#and it means a lot of the things i think are part of the experience of living are cut out and ignored and treated as unwanted

[honeydewandcake]

TW — Asylum/Hospital setting, mental disorders, medical malpractice

Inspired by Fran Bow, Sparklecare, Pure Trance, and other such things; I had an idea for a Dandy’s World AU that centers around a hospital setting

I feel like a lot of people don’t like asylum or hospital AUs because they are full of exaggerated or misinformed ideas of what mental illness is. I tried not to do that, though I’m not a professional so I still might be wrong about some things. I don’t want to take this idea too far in fear that it might be distasteful, but I do want to share this idea to see if others like it too.

Dandy’s Care is a separate world where, instead of a museum, Dandy and his friends were meant to be for a children’s hospital to treat the sick and ill. They were meant to be comfort characters to patients and were meant to support them during their stay. Like in Dandy’s World, the hospital shut down due to unspecified sanitation issues. Dandy, also known as Dr. Dandicus Dancifer, slowly became more and more starved for activity. He started targeting his friends, making the hospital into an asylum for them. He changed their characters, changing his friends into patients. The toons have no memory of their former self, only knowing their diseased and ill present self.

The staff is made up of the main toons. All of them are nurses and Dandy is the main doctor. They all act like their former selves, though they have no memory. I didn’t want to draw all of them so just imagine Astro and Vee in these uniforms.

Read more to see other toons (not all of them drawn or thought of yet, don’t attack me ;-;) ↓

Razzle and Dazzle, the only ones that I thought of completely because I already drew them before. They’re the reason why I made this entire thing anyway.

They are just experiments by Dandy, who wanted to see if the two could live together if they were attached. They used to love each other, now they don’t. Razzle is no longer looking for comedy, Dazzle is no longer looking for hope. Both are only set on the idea of revenge against Dandy for making them this way.

Life is hard when you can only feel the sensations on one half on your body, they can barely walk and can only stand or sit. They take many painkillers as their wounds take a long time to health properly. They wish they could escape this place and just die already, but they’re stuck and forced to live for as long as Dandy wants.

Razzle is a lot more violent now. He is prone to biting and scratching the staff. He hates doing all the lab tests and medical procedures, he hates being near Dazzle, he hates being stuck in this living hell. Razzle is the reason why they’re not allowed near sharp or blunt objects.

Dazzle became paranoid, scared of any noise that happens. He’s terrified of Razzle because of how violent he can get, he hates him too. Dazzle cries a lot, he cries until he can’t everyday. Dazzle wishes he could just die already, he thinks everything is scary and out to get him.

Shrimpo is thought to be a patient that had anger issues and aggressive tendencies. According to Dandy, he was admitted for being violent in public, although this is only part of the fake story that Dandy gave him. Shrimpo was forced to get a lobotomy, unethical but who cares. Dandy sure didn’t.

He’s still in the recovery phase, so he might be a bit loopy. Once those bandages are off, he’ll be as right as rain. Shrimpo is a wanderer around the hospital as he’s no longer a threat. He’s allowed to leave his room and go out in the play yard but only if a nurse is with him.

Shrimpo doesn’t really have much going for him. His thoughts are scrambled and he only cares for things in front of him. Although the lobotomy made him more passive, it doesn’t mean he’s any better in terms of motivation. Shrimpo certainly has no drive for anything anymore, he doesn’t mind but it gets in the way of his health as well. The staff needs to remind him to go to the dining room to eat or to go take a shower, because otherwise he’ll forget.

Boxten was made to believe that he has had problems with insomnia ever since he was little, of course it’s not true. He takes sleeping pills and melatonin, but it only seems to worsen his nightmares. This makes him skip his doses to avoid sleeping, repeating the cycle over and over.

Boxten is afraid of imaginary things that might get him. He thinks they’ve already in his head, eating away at his brain and giving him nightmares. Of course the only thing the nurses can see is his music box. Boxten has lost all trust in the staff since they couldn’t see or feel the things he can.

In my original notes, it said that Boxten might have psychosis.

Well that’s all the once I’ve drawn, I don’t really have the motivation to make every single toon. I have a couple of ideas though

— Goob somehow survived a terrible accident, but both his arms needed to be amputated making him armless. He suffers from brain damage and internal bleeding. He doesn’t seem to have any change in his personality, still as joyful as ever. Maybe it’s a coping mechanism

— Tisha has severe OCD which damages her mental health. She’s constantly worried about everything that happens around her, making her super aware of her surroundings. She could be a danger to herself and others as she sometimes has very aggressive thoughts but can’t control her actions. She unintentionally hurts herself because of her OCD, such as washing her hands so many times that they start to bleed.

Not for a toon, but I did have an idea for an added addition to the hospital. Maybe there’s a twisted reform center where the staff try and heal twisteds back to their normal self. They would clean the ichor from them but since the ichor is also inside of them their personalities don’t change as much. Twisteds such as Finn and R&D might be too far gone though, they would have to be disabled for life. I might draw this idea because I think it’s kind of cool, I definitely will if people also think this is interesting.

[apostaterevolutionary]

I am so sorry, apparently it’s 2024 and I’m arguing about dragon age again lmao. How did I get here! Why is this happening!! Time is a flat circle!!!

Anyway. People can feel how they want about the past games not mattering in this game. If you’re cool with it, I’m happy for you. But there’s one particular argument in defence of this choice that is really, really bothering me and I have to rant

The thing I keep seeing is “well all this other stuff has nothing to do with the main plot or Rook, so it should be cut” and that’s. Not a good way to tell stories in my opinion. Because here’s the thing: it’s not about the Big Overall Plot. It’s about the characters that live in this world, big and small

I’m going to use the example of Varric and Hawke cause I think it’s the easiest to explain quickly. Varric is a storyteller. That’s the defining trait of his character. He tells stories, and sometimes they’re true and sometimes they’re not and sometimes it’s something in between. In DA2 he tells you about his brother. In inquisition, he talks about hawke and there’s banter about several of the companions. Most of these are just little one liners that don’t “serve the overall plot” but they serve Varric’s character

And that matters

So if we take this character known for telling stories about people that have been in his life, well, he largely can’t do that now. How can he talk about Hawke, someone who can be a very close friend of his, without even their gender being a choice you can select? Or whether Varric should be saying ‘is’ or ‘was’ about them? How can he talk about the companions in DA2 or inquisition when a lot of them don’t have to be recruited or can die? Will he limit himself to only characters that are guaranteed to be a part of it and alive? Or is it that he and Rook will have such a shallow relationship that Varric, of all characters, never talks about his life and past exploits?

