#teamworkart

[harpreetmusic]

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It was a lovely collaboration with @gilleschuyen at Konya and what amazing audience 🙏🥰 . As part of @indiabythebosphorus at Mevlana, Konya, Turkey. . #concert #dance #guitar #konya #rumi #mevlana #mevlanakültürmerkezi #stage #live #harpreetlive #harpreetmusic #harpreet #turkey #solo #vocals #singing #dancer #gilles #teamworkart #indiabythebosphorus #beautifulcountry (at Mevlana Kültür Merkezi) https://www.instagram.com/p/BwjAgzHAcY7/?utm_source=ig_tumblr_share&igshid=so3acj80ur4e

[thegotogirl]

Blogging Rule 12. Teamwork.

Teamwork!

Blogging Rule 12. Teamwork. There are so many different jobs you need to have covered when you are running a successful blog which could make it impossible to do alone.  With this in mind you are going to need an amazing team of very skilled people.  Just to name a few roles you need to fill are a web designer, a social media manager, a photographer and a writer.  When we started we did not have any of these roles here at The Go To Girls Blog there were just two of us.  Now we have a few more people helping out with all of the various jobs we have to do daily.   I can tell you it feels great not having to fit in all of these roles ourselves.  Directing all of these amazing people is so much simpler than doing it all your self.  The one thing we noticed is the teamwork aspect of our job has just transitioned from managing time to managing our team.  Teamwork!

Blogging Rule 12. Teamwork. Great teamwork is key!  Everyone who has ever worked in a team will know not only do you need a team with the right skills for the job, they also have to have the right personality for your team.  Here at The Go To Girls Blog our team fits perfectly together.  Everyone knows the importance we place on teamwork and we like to have a laugh but we all know when it is time to get our heads down and get to work too.  Our team all work really hard and are always ready to put in that bit extra when it is needed.  This has also helped The Go To Girls Blog expand into helping other fellow bloggers who contact us regularly for help with various queries about their blogs.  If you find your self in need of any help drop us an email at contactthegotogirlsblog@gmail.com or use our contact us link on the website.  We are always here to help. Let us know your stories about teamwork whether it is a small or large team, we would love to hear all about it.  Thanks for reading.  Blogging Rule 13 tomorrow.  Love The Go To Girls Blog xxx Read the full article

[spitlinknellverny-blog]

Spilt ink Kid Nell by S.I RL ace feature Nell with the graffiti lettuce: #artgangspiltink🎨 #graffitiletters #brooklynartist #brooklynart #newyorkartist #spiltinknellvernyart #spiltinkkid #artist #artgraffiti #Graphicdesign #draw #colorgraphicdesign #artlifestyle🎨 #teamworkart #artlove #loveofart

[anuradhapaltabla]

Namaste, We know that all of you were eagerly looking forward to Kala Ke Sangh Festival.. We are very sorry to inform that due to some unavoidable circumstances, we have had to reschedule it for August 1 & 2. Please do come back next weekend at 7.30pm for #KalaKeSangh #Fundraiser #Festival & witness a unique musical treat by 21 Amazing Musicians (details in picture attached) in an ONLINE festival, for the first time ever! You can enjoy the festival on our FB page @SASevents. #SAVEMUSIC Soulful Indian Classical music, those pulsating percussionists, beautiful folk dances & songs, exciting Hindustani & Carnatic Jugalbandis, the film orchestras of Bollywood… what if we never get to enjoy these ever… after this pandemic? Our lives, weddings & events can never be the same without music, dance, percussion, colour and magic? With all performances cancelled owing to social distancing norms, the marginalised music fraternity & instrument makers are struggling to survive… i have curated, envisioned and spearheaded this Fundraiser campaign called Kala Ke Sangh (meaning Musical family) to protect our culture & heritage by helping the Marginalised Music fraternity – i.e. Marginalised Classical/ Bhajan/ Folk musicians, instrument makers, orchestra & film players, sound technicians etc. Incase you would like to #collaborate, please email sasmusicindia@gmail.com We will be happy to acknowledge your organization along with our other valued partners - @ministryofculturegoi Jalota Welfare Foundation @teamworkarts @avidlearning business connect magazine in our creatives, promos and announcements during the festival. Our goal is to raise Rs. 37 Lakh to help over 700 among the music fraternity and create an online platform for them to earn through online performances in a sustainable model. Pls donate to this cause on www.anuradhapal.com/kala-ke-sangh . Foreign corporates may donate through our FCRA compliant partner #ArtMatters (a Teamwork Arts Initiative) https://www.instagram.com/p/CDEZE_QhOaa/?igshid=o587r5aejk2u

[delphineboel-blog]

Amazing experience giving a conference and workshop to 40 young people 15 to 30 years at the Mu-Zee-Um in Oostend creating from a huge blank paper and paint accompanied by techno music we created beautiful colourful mural in 90 minutes!Great team work!#muzee #muzeeum #oostend#belgium #artistconference#artisttalk #womanartist #artistworkshop #textart#statementart #contemporaryart #emotionalart #teamworkarts #goodteamwork #greatresults #hln #hnbd #happynews

[subir86]

Humans of TWA!

