#tell me if I need to tag anything else.
Explore tagged Tumblr posts
arctasy · 10 months ago
Text
Tumblr media Tumblr media Tumblr media
shelby’s recent statement on twitter
5K notes · View notes
natjennie · 9 months ago
Text
okay, bear with me this requires a lot of context. imagine that you wake up on a space ship with an alien species capable of telepathic communication with you. they are also capable of instilling you with the knowledge that everything they say is completely true, there is not a hint of uncertainty in your mind. they have weapons capable of obliterating earth pointed at the planet, and are forcing you to do one of two things in order to not fire. within the fiction of the scenario you are not being given the choice, but you the real you is picking which one of these things you'd rather have happen.
you must eat an 8 ounce serving of human baby meat, by default prepared like a steak (different preparations can be requested). you do not have to keep the meat down once you're done, but you have to get all of it in your body at one point. they do not provide any information about where the baby came from or how it died. if you complete this, they will deposit you back on earth and you will be free from legal repercussions of cannibalism, and it is generally agreed that you are also free from moral blame as it was against your will.
you will be surgically impregnated with a human embryo and must carry it to term and give birth. the embryo does not contain your dna, but otherwise you don't know anything about its origins. the aliens have advanced medical technology that gives you sufficient anatomy to carry and birth the baby, and keeps you healthy throughout, with no risk of long term complications or death. you have the choice to keep or give away the baby once you have given birth, and will be deposited back on earth.
if you refuse to comply in either situation, they destroy the earth and you are forced to live the rest of your life aboard the space ship as a prisoner, until you die of natural causes.
so,
2K notes · View notes
dumpster-fire-rats · 2 months ago
Text
Tumblr media
393 notes · View notes
shmorp-mcdurgen · 1 year ago
Text
Tumblr media
The Hanged man
941 notes · View notes
turtleblogatlast · 9 months ago
Text
Tumblr media
Don’t think I ever quite said what my LGBTQ+ headcanons are for the boys, so these are my current thoughts! Always changing of course but this is what I feel most strongly right now.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt headcanons#rise donnie#rise leo#rise mikey#rise raph#donnie and leo’s sexualities being practically swapped was unintentional but it works way too well#same with mikey and raph tbh it was a happy accident#anyway I kinda hc raph as the type who doesn’t care about physical appearance just if you fight lol#Mikey’s more than happy with friends and family#Donnie is a BIG romantic but he needs time to sus a person out fully before he gets the hots for them#leo meanwhile isn’t keen on romance unless it’s with someone he grows to really really REALLY trust#I could go on and probably will later (knowing me) but it is late and I am tired haha#turtle art tag#curious as to what everyone else headcanons#the only one of these I’ll defend forever is Bi (female-leaning) donnie and trans leo#all the others can change over time but I really like where they’re sitting right now#I hope these are the right flags too because it was kinda hard to find them#went looking for transmasc flag in particular but I couldn’t find a solid agreed upon version 😭#ngl a big part of why I hc mikey as aro is because of a pun#my phone often misspells aromantic as aromatic and- and you get it- because aromatic herbs and- and Mikey is a chef do YOU GET IT#note that while I hc leo as bisexual (male-leaning) I still think he’s prob closer to demi in that as well just not as far into the spectrum#if that makes sense#headcanons are fun and hard to narrow down at the same time alas#I made this in like an hour can you tell djjdjd#I drew them all from memory so if there’s anything wrong…shhh#and if you’re wondering for April and Splinter#Both are Bisexual (female-leaning) but April is also Panromantic#I almost wanna make Splinter demiromantic too so Big Mama’s betrayal hits just a bit harder
321 notes · View notes
windybluebelles · 24 days ago
Text
Petition for all the dark haired kids wearing red hoodies to have gamer tags floating above their heads like in Minecraft.
DC why tf is there so many of them, why do you never give them any other distinctive features????
146 notes · View notes
clownsabledeniability · 4 months ago
Text
Tumblr media
Some foreshortening practice and trigun Fanart! Krita killed the quality and made the backround kinda pink on my end, if anyone knows how to fix that please let me know!
73 notes · View notes
withthewindinherfootsteps · 3 months ago
Text
Wei Wuxian and Narrative Agency – Part Three
For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!
(Part One | Part Two | Full version on AO3)
The Power of Agency: Shaping the Narrative
When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.
This? Linking structure to a character’s in-universe preferences?
This is where we get unhinged.
Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).
To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.
This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.
In other words, its very structure is respecting Wei Wuxian’s agency!
Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!
Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation
Which, of course, is him dwelling on…
Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation
…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:
He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation
And Wei Wuxian’s own thoughts and words:
Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 
Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:
“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR
Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.
Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:
At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR
Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!
So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.
This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!
And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.
But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?
At The End Of The Road: Summary and Final Thoughts
In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.
It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.
(Or, if an image would be preferable:)
Tumblr media
Thank you for reading!
(Part One | Part Two | Full version on AO3)
--
*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 
#get ready for tag thoughts because there are a LOT of them#it’s for THIS reason that fanon wwx bothers me so much (didn’t want to get negative on the acual post)#bc so often all the changes are changes that woobify him!#self-sacrificial idiot wwx?? only doing things because… poor him he has so many internal issues and values himself so little-#-so of course he’d sacrifice everything before thinking of another option? woobifying#(whenever he sacrifices something it’s a deliberate choice to act on his morals because he values his morals so much – and he’s also very-#-capable and DOES often find ways for no people to get hurt!)#wasn’t aware that what happened to him at lotus pier was wrong and needs lwj to tell him that for him to have any idea if it?#woobifying (as we see in the lotus seed pod extra he KNOWS it’s unfair)#(he downplays it retroactively in his memory (links into not focusing on the bad things in his life))#(but that’s the actions themselves that are being downplayed not their fairness!)#he chooses to act! he is defined by acting! not tragedy – all the more impressive in the face of the amount of tragedy that’s happened#he could SO EASILY have been a woobie but instead he’s the opposite of one: defined BY his agency instead of the absence of it#that doesn’t mean he’s not impacted by tragedy or trauma – he is! but it’s not the most important aspect of his character (bc he doesn’t le#it’s also something that bothers me about the changes cql made#by making qq path and nightless city the fault of someone else it means he IS someone who’s more a victim of circumstance than anything els#he had no control over the tragedies of his first life at all#apart from ig his death being controlled by him? because he just leaps off the cliff during the nightless city siege?? but in THAT case it’#i watched that part recently (i’m getting through it very slowly) and yeah it reaffirmed my love for this aspect of the book even more#despite. having these exact thoughts for two years already#he also dwells on the past events a lot more than book wwx which adds to that version of him BEING defined more by tragedy rather than who#anyway over 7.3k words total (and 400 more in the tags apparently)... it'll be posted to ao3 in its completion this evening!#mdzs meta#my meta#wei wuxian#mdzs#mo dao zu shi#魔道祖师#grandmaster of demonic cultivation#gdc
56 notes · View notes
acoustic-crayons · 5 months ago
Text
Tumblr media
"Why, someone is getting tired of my cooking,"
If y'all like good John Dory angst with some HickDory side severing, you should read AhkiKris's fic Guilty As Sin?
This particular drawling is based on the chapter 18 cooking scene!
[below the cut for a bonus yandere joke pic]
"They're probably wondering where you are. If Branch and I weren't on okay terms, he'd probably think I kidnapped you."
Tumblr media
This is what happens when you make jokes about kidnaping and yanderes in the comments with the author lol
BTW They don't have tails or anything in fic so the actual ficart reflects that. This silly extra piece on the other hand is free game lol
60 notes · View notes
zappychild · 2 months ago
Text
Tumblr media
you got somethin on your face there
41 notes · View notes
angeldaisies · 1 month ago
Text
tlh side of the fandom is dead anyway but even if it wasn’t i still wouldn’t interact because i’ve come to realize that people just don’t like herondaisy and that’s so disheartening to me. even people who do like them usually go “yes but *insert character that is actually better*” and i know people can like whoever they want of course and i know it’s not a competition of which ship/character is better but also it’s very tiring to come online and see your personal faves being disliked at worst and tolerated at best by basically everyone with very few exceptions.
33 notes · View notes
robo-dino-puppy · 3 months ago
Text
Tumblr media Tumblr media
horizon forbidden west | scorpion!
41 notes · View notes
sodabranch · 1 year ago
Text
Tumblr media
My contribution for today, peace out!
266 notes · View notes
anglerflsh · 8 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media
wow ive been kind of off lately I should take a day to rest an[explosion]
59 notes · View notes
p-wrryyy-mordial-soup · 9 months ago
Text
Tumblr media
have you tried turning it off and on again
also thgat isnt agent 8 im a filthy oc x canon doer </3 /silly
i'll design my 8 one day
77 notes · View notes
that-random-person-again · 2 months ago
Text
Tumblr media
I enjoyed this game
24 notes · View notes