#technically its a new beginning...

[wittymumbledon]

because it only feels fitting, here's a little evolution of all the bills i have drawn over the years (a billvolution, if you will), spanning from 2019 to (quite literally) today

[aria0fgold]

FINALLY DONE WITH THE ISAT OC! SOLEIL!!!

The creature... So first things first is some info about them pre- disappearance of The Country. They're a loyal follower and avid worshipper of The Country. They love the Universe sooo much that they made a wish to be able to read the stars, and the Universe answered. I like to think that the stars are talkative, some can predict what will happen in the near future, some are just "chatting" to each other about the stuff happening in the world they overlook. It's a somewhat useful ability that Soleil used to use to be able to either predict someone's future (rarely though, the stars hold many different futures and it's hard to figure out which is whose) or use it during funeral rites to have a more reassuring experience to the ones mourning that their loved one arrived safely among the stars.

And then they found out about The Cursing of Chateau Castle-- they kiiiinda got Really obsessed with the book series that they wanted to know more about it but there wasn't any more copies of it in the Country's language so what better way to deal with that but teaching itself how to understand the Vaugardian language, and by doing that they got to learn more about the Vaugardian culture and was really amazed by it (considering that they spent most of their life with the Country's culture instead, learning about a different culture is a great feeling). One thing led to the other and it also led Soleil to travelling to Vaugarde (something that their family wasn't all that happy with but they stay silly).

And so we're back at the present time! Now to talk about some details on its appearance.

Its Craft type is Scissors! The eye on the center of its chest and the eye by its nape are in fact EYES and not just accessories (although they did try to make the eye on its chest appear to be like a mix between a star shape and the Change Symbol).

After spending some time in Vaugarde, they learned about Body Craft in which case they decided to experiment with it in regards to its eyes.

Since being in Vaugarde, there wasn't much use to its star sight and there also isn't a way to "turn it off." So instead, they decided to separate its Normal sight from the Star sight by adding another pair of eyes on its body.

The eyes on its face are blind. They can't see through it anymore but they Can still see the stars (they can't read it anymore however cuz of the Country's disappearance).

If they focus on the stars using those eyes, they'd get a REALLY bad headache and a star sign appears on its eyes. Nothing to be afraid of probably, its head just Really hurts.

The glass covering the eye on its nape is a one way mirror. You won't be able to see the eye but the eye can still see you.

With its vision split, it actually took them awhile to get used to that. It takes a lot of concentration and focus to see both from behind and from the front. When Soleil gets tired from doing that, they either close the eye on its nape (if the place is safe enough) or unfocus it enough to the point that most of its vision becomes blurry with only being able to see blobs of shapes and shadows which helps them be alert enough in case something comes running at them from behind.

All the round objects you see on its body are Bombs. They found out about Bomb Craft in Jouvente and was so fascinated by it that their inventor brain (inventing, crafting, and repairing stuff is a special interest of theirs). They now like making bombs and inventing new ones (only they have the recipe of those).

The bombs they invented only detonates via a Craft spell, it's basically as safe as an ordinary ball to handle unless detonated. Also the scissors at the top of their head has a cover on its tip. It's Very Sharp. They mainly use that (either the tip or the scissor blades itself) to cut the bombs dangling on its body.

Despite the multitude of bombs they carry, they aren't actually much of a fighter (they just like bombs). Most of its Craft spells are basic/beginner level. The one and only Powerful Craft spell they have is a shield/defense spell that they practiced several times. It's capable of negating all damage for 2 turns with a 5 turn cooldown, they wanted to master that spell to make it so that bombs won't hurt them no matter the close proximity.

Its hand signs are "broken." They used to mimic the hand signs that the Universe (I'm mainly referring to my design of the Universe) makes. But after forgetting about everything in regards to it, they can't remember what hand signs they used to make but the familiar feeling was still there.

A huge fan of The Cursing of Chateau Castle, to the point of practically making it part of its identity now that a HUGE chunk of its memory is missing. Its outfit is a modified version of what they think Lady Irene-Janine-Karine wears.

Its personality is a mixture of Lord Josephandre, Pierre-Jacques-Erneste, and Lady Irene-Janine-Karine (aka the Chateau Trio!!! Love those three...).

Its name, "Soleil" is just something they found in a book and decided to use for itself. They don't remember its name anymore.

[possamble]

I know it's going to seem strange and alien to how shipping fanfiction usually works but would you ever be interested in writing "bad" endings? Like, in the sense that things in a ship don't work out and both people have to figure out a life without the other as a partner? You write pain and heartbreak and calcified self-hatred so well, I'd be interested in seeing you write it if that interests you.

I actually do explore that kind of stuff, just almost never in my fic writing 😅 mostly out of a sense of like... not wanting to upset people, since I'm playing with shared toys in our collective make-believe game? Also, fanfic is mostly my escapist fantasy, so I'm never that inclined to break characters up (unless I personally believe they'd be better off separated, which is rare but has happened)

It likely won't happen for farcille unless I'm doing a long "reconciling years later" type thing with flashbacks to the breakup, which admittedly I have thought about

[goblingirlgratitude]

happy new music friday to me :3

[inferusrf]

New Era AU out of context

Sirin on Sirin violence

[eisthenameofme]

The piano. It is approaching.

[zero-art-or-braincell]

WE MADE IT!!

from july 6th 2021 to october 7th 2024 the sketchbook is offically done! almost three years :'D

[thetangibleghost]

I gotta confess it is so much more fun talking to Sal as if he is a separate person like he wants and not a member of the system. He's super creative like. Its just fun.

[david-watts]

I will not fall into the trap of rewriting everything because my writing skills have improved since starting the work

[fatehbaz]

was thinking about this

To be in "public", you must be a consumer or a laborer.

About control of peoples' movement in space/place. Since the beginning.

"Vagrancy" of 1830s-onward Britain, people criminalized for being outside without being a laborer.

Breaking laws resulted in being sentenced to coerced debtor/convict labor. Coinciding with the 1830-ish climax of the Industrial Revolution and the land enclosure acts (factory labor, poverty, etc., increase), the Metropolitan Police Act of 1829 establishes full-time police institution(s) in London. The "Workhouse Act" aka "Poor Law Amendment Act of 1834" forced poor people to work for a minimum number of hours every day. The Irish Constabulary of 1837 sets up a national policing force and the County Police Act of 1839 allows justices of the peace across England to establish policing institutions in their counties (New York City gets a police department in 1844). The major expansion of the "Vagrancy Act" of 1838 made "joblessness" a crime and enhanced its punishment. (Coincidentally, the law's date of royal assent was 27 July 1838, just 5 days before the British government was scheduled to allow fuller emancipation of its technical legal abolition of slavery in the British Caribbean on 1 August 1838.)

---

"Vagrancy" of 1860s-onward United States, people criminalized for being outside while Black.

Widespread emancipation after slavery abolition in 1865 rapidly followed by the outlawing of loitering which de facto outlawed existing as Black in public. Inability to afford fines results in being sentenced to forced labor by working on chain gangs or prisons farms, some built atop plantations.

---

"Vagrancy" of 1870s-onward across empires, people criminalized for being outside while being "foreign" and also being poor generally.

Especially from 1880-ish to 1918-ish, this was an age of widespread mass movement of peoples due to the land dispossession, poverty, and famine induced by global colonial extraction and "market expansion" (Scramble for Africa, US "American West", nation-building, conquering "frontiers"), as agricultural "revolutions" of imperial monoculture cash crop extraction resulted in ecological degradation, and as major imperial infrastructure building projects required a lot of vulnerable "mobile" labor. This coincides with and is facilitated by new railroad networks and telegraphs, leading to imperial implementation or expansion of identity documents, strict work contracts, passports, immigration surveillance, and border checkpoints.

All of this in just a few short years: In 1877, British administrators in India develop what would become the Henry Classification System of taking and keeping fingerprints for use in binding colonial Indians to legal contracts. That same year during the 1877 Great Railroad Strike, and in response to white anxiety about Black residents coming to the city during Great Migration, Chicago's policing institutions exponentially expand surveillance and pioneer "intelligence card" registers for tracking labor union organizing and Black movement, as Chicago's experiments become adopted by US military and expanded nationwide, later used by US forces monitoring dissent in colonial Philippines and Cuba. Japan based its 1880 Penal Code anti-vagrancy statutes on French models, and introduced "koseki" register to track poor/vagrant domestic citizens as Tokyo's Governor Matsuda segregates classes, and the nation introduces "modern police forces". In 1882, the United States passes the Chinese Exclusion Act. In 1884, the Ottoman government enacts major "Passport Nizamnamesi" legislation requiring passports. In 1885, the racist expulsion of the "Tacoma riot".