[vileart]

The Elephant in the Dramaturgy: Yuki Ellias

TEAMWORK ARTS AND INDIA@UK2017 YEAR OF CULTURE PRESENT

DUR SE BROTHERS’ PRODUCTION OF

ELEPHANT IN THE ROOM

Performed and directed by Yuki Ellias

Edinburgh Festival Fringe

ASSEMBLY – Front Room

3 – 26 August (not on 14 August)

Yuki Ellias in Elephant in the Room © C. Ganeshan/ Rafeeq Ellias/ Viraj Singh

Inspired by mythology, Elephant in the Room pays homage to Lord Ganapati, also known as Ganesha one of the best-known and most worshipped deities in the Hindu pantheon, in this quirky and poignant reinterpretation of his story.

Elephant in the Room won three awards for Best Actor Female, Costumes and Light Design, was nominated for 7 awards at the Mahindra Excellence in Theatre Awards 2017 and is among the most acclaimed shows running in India. This summer Edinburgh audiences have the opportunity to experience it in the UK for the first time.

What was the inspiration for this performance?

We have an enormous ten day festival every year for the Elephant-God Ganesh. Floats with the giant clay idols are driven through the streets, each truck is lead by hundreds of dancing and rejoicing devotees. I always thought this river of people and gods would be a great performance space. 

While brewing ideas, a friend asked me if I would tell the story of Ganesha during my parade- And it occurred to me that more than any of the myths told around this Elephant-god- there was nothing in the stories from the elephant perspective. The drama for me lay exactly here. What about the little elephant who was beheaded for this God? What about this big elephant in the room for which no story has been told...not yet. 

Is performance still a good space for the public discussion of ideas? 

I strongly believe so. It is a space where absolute strangers come and for a while, together, go through a journey of ideas and emotions. Where thoughts and beliefs have become singular truths... an inspiring performance has a way into this hard wired brain. Where no lectures, statistics or difference in opinion can otherwise penetrate, a performance can really move the chords of the heart and mind.  It has a way in to audience memory, sense, and empathy.

A good story and a performance can disrupt, in a good way, our peace with compromise and entitlement. 

How did you become interested in making performance?

 I began my career as an actor. After two years at the Jacques Lecoq school in Paris I was equipped to understand the crafting of story and performance far deeper. Back home in Mumbai, I got restless working just as an actor on other people's shows. The stories and the roles started to have very little meaning for me.   I needed to choose a play or create plays where my sensibilities were starting to grow. In Mumbai I had only worked with male directors. And at the age of 35 I really wanted to explore characters and plots through another channel..my own really.

Is there any particular approach to the making of the show?

I had intended to create this play for a medium sized cast. But when I was being commissioned to make a solo show, my partner suggested that I create Elephant in the Room into a solo performance. It was a brilliant idea. It became the storytelling device for writing the narrative as well. The text became the most crucial starting point. Sneh Sapru, the writer, and I would meet and devise the narrative after which she would go away to write and every few days a scene would be ready to look at. The music compositions began simultaneously as scenes were being created. I wanted to create the costumes before I got on to the floor as well as I new the costumes would play a large part in determining the movement of all characters. I got to the floor only at the final stage of the process. But all the elements- the words, the score and costumes- they gave me the physicality of this performance. The direction came from all the elements. The words, the cloak, and the music are my co actors. 

Does the show fit with your usual productions?

It is a show that is entirely different from what I have made before or been a part of. Yet, it is in every way what I have been wanting to create for the last four years. The

aesthetics and its core meaning have been long brewing in my imagination. It feels right, both as a narrative for the times we live in, but also the performance style which is truly liberating for a woman actor who loves to embody all... all genders, animals, the earth, the skies, night and day, the abstract.

What do you hope that the audience will experience?

I hope the audience will experience a moving and entertaining story of of being lost and being found. 

What strategies did you consider towards shaping this audience experience?

