#teddy andreadis

[myvinylplaylist]

Slash: Orgy Of The Damned (2024)

Cover Artwork By Toni Greis

Snakepit Records

[rock--band]

American hard rock band Guns N' Roses was formed in Los Angeles, California with an original recording lineup of lead vocalist Axl Rose, lead guitarist Slash, rhythm guitarist Izzy Stradlin, bassist Duff McKagan and drummer Steven Adler.

Current Members Axl Rose - lead vocal, 1985–present Duff McKagan - bass, 1985–present Slash - lead guitar, 1985–present Dizzy Reed - synthesizers, 1990–present Richard Fortus - guitar, 2002–present Frank Ferrer - drums, 2006–present Melissa Reese - synthesizers, 2016–present

Former Members Izzy Stradlin - guitars, 1985–1991 Rob Gardner - drums, 1985 Tracii Guns - guitars, 1985 Ole Beich - bass, 1985 (died 1991) Steven Adler - drums, 1985–1990 Matt Sorum - drums, 1990–1997 Gilby Clarke - guitars, 1991-1994 Robin Finck - guitars,1997–2008 Josh Freese - drums, 1997–2000 Tommy Stinson - bass, 1998–2014 Chris Pitman - synthesizers, 1998–2016 Buckethead - guitars, 2000–2004 Brain - drums, 2000–2006 Ron "Bumblefoot" Thal - guitars, 2006–2014 DJ Ashba - guitars, 2009–2015

Studio albums Appetite for Destruction, 1987 G N' R Lies, 1988 Use Your Illusion, 1991 The Spaghetti Incident?, 1993 Chinese Democracy, 2008

Live albums Live Era, 1999

Compilation albums Use Your Illusion, 1998 Greatest Hits, 20074

Video albums Use Your Illusion: World, Tour – 1992 in Tokyo, 1992 Garden of Eden: Strictly Limited, 1993 Don't Cry: Makin, 1993 November Rain: Makin', 1993

Singles It's So Easy / Mr. Brownstone, 1987 Welcome to the Jungle, 1987 Sweet Child o' Mine, 1988 Paradise City, 1988 Patience, 1989 Nightrain, 1989 Knockin' on Heaven's Door, 1990 You Could Be Mine, 1991 Don't Cry, 1991 Live and Let Die, 1991 November Rain, 1992 Knockin' on Heaven's Door, 1992 Yesterdays, 1992 Civil War, 1993 Ain't It Fun, 1993 Estranged, 1993 Since I Don't Have You, 1994 Sympathy for the Devil, 1994 Chinese Democracy, 2008 Shadow of Your Love, 2018 Absurd, 2021 Hard Skool, 2021

100+ Rock Band Posters and Canvas Prints

Print Option: ♦ Framed Poster Print ♦ Canvas Print ♦ Metal Print ♦ Acrylic Print ♦ Wood Prints 🌐 Worldwide shipping

[doyoulikethissong-poll]

Michael Jackson featuring Slash - Give In to Me 1993

"Give In to Me" is a song by American singer-songwriter Michael Jackson, released as the seventh single from his eighth studio album, Dangerous (1991). Released in February 1993 - in Europe, Australia and New Zealand only - the song peaked at number one in New Zealand for four consecutive weeks and at number two on the UK Singles Chart. The track was written and produced by Jackson and Bill Bottrell, and features Guns N' Roses guitarist Slash. Stylistically, "Give In to Me" is a hard rock and heavy metal ballad.

The music video features Jackson performing the song on stage at an indoor rock concert with ex Living Colour bassist Muzz Skillings, Guns N' Roses guitarists Slash and Gilby Clarke, as well as the band's touring keyboardist Teddy Andreadis and legendary session drummer Tony Thompson. It was shot on June 25, 1992, in Munich, Germany, just two days before the opening concert of the Dangerous World Tour.

The album Dangerous debuted at number one on the US Billboard Top Pop Albums chart and in thirteen other countries, selling 5 million copies worldwide in its first week and went on to be the best-selling album worldwide of 1992. By 1994 Dangerous had sold 25 million copies worldwide. It was certified 8× Platinum by the Recording Industry Association of America (RIAA) in August 2018.

"Give In to Me" received a total of 77,1% yes votes! Previous Michael Jackson polls: #45 "Will You Be There", #114 "Why", #220 "Blame It on the Boogie". Previous polls featuring Slash: #159 "I'm Just Ken".

[rocknrollflames]

Duff Mckagan, Izzy Stradlin, Matt Sorum, and Gilby Clarke perform with B.B. King and Bo Diddley.

Performance at The Joint, Hard Rock Hotel and Casino, Las Vegas, Nevada.

Grand Opening Concert, March 10, 1995.

This was the first ever rock and roll themed hotel, as well as the first Hard Rock Hotel & Casino to be built.

Wayne Neutron (Billy Idol & Friends) consisted of Billy Idol with several other artists, including current and past GNR members Izzy Stradlin, Duff Mckagan, Matt Sorum, and Gilby Clarke, as well as GNR affiliate (featured) musician, Teddy ZigZag Andreadis.