Punished for being Algerian in France. Punished for being Chinese in San Francisco. Punished for being Korean in Japan. Punished for crossing Ottoman borders without correct paperwork. Arrested for whatever, then sent to do convict labor. A poor person in the Punjab, starving during a catastrophic famine, might be coerced into a work contract by British authorities. They will have to travel, shipped off to build a railroad. But now they have to work. Now they are bound. They will be punished for being Punjabi and trying to walk away from Britain's tea plantations in Assam or Britain's rubber plantations in Malaya.

Mobility and confinement, the empire manipulates each.

---

"Vagrancy" amidst all of this, people also criminalized for being outside while "unsightly" and merely even superficially appearing to be poor. San Francisco introduced the notorious "ugly law" in 1867, making it illegal for "any person, who is diseased, maimed, mutilated or deformed in any way, so as to be an unsightly or disgusting object, to expose himself or herself to public view". Today, if you walk into a building looking a little "weird" (poor, Black, ill, disabled, etc.), you are given seething spiteful glares and asked to leave. De facto criminalized for simply going for a stroll without downloading the coffee shop's exclusive menu app.

Too ill, too poor, too exhausted, too indebted to move, you are trapped. Physical barriers (borders), legal barriers (identity documents), financial barriers (debt). "Vagrancy" everywhere in the United States, a combination of all of the above. "Vagrancy" since at least early nineteenth century Europe. About the control of movement through and access to space/place. Concretizing and weaponizing caste, corralling people, anchoring them in place, extracting their wealth and labor.

You are permitted to exist only as a paying customer or an employee.

[whytheylosttheirminds]

Don't Call Me Kid - Chapter 6 (part one)

(Rafe Cameron x Reader series, 5.3k words)

series summary: You'd had a crush on Rafe Cameron since you were six years old, but he friend zoned you at every turn. Once shy and insecure, you found new confidence and self-love after high school. When your high school friends go on a reunion beach trip, Rafe finally sees what he lost, but he isn't going to give you up without a fight.

tropes: unrequited crush, glow up, she fell first/he fell harder

series content: some angst, eventual fluff, slow burn, tomfoolery and shenanigans, drinking, fem!reader has occasional insecurity and body image issues

⇢ series masterlist

additional chapter cw! this chapter contains brief mentions of blood and minor injuries

It was like no matter how hard he tried, he just couldn’t stop hurting you.

You were only under for a second, maybe less, your lifejacket doing its job, and yet somehow he couldn’t shake the feeling that he’d let you drown. 

There wasn’t much logic to it. It wasn’t as though he had emptied the jet ski of all its gas, or that he somehow had control over the weather. 

Technically, none of this was his fault, yet he felt the guilt burn in his chest like he’d swallowed hot coals.

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The second your head emerged, you let out a scream, the salt water in your fresh cut sending hot sparks of pain up your leg.

“Fuck, ow!” You cried, reaching for the jet ski with shaky hands, in so much pain you couldn’t even find it.

“Ohhh baby, are you okay?” Rafe grabbed your hand, squeezing tight as he pulled you towards him in the water, his other arm tethering you both to the jet ski.

“I think I’m bleeding,” you clung to his shoulder, your fingers digging in probably too tight, but the pain was so overwhelming you needed to put it somewhere. He didn’t mind, desperate to take it away however he could.

“Here climb up,” he said, grabbing your waist and boosting you. “The water can’t be helping.”

“Shit,” you both said in unison when you finally got onto the jet ski and revealed the cut on your calf, wider than you thought and bleeding angrily.

“Just hold on, I got you,” he assured, beginning to kick rapidly to start moving the jet ski toward the shore. 

You were scared the whole time, never once taking your eyes off of him. Asking him over and over again if he was okay until you were sure he was sick of it. But not once was there even a hint of agitation in his voice as he promised you he was fine, that you were almost there, that everything was gonna be okay.

His words didn’t do much to convince you, your face flooding with worry when you noticed his breaths getting more strained.

“I’m okay,” he swore to you, stopping for a moment to catch his breath. “We’re almost there.”

It was starting to rain and the thunder was growing louder, there was no argument to be made that you could keep floating safely in the ocean. You resigned to let him keep going, but your eyes never left him, as if it was your appreciation keeping him afloat instead of his lifejacket.

“Thank you,” you said for the fifteenth time.

He smiled, his eyes crinkling with the motion, the expression entirely too joyful for the grim situation you found yourselves in.

“What?” You scoffed, poking his hand with your toe playfully.

“You’re cute when you’re worried,” he explained.

The drizzling rain was chilly, but your body was on fire. You opened your mouth to reply, despite the utter lack of words in your mind, but the sight of your sister appearing in the distance pulled your attention away.

The group that gathered at the dock’s edge was not the happy-go-lucky bunch of friends you’d arrived with a few hours ago.

The dock was only a few yards away now, you were close enough to see Carter slumped on the ground, Topper’s arms around her, pulling her into a comforting hug. As Rafe swam you closer, it became more apparent that she was crying. 

“There she is!” Tom shouted, motioning to you.

Carter stood quickly, nearly knocking Topper over, waving her arms in the air frantically like she was trying to land a plane. You waved back, heart aching at the sight of her red, puffy eyes. 

“We’re okay!” You yelled through the rain, trying to ease her worry as the jet ski approached. 

You looked down at Rafe who could hear the commotion but not see it.

“We’re almost there, they’re all waiting for us,” you filled him in.

As the front of the jet ski neared the group, Topper leaned over the side of the dock to pull you the rest of the way in. 

“Ohmygod, ohmygod, where have you been, are you crazy?!” Carter paced the dock, a wild look in her eyes as she scolded you.

“I’m fine!” You assured her. “We just ran out of gas.”

“We?” She questioned, hands on her hips.

Once Topper had secured the jet ski to the dock, Rafe swam around to the side, revealing himself to the group.

“What the hell? Where’s Kelce?” Carter questioned.

You knew she must really be upset. When she went into worried-mom-mode, her already limited inclination for politeness went completely out the window.

“Can someone help him up please?” You corrected her. “And get him a blanket or something?”

“I’ve got a couple in my trunk!” Topper said, before running to the marina parking lot.

“I’m fine,” Rafe calmed you with a soft smile as he lifted himself onto the back of the jet ski.

Before he could climb onto the dock, fully planning to help you up next, Tom reached out his hand to you.

“Are you okay?” Tom asked. You could feel Rafe’s posture stiffen next to you.

“I’m fine, thank you.” You accepted his hand, only due to the fact that you actually did need help with the big step off the jet ski.

The moment your feet were steady on the dock, you pulled your hand from his and turned back to make sure Rafe made it onto solid ground. When he did, you made your way to Carter’s side, pulling her into a hug.

“I thought something happened…” she mumbled into your shoulder.

“I’m okay,” you soothed her. “Rafe saved me.”

She pulled back from you, sniffling as she eyed him over your shoulder.

“Thank you,” she told him quietly.

“I didn’t do a great job,” he said shakily, looking down at your leg. “You’re still bleeding.”

“You’re bleeding?!” Carter turned you around, inspecting you for injury.

You laughed as she spun you frantically, “it’s just a little cut on my leg.”

She leaned down to inspect it further, eyebrows knit with concern. “I told Topper we should’ve called 911.”

You placed both hands on her shoulders, “Car, I’m fine. It’s just a scrape, it’ll be gone by tomorrow. I’m sorry we scared you, though.”

“You did,” she pouted.

Topper came running back, huffing from his hurry. 

“I could only find one,” he extended the blanket in his hands to Rafe, who obviously needed it more.

Rafe took the blanket from him and opened it up quickly, but instead of dragging it over his own shoulders, he wrapped it around you.

“You should take it,” you tried to stop him.

“Nah,” he waved you off, running his hands up and down your arms to warm you up. “We need to get you dry before Carter calls the Coast Guard.”

For a full ten seconds, your group stood in the rain, everyone’s eyes on someone else, the tension in the air telling an entire story to some invisible audience.

Carter looked at you, concern wrinkling her forehead as she wondered what really happened after she went to bed last night. 

Topper looked at Carter, wondering if her investment in your love life meant she’d forgotten all about the intimate hug they’d shared on the dock waiting for you to return.

Tom looked at Rafe, wondering if it was this joker’s fault you’d rejected him the night before and feeling the hot flame of competition ignite in his chest.

Sabrina looked at Tom, wondering when boys had started looking at you like that and how to get him to look at her instead.