Or has Varric as a character changed so much that he doesn’t even want to tell stories anymore? That Hawke living or dying means nothing to him? That the friendships he built with people in 2 games mean nothing to him? That he’s become literally unrecognizable?

This is where the problem is. Sure, Rook maybe doesn’t care about these people they’ve never met. But do they care about Varric? What about if a companion mentions an old friend of theirs, talks about an experience they had that made them who they are - is that only okay if that experience isn’t from a previous game? Or are all the characters so flat that we never learn anything about their connections to others outside of Rook? Is this story SO focused on this player character and this plot that NOTHING else matters, even within the world, and there’s no depth to be found in any of the characters that feature in it?

Writing characters so that they only ever talk about things that “directly serve the plot” is how you get flat, unremarkable, boring, forgettable characters. And that’s not something I would have accused bioware of doing even if some instalments are stronger in this area than others. But it sounds like that’s what they’re doing here, at least with the past characters. Cause sure, maybe Morrigan is so closed off she’ll never mention her son and partner. That’s believable, even if iffy given that they’ve said she’s going to be more involved than we think. But Varric? VARRIC??? Never mentioning ANY of the people he used to spend time with and care about except Solas and maybe some of the inquisition characters that can’t die or not be recruited but also carefully skirting around what happened to them in the game? That’s literally not the same character

And I would expand this to like. A letter mentioning this or a codex mentioning that, or ambient dialogue about so and so - that makes the world feel deep and those random, unimportant NPCs feel richer by connecting them to the larger world. It’s not about “serving the plot”, it’s about making your world and characters deep enough that they feel real, lived in, and like something we can actually care about

[lady-phasma]

Armand N$FW Alphabet

I’m trying not to make these what I want to do to/with him but they are headcanon. Note: I headcanon him as omnisexual so the below works with all genders.

Warnings: I don't really think I need to put this given the title but MDNI. Mentions of sex, implied trauma, just graphic in general.

A = Aftercare (what they're like after sex)

Armand is kind and soft afterward. No matter the scenario he will check on his partner’s emotional state and offer them comfort if needed. As for himself, he won’t ask for it but sometimes he needs it (especially after anything D/s related). Although he’s usually pretty chill and relaxed afterward, at times he can be energetic and chatty. The more intense, the more chill he will be.

B = Body part (their favorite body part of theirs and also their partner's)

This is heartbreaking, but I don’t think Armand would have a favorite of his own. He’s not vain in that way and is really insecure. He does like to show off his tiddies though. As for his partner: eyes. I think he would be enamored with the eyes of all his partners.

C = Cum (anything to do with cum, basically)

A lot. I’ll throw in some weird TVC headcanon I’ve had for over 20 years: vampire cum is pale pink. It’s a blood thing, like their tears. I’ve had a lot of time to think about this stuff. Armand cums a lot. I mean a lot. (More detail under S below.) He’s indifferent to it with his partners as long as they climax, he doesn’t have a cum kink but it’s turned off by it either.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

All of them! But seriously, maybe that he enjoys being a switch. I think Armand is much more Dominant with women, but not always. He’s very into whatever his partner is into and adjusts easily. It’s a secret because he wants to be whatever his partner needs, but he also truly enjoys the fluidity and flexibility of being a switch within the context of D/s.

E = Experience (how experienced are they? do they know what they're doing?)

Very experienced and very talented. No matter what parts his partner is rocking Armand has experience. He’s very open-minded about sex and, although maybe not particularly laid back, he has learned a lot in his time. He doesn’t like everything, but he has probably done it at least once.

F = Favorite position

As with most things, this will depend on Armand’s partner. However, he really enjoys being on the bottom and watching his partner if at all possible. Even when he feels Dominant with his partner he enjoys being underneath them. I don’t know that he has an absolute favorite, but he wants to be able to see his partner.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Armand is very serious most of the time, but not uptight during sexy times. Silly things happen during sex and he’s probably experienced it all anyway. There’s no point in making his partner nervous or embarrassed. He’s not going to be giggling during the act, but he will certainly laugh when appropriate.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

He is so well groomed! Series canon shows us that he cares about his appearance. He is nothing if not fastidious. His pubic hair would never be neglected and it definitely matches the drapes and his glorious chest hair.

I = Intimacy (how are they during the moment?)

Armand enjoys intimacy to a degree and depending on the circumstances. He needs it more than most. It doesn’t have to be deep, but it has to be present. He is highly attuned to his partner’s emotions at any given moment so he requires that connection. Unfortunately, he doesn’t require the same attention in return. He is deeply invested in his partners and their mental/emotional state during sex.

J = Jack off (masturbation headcanon)

This act is all about efficiency and need for Armand. It’s not a self-love situation. It’s also not perfunctory exactly. He enjoys it and needs to do it. But he doesn’t light candles or watch porn. If he feels the need it’s possibly because his partner isn’t available or in the mood. It’s not a harsh affair, but it’s not going to take very long. I want to watch this so badly!

K = Kink (one or more of their kinks)

I’m going to skip the general D/s stuff because I have a couple posts about his D/s interests here and here. He’s definitely into degradation for himself (but would find it difficult to do to a partner) and he’s very into praise (for both himself and his partners). Probably his biggest kink is hands, touching and being touched (see W for more info about this). Vampires have naturally perfect manicures so their hands are generally pretty sexy, but the act of touching communicates a lot for Armand. Suck on his fingers, scratch your nails down his back, let him reciprocate, or just a soft graze of the back of your fingers against his cheek, hands might be his biggest turn on.

