#technically this is only an 'opinion' but

[feefivefoe]

Ok, hear me out!

Damian, entering the library and seeing reader painting: Ah, I didn’t know you painted, brother! I have a love for art, too! What’re you painting?

Reader, not looking away from their canvas: Oh, just a fantasy I’ve been having since you guys kidnapped me.

The painting is Reader holding a bloody axe, going Shining-style on Bruce while surrounded by the corpses of the family.

Damian, not sure if he should be concerned that his brother harbors such violent thoughts or flattered that Reader painted a portrait of him and the family together.

How would the family react to this and what would happen as a result?

Well, if I remember correctly, there are a lot of canons where Jason did actually try to kill Damian. None of this family knows how to express their emotions properly.

Damian probably takes it as a good sign. You're including your family in your art! Art is something so close and personal to the person who creates it, so if you painted them, you must harbor a similar amount of passion for having them in your life!

Bruce, in my opinion, is self aware enough to know clinically that it isn't healthy, but it doesn't concern him too much? He's confident that you wouldn't actually be able to hurt any of them, and any weapons in the house are far out of your reach in case you decide your own skin would be an easier target. There's technically knives in the kitchen, but best of luck sneaking past Alfred to get them-

In the back of his mind, Dick knows it's not the best, but actively chooses to ignore it. Aw! You're painting your brothers! They should hang this in the main hall so everyone can see how much you love them- okay, Bruce said no, but he would love to have it outside his room!!! That way you can see it every time he has (makes) you spend time with him!

Tim sat there while you painted it, actively giving notes on how corpses sit. You kicked him out after half an hour of "well typically Dick slumps like this when unconscious, so after rigor m-" stfu Tim and be disturbed like a normal person.

Jason is the only other one not okay with it. He's kinda hurt bc you two used to be close. Listen, he KNOWS the situation isn't great, but it's fucking better than you being out and about in this shithole city, okay? ...So can you just paint over him and leave the others in-

[damnfandomproblems]

Fandom Problem #6360:

Lately it seems a lot of writing communities are so focused on discussing and criticizing tropes that there's little discussion on the technical aspects of the actual writing itself.

How can I improve my sentence structure? Does my plot make sense and follow internally consistent logic? How can I tell if a mystery or reveal is too rushed, or too dragged out? (i.e., Do my characters seem stupid for not having already figured it out, or are they making massive leaps in logic to reach a conclusion that only makes sense to me, the writer, because I already know the truth?)

I dunno, but I know Bethany has an opinion that enemies to lovers is overrated.

I understand criticisms that books are commonly written around tropes for marketing purposes these days, but I feel if we're going to criticize things on the basis of "it uses this, this, and this trope", there should be some criticism as well leveled towards people only know how to critique on the basis of tropes, with no regard or understanding for how or if it factors in to the overall structure of the story, or what message the author is trying to get across with its inclusion. People are happy to say, "it's not about the tropes, it's about the execution" but then never want to talk about the execution. Writing isn't just ideas, it's also "how do I most effectively communicate the ideas I want to convey".

Low-key, I feel like this may be a consequence of people who like to talk about writing in an abstract, hypothetical sense without actually doing it. I am including myself in this, as a once-aspiring "writer" currently on a years-long hiatus from writing. Everybody has ideas, but putting them onto a page and molding them into something coherent can be a pretty intimidating task.

You can avoid playing into "problematic tropes" all you want, but it doesn't mean the actual experience of reading the words on the page is going to be engaging. There's a reason why books aren't just a bullet-pointed shopping list of "things that happen".

[birder-of-remnant]

I had not come across Fionapollo before but she did an excellent dive into the subject. It was a well-suggested analysis. And don't get me wrong, I am a big fan of speculation and fan theories, especially when they transform themselves into full fanon AUs. I delight in my own predictions and personal AUs regarding the RWBY Vacuo Arc. Fanon and speculation is a beautiful part of fandom and I have no problem with people choosing to accept their own fanon over the canon.

It is more of an issue with dog piling, as Fionapollo put it. Whether it is RWBY or Arcane, there are millions of permutations for how characters and storyline elements can evolve. Writers can make everyone happy some of the time and they can make some fans happy all of the time, but they cannot make everyone happy all of the time. Not to mention that it is still their own vision. As Fionapollo put it, it is only 1 to 5% of fans who try to bully their opinions across. But as what she described happened to Dream Daddy, this small subset of people can have major impacts and can sour the opinions of potential fans.