Rafe looked down at you, and you looked up at him, both wondering if the other was thinking the same thing: there’s so much more to say.

“Ahem,” the jet ski owner cleared his throat, pulling you all from your thoughts. “Need the keys back if you don’t mind.”

Carter handed him the first two keys, and Rafe fumbled in his pocket for yours.

“You should really be checking the gas tank before you just send people out there,” Rafe snapped at him, tossing him the key. “You sent her out with an empty tank, she could’ve been seriously screwed, man. No way to run a business.”

“Maybe you should teach your girl how to drive so she doesn’t drain the tank,” the guy snapped back. “Not my fault she’s a ditz.”

Rafe stepped toward him in one long stride, chest puffed out and tension brewing in his flexed jaw that ran all the way down his neck.

“The fuck did you just say?” Rafe grabbed him by his collar, pulling the guy up towards him as he glared at him. 

You looked helplessly to Topper, who hurried to pull Rafe’s hand off the guy’s shirt. Topper was an expert at intervening before Rafe did things he couldn’t undo, and you were grateful he was here. Still, there was a small part of you that selfishly wanted to know what he’d do next, how far he’d go to defend your honor.

“Okay, okay,” Topper said. “Let’s just go, bro. It’s over.”

Rafe fought against Topper’s pull for a moment, staring daggers at the jet ski guy, who was chuckling smugly. When the guy’s eyes darted to you, he pulled his arm from Topper’s grip and made to move towards him again.

“Rafe,” you said softly.

His head turned to you, and the tension in his shoulders loosened. You shook your head ever so slightly, eyes urging him to back down. He nodded once and his hands, which had been balled into fists, flexed open as he let his anger go.

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As soon as you made it back to the house, you peeled your wet bathing suit off and climbed in the shower, eager to get your weary body into the warm water and let the sea wash down the drain. Carter had announced plans on the car ride back from the marina to go out to some clubs this evening, and you were far from dance floor ready.

For just a moment, the hot water felt incredible, until it made its way to your cut. You yelped and stepped out of the hot stream quickly. 

Typically, you would’ve thought responsibly enough to cover the cut before getting in the shower, but your mind was too foggy with thoughts of Rafe. You pulled on some clothes and padded down the hall to Carter’s room.

The knock on the door sparked a flurry of commotion behind it. Hushed voices echoed from under the door frame.

“Just a second!” Carter shouted to you, voice muffled.

“Oof!” A deeper voice said, the sound of a heavy body hitting the floor.

Your lips twisted in a knowing smile. You didn’t need the door to swing open to know who you were hearing in the room. Carter and Topper were clearly tangled up in something before you interrupted.

Confirming your suspicion, the door swung open and Topper stood in front of you, his shirt on backwards from being pulled on in a hurry.

“Do I have the wrong room?” You smirked.

“I was just, uh, helping Carter with something,” he fumbled to explain.

“Oh? What were you helping her with?” 

“Her bed is, uh, broken.” 

You laughed, standing on your tiptoes to call over his shoulder and into the room, “just wanted to see if you have any Band-Aids?” 

“No,” she responded from somewhere under the mess of blankets on her bed. “But I can come help you find some.”

“Oh no,” you said. “You stay here and work on that…broken bed.”

Topper gave you a thankful smile and you winked at him.

“Make good choices!” You called, turning from the door.

“Too late!” Carter sang back.

You checked a few of the other bathrooms before wandering to the kitchen. One hand on the counter, and the other reaching as high as it could, you tried to boost yourself up. The flex of your calf as you jumped stretched the skin around your cut, making you wince. 

“Fuck,” you grumbled to yourself. “Let’s get jet skis they said, it’ll be fun they said…”

You tried to jump again, reaching for the high cabinet, the only one in the kitchen you hadn’t checked yet. You could’ve sworn you’d seen a first aid kit around here somewhere. You jumped again, the effort still fruitless.

“Need some help?”

You turned fast, startled by the revelation that you weren’t actually alone.

Rafe was standing at the bottom of the stairs, leaning on the banister with his arms crossed. His hair was damp, clearly just out of the shower himself. You weren’t looking at his hair, though.

He was covered only by a pair of checkered boxers and the towel flung carelessly over his shoulder. His torso was long and rigid, more defined than you had first noticed on the beach the other day. The hard ridges of his abs cast shadows on the plane of his stomach, your eyes danced over them, down to the deep V that disappeared below his waistband.

“What are you looking for?” His words were casual, as if he didn’t notice you staring, but the crooked grin etched on his face told a different story.

“Band-Aids,” you told him, your voice so feeble it did nothing but further reveal your captivation with the sight of him.

The smirk and all its playfulness fell from his face as his eyes filled with concern. 

“Are you still bleeding?” 

“No, I just need to cover it so I can shower. I’m thinking I should probably get the seaweed out of my hair if we’re going out.”

“Y’know if you don’t want to go, we don’t have to. I’d stay back with you,” he offered.

Your eyes fell from his, shuffling your feet uncomfortably, he stumbled over his words to reassure you, “we don’t have to, like, hang out. Just if you’re tired and you’d rather stay in and read or something that’s cool. I would stay down here.”

“You don’t want to hang out with me?” You raised your eyebrows in mock offense.

You were messing with him now, you probably shouldn’t be, but watching him run circles around himself to say the right thing was too fun.

“That’s not what I- I just,” he stuttered. “Here, can you just let me help you?”

He was across the room quick, your bodies close enough to touch for the first time since the dock. He smelled like soap, and something else undefinable and sweetly nostalgic. He reached up, his long frame barely needing to stretch to reach the cabinet above you.

“Doesn’t look like there’s any in here,” he informed you, tall enough to see what you couldn’t. 

“You sure?” You didn’t know why you were questioning him, your flustered state made you defensive.

“You’re welcome to keep jumping to try and see for yourself,” he stepped back to give you space to try again. “You were so close.”

“Don’t be mean,” you smiled.

“I’m serious! It was very cute,” he dropped casually.

Your eyes narrowed as you looked back at him. Despite all his genuine actions today, you couldn’t help but feel suspicious of his intentions.

”What?” He questioned, sensing your hesitancy. 

“That’s the second time you’ve called me that today,” you pointed out, “It’s just kinda weird hearing you say it.”

“I mean it’s not like I’ve never called you cute before,” he reasoned.

“You haven’t,” you said definitively.

“I’m sure-“

“You haven’t. I would remember, believe me.”

You crossed your arms, hands cradling your elbows, feeling like a raw nerve. Rafe took a cautious step toward you, ducking his head slightly to draw your eyes to his, making sure you were listening when he said,

“Just because I didn’t say it doesn’t mean I didn’t think it.”

You instinctually stepped back, his words a little too close to a confession for your comfort. When you pulled away, the back of your leg hit the kitchen counter, making you flinch at the pain of your cut rubbing against the wood.

“I have some waterproof band aids in my room,” he mumbled, his low voice making you wonder for just a second if he really did have them or if this was just a sly way to get you to his room. Sensing your doubt, he doubled down with, “no, honest, I brought a whole first aid kit.”

Convinced, you followed him down the stairs to his basement bedroom. His bed was still pulled away from the wall, but it had seemingly dried. His belongings were strewn about, his book bag unzipped and overflowing with books and papers. You clocked the curious sight, but stayed silent, preoccupied by your sudden aloneness and his half-naked body.

Rafe dug through his suitcase for a moment until, sure enough, he pulled out a bright orange case with a little red cross on the front. You couldn’t help your smile.

“In your boy scout era?” You teased him.

“I’ve been on enough trips with Topper and Kelce to know you should always be prepared for the worst,” he chuckled.

“Ah, little did you know, I was gonna be the worst you needed to prepare for.”

“You? No, you’re the best part of this trip.”

Your throat tightened.

“Oh, really? It’s not your dungeon bedroom?” You pivoted.

“Yeah, I should probably get used to that mildew smell,” Rafe scoffed. “Gonna be living in my parents basement if I don’t pass this summer class.”

He motioned to his backpack, the mystery finally solved. He’d been doing school work down here. Summer classes, surely the answer to his not-graduating problem.

“What are you taking?” You inquired.

“Statistics. I need one more math credit and I just can’t…” he shook his head with self-loathing. “I mean, you know better than anyone. I’ve never been good at math.”

“I don’t think your problem was so much that you weren’t good,” you reasoned. “I think it was more about not applying yourself.”

“Well I’m applying myself now and I still feel like the textbook’s written in another language, so what does that mean?”

“Maybe that you just need some help,” you shrugged.

