright?" A voice sounds from directly in front of you.

You lifted your head from where it sat between your hands, and you paused. How did Norman know your name?

Norman apparently sensed your discomfort, because he had someone nearby go get you a glass of water.

"What happened, dear?"

What. The. Fuck. He never called anyone dear. So why did he call you that?

You took a sip of your water. "I-... I guess I'm just h-having a rough day." You said shakily, before returning your head to your hands.

"Do you think you can talk to me in my office? I'd be happy to chat with you there." He offered.

"S-sure," you reply, cheeks still wet.

He helps you stand, and puts his arm around your shoulder, leading you in the direction of his office.

You step inside, and he closes the door behind him.

"So no one eavesdrops." He explains when you raise an eyebrow at him. "Please, sit. Let's talk about what has been happening. You haven't been getting as much done as you used to."

You take his advice and you sit in the chair across from his desk, and he sits in his own chair.

"I'm sorry, sir. I've been very distracted lately. Today was just a bad day… My brother passed away just this morning... I thought coming to work would distract me from the dismal distractions of my personal life. But it just made it worse, and I wish I could be anywhere but under my awful supervisor's controlling gaze." You managed to say it all without pausing, and you let all your tears out afterwards.

The news must have shocked Norman, because when you looked at him, he was staring into the distance with a concerned expression.

"Y/N, do you need me to change you over to a different supervisor?" He said, still thinking.

"I-I don't understand. You would do that for me?"

When you said this, all signs of pondering vanished from Norman, and instead, he had loving eyes and an intent gaze on you.

He suddenly stood and walked around the end of his desk. When he was standing right in front of you, he leaned down swiftly and pressed his lips against yours.

Pulling away, he said the most handsome thing a man could ever say before kissing you again:

"Oh darling, I would do anything for you."

♤  ♡  ◇  ♧

[marimbles]

at the risk of sounding like really entitled….

does anyone else have a fic that is their most popular, but you don’t want it to be, because you don’t think it deserves it, and you have better stuff, and while ofc you are grateful that people like something you wrote, it’s almost annoying that for some reason That one is the most popular. lmao

[nostalgia-tblr]

i nearly anon'd the thorki non-con fic out of SHAME but in two weeks it's become my third most clicked-on fic of the year, behind only a multichapter fic and a bit of angsty sifki porn lololol

[bsotted]

ok well. unfortunate news: sometimes ur niche is so niche u've already niched the niche. this is exactly the same as the feeling of hitting the end of ur ship tag in ao3 🥲

*edit: sorry i accidentally named like every character ever in the tags so ppl are Seeing this post who dont have the benefit of so much as a single crumb of context. if i accidentally namedropped ur blorbo its bc of this post:

anyway. i was excited for recs bc i also enjoy this genre of fictional character. unfortunately as above the niche is niched, it turns out. at least for me, content enjoyer georg, who has apparently already seen or read everything anyone else has already seen or read except for a small handful of specific media properties that i do not wish to see or read for various personal reasons and also not literally everything ever... just the same things as everyone else has already seen and read... u get the idea. ok thnks ���🏻

[skunkes]

might sound weird to say as a person with a couple ocs who have Big Horrible Event(s) in their backstories or as a person who has like 3 ocs total bc he sucks at writing and as a person who hopes their ocs arent too Boring with [the thing im about to mention] but the thing about writing [characters] and [people] is that like.

any little thing a person experiences can take up their whole existence... its actually something "fun" to experience as i meet new ppl and do more things. My friend had something happen that she'll be talking about forever. I had several things happen last year that ill never stop talking about, some of which other ppl think werent that bad actually. In the same way I'll forever remember about the way my sister accidentally insulted me almost 10 years ago, it's really interesting and Fun to find and assign smaller things like that to characters...its really Real. some people's dealbreakers are other people's solvable problems etc etc

[necrotic-nephilim]

this is an invitation to ramble about slade/batboy ships: sladick, sladejay, sladetim, sladedami, and other batfam member/villain ships, especially jayroman and ra'stim :)

AAAAAA this is so delightful oh my god thank you. adding a read more just because this one is going to get Long to cover all the ships and all my opinions. because my god do i love Slade.