I wanted to create a text that is entertaining yet poignant. Most of it runs in verse. All the characters reflect the times we live- A hyena contemplates migration, cheetahs for see their extinction, A hunter and spider duo are punished for love in the time of hate. A boy carries the weight of an obscure and heavy head. He is nearly going to lose his mind and himself. The show is physically and vocally dynamic as one morphs between 9 characters. The music combines contemporary cinematic

This multi-award-winning, critically-acclaimed, magic-realism tale, follows the journey of a young beheaded Elephant God, in search of his human head.Elephant in the Room is a comedy rooted in Indian mythology, time-travelling its way into a commentary on the environmental, social and cultural realities of our times. 

Director and actor Yuki Ellias graduated from the Jacques Lecoq School of Theatre, Paris and London School of Performing Arts. She has collaborated with writer, Sneh Sapru, for this is reimagining of an old myth in search of new answers.

Yuki Ellias said: “The original myth has a brutal beginning- A God beheads a son. And to make amends for his mistake an elephant life is sacrificed to replace the son’s old head. The old myth has a rather soft narrative for such a violent premise. I just felt there was so much more story to explore rather than just the acceptance of fate. What if the boy rejects this new head, his family, his people, himself? How would he journey from his anger and self-loathing to embrace his elephant head?”

It is a fascinating and power-packed solo performance. In the space of one hour Yuki Ellias plays nine characters including that of Master Tusk, the young elephant-boy, a Spider, hunter, Mona the Hyena, Chitra the Cheetah, Boris the Siberian Crane and others.

She continues, “This story unsettles the dust. The comedy questions the godliness of Gods and the heavy hand of patriarchy and power.  Against the backdrop of contemporary India’s growing religious chauvinism, we need to find new meaning in old myths”.

Of Yuki Ellias, The Hindu said “It’s easy to forget that Yuki is petite: on the stage, she’s tall, lithe and graceful, and gives all characters that she plays a life and distinction. Accents, body language, facial expressions, everything changes as she slips easily in and out of the different characters. It’s a pleasure to watch her perform.” And continued about the show… “It was entertaining and thought-provoking, and for an entire hour (and for quite some time after) had the audience spellbound.”

The New India Express called it “A fascinating solo”

Elephant in the Room is part of a season of work presented by Teamwork Arts on behalf of the Indian High Commission, the Ministry of Culture, and the Indian Council for Cultural Relations. The UK-India Year of Culture stretches from May to November celebrating the rich diversity of Indian culture, the deep cultural ties between the two nations and the 70th Anniversary of Indian Independence. Further details of activity up and down the UK can be found at http://ift.tt/2v7nzvZ.

Web: http://ift.tt/2vqylAa Twitter: #indiaatuk2017; @ TeamworkArts Facebook: /dursebrothers

Listing Information

Venue:  Assembly Rooms – Front Room

Time:  18:25 (65 minutes)

Dates: 3 - 26 August. No show Mon 14 August.

Tickets: Previews: 3 & 4 August £8; 5, 6, 9, 10, 15 - 17, 21 - 24 August £11; 7, 8, 11 - 13, 18 - 20, 25, 26 August £12

from the vileblog http://ift.tt/2v7koUU

[mgcpuzzles]

#teamwork #companyteambuilding #teambuilding #teambuilding2016 #teambuild #teamtraining #teamtrainingphoto #teamworkmakesdreamwork #teamworksaveslives #teamworkisdreamwork #teamworkdreamwork #teamworkart #teamworkartwork

[harpreetmusic]

Words won't be able to do justice to how I felt last night. As an Artist the past 1.5 years have been extremely testing. Concert halls have stood empty for nearly two years and the feeling of performing again after such a long time was just surreal. And it was even more special to have collaborated with @ramavaidyanathan, @manoharbalatchandirane and @rahisbhiyani And wish you all a very happy 75th Independence Day in advance 🇮🇳 Thanks to ❤️: @teamworkarts @iccr_delhi @sanjoykroy @syedshamsjawaid #AmritMahotsav #teamworkarts . #musician #musicians #performer #ramavaidhyanathan #harpreetmusic #harpreet #live #concert (at Delhi, India) https://www.instagram.com/p/CSi7FZ_jNhI/?utm_medium=tumblr

[harpreetmusic]

Istanbul की ऊँचाइयों से From the heights of Istanbul. İstanbul'un tepelerinden. . . #istanbul #galatatower #galata #turkey #travel #harpreet #harpreetmusic #harpreettravels #heights #beautiful #marmara #musicianslife #musician #bluesky #clouds #topview #teamworkarts #indiabythebosphorus (at Galata Tower) https://www.instagram.com/p/BwUdAb-l7mS/?utm_source=ig_tumblr_share&igshid=3p3d53mrlluc

[harpreetmusic]