[thefanficmonster]

hiii! can you write dating corpse hc please? thank you❤️

Of course, darling! Hope you enjoy 💕

Pairing: Corpse Husband x Reader (Gender Neutral)

Warnings: Mentions of anxiety/anxious tendencies, Swearing, Mentions of panic attacks

Genre: Fluff, Romance, Comfort, RPF (Real Person Fic)

Corpse, as we all know, is a very private person

All his life he's convinced himself it's more convenient to be single than fall for someone only for it along with him as a person to fall apart when it wouldn't work out

He's been used to relationships not working out all his life

And sadly had the same outlook when he met you

But, you were his reason to believe in happy endings after all

Well, not exactly endings since the two of you are still going strong

Here are just some of the things that have helped it be that way

Ordering for him at drive-thrus 

Keeping the relationship on the downest of lows

Being in the room with him while he streams to keep him company and keep him feeling safe and calm

Listening to him filming horror story narrations (which easily put you to sleep)

Being there for him through the toughest nights and brightest days

Making him smile even when tears are running down his cheeks 

Turning him into the cuddliest teddy bear

And getting used to being treated like the only important person in the world

Because that’s exactly how Corpse treats you

He never misses an opportunity to express his love to you and shower you with his adorable gestures of affection

And that’s why the two of you are relationship goals

@maat-the-prescriptive  @simonsbluee  @save-the-sky  @itsminniekat  @hacker-ghost  @bi-andready-tocry  @imtiredaffff  @jazzkaurtheglorious  @hereforbeebo  @fandomgirl17  @chrysanthykios  @maehemscorpyus  @loraleiix  @letsloveimagines  @annshit  @i-cant-choose-a-username-help  @enigmaticmaze  @divine-artemis  @waterlilypat  @idontknowwhatthisisfam  @evi-ka  @classyandfabulous00  @redperson58  @lilysdaydreams @solowheein  @mythicalamphitrite  @axen-gers  @luckygirl144  @nj01  @buddyemily   @the-albino-lioness  @stardream14  @gdhdkfnn  @nomadicgypsyy  @preciousskye  @fluffysuicideunicornsworld  @o-kaelin  @manacharlotte  @awkward-youtube-trash @laylasbunbunny @bonky-beerns  @meme-lord-and-savior-sebastian  @strawbrinkofdeath  @teenloves  @tams0527  @browneyespinkhair  @starstruckllamapuppy  @daisychains012  @y0ulooked  @tinytacosuitcaseflap @supernatural-is-my-only-life  @jula-pauline  @melodykitty  @just-that-bi-girl  @crazybutconfidentaf  @lowellshade @alphakees  @bellero  @weallneednamjesus  @starryhanji  @boiled-onionrings  @husherstan  @fockingwhore  @melaningoddessthings  @prettypastelpetals  @haleypearce  @godwhyamiawkward  @y-napotat  @daisychainyoonmin  @little-miss-rebel3  @free-wheelin-bi-sexual  @redmoon261 @darkacademic2  @wiseflamingoqueen  @into-the-end  @namikhai-i  @nastiablr  @thelittleplantlover  @mirktuan  @dont-hyuck @jjk-bunny  @vintagegothlover  @easygoingtheatre  @itsrandombooklover  @miiaivi  @emmybaybee  @befourgolden  @jjk-is-my-shit  @eternalteaaars  @spacebadgerx  @princesslunalight  @acequinn14  @samm48  @misselsbells06 @simp-lykawa  @fo-love  @marishimomura-blog  @therealglenncoco  @cinnamonbun332  @killtherandomness  @sanshinexxxsan  @fee-btheweeb  @press-lay  @cathleenpotgieter16  @jazzydoesstuff  @moonlxghtbay  @forestrain2000  @hyunjinhugs  @blood-of-fandoms  @lovellylies  @ukiyolixx  @simpforhpcharacters  @chrisdylan17  @parkerjisung  @pedernille  @theodonyous  @wineandionysus  @malfoystilinskii05  @morbid-x  @coryisagee  @jessewa26  @scoobydooluver97 @mindintheskies365  @raeanneinwonderland  @indecisive-empanada  @gluttonypalace  @loriane2503  @btsiguess-kpop  @khaoticbunny  @lucidlycactus  @smiithys  @rottenroyalebooks  @kpopgirlbtssvt  @fangirl-tc27  @fr0z3n-1  @notmesimpingfortechno  @shotarosleftpinky  @kunoi-chan  @idk-whats-wrong-with-me  @yikeroonie  @goldenstarofthunderclan  @poetry-and-tea  @ama-do-writing-stuff  @wishbonewolf  @emeraldxhope  @t0xick1tty  @kusuinko  @speakyourselfloveyourself  @sophia902103  @lo-manburg  @classsykittykat  @dmgama  @depressedpuppythatneedscoffee  @btsiguess-kpop  @akaashi-baby  @gun-jong-simp  @geschichtenfee  @yerapotato-wp  @browneyedgirl365  @thysagclub  @sparklycloudnight  @helloatomicshadow  @queentorresstuff @vtte @val-gal  @lucy-bunny17  @aaliyahh0  @katluckybear  @boyleanti  @straybids  @franchesca-791  @cosmicstorm19  @averyisbackinthetrashcan  @aomi-nabi  @xlanawriter @sunnyrae-cessh  @ladykxxx08  @meowiemari  @renupf  @booklover76  @sra-verissimo  @beatrhizn  @blueberrystigma  @beatrhizn  @chicken-taco-burrito  @scorpio-echo  @nyctophiliiiiaaa  @squirreljoe    @azra-x  @ace-of-spaids2  @kxllanxtdoor  @ateliefloresdaprimavera  @allens-underground-lair  @tattered-tales  @bxbyyyjocelyn  @harringtonshairychest​

