#tbh this is less so characters I find attractive

[girlscience]

I hate getting into something that has a canon(ish) sapphic couple, but I only end up caring about one of the two women 😭😭😭

[luminiera-merge]

i think my tolerance for moe (ie the anime stuff) is in freefall rn

[princeoftheeternalbog]

Nicknames/petnames op characters like to call you PART TWO

Also suggestive warning for Ace, Marco, Izou

I don't care if law's is ooc btw he deserves to be sickly cute sometimes and yk we kinda saw how he can be when he loves something with that whole sora thing in wano so yeah I'm saying he can be affectionate as a treat.

Anyways here's like all the faves who are not strawhats:

Ace

Baby, sweetheart, pretty thing. Always says them in either the most flirty tone imaginable or the softest. Also he's like flirting with you 24/7 it's so bad but he jist can't turn it off around you like he's so down bad. 100% says heinous filthy shit but tacks on a cute nickname at the end to try and make it sound less intense. It does not work.

OBSESSED with you calling him love or my man and finds it ridiculously attractive. The first time it happened he set his bed on fire by accident and you both got lectured by pops :(. But seriously he just loves any and all verbal affirmation so naturally he adores nicknames. Doesn't get shy at all though, if anything reciprocating his chaotic behaviour makes it 10x worse.

Marco

Love/my love. Sweet and simple and he likes how clear it is to other people. He uses it a ridiculous amount though to be honest like you hear it more than your own name, it's to the point where if he says your name people on the ship don't know who he's talking about😭. Oh and he uses baby when he wants to tease you, like he drops his voice real low, leans really close into your space and speaks right next to your ear. Bit of a bastard tbh.

He blushes easily but doesn't shy away, in fact being called a nickname in return really makes him feel confident and puts him in the mood for affection. Though sometimes the nicknames make him feel...too affectionate. One time you called him pretty bird as a joke and he just sorta sat there, face getting gradually redder until you leaned towards him out of concern, at which point he promptly yanked you onto his lap and started what was one of your most intense make outs to date. Yk, casual things.

Thatch

Cutie, sweet thing, pretty thing. So so gentle with you and it reflects in how he speaks to you as well, even if he's upset or angry he still calls you the sweetest things because you're so precious to him. Though he's also a menace, if he finds out you like a specific petname then he starts discretely whispering it in your ear whenever he passes you to wind you up. Literally he doesn't care if you're having a serious conversation, he'll just slide in behind you and drop his voice to sound like a nice gravelly tone and purposefully make sure to exhale on the back of your ear to make you shiver.

Oh but he can't handle if you do it back, no this man folds like a lawn chair the second you start calling him anything other than his name.

Izou

Darling, dear, lovely, blossom. So casually smooth its unbelievable, also he starts calling you them before you get together. Like after a certain point of friendship and flirting, he just starts doing and saying the most romantic shit(Definitely thinks you're together before you actually are) and the crew are very confused and you're very confused but as if you're gonna complain yk.

This man gets so flustered when you use nicknames with him because it's not behaviour he's used to. Obviously he's been a pirate for a long time but he's actually very reserved and rarely dates so having someone who genuinely cares about him calling something sweet makes him blush so hard and you use that to your fully advantage. He gets revenge later though don't worry.

Law

Love, lovely, pretty, honey, every flowery pet name you can think of. He's so soft with you. He can't help how sickly affectionate he feels around you and it results in him just calling you all sorts of sweet words. He won't do it in public if he thinks you'll be put in danger or if he doesn't feel comfortable but like in front of the crew and strawhats and stuff he doesn't give a fuck. He'll just come up behind you while you're in the middle of a conversation, hand sliding down your lower back, and say sumthin like "are you okay my love?"

Blushes to high heaven if you call him something cute back, he just melts like butter. If he's in a bad mood or like in an argument or something you only have to come up and say hi love and he's all :///))

Kidd

Babe to the public. My love, gorgeous, pretty baby when you're alone. It's not really that he doesn't want to call you those things in public, he just doesn't want enemies to understand how important you are to him but also he doesn't want to keep your relationship a secret because he's obsessed with you and wants to brag about being yours.

Makes him really cocky if you use petnames with him. Like he'll flush but get so overconfident the second you say love or baby or anything of the sort. He doesn't care where you are either, he's just hauling you into his space immediately so he kiss the fuck out of you.

[imsobadatnicknames2]

top 5 ttrpgs for beginners

Sorry that this one took me a bit longer to answer than all the other Top 5 asks :p i wanted to explain a bit of my reasoning behind it and this gave me q chance to ramble a bit about something that bothers me lol

So, first of all I want to talk about what TO ME makes something a good beginner RPG.

Ramble:

I've talked a bit in the past about how I have sort of a bone to pick with the way so many people, when asked for recs for beginner TTRPGs, immediately decide to recommend extremely rules-light/minimalist/one-page RPGs (Hacks of Lasers&Feelings in particular seem to be somewhat popular on this front), when IMO these types of RPGs are at their best when played by an experienced group (or at the very least with least one very experienced player/GM who can provide some guidance to the others). I think a lot of ppl seem to have the impression that simpler mechanics inherently make a game more beginner-friendly, and that thus the most beginner-friendly games are inherently gonna be the ones with the simplest mechanics. And while this is true to an extent (a 700-page RPG with tons of complicated mechanics to remember is obviously gonna be inaccessible to beginners), when you consider that mechanics exist to DELEGATE decisions about the fiction away from the players and the GM so that they don't have to manually arbitrate them every time, there is point where less mechanics are gonna make harder for new players because it means there's more thing they're gonna have to find a way to arbitrate on and decide by themselves, and that's a skill that takes time to develop. An experienced group can probably get a ton of mileage out of a system that essentially ammounts to "the GM describes the world. The players describe what their characters do, and the GM describes how the world reacrs. When the outcome of a player action is uncertain, then [simple resolution mechanic]" but a beginner group is gonna be a little lost. Especially if the game, like many of these types of games, includes practically nothing in terms of GM tools. So I think recommending beginner RPGs solely on the base of how simple they are is well-intentioned but misguided.

(Ramble over)

So, some of what, to me, makes something a good beginner RPG is

Rules provide enough support that the group won't have to constantly be figuring out how to adjudicate stuff on the fly, but they're simple and flexible enough that they're easy to remember and learning them doesn't feel like a daunting task like it does with a certain game (*cough cough* D&D)

Relatively short and uni timidating. Maybe between like 20 and 100 pages. Players should be able to read through the rules and mechanics in one sitting.

Plenty of examples of play, often a good example of play is what makes a game's rules really *click* for a new player.

Relatively quick and painless to start running for the first time. Character creation should be quick and snappy, and if possible a short pre-written adventure (hopefully with some room to be expanded into something larger) should be included within the same book and ready to run out of the box. Even if your group doesn't like using prewritten adventures, having a *good* prewritten adventure can be a huge help in understanding how to write/design them.

Solid set of GM tools and resources (if it's a game with a GM, of course)

Optionally, plenty of compatible material to either use or take inspo from.

So, I think my recs would for beginner games would be...

Mausritter

If any of you have EVER heard me talk about RPGs you knew Mausritter was gonna be here TBH. I've repeatedly talked about it being one of my favorite RPGs and also that I consider it pretty much an ideal introduction to the hobby. I think the woodland critter theme is extremely charming and attractive for people of any age, while the slightly darker elements that rear their head from time to time keep it from feeling too childish.

The mechanics are simple and flexible but still provide enough structure that even a new GM will rarely if ever be at a loss about how to resolve a particular action. They're familiar to anyone who's played a dungeon game while still being extremely streamlined. 3 stats with the main action resolution being roll-under tests, no classes, characters are defined mostly by their inventory, all attacks auto hit and initiative is extremely streamlined, which keeps combat quick and dynamic, etc. And the mechanics are pretty short and esy to digest too, the players' section of the rulebook only takes 18 pages, including stuff like inventory tables and examples of play, and the website features a handy one.page rules summary (which also comes with the box set)

It's super easy to get running: character creation takes a couple minutes at most, and it features both a simple adventure and hexcrawl that can be used right out of the box with plenty of interesting directions to expand for further adventures.

Now, Mausritter takes most of its mechanics from Into The Odd, so a lot of its virtues come to it, but I think the few changes it made DO make mausritter most beginner-friendly, such as its inventory system which makes inventory management into a genuine challenge without having it devolve into a slog of tedious book-keeping, and the incorporation of a streamlined version of GloG's magic system, which manages to still be simple and easy without being as loose and freeform as the magic system from a lot of OSR games of similar complexity (which can be initially daunting to new players)

But what REALLY makes mausritter shine IMO is the extremely solid set of GM tools. In just a few pages mausritter manages to provide simple rules, procedures, generators and advice for running faction play, making an engaging hexcrawl, making adventure sites, and generating stuff like treasure hoards, NPCs, an adventure seeds and overal just a ton of useful stuff that takes a huge load off of the shoulders of any beginner GM.

Cairn

Lets say you're into Mausritter mechanically but your players aren't into the whole woodland creature theme and want to play something more traditional. Cairn is also built on Into The Odd's system, and takes inspiration from some of the same sources, so it's very similar mechanically. It does feature some significant differences regarding magic, character advancement, and how injury and healing work, but overall it's still mostly the same system under the hood, so a lot of what I said makes Mausritter a great introduction to the hobby mechanically still applies here (quick and flavorful character creation, dynamic and streamlined but dangerous combat, etc). It's also a classless system that features msotly inventory-defined characters, but aside from the option to randomly roll your gear, the game also offers the option of picking a gear package in case you wanna emulate a particular fantasy archetype.

Now, Cairn is a much more barebones document, and doesn't even feature examples of play or an explicit GM section with resources for running the game, which breaks with the things I said I look for in a beginner RPG. However, in this case I'm willing to forgive this because, first, Cairn's website features a plethora of first party and third party stuff that isn't featured in the book itself, including examples of play, GM procedures and tools, modular rules, and a wealh of conversions of creature stat blocks and adventures from D&D and other fantasy adventure ttrpgs.

And Second, something different that specifically distinguishes Cairn as a good example of a beginner RPG is how it explicitly outlines its philosophical and design principles, and the principles of play for both the GM and the players before it even shows you any rules, which is something that I think more games and ESPECIALLY begginer games should do. IMO the whole book is worth it just for that little section.

Troika!

Troika is a game built on the Fighting Fantasy system (which originally was less of a TTRPG system and more of an engine for a series of choose-your-own-adventure books) with a really interesting pseudo-victorian space opera weird gonzo setting which is a load of fun. It has very simple 2d6 mechanics, with characters having three stats (Stamina, Skill, and Luck), and being mostly defined by their inventory and the special skills from their background. Character creation is quick and snappy. The game gives you 36 weird and extremely creative character backgrounds, but creating a custom background is as easy as coming up with a concept and the names of a couple special skills that support that concept. It also has a very unique initiative system which might be a little divisive but which I DO find fun an interesting.

While it lacks many of the GM tools I praised Mausritter for, it makes up a little bit for it with an initial adventure that does a wonderful job at naturally introducing the weirdness of the setting, and which at the end presents a ton of opportunities to segway into a variety of urban adventures.

Now, a lot of beginners come into RPGs specifically looking for a D&D-type fantasy game (which is a problem because D&D is a pretty bad option for a beginner RPG) so for those types of players I would recommend

The Black Hack

The Black Hack is probably my favorite game for doing D&D-style fantasy roleplaying. It's a game that at its core uses the original 1974 white box edition of D&D for inspiration, but modernizes, reimagines, and streamlines every aspect of it to be one of the most simple yet elegant D&D-like experiences out there. For example, TBH uses the six stat array that all D&D players know and love, and with the same 3-18 point range, but does away with the attribute score / attribute modifier dichotomy, instead building its entire system around the attribute scores, with all rolls in the game being roll-under tests for a relevant attribute (including initiative, attack/defense rolls, and saving throws). It also innovated some extremely elegant mechanics that went on to be very influential for other games, such as its Usage Die mechanic as a way to streamline keeping track of consumable resources. Basically, it's like if D&D actually played the way it looks in cartoons and stuff: character creation doesn't take 3 hours, every combat encounter doesn't take five hours, and you can place some emphasis on resource management without the game making you want to tear your hair out with boring bookkeeping.

And one of the coolest things about it is the way it handles compatibility. Despite taking loose at best mechanical inspiration from D&D and playing very differently from it, TBH is intentionally designed to be compatible with a wealth of old-school D&D material. While it very clearly stands as its own distinct game, it's designed in such a way that you can prety much grab any creature stat block or adventure module written for any pre-3e version of D&D and use it in The Black Hack with little to no effort in conversion required.

The first edition of the game is a pretty barebones 20-page booklet that just describes the basic game mechanics, since it was assumed you'd probably be using D&D creature stat blocks and adventures with it anyway, but the second edition was significantly expanded with a bestiary, expanded GM procedures and advice, and tool for creating anything you could want: Hexcrawls, towns, dungeons, quests, treasure hoards, NPCs, dungeon rooms, traps, secrets doors, etc. plus a short premade adventure and even a few premade unkeyed dungeon maps that you can take and key yourself if you're in a pinch for a map, which as you all know, I think GM tools are an important part of a beginner game.

The game only includes the 4 basic classes from old-school D&D (fighter, thief, cleric, magic user) but the community has made several supplements adding back more modern classes.

Now, if you're that type of player that wants a D&D-like experience and you want an alternative that's still beginner-friendly but doesn't deviate as much from D&D's design, I would suggest:

either Basic Fantasy, or Old-School Essentials (or any good retroclone of Basic D&D tbh)

BF and OSE differ a bit from each other but at their core they're both attempts to repackage a relatively faithful but slightly modernized version of the 1981 Basic/Expert D&D set, retaining mostly the same mechanics while ditching a few of the aspects that might seem counterintuitive to a modern audience (such as descending AC, which I personally don't mind but I udnerstand why a lot of people find it confusing). I'm recommending these bc I think if you're gonna play any actual D&D product, the B/X set represents D&D at its most beginner-friendly (character creation is at its quickest and simplest, combat flows faster and remain itneresting due to doing side initiative rather than individual initative, the mechanics forsurprise, stealth, and dungeon exploration actions such as looking for traps are streamlined to simple D6 rolls) while still being recognizably D&D and these retroclones put in a bit of an extra effort to make them even more accessible to modern audiences.

Now, just like The Black Hack, these retroclones are limited in their race/class choice to the classic old-school D&D human/halfling/elf/dwarf and fighter/cleric/thief/magic user, but in the case of Basic Fantasy, the community has made several race and class supplements, some of which are showcased on the official website, and in the case of OSE, the OSE: Advanced addon reintroduces many of the modern classes and races that were originally introduced in the Advanced D&D line.

Have in mind that this list is pretty limited by my own tastes and experiences. I'm very aware that the very specific type of game I tend to play and like and experiences inroducing some of my friends to the hobby completely color the scope of what I can recommend as a good beginner RPG, and that that scope is significantly limited. I also like more narrative storygame type stuff, and I don't doubt that some of them would also make a fantastic introduction to the hobby (some PbTA stuff like Ironsworn, Dungeon World and Monster of the Week comes to mind) but my experience with them is not significant enough for me to feel confident in telling which of them are good beginner RPGs.

Also note that there are several games that I consider to be more MECHANICALLY beginner-friendly than the ones I listed here, but that I avoided mentioning specifically because they offer extremely little to no support in terms of GM tools, which I think is an important and often overlooked aspect of beginner-friendliness for any game that includes a GM! But they still might be worth checking out. These include games like DURF, FLEE, OZR, A Dungeon Game, Bastards, Dungeon Reavers, Knave 1e, and Tunnel Goons.

[melrosing]

How do you think Dany will get along with the starks (Bran, Sansa, Arya, Rickon, and Jon)

I think in theory she could get along really well with all of them - but it’s a story so I guess I can only imagine there’ll be some friction somewhere down the line, whether that’s upon initial meetings or further along.

w Jon specifically it’s murky because we don’t know what he’s going to be like once he comes back, so you can’t really gage Dany’s chemistry w a character you can’t anticipate. I imagine him coming back as like…. angrier and more hard-headed, but I don’t think the rest of his story would work if it robbed him of all heart. like Beric still has a tenderness about him as he’s died countless times. so in any case, would imagine the two don’t get along perfectly to start with: Dany finds Jon a strange sort of guy who doesn’t go out of his way to accommodate or appease her, and maybe Jon thinks Dany’s quest for the iron throne is a vanity project compared to what he has on his hands. I do think they’ll become a couple, so presumably they overcome initial impressions to achieve a dialogue and then become closer…. but the whole undead Jon thing really sticks in ur teeth lol like I have NO idea where this couple is headed together. where’s this going george

for the Stark sisters, I think both would naturally be attracted to Dany’s character but it’s only to be expected that they’ll have reservations of their own? Dany has a negative opinion of House Stark owing to Ned’s part in Robert’s Rebellion, whilst the Stark sisters may remember what the Targaryens in turn did to their family. then there’s also the fact that neither Stark sister has had the kindest encounters with queens so far, so I think it would be normal if they’re troubled by a new player arriving out of left field?? but as I say I think both Stark girls would admire Dany: Sansa would think Dany is like some kind of platonic ideal of a queen and I think develop an affection for her as she does Margaery (only more bc she could be surer of Dany’s authenticity) and likewise Arya would be in awe of Dany and all she’s accomplished and hero worship her as she does Nymeria. and Dany is a found family kind of girl who I think would be naturally delighted w two new lil sisters. but all of that’s complicated by the context - this is a story, things get lost in translation, there’s a war going on (actually there’s several), etc etc. so as i say there may still be a great deal of scepticism between the three of them.

Bran and Dany….. I mean Bran is a similar case to Jon. I don’t think he’s going to return as some kind of human computer as he does in the show - Bran’s sweet nature is such a key trait of his, it seems it defeats the point of the character to do away with who he is as a person to better accommodate his powers. and I always saw D&D’s doing this as simply a betrayal of the fact that they’ve never known what to do with Bran, much less once magic is involved. but he’ll still be operating on a separate plane to the other characters and I can only assume the way he engages with Dany will be based on what he sees of her future. and idk what that future is, so like…. idk lol. I do also tend to think that Bran will be one of the last characters to arrive at Winterfell (if indeed that is where he spends TLN). Bran supposedly knows all, and you don’t really introduce a character like that until the others have had time to puzzle it out by themselves. otherwise (per the show) you just have bran coldly watching from the sidelines. anyway, in neutral circumstances i think Bran would get along w Dany as he does everyone, and Dany would adore him in turn uwu

and finally Rickon. tbh I think he will just be pestering her for rides on Drogon and then if she ever obliges he’ll start pestering her for a second ride

[musicalcastingideas]

Dropout Does The Guy Who Didn't Like Musicals

So my theory about overlap of Dropout and Team Starkid seems to be accurate, and people seemed to like my Dropout does Nerdy Prudes Must Die post, so I'm back for another. Same method and criteria as my previous post, you can go see that if you want to know what they are. Also, I have previously done a similar list with Internet Personalities that included a handful of Dropout people, but I'm gonna try to make this one different.

Also spoilers for potentially anything in the Hatchetfield verse

Paul: Ross Bryant

Ross is a great straight man (in the comedy sense, I don't know his sexuality) while being very funny in his own right, and I think, while Paul has a lot of his own funny moments, it's very important that his character is also the more normal guy reacting to the madness around him. Also, he would slay the Jekyll and Hyde homage that is Let it Out.

Emma : Siobhan Thompson

I think one of the essential parts of Emma's character is an underlying exhaustion with the world, and that is very Adaine Abernant and Ruby Rocks, so I think Siobhan would embody that very well.

Charlotte: Vic Michaelis

I don't think I've ever heard them do a transatlantic accent before, but I just have this gut feeling they'd be so good at it.

Ted: Ify Nwadiwe

While I do genuinely think Ify would be great in the part, if I'm being fully honest, this casting is because I (despite my better judgment) find Ted Spankoffski hot, so casting arguably the hottest man in Dropout in this part makes me seem less damaged for being attracted to the self-proclaimed sleazeball. Also him and Vic seem like they would be great playing off each other.

Bill: Brian "Murph" Murphy

He just has "refuses to drink during the apocalypse so he can be the DD" energy.

Mr Davidson: Brian David Gilbert

Since I'm splitting up all the parts, this basically turns Mr Davidson into a Princess Track where the actor just shows up, sings about desire and being choked while he jerks off, but laments how he can never achieve his dreams, and then pretty much leaves, and I don't know why, but that seems right up BDG's alley.

Melissa: Lisa Gilroy

Lisa Gilroy seems nice, but also kinda scares me, and those are the correct vibes for Melissa (#heymelissacore)

Sam: Jacob Wysoki

My only concern about this casting is that he'd go SO HARD in You Tied Up My Heart that he would keep breaking the handcuffs and/or chair, but that's fine, it would be worth it.

Nora: Katie Marovitch

The "Decaf?" parts of Cup of Roasted Coffee already sounds a bit like her TBH.

Zoey: Rehka Shankar

I feel like Zoey is such an underrated, funny side character in the show (I know she's a very small part, but like every line she has is a banger) and I feel like Rehka is a very underrated performer, so this is a good match.

Greenpeace Girl: Persephone Valentine

Making up the Save the Sea Turtles campaign is such a Sam Nightengale move, and also she would eat up Lah Dee Dah Dah Day.

Alice: Surena Marie

She's got a bit of a baby face (I thought she was like 25) and I think she would handle the change from Alice to Hivemind Alice really well.

Deb: Emily Axford

I'm definitely not just casting this because I want Emily to be my protective and caring girlfriend...

Professor Hidgens: Josh Ruben

I don't have an explanation for this one, this is vibes alone.

General MacNamara: Brennan Lee Mulligan

"Wear a Watch" and a song highlighting how the hivemind is essentially fascist and using the military to destroy any resistance to their regime is so Brennan core.

Homeless Man: Ally Beardlsey

I just feel like this is the part they'd want.

Dan Reynolds: Lou Wilson

Icons play Icons.

Donna: Aabria Iyengar

Icons play Icons

Hard Cuts:

Jacob Wysoki as Ted

Mike Trapp as Paul

Emily Axford as Emma

Jess Ross as Charlotte

Lily Du as Zoey

Grant O'Brien as Professor Hidgens

Grant O'Brien as Ted

Ally Beardlsey as Ted

[bloggingboutburgers]

First of, I'm a big fan of your work. I love your comics and art and was happy to hear about the engagement 😁

As for my question, I love writing stories and creating OCs/characters. In your recent comic you called out that the only ace/aro rep always seems to be "the creator said so on Twitter" (a problem with a lot of rep. in media).

So I was curious, if I wanted to create an aroace character (and write a story with them), how could I naturally show them being aroace? Do you perhaps have any idea?

Thank you so much for the kind words!^^

Arguably my complaints are ironic because I myself haven't done proper aroace rep in my own fiction thus far – though I guess I'm compensating for that with my current comics, haha 🙈 But also, I've said it before and I'll say it again cus I'm annoying like that – Bojack Horseman did it, in my opinion, so that gives the rest of the media less excuses I guess.

So, again these are my personal views, and they're possibly demanding, but this would be my checklist for ideal aroace rep:

The aro/ace character needs to... BE a character. Actually have arcs, that matter within the story. Whether they're about being asexual or not doesn't really matter as long as THEY matter as a character.

...Ngl I feel they need to matter BEFORE they're revealed as aro/ace too, and obviously after. If they don't, they'll just feel like a placeholder who's just there to tick a box to me.

The fact that they're aro/ace needs to be addressed and not pushed under the rug or left up to interpretation. Leaving things up to interpretation will have so many people interpret them as allo for sure (just like in real life). And conversely, saying they're aro/ace may spark some curious questions and possibly awkward conversations (just like in real life). (...Again tbh Bojack Horseman was great at doing it naturally. The confusion from the ace character themself, the ace character's friend assuming they're gay because yeah that always happens, the MC having a friendly yet clueless "haha you're lucky that'd save me so many problems if I didn't have sexual attraction"... I could go on.)

By that I also mean... Actually NAMING the orientation at some point. If it's not named people who consume the media and don't know such an orientation exists will be none the wiser. (I'm guilty of that myself tbh. In one of my webcomics I had an alloaro character but never had the orientation mentioned within the story, I left it at showing he has sex and him having a conversation with his family explaining he doesn't have a favorite person because he just can't, but I feel like that's not enough, and I've been feeling a bit bad about it.) A good way of bringing that up fairly naturally would be to have the character figure out their orientation within the story, as a way to have the audience learn alongside them; but it could also be played for drama, which I don't think I've ever seen and would like to dabble with myself at some point – like, imagine you have a friend you hold dear who's key to your personal development and suddenly you find out they see you as sex / romance prospects and not as a friend like YOU do? That'd be crushing but that could definitely make for a good conflict. I should try writing that. I'm rambling anyway. Bleh.

Another thing that, to me, is key to the aro/ace experience is that the character may have some moments of questioning their place in the world. Our world is obsessed with sex and romance and fiction exacerbates that to the point where some characters barely even exist if they don't have romance. This could range from "Do I NEED to even identify myself as something" (again, Bojack Horseman did that great) to "Friendship is the most important relationship to me but not to my friends, what if they all abandon me once they find the one person they consider 'more important'". I dunno. I feel like there could be some interesting storylines there. I definitely would love to dabble into that myself a bit more, though I lack the time and talent – those concepts and the lack of things that are done with it live in my head rent-free.

...Actually I feel it could be good to show aro/ace characters as full of heart (if it fits their personality), having their own feelings and emotions outside of the usual romance spectrum, to show that they're just as human and compelling as the other characters. (...AGAIN Bojack Horseman did that great imo, I feel bad that I'm only ever quoting that show but that's still the best example I can ever think of.) Like – betrayal, loneliness, grief, kinship, literally ANY other form of love than romantic love... We feel all of those too (aside from people who don't experience any form of attraction at all, in fairness), and those deserve to be addressed in stories just as much (if not more) than the pining or simping that's kinda everywhere.

Oh yeah and speaking of being human... Yeah, human. We need more human aro/ace characters. Making it so that only the aliens/gods/demons/robots/whatever are ever allowed to be aro/ace only serves to dehumanize these orientations.

...IIIII think that's it. I might be forgetting some things I'd wanna add on later but I think that covers everything that would make for ideal rep in my own opinion

[ipatrichor]

my thoughts on dead boy detectives after watching episode one

okay first of all i gotta say i love the vibe. two ghosty boys running around solving cases and helping trapped spirits move on? that's so fun i love them

tbh. i don't know whats going on btween these two if it's platonic romantic whatever and i don't think any distinction can be drawn that matters. maybe that's the aro in me but they are each other's most important person and who cares about the semantics!!!

charles trying to get edwin to learn self-defense is very sweet. however i will say girl how has this not happened sooner. you literally just got chased through london by a knife ghost and your next case involves fistfighting a possessed psychic Please learn to throw a punch minimum. i would say learning how to fall properly is more important but it's not like they can get more dead. so.

unless they go to the afterlife or something i guess? interesting stakes, especially with the lady from the end of the episode who's looking for them. also the scene hanging outside the window was very sweet, with edwin promising he won't let them get separated. at this point i think it could go either way whether that was to establish their dynamic or to foreshadow, so we'll have to wait and see if the promise holds, but either way very touching moment

crystal my girl crystal!!!! i love her so much holy shit she is so messy!!!! i love love love her getting angry about her shitty situation bc. yeah! that's scary as hell having amnesia bc ur literal demon ex stole your memories and she's got no one except the boys, one of whom very openly doesn't want her around. that's really rough and i Love that she blows up at them about it in a moment of extreme stress instead of being unnaturally chill about an objectively awful situation like many mystical characters (especially when they're women)

anyway i think crystal should get a knife and stabbing privileges. she'd for sure misuse them but i think it'd be funny

edwin is so real for the 70 years in hell thing. girl if i was in the torture dimension for SEVEN DECADES i'd be awful to everyone, it's actually impressive that he restrains himself to being a petty bitch. good for him tbh, i think he's earned the snark. don't get me wrong it's unhelpful and sometimes downright mean, but it's also funny so i'm letting it slide

the witch... esther i think? god what do i say about her. ok im first gonna start with this: she's fucking chilling, it's so scary watching her body the group with ease until charles basically hail-marys and possesses her AND EVEN THEN it's for less than a minute til she forces him out!! it feels like encountering the bbeg when your party is level five- you know you can't touch her and have to play the situation carefully so she doesn't just end you, and the win is getting away with a different objective (here saving the kid) while knowing she's gonna be actively hostile to you now. scary stuff!

idk if this is the popular opinion or not but i just don't find her hot 😭 like yeah she's serving incredible cunt, but her awful pta mom energy keeps that from being attractive. idk if it's the mommy issues but i would feel unsafe and constantly judged in her presence which is usually a dealbreaker for me finding people hot. sorry ma'am i deeply respect your vibe and the cunt you serve i would just avoid u like hell if u were real

the whole snake in a bone dimension in her cupboard is pretty cool though, and i love that her blowing smoke in people's faces isn't just a power play but a paralytic that's So clever

any other thoughts.... the girl with long hair is pretty, and that interaction with crystal has me wondering if the show got cancelled for lesbianism. i feel like maybe not? idk, if it was the start of a relationship that seems weirdly at odds with the tone of the rest of the show, so im leaning more towards crystal was picking up a weird psychic vibe from her that might be important later. who knows though!! i'll just have to find out haha

anyway i got sucked back into reading a novel but i should get caught up on that sometime today and then it's on to episode two, lol. very interested to find out what's up with the cat's vague ominous warning and what esther's gonna do when she finds out they rescued the kid she kidnapped

[rescue-ram]

Hawkahy opinion: I don't think Hawkeye has a priest kink.

Obviously a big reason people would be into shipping the priest is because they're titillated by the concept of priestfucking more broadly, and of all the weird stuff people project onto their blorbos a benign and relatively common fetish is fucking nothing lol.

But tbh it does scan as kind of out of character to me. Like I just don't buy that Hawkeye would be into priest fucking, and if anything I think it would be a bit of a turn off.

When I was first mulling on this, I was kind of like "Well maybe he'd be turned on by the priest thing not because of the priesthood specifically but just the general naughtiness of breaking taboos..." but then I realized that Hawkeye almost never expressed genuine sexual interest in anyone who isn't a conventionally attractive, single, and uncomplicatedly sexually available woman- and the few times it is complicated he's legitimately squicked out and put off. I just think of he was going to be turned on by the idea of breaking vows he'd be into adultery at least as much as Margaret is lmao.

Plus, he's not Catholic, he wasn't raised Catholic, we have no reason to think he was even raised in a "high church" liturgical Protestant tradition. How and why would he have the life experiences to form the associations that make up a priestkink?

Hawkeye likes Mulcahy and respects him, but I think that has 0% to do with him being a priest. Mulcahy could be literally anything but if he conducted himself and related to Hawkeye in more or less the same way, I think he'd still like him just as much.

I will say that I think on both a Watsonian and Doylist level, the fact that Mulcahy is a priest frees him up to flirt with Hawkeye in a way that's a little different from other characters. Generally, Hawkeye flirting with men is treated as a joke in itself, but there still needs to be a little "no homo" at the end of it. This usually comes in an annoyed rebuff or outrage, or the joke being ignored and not commented upon. If the person flirts back, it has to be very obviously a joke. With Mulcahy, any flirting at all is a joke because of the implied taboo of the priesthood- the characters and the audience both know this ain't going anywhere. There is a different quality to their flirtation, because they don't have to immediately defuse the joke, so there's several scenes I can think of that have a warm or sincere vibe, where Hawkeye's teasing is a little gentler than normal and Mulcahy seems genuinely amused or flattered.

But again, that vibe kind of hinges on nothing actually happening. I think if Mulcahy was genuinely interested, Hawkeye would be totally thrown off, and tbh I think he'd find sexual inexperience to be a turn off as well- his taste in women would suggest he prefers partners who are sexually confident. I don't imagine it would be a completely insurmountable difference, but I do see it as an obstacle for a hypothetical relationship to overcome rather than an incentive for it to exist.

But really, all of this is a preamble to my TedX talk on why "Hawkeye gets turned on by roleplay emphasizing Mulcahy's priesthood" is overshadowing the underrated high camp potential of "Mulcahy gets turned on by roleplaying being a frat boy with Hawkeye"-

[agentundercover]

Coming to you with my headcanons about Cunning Hares and PubSec being friendos because you asked for those so here goes with what I think would be the relationship between Billy and PubSec because Billy is my favorite: Billy and Seth being besties but also constantly have to reel each other because Seth needs to keep Billy from acting like an idiot and Billy needs to clue Seth on when people are being mean/teasing/sarcastic/friendly/ect to him because poor Seth sucks at social cues. Billy is pretty wary of Jane because he feels she could finds out about his identity in the Outer Ring so he just mostly is akward around her, but he also somehow manages to be one of the few people who is not remotely attracted to her physically or sexually and she can't fluster him like she does with everyone else so it just makes him more interesting to her and also she finds the contrast between him and Qingyi to be very interesting and also wonders about his origins because she's never seen an android of his type before so she is curious about him, but he thinks she's on to him being a feared enforcer but he also is good enough to manage to let suspicions off him, but it's really fun to see them interact, Billy and Zhu Yuan are friendly with each other but have almost zero things in common apart from liking to take orders and guns and that's about it, but Zhu Yuan kinds of like Billy anyway because he is less of a handful than Qingyi somehow, and she keeps asking him questions so as to not take him for the same type of android as Qingyi, he was offended when she said that androids are pretty much all the same, Billy and Qingyi get not so much along, partly because of Qingyi having made a very bad first impression on Billy to the point he filed a complain and a restraining order on her, because when they first met Billy was just minding his own business, Qingyi saw him and was intrigued, then scanned him and found he was also made of lost technology like her which made her aggressively interogate him about his origins and hers and then pushed the topic further by saying that they could go to where the first place he remember waking up to go search for clues but Billy ain't interested at all about learning who he was before that and doesn't appreciate her not respecting his views and feelings on the matter and it almost evolved into a fight until Zhu Yuan and Seth restrained Qingyi and made her apologize to Billy, Qingyi had to give her bonus to Billy as compensation and to have him lift the restraining order on her about him as she was on duty when they first met and she violated several protocols with him, but Qingyi isn't allowed near him without Zhu Yuan, Seth, Nicole, Anby and Nekomata being there too in advance when they meet up as Billy as finally decided to help Qingyi about their origins, just so that the sooner they get answers the faster she can stop bothering him.

Fun fact, Billy was actually my favourite ZZZ character before Seth, so helllll yeahhhh I'm so happy to talk about him too!!

Seth and Billy, Imma be real, I feel them together would be chaotic as hell, but in a good way! Like they'd bounce off of each other's energies and just get hyper lol. Seth also was looking for a gaming partner, so I'm sure Billy would be delighted to find someone else to play with! Billy's probably the better gamer, but Seth's a quick learner, so I'm sure they'd be rivalling each other in no time. I love the idea of Billy helping Seth with social cues but tbh? Billy's interactions kinda proved he wasn't the best at reading the room either, at least when it came to understanding what people thought of him. He seemed almost desperate to not be seen as weird/different, so I know he would really appreciate Seth's straightforwardness and honesty. Though what he thinks of Seth being pubsec, that I'm not too sure... Also they bond over Starlight Knight! Seth's a lover of hero movies, and we had to give him Starlight Knight to unlock him promoting the store I'm pretty sure, so I think he's a newer fan👀

I loveee the dynamic u thought of for Jane and Billy! I think that would be fun. Jane offering to help him with his registration at the precinct so she can learn more about him, and Billy warily agreeing cause he could use all the help he can get when it comes to official document stuff. One thing about Jane tho is that she is the "he asked for no pickles" type of woman that Billy desperately needs in his life, like she'd get shit done. And she definitely figures out his background, but I think she'd keep it to herself

Lol Billy and Zhu Yuan r the true opposites, aside from their weapons both being guns yeah. I imagine Zhu Yuan still knows him tho, cause of how often he's seen hanging with Seth (and Qingyi). They have a "friend of a friend" type interactions, friendly but not really much other than pleasantries. I imagine she makes Billy vaguely uncomfortable too as a Captain, like how Jane does, so he's extra awkward around her.