L = Location (favorite places to do the do)

In his own home or domicile, for sure. He needs to feel safe to let his guard down completely. He doesn’t care where, but he will be most present and relaxed in his own space (or that of his partners). He does enjoy a little public action and isn’t above public displays of affection. However, he can be himself most comfortably in a safe, familiar place.

M = Motivation (what turns them on, gets them going)

I interpreted this two ways: Armand gets excited by seeing his partner get excited and that he gets turned on by words as much as physical touch. Praise him, tell him how beautiful he is, how much you want to do to him and what (or what you want him to do to you), tell him how much you truly desire him and he’s ready to go. But watching his partner react to his words/touch makes him horny in a different way entirely. He can’t get enough of watching their eyelids flutter or them bite their lower lips involuntarily.

N = No (something they wouldn't do, turn offs)

Hard limits would be “dirty,” human bodily functions. He’s too old, too fastidious, too him to be into any of that. He doesn’t enjoy being restrained or tied up. If his partner holds him down a safe word can trigger immediate release, but the time to untie knots, etc would take too long and he’d have to use his strength to break them. That doesn’t interest him. Pin him down because he lets you overpower him? That’s sexier anyway.

O = Oral (preference in giving or receiving, skill, etc.)

Armand loves giving oral! He is enthusiastic and talented. Not only does he get completely engrossed in the act, he likes to use it to overstim his partners if they really enjoy oral. He likes receiving as well, but is usually less focused on his on enjoyment than that of his partner. In light of that, if his partner is submissive or just enjoys giving, he will happily receive.

P = Pace (are they fast and rough? slow and sensual? etc.)

Like most things, this depends on the mood/vibe of the situation, but Armand is typically slow and sensual if he’s in charge. However, slow and sensual doesn’t exclude rough this alphabet is from a template so I wanted to point that out. Whether he’s in charge or not, fast and hard can be a lot of fun for him, but maybe likes that best when he’s submissive.

Q = Quickie (their opinions on quickies, how often, etc.)

Armand loves spontaneity in his sex life. Anywhere, anytime. But if the quickie turns into something more, that’s fine by him. He likes to flirt and imply, goading his partner into initiating the quickie even if he won’t initiate himself. He especially enjoys quickies as a surprise. He doesn’t mind if it’s in public or private, quickies are fun and add interest to his sex life.

R = Risk (are they game to experiment? do they take risks? etc.)

So many. He likes trying new things with people. He enjoys pushing his boundaries and helping others push theirs (with consent). If he doesn’t enjoy it he won’t do it again. He definitely enjoys acts that are taboo or unconventional because he’s beyond such human notions at this point. Excitement is difficult to experience after 500 years. He’s not a thrill-seeker in general, but he does like novel and experimental sexual exploits.

S = Stamina (how many rounds can they go for? how long do they last?)

Forever. I headcanon vampires as having a short refractory period and Armand is no exception. If he is turned on by his partner he is turned on and insatiable. He’s rarely pushy (though he can seem needy), but he will always be ready when they are. He is motivated by his partner’s pleasure so if he finishes first he will bound back quickly to satisfy them. It’s not a stretch to imagine him going all night with very little downtime if he paces himself. Can his partner handle it though?

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Armand doesn’t own that many, but he enjoys using them when his partner does. He would happily use them on his partners if they wished, delighting in pleasing them. There is a shyness about him that might make him reluctant to have toys used on himself by a partner since that requires an amount of attention that can make him uncomfortable. He quickly relaxes and gets past this with the right partner/circumstance and can enjoy the occasional toy.

U = Unfair (how much they like to tease)

He isn’t a fan of physical teasing (like edging), but loves to flirt. Drawing out the pleasure for his partner or himself is fun for him, but rarely to the point of it being uncomfortable. All of his flirting is used to heighten what will happen later on, so teasing once that has begun doesn’t serve him. He wants his partner to feel good.

V = Volume (how loud they are, what sounds they make, etc.)

Armand is very quiet. Sighs, moans, small groans are his love language. Whispering a command/consent or encouragement or his partner’s name in his silky voice is enough for him. He doesn’t need to be loud or overly vocal to let his partner know how he feels, but he can’t help but moan and praise. He’s not going to scream your name, but he will let you know when you’re being good for him or taking him so well.

W = Wild card (a random headcanon for the character)

He is obsessed with touch/physical affection as validation. He needs to be perceived as desirable and having his partners touch him in any affectionate way is crucial to him. (Even if that affection comes from D/s or CNC.) He needs affirmation that he's beautiful and wanted.

X = X-ray (let's see what's going on under those clothes)

See gif above. Also, he’s uncircumcised. He has a very proper and polite cock.* It’s as beautiful as he is. It’s not terribly long (maybe 6-6.5 inches/15-16.5 cm) but has a nice girth. Did I mention it’s beautiful? Fairly even in tone with a head the color of his fingertips. Let’s not neglect his balls, though. They are small-ish and tight, accentuating his overall length. Very prim and polite as well.

Y = Yearning (how high is their sex drive?)

This completely depends on his partner and their moods. He can be insatiable to the point of neediness if he’s enamored with his partner. If they aren’t upset with him, his libido is genuine and turned up to 11. If they show the slightest bit of disapproval he has a tendency to use sex to manipulate them and gain their approval/affection.

Z = Zzz (how quickly they fall asleep afterwards)

As I mentioned in A, he will be energetic after if it was a fun, quick, light-hearted event. But if it was an intense scene or emotionally heavy, Armand will be drowsy and relaxed after providing/receiving the appropriate aftercare. Unless it was very close to dawn he probably wouldn’t get incredibly sleepy, but he would definitely be chill and calm after.

Note: yes, some of these headcanons/traits are a result of his trauma, if you feel compelled to point that out, go for it, but please don’t assume I wasn’t aware of which are poor coping mechanisms and maladaptive as I wrote them. I didn’t invent him, I’m just obsessed.

*Thank you Stephen King for that term. Polite, college boy cock is one of my favorite descriptions.

This is the alphabet template I used.