You could tell he was struggling with himself, and you were overcome with the desire to ease his worry. There are worse things a man can be than bad at math. But with Rafe, things were always all-or-nothing. One flaw meant the whole batch must be bad. 

You felt the urge to jump into tutor-mode and do the hard work for him, but you knew once you crossed that bridge into such familiar territory, there’d be no going back.

Rafe didn’t seem to share your concerns about repeating the past.

“Help from you?”

The way he leaned in when he said it would be almost imperceptible to anyone else, but you’d studied him long enough to notice even the slightest movement. You could feel the air between you tighten, like a rubber band stretching as far as it could go. You broke eye contact before it had the chance to snap.

“Or, like a tutor?” You suggested, reaching for the first aid kit in his hands. “Do they have those at Chapel Hill?”

“They do,” he stepped closer anyway, hand brushing yours as he handed it to you. “But I’d rather have you.”

You cleared your throat, ignoring his attempt to flirt. You decided not to go down this road with him, afraid it would lead to another dead end. 

He watched you dig through the kit for an appropriately sized Band-Aid, fighting the urge to ask if he’d said something wrong. Before he could, you leaned down and attempted to line up the adhesive with your cut, struggling to twist and reach the back of your leg.

“Here, let me.”

Fingers brushing yours, he took the Band-Aid and kneeled down in front of you, one leg under him, one propped up. His hand found your ankle and he guided your leg up so your foot rested on his knee. 

Clouds of foggy attraction swirled in your eyes as you looked down at him. He poked his tongue out of the corner of his mouth as he focused on unwrapping the Band-Aid. You zeroed in on his fingers, long and slender, leading to vein rippled hands that worked diligently to ease your pain. It was enough to knock someone over, but you weren’t going anywhere with his strong thigh holding you up. 

“Since when are you such a gentleman?” You quipped, your decision not to flirt with him thrown out the window at the sight of him on his knees in front of you.

He smiled that satisfied, crooked grin as he gently placed the Band-Aid over your healing cut, “I’m trying.”

He brushed over the edge of the Band-Aid, smoothing it into place with a firm swipe of his thumb. You dreaded the moment he would stand again. As if he could read your mind, he delayed it, his hand lingering on your calf. 

Completely breathless, you watched him consider his next move. For a moment, you thought he was going to let his hand continue to run up your leg, but he stopped himself, bringing it back to your ankle and returning your foot to the ground.

When he stood and looked down at you, he was surprised by the pout of your lips.

“What’s wrong?”

“Nothing,” you shrugged. “You just looked so cute down there.”

Rafe rolled his eyes playfully.

“Thought you didn’t like that word.”

“I don’t remember saying that,” you countered.

“You just don’t like it when I call you cute, then?” 

There it was again, evidence of his genuine desire to understand you. The rubber band tightened again, but this time, it was in your stomach, his sincerity drawing you to him helplessly.

“There’s just so many better things you could call me,” you flirted.

“Yeah?” Excitement coursed through you at his breathy tone. “Like what?”

“My name would be a good start.”

Voice still low, so deep you could feel it more than hear it, he uttered your name. It rolled off his tongue, smooth like honey dripping from his parted lips. The syllables came out with the faintest breath, brushing over your face as the sound swept over you.

Lip tucked between your teeth, you looked at his mouth, as though you could will more soothing sounds to fall from it. As you stared, his lips got closer to you, close enough to touch yours-

“Yo Rafe!”

The sound of Topper’s voice from the top of the stairs startled you so much, you knocked into his bedside table.

“What?” Rafe barked in the direction of Topper’s voice, his harsh, irritated tone in such stark contrast with the sweet way he’d just spoken to you.

“Just letting you know we’re leaving in like an hour,” Topper said.

“Okay?” Rafe snipped.

Topper grumbled something along the lines of “so fucking testy today” as he closed the door, none the wiser to your presence in the basement.

Rafe turned to you, eyes searching your face for a sign he could recover the moment that was so abruptly interrupted. You didn’t meet his eyes. A nervous, pink blush kissed the tips of your cheeks and washed down your chest. The thought of Topper seeing what you were almost doing brought you crashing back to reality. Twice today you had almost let him kiss you, the steel backbone you’d come into this trip with feeling more like glass with every second you spent with him.

“I should probably go start getting ready then,” you said, making your way toward the stairs.

“Right, yeah,” he agreed, defeated.

“Thanks for the Band-Aid.”

“Anytime,” he said. “Anything.”

He stood at the bottom of the stairs as you climbed them. When you reached the door, you opened it just a crack, peeking out of it with paranoid eyes, making sure no one saw you sneak out of his room.

Regret hit him like a tidal wave. He couldn’t even be mad that you were so desperate not to be seen in close quarters with him, because it was exactly the look he’d have on his face when he used to climb out of your car in the school parking lot.

This must be how you felt. He wished for a time machine so he could knock out his teenage self the way he almost knocked out the guy on the dock today. Anyone who made you feel as shitty as he did right now deserved it.

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Finally able to take a painless shower, you took your time under the hot stream of water. Carter sat on the bathroom floor, knees drawn to her chest as you recapped the crazy day.

“I literally thought you might be dead,” she explained.

“How long were we even gone? Half an hour?” You laughed lovingly at her dramatics.

“Are you serious?” 

“What, was it more?” You thought over the time you’d spent with Rafe on the water, in your mind it had flown by fast. Too fast. 

“We got back to the dock a full two hours before you showed up on your Rafe-drawn carriage,” she informed you.

You laughed heartily at the image, your cheeks tinting pink, though you told yourself the flush was just from the hot water.

“What did you guys do out there for two hours anyway?” She asked, not a fan of how silent you’d gone at the mention of Rafe’s name. 

“We just talked,” you said. 

It wasn’t a lie, but it felt like an incomplete truth.

“About?” She pried.

“I don’t know,” you shrugged, “just, like, life and stuff.”

She snorted skeptically.

“What?”

“I just can’t picture Rafe Cameron having any kind of deep thoughts about life is all,” she explained.

“Well, he’s different now, I guess,” you said feebly.

“Is he though?”

That silenced you. She had a fair point, you had only been talking to Rafe again for a few days, and most of that time was spent with him asking questions about you. You didn’t know him at all really, at least not as well as you used to, not enough to make judgment calls on his character.

Yet there was this instinct that had never really gone away. An invisible tether that connected you to him in a way you’d never experienced with anyone else. He was your sixth sense, you just knew him. You always had.

“I’m gonna go grab my makeup bag,” Carter exited the bathroom, leaving you alone with your thoughts.

A few moments later, she reentered the room. You felt the words deep in your chest, and even though you knew she may not like them, you needed to let them out.

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Rafe meandered upstairs, looking for Topper’s room so he could borrow a shirt. He hadn’t really packed any going out outfits, picturing himself planted on the beach the whole week. The day he packed felt like a lifetime ago, he had no idea the rollercoaster this trip would turn into. 

Down the hall, the bathroom door was open a crack, steam pouring from it as someone showered. Surely, whoever was in there didn’t intend to leave it open. He made his way towards the door to close it, but stopped short when he heard your familiar voice coming from the shower. He knew he should close the door and walk away, but your words glued him in place.

“I have to be honest with you,” you said. “I know I should hate him, but I don’t. I don’t think I’ll ever hate him.”

Rafe’s heart raced, an optimistic smile spreading across his face. He prayed that he was the ‘him’ you were referring to.

“The sad thing is, if he asked me to, I’d still give him anything he wanted,” you chuckled, surprised by your own words. “If he wanted me, I think I’d be with him.”

He’d never do it, but he seriously considered barging right into your shower and telling you “I want you, you have no idea how badly I want you.” 

But the fantasy was cut short.

“I think I’d hate myself the whole time, though,” you confessed quietly.

At that, he actually did close the door, heart sinking, wishing he could dissolve into the floor.

His whole life, people found it hard to love him. They may not say it to his face, but he picked up on more than people thought. He exhausted his family, his irresponsibility and impulsivity were a pain to them since he was a kid. He disappointed his father, he knew he wasn’t the heir to the Cameron throne Ward had hoped for. And he’d fumbled you completely, the best friend he ever had. 

Since then, everything he did was out of self-protection. He ghosted girls at school before they got the chance to reject him, he didn’t reply to texts from friends for fear of being ignored first. He picked fights and pushed people away, running from rejection like a monster in the dark.

But this week, for just a moment, he thought maybe he could finally stop running. He thought maybe he’d finally found something that was worth the risk. He had never felt so safe, so seen, as he did today when you were talking to him. 