So I think you are 100% correct, the fandom provides a far greater diversity of storytelling than what a singular canonical storyline can tell and this is an amazing facet of community and culture. I just get upset when this begins spinning out of control to the point where it impacts the financial and mental well-being of writers. Or even death threats, like Jeff Williams received when he released BMLB (albiet, the songs are not technically canon).

Arcane getting backlash because the story doesn’t match up with the headcanons and expectations calcified during the hiatus. Happened to my good friend, RWBY.

[mer-acle]

i hold all the power (evil laugh, evil laugh)

Give me...

The big athena hcs

I desire knowledge and inspiration (evil laugh, evil laugh)

Haha

You kinda put me on the spot there. Not bc I don't have big headcanons but bc I'm like how do I phrase this without being like "here's the plot of that fic I wrote" yk? And now I'm unsure what constitutes a big headcanon... so I'm just gonna give you some more random ones and maybe you can help me out with what you were thinking of? (O.O)

For Epic specifically: Her owl form is a dark barn owl, bc they're really pretty and rare and have ginger feathers that match her hair

She dislikes Poseidon so much because he's so much like her father but her perception of him isn't softened by the love she has for Zeus.

Prometheus really saved her after Pallas's death. He kinda filled the void that losing Triton as a paternal figure had left more so than that of Pallas herself, but he took her along for his little creation projects (like the humans whoops) and they really match each other's freak. Yk. Until Zeus takes Prometheus away and definitely forbids Athena from visiting. I will literally murder him one of these days.

Speaking of Zeus taking people away, Athena was STRUGGLING after Pallas. Unsurprisingly, but still. Nobody but Hephaestus knows her from when she was still pretty openly mourning, they're all too young, and he never really asked why, but my girl was so depressed and lonely. She spend IRL HOURS in Quick Thought rewatching that battle and trying to figure out the moment where she went wrong. She knows Zeus intervened, but it doesn't matter to her, it's her spear, it's her kill. He was all like "for a nymph?" when she asked to take Pallas's name. "well, if you think that is a title worthy of your status..." It was her most open rebellion against his wishes for a while.

Her favorite domain is wisdom, but it's followed by crafting, not war. Don't get me wrong, she enjoys a good fight, but if she had to choose and wasn't worried about Zeus's opinion, she would choose crafting over war any day. The reason in my hc is how the domains are assigned, she was basically born with Wisdom, her powers are all about thought, and Zeus later assigned her with warfare which her powers work well with, but weren't technically meant for it. Meanwhile crafting is her "Passion domain" meaning her power in it literally stems from her intense enjoyment for creating. Imagine "What else can I do" from Encanto, but it's her discovering making clothes for the first time. The angst factor of this obviously being "My life has one mission, create the greatest warrior" Why is that her one mission? Is it the crushing weight of who she has to be?

My favorite bigger concept has to be her relationship with truth. In other words, Athena lies and manipulates her way through life, she is smarter than her father but knows he holds the power, so her council is whatever works in the moment, if she knows it's hopeless, she'll tell him what he wants to hear. Life has become a game for her, a game where she sells her soul for approval, bc she's lost those who loved her unconditionally, and can't trust those around her bc they're all trapped in the game with her, she doesn't want to be the favorite, she needs to be the favorite, it's the only way to survive, the only way for some semblance of safety and control, and yes, she gets along with mortals better than gods because they hold no power over her, they can't threaten the position she's worked so hard to achieve. Until Odysseus compromises a part of her that she hadn't thought she still had. Attachment never felt like danger with Pallas, but it does now, because what does it matter if you're more powerful when you respect the other person too much not to honor their wishes, should they tell you to leave them alone? If asked, she will have to leave, and that's terrifying (None of that would be overly conscious before My goodbye but for me, that breakup deep down always will be Athena being scared of her own feelings and trying to stop it before it goes too far and being at least 15 years too late.)

Woah that got dark lol I just wrote the last section and was like 👀fuck I am projecting SO bad. Like... gods I am so not okay. Jokes on me I thought I had headcanons all I have is trauma lmao

Anyways lol

Hope you liked it, and do let me know if you had something else in mind, I'll do my best :3

[purplequay]

wren's lullaby - dandelion hands // personal slash self indulgent piece

[polydamnory]

A chance to talk about my OCs? Say no more!