firstly, the original Robin/villain ship, SlaDick. Slade Wilson, literally created to be a Teen Titans villains, with the original Robin he cannot be normal about ever. i'm so sad there's not much interest in Slade aside from making him a generic Evil Guy who canonically likes teenagers because i think to just boil down his complex with Dick to 'weird attraction' robs them of SUCH nuance. Slade *trusts* Dick, he trusts Dick enough to ask Dick to train his own daughter Rose. and initially Slade's complex over Dick isn't sexual, it's seeing Dick as a replacement for his dead son, Grant. that's messy as hell and i love them for it. i don't think there's a single villain that has the respect for Dick that Slade has. i'm always of the opinion Dick's attraction to Slade is rooted in daddy issues and Slade's attraction to Dick is rooted in dead son issues. do i think they could end up as an old married couple? yes but only in a world where Dick is completely broken and feels alone. my favorite SlaDick flavor is post-Jason's death. Dick and Bruce are arguably at their worst during that era to begin with so Dick is pretty isolated and emotionally unstable. and Slade would take such advantage of that, swooping in to offer Dick emotional stability and fucked up sex to get out pent up emotions. (i'm big a big fan of Dick fucking out his feelings tbh) and Slade is just. this sort of bad habit Dick will kick for a year or two then come crawling back to. you can directly track how well Bruce and Dick are getting along based on how many times Dick has slept with Slade recently. and that's the prize, for Slade. knowing Dick will come back to him, eventually. it's all about patience. and if something really extreme happened to Dick (like Bruce's fake death) i think they'd even date briefly. it's not entirely impossible for Dick to date someone he disagrees with morally (see: his flings with Helena) and i think Dick would keep trying to 'save' Slade, using the upper hand he has of filling in this role of Slade's dead son to try to domesticate him. would it work? who knows but if anyone is going to try over and over, it's going to be Dick. it's practically self-harm for Dick yet the only thing keeping him sane. i love them.

SladeJay is... an interesting one for me. because i like the *potential*. but they have no significant interactions pre-Flashpoint. and while usually i can forgive New-52 and Rebirth for their grievances if it has ship fodder i just... can't do that for Jason. Judd Winick's Jason is the only Jason that exists to me so even Slade and Jason's canon interactions matter little to me because it's not the version of Jason i care for. the upside of that though, is it's more of a sandbox to explore what they could be and there are no limitations. i can just run wild. which is fun bc. you're telling me Slade wouldn't be so drawn in by the idea of a dead Robin who's come back and is now the antithesis of Bruce's morality? i think at some point Slade would want to poke the bear, really see what Red Hood is made of. do i see them working long-term? no but i do think Jason would have zero qualms working with Slade if he got something out of it. and if he could fuck with Bruce or Dick by having a short, fucked up relationship with Slade? that's even better. i don't think Slade could ever truly respect Jason, at the end of the day the Dick Grayson standard is too high and Slade would sneer at the idea of a legacy who fucked it up so bad he got blown up. but, he'd see that as Bruce's failure more than Jason's. and for Jason to have someone look him in the eye and say that Bruce *failed* him? i think that'd just *do* something to Jason. and Slade has lost a son, he knows what that loss feels like, how you feel you failed as a father. would he have interest in being fatherly to Jason? no but i think he'd have fun momentarily manipulating Jason and seeing what reactions he gets out of what jeers. Jason's been calling himself a failure this whole time, so to have someone else say it is no real big deal, but to have someone else say it's Bruce's fault and voice Jason's feelings? they'd have the most fucked up sex with the most unhealthy dirty talk that's both gentle and degrading. i don't think Jason would ever let himself get too close, he's far too emotionally guarded. but for a second, i think he'd fantasize about having even *half* the amount of attention that Slade gives Dick. bc what has Jason always been, but in Dick's shadow.

SladeTim. my two blorbos. in one place. somewhere in my drafts i have a half-started longfic about SladeTim that's one half really fucked up porn and one half slowburn feelings. arguably Tim and Slade don't have many canon interactions, but it's fun to me that when they do, Slade always seems sort of startled by how well Tim fights back and Tim's willingness to fight dirty in a way even Dick doesn't. and to me, that's the crux of this ship. as far as Robins go, Tim should sort of slip under the radar for Slade. he's not the dead one turned villain, he's not the grandson of Ra's al Ghul, hell he's not even the child of a second-rate villain like Steph, he's not *the* Dick Grayson, he's just... the other one. grew up pretty rich and normal and fell for all of Bruce's wax poetic nonsense. so when Tim puts himself on the map as a hero, makes himself a worthy opponent against Slade that's interesting. even to Tim, Slade isn't a particularly remarkable villain since Slade cares to stay more on Dick's radar. so when they cross paths there's a lot of unexpected. neither of them have thought about the other too hard. so there's this interest and intrigue about it i love. i'm a big fan of the idea Tim is a massive masochist, both physically and emotionally and Slade is The Sadist Ever so. i like them falling into bed together and having the most fucked up sex. like Tim just being a Weird Little Freak so fucked up even Slade raises an eyebrow. because this isn't what you *expect* of a kid like Tim, who's had a pretty easy life before tangling with vigilantes. he should be like a fish out of water, but instead he's matching Slade's energy in ways even Dick doesn't. and of course, how smart he is, that's an asset. it takes a special kind of kid to have the audacity to poison Lady Shiva with hotel chocolates and pull it *off* no less. it earns a begrudging respect, and it's rare to get Slade to respect someone. i really like the idea of Tim seeking Slade out only for fucked up sex and somehow Slade falls for this weird little freak who's cold and clinical outside of sex and keeps him guessing.