Then your words shook him from his delusions. He could handle his family’s disappointment and his friends’ exasperation. But your resentment? Knowing that being with him made you hate yourself? He just could not afford it. He wouldn’t survive it.

Closing the bathroom door had a finality to it, the click of the handle a sign of a decision made. He would stop pursuing you. He’d get through this trip, graduate school, and finally move on. If not for his sake, for yours. He was bad for you. You knew it, Carter knew it, he knew it. For your sake and his, he decided to let you go.

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The Ubers arrived around nine. The boys were showered, dressed, and ready by 8:30, chilling on the couch watching baseball and drinking their pregame beers. Topper kept an eye on his phone, watching the little cars get closer to the house.

“Ride’s almost here and they’re really not ready,” Topper sighed.

“Did you really expect anything else?” Kelce threw back another beer.

“Wanna take it easy tonight, man?” Rafe recommended, no one needed a reminder of the damage Hurricane Kelce had caused the last time he was shitfaced.

“No, actually, I don’t,” Kelce laughed.

Rafe reached across the couch, Topper ducking out of the way of his swift arm as he snatched the beer from Kelce’s hand.

���I’m getting you some water,” Rafe said. “I’m not babysitting your drunk ass all night.”

Rafe stood over the kitchen sink, filling a glass for Kelce. The water rose over the cup’s edge and overflowed onto his hands, but he didn’t even notice. He was lost in thought, thinking about your cry after falling off the jet ski, your lip pulled between your teeth when he almost kissed you, your words in the shower…

“Thirsty?” He heard you say behind him. 

He turned to look at you, nearly dropping the glass.

Rafe was resolved. He couldn’t risk the sting of your rejection, and he couldn’t afford the price of your resentment. There would be no more chasing you, no moves made, no plays attempted. It was settled, he was done.

Then he saw you in that fucking dress. 

(Chapter 6: part two)

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a/n: oops another two part chapter cause the word count got away from me againnnn :) will try my best to post pt 2 this weekend!

and if I wrote a bonus blurb about what happened in Carter’s bedroom what then? A smutty little Carrot Top side quest? How would we feel about that?

please note, the taglist for this series is currently closed. For updates, follow @whytheylosttheirminds-works and turn on notifs 💕

[captainfantasticalright]

In 1985, one of the only persons interested in an interview with a “new” writer called Terry Pratchett, after his publication of the Colour of Magic, was one Neil Gaiman. Neil Gaiman was writing for Space Voyager at the time. "The Colour of Pratchett" was the name given here:

It ran exactly one page inside the June/July issue of that year. The interview took place in a Chinese restaurant in London.

Here is Neil many years later holding that issue. You can see it here if you want. Warning: extremely emotional video.

Neil arrived wearing a grey homburg hat. “Sort of like the ones Humphrey Bogart wears in movies” he later wrote. (Before saying that in fact he did not look like him, but like someone wearing a grown-up’s hat). Terry Pratchett, photo courtesy of one @neil-gaiman, was in a Lenin-style leather cap and a harlequin-patterned pullover. At this point, Terry was already a hat person, although not that hat.

Terry offered Neil this : "An interview needn't last more than 15 minutes. A good quote for the beginning, a good quote for the end, and the rest you make up back at the office"*. (Terry Pratchett had worked many years in journalism by this point ).

But the meeting went terribly well. The two of them realized they had "the same sort of brains". So well indeed, that in 1985, Neil had shown Terry a file containing 5282 words, exploring a scenario in which Richmal Crompton's William Brown had somehow become the Antichrist. Was a collaboration in the cards as of that moment? Not really. But Terry found in Neil someone to whom he could send disks of work in progress and to whom he could pick up the phone sometimes when he hit a brick in the road of his writing.

Terry loved it and the concept stayed in his mind. A couple of years later, he rang Neil to ask him if he had done any more work on it. Neil had been busy with The Sandman, he had not really given it another thought. Terry said, "Well I know what happens next, so either you sell me the idea or we can write it together". **

On collaborating together:

Here is a video of Sir Terry saying why he chose to collaborate with Neil, another video talking about the technical difficulties of writing a book when the two of them where miles apart ,and some pages from Interzone Magazine Issue 207 published December 2006:

An Interview with Sir Terry Pratchett and his works- and Neil Gaiman, where he shortly addresses the process of writing Good Omens.

Terry shortly mentions,

“Neil doesn't rule out another book with me and he was good to write with...yep, it could happen. With anyone else? I don't know, but probably not.?”

Neil says,

"Terry took that initial 5,000 words of mine and ran it through the computer (because I’d lost the files in a computer crash) and made it the first 10,000 words, and it was definitely Good Omens at that point. Neither one thing nor the other, but a third thing.”

"I think Terry could do a very good impersonation of me if he needed to, and I could do a very good impersonation of him; so we knew the area of the Venn diagram in which we were working. But mostly the book found its own voice very quickly. It helped that we were both scarred by the William books when we were kids...”

And as you know, unless you’ve been living in Alpha Centauri, the rest is history. That was the beginning of what would become William the Antichrist and later would get the name Good Omens:The Nice and Accurate Prophecies of Agnes Nutter, Witch. (Title provided by Neil Gaiman and subtitle by Terry Pratchett).

More about the writing process:

Terry took the first 5,000 words and typed them into his word processor, and by the time he had finished they were the first 10,000 words. Terry had borrowed all the things about me that he thought were amusing, like my tendency back then to wear sunglasses even when it wasn't sunny, and given them, along with a vintage Bentley, to Crawleigh, who had now become Crowley. The Satanic Nurses were Satanic Nuns.

The book was under way.

We wrote the first draft in about nine weeks. Nine weeks of gloriously long phone calls, in which we would read each other what we'd written, and try to make the other one laugh. We'd plot, delightedly, and then hurry off the phone, determined to get to the next good bit before the other one could. We'd rewrite each other, footnote each other's pages, sometimes even footnote each other's footnotes. We would throw characters in, hand them off when we got stuck. We finished the book and decided we would only tell people a little about the writing process - we would tell them that Agnes Nutter was Terry's, and the Four Horsemen (and the Other Four Motorcyclists) were mine.

From the introduction to William the Antichrist:

“In the summer of 1987 several odd ideas came together: (..)I found myself imagining a book called William the Antichrist, in which a hapless demon was going to be responsible for swapping the wrong baby over, and the son of the US Ambassador would be completely undemonic, while William Brown would grow up to be the Antichrist, and the demon would need to stop him ending the world. The unfortunate demon, whom I called Crawleigh, because Crawley was a nearby town with an unfortunate name, would have to sort it all out as best he could.

It felt like a story with legs.

Terry took the 5,000 words, and rewrote them, calling me to tell me what he was doing and what he was planning to do. The biggest thing he was going to do, he told me, was split the hapless demon into two characters – a would-be-cool demon in dark glasses (which was, I think, Terry’s way of making fun of me, a never-actually- cool journalist in dark glasses) who had renamed himself Crowley, and a rare-book dealer and angel called Aziraphale, who would embody all the English awkwardness that either of us could conceive.”

William the Antichrist being a direct inspiration of the 1976 film The Omen. If the baby swap had just been a little bit messier and the kid had gone off somewhere else he would have grown up as somebody else. “And then there was a beat and I thought, I should write it, it will be called William the Antichrist” says Neil. ***

“The first draft of Good Omens was a William-book. It was absolutely in every way it could be a William book. It had Violet Elizabeth Bott, it had William and the Outlaws, it had Mr. Brown”.

Over time they realized that they would have more creative freedom if they in their own words filed off the serial numbers. William and the Outlaws becoming Adam and the Them.

But the spirit of Just William was never far away.

The joy for Neil was to construct “perfectly William sentences”. The one when Anathema tells Adam that she has lost the Book, and he tells her that he has written a book about a pirate who became a famous detective and it is 8 pages long… that’s “a William sentence”.

If you want to read more details about William The Antichrist, here are some slides I made.

Good Omens was also inspired by a particularly antisemitic moment in The Jew of Malta and John le Carre's spy novels. (Neil’s ask)

 Then I was reading The Jew of Malta by Kit Marlowe, and it has a bit where the three (cartoonishly evil) Jews compare notes on all the well-poisoning and suchlike they’d done that day, and as a Jew who never quite gets his act together, it occurred to me that if I were the third Jew I’d just be apologizing for having failed to poison a well… And suddenly I had the opening of a book. It would be called William the Antichrist. And it would begin with three Demons in a graveyard… (x).