I think my (technically not an OC, technically also is an OC) rendition of Arke from Greek Mythology would be the most interesting because she’s… a lot, to say the least. She probably wouldn’t have much of an opinion on most of them, the empowered characters and demons she’d probably just assume are some weird monsters or demigods, but Blake… Blake would make her angry. Specifically because of D’Deridahn.

In a way she understands D’Deridahn, she too was a deity locked away in a hellish (literally) prison after a very long and arduous war. And she too was only able to escape said prison due to the machinations of a mortal (or in her case, two mortals) fucking around in the world of the dead. But everything else about him is just one big reminder of the pure anger and spite that is driving her forward. Selfish old gods using and abusing those under/weaker than them all because they can is what got her into this mess, and to see them once again be set free, this time without anyone more powerful to keep them in check, fills her with so much rage she can feel it threatening to rip her apart.

And Blake? He freed this being all for the sake of one other person? That is something she could never understand. Because even though she does understand wanting to do anything to keep her loved ones safe, even to her point of doing something drastic that will most likely do nothing in the end but make someone else’s life a little worse, putting so many others lives in danger would ultimately not be worth it. You either do what you can so you are the only one that pays for your actions, or you don’t do it at all.

She’d probably try and kill him, to be honest.

ok cmere listen

take an oc you have from literally any universe that you have (other than redacted)

tell me what’s happening if they were to run into

- david

- huxley

- vega

- porter

- geordi

- blake

- hush

you can doooo as many of them as you want to

(this is just an excuse to hear about peoples OCs btw)

[gumm1defloor]

Vox can understand Velvette just fine. They don't necessarily need to get along all the time, but they have a mutually beneficial contract that guarantees her support in the most efficient way possible, just how they both like it, short and strict and to the point. Vox does not understand Valentino. It drives him unimaginably, disgustingly insane. He knows how to handle him, make no mistake. Valentino is a never-ending powerhouse that wrangles out content from his employees like there's no tomorrow. He's proven himself to be Vox's most lucrative investment yet. He is resourceful, well-connected and most importantly predictable enough to rein in. Because he listens to you, because he needs you.

He is also, undeniably, out of his goddamn mind. Yet you've already invested too much in the corporate empire you've built together and there is no point turning back now that you have him so close to your side. It's OK however! He couldn't possibly be stupid enough to throw away the best partnership deal he's ever had just for the sake of something petty cause -oh, wait - he genuinely might just be that stupid and you never would've guessed because he's so cocksure of his bullshit that 80% of the time it ends up working in his favor anyway.

Fuck his life indeed. The kicker for this of course is that Valentino, genuinely does believe he has struck gold with Vox. Valentino is a clingy, possessive, immature, perverted, sadistic, egotistical man-child with severe rage issues and zero impulse control. No he is not aware of this at all. No he does not know why nobody is able to tolerate him and why every single person he gets close to hates his guts with every inch of their burning rotting souls. All he knows is that hell has now given him a flat faced prince in shining liquid crystal armour, riding on a cash filled horse with promises of power and luxury, who's practically handing him success on a silver platter. Doesn't mean that Val trusts him, doesn't mean he doesn't enjoy seeing him lose his shit. But at the end of the day vox has his back, and as long as Val keeps calling for him, he'll eventually turn up and make everything better. Cause hey if Vox hasn't left him yet for this long he must be doing something right. Right?

[twinstxrs]

the gorgug-porter conversation is interesting to me because like. yea for the overwhelming majority of the conversation porter’s being shitty & trying to fit gorgug into a box that gorgug just does not fit into by trying to make gorgug’s relationship with his rage more focused on the aggression aspect of it. but then there’s also this specific thing that brennan brought up again in the ap, which is that gorgug’s relationship with his rage is wholly “this is a tool i use to protect my friends.” which isn’t a bad thing! but that’s his Whole relationship with it, & gorgug seems to place next to no value on his rage in relationship to himself. which is problematic, because it’s first & foremost his rage.

being raised in a household with a sort of toxic positivity largely meant that, whether or not it was his parents’ intention, gorgug internalized the message that more traditionally “negative” emotions such as anger are the wrong response to something. part of the reason he prioritizes his artificing is probably because it’s “fixing” things. in comparison to being a barbarian, which gorgug associates with “breaking” things. good vs. bad behavior, in his eyes.