[rockinshots]

Gilby Clarke & The Keef Richard's packed Pappy & Harriet's last night. Gilby and his all-star band consisting of Sean McNabb on bass (Dokken/Great White), Jimmy D'Anda on drums (Bullet Boys/ Lynch Mob), and Teddy Andreadis on Keyboards (Guns N' Roses/Alice Cooper).

What a Fantastic show!! 💥🤘🔥

[rocknews13]

Slash anuncia el LP de covers de blues repleto de estrellas 'Orgy of the Damned'

El LP de 12 pistas encuentra al guitarrista de Guns N' Roses dando su toque a una variedad de temas básicos del género y joyas menos conocidas, incluyendo "Cross Road Blues" de Robert Johnson, "Hoochie Coochie Man" de Willie Dixon (grabado por primera vez por Muddy Waters) y "Stormy Monday" de T-Bone Walker. Al igual que el álbum solista homónimo de Slash de 2010 , cada pista contará con un cantante diferente y la lista de invitados incluye a  Chris Robinson ,  Billy Gibbons , Iggy Pop , Paul Rodgers y más.

El primer sencillo, una versión de "Killing Floor" de Howlin' Wolf con Brian Johnson en la voz y Steven Tyler en la armónica, ya está disponible . Puedes reservar  Orgy of the Damned  ahora y ver la lista completa de canciones y los créditos a continuación.

'Orgy of the Damned' continúa donde lo dejó el blues de Slash

La afinidad de toda la vida de Slash por el blues no es ningún secreto, pero el guitarrista sólo profundizó brevemente en el género a mediados de los 90 con Slash's Blues Ball, que estuvo de gira pero nunca lanzó música. Orgy of the Damned presenta al ex bajista de Blues Ball Johnny Griparic y al tecladista Teddy Andreadis junto con el recién contratado baterista Michael Jerome y el cantante y guitarrista Tash Neal.

La banda descartó canciones durante el ensayo e intuitivamente eligió la lista final de canciones antes de grabarlas en vivo en el estudio con el ex productor de GN'R y Slash's Snakepit, Mike Clink. La pista instrumental original "Metal Chestnut" concluye el álbum.

Hablando del sencillo principal del LP, Slash dijo en un comunicado: "'Killing Floor' es una de mis canciones favoritas de Howlin' Wolf, pero también uno de los riffs de blues icónicos que me excitaron cuando era un joven guitarrista. Siempre he "Quería cubrirlo de alguna manera y este disco era el vehículo perfecto. Pero tocarlo con esta banda y con Brian Johnson cantando, fue un logro que nunca hubiera imaginado en ese entonces, y mucho menos Steven Tyler proporcionando el arpa".

Slash, 'Orgy of the Damned' Track Listing 1.   “The Pusher” feat. Chris Robinson (vocal and harmonica) Written by Wayne Hoyt Axton 2.   “Crossroads” feat. Gary Clark Jr. (vocal, rhythm guitar and solo) Written by Robert Leroy Johnson 3.   “Hoochie Coochie Man” feat. Billy F. Gibbons (vocal, rhythm guitar and solo) Written by Willie Dixon 4.   “Oh Well” feat. Chris Stapleton (vocal) Written by Peter Alan Green 5.   “Key to the Highway” feat. Dorothy (vocal) Written by Charles Segar, William Broonzy 6.   “Awful Dream” feat. Iggy Pop (vocal) Written by Sam (Lightnin’) Hopkins, Clarence Lewis, C. Morgan Robinson 7.   “Born Under a Bad Sign” feat. Paul Rodgers (vocal) Written by William Bell and Booker T. Jones 8.   “Papa Was a Rolling Stone” feat. Demi Lovato (vocal) Written by Barrett Strong and Jesse Norman Whitfield 9.   “Killing Floor” feat. Brian Johnson (vocal) Written by Chester Burnett (Howlin' Wolf) *Special guest Steven Tyler on harmonica 10. “Living for the City” feat. Tash Neal (vocal) Written by Stevie Wonder *Special guest background vocals: Jenna Bell and Jessie Payo 11. “Stormy Monday” feat. Beth Hart (vocal) Written by T-Bone Walker 12. “Metal Chestnut” Written by Slash

[sodalitefully]

Slash on The Howard Stern Show

A complete (to my knowledge) list of all the times Slash was a guest or a caller on Howard Stern's radio and television shows.