“When we finished the book we estimated that the words were 60% Terry’s and 40% mine, and the plot, such as it was, was entirely ours.” -Neil Gaiman

"Neil and I had known each other since early 1985. Doing it was our idea, not a publisher's deal." "I think this is an honest account of the process of writing Good Omens. It was fairly easy to keep track of because of the way we sent discs to one another, and because I was Keeper of the Official Master Copy I can say that I wrote a bit over two thirds of Good Omens. However, we were on the phone to each other every day, at least once. If you have an idea during a brainstorming session with another guy, whose idea is it? One guy goes and writes 2,000 words after thirty minutes on the phone, what exactly is the process that's happening? I did most of the physical writing because: 1) I had to. Neil had to keep Sandman going -- I could take time off from the DW; 2) One person has to be overall editor, and do all the stitching and filling and slicing and, as I've said before, it was me by agreement -- if it had been a graphic novel, it would have been Neil taking the chair for exactly the same reasons it was me for a novel; 3) I'm a selfish bastard and tried to write ahead to get to the good bits before Neil. Initially, I did most of Adam and the Them and Neil did most of the Four Horsemen, and everything else kind of got done by whoever -- by the end, large sections were being done by a composite creature called Terryandneil, whoever was actually hitting the keys. By agreement, I am allowed to say that Agnes Nutter, her life and death, was completely and utterly mine. And Neil proudly claims responsibility for the maggots. Neil's had a major influence on the opening scenes, me on the ending. In the end, it was this book done by two guys, who shared the money equally and did it for fun and wouldn't do it again for a big clock." "Yes, the maggot reversal was by me, with a gun to Neil's head (although he understood the reasons, it's just that he likes maggots). There couldn't be blood on Adam's hands, even blood spilled by third parties. No-one should die because he was alive." -("Terry Pratchett : His World”)

(Here are some slides of mine where I go into some other details concerning the origins of Good Omens).

Another wonderful insight with Rob Wilkins in "The Worlds of Terry Pratchett".

*Quote: from Terry Pratchett A Life With Footnotes by Rob Wilkins, but said by Terry of course.

** All the quotes, facts listed here : see above.

***all other quotes by Neil Gaiman from various interviews and asks I’ll link.

[moonsun2010]

one of the coolest parts of Dracula Daily that I've come to appreciate is seeing posts from new readers excited to read Dracula (Daily) for the first time! now that we're coming up on the 3rd (well, 4th technically) year of Dracula Daily, you'd kind of expect readership to just drop off now that people have had their fun (which is perfectly fine btw). and its like, that's definitely happening and no year will compare to DD2022 and DD2023 (which had the advantage of Re: Dracula beginning its 1st year), so its still surprising to see new readers come in. People have already discussed DracDaily as a refreshing counter to the culture of binging-then-forgetting media, but it really does get more apparent with each run. Something about the fact that there are still new people interested in joining it past the initial meme/novelty of it is just, really nice! DracDaily is still kinda in its early stages though, so we'll only know how the fandom survives in like DD2025 probably, when even Re: Dracula will be in its 3rd run.

Welcome!! Enjoy the run, and I hope you'll stay. Its fun :)

[audliminal]

Survivability Bias Pt 1

Danny stares at the screen in front of him. The fact that he’s in a library is the only reason he’s not squealing at the clearly well-maintained website he’s currently exploring. As it turns out, this dimension does have NASA. That fact on its own isn’t too terribly surprising, considering all the other ways it’s similar to Danny’s home. What is surprising (and, in no small part, exciting!), is that in this dimension NASA seems to have much better funding. Danny had managed to resist looking up anything related to space for the first hour of his time in the library, but then Danny had chanced across an article about the ISS, and his resolve had crumbled. Not even fifteen minutes later, and Danny is here, exploring the very nice NASA website. Plumbing its depths, really, for all the information it can provide on what space is like in this world.There’s lots of new information; space research is definitely more advanced here than it was back home, and there’s occasional vague allusions to odd things like the livability of Mars, and other oddities, it’s almost like this dimension has come to the forgone conclusion that aliens must exist. Which is certainly an exciting thought, but it also seems odd to Danny. What divergent experiences lead to such a conclusion Danny wonders, as he absently hovers over the opportunities tab for the fifth time. He knows he really shouldn’t get his hopes up, but with a more funded NASA, maybe he could find a way to get a job there eventually. After all he has no real idea when, or even if, he’ll ever manage to go home, so maybe it’s okay to think about the future a little bit.

Maybe they’ve already come into contact with aliens, Danny thinks. Maybe I could get a job working with aliens! It’s that thought that gets him to actually click the tab, desperate to know if that’s even a possibility. The page that opens doesn’t really list specific jobs or anything. Mostly, it seems to just be advertising that NASA is always looking for smart people that are passionate about space (Danny’s definitely one of those things, at least). But there is an interesting little banner advertising a special summer camp for aspiring astronomers, ages 14-18. The idea of that is both surprising and exciting. Danny doesn’t think his home world’s NASA had anything like that. Sam had sent him through with some money, but he’s still unsure if it’ll even work here, and he’s also not sure he wants to risk getting in trouble if it’s just a really close match. Plus it’s definitely not enough to afford the inevitable cost of a whole entire space camp. Danny remembers going to summer camps a couple times as a kid and he knows they weren’t cheap. Still, Danny remembers that Sam had also given him a few pieces of really nice jewelry that he could pawn off for cash, and maybe that could let him afford it?.

It would be so much easier if Danny had a social security number. Or, like, literally anything proving that he really does exist. But, well, technically he doesn’t exist here. Obviously, physically he is here, but he certainly wasn’t born here. He’s basically an undocumented immigrant, just from a place that he literally can’t ever physically go back to. Even the computer he’s using right now highlights just how alien this place is to him, with its large, flat screen and graphics better than anything he’s ever seen in his life. It runs so smoothly, too, that he just knows Tucker would cry if he could see it. And this is what they have in a library. Danny can’t even begin to imagine what high end tech here might look like.

Everything here is strange and new, and Danny doesn’t even really know what he needs to catch up on. He wishes he could have stayed. He had wanted to stay. Of course he had. But after the second time the Guys in White managed to capture him, well, it wasn’t hard to see why they wanted him gone. So when Sam and Tucker and Jazz had cornered him, and explained that they’d found a way to send him away, to somewhere that the GIW couldn’t follow, he hadn’t argued. He hadn’t argued when they dragged him down to the lab, and he hadn’t argued when Jazz shoved a backpack into his hands, and he hadn’t argued when Sam had told him that she’d added cash and jewelry to what Jazz had gathered. He hadn’t argued as Tucker had messed with the portal, and he hadn’t argued when they pushed him towards it.

He can’t go home. Maybe just for a while, but maybe not ever again. He can’t see his friends, and he can’t go to sleep in his own bed, and he can’t come home from school and play Doomed with Sam and Tucker. But maybe all that wouldn’t be so terribly painful, if he could just have one little thing here that he couldn’t have done back home. Danny knows it’s a long shot, but he clicks on the banner, just to see.

The first thing he notices as he reads through the description, is that it offers a lot. Eight weeks, overnight in a specialized science camp facility, an opportunity to experience both a shuttle launch simulation and a zero gravity simulator? The opportunity to experience multiple different kinds of jobs? This isn’t some camp that wants to introduce kids to the idea of astronomy, this is designed for kids who already want to be astronomers. All in all, it’s everything Danny could have imagined and more. It’s not exactly cheap, though. Five thousand dollars isn’t exactly affordable when all you have is some cash that may or not work, and a few necklaces, fancy as they may be. After all, it’s not like Danny knows enough about jewelry to have even a hope of not being ripped off.

At the bottom of the description, there is mention of scholarships, though, and maybe if he angles it right, he can manage to make use of one of those? Danny glances through the list. He doubts he can prove himself worth the aptitude scholarship. His grades weren’t exactly good back home, even if he did have his transcripts. And he’s hardly going to get the financial hardship scholarship if he’s got no proof that he even exists here. One of the scholarships catches his eye, though, specifically because he has no idea what it’s for. 

Danny knows the word meta. It’s like self-referential shit or something. But it’s not exactly a scientific thing. That’s language arts stuff, the kind of thing Mr. Lancer goes on about, and there should be no reason for it to be a kind of scholarship. But maybe it’s an acronym or something? Danny mouses over, and clicks through to see what exactly it is, even if it probably won’t be relevant to him.