it’s a totally unacceptable bar to measure a 16 y/o by, but i do think part of porter’s reasoning for not letting gorgug multiclass is him recognizing that gorgug generally does not value anger as a valid emotional response to something, at the very least for himself. & that directly conflicts with what being a barbarian is, because whether you like it or not, that rage is what fuels you. but again, barring a kid from pursuing something they deeply care about in part (not entirely, porter has a lot of more bullshit reasons) because of their fundamental values & world outlook is crazy.

so yes, 98% of porter’s reasoning is pretty shitty, immature, rife with a toxic view that there’s only one proper way to access rage, & generally not a good thing to do as a teacher, but also within that reasoning is the 2% of ‘there is a fundamental part of yourself that you only value if you can use it to take care of other people & you need to accept that as something that can take care of you, too.’ but that’s something to discuss with a therapist or a guidance counselor, not something that should hugely impact gorgug’s academic future.

[dmgloom]

So, I have a lot of opinions about this, and since you're already using MacOS, there are some things to consider. It's basically usability and comfort vs value and jank.

Windows is jank, increasingly so over its lifetime, and comes with a lot of stuff that needs to be turned off in order to use comfortably, in my opinion. This includes what amounts to AI and effectively spyware "features" that are technically optional but really annoying to work around.

A PC (tower) is the most value for your money, and it's not even close. Linux is an option worth considering- it's more accessible than ever but the big "but" is that your drawing apparatus of choice must either support Linux, or have open source drivers that someone has ported over.

A Mac has their ecosystem, which if you're already using other Apple devices, might be worth sticking with to dodge the transitional headache. Their "towers" run the same silicon as their laptops in most cases, and if electricity costs are a concern, they're some of the most power efficient machines out there. But the downside is yeah, apple kinda gets to tell you when it's time to upgrade.

In either environment, a laptop is only desirable if you want the portability. Laptops are priced at a premium for typically worse hardware and are generally unrepairable in any meaningful way (though the times are changing on that front). Framework is a notable exception in this space, where repairability and customization is their whole deal.

Something that may be relevant if you're not using a tablet with a screen is color accuracy. Apple excels at this, and any of their offerings with a screen will have excellent color accuracy out of the box. With a windows device or tower computer of any stripe, it's another thing that will need to be researched.

So in short

Apple Pros:

- Consistent

- It just works (or doesn't)

Cons:

- typically very expensive for what you get

- Apple™

Windows Pros:

- Value

- Versatility

Cons:

- Requires significant set-up

- Can be fussy

Other

-Windows Towers are the best in terms of value and repairability

-Mac Towers are the same as their laptops in general it actually gets a little silly sometimes.

trying not to jinx it but my beloved old macbook is starting to give way (battery won't recharge) and I'm starting to look at other options- I have my backup pc laptop but as someone who draws a lot the mac was much nicer in terms of user friendliness. but. the planned obscelenecnense... so help me out!

[ghostlydeanbailiffcloud]

I have stopped interacting with qsmp for a while now but I continued looking at ccs tweets on the topic, I found that a lot of people were being hypocritical (hate to all ccs that reconnect unless they said 'sorry🥺')

And here is Pierre's answer to a tweet "calling him out" and he gave an answer that I really like so here:

Pierre is the only cc to have helped and kept constant contact with quack, the first to know and try to help, to contact the admins and everyone threw that out because he didn't say sorry?.....

[tabbi-mysteries]

Episodes 1-500 Mouri Ran's Wardrobe!

+ Films 1-11 & OVAs 1-8

(better quality images under the cut)

Wow what an update! This took a while because uh she does not rewear her outfits very often in this segment of the show, still it was fascinating to see how the style of clothes changes over this time period. Also new to this update I went through and added the smol Ran's that have appeared that I skipped over before :)

This project has been a lot of fun and I intend to continue so they'll be more to come in the future too. In the meantime I want to know people's favourites! (Or least favourites are fun too) let me know in the comments/tags!

As a final P.S I've learnt that some of her merch/promo looks are unique and I was wondering if anyone knows if there's any archive or something of references of those cause some of those are really cute and I'd like to include them.