I compiled this list using YouTube, a-4-d.com, and the Internet Archive. I'll update it if I find anything new, and if any of you have any leads for me (or if you can suggest a good place to look for content) please let me know!

1992, April 29 – Slash's first time talking to Howard Stern. He calls in from Hawaii, where he's poolside and obviously drinking. They talk about the usual: band drama and women, and at the end a mutual acquaintance calls in and it turns into a bit of a mess.

audio & transcript (24 minutes)

1992, April 30 – Slash calls in again the next day (more sober this time), he talks about the L.A. Riots and a dramatic incident involving himself, Duff, and Sam Kinison, a comedian and a friend of his who recently passed away.

audio & transcript (incomplete, 15 minutes)

1995, February 1 – Slash and Eric Dover visit to promote It's Five O'Clock Somewhere. Among other things, Howard asks about Slash's wife, his mom, his new navel piercing, and of course Axl, then Slash and Eric perform Beggars and Hangers On acoustically.

video & transcript (40 minutes)

performance video

1996, September 30 – An intern is introduced to Slash, Howard asks about the state of GNR, and about Slash's mom and his first wife, then they listen to Obsession Confession, a track Slash wrote for a movie.

audio & transcript (35 minutes)

1997, February 25 – Slash phones in to briefly talk about how he spent his evening with Teddy Andreadis in L.A., and about working on Slash's Blues Ball.

audio & transcript (7 minutes)

1997, March 7 – A recording from the premiere of Howard's movie, Private Parts, in which Slash and his then-wife Renee have a cameo. Slash seems a little intoxicated, but as Howard says, you can never tell with Slash...

audio & transcript (10 minutes)

2000, June 7 – Slash talks about leaving GNR, his romantic life post-divorce, and his second Snakepit album Ain't Life Grand.

audio & transcript (10 minutes)

2001, September 7 – While in New York for Michael Jackson's 30th Anniversary Celebration, Slash visits Howard in the studio and dishes on his first divorce, his health, and Axl's version of GNR. He's sober (-ish, after his cardiac myopathy diagnosis) and rather forthcoming.

audio & transcript (incomplete, 14 minutes)

2004, May 24 – Velvet Revolver visits the studio, they mostly talk about Scott, and drugs, and Scott on drugs, then perform an acoustic version of Slither.

audio & transcript (45 minutes)

video (edited, 20 minutes)

performance video

2007, November 1 – Slash is in the studio to promote his autobiography; he shares a little more dirt than usual, including discussions of his wild upbringing, threesomes (in way too much detail!), and the possible existence of nude photos.

audio & transcript (1 hour)

audio (Archive, 1 hour starting at about 1:31:00)

audio (YouTube, 1 hour)

2012, May 22 – On the day that Slash released Apocalyptic Love, he visits Howard in the studio to discuss top hats, his feud with Axl, his falling-out with Scott Weiland, reality TV, and Nirvana.

audio (1 hour starting at about 55:00)

video clip (6 minutes)

2014, September 16 – Slash, Myles Kennedy, and The Conspirators visit the studio, Slash talks to Howard about songwriting and interacting with other rock stars, Myles talks about jamming with Led Zeppelin, and the band performs World On Fire.

audio (Archive, 50 minutes starting at about 1:28:00)

audio part 1, part 2 (YouTube, incomplete)

[ghostcultmagazine]

As we prepare our new video preview of livestreams for this July, thisevent has our interest! 🤘🤘 The @_ronniejamesdio Stand Up And Shout Cancer Fund, founded in memory of the late heavy metal icon, will join forces with virtual event producers @rollinglivestudios to celebrate Ronnie's birthday on Saturday, July 10. The global livestream fundraising event will bring together celebrities and fans all over the world to honor Dio's undeniable impact both on and off the stage. The front man for ELF, RAINBOW, @BLACKSABBATH and DIO, Ronnie lost his battle with gastric cancer in 2010. Hosted on rollinglivestudios.com beginning at 2:00 p.m. Pacific time (PDT), this star-studded event, hosted by @EddieTrunk and @MattPinfield, will feature special guest performances, interviews, and birthday greetings from artists including Tony Iommi (BLACK SABBATH, HEAVEN & HELL); Teddy "Zig Zag" Andreadis (GUNS N' ROSES, ALICE COOPER); Carmine Appice (VANILLA FUDGE, BECK, BOGERT & APPICE); Vinny Appice (DIO, BLACK SABBATH); Michael Angelo Batio (NITRO, HOLLAND, SHOUT); Joey Belladonna (ANTHRAX); Chuck Billy (TESTAMENT); Gilby Clarke (GUNS N' ROSES, SLASH'S SNAKEPIT); Melody Cristea (LILIAC); Aynsley Dunbar (JOURNEY, FRANK ZAPPA); Frank Ferrer (GUNS N' ROSES); Lita Ford; Glenn Hughes (DEEP PURPLE, BLACK COUNTRY COMMUNION); Terry Ilous (GREAT WHITE, XYZ); L.A. metal band LILIAC; Sean McNabb (QUIET RIOT, DOKKEN); Jeff Pilson (FOREIGNER, DIO); Rudy Sarzo (QUIET RIOT, OZZY OSBOURNE); Glen Sobel (ALICE COOPER, HOLLYWOOD VAMPIRES); Lajon Witherspoon (SEVENDUST); and Brent Woods (SEBASTIAN BACH, WILDSIDE). Also participating will be members of the DIO band: Simon Wright, Oni Logan, Scott Warren, Bjorn Englen and Rowan Robertson, who will also appear with fellow castmate Paul Shortino (ROUGH CUTT) from the Las Vegas production "Raiding The Rock Vault". Radio and television personalities Eddie Trunk and Matt Pinfield will be on hand during the broadcast conducting interviews with artists as well as with DIO producer Wyn Davis and Ronnie's widow and long-time manager Wendy Dio. — view on Instagram https://ift.tt/3xJVn1g