“Here at NASA we understand that people don’t always fit our standard expectations of normality!” The meta scholarship page reads. Danny tries not to let his hackles go up at the mention of normality. They can’t possibly be talking about people like him, after all. Nothing he’s seen so far has implied that ghosts have any sort of presence here. “In our efforts to expand our understanding of the infinite expanse of space, it only makes sense to do our best to work with those who do not conform to those expectations, especially when those exceptions often represent unique opportunities for possible field work. If you identify as a meta, and believe your talents make you uniquely suited to extreme environments, we welcome you to apply for our full-expense meta scholarship!*”

The introductory paragraph only leaves Danny more confused, and a bit wary. The references to normality and unique opportunities for field work have bile rising into Danny’s throat, and he shakily opens a new tab, and types the word meta into the search bar. If they’re experimenting on people here too-

The search returns an astonishing number of results. Among the first ones are a wikipedia article on metas, and so many news articles. Danny clicks on the wikipedia page first.

“Metas refers to an individual who possesses meta powers. Derived from the prefix “meta-”, meaning beyond or transcending, meta powers are innately defined by the natural capabilities of the general population. Thus, on Earth, the term meta, or metahuman, typically refers to anyone who has abilities beyond the standard human experience. A significant portion of metas can be attributed to the human metagene,  which typically triggers in moments of intense physical or mental stress, and can produce unique situational abilities. Other metas, may belong to other species who naturally have certain abilities, or to individuals who are granted powers by various deific forces or even objects.”

What.

It can’t possibly be that easy. This world can’t possibly be that perfect. Danny keeps reading. He realizes as he continues that this article is long, with literally dozens of subsections. On top of that, as he begins to read, there are references to numerous other events, and topics that he’s never heard of before. And by the time the librarian arrives to usher him out of the library for the night, he still isn’t finished with it, but he has learned quite a bit.

Apparently, it isn’t exactly as perfect as it sounded. Rather, this dimension has a long history of meta-related conflict. There’s been plenty of discrimination and mistreatment in the past; the kind of thing that Danny is more than familiar with. But on top of that, there’s literal, actual superheroes here. A lot of them. Superheroes that have fought against numerous world-ending threats and won. And those same superheroes have worked with the world governments, and ratified the protection of metas’ rights as being fundamental human rights. If Wikipedia is to be believed, Danny really is safe.

Still, Danny knows first-hand the way that governments can and will lie. And just because the internet claims that these so-called metas are treated fairly, doesn’t necessarily mean that it’s true. 

Propaganda, Danny thinks. Who’s to say it isn’t all just propaganda? I need to be more careful about transforming tonight.

But the library does need to close, so Danny heads out into the second night in his new hometown, mind racing as he thinks about the implications of everything he’s read. The space camp seems so far away now, in the aftermath of the following revelations. Danny needs to get further from civilization if he wants to transform tonight. He follows the main street out, away from town. Maybe in a field somewhere, he’ll be okay? This doesn’t exactly seem like a large town. Even if it’s not true, Danny thinks as he walks. At least I’m not alone here. And I didn’t see anything about Anti-Ecto Acts.

[shoezuki]

hi hello so for any people curious bout the dream beef i am talking about im gon chronicle it all here in a hopefully fully contextual way for both longterm weirdos and new people who dont know bout my parasocial beef w dream. ill try to keep my biases out of it somewhat but anyways,

this began with a podcast Tommyinnit and Jack Manifold have together in which they had philza as a guest. Episode 9 is currently behind a paywall on their patreon but they have a youtube channel where they post them publically as well. Not sure if they make all their episodes public eventually or not but i digress.

Twitter user _constel_ has posted 5 clips from the podcast in question that contain their discussion about dream. I have downloaded the videos but tumblr doesnt want me to put them in this post so i will try and sum up each clip as I go.

Clip 1: Phil starts talking about how once the dsmp was done people would joke about how their 'contracts' would be over and they would be allowed to talk about things behind the scenes. philza mentions the infamous philza tweet in response to dream.

for context, the main discussion is around this exchange from around february 2021, where dream 'jokingly' argues that he is responsible to tommy's high viewership on youtube:

Most of it the tweets are deleted by both parties but it was very much a whole thing. Phil has apparently joked about revealing the context of his reply 'when he retires' (mentioned clip 1).

Jack Manifold had apparently been in a call with tommyinnit when the exchange was happening and recalls tommy being extremely stressed. The context philza gives is that he was texted by tommy to look at the thread while he was going on a walk and tommy was panicking over if dream was genuine (mentioned clip 2). Philza says "I'll find out if he's fucking joking' and that he essentially vibe checked dream. Tommy also states that after the twitter exchange he legitimately wrote in his diary to never be rude to dream: "never be horrible to dream. It's not worth it. It makes me too sad". Additionally jack manifold establishes that he hated dream from the beginning, they hate each other, and that, although he acknowledges dream aided him through the dream smp, he hates how dream 'takes ownership of other people and their accomplishments because he was a guiding hand' (mentioned clip 3).

Jack manifold mentions that tommy was 16 during this exchange and philza additionally says it was out of line (Clip 4). Philza more openly talks about there being 'reds flag after red flags' with dream in clip 5.

OKAY thats honestly a vague description and theres a LOT more so watch the clips if u want. Heres another tweet 'summarizing' it as well. But anyways this of course had people talking about dream again, some people (accidentally?) acting like this is about dream smp lore, and a lot of people concerned about how tommy was afraid to upset dream and would blame himself when dream picked fights with him.

Dream's response on dreamwastaken was to tweet about how he appreciated everyone who was on the server dispite differences, as well as a zip file to download the dsmp server/world file.

Worth noting there is a limitation on how many people can download the file within 24 hours so now people are only getting an error message when trying to access it which is fucking funny. On his private he also tweeted "love and appreciate you guys <3 very happy to be uploading again :) hope to keep it rolling" (Im not cropping out the reply its funny)

Thats all hes said so far, I havent seen tommy or jack manifold talking about it either. technically it isnt outright in response to their podcast but obviously everyone is taking it as such.

final stuff/my thoughts: dream has obviously had a tendency to kinda 'take credit' for 'making' the streamers who were on the dsmp and its notable that in his tweet he still acts like his server was the reason for people's fame and relationships. Saying 'a group of creators most of which would never have collaborated under any other circumstance got together and made something really cool' is just his thinly veiled way of still taking credit for tommy's fame and the relationships he and others have made and its moronic. Not to mention dsmp was very much NOT the server that got these specific people together, i mean techno and phil met through minecraft mondays, tommy and jack manifold met both of them through smp earth i believe. Even if the dsmp wasnt a thing they probably would have collaborated with other members through mcc eventually. the idea that the dsmp was what brought them together and a bunch of minecraft clowns would 'never have collaborated under any other circumstance' is stupid.

anyways sorry this is long as shit. im going to pray dream doesnt let this go for at least 3 to 5 business days as per usual

[emo-batboy]

Battinson on SNL

Idk how popular Saturday Night Live is outside of the US so there will be some links for context. That said, as a New Jersey native, I think Battinson would totally watch the show. And since he's a celebrity...👀

SO

To promote WE’s newest charity fund, Alfred signs Bruce up to be a guest host on SNL (à la this post) The announcement is made, and everyone’s like “oh this is going to be a disaster. That man can’t even hold eye contact or speak a full sentence without crying.”

But oh, that’s why it’s so funny.

Now, hear me out. Bruce’s strengths are displayed best when he’s himself. That’s why he’s so popular in Gotham. That’s why the internet calls him Relatable TM and a Disaster (Affectionate) and “Poor Little Meow Meow.” It’s his ✨ essence ✨

But he tends to get overwhelmed or self-conscious onstage, right? Because he can’t be Himself himself if he has time to overthink something. So after a few meetings with Bruce, the writers of SNL figure out the perfect way to keep Bruce from getting anxious.

They decide to load this episode with as many skits where Bruce plays different caricature-like versions of himself as possible. The objective? Make him break character and laugh so he doesn’t overthink. And if he breaks character, he’ll still technically be in character because he’s playing himself, you know? Genius.

So that’s how they go about structuring the show. During the few days they have to write, they decide to take everything about Bruce’s public image and either ramp it up to 11 or turn it on its head.

He speaks quietly? Turn it into a running gag. He dresses in all black? Make him emo. He tips well? Add that in too. He’s “depressed” and “sad?” Literally, all he does on screen is laugh and break character. What’s not to love?

Of course, Bruce also gets to decide what skits are in each episode as well. (Refer to this if you have no idea how SNL works.) He loves the idea, though, and he has a surprisingly dark sense of humor which bleeds into some of the sketches. They add in a few skits without him, and they’ve got their lineup.

It’s the wildest episode of the season. Here are the highlights:

OPENING MONOLOGUE

It’s the big night, everyone’s excited to see Bruce Wayne hosting a live sketch comedy show with no idea how it will turn out.

