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raayllum · 1 year ago

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Knowledge as a Burden / Subjective & Objective Truth :: A S5 Meta

Now, the concept of Knowledge being a burden is nothing new. It's quite literally baked into cultural consciousness (at least in the West; I don't know enough to speak for East cultural mythos) through both the story of Adam and Eve within the three Abrahamic religions, and its close sister story of Pandora's pithos (more commonly known as a box). We also see it in stories such as Bluebeard, in which a new wife is forbidden to inspect her husband's private chambers and deeply regrets her choice to do so, as well as phrases such as "the grass is always greener on the other side," "ignorance is a bliss," and "what you don't know can't hurt you" (all of which are debatable as phrases, of course).

However, it is one of the rare themes in TDP, I think, that wasn't really present in arc 1 and is introduced as an arc 2 (as compared to most that were already in arc 1, and have just been strengthened/matured) particularly as of S5, hence why I wanted to talk about it.

So let's talk about it (specifically Kpp'Ar, Akiyu, Viren, Rayla, Callum Ezran, Soren, and the Jailer, not at all in that order).

Thematic Origins

Like most things in terms of season four thematically, "Knowledge as a Burden" actually starts in Through The Moon, in a lot of ways. There's the other side of it as well - not knowing what happened to her family or Viren is causing Rayla to be increasingly irate and worried - but TTM closes out on Rayla at least being able to face the fact her family is gone. If that was the only big piece of information she'd learned by going through the portal, she probably wouldn't have left.

R: Right before you found me, he opened his eyes, and I knew... He may be caught between life and death somehow, but Viren is on this side of things. He's alive, Callum! C: I don't know, Rayla. I didn't understand half of what I saw in there. [...] I let you jump into the Nexus alone and I knew right away I'd made the biggest mistake of my life. I could have lost you.

However, she Knew - in her bones - that Viren was alive, and so she had to go after him. Even if it wasn't what she wanted (to leave or to hurt Callum) the knowledge itself felt like it was pressing down on her, that this was what she had to do. That she had no other choice.

That being said, TTM is at its core supplementary material. While it initiates the theme in this way (as does Callum's devotion), it may be worth turning to how S4 originates the theme and pursuit of Knowledge, which is not through Rayla directly, but is through Callum, instead.

(If you're interested in Amaya and Callum's parallels in 4x01 concerning partners and knowledge, you'll want to check out this meta here.)

In the beginning of S4, Callum is where Rayla used to be, left in limbo about the well-being and what's happened to his loved ones. And there is, of course, his frustration and quest to properly decipher the mirror, and anger at Soren, when he believes the man is keeping something from him.

This anchoring in Callum's plot line and curiosity indeed informs the true thematic basis of knowledge in Arc 2 in comparison in Arc 1. In the first three seasons, we always knew where we were going — to the Dragon Queen to notify her of Zym's safety/existence, with Viren's initial Aaravos plotline in S2 being a divergence from this level of certainty — but in arc 2, we're purposefully floundering a bit more. Because in a lot of ways

Arc 2 is About the Pursuit of Knowledge

This isn't particularly a surprise, given the seasons have the official title of "The Mystery of Aaravos," and mysteries involve clues that are in the inherent pursuit of trying to gain answers (i.e. knowledge), but it does mark a structural departure from Arc 1, as mentioned earlier, and informs S4-S5 (and most likely S6) more than we might've initially realized.

A perfect example is that, from 4x05 onwards, the main characters (including Claudia and co. until the of 4x09) up until approximately the end of 5x05 (a full 10 episodes) are simply travelling around trying to find the pieces to Aaravos' prison. To decipher its location, its material, and its very nature. But put a pin in it for later, cause I want to draw attention to another quest for knowledge that runs concurrently in season 5 in particular, AKA:

Knowledge as Power

I've talked before about Finnegrin's parallels to Aaravos, but thus far haven't touched too much on Callum's parallels to Finnegrin, even though they're uh

There, for sure. And of course, both Finnegrin and Callum (and Rayla, with her "We're going to need to know one thing: how do we kill a Startouch elf" + Finnegrin's "I just want one thing") have their own similar reasonings, ultimately, for wanting to kill their chosen targets: to maintain their own control and freedom.

(This isn't to say this is Callum's exclusive motivation regarding Aaravos — it isn't — but I do think we're meant to see the blatant parallels as well.)