[aaa-stammtisch-rhein-main]

A record a day keeps the blues away

Walter Trout hat sein brandneues Studioalbum Ordinary Madness am 28. August bei Provogue veröffentlicht.

Das neue Studioalbum beinhaltet elf grundehrliche Songs, die schon vor der Corona Krise entstanden, aber trotzdem den Nerv der Zeit treffen. "Im Moment ist eine Menge außergewöhnlicher Wahnsinn im Gange", sagt Walter Trout über die COVID-19-Krise. "Dieses Album entstand, weil ich mich mit den Fehlern und der Schwäche in mir beschäftigte. Aber am Ende ging es um alle."

Walter Trouts prägende Blues-Einflüsse reichen von Paul Butterfields selbstbetiteltem Debüt (1965) an der Seite von Mike Bloomfield bis hin zu John Mayalls LP Beano" (1966) mit Eric Clapton.

Walter Trout holte für dieses Album seine Band mit Michael Leasure (Schlagzeug), Johnny Griparic (Bass) und Teddy "Zig Zag" Andreadis (Keyboard) zusammen sowie den langjährigen Produzenten Eric Corne und als Gäste Skip Edwards, Drake "Munkihaid" Shining und Anthony Grisham. Das ganze wurde im privaten LA-Studio von Doors-Legende Robby Krieger aufgenommen.

Bei diesem Album machte Trout die Dinge ein wenig anders als sonst. Angeführt von einem elektronischen Intro, das vom ältesten Sohn Jon Trout kreiert wurde, beginnt der Song mit einem hypnotischen Groove und einem herrlich trägen Gitarrenbreak.

Musikalisch geht es bei dem psychedelisch geschichteten Vokalharmonien von The Sun Is Going Down, um den Umgang mit dem Altern. Die Hymne von Up Above My Sky erinnert an Pink Floyd, und All Out of Tears arbeitete er mit der US-Bluessängerin Teeny Tucker zusammen - eine Hommage an ihren verstorbenen Sohn. Den Text zu dem eindringlichen Heaven In Your Eyes hat Marie Trout geschrieben.

Fazit:

Trotz seiner fast 70 Jahren beweist Walter Trout mit dem Album „Ordinary Madness“ wie zeitgemäßer Blues aussehen muss. Seine verlebte und gebrochene Stimme hebt sich von den polierten Aufnahmen wohltuend ab. Er ist kein Mainstream-Blueser, aber das macht das Album aus.

Walter Trout released his brand new studio album Ordinary Madness on August 28th on Provogue.

The new studio album contains eleven thoroughly honest songs that were written before the Corona crisis, but still hit the nerve of the time. "There's a lot of extraordinary madness going on right now," says Walter Trout about the COVID 19 crisis. "This album began because I was concerned with the mistakes and the weakness in me. But in the end it was about all of them."

Walter Trout's formative blues influences range from Paul Butterfield's self-titled debut (1965) alongside Mike Bloomfield to John Mayall's LP Beano" (1966) with Eric Clapton.

Walter Trout brought his band together with Michael Leasure (drums), Johnny Griparic (bass) and Teddy "Zig Zag" Andreadis (keyboard) as well as long-time producer Eric Corne and guests Skip Edwards, Drake "Munkihaid" Shining and Anthony Grisham. The whole thing was recorded in the private LA studio of Doors legend Robby Krieger.

On this album, Trout did things a little differently than usual. Led by an electronic intro created by eldest son Jon Trout, the song starts with a hypnotic groove and a wonderfully slow guitar break.

Musically, the psychedelically layered vocal harmonies of The Sun Is Going Down are about dealing with aging. The anthem of Up Above My Sky is reminiscent of Pink Floyd, and All Out of Tears he worked with the US blues singer Teeny Tucker. The lyrics to the haunting Heaven In Your Eyes were written by Marie Trout.