To begin his monologue, Bruce walks on, opens his mouth to start talking, and immediately two cast members appear as stagehands to set up six microphones in front of him. He is already struggling to keep himself together.

Bruce: “You may be wondering why I’m host- Cast Member: *adds one more tiny microphone to his chest* Bruce: “You may be wondering why I’m hosting tonight.”

It’s working. The audience loves it.

Halfway through, Kate McKinnon comes out in a dark cloak with a chalice. “Your sustenance, my lord.” *sees camera* “Oh. Sorry. Carry on.” And she shambles off. Bruce has to take a second before continuing.

Bruce knows when (most of) the jokes come. It’s literally on the cue cards, but he still falls into a fit of giggles.

There are a few more gags, including Lex Luthor peeking out from behind the band set-up, all teasing the show to come.

Overall, an amazing way to set the tone for the episode. Expectations have been set. Then the skits begin!

(Oh but before I forget: During every single live skit with Bruce, the writers have scheduled for one of the cast members to run in dressed as a stagehand and put an extra mic on him. They do not tell him when it will happen.)

SKIT #1

Between the monologue and the first skit, he has to do a really fast quick change, but to everyone’s surprise, Bruce is a natural. (Huh, wonder why.)

The skit is called Gotham PTA Meeting. We open in a meeting room full of stereotypical PTA moms setting down baked goods and gossiping. And apparently, there is a new PTA member attending today 👀

Right as the meeting starts, he enters. Bruce walks in wearing the most emo get-up imaginable. He’s got a Nirvana shirt, a comical amount of eyeliner, black skinny jeans, chain accessories, metal rings, AND a clip-in extension to give him fringe.

Someone immediately runs in and puts another mic on him.

PTA Mom: “Oh, Bruce! You made it! Did you bring a snack?” Bruce: “I brought lemon bars.” PTA Mom: “Why are they black?” Bruce: “They match my soul…they’re also vegan.”

He talks like a moody teenager. HE CONSTANTLY has to brush the fringe off to the side to read the cue cards. And because there’s so much eyeliner and he’s sweating a bit from the lights, it starts running everywhere.

PTA Mom: “Bruce, you’re a little quiet. What are your thoughts on increasing the school lunch budget?” Bruce: *eyeliner dripping down his chin* “I think it’s a great idea.”

SKIT #2

For a pre-filmed skit, they bring back the Chad character with Pete Davidson.

It’s 2 am, and Chad is working at a 24hr drug store in Gotham. He’s reading Twilight (the book is upside down) when the lights begin to flicker.

He turns around and tries the light switch, turns back around, and JUMPSCARE it’s Bruce dressed as Edward from Twilight.

Yes, he IS sparkly.

Bruce is awkwardly holding a bunch of items, all concerning. He plops down a few knives, several raw meats, Sudafed. Chad: “Oh hey.” Bruce: O_O “I’d like to check out please.” Chad: “Lit.”

Chad’s “No Fucks Given” energy and Bruce’s “Please Do Not Perceive Me” energy clash like titans. The whole skit centers around it.

Bruce: *sweating bullets* “Oh. You’re reading Twilight?” Chad: “Just the title.” Bruce: *throws the book through the window at lightning speed* “It’s not very good. You should probably read something else.” Chad: *shrugs* “Okay.”

Chad: “ID?” Bruce: “ID? For what?” Chad: “Sudafed.” Bruce: “Oh. I don’t really need that, actually.” Chad: “Already scanned it.” Bruce: “Haha. Of course.” *awkwardly produces a scroll from his pocket that says Bruce Wayne DOB: 1901* Chad: “Okay.”

Bruce checks out, Chad picks up a porno mag or something, and we see Bruce turn into a bat and fly off through the window behind him.

SKIT #3

The next skit they have is Celebrity Family Feud: Billionaires Edition. Again, Bruce plays himself, but he’s more of a background character. Instead, the skit makes fun of billionaires as a whole.

Bruce’s team consists of Kylie Jenner, Lex Luthor, and Oliver Queen. So just imagine three Lucille Bluths standing beside one another. 

Bruce’s bit? He just keeps handing cash to Steve Harvey every time he breathes in his direction.

Host: "We got the richest man in the world: Bruce Wayne!" Bruce: *hands him a roll of cash* Host: "Oh, what’s this for?" Bruce: "It’s your tip. I always tip." Host: "Oh, Mr. Wayne, you don’t usually tip the show host. I’m also a millionaire myself." Lex Luthor: *snatches it* "Well, if you’re not going to use it, I will…for charity, of course." Host: "Uh huh, whatever helps you sleep at night."

Just a ton of fun quips, the usual.

At some point, Harvey says, “That’s batty.” Bruce: *ducks* “Where?!” Host: “Oh, I don’t mean Batman. He’s not here.” Bruce: “You don’t know that.”

This time, the mic bit is a bit different.

Host: “We asked 100 billionaires: How much does a loaf of bread cost? Top three answers are on the board.” Bruce: *hits buzzer* Host: Bruce, your answer is? Cast Member: *runs in with a megaphone and holds it in front of Bruce* Bruce: “TEN DOLLARS?”

Board dings! That was the #1 answer

Brucie Wayne for the win

SKIT #4

Next is a skit that dares to ask Gotham, “Why would anyone live here?”

The skit begins with someone opening a press conference for Wayne Enterprises. “And now presenting: Bruce Wayne!” Bruce walks in…

But it’s not him. Instead, it’s one of the cast members dressed in a black suit with horribly gelled brown hair.

Everyone in the audience is wondering where the actual Bruce is before another cast member runs onstage crying, “Help! Help! I’ve just been robbed! Somebody call Batman!”

A mini version of the bat-signal lights up…

We hear some generic hero music play…

And there he is: Bruce Wayne dressed in a horribly cheap Batman costume

(They got the cowl ALL wrong btw)

Bruce puts his hands on his hips in a weird superhero pose. Bruce: “I’m Batm-” Cast Member: *runs out to attach another mic to his costume* Bruce: “….I’m Batman!”

Cue all of the gags and digs against Batman. The fake Bruce faints then starts crying under a table. Someone calls Batman a furry. Bruce is barely keeping it together the whole time. Lord help him, but he asked for it. He approved the skit.

Bruce: “Looks like a job for my bat taser!” Cast Member: “Isn’t that just a taser with a bat on it?” Bruce: *whispers* “You shut your mouth.”

He saves the day, the police take the thief into custody, then Batman myStErioUsly disappears. Bruce: “Look over there!” *runs off* Cast Member: “Oh my gooood, how did he do that?”

CLOSING SEGMENT

Finally, they have the Weekend Update where Bruce comes on as himself for the final time.

Since they got his permission, the writers switch out some of Bruce’s jokes last minute. (Think Bill Hader’s Stefon which notoriously caused him to break character because the writers would mess with his cue cards.)

News Anchor: “Here to promote his newest humanitarian project: Bruce Wayne!” “Mr. Wayne, what a pleasure to see you today.” Bruce: “Thank you. This is probably the longest I’ve been out of the house.” News Anchor: “Since the Riddler catastrophe?” Bruce: “Since ever.”

News Anchor: “So Mr. Wayne! Before you make your announcement, any life updates?” Bruce: “Yes, actually. Just a few days ago, I adopted five- *starts losing it* five more children.” News Anchor: “Wow, really? So you have eight kids now.” Bruce: “Uh huh. *tears streaming down his face* One more orphan and I get the tenth one free.”

News Anchor: “So where can people find you online?” Bruce: “Well, I don’t have social media because I’m afraid of people, but sometimes I’m on Twitter.” News Anchor: “What about a phone call?” Bruce: “Oh no, phone calls- *giggle* phone calls give me fainting spells.”

It’s a great way of finishing the show, with the most genuine version of Bruce. Then, he gets to what’s really important!

News Anchor: “So if they can’t reach you on social media or on the phone, what else can our viewers do, Mr. Wayne?” Bruce: “They can donate to the Wayne Foundation’s newest charity called The Arts Initiative. It funds programs for the arts in underdeveloped school districts nationwide. I’ve already donated $30 million, and I’ve pledged to match every dollar donated within the next week.”

And that’s what he’s here for :) They share a link for where and how to donate. The anchors praise him for his charity, which he deflects because he can definitely afford this, and the 90-minute broadcast is over.

The camera pans away with the whole cast waving goodbye, and Bruce is seen keeling over with laughter.

Along with some of the other skits, these four specifically go viral. WE raises a fuck ton of money, and everyone loves Bruce.

THE END

LOVE YOU ALL!! Let me know what you think :D