[leftneb]

okay final thoughts on the collision because I've had time to think it over properly now

TLDR;

the contact itself was caused by max

they both had to be driving aggressively (=racing) for it to happen

stirring personal drama and/or refusing to admit to fault is ridiculous (and I'm including the media in this)

I. max moves off the racing line to block lando from taking the inside line

this move makes sense, max is trying to prevent an overtake

it also means that he's left the racing line open

II. lando takes the outside line in turn

it's important to consider WHY he does this here, lando at this point has 2 options

option 1 -> follow behind max on the inside this option makes no sense, no sensible racing driver would willingly file behind their opponent, that would be handing max the lead here, lando isn't about to roll over

option 2 -> stay on the outside with this he wouldn't neccessarily be able to overtake max, but he can keep the pace

natually lando went with the 2nd option. from then on (if max had kept the inside line, which was a sensible assumption to make considering their positions) I can imagine this going 2 ways

-> lando keeps off the breaks and runs wide he likely would not have made this mistake

-> lando takes the outside line, untimately stays behind or wheel-to-wheel with max this creates an opportunity for an overtake later on

with those possibilites in mind all lando has to do is: not fuck it up

he IS absolutely taking a risk here, but again, to run a good race you HAVE to take those risks, you HAVE to see the opportunities that are presented to you and HAVE to atleast try taking them. otherwise why race?

III. max takes an unusual line instead of staying on the inside

this is the direct cause of the collision

generally speaking when you take a line you're expected to stay on it

max here is driving almost erratically, he veers off the line he was taking a moment ago, even moving after he started breaking into the turn. this is almost completely illogical

it does NOT line up with what lando would have been expecting, if max had seen that lando was already at his side I highly doubt he would have drove off his line, but appearantly that wasn't the case

you could excuse this by saying that max just didn't see lando at this point (which I think might be true, though we can't know that for sure without a statement from him) but you have to consider just how WEIRD this move is

max blocked lando from taking the inside line - which leaves lando the outside - and then tried going back on the racing line - which lando already took (logically so)

this leaves lando to either run himself off the track to prevent the collision, or to not move at all. I think it would be within reason to assume lando could not have predicted max basically driving into him instead of staying on his line and (even more importantly) leaving lando the space

IV. they collide

max basically set them on the collision course, yes lando took a risk by the outside as quickly as he did, but not doing so would have left him out of the battle. the contact required both drivers to make risky decisions in the heat of the moment. but ultimately it was max who caused the incident, putting lando out of the race entirely

I also went over the other overtakes/attempts in my previous analysis

about their statements post-race

I've actually changed my mind (a bit) about this since yesterday

first of all, lando's statements are getting MASSIVELY exaggerated by the media and fans, often being paraphrased to implying he'd end his friendship with max outright

he did not say that. what he DID say was

"depends what he says. if he says he did nothing wrong then I lose a lot of respect for that. if he admits to being a bit stupid and running into me - being a little reckless in a way - then I'd have a small amount of respect for him."

even though the interviewer included the term "friendship" in their original question, lando wasn't talking about that

I'd also like to point out (and this is the most important bit IMO) that interviewers and the media in general try to stir up drama and conflict, partially through getting reactions out of the drivers, on purpose.

don't ever forget that they put these interviews right after races, when the tensions are still high and they haven't had a real opportunity to debrief yet. after getting his race ended (a race he could have WON, regardless of whether he was driving fair or reckless before) obviously he's going to be a bit pissed about it. I think he gave a relatively fair statement

I don't think conflating friendship with their on-track rivalry is particularly healthy (I don't think I have to elaborate on why we've all seen alpine) but that's obviously not my (or anyone's) place to say whether either lando or max is handling their interpersonal relationships right

as for max's denial of responsibility, I think he's just plain wrong. but again, he was interviewed at a time when he would have still been emotional (though this shows up differently for him than it does for lando, which is why people have such varying reactions to it) for max that means he's not yet thinking completely rationally, every driver denies their fault at first

KEEP IN MIND that this is all just my opinion and I am by no means a mind reader. and that I very likely missed some things or interpreted them in a way that was comfortable for me despite trying my best to stay unbiased.

[acoustic-tenor-ball]

"I grew up- I've always been- Fuck."