Conclusion:

Despite his almost 70 years, Walter Trout proves with the album "Ordinary Madness" how contemporary blues must look like. His tangled and broken voice stands out pleasantly against the polished recordings. He is not a mainstream bluesman, but that's what makes the album so special.

1. Ordinary Madness

2. Wanna Dance

3. My Foolish Pride

4. Heartland

5. All Out Of Tears

6. Final Curtain Call

7. Heaven In Your Eyes

8. The Sun Is Going Down

9. Make It Right

10. Up Above My Sky

11. OK Boomer

[theart2rock]

Manager gibt Slash die Schuld am Ende von Gn'R

Guns N’Roses sind ja wieder teilweise vereint auf Tour und kassieren gerade mächtig ab. Damit es überhaupt zu einem Comeback kommen kann, muss natürlich erst einmal ein Schlussstrich unter eine Geschichte gezogen werden. So war dies auch bei Guns N’Roses, obwohl weg waren sie ja nie, die Musiker sind ja nur ausgestiegen und Axl Rose braucht etliche Jahre bis er dann endlich mit Chinese Democracy das teuerste Album der Rockgeschichte auf den Markt warf. Es soll sagenhafte 13 Millionen Dollar gekostet haben. Nun hat der ehemalige Manager Doug Goldstein von Guns N’Roses enthüllt, dass Slash schuld ist am Untergang der ersten Ära der erfolgsverwöhnten Rockband. Genauer seine Zusammenarbeit mit dem King of Pop Michael Jackson zum Song Give In To Me. Doug meint, dies war der Anfang vom Ende als Slash ihm verkündete dass er mit Michael arbeiten werde. Doug Goldstein holt weiter aus und erzählt, dass Eddie Van Halen damals 1 Million erhalten habe für seine Mitarbeit beim Beat It. So wollte er auch für Slash einen guten Deal aushandeln, dieser erklärte aber, dass der Deal schon stehe. Slash hat mit Michael einen Deal über einen grossen 72″ Fernseher ausgehandelt. Klar verstand der Manager die Welt nicht mehr und wusste auch nicht mehr so recht was er Axl erzählen sollte. Na ja ich glaub Slash hat zu diesem Zeitpunkt wohl selbst schon genug Kohle gescheffelt gehabt, ausser der Manager hat alles an sich genommen. Ehrlich gesagt find ich auch Give In To Me die bessere Nummer als Beat It und kommt knapp an Dirty Diana ran. Gut gemacht Slash. Übrigens im Video spielt auch Gilby Clarke mit, der Izzy Stradlin bei den Gunners ersetzte und mittlerweile neben Axl das dienstälteste Bandmitglied ist. Mit Muzz Skillings von Living Colour spielt ein weiterer Rockmusiker den Bass. Keyboarder Teddy Andreadis war dann auch Mitglied bei Slash’s Snakepit, aber auch bei Alice Cooper war Teddy mit dabei. Michael Jackson war also damals beim Videodreh in München definitiv eine Rockband aus lauter Spitzenmusikern.

Manager gibt Slash die Schuld am Ende von Gn’R was originally published on The Art 2 Rock

[comiccrusaders]

Rockabilly band The Boxmasters, led by frontman Billy Bob “Bud” Thornton, have announced that a graphic novel from Source Point Press starring their band will be hitting store shelves August 16th. A limited edition art print of the graphic novel’s cover, signed by the band and numbered 1 – 100, will be available on their “Tea Surfing” Tour, which kicked off April 17th in Huntsville, AL.

The Boxmasters, a California country rock and rockabilly band, is comprised of award-winning actor Billy Bob “Bud” Thornton on vocals and drums, J.D. Andrew on guitar, bass, and back-up vocals, and Teddy Andreadis on keyboards. The graphic novel, titled The Boxmasters Vol. 1: A Twisted Tale Through Time, is written by Garrett Gunn (The Fear Diaries, Go West, Vessels), and features the band getting caught up in a science fiction adventure they never saw coming!

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Someone is traveling through time, attempting to destroy the history of rock and roll, and a secret division of the government is trying to step in to prevent it. But when a special agent is lost in time, and the only thing that is found is a note saying “The Boxmasters are the key”, the band is thrown headfirst into a time-traveling mission to find the agent and stop the destruction of rock and roll throughout history!

“We’re thrilled to release this graphic novel,” says Editor-In-Chief Travis McIntire. “With an incredible creative team, featuring real-life rockstars like Bud, J.D.  and Teddy, who are basically already walking talking comic book characters, this book

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came together perfectly. You’re going to love it.” The graphic novel retails for only $6.99, and will be available in stores and on the Source Point Press webstore August 16th, while  a digital release may happen sooner.

Source Point Press Art Director Joshua Werner says, “You’ll be blown away by the artwork in this book, done by Stan “Saint” Yak (Go West). He uses a greyscale palette with distinct moments of brilliant color to highlight certain scenes, it’s beautiful.” The graphic novel is lettered by renowned comic letterer HdE, with the cover artwork  penciled and inked by Justin Mason and colored by Sean Forney.