i'll be honest i've only considered SladeDami in the context of seeing antis say 'omg Slade has been predatory toward Damian ewww' and going 'no the fuck he hasn't but if you want that so bad i'll ship it just to spite you all' but their canon interactions do fascinate me. a lot of how they interact is predicated on Slade as a father, even more so than SlaDick. like Slade will fight Damian and then be like 'hey be good to your old man fathers need their sons' and fucking dip. and then with the whole Respawn thing and Shadow War? that was extra crunchy. for a brief moment Slade had a son who was a brother to Damian and then he goes and *dies*? talk about the complex that would give him with Damian, the spitting image of Respawn. Make Slade Weird About Batkids That Remind Him of His Son 2024. Damian holds an utter contempt for Slade that is simply unmatched. so Slade not leaving that kid alone because of his weird issues, making sure that Bruce doesn't screw up with Damian the way he screwed up with Respawn is very fun. and Damian slowly building up a tolerance to Slade's annoying antics could be fun. Damian is, at his core, still just a kid who needs the approval of something father-shaped and he will Take What He Can Get. are they ever healthy or long lasting? no but i do think Damian would cling to Slade during his teen years for something incredibly fucked up and codependent until either Slade dumped him or he forced himself to get over it.

JayRoman. i will not lie love these two but i don't think i've read many Black Mask comics when he's not interacting with Jason. which is funny because my entire conception of Roman is him just getting humiliated by Jason and really what more is there to know about the man. Jason is so unserious in how he handles Roman and the best part is you can tell it's truly because he doesn't see Roman as a threat. Roman's just a pawn in the game of getting Bruce's attention and sure, Jason is aiming to kill Roman by the end of it, but he'll always have bigger fish to fry. and that's so *infuriating* for Roman. this new guy who's *clearly* a fucking teenager shows up, owns you so badly it shatters your empire, and then you only live bc he seems to have gotten bored of you. JayRoman is my particular favorite ship for the flavor of 'the sub in bed is in control of every other aspect of their relationship and their submission is a gift that can be revoked at any time' which we don't get enough. fucked up power dynamics always have the sub being the one lacking control. and whilst i enjoy when Roman is able to absolutely control and manipulate Jason through various means, i think in canon, it makes far more sense he's pathetic and begging Jason for even a *chance*. and Jason very specifically picking who he subs for based on someone who he could kill or destroy at the drop of the hat if he needed to is a very Jason thing to do. there will never be trust between these two. they will fuck nasty and Roman will be in love with Jason. but they are both carrying a gun during sex. the gun is probably involved during the sex.

Ra'sTim. my everything. Red Robin (2009) you will always be famous to me. what *don't* they have. forced proximity. enemies to lovers. forced partnership. one-sided obsession. ridiculously large age gap. deep unforgivable betrayal. i will never evacuate these two from my brain dear god. Ra's is another one of those villains who gets painted with one broad stroke of being cartoonishly evil with no exploration of his interesting nuance. making him nothing but a villain is boring. where is the Ra's who loves so deeply and fully and has to lose his loved ones over and over and will not let that happen to Tim. he wants to consume Tim in a 'cannibalism as a metaphor for love but also probably literal cannibalism' way. the amount of trust put in Ra's in order for Tim to be able to betray him as spectacularly as he did? that's glorious. Tim had full unfiltered access to Ra's' computers even when he was advised against trusting Tim so much. and then Tim wins against Ra's and willingly lets Ra's kill him. (obviously Dick saves him, but I'm of the opinion Tim was just committed to dying in that moment and he was Okay With That) 'i will betray you if it's the last thing i do' as an act of love. Tim is to Ra's what Dick is to Slade. you will never convince me Tim and Ra's didn't hatefuck at least once during RR (2009) with a questionable level of consent. i'm so serious i will never shut up about them. the way Tim talks about working with Ra's as if he's making a deal with the devil and Ra's talks about Tim like he's the precious, once in a life time thing, one of the only people worthy to produce an heir for Ra's. how's that not gay. what other ship involved one of them literally trying to have the other's baby to raise as an heir. Ra's would probably carry the baby himself if he could. memes aside they're just so. they're so it. i love when Tim is forced into a Situation where he has to work with Ra's and confronts the darker aspects of himself that Ra's wants to bring out but Tim wants to squash. it is The corruption kink. whether Ra's succeeds or not in corrupting Tim doesn't even matter because the real crux of this ship is the chase. it's the way the heart pounds when they reach out for each other and you don't know if it's for a kiss or a killing blow. it's very Hannigram to me, in that i don't even need or want them to kiss to know they're in love. love to them is not true love's kiss, it's the thoughtful place they decide to stab the other in. be the sheath to my dagger type ship. hold all this bloody violence i know you're capable of inside of you. let me cut the violence out of you ship. what more can you ask for from a ship. Ra's would tie Tim down and torture him both as foreplay and as a love language and Tim would be too fucked up and self-sacrificial to stop him. always playing the dangerous game of how far will the other let them go until someone tries to die or kill. listen i think i lost the plot here but my point is they're unwell about each other. Tim will make Ra's regret the day he met Tim Drake not just for the betrayal but because Ra's can never go back to a time Before Tim. before knowing what the chase felt like. they're so. them.

[masterfuldoodler]

girlbossed too hard.... unless...