Today’s’ avenue and if you swipe right you’ll meet dhundhla sa Shams aka @syedshamsjawaid . . #turkey #istanbul #turkeydiaries #istanbuldiaries #harpreet #harpreetmusic #harpreettravels #travelwithharpreet #bosphorus #teamworkarts #indiabythebosphorus (at Istanbul, Turkey) https://www.instagram.com/p/BwRVqbal_IV/?utm_source=ig_tumblr_share&igshid=8kd7p4sewl5s

[harpreetmusic]

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Checkout my latest music video featuring @beauty.sinha and @samar_chowdhary And @zeeshanali.pk ’s #ukulele 😊 Special thanks to: @teamworkarts #indianembassyuae . . #musicvideo #maayeni #music #dubai #abudhabi #newsong #punjabi #punjab #yaarmerenu #mumbai #delhi #guitar #edm #electronic #electronicmusic (at Dubai, United Arab Emirates) https://www.instagram.com/p/ByDa06RjU7H/?igshid=1z7jolil46ye

[harpreetmusic]

Finally, here it is! A collaboration with @bindhumalini. Since the very first time I heard Bindhu, a few years ago, I wanted to collaborate with her. All thanks to @teamworkarts for #iBelieveArtMatters, a great initiative to support #art, #artists and #artistes . A huge thanks to @anirban5150, @sid_art91 and, @tomarvikas15 and @tejwanijikaladka for always being a great team 🤗 . . Releasing tomorrow! . #ArtMatters #ArtMatters2021 #Bindhumalini #HarpreetMusic #Harpreet #Music #collaboration #collab #musicians (at Mumbai, Maharashtra) https://www.instagram.com/p/CUzGywKotnd/?utm_medium=tumblr

[harpreetmusic]

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Something interesting with @bindhumalini and @teamworkarts is coming your way! Practising at the airport while waiting for my next flight. . #airportdiaries #harpreetmusic #teamwork #songdew #guitar #plucking #random #airport #mumbai #dubai (at Terminal 2 Chatrapati Shivaji Terminal Mumbai) https://www.instagram.com/p/CUTqeMAIuiz/?utm_medium=tumblr

[harpreetmusic]

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It’s not easy to express how and what I feel each time after I sing these beautifully written words by Nanak Singh(A celebrated novelist from Punjab) 1897-1871. I would like to thank Navdeep Suri and @teamworkarts for making part of this journey. You must checkout the book ‘Khooni Vaisakhi’, it’s available on @amazon . Full composition is on my YouTube channel. . . #jlfbelfast2019 #poetry #poem #literature #jaipurliteraturefestival #belfast #ireland #uk #uktour #book #amazon #amazonin #punjabi #punjab #poet #guitar #vox #vocal #acoustic #solo (at Belfast) https://www.instagram.com/p/BzBNaWKjLuL/?igshid=ocsiuc14gbo7

[harpreetmusic]

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A poem by Nanak Singh Composed and performed by Harpreet Translated from Punjabi by Navdeep Suri Book - Khooni Vaisakhi: A Poem from the Jallianwala Bagh Massacre, 1919 Full video link is in bio. Brief: Jallianwala Bagh. 13 April 1919. Twenty-two-year-old Nanak Singh joins the mass of peaceful protestors agitating against the Rowlatt Act. What then turns out to be one of the worst atrocities perpetrated by the British Raj, and a turning point in India's independence movement, also becomes a life-changing experience for Nanak Singh, who survives the massacre, unconscious and unnoticed among the hundreds of corpses. After going through the traumatic experience, Nanak Singh proceeds to write Khooni Vaisakhi, a long poem in Punjabi. The poem was a scathing critique of the British Raj and was banned soon after its publication in May 1920. After sixty long years, it was rediscovered and has been translated into English for the first time by the author's grandson, Navdeep Suri. Featuring the poem in translation and in original, this bilingual book is accompanied by essays from Navdeep Suri, Punjabi literature scholar H.S. Bhatia and BBC correspondent Justin Rowlatt. Khooni Vaisakhi is not only a poignant piece of protest literature but also a historical artefact and a resurrected witness to how Sikhs, Hindus and Muslims came together to stand up to colonisation and oppression in one of India's darkest moments. Special Thanks: Mani Suri @harpercollinsin @teamworkarts #Amritsar #HarpreetMusic #Punjab #Massacre #History #Story #India #IndianHistory #Poem #Harpreet #LatestPunjabiSong #Punjabi (at Andheri West) https://www.instagram.com/p/BxfK0KQlxN2/?utm_source=ig_tumblr_share&igshid=13flh6foo3rvd