Control, freedom, and power are all undeniably, understandably linked, then. But knowledge is the undercurrent (pun intended) of all of it. Finnegrin's awareness of his confines is what's driving him mad; Callum knowing that Aaravos can possess him and what the mirror entailed, things he lived in ignorant bliss of for 2+ years, are what worries him in S4. Knowledge and power are inextricably linked, as Viren's character makes particular apparent, which in the case of Kpp'Ar demonstrates a strong Knowledge of his student (with caveats) as well as Aaravos' assessment of Viren. If you have knowledge, you have power — and if you have power, you have agency and/or worth.

Which I think is the subtextual cue to Viren only having clarity ("This is nonsense!") once he casts down his crown (power) in the dream sequences, as well as his end of season "I finally see the truth" epiphany that also comes with relinquishing power and agency over his own life, while ironically exerting it more than ever. But more on Viren and all that later, so pin in it for now.

We also see this element of Knowledge as power come into play with other characters, most notably Claudia in her utilization of dark magic and the creativity she expresses with it, Callum's knowledge of spells, and even Ezran in S5:

However, knowledge in the 'traditional' sense in show isn't solely about magic or spells or prisons, or even overtly negative. There are far more positive sides as well (even if, like most things, it's a double edged sword). So let's talk about

Knowledge as Self Actualization

Have talked about self actualization in regards to Callum and Rayla's individual development in Arc 1 a few times in overlapping ways, so not going to repeat too much here (each of them examining themselves but also one another's worldview - of the cycle and magic/the war - in order to reach the people they were meant to be in many ways, etc), although I am going to touch on them later as per S4 and S5 again.

For a fresher example, I want to talk about Soren.

Dictionaries define self actualization as the process of becoming your fullest self — often times conflated with the best version of yourself — where you become more You than you ever were before. This is especially true for both Soren and Rayla in arc 1, where although they have dips and bends, they are both ultimately selfless protectors secure in the duties they've finally been able to fully choose (and to make up, to themselves, for prior failures). For Callum and Ezran, their self actualization is more transformative into someone entirely new — more confident, more assertive, more compassionate and with the power to express it — than restorative, but again: put a pin in Callum's arc for a bit, cause we're getting to it.

For now, let's talk about self actualization through recognition of yourself through the other (aka in this case, how Callum and Rayla view themselves through the other's eyes in S4 and S5) as well as love being both a subjective and objective truth (with some moon arcanum stuff for spice).

So objective truth is things that are undeniably real — magic exists in Xadia, Aaravos has been imprisoned. Subjective truth is whether Aaravos was imprisoned for a good reason, or that humans can't access primal magic; these can change depending on viewpoint or access to new/old information. For example, while Aaravos likely isn't lying about what he believes will happen ("The sun will rise and you will not") that doesn't make it objective reality; just because someone is telling their truth and perception of events does not make it unilaterally The truth.

But for a more interpersonal view...

In season four, just like Callum doesn't know if Rayla is alive, he doesn't know how to feel about her coming back. Rayla hopes that they can reconcile, but she also knows that her leaving hurt him — even if Callum won't admit it. She had her reasons for leaving and he has his reasons for being hurt, and although somewhat opposed, they can both exist. This follows what Lujanne and Ezran cite, i.e.:

Lujanne: Sometimes real trust is accepting even the dark parts we will never know. [..] Was it wrong? Or was it just differently true?

with notions of subjective truth, and Ezran's assertion of his truth that

But I think I left something out. I ignored something that was true. I denied something that is undeniable. We are angry! I am angry. I have been hurt. [...] But… It’s not that easy or simple. Because people are still hurting and they are still angry. We can’t ignore that, or pretend it will go away. Somehow, we have to hold it all in our hearts at the same time. We have to acknowledge the weight of the pain and loss, but open up our eyes and allow ourselves to hope and maybe forgive and love again.

Whether one has hope or not that the world can be different often times indicates whether they will be breaking the cycle or perpetuating it. We see these conflicting realities once again with Soren and his inability to get through to Claudia ("You're on the wrong side. I know because... I was too")

versus being able to successfully get through to Elmer:

When you can empathize and relate to others — which is a cornerstone of Amaya's growth as well across season three through to season five — you can lend understanding and self-actualization not only to yourself, but also to them: "You know who you sound like?" "Who?" "Me" much in the same way Soren is able to offer it to Elmer, and Elmer reasserts his own identity — his understanding and knowledge of himself, down to his name — accordingly in addition to becoming an ally.

Knowledge is also the foundation of consistency; how well we know someone is predicated on how well we can predict their behaviour and subsequently rely on them, not only in action but also in reaction and responses. There's few things more disconcerting than someone reacting poorly to something you thought they would take rather well. Moreover, if knowledge of ourselves can lead to self-actualization, then our knowledge of each other can also lead to mutual self-actualization. We see this first hand in Rayla and Callum's Arc 2 dynamic thus far, so let's talk about it:

Mutual Love as Self Actualization: Part 1 — Uncertainty to Certainty (S4)

As previously noted, Callum starts out S4 at both a loss with the mirror, and still coping with the uncertainty and stagnation of his loss of Rayla. When Ezran reaffirms that Callum still loves her, all Callum can helplessly rely that he doesn't "even know if she's alive." Things don't really improve once Rayla shows up, either, even if we see the persistent thread of not knowing vs knowing being knit throughout their arc with one another.

We see this knit through, lightly, in Janai's arc regarding her people and place as queen ("Elves and humans [moving too fast]? ... I don't know" "At least Karim would lead with some kind of certainty") as though uncertainty is nothing but doubt, rather than a journey involving doubt as well as the opportunity for growth just as much as any venture (as Callum and Rayla will soon find out).

After all, Callum soon finds a shred of comfort in said uncertainty, and offers it to Rayla accordingly in an attempt to comfort her:

Rayla: This is all my fault [that Soren is dead/missing]. I left him alone! I shouldn't have— Callum: Rayla. Don't. We can't know what happened for sure. I mean, this is the path to Rex Igneous, right? So maybe he couldn’t climb out of the pit, so he had to keep going. You know him. He’s brave. He’s gotta be down there looking for Rex.

And this is also built upon a foundation Ezran has set earlier with his friends. When he is trying to get Callum and Rayla to work together, he doesn't tell them to set everything aside, or even harkens back to their good old days. He asserts their identities and says, "Don't you remember who you are?" because to him — and evidently to Callum and Rayla, because it works — working together and helping each other has become a fundamental, core part of who they are as individuals. They are that interwoven with each other, and Rayla reflects that in 4x07 with, "Callum, you're the 'destiny is a book you write yourself' guy. No one can control you or make your choices for you" as well as what Callum offers up to her in 4x09 where we see the turning point in their prior uncertainty. Although they've both changed, they are fundamentally still the same people they were when they fell in love, and there is both comfort, sadness, and acceptance in that realization, where Callum says:

Which is the tipping point into season 5, and where they stay for the bulk of season five, so let's talk about that next stage.

Mutual Love as Self Actualization: Part 2 — Certainty and Discovery (S5)

Upon reconciling once Callum has said what we knew all along — "I'm so glad you come back" — Callum and Rayla return to the castle, and their searches for knowledge become arguably more explicitly stated by the text. Their first scene together in 5x01 establishes that Callum wants to know the Ocean arcanum ("I thought it would be about controlling the tides or fighting the currents" thereby exerting control, which he desperately wants over himself post-S4) as well as Aaravos, whereas Rayla is seeking answers about her family: "If I can figure out how he put you into the cursed coins, maybe I can find a way to get you out."

This is, of course, something we know she doesn't trust Callum with yet, not wanting to burden him with her problems especially before she's reached her own conclusion of what to do about it (to delay it for the good of the world) and we see that the certainty and forgiveness Callum found in 4x09 has more than carried over.

Opeli: Don't you want to know what she was up to? Why she did all this? Callum: If she didn't tell me, she has a good reason. I know this: the tides are true as the ocean is deep. [...] It means I trust her. Unconditionally. Let her go. Now.

This scene harkens back not only to the love poetry he quoted and then paraphrases ("To love is simply to know this") where loving and knowing someone is deemed synonyms, but also by his reassertion of Rayla's identity in the wake of her transgressions and her silence: "She's not the elf. She's Rayla" because Callum's love for (and trust in) her has always been rooted in the essence of who she is: "That's what makes her a hero. That's what makes her Rayla."

And we see Rayla's own knowledge of certainty challenged and reformed by Amaya in 5x04:

When I was growing up, my big sister Sarai was the smartest, strongest, bravest person I knew. When she died, I felt lost and weak without her. I hated feeling that way, so I learned to be strong alone. Stoic, strong, and lonely. [That does sound like me sometimes.] But the last two years have changed everything. Meeting Janai, falling in love, I am stronger than I ever was — because we are stronger together. And I realized that was the real truth of me and Sarai too. Love and trust grow a kind of strength that is much bigger than we each possess. To have that kind of strength, it is not enough to love someone. You have to trust them to share the burdens you carry.

And although very uncertain about opening up, Rayla still expresses certainty that she knows Callum could and can be there for her, if he wants to be — if he's ready to be.

Rayla: But I think — I know that I trust you to help me carry this. If you're okay with that?

This is, after all, with both Amaya's encouragement and Callum's reassurance that 1) "You can tell me when you're ready" and that 2) he does want to know from 5x01. Then, we see both their arcs in this way largely — or at least they would, in a perfect world — be resolved in many ways by their interaction later in 5x04:

But that's not where their season 5 arc ends, because 5x08 happens. To talk about that, though, we have to talk about a few other things, namely

Oedipus Rex

Bear with me, because I promise this relates. "Oedipus Rex" is a 5th century BCE Greek tragedy written by Sophocles, detailing the life of a man who's name is mostly (ironically) known for lending itself to Sigmund Freud's Oedipus complex theory. The play and myth itself, however, indicate very much the opposite. Prophesied to murder his father and marry his mother, both Oedipus and his parents are accordingly horrified by his apparent fate, and do everything they can to remove it as a possibility, including abandoning their baby to die on a mountainside, as well as Oedipus leaving the home of the family who saved and subsequently raised him, never realizing he was adopted.

He then goes on to discover the truth of the prophesy when a plague wracks his city that the seers say will not leave until the murderer of their king is found, and Oedipus unknowingly pushes until the point of revelation that it was himself, and that his wife for many years is actually his mother. Even when other characters, such as his mother turned wife, Jocasta, begin to suspect the truth and urge him to stop chasing down the mystery so they can have plausible deniability, Oedipus remains oblivious until the horrifying truth is staring him in the face. Jocasta hangs herself, and he gouges his eyes out and runs off into the woods to die.

The reason I bring this all up is because, in the Western literary canon at least, "Oedipus Rex" is considered the "ur-text," otherwise known as the text that all others are modelled after. Not necessarily in the incest or the tragedy, but the fact that most if not many Western stories (TDP included) are continually propelled towards the point of Revelation or epiphany, and that this revelation is inevitable, whether it is positive or negative.

While Viren and Harrow give an excellent display of a relationship that breaks down due to a lack of understanding and compassion, as well as self-doubt on both sides...

Harrow: Call it what it is. Dark magic [...] I've spent years going along with these creative solutions, and where has it gotten me? Viren: I don't understand. Harrow: I know you don't. Leave me. Viren: They will find you and they will kill you. Harrow: I know this. Viren: But know this: anyone of these men and women would gladly trade their lives to save yours.

Likewise, we see Viren through his dreams seek the form of acceptance ("I hope you know--" "I know") that Rayla has offered Callum, except from Harrow, as well as going further into what Viren has deeply wanted for most of his life and from Harrow in particular; to be listened to, to be valued. (How pure that is in practice is debatable given their dynamic outside of Viren's dreams, i.e. Harrow listening to you does not always mean agreeing with you, but I digress.)

Harrow: You are a brother. You're my family. Viren: I've always thought of you as my family, and you know, I would do anything for my family. However dangerous. However vile. Harrow: [Still hugging him] I know. Viren: It is everything to me, to know that I mean something to you, to know that I matter. It's all I ever wanted.

But what should be a scene of comfort and reassurance turns into a literal nightmare. Into entrapment. Into imprisonment.

Knowledge as a Burden / How Knowledge Can Imprison You

I've said before that Arc 2 is about the pursuit of knowledge, specifically because more than the mystery of Aaravos himself, the bulk of the main characters are trying to unravel the mystery of his prison. Season five, by virtue of offering more clues (the nature of the prison, its appearance, and its location) also reveals more of the layers in both the construction of the prison and the dispersion of the clues. Even the mighty Domina Profundis states, "I do not know where it is," but that "I do know what it is."

Previously, we've mostly talked about knowledge, especially within the text of the show, as a positive thing. It is the foundational rock of a strong relationship, it can lead to positive self actualization, and it helps the heroes keep Aaravos from being unleashed. When you do not have enough knowledge or perceived understanding of someone (Claudia assumes Soren could never understand her, and Viren and Harrow's relationship breakdown), your relationship accordingly deteriorates. When you share knowledge, and share experiences (Rayla to Callum about the coins, Soren to Elmer about abusive cycles), you can become stronger together.

But knowledge is not exclusively a good thing. It can also be harmful, or unwanted, or unwanted precisely because it's harmful. It can bind you to deals or bonds you don't really want, and once you know something, you cannot un-know it, whether about yourself or about others. And we see this most plainly in the story Archmage Akiyu shares about the prison.

Because Aaravos was a master manipulator, the Jailer knew all knowledge of the prison had to be protected... its location, its material, its very nature. She carefully divided information about the prison so that not even the Archdragons had the complete picture. Each knew only a piece. "The puzzle is the real prison," she told me with a proud smile. But I made a fatal mistake.

Akiyu didn't mean to look. She didn't mean to discover, to know. What should've been a noteworthy accomplishment of being trusted to keep the world safe, so it would be a better place for her and others to live in, nearly spelled her doom.

I begged her to let me live. I swore to keep the secret safe, but she said it was too important. "The archdragons will have to kill you," she told me, "to protect the puzzle, to secure the prison."

There's a few interesting things here. We can see, from the severity that Akiyu holds regarding her oath, that the Jailer was genuinely concerned about making sure the prison would hold Aaravos, in addition to the fact that Jailer would be condemning Akiyu to death without having to bloody her hands herself. But the intensity here does make sense; as she just said, "the prison is the real puzzle," and now that's been potentially compromised.

We even get a bit of bonus foreshadowing, as Callum turns to look at Rayla, indicating he hasn't forgotten what he asked her to do in 4x07, and that him gaining more knowledge about Aaravos (or the key?) may not necessarily be a Good thing.

Rayla: [About the cube] It's a toy. A piece from a children's game. I hope it was worth it to you, putting everyone's lives in danger (1x04).

If you have knowledge, you have the capacity to share knowledge, either for a common good with people you trust, or to potentially have it twisted out of you under duress, both of which could've posed a danger if Akiyu had trusted the wrong person...

or if someone (much the same way Ezran put it together) went after her to get information but with less favourable intentions...

And we see that Akiyu was likely aware of this as well:

So I proposed a pact. I made a solemn promise I would die before revealing the location of the prison to anyone. And she spared me.

She ends her history lesson by reaffirming a sentiment she already expressed earlier, citing, "I didn't want to kill you, but you left me no choice. I swore an oath, and I intend to keep it" and reaffirming it here with, "So you see, when you came looking for information about Aaravos, I had no choice. If I didn't deter you, I had to kill you." At best, Akiyu's acquisition of knowledge made her prepared to put blood on her hands (if it isn't there already from previous knowledge seekers) and provides her justification in doing so.

If she could just un-know something, her life and the information would've been much safer for everyone involved, and yet that wasn't really possible. Once you know something, you cannot un-know it. (What is done cannot be undone.) Although what happened was a genuine accident, and Akiyu wanted to live, she still understood the importance of what was transpiring and why the Jailer reluctantly wanted to remove her from the equation ("The archdragons will have to kill you" / "You have to kill me. I need you to promise") to be safe rather than sorry.

And then on the flipside we have Finnegrin, who is punished for 'genuine' crimes (we can assume based on his actions that his prior ones weren't much better, but we also don't totally know for sure), spared without begging for it, and is deeply resentful of the restrictions placed upon him.

So while to get out of her predicament, Akiyu is an Tidebound elf who holds onto knowledge, Finnegrin is a Tidebound elf who wants to get out of his predicament by gaining knowledge — by any means necessary. Because knowledge is power, knowledge is agency, and knowledge is imprisonment. Which means it's finally time to talk about:

Knowledge and the Ocean Arcanum

So if S4 is about beginning to navigate both in spite of and within uncertainty, S5 is about having the safety of that uncertainty stripped away, both in creating more of it, and in removing some of it. Namely, the Ocean arcanum:

Finnegrin: What did you think you could do, boy? I control everyone on this ship. Everyone.

Callum: [Internally] Do not ask how the ocean's blue... or why their time the tides do keep. To love is simply to know this. The tides are true as the Ocean is deep.

Now I've talked more about the specific symbolism embedded in the scene where Callum internally unlocks the Ocean arcanum — the closing of his hand mimicking what he must've done to crush the slug (as well as the importance of hands and consistent gestures throughout the episode), the sea and storm and darkness receding because the arcanum is, ultimately, enlightenment, etc.

And in some ways, Callum unlocking the Ocean arcanum should be outright enlightenment with all the positive connotations that comes with. It's him achieving the goal he wanted from his first scene this season ("I'm trying to get into a place where I can connect with the Ocean arcanum"), it has all the positive light and lack of storm associations, and it allows Callum to triumphantly break free from Finnegrin's blood ice grip, for lack of a better term.

Callum: But then, you already knew that, didn't you? Because it's the secret of the Ocean itself. The arcanum. Finnegrin: Impossible. Callum: You helped me figure it out. I thought it would be about controlling the tides, or fighting the currents. But it's the opposite. The Ocean arcanum is about accepting there are depths you can't see, parts of yourself you can't understand, and things you can't control. You know what I'm saying is true because you were born knowing it. No matter how much you try, you'll never control everything. And that terrifies you.

I'm afraid, Rayla. What if I'm on a path of darkness?

Callum does not frame him unlocking the Ocean arcanum, nor the arcana itself, as a victory. Not to say that either of those things are bad, but that they have layers, and complications, that largely were not present (at least at the time) with the Sky arcanum. While Callum learned in S4 the dark side of potential and how consequences can catch up to you, in many ways, S5 is about deepening that understanding to the fact that no matter how much power you have, you can still not control everything. There will always be moments you feel powerless. There will always be moments you are found desperate.

He chased the Ocean arcanum because he thought, if Sky granted him potential and freedom, then Ocean would grant him control, but the truth was more complicated than that. While it did grant him control (the ability to break free from Finnegrin's spell), it also granted him a rather hard truth he'd rather not know.

The first time he cites his poem about true tides and untold deaths, he is talking about his faith and trust in Rayla — the way he views her: "If she didn't tell me, she has a good reason. [...] I trust her. Unconditionally."

The second time he recites the poem, it is about himself. The untold depths are within himself, are parts he is still trying to understand in full because they are uncomfortable truths. In many ways, Callum unlocking the Ocean arcanum is his version of Ezran's 4x03 speech (see how we looped all the way back? 'Totally' intentional I swear), that multiple things can be, and sort of have to be, true in order to gain new ground, even if there's a part of you that wishes it could be simple.

I had a speech planned for today. It was about peace and love and hope. But I think I left something out. I ignored something that was true. I denied something that is undeniable. [I'm not a dark mage. I will never help you. -> That's the dark magic you want. Just... just let her go.]

And just like his brother, Callum can no longer deny the truth.

Callum had to accept parts of himself that he was previously denying — where they could lead and what they could do, and how he could be manipulated/coerced/controlled — in order to access the Ocean arcanum. Love both makes him stronger, by his own assessment, and weaker, per Finnegrin's. Losing control made him realize what he'll do in order to have control again, even if it's temporary, even if it might not work, even if it might have disastrous consequences, because what he gains in the process — in this case, Rayla's life and safety - is worth it to him, even if all that knowledge is also scary to him and something he's going to continue to learn how to cope with.

Callum's knowledge of himself then becomes a burden, both a metaphorical and literal chain (undoing his chains so that he can free Rayla, while knowing he's chaining himself further to Aaravos in the process).

With this in mind, the ocean arcanum thereby embodies all the facets of Knowledge we've largely been looking at across S4 and S5 in particular. It is Love ("To love is simply to know this") and self actualization/discovery ("parts of yourself you can't understand"). It is power ("The secret of the Ocean itself - the arcanum" "Impossible!") and it is a burden ("there are depths you can't see" with his hands clasped like chains not for the first or last time this episode). It is freedom, yes, but the Knowledge Callum now holds is also imprisonment.

Conclusion

If you made it all this way, thank you for reading and I hope you enjoyed. While there were other elements this season (Viren's atonement and self actualization arc which begins and ends with him becoming aware of the Truth, or knowledge, of his actions, for example) I felt they were better suited to other core themes or motifs — a general theme of self actualization or the way TDP discusses truth and sight, for example, than being tethered directly to Knowledge in this way.

I expect we'll see this be continued further as the cast chases more knowledge about Aaravos and his past / power in future seasons, in addition to the potential knowledge he and other Startouch elves such as Leola passed down to humanity that had a variety of consequences.

For now, I will see you in the next meta.

—Dragons out

#tdp meta #tdp #tdp soren #tdp callum #the dragon prince #rayllum #varrow #s5 #arc 2 #s4 #analysis series #analysis #listen i got to talk about oedipus rex so i'm happy as a clam

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