Source Point Press is a Michigan-based publisher, rapidly becoming a leader in publishing alternative fiction in the form of books, graphic novels, and comics. With a large focus on horror and science fiction, Source Point continues to produce quality content with both legends in the industry as well as new artists and writers on the rise. More information can be found at www.SourcePointPress.com, twitter.com/SourcePtPress and facebook.com/SourcePointPress.

Source Point Press Releases Sci-fi Graphic Novel Featuring Billy Bob Thornton’s Band The Boxmasters Rockabilly band The Boxmasters, led by frontman Billy Bob “Bud” Thornton, have announced that a graphic novel from Source Point Press starring their band will be hitting store shelves August 16th.

[aormetalrock]

London - Call That Girl 2019

London – Call That Girl 2019

“Call That Girl” marks the band’s first studio LP since 1990’s “Playa Del Rock”. Mixed by famed producer Dennis Ward, the album was produced and written by Nadir D’Priest and includes contributions by old friends like Chuck Wright (QUIET RIOT), Teddy Andreadis (GUNS N’ ROSES, ALICE COOPER), Jack Frost (SEVEN WITCHES), Alfredo Ballesteros (THE POINTER SISTERS), Eddie St. James (TRANCE, RICHARD…

[devils-gatemedia]

Regular UK tours by Walter Trout are a much-loved addition to the busy blues calendar. Like clockwork, and with his warm personable nature registering with everyone he plays for, a Walter Trout UK tour brings out the seasoned veterans in force., especially the one in the front, who Walter singles out for special attention as it’s their 55th gig. Trout has such a special connection with his fans, and the fact that he is standing on stage in a wet and windy Glasgow in 2018, pays testament to this.

Before the headliner took to the stage and rendered everyone into a bunch of slack-jawed wrecks, we had the small matter of tonight’s opening act, Wille & The Bandits. The Cornish trio look at home sharing the same stage as a Blues legend. Essentially a blues-rock power trio, but with a penchant for stretching out and developing more of an experimental, rather than a traditional, sound.

Vocalist/guitarist Wille Edwards seems so familiar. He reminds me of Chris Cornell; the look, the voice, the poise, all hint at the much missed legend. Cornell fronting a kick-ass trio, playing a mean slide guitar, before mixing it up with some wicked electric lap steel work. Comparing someone to Cornell might seem a tad overboard, there was only one Chris Cornell, and there will never be another Chris Cornell, but there is something about Edwards that triggers that spark of recognition within me. Edwards opts for a cool picking style that gives the songs (‘1970’ especially) a grittier, more organic feel, which, combined with some incendiary slide work, makes it impossible not to be bowled over. Then there are his band mates, and they’re no slouches either. Matt Brooks on the six string bass and drummer Andrew Naumann, dynamic and experimental players who brew up a sound that manages to be both unusual and familiar. Wille & The Bandits packed more into their short set than you might expect from a “support” band, leaving to a fantastic reaction. They mention that they will be back in March 2019 on their own headlining tour. Should be a belter.

Any review of a Walter Trout gig needs to begin by mentioning how it’s way more than just a gig. In 2018, a Walter Trout gig is a celebration of life, a shining example of the triumph of human spirit and sheer willpower, as well as the heartwarming connection between an artist and his fans. Watching the man himself peel off one incredible solo after another, and wring every ounce of emotion out of his battered Fender, photographer Dave uttered “He makes it look effortless”. Later on during his set, Walter would talk openly about how much work went in to make it look effortless.

The band take the stage without fanfare. No fuss, just four dudes ambling on and locking into a blues shuffle. What a band though! The über-cool Johnny Griparic is back, playing one of the most stunning bass guitars you’re likely to see. Long time drummer Michael Leasure is at the back, bringing the power and precision. Renowned keyboard player Teddy Andreadis has recently joined the band. You might know him as Teddy Zig Zag playing with GNR, a seasoned player who has also worked with names as varied as Carole King and Chuck Berry. Then there is the main man himself, Walter Trout. With a beaming smile as he nods to familiar faces in the crowd, he moves the mic stand back a few feet and plays alongside the others, rather than in front of him. A band in the truest sense of the word.

Walter Trout is a great communicator and a fantastic storyteller. He’s happy to be here, he’s “just happy to be anywhere!”. After a blistering first fifteen minutes, he takes time to pause and tease that the band have just finished a new album ‘Survivor Blues’, scheduled for release early 2019, and is going to play a song from it. As he is introducing ‘Me, My Guitar And The Blues’ a loud crackle starts to emit from an amp, so he adds the line “And a fucked up amp!” to the title. Crisis averted, it’s back to the music, and the band are off again. The last few years have been very prolific for Walter Trout and he shows no sign in letting up, so look out for more news about the new album very soon.

‘Battle Scars’ is the album that Trout wrote after his health battles, and he jokes with the crowd that by playing some of the material, he’s bringing the atmosphere down. Crippled by liver failure, and with seemingly no chance of survival, his life was saved due to a liver transplant funded by a fan campaign. Like I said, the bond between him and his fans goes above and beyond the normal. When talking about the battle back from the operation, spending many months in hospital, he mentions that he suffered brain damage and the subsequent struggle to re-learn everything, including talking, recognising everyone, and of course, re-learning the guitar. He jokes that he had to re-learn chords etc “like I was ten years old again”… ”So here’s the opening track from the album ‘Almost Gone!’” The album is also visited with the emotional ‘Please Take Me Home’ which he dedicates to his wife, Marie, for her unwavering love and support. Very, very emotional, and when it finishes, Walter turns to the band and says “you played that so fucking beautifully”.

Current album ‘We’re All In This Together’ is a stunning collaboration between Walter Trout and so many of his fellow blues players. He rattles off so many names that play on the album, before mentioning that he has a few special guests coming on.,, and on walk the Nimmo Brothers, King King’s Alan and his brother Stevie. Both are accomplished players, and obviously big fans of Walter Trout, as the massive smiles on their faces attest to. They strap on their guitars and steamroller through ‘Gonna Hurt Like Hell’, which featured Kenny Wayne Shepherd on the album. It’s a mutual appreciation society as Trout pays respect to them as “the most badass musicians”. They’re up there for about fifteen minutes, and both take their turn in the spotlight. There’s something very kin-like about blues guitarists. A family scenario that is often missing from other genres, and it’s a joy to witness.

It’s also a joy to witness Walter Trout’s tour manager Andrew Elt join him on stage for the last ten minutes or so, and raise the energy level. Elt has a fantastic voice and plays a mean guitar. Thee end result is an incredible jam that has them dancing in the aisles, at the bar, in the toilets… and no doubt outside vaping as well. After a brief run through of ‘Scotland The Brave’ and band solos, Walter pleads for more people to become organ donors, saying that he was still here “…because someone signed up” and “in a world that’s gone crazy, you can do something and make a difference”.

Walter Trout live on stage in 2018 – a celebration of life.

Review: Dave S

Images: Dave J

Live Review: Walter Trout – Oran Mor, Glasgow Regular UK tours by Walter Trout are a much-loved addition to the busy blues calendar. Like clockwork, and with his warm personable nature registering with everyone he plays for, a Walter Trout UK tour brings out the seasoned veterans in force., especially the one in the front, who Walter singles out for special attention as it's their 55th gig.

[hellosolomusicaposts-blog]

Michael Jackson Give InTo Me lyrics

Michael Jackson Give InTo Me lyrics "Give In to Me" is the tenth track on Michael Jackson's 1991 studio album Dangerous. The single peaked at number one in New Zealand for four consecutive weeks, and at number two on the UK Singles Chart. Stylistically, "Give In to Me" is a hard rock ballad which featured Guns N' Roses guitarist Slash.[1][2] Some suggest that the song, also considered a heavy metal ballad, has an aggressive sexual flavor.[3][4] The single was released in Europe only. The single release's B-sides include the album versions of "Dirty Diana" and "Beat It". This song is written in the key of E minor.[5] Jackson's vocal spans from G3 to B4.[5] It has a moderately slow tempo of 87 beats per minute "Give In to Me" received positive reviews from contemporary music critics. Entertainment Weekly editor David Browne praised Jackson's delivery, writing, "when his voice isn't competing with drum machines, it's menacing on the creepy Give In to Me (his best-ever shot at hard rock)."[6] Alan Light of Rolling Stone reviewed the song: "Give In to Me" flirts with something more disturbing as Jackson sings, "Don't try to understand me/Just simply do the things I say" in a grittier, throaty voice while Slash's guitar whips and soars behind him The music video for "Give In to Me"[8] features Jackson performing the song on stage at an indoor rock concert with ex Living Color bassist Muzz Skillings, Guns N' Roses guitarists Slash and Gilby Clarke, as well as the band's touring keyboardist Teddy Andreadis. Loud explosions are later heard with visuals of stylized electrical arcs and Jackson dancing as they run down his body. Slash's Les Paul is hit in the frets which increases the speed of the riffs. The last scene shows one electrical arc running down Jackson's body, an unintentional effect that was left in. The video is featured on the video albums: Dangerous - The Short Films and Michael Jackson's Vision.[9]

It was shot on June 25, 1992 in Munich, Germany, just two days before the opening concert of the Dangerous World Tour on June 27, 1992. The pyrotechnics appearing on the video are computer-generated and were added later on.

[longliverockback]

Alice Cooper The Eyes of Alice Cooper 2003 Eagle ————————————————— Tracks: 01. What Do You Want from Me? 02. Between High School & Old School 03. Man of the Year 04. Novocaine 05. Bye Bye, Baby 06. Be with You Awhile 07. Detroit City 08. Spirits Rebellious 09. This House Is Haunted 10. Love Should Never Feel Like This 11. The Song that Didn’t Rhyme 12. I’m So Angry 13. Backyard Brawl —————————————————

Teddy Andreadis “Zig Zag”

Alice Cooper

Eric Dover

Chuck Garric

Ryan Roxie

Eric Singer

* Long Live Rock Archive