[spiders-hth-is-an-outlier]

A lot of things that seemed weird to me about the current culture of reading and writing became more clear to me when I realized that an awful lot of people are perceiving both reading and writing as tools to get at the thing they actually want, which is a good story. That's why they think it makes sense to read by skimming past dense text and only focusing on dialogue -- that's a "hack" that will get you access to The Story in a mostly comprehensible form, so why not save yourself time and work? It's why people set up speed-reading challenges, because why not consume ten stories instead of five -- that's more! And it's why people, or this type of person anyway, are excited about AI tools that outsource the labor of turning an idea (the concept of a plan, if you will...) into A Story. A Story is the goal for these people, on either the production or consumption end. Generate story, transmit story to audience, rinse, repeat. Whatever makes that process easier, more efficient, and yeah, more accessible is definitionally an improvement.

I don't think people who are this kind of reader or writer (it just took everything I had not to put "reader" and "writer" in quotation marks -- I'm really trying to be fair-minded here!) actually understand the experience the rest of us are having with reading and writing. Taking in a good story can be -- I'd say usually is -- *part* of that experience, but we're also engaging with text in other ways at the same time. We're mining it for types of meaning that extend beyond the story (all those dreaded Themes and Symbols that your mean English teacher banged on about!) We're reading those long paragraphs for the artistry of them, for the musicality, for aesthetic pleasure. We're investigating not just *what happens in the story,* but who the storyteller is and what they're revealing to us about the way they perceive the world.

When we get frustrated about people "not reading it right," we're probably being obnoxious busybodies (you can, in fact, do whatever you want forever!), but we're not doing it because of the joy we get from looking down on other people. It's more like we're watching people be served a delicious roast chicken, and then cut a couple strips of skinless breast meat off the bird, throw the rest of it in the trash, and talk about how they're such foodies. You didn't even eat it! You barely touched the thing! There's so much waste. And it's even more appalling when the chef throws most of the dish out before it even leaves the kitchen.

So obviously I'm not framing this very neutrally, but like, it *has* all become a little easier to process in my head now that I understand what kind of meat the Booktok types are actually hungry for.

[multidimensionalguidance]

The Astrology Behind: The 27 Club

We already know the dreadful and looming stories behind this phenomenon that occurs the most within the music and entertainment industry. A great number of deaths and tragic events that seemed to follow gifted individuals as a fated promise.

Although we know that a great majority passed away due to drugs and unhealthy lifestyle choices, there's also some that had unexpected accidents. Now, for those who study astrology and understand that every age activates certain houses/themes this will seem like a very clear pattern.

In terms of house profections, during the age of 27 our 4th house lights up like a lightbulb ready to come through with the lessons and experiences that match the natal planets, lord, sign, ruling nakshatra, and transit planets as well.

When we think of scary and dark periods we tend to associate them with the profections years that match the 8th and 12th house ( 19, 23, 31, 35, and so on) under the assumption that the 4th house is just a cozy corner, yet the overwhelming number of individuals who lose their life around the ages that fall into this house is rather shocking.

The 4th house rules our home, heritage, mother, ancestry, childhood, parents, sense of security, inner life, emotions, happiness, nourishment, etc. These are the topics that come to life during those years, and often times, the ones that leave the strongest mark in our lives.

For most individuals reaching the ages of 15 or 27 arrives with harsh realizations and lessons associated to the lack of emotional and physical security that we might have or feel within ourselves or at home. At 15 we freshly enter the teenage experience of feeling like an outsider at home, as if we don't fit or belong with our family anymore, and as if the innocence of childhood feels long gone. This is where we turn to being a "rebel" and start seeking nourishment outside of what we've been taught within the confinements of home.

By the time we circle back into this house at 27, getting closer to the taste of 30 which is ruled by the 7th house (long term relationships, commitment, others, etc), we start to re-live yet again what "home" and "nourishment" truly feels like for us as adults who are more experienced at life than a 15 year old.

We realize that the perceived freedom of our early 20's was an illusion, and that what has shaped us into who we are by that point was everything we experienced within the privacy of our inner or private world. All the traumas created at home or by our parents. All the overwhelming expectations of what a family of our own might feel like, what long term commitment means to us, and how close or far we are from breaking generational wounds.

All of this can feel maddening and make us isolate from the world into our shells, as if turning into the crustaceans that represent the sign of Cancer. Since the turmoil is associated with our deepest parts, being unable to find a peaceful resolution within our stormy oceans can lead us to drowning within our waters. It makes us forget that right after the storm is when the sun comes out to bring joy, happiness, fun, pleasure, and good fortune (5th house profection). It's a turning point for all of us within our journey.

It comes with no surprise that for a lot of celebrities whose private lives and inner world are exposed for everyone to see to be driven towards unhealthy coping mechanisms. A path to self destruction. Now, not all cases are alike and in some scenarios its accidents in their homeland or related to water.

At any case, they are difficult situations which threaten our inner safety and sense of security. It shakes our emotional foundations and forces us to build from scratch a real sense of "I'm safe in my body, mind, and the environment that I cohabit with others". It's all about learning how to regulate ourselves and not allowing our traumas to keep us from the good things life has to offer.

I'll use Amy Winehouse as an example:

Her 4th house was ruled by Leo with her Sun and Mercury in Uttara Phalguni sitting there. She had to relive and experience themes related to her fame, father, talent, children, creative, romance, self expression, and how it all tied to the way she handled her 4th house themes.

Uttara Phalguni in particular usually stands out or feels deeply interested in music, dancing and yoga. Aryaman, the deity of Uttara Phalguni nakshatra, is the god of patronage, union and is considered as the chief amongst the ancestors. They are deeply affected and involved in relationships.

One of the symbols that rules this nakshatra is the back legs of the bed or a platform. I'll focus on the latter simply because most of the time its only people who wield some sort of power or gift who get to stand on a platform of any kind. Additionally, they also tend to deal a lot with the karma of the father, and not always on the positive end of it.

She had battled with addictions to alcohol and other substances her entire life, but it only got progressively worse after she met the man who would eventually become her future husband. It was said that shortly after meeting him her personality changed and she started to indulge in other vices, such as cocaine and crack (which he knowingly admitted to introducing to her).

On top of it, her own father who had a heavy influence on her (as it usually is for 99% of Leo's) wasn't supportive towards her health when she needed it the most. It was the behavior of her parents and their tumultuous marriage that shaped the way she perceived home, safety, and nourishment. This is even more noticeable with the ruler of her 4th house falling sitting in its own house.