Qingyi! That's an interesting one. Qingyi is an automaton, while Billy is an android. I wonder if Billy's jealous of her very human features in comparison to his very clearly mechanical ones. As I mentioned before, he's always seemed very conscious of the fact that he's not human in a crowd of strangers. As to how Qingyi feels about Billy, I definitely agree that she'd be curious about the lost technology. I feel like they'd, maybe not get along exactly, but have this sort of rivalry. Automaton vs Android, as well as Qingyi being actually old vs billy's childish nature lol. Qingyi doesn't seem to mind youngins, she just teases them a lot, but with Billy I think it's a little more personal😭 Maybe Billy can show her more new things that the youth get up to these days (aka Starlight Knight), and while it might not be her thing, she's open to trying new things with a maybe friend.

Also tysm for this long ask! Yapping is my passion too, so feel free to message me more or send more asks about these guys, they consuming too much brain space atm

[naranjapetrificada]

Thinking this midday about ofmd AUs and what it means for someone to be "out of character". I've talked about this here at length before, but today I'm thinking about a different aspect of it. Namely that I wish people thought more about their goals when writing and recalibrated their relationships with canon as a concept.

We all know by now how contentious a certain late first mate (what is the opposite of "qepd" lol) is. When writing him in fic, some people seem to have this (inexplicable to me) urge to show him behaving in ways that the canon version of him would hate (outwardly nice, polite, kind, open, etc). And while not everyone is open to direct feedback about their writing, I've seen discussions a handful of times in ao3 comments and more commonly over here between readers about how in or out character potrayals of him are, and something occured to me today.

When there are opposing sides on the core question of whether or not a portrayal is in or out of character (vs people who agree on that question but may have quibbles about the reasons why they came to their conclusion), the sides tend to be "here's why this was in character" and "here's why this isn't in character". And while that gap will always exist because there are as many readings of a text as there are readers, there's a reason the concepts of "canonical" and "non-canonical" exist. There are things that are canon and things that are not and there is disagreement about which things are which but like it or not, there are some people that are more correct about canonicity.

The thing about fan works is that people should always create what they want, and will do so according to their interpretations of source material, and the question of being in or out of character should, at the end of the day, come down to your goals. We all have more goals in our creative work beyond "finish" or "do it well" and we may not consciously consider them, but they're always there. Those "alternate" goals may be different from work to work, but they exist are influenced by our experiences and inspirations and aren't ever going to be 100% impartial or canon-aligned, because the former would be boring as hell and the latter is neither possible nor desired in what's supposed to be a transformative work.

Everyone who creates anything wants it to be "good", but measures of quality can change from work to work the way goals can. For many writers, how "true" their characterization feels can be one of those quality measures that relate to their goals. Probably in most cases tbh, and especially in AUs. But it isn't always part of the equation because other writers have other goals, and it's usually pretty obvious when those goals haven't been examined.

Some of y'all think Con O'Neill/Izzy Hands is hot, and just wany to imagine his character in various sexual situations with other characters you find attractive (or at least narrative useful) in some way and you know what? That's perfectly fine, and despite not comprehending that impulse at all I understand the importance of creative freedom in fandom enough to want people who write that to write it without hesitation. In these cases we often just tell people to be "proud villainfuckers" which is easy, straightforward, and usually has less contentious discourse around it.

But some of y'all find Izzy to be the most sympathetic character in the series, and while I have enough of the acquired (and healthy) suspicion as a black person who has spent decades in fandom spaces to not want to touch that tendency with a 10 foot pole, those same decades of fandom experience make me understand that there will always be people who glom onto antagonists and secondary characters like that. Even when if I wonder about the motivations behind such an inclination, I understand that y'all are usually part of the ecosystem too.

But the thing is: if you're motivated to write Izzy as outwardly nice or kind or as some kind of hero vs the antagonist he canonically is, or gravitate toward reading those kinds of portrayals, why argue with people about what is or isn't in character? If something in you is drawn toward that kind of Izzy and wants to sympathize with him, why not just own it? There's no easy "villainfucker" way of making peace with this though because it's much more likely to make you want to think about individual morality.

No one who is partial to Izzy wants to be called racist or femme-phobic etc, and I'm not here (on this post at least) to litigate whether or not those accusations would be fair or not (although my opinions are probably obvious). But isn't it exhausting to have to put canon through so many refractions so you can insist that what you like seeing and/or writing is canonical? I understand that being able to point to canon can make it feel easier to stand by your preferences, but is all the bending over backwards to make it fit worth it? What if you could just acknowledge if your goal is to persuade others to see him the same way you do, or see him getting cared for, or whatever else you get out of it? I wish more of y'all had the courage of your convictions and were willing to just say "I like seeing Izzy this way" or "I sympathize with Izzy" because you would probably be having more fun.

[txxxciii]

Happy PRIDE month!

As a way of celebrating, I will be posting my sexuality/gender-related headcanons of various Mortal Kombat sources, starting with:

MORTAL KOMBAT (2011) LGBT HEADCANONS

(Note: this won't be including guest characters)

Tbh Baraka doesn't have anything interesting going on with him until MK1, but I personally like to headcanon that tarkatans don't have gender norms in a way that we do; reproduction for them is not an important priority, just something you can do if you like how the other one smells or something.

Tarkatans are intersex by default, including Baraka. The "genders" are usually assumed by non-tarkatans, in Baraka's case, by Shao Kahn, who only wished to see male figures in his army.

Btw, tarkatans themselves never refer to each other by pronouns. They do it either by simply saying the name, or making a sound that is only associated with a particular individual.

You already know. The non-binary monarch (king but gn) of MK.

With so many souls living inside you it's only a matter of time when you just start using They/them. Something also tells me that Ermac doesn't mind being called other pronouns – well, not like they care.

I'm sorry, you cannot convince me that Jade "I care more about my friend's safety than myself's" from Edenia likes men. I can go and write a whole rant about Jade and Kotal and how I fucking hate that stupid Walmart Sonic on steroids (not only for his romantic ties though), but I'll save that for later, maybe. Until then, Jade developed a crush on Kitana over time and doesn't wish to let go of her since she's the only reason Jade keeps going everyday. Alas, the feelings are not mutual, but Jade knows better than to envy Liu Kang. She's happy that her friend found her love, and she wishes one day to let go and find her own, too.

Kabal is a gay man, but not a closeted one. He had partners throughout the spam of his adult life, from Black Dragon to police forces.

There were rumors going around inside of Black Dragon that he and Kano had a affair. Whether or not this is true is left for speculation, as neither Kabal or Kano wish to discuss such topic.

What is true, however, is his work romance with Kurtis. At first, Kabal actively denied his attraction towards him, but learned to be more truthful to himself. He had a hard time opening up though, as he did have bitter aftertaste of his previous relationships, but somehow things were pretty decent, mostly thanks to Stryker's demeanor.

(Yeah I'm a strykabal truther, how can you tell?)

Every iteration of Kenshi is demisexual in my eyes. Bad part? I can't really explain my reasoning. Sometimes you just see a character and immediately assume things about them.

Maybe it's due to Kenshi not really having any romantic interests prior to MKX, as far as I can recall. Maybe it's just an ace-dar (as someone who's on the asexual spectrum). Oh well, we'll never know.

Like with Kenshi, every iteration of Kung Lao is gay in my eyes.

I see it more as Kung Lao not realizing his sexuality yet as throughout his life he had no time to think about personal stuff. When he does realize, however, he'll view it as an advantage as monks are typically forbidden from getting married and having intercourse, thus meaning he will less likely be judged by his fellow ones. Yes, he'd plan on simply ignoring this aspect of himself as getting into a relationship would bring a lot of burden (and if Lao falls in love, he will fall HARD).

Mileena is canonically bi!! Duhh! She likes positive attention from anyone, regardless of the race or gender. Either way she will take advantage of the partner and eat them alive :)

She's also part tarkatan, which should technically make her intersex, but since Kitana's genes are the dominant ones, she's assigned female. However, she believes such limitations are stupid, so she uses She/they for herself. It makes her more proud of who she is.

Gods don't need s*x!! Also I think he's canonically genderfluid since he can be literally anyone.

Uhh idk that's it.

One of those times where I can't explain my reasoning... again.

I just feel like Rain liked the thought of absolute control ever since he was young, to the point where he wanted to control his own body's appearance. Even if he didn't realize it, he always wanted to have a body of man, to speak like a man and to be viewed as one as well. Once he finally reached his ideal physique, he felt like he was unstoppable.

... or something like that, lol.

I meaaannn... why else would bro CHOOSE to change into anyone?

I have this little headcanon that Shang Tsung gets bored very quickly. To cure his boredom he'd transform into one of his captured souls and go on with his day until he gets tired of that body too.

———

Alas, these are all for now. Tumblr won't let me upload another image but just so you know, Stryker is a closeted bisexual. No reason other than vibes.

Anyone else who didn't make it to the list are either cyborgs or those who I think are straight. Anyways, hope you enjoyed and understood everything I just wrote. Byeee :3

[mister-eames]

how do you think arthur and eames would take in other slowly growing old.. I don’t see either of them as characters being insecure about themselves but how the other person would see it is kinda a mystery and exciting.. so how do you think it would go? hugs xx

Oh my goodness I love this question. I agree on them not being overly insecure in themselves - not much, or too seriously, at least. They may lament a thing here or there but nothing that would take up too much mental space.

I know it sounds a bit cliche, but overall I think they'd fall more in love with each other, tbh. Growing older is a sign of survival against an often unkind world. Of experience. It's the sexiest fucking thing in the world to see your SO earn those signs of age alongside you, to say you made it, you keep making it, despite everything life has thrown at you, you are strong enough to survive.

Though, at first, I can see Arthur having a sort of existential crisis about it.

Not because he finds Eames any less attractive. On the contrary, he loves Eames extra padding, the changes in him; the very real markers that signify that they both have survived and they are experiencing this very real privilege to get older and to do it together; that they get to share a life, full of good and bad memories - to trust someone with who you were, who you are, and who you are going to be.

But in that same regard, I can see it finally hitting Arthur in a very real way (kind of the way it hits all of us); oh... our time here is actually limited... isn't it.

Perhaps it's when they're no longer in dreamshare, risking their lives, but it occurs to Arthur in a strange, sudden sense that some day the world will go on without them. That they are in fact, mortal, despite cheating death so often in their dreams and in real life too.

Arthur might be having this crisis at 35 or 45 (probably has it every ten years after his mid-thirties tbh) and he has literal decades ahead of him, but their own own mortality really hits him. He knew, intellectually, and with Mal and Dom, and with others in his life, that nothing is guaranteed. It's just... he feels like he has earned this life with Eames, after all they've been through together and personally, and it's not even that they're geriatric or "old" by any means, but the signs are there - they are not getting younger. They are visibly growing older. There's the greys, and the aches, and the weight gain here, the fat loss there.

The fact is plain and simple with life: there is no turning this car around.

Time is a real thing. One day it starts tick-tick-ticking away very loudly in Arthur's brain, like a bomb about to go off, setting off the same kind of panic in Arthur that says do something about it -- but there is nothing to be done about it. That's the worst part. It's just life, and not even Arthur, point man extraordinaire can mitigate it or stop it.

So Eames unearths the source of Arthur's panic after Arthur takes up three new languages, asks Eames for the fiftieth time if he's sure he won't regret not having kids, dyes his hair to get rid of the greys, takes up trumpet lessons and books them a cruise or seven - and then Eames is utterly bewildered by Arthur's heightened state of existential panic because he's not even fucking old, they've never been better or happier.

At first, Eames is like, "Calm down, dear. Complain to me when we have liver spots and we're both using walkers to get around. Old is just a state of mind."

Arthur, in the midst of frantically planning a new diet for them both sans-alcohol, is not amused.

So Eames asks him, "What are you so afraid of?"

"I don't know... losing time, I guess." Arthur replies. "Or... not making the most of it."

To which Eames asks plainly, fondly, "Aside from spending your days panicking, what are you gonna do about that? What do you need to do, at the end of it all, on your final day, to look back and say 'I regret nothing'?"

"I..."

"Ask yourself: what does your life without regrets look like?"

Arthur thinks, and after a long pause says:

"I... need us to live... exactly as we are now."

"That's good."

"Maybe tell you I love you more."

"And I will do the same."

Arthur takes the deepest breath he's had in days.

Then Eames adds, "By the by, I hear that not being on your husbands back about folding laundry is the key to a long, happy life."

"Nice try," Arthur rolls his eyes, taking his beloveds face in his hand and kissing that cheeky smile. "Speaking of which. I hear helping your husband fold the laundry does wonders for longevity."

--

The press of his lips against Eames and the quiet laughter between them in that moment, is one he never forgets.

--

Later, once all the laundry is folded and they're enjoying a glass of wine, Eames will Arthur that he is wrong. They are not losing time - that every day is more time they gain together.

Arthur will concede that Eames is right, sometimes.

--

As for Eames, well. He has all the pride, heart growing with love, etc etc, but you best believe he has several canvases and sketches and papers with a timeline of every iteration of Arthur, a visual chronicle of a beautiful man, drawn by Eames, over time, in varying mediums.

Not to say Eames has never felt strange about growing older, or Arthur growing older. But he's very much at peace with it, and earned the ability to be at peace with life - and himself. He's not afraid, not when there is so much to look forward to, and so much to learn.

And so many more versions of Arthur to appreciate and adore; on paper, and in person.

--

They both take the other ageing as something wonderful, something to be cherished. We only get one chance to get old, after all, but we get near endless chances to grow older. They don't get it right every day -- that is to say that sometimes life is an alarm clock that you get up and get on with on first ring, and sometimes in life you just press snooze and both is okay -- but they get it right often enough that they can call theirs 'a life, lived'.

So, yeah, they fall deeper and deeper in love with all the signs of age on each other -- it's all the time they've had, and all the incredible time they still have to gain.

[raccoonfallsharder]

feel like this is a given but ur not into rocket because he’s a raccoon right? like more in spite of it? /genuine question

his character is rlly fun so like i get it i have just had bad experiences with bestiality on tumblr lolololol

i feel like i just made the same activation-noise my cat makes when i wake him up. sweetheart you must be new here. i hope you already had an idea of how famously longwinded i am before you asked

so. i get this question a lot but your ask is like, the polite version lol, so i’ll actually answer. i’m not sure what bad experiences you’ve had on tumblr but i’m really sorry you went through that. any experience where you’re exposed to something you don’t want to be exposed to can be traumatizing and exhausting, and if anyone was trying to push your boundaries with those things, that’s not okay. i’m honestly grateful you felt like you could ask this question in this space.

anyway let me start by saying i personally support the harkness test for monster (or fictional character) fucking.

personally, i am not into rocket “because” he’s a raccoon. (and is he? is he really? he does not remind me of the raccoons who my mom tells me about during our weekly phone call, who keep trying to kill her chickens and move into her garage. though frankly, i still root for the raccoons). the only thing truly raccoonlike about rocket is his body, and even that is questionable (have you seen that shoulder-to-waist ratio? that is not a chubby lil raccoon). sure he's got the stripey tail and the black mask and the twitchy lil ears and ruby-red eyeshine, but beyond that, he has been altered not just down to his brains and his bones, but to his genes. when rocket says there's no thing like him except him, he's... absolutely being truthful.

god, i honestly have so much to say about what raccoon means in the context of gotg but like. you're not here for that. maybe it'll be a separate longwinded post you can read if you want.

all this to say that personally, i am not generally attracted to raccoons. though i guess if we ever find one that is self-aware enough to evaluate their own emotionalistic intelligence (and considers it lacking), can speak a clear human language and sings like bradley cooper, regularly walks upright and has opposable thumbs, has an incredibly sarcastic sense of humor, is a tech-genius, is an incredible (though not infallible) single dad, has a complicated relationship with the thought of his own death, and regularly saves the galaxy, i may have to see if my opinion changes

but that kinda seems like a tomorrow-problem

tbh bodies have never been that important to me in terms of attraction. so yeah. i like rocket (and i find him attractive) because i see him as a character of such rich empathy that the only way he knows how to protect himself is to try and turn his empathy off. i like him because he fails at turning off his empathy, pretty much every fuckin time.

i like him because he knows what pain and loss are, and because he blames himself for things so obviously outside of his locus of control (me too, buddy, me too).

i like how he loves people, so deeply he carries them in his bones and never gives up their memories — not just batch 89, either, but also all the guardians who had been snapped into ash. he holds onto them so hard that he brings them back from the dead.

frankly i also like that he's acab and a leftist. (don't tell me this motherfucker escaped from twenty-three prisons and thinks defunding the cops is enough. he doesn't.)

i like how scrappy he is, and how devoted he is, and how sarcastic he is, and what a good dad he is, and i love how he is constantly underestimated by literally everyone (but by himself most of all).

and when i get to write him a little snuggle time — platonically or, erm, less platonically — it heals something for me, and hopefully maybe for a reader or two. like, yeah, okay, you're scared and lonely and hurting and sometimes you say mean things that you regret and sometimes you don't like yourself very much. sometimes you don't feel like you belong in your own body, and sometimes you feel purposeless and worthless and low, and sometimes you feel guilty just for breathing. but hey, you still deserve to feel like you can offer your kindness, and your warmth, and your connection, and your community, and your love.

and you deserve to let yourself receive those things too.

and you do.

anyway if this wasn't enough justification for why i'm into this raccoon here's another tirade abut how relatable and awesome he is

[ladyloveandjustice]

Fall 2023 Anime Overview: 100 Girlfriends and Spy x Family S3

The 100 Girlfriends Who Really, Really, Really, Really, Really Love You

Premise: Rentaro is approached by the god of love, who confesses that he accidentally gave him 100 soulmates. And unfortunately, if someone meets their soulmate and fails to be with them, they DIE. Thus Rentaro decides he will date all the girls who end up being his soulmate, and be the best possible boyfriend ever to all of them.

So yeah. I watched this. I'm not someone who really watches male-centric harem anime, but I'd heard this one was really funny and yeah, the first episode was indeed really funny. The way it exaggerated the tropes of the genre to parody them genuinely made me laugh. The first two girlfriend's gimmicks were that one (Akane) was secretly super thirsty and the other (Karane) was tsundere and it played those to the hilt for maximum laughs. Tsundere says she decided to take a piss in the school flower garden to avoid saying she was looking for the perfect flower for Rentaro and Rentaro's astonished "you realize that makes you sound WAY worse than telling the truth does" was great. Thirsty girl trying to pull the ~ooh you need to drink some of my drink~ to score an indirect kiss only to find Rentaro ridiculously prepared was also a fantastic gag.

All the girls are REALLY down bad for Rentaro and the premise of this would not work at all if the series didn't sell Rentaro as legitimately a great boyfriend who could reasonably attract 100 girl and be just as down bad for all of them. But Rentaro is no classic harem potato boy, he's superhumanly thoughtful and the ultimate wife guy. It makes him very static as a character compared to the flexibility the others have, but it's generally amusing. On top of that, the series handled neurodivergence in a surprisingly thoughtful way in episode 3 with Rentaro going all out to help his ladylove's way of expressing herself without talking be more accessible, rather than trying to "fix" her.  I also really like how the girls in the polycule are genuinely friends and don't compete with each other over Rentaro--and some even seem like they're pretty into each other too (though this is entirely played for laughs rather than actually explored, of course).

Yet at the same time...yeah, the premise began wearing thin for me as tropes I'm less willing to roll with popped up.

Karane's complex over being flat-chested wore thin quickly (even if Rentaro thinks she's perfect) since it's mainly used in gags to embarrass her. One girlfriend's thing is that she drugs a lot of people without their consent (fantasy type drugs that can do ridic things, but. they are drugs. some that melt clothes or make you lustful included), and the anime genuinely tries to make you think it's so sad that people didn't want to be friends with her because of this, and Rentaro magnanimously tells her she's okay the way she is...forgiving her for his girlfriends that she drugged. Yeah, she's annoying. (also her body turns into a child's sometimes because of course it does).

And then there's the Mom girlfriend. I mean of course there's gonna be a Mom girlfriend eventually, Milf-lovers can't be denied, but it happened quicker than expected! it being paired with her being initially abusive (to the point she drove her daughter to attempt suicide) and then fixed by Rentaro's love and motivational speech...along with the justifications for her being ridiculously young (likely to parody that trope, but still)...yeah, it was all a lot.

I don't know if I'll return for the (already announced) season 2 tbh. I appreciate that the show's intentionally trashy and silly, and it is still funny a lot of the time, but it's not really my kind of trash. But I don't regret the wild, often fun ride it was--maybe if I'm really bored that season or hear enough wild things I'll retry, but right now it seems likely me and the 100 girlfriends are never, ever, ever getting back together.

Spy x Family Season 3

See previous reviews for the premise and so on.

Spy x Family is pretty much staying the course from when we last checked in, though this season gives a lot more attention to Yor, and I love the cruise ship arc and all the ridiculous fights she gets into a lot! That arc contains some of my favorite gags of the series too (like Loid's attempts to be a cool dad). Otherwise, Spyfam has settled into being a largely episodic series that seems like it wants to be around for the long haul, so don't expect too much forward plot momentum. And Yuri (the man, not the genre) unfortunately still exists, and unfortunately we have to put up with an episode of him being a fascist supercop. Overall it was good season, though and remains a fun adaptation. Yor, please step on me.

[rose-of-the-underworld]

What are your favorite shoujo shows? I just started watching anime and would love recommendations.

AAAAAAAAAAAA! First of all, I'm sorry that this took two months to write up, but I am honestly touched that you asked me! Okay, so disclaimer that I wasn't deep into the anime scene until a few years ago (I'm a late bloomer), but shoujo is my bread and butter so to speak, so I'm happy to give some reccs! Note that this isn't ranked in any particular order, it's just as they come to me! Will give a summary and my thoughts on each. Also, most of these anime don't cover the entirety of the story published in their corresponding manga, but they're all a good starting point if you want to dive into reading the rest!

Putting under a read more because I'm more long-winded than I thought I would be

1.) Sailor Moon: The magical action-adventures of a teenage girl who learns of her destiny as the legendary warrior Sailor Moon and must band together with the other Sailor Scouts to defend the Earth and Galaxy.

Had to start with the original!! Now my love for Sailor Moon goes back to before I knew what anime even was. I caught wind of it when I was five years old and it was airing on TV for the first time, but I adored the show and my Princess Serenity doll. Now, please note that I really did not absorb much outside of the aesthetics and the insane dialogue of the 90s English dub before it stopped airing on tv and I forgot about it for a while, always meaning to get back into it, but never quite managing. Then during 2020 lockdown, my good friend and Sailor Moon expert @pollyannaisms started streaming little watch parties of Sailor Moon Crystal and boy did I fall in love all over again. I'm so happy that it came back into my life when I needed it most, tbh. It really is such a hopeful and optimistic series with some of the most lovely female friendships, one of the most beautiful and romantic love stories I've ever seen, and wonderful messages about loving yourself.

If you want a more streamlined plot with less episodes, I recommend starting with Sailor Moon Crystal since it follows the manga very closely and it's relatively short. 39 episodes across three seasons and then four movies - Sailor Moon Eternal parts 1&2 and Sailor Moon Cosmos part 1&2. Cosmos is FINALLY being released internationally on August 24th and I can't wait to finally see it, I've been rotting for it.

Now, the original 90s anime is also fantastic, it is just incredibly long with I believe 200 episodes and a few movies. It was airing as Naoko Takeuchi was publishing the manga so there's a lot of filler and the monster of the week format can get a little monotonous if you're trying to binge. I would say to take your time with it, but I do believe it's worth the watch because you get some wonderful character development episodes that are absent from Crystal. It's not perfect and there are some....odd choices made, but I do love it. Please note, that if you watch it in English through official streaming services, you'll be seeing a re-dub that Viz did with the Crystal cast when they bought the rights. It's a good dub! But man, I wish I could watch the original 90s English dub more easily (pirating such a long series is kind of an ordeal) because it has some of the funniest dialogue I've ever heard. Lots of people hate it, but I love the nostalgia factor and I personally find it hilarious.

2.) Ouran High School Host Club: Haruhi Fujioka is a studious girl who has recently enrolled at the prestigious Ouran Academy. One day, while looking for a quiet and peaceful place to study, she stumbles across a seemingly unused music room. Upon entering, Haruhi is welcomed by the members of the well-known Host Club: a club in which attractive boys amuse girls from across the entire school. However, when Tamaki Suoh—the founder and president of the club—startles the bright scholarship student, she accidentally breaks an expensive vase.

With repayment looking difficult for Haruhi, the Host Club members come up with the perfect solution to the girl's problem: work for the club and ultimately become a Host herself! Mistaken for a boy by her peers, Haruhi has to entertain various female students while coping with her fellow Hosts' extravagant personalities.

Ouran was the first anime that I ever watched on purpose at age 17, and it is very near and dear to my heart. It does come with some caveats, though. While this was the perfect starter anime for me (the friend who recc'd it knows me very well), it's not a good starter anime for everyone. It is incredibly over the top and is also a parody anime of shoujo romances, so some of the jokes might not land if you're a newbie. While I loved it at first viewing, I found it MUCH funnier when I rewatched it ten years later after having seen much more shoujo anime. Also, please note that Ouran aired in 2006, and while it was very progressive for the early 2000s, there is a lot of outdated terminology when it comes to LGBT topics, so tread with care and know that its heart was in the right place and we've come a long way in the last 20 years.

That being said, this series will always be one of my favorites. Aside from being insanely hilarious (and wildly out of pocket), the show has a lot of heart and characters who all genuinely love each other. It touches on feminism and gender and I credit it with making me bisexual.

3.) Fruits Basket: After a family tragedy turns her life upside down, high schooler Tohru Honda takes matters into her own hands and moves out...into a tent. Unfortunately for her, she pitches her new home on private land belonging to the mysterious Sohma clan, and it isn't long before the owners discover her secret. But, as Tohru quickly finds out when the family offers to take her in, the Sohmas have a secret of their own--when hugged by the opposite sex, they turn into the animals of the Chinese Zodiac.

God. Fruits Basket is everything to me. This was the second anime I ever watched on purpose, recc'd by the same friend who showed me Ouran. She lent me her DVDs of the 2001 anime adaptation when I was 18 and it took me a few months to actually watch it but MAN. When I tell you that I was crying during the finale with my 8 week old kitten on my chest, and then when the 2019 reboot aired their version of the season finale, I was crying AGAIN with the same cat who was at that point 14 lbs and still snuggling on my chest. Full circle. It will never not be good. I would absolutely recommend that you watch the 2019 reboot over the 2001 version because it encompasses the whole story and has the budget for a much higher quality production. The animation is beautiful and I really like the music. The storytelling is phenomenal, thank you, Natsuki Takaya for my life.

Tohru Honda is truly one of my favorite characters of all time. There is so much depth to her, so much kindness and sadness and a heart full of love. She changes the lives of everyone she meets by just loving them unconditionally and has a legion of friends who would do anything for her. This is another story that features the struggle to love yourself, but it is also about the struggle to let others love you as well. The main romance is another top tier love story for me, and all of the side romances are compelling as well. I will warn you that the series deals heavily with familial abuse and with grief. For every laugh and heartwarming moment, there is a punch to the gut right around the corner. But god, it's worth it in the end. Fruits Basket is full of bittersweet moments of catharsis and it never fails to make me insane (affectionate). Fantastic characters and an excellent plot, it's one of the most compelling series I've ever seen.

4.) Kimi Ni Todoke: Sawako Kuronuma has had a difficult time fitting in, due to her shy nature and her similarity in name and appearance to Sadako from The Ring. On her first day of high school, Sawako meets the one boy who treats her like a normal girl-Shota Kazehaya. Through his selfless aid, Sawako slowly learns to come out of her shell and even begins to make friends for the first time in her life. However, with a new social life come social pressures. As she grows into her new identity, Sawako must learn to deal with such pressures as well as start to understand the unfamiliar feelings inside of her, especially in regards to the boy who made her new start possible.

This is probably THEEEEE sweetest thing I've ever seen. I watched it for the first time last year and I was legitimately crying happy tears in episode 1. If this is your first time watching, you're in luck! Season 3 just premiered after a 13 year hiatus! I've only watched an episode and a half so far, and I already love it so much. It has the exact same energy as the first two seasons. Sawako and Kazehaya are too adorable for words, and Sawako's two best friends are wonderful. This series does a great job of handling the real struggles of adolescents while also being full of optimism and love of all sorts.

5.) Kamisama Kiss: newly homeless teenager Nanami Momozono is trying to figure out her next move when she helps a stranger in need. Out of gratitude, he offers Nanami his home, a rundown shrine, and also his job as a land god. Now, Nanami must juggle high school along with the duties of a deity with the help of Tomoe, a reformed fox demon who reluctantly becomes her familiar in a contract sealed with a kiss. As the headstrong Tomoe tries to whip her into shape, Nanami finds that love just might have cute, pointed fox ears. With romance in the air, will the human deity be able to prove herself worthy of her new title?

This series made me CRAZY!!!!!!! Nanami and Tomoe are such a good nuisances to lovers story with a really interesting twist that I genuinely did not see coming! Nanami is adorable and Tomoe is the perfect house husband, I love them so much. This series is such a fun little romp through the supernatural world of gods, demons, and spirits, with an incredibly interesting cast of characters. The anime has two seasons and a few OVAs, but in order to see the latter, you're going to have to search the less than legal sites because they were never licensed internationally. Definitely worth it in my opinion to see the end of the story.

6.) Yona of the Dawn: Sheltered and spoiled Princess Yona is the only heir to the throne of Kouka. Yona's perfect world comes crashing down when a heinous act of treason threatens to erase all that she holds dear, including her birthright as the princess of Kouka. Left with no one to trust but her childhood friend and loyal bodyguard Son Hak, she is forced to flee the palace. Faced with the perils of surviving in the wild with a target on her back, Yona realizes that her kingdom is no longer the safe haven it once was.

Free from the shackles of naivety, Yona vows to do everything in her power to become strong enough to crush her enemies. With Hak by her side, she must piece together the remains of an ancient legend that might be the key to reclaiming her kingdom from those who conspired to steal it from her.

THIS SERIES MADE ME CRAZY!!!!!!!!!!!!!! Yona of the Dawn honestly ticks all of my boxes -- sheltered princess who needs to learn how to fight, political intrigue, betrayal, heartbreak, ancient magical legends, and a princess/bodyguard romance. The anime (and OVAs) are only a very small part of the story, but it was excellent regardless. The manga is incredibly long and actually just celebrated its 15th anniversary; it's regarded one of the greatest shoujo manga of all time. I had started reading the manga a few years back, and I REALLY need to get back into it, especially since it seems to be inching closer to the end. But if you love action packed fantasy adventures, this is the story for you!

7.) Inuyasha*: Suddenly finding herself in feudal Japan, schoolgirl Kagome teams up with half-demon Inuyasha to retrieve the scattered shards of a sacred jewel.

*Technically, a shounen, but has the vibes of a shoujo. I need you to know that last year when I had covid, I watched 50 episodes of this series and the first movie. And then I was compelled to make the following image:

Inuyasha is a long one so I suggest pacing yourself, but it is so so worth it! This is another action packed fantasy series with awesome characters, fantastic writing, and a heart stopping romance. The creator, Rumiko Takahashi was already an experienced mangaka when she made Inuyasha, and it shows. She's excellent at naturally weaving the romance into the overarching narrative and there's a maturity to her writing that makes this story about young people feel so intense and complex in the best way.

8.) Maid-Sama!: Misaki is class president of a formerly all-male school. A beacon of hope to the female students as well as teachers, she rules over the boys with an iron fist and a heart of ice. A popular male student stumbles on to her secret double life- working part-time as an upbeat and cheery waitress at a maid cafe! Misaki is forced to make a deal: spend some time with him, or have her hard earned reputation destroyed by revealing her embarrassing secret.

I will warn you, there are elements to this anime that have not aged well since its airing in 2010. A lot of it is very feminist in that early 2000s way! But it also includes that early 2000s brand of "problematic" possessive (and maybe a little too inappropriate) love interest and some outdated romance anime tropes. But all in all, I think it's worth a view. I really love Misaki as a character so much, and her relationship with Usui is fun and frustrating and very, very sweet.

9.) My Love Story!!: With his muscular build and tall stature, Takeo Gouda is no ordinary high school freshman. However, behind Takeo's intimidating appearance lies a pure heart of gold. Unfortunately for Takeo, his appearance does not bode well for his love life. As if his looks were not already enough to scare girls away, Takeo's cool, handsome best friend and constant companion Makoto Sunakawa easily, and unintentionally, steals the hearts of the female students—including every girl Takeo has ever liked.

One day, when Takeo saves cute Rinko Yamato from a creep on the train, he falls in love with her instantly. But with handsome Sunakawa around, does Takeo even stand a chance?

It's rare to see a shoujo series with a male protagonist, but Takeo is honestly perfect for the role and deserves everything good in the world. This is such an adorable anime with the sweetest couple on Earth and the best friend that anyone could ever ask for. Takeo and Rinko are both down so bad for each other and they're both adorable, awkward clowns. They were truly meant to be! Takeo's friendship with Sunakawa is also such a vital and lovely part of the series and shows that your platonic relationships are just as important as your romantic ones.

10.) My Little Monster: Shizuku Mizutani is apathetic toward her classmates, only caring about her grades. However, her cold view of life begins to change when she meets Haru Yoshida, a violent troublemaker who stopped attending class after getting into a fight early in the school year. He is not much different from her, though—he too understands little about human nature and does not have any friends. Much to Shizuku's surprise, he proclaims that she will be his friend and immediately confesses his feelings toward her upon meeting her.

Because of her lack of friends and social interaction, Shizuku has a hard time understanding her relationship with Haru. But slowly, their friendship begins to progress, and she discovers that there is more to Haru than violence. She begins to develop feelings for him, but is unsure what kind of emotions she is experiencing. Together, Shizuku and Haru explore the true nature of their relationship and emotions.

This is a story about a boy and a girl who struggle with love and friendship. Opening yourself up to other people forces you to be honest with yourself.

Here's another "problematique" anime that I fell head over heels in love with in spite of certain things that didn't age well. I'm a simple woman, give me a cold girl and a feral boy who are obsessed with each other and don't know how to function in society and I'm sold. While Shizuku and Haru's bizarre, never-on-the-same-page romance is the overarching narrative, an important part of the series is the two of them learning how to make friends and find community with other socially dysfunctional weirdos. The friends that they make are just as interesting as the two of them and are equally important to the story.

This is another series that I highly recommend reading the manga for, since the one season anime doesn't get far enough into the story for a satisfying ending. Shizuku's revelations about herself and her character development in the manga genuinely made me cry, and Haru gets some good development as well. Their relationship progresses in a very sweet way as they work to understand each other and respect boundaries and communicate.

11.) Monthly Girls' Nozaki-kun:

Chiyo Sakura is a cheerful high school girl who has fallen head over heels for the oblivious Umetarou Nozaki. Much to Chiyo's confusion, when she confesses to her beloved Nozaki, he hands her an unfamiliar autograph. As it turns out, the stoic teenage boy is actually a respected shoujo manga artist, publishing under a pen name. A series of misunderstandings leads to Chiyo becoming one of Nozaki's manga assistants and befriending many of her quirky schoolmates. This slice of life comedy follows Chiyo as she strives to help Nozaki with his manga and hopes that he will eventually notice her feelings.

I adore this series to the moon and back. Both adorable and absolutely HILARIOUS, Monthly Girls' Nozaki-kun, is a wild ride from start to finish. The slow burn to end all slow burns, this ongoing 4-panel, slice of life manga has been ongoing since 2011, yet remains hilarious and so does the one season anime. This is another parody shoujo anime where some jokes might go over your head if you're a beginner, but I think it's easier to digest than Ouran, and would be a fine starter anime. This is another clown4clown romance, but Chiyo and Nozaki aren't the only ones. Their friends are a vibrant cast of characters who tend to fall into classic shoujo manga tropes (though not always in the ways you'd expect) and all have their own incredibly silly and off the wall will-they-won't-they romances.

This is such a fun series that never fails to make me laugh, and often makes me swoon. It's both ridiculous and relatable and you can't help but root for every single character.

And I'll end it there! I have quite a few other series that are near and dear to my heart but these are probably the ones I talk about the most. If you've made it this far, thank you for reading. Anon, I hope that you enjoy your adventures in shoujo anime!

If anyone ever wants to talk about any of these series, my inbox is always open. Seriously, I am always dying to talk about all of these!