Sol huffs and starts over. "Life has always been strange for me. Not just because of my," she gestures vaguely at her ears," condition, but in general." He takes a breath. "Socializing is hard. I don't get people. Growing up I spent a lot of time in nature. Classrooms were a little too loud and way too fucking bright. The kids couldn't keep their hands to themselves, and I didn't care to be polite about it. Who cares if I hurt their feelings, you know? Whenever lunch or recess would roll around, I'd wander off. Find myself ways away from campus, far from flickering lights and prying hands. Was like that 'til...middle school-ish?" She scrunches her nose, staring up at the ceiling, but continues. "The teachers put a stop to it, obviously. I don't blame them. They said I needed to 'connect with my peers'. I'd been doing alright academically, so I guess that's the only real issue they had with me. Luckily for them, I had the perfect plan. I thought-!" He inhales deeply, no use in getting worked up so early. "I thought, 'What better way to make friends than to show off this cool power?' The hearing wasn't so bad then. I could hear maybe...400 feet in each direction? Just a bit longer than a football field."

[Not that I knew that at the time.]

"It's practically nothing, compared to now. Still, more than enough to impress a couple people. Y funcionó. Casi demasiado bien." "There was this girl," [Jayla? Jaelin? Jaslyn?] "She was pretty, popular, outgoing, and a perfect target for my little 'social experiment'. Paired up with her for a project and told her I could hear anything she said from across the room, even if she whispered." Sol waves a hand around lazily. "She didn't believe me, of course. Not until we tested it. Then. Then it became public knowledge. Suddenly, everyone at school wanted to talk to the girl with 'super hearing'. It was tame, at first. People would whisper things from down the hall for me to hear. They'd go further and further, testing the limits of what I could do. We tried spying on the teachers a couple of times. We even got one fired! It was fun." He shrugs. "Of course, a few kids tried to mess with me. They intentionally made loud noises; I think they liked to see me jump. They learned their lesson pretty quick, though. Violence never scared me, and I defended myself just fine. That didn't bother me," she scowls, "No. The problems came once people realized they could use me for gossip." [In hindsight, it's obvious. They're middle schoolers. I don't know what I was expecting. Kindness? Ha.] "I didn't mind it at first. It felt great to be a part of something, and I can't say knowing everything wasn't exhilarating. My friends would ask me to eavesdrop on conversations and tell them what I heard. A lot of it was petty drama, failing 2-week relationships, and the like. It didn't matter to me, I'd successfully socialized like they'd asked me to, and that's all I needed. One day I listened in on the wrong conversation and told the wrong people. And, well. I went from the 'kid with the cool powers' to 'invasive' and a 'freak'." Sol laughs something bitter. "I still had 'friends', technically. They just...needed to use my powers- curse- whatever- whenever they wanted. It's the only way they'd keep me around. I was a tool first, and a friend second. Who cares if I'm sad or tired, or if every noise was too much and I couldn't breathe? Every little way I was different would be scrutinized if I didn't comply. I would be alone again. I'd disappoint them. I hated it. I hated it so much, Morgan. It wasn't even that bad but I-" Her voice started to rise ages ago. She doesn't care. "I just- I hate being treated like an object. I have feelings, opinions, and needs. I am a person. I may not be the smartest, or the nicest, or the prettiest, or the most functional. I may not even be a good one, Dios sabe que nunca lo seré, but- I am a fucking person just like everyone else. Hell! I don't even like people! But you can't just take that away from me. You can't."

The following silence is almost a relief.

Sol knocks harshly on the door.

"Morgan? Morgan, open up!"

He takes a deep breath. A futile attempt to calm her already fraying nerves.

" I can hear you. I know you're in there."

"Alright, alright. I'm coming, jeez."

Morgan grabs their shirt off the back of their chair and shoves it on. They stumble a little as they make it to the door.

They unlock the door, swinging it open. They raise a brow as they take in Sol's disheveled appearance.

His clothes are wrinkled, and the bottom of her jeans damp from coming through the grass. He's breathing heavily, as if he'd been walking for a while.

"The hell happened to you?"

Xe usher her in.

[maplebased]

jules and the bad bitch she pulled by being fucking annoying

[cheebuss]

OOO is your spotify thing still on? if so, Sniper + 42

i'm also attempting the silly route, 42(0)

send a character + random number for a piece with them corresponding to the song on my Spotify top 100 [x]

Well I called my buddy 'Billy Blake' And he told me just what to do. "To be your own man…" he said, " well you gotta be a monster too…"

do not forget about Palestine amidst the spotify wrapped excitement, there's a reason it was posted early instead of on the normal day.