It was the lack of support from home and damaging patterns that made her to repeat the same generational curses which inevitably lead her to drowning in her own inner world. She clearly used substances as a coping mechanism (like most do). A way to escape reality and attempt to find safety, even if it only led to more pain and disregulation.

By the end, her difficulties on dealing with these themes became even more noticeable after she divorced her husband and went on a downward spiral that didn't even allow her to perform.

Her story, specifically around the last moments, shows us how impactful and difficult 4th house profections can truly be. Alike to other artist or famous individuals, by the end of their lives (27) a lot of those themes appear over and over again until they can no longer bare with them or find a peaceful and healthy resolution.

So, if you're currently going through or about to enter this house profection, just remember to take it slow and practice as much emotional regulation as possible. Go near water bodies to relax. Seek help from individuals who can heal your mind, body, and spirit, be it professionally or not. And finally, remember that you are not your childhood traumas or wounds.

Thanks for reading <3

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[mindful-mountaineer]

Humans Are Weird: Fiction

“Why is this such a heated discussion?” Zork’ak was leaned down to whisper in Wren’s ear. His eyes caught on the silhouette of Wren’s face. Her sharp features and thin face. And the same word came to him again. Beautiful. 

“Some people get really into this stuff. They like really investing themselves in something that is not yet attainable because it is a fascinating idea or entertaining.”

“So you all share unrealistic or unreal works to entertain each other.”

“Yeah, some people have too much time on their hands. I used to love to read when I had the time. Being able to be a part of other worlds is cool.”

“Klyls have never allowed for such wastes of time. We are an efficient species.”

“It’s fun, though, to think of something that would be really cool but will probably not happen.”

“If it is not a viable option, then why pursue it?”

“Do you not explore possibilities even if the likelihood is small?” She turned those beautiful eyes on Zork'ak.

“Uh.” He took a deep breath. “Yes, I suppose we do. We use it in situations that we are anticipating, though.”

She shrugged. “It’s kind of like a distraction. We know that the Klyls are focused on efficiency, but, well, humans have a lot of emotions.” He laughed a little, and she poked Zork'ak. “See? You know what I mean. We use distractions, though, to entertain us when our lives are monotonous or we want to experience something new. I know you’ve studied behavior. You’ve seen that few people can afford to go out and try things like we can here.”

Zork'ak nodded. “I can see how this would be efficient for your species.”

If you liked this excerpt, you’ll like the full story! Now updated and edited.

Humans Are Weird now out on Amazon! https://www.amazon.com/kindle-vella/story/B0DDG5C9Z8

And the first ten chapters are FREE!

[azrielgreen]

random question, but why Nebraska? I live in the US and often forget Nebraska even exists, but you happen to have two stories set there. Do you have a connection to Nebraska, or did you just choose a state at random in the middle of the country? Or do you find something poetic about the expansive nothingness of the Cornhusker state?

just curious.

So, it's really strange but Nebraska holds a deep emotional meaning in my heart that involves Ethel Cain, Billy Hargrove and 'Rooms'. Apologies for the little ramble ahead, but for those who enjoy such things, gather round.

When I first started writing Rooms, I was experiencing a lot of burnout, very much questioning myself as a writer and also recovering still from a near death experience. I had made a new friend who became such an important and beautiful part of my life, and it was in this time of loss, self-doubt and awakening that I felt comfortable enough to share with my new friend that I loved the character Billy Hargrove. This sounds so stupid even as I'm writing it now, but I had been made to feel that liking him was this extremely taboo thing and that I should be ashamed of it. Even a former friend I thought I was close with often made me feel terrible for liking him. My new friend was not like that. We talked for hours and hours about the things we liked, and I felt brave enough to admit that of all the characters, every single one, in ST, Billy is my favourite. My friend was kind and open and supportive and it was here, around this time that we started writing a story together that would later become Prism and coming up with all these incredible ideas and perspectives I had never considered. Although people credit me with much of Prism Eddie's creation and expansion, always remember it is @thorniest-rose who invented him.

This is when I wrote Rooms.

This is also the time I discovered Ethel fucking Cain.

A House in Nebraska and Sun Bleached Flies altered my DNA and I listened to them both back to back on a loop while writing Rooms. It became something so meaningful and personal and beautiful, and all three are tangled up together. Inextricable connections between these things I love so much and at the heart of it all, is Nebraska. I've never been to Nebraska, but I imagine it to be exactly as you said. The great, vast nothingness, the absence of any significant pull to visit or tour there. It's sort of branded into me, the line about 'I'm still praying for that house in Nebraska, by the highway on the edge of town,' and it's all tangled up with Billy Hargrove and the possibilities of an abused kid making good, coming through the other side, learning and growing. Longing for this quiet, no man's land of blue skies and endless horizon. I would often dream of such things myself. Just a house. Somewhere I was safe. And I wrote all this at a time when I met someone I came to love and care about so much in mutual support and kindness, and it's why Rooms is gifted to her.

Opening yourself up to new things is such a beautiful and important phenomenon, especially when you're grieving or recovering. Rooms to me is a touchstone of reassurance that I can write whatever the fuck I want and anyone who tries to tell me different is not my friend. Nebraska has become an almost nebulous place in my mind and heart, to the point I get excited when I hear anyone even mention it in passing. I think we put meaning where we need to, anthropomorphising and humanising and telling stories to get through the hard parts of life. Nebraska is the core of that for me. Synonymous with self-acceptance, growth, positive change, releasing what doesn't serve, embracing who you are, saying fuck you to those who would police your joy and creating whatever the fuck you want without needing it to be liked, but also this deeply sad part of myself that acknowledges what I went through as a child and what I experienced at the hands of people who were supposed to take care of me. I have at this point in my life lost a huge amount of my childhood memories all the way up to my late twenties. Nebraska is the long distance friend I never had, the moon watching over me, the place I go to in my mind to make it all go quiet and calm. I feel like I've written this huge story around a place I've never been to and for some reason, it just stuck hard.

Like many British kids growing up watching America on our screens, I always wanted to live there and although I'm now glad I don't, I'll always be in love with the country and all her patchwork quilt states, these weird little lands sewn together that are so different, almost like a world unto itself. I never choose a state randomly, but Nebraska is laden with meaning and woven with feeling, all of which I'm sure seems massively unearned as I'm just another person who grew up in a rainy country, longing for blue skies, with a tendency to love abandoned things.

Thank you for asking.

All my love, Az

💜💜💜

[julietsbb]

These days I've wanted to send an ask about the latest updates because I've had a lot of rambles in my mind, so here I go as I reread some parts.

First of all, I need to mention my stupidity to you -- I'm rereading the part where they invent the 1-10 scale of numbing. When I read the last update of Pond asking for an 8, I forgot that the scale went "1 for the least sensation, 10 for the most sensation" and my line of thinking went "ah, an 8 means he wants Phuwin to breathe 8 times over his skin so it's properly numbed" so I believed that my man Pond wanted the least sensation experience after having fingers in his mouth. Still, NO, it was THE OPPOSITE, he wants PAIN and I also want PAIN for him. djafhd now I'm thinking 'wtf was in your mind, what was your logic'.

Yeah. MOVING ON.

I've had this question in my mind for a while, so I will ask you finally. I tend to overthink/over analyse, and so I'm really intrigued about what's vamp!Phuwin's mentality when it comes to Pond, and his crush on him. His thought process about Pond being his. The latest updates (will never forget the finger-in-mouth scene okay, never) increased this curiosity.

I wonder if them being actors helps with his feelings, or it actually impedes the process. I wonder if having Pond as 'his', as in, his partner, his love in two series kind of holds off the realization that he'd want Pond as 'his' in real life as well, because he is good at compartmentalizing that sort of thing. Of separating the intimacy he has with Pond onscreen, and for their fans.

Or if it's actually quite the opposite, and it's such a recurring thing - Pond being his in so many ways, that he doesn't even need any sort of realization. And more like - it's already happening. He has experience with it, so it doesn't hit him like a slap.

I wonder this because seeing how their intimacy develops is so interesting. I also wonder it because of Phuwin's last talk to his mom, and how he felt robbed 'of Pond', so to speak, and it was just so interesting to read that. Because I felt like... he was having these feelings, and they were as difficult as they were inevitable. Does that make sense? HE's trying to make sense of them, but he's also not denying them: "...he knows it's more than just feeding".

So is it because he's used to it from the other manners in which he has Pond? Or is it something else? They had so many moments that can be catalogued as glaringly obvious, romantic in nature, and yet there are times where they hit Phuwin hard, and other times where he smooths into them like he's been doing it for years. It's just interesting, you know? What can you give me about this?

The vampire forum were such an interesting detail, dear! Would love to know more about that. I'm a sucker for invented helping sites/forums, especially in fantasies.

"The urge to touch him is new, Phuwin knows, because he didn’t used to feel this way when looking at Pond, but it feels familiar." - See what I mean? Stop me if I'm actually very fcking delulu because I'm used to doing this from university (looking for undercurrent meanings in texts) but he mentions/acknowledges these feelings as new, yet he also mentions they are familiar.

"Pond slumps into him, clutching his back, curving around him as a willow would in the wind." - what lovely softness in his affections.

Pond closes his mouth again, sweet puppy eyes dripping, reluctance sticking to the tips of his eyelashes. - you write pond with a softness and a need so visceral, and it's so goddamn charming and lovely. i love your depiction of him. so, so much. "A possessive hiss slithers up from the depths." - possessive phu is everything i need in this life. “Yes,” Pond replies, not a strain of doubt to be found in his voice. “I was actually kind of hoping you would… do,” a pause, “something.” - it's so interesting how they don't talk about it, but both Phu and Pond expect it. Both are so eager for it, in different ways. It's so addictive as a narrative. Clearly, communication is amazing, is key, but to see them slide into BDSM-ish scenes, softcore ones, with so much ease and so much eagerness is so fascinating.

"So, you like it when I play with you?" - We ALL like it bro I will never tire of the finger-in-mouth scene. It's my second favorite (the bathroom bite scene was and is my most favorite), but God it's so good. "Open" and POND DOES THAT AND PHUWIN IS SO FJSHFSHGF

He's so hot. What a man. What a vamp. Damn.

(Also julie don't ever think I forgot that you alluded to Phu jerking off while he stuffs his fingers in Pond's mouth- i can't get that scene out of my head. IT WAS SUCH A WHIPLASH)

Their conversation about it being awkward felt so real. They may feel like it isn't like before, but like Phu said, not talking proved to be deadly for them, so it is better to go through this phase of 'things feel stilted' and then grow into it then having misunderstandings again.

Can't wait to see how this combination of "8 on numbing, multiple bites, take photos after" will go jfhsfhsf SO MANY TASTY THINGS GONNA HAPPEN IN THIS NEXT BITING SESSION

you truly left us panting like dogs for more, julie. i respect it. i love you and your story. please take care of yourself, lovely. sorry for the perhaps delulu rambles. i love being delulu for your story tho.

Cooooleeeeee, Cole omg this is everything!!! I'm not certain I will be able to answer and/or address everything to satisfaction, but i shall certainly try! Thank you thank you thank you for having so many lovely thoughts about my story, first of all!!!!

lolololol your stupidity is a LITTLE funny but i've misinterpreted things in fic multiple times myself, i brains just fail to brain sometimes - just ask alan lmao. i've no idea where your brain got the idea of eight breaths from tho - but like, the way i made the scale work IS a bit counter intuitive, because it's a numbing scale and so the higher on the scale the more numbing, would be the logical thing. But then I realised that Pond asking for "more" would mean giving Phuwin smaller numbers and then I was like "I want a 2(/10)" just doesn't sound as sexy as "I want an 8(/10)" - lmao that was my logic so i flipped it 😂 I'm so glad we all want pain for him 😌

I definitely plan on bringing back the forum thing for a Purpose™ so it shall return, but I'm kinda thinking of it having the shape of a mix between online queer spaces and online kink spaces, because like, a minority group finding and teaching each other and sharing online and hosting meet ups etc., but due to a certain level of sigmatism and/or people just wanting to keep it private, it's more closed, more anonymous and/or invite only or access through a vetting process. There's definitely vampirism as a minority group symbology/parallelism in this. Also re: Phuwin's thoughts on how it would affect his career is it was to become public, would he be typecast or labelled etc etc.

I love how you highlighted some of my descriptions, it's really appreciated, because if I do one of the (for me!) 'wilder' ones, I tend to question myself a little more. So thank you for appreciating my descriptions and especially the way i write Pond ❤ I worry about striking balance with his character because I want it to ring somewhat true and not just be soft sub pond all the time <.< but i do write a lot of that. but I don't want him to be ONLY that.

re: the whole 'sliding into soft-core dynamic' thing... it can happen it's not unrealistic i know it because i lived it 💀 at least we both knew wtf a dynamic WAS beforehand so it was much easier to talk about and realise lmao. When the dynamic is there it's just fun and can be quite easy to slide into. And here both characters are eager for it because they got interrupted last time - dynamic blue-balled, if you will. So they're both itching for it.

I'm sooooo pleased you like the fingers in mouth scene enough for it to be your second favourite! to me, there was an important point to make in showing how they can 'play' without any biting involved. It's a very explicit way of showing just how much beyond feeding it has gone - it can exist fully independent of it! Feeding was the means with which it grew between them, how they explored it and how they got to know it, but they don't need it. At least, not for that particular purpose.

(Haha! I'd low key forgotten about that allusion i did in a reply or a tag somewhere - but it's a very good image i'm still fond of it, let us see if it will ever be written ever lmao)

Yeah, they'd become too reliant on intuition so they have to relearn and practise how to do their thing with communication. Which will be awkward at first, especially since they don't really at this point quite have the vocabulary they need for it.

I'm excited for writing the upcoming part as well, but i'm going on a trip with friends this weekend so I MAY have time to update tomorrow aka thursday or MAYBE sunday but otherwise I'm off being social with friends slkghslkhg by god do i need it but it means less time for our boys and their shenanigans.

'panting like dogs. i respect it' made me cackle out loud ❤ incredible. and thank you 😚😚

NOW on to the main question of your ask, which I thought I would tackle last. Phuwin. His mentality. Etc. IT'S A GOOD QUESTION. and the answer is... I've mostly just written what felt natural? What my brain served me? 😭😭

But the thing is, it's kind of both at the same time. Because of their pre-existing closeness and the gradual growth of both intimacy and feelings, he kind of doesn't notice it is happening. And then, because he lacks the framework to think about it in (aka understanding it as kink and/or something sexual/sexual-adjacent (platonic kink can exist too tho!)) he cannot quite pinpoint what his feelings or urges are, just that they are not different than they were. Like, he often needs something 'outside' to give him perspective, like when he thinks about his mother's deal with her coworkers and suddenly gets the flash that he would consider his mom doing what he is doing with pond with anyone other than his father cheating. Or when he comes home and is faced with how everything they're doing has transitioned from something he started out chatting with his mom about (even if he was embarrassed or whatever) to something he very much does NOT feel comfortable discussing with a parent. Like most young people with sex related things.

But then as his self-awareness grows he starts noticing the new elements in the way he reacts to Pond. Like that line with 'new but familiar' - i think, a) it was served to me by my brain when I wrote it i did not have any deliberate thoughts about it lol but also b) like, it's new because he recognises that a pre-feeding-on-Pond!Phuwin wouldn't have felt like that or had that urge, but also, it's familiar because it's been with him for a while, it's just that he's only just now been conscious of it? So it isn't new, but his awareness of it is, so it feels new, but not.

I think I write my phuwin fairly decent at compartmentalising, because that's the vibe I get from him IRL. Also with the way he's talked about how it was new for him to inject a little of himself into Peem, how he usually prefers to keep it as separate as possible, that kind of thing. But they already were uniquely close beforehand, due to their "work-bond", so to speak. Honestly, someone should study BL official couple friendships and how they carry a different type of knowing and intimacy. It's very interesting to me. I think their 'work bond' has impeded phuwin's realisation process, in a way, because the nature of their relationship was hard-to-define/blurry-ish to begin with, and then there was just "added a new layer of blurry", making it harder to tell apart from the others, versus if they'd had a very "standard" friendship with no additional closeness or intimacy beforehand, then the contrast of a new blurry layer would be more noticable. But because it was already "blurry", it made it easier for them to slip into "additional blurry", so in that way I think it may have assisted the process.

I hope that sort of addresses your question(s) about this 🙏 Goodnight, Cole ❤

[daresplaining]

I’ve realised another reason why Elektra as Daredevil doesn’t sit right with me is that she’s not physically disabled (and Zdarsky gives no real thought to Elektra’s history of mental illness and the fact that trauma that has kept her from society). It feels like a decision motivated by shipping, the facade of progressiveness and a misunderstanding of Elektra as someone needing “redemption.”

But that line of thought made me realise, Maya Lopez could’ve been a wonderful opportunity for a female Daredevil. Like Elektra, she debuted in Daredevil and does have a romantic history with Matt. But unlike Elektra, she’s never really led her own books and this could’ve boosted her star in marvel comics without undermining her history outside of Daredevil comics. Plus I think representations of disability are deeply important to Daredevil as a character.

I’m glad she got the Phoenix force and Disney+ series for a similar boost, but GOD now I’m yearning to live in that universe.

I love that as a concept! I have thought at various points about Maya taking on the Daredevil mantle, and I do agree it could work, and that it would be more fitting for her than it is for Elektra ("it feels like a decision motivated by shipping, the facade of progressiveness and a misunderstanding of Elektra as someone needing 'redemption'" is spot-on. That's how it feels to me too.) I also agree about the importance of disability as an aspect of the Daredevil identity; it was part of why Sam, especially after being blinded, seemed like a perfect candidate for a possible successor, and I agree that it makes Maya feel right too.

At the same time, though, the longer I've thought about it, the more I feel like Daredevil doesn't really seem right for this kind of legacy. I've thought about this a lot because I adore superhero legacies. I'm a big fan of Iron Fist, and also of the Flash family over at DC. The Iron Fist identity is a formal title. It is a job and a power-set that you acquire and then make your own, stepping into a tradition of service that is centuries old. The Flash legacy is more organic, passed on through fandom (genuinely), family ties, and loving mentorship among a group of people who share the same powers.

My hesitation about the concept of a Daredevil legacy comes only from the fact that that identity is so incredibly personal and specific to Matt. "Daredevil" is a name that he reclaimed from his own childhood trauma. It is a persona he crafted to reflect a side of himself that he wanted to explore but felt he had to keep hidden in his civilian life. Equally, the Echo identity (the name comes from the title of one of her performance pieces but also reflects her relationship to the past, reflects her power-set, reflects how she contextualizes her experience of Deafness, etc.) is very personal and specific to Maya, and it makes me sad to think of her needing to take on someone else's name just to receive more of a spotlight. What does the name "Daredevil" mean to Maya, or to Elektra, two people who already have strongly-established identities of their own? How do they embody it? Why would they choose to? I'm not saying it wouldn't or shouldn't happen, but these are things that I feel would need to be considered.

I'm sure my thoughts on this will continue to evolve, but that's where my mind is right now.

[classicslesbianopinions]

the thing about being a disabled grad student is that if you want even half a chance you constantly have to not only reveal but interrogate and explain your softest most vulnerable parts. while people around you act like this is just completely normal and actually that is not the softest most vulnerable part of you and actually you are exactly the same as all of them. so you feel like you are in disguise as exactlythesame while also completely exposed. and you just have to live like that. absolutely insane

[heavencasteel420]

It is amazing to me that the show has a character who:

Explicitly says “my father forced me to kill and I was good at it, but I hated it”;

Makes multiple efforts to walk away from a fight where his opponent is doing the absolute most to provoke him and, upon finally snapping, handily beats him;

Stabs a dude with a pair of scissors in self-defense and immediately looks horrified at himself; and

Can stomach all kinds of gross and scary shit unless it involves harm coming to his little brother, whom he obviously has a lot of baggage about protecting.

And a not-insignificant number of people are like “his neurosis is that he feels bad about not being a fighter or a badass.”

[griem]

ijbol idk man releasing screenshots of very polarizing things said in a private discord server between friends in a public "callout" post is #the most #tumblrific thing ive ever seen LOL.

#opinion 😱 in tags

[sciderman]

I swear I have read your big post regarding Peter Parker's neurodivergence and why it is best to avoid labelling him, but he definitely has a weird brain

Can't find it and feel kinda sad about it cuz I deeply related to it

i know exactly which post you're talking about and i can't find it either! i've raked through my archive, and it's just - nowhere to be seen. i think tumblr eated it (it happens.)

really, tumblr's search functionality is so so useless, i don't know what to tell you. there are plenty of keywords i can search to find it that post, but the search functionality actually just does not work!

undiagnosed audhd-addled peter parker, my darling, my light, my life, my everything.

i think peter parker's such an interesting creature to write, because a lot of people will point to a certain behaviour about him and say "this is an autistic thing, right?" but a lot of those behaviours are actually, in my head, tied to certain traumas in peter's life too.

people say "oh, the food thing, peter's a picky eater because he's autistic" and yes, absolutely. but also it's tied to his trauma with his parents.

peter gets overstimulated, and yes, it's an autism thing, but also he was bitten by a radioactive spider and his senses are dialled to 11.

it's a similar case i've found for myself, too – where a lot of friends i have kind of diagnose me because i have autistic traits, but actually - i'm hesitant to claim the label or pursue diagnosis because, actually, i know where these certain behaviours come from, and they come from certain traumas. there are events i can pinpoint in my life and say "yep. that's where this behaviour comes from."

so - i think there's a lot of overlap between trauma and autistic traits. the brain is very complex! i think the reason for that overlap is maybe as simple as the fact that people with autism and people with trauma are both doing the same thing - developing behaviours to protect themselves or soothe themselves. so - i think it's nice to be able to see a character like peter parker, who may or may not be autistic, but recognise behaviours in him and see yourself in him.

people who go undiagnosed for whatever reason - people who are really good at masking - so good, in fact, that they have no idea they might be on the spectrum - everyone and anyone at all can look at peter parker and recognise themselves. because i think we discredit the thought that every single brain does the same thing! develops certain behaviours in order to survive. every brain has that same software - we've just all been faced with different hardships that we need to overcome, and that's were all the differences come in.

autism is a spectrum, i guess - everyone falls into it to some degree. and i think events in your life probably push you along on it. but i don't know, i didn't study brain science. probably what i'm saying is very stupid and uninformed. of course there's brain chemistry involved. but i know people in my life living with autism and certain events in their life have exacerbated certain behaviours or made coping with it a lot more difficult. so maybe trauma is a catalyst.

[halloweeneva]

I remove my mask (ADHD) only to reveal a second smaller mask underneath (Chronic Fatigue)

[thedreadvampy]

vaguing a post that's on my dash that I don't want to engage with (as usual) but actually no CPTSD isn't a diagnosis for 'when things were a tiny bit bad a lot' or 'if you experienced relationships that were toxic but not abusive' it's a diagnosis describing the impacts of CONTINUOUS TRAUMA. not less significant but more frequent trauma; trauma which is ongoing/continuous/recurring in developmental years.

like I'm not trying to gatekeep here and I recognise the value of saying 'it doesn't have to be a Single Big Obvious Trauma' because one key thing about CPTSD is that generally it makes traumatic incidents Your Normal so you don't necessarily view them as unusual or concerning. but I often see people talk about CPTSD as if it implies smaller individual incidents than PTSD and that just is not the case.

most experiences I have seen people be diagnosed with CPTSD for (myself included) are not 'a little bit toxic'. they are things which, each incident taken separately, an outsider would still recognise as traumatic - medical emergencies, rape and sexual abuse, significant physical violence, emotional abuse and coercive control, homelessness, severe poverty, war, torture, etc - and the thing that makes the PTSD C is not the relative level of the trauma, but the fact that it's enough of a repeated and consistent pattern, at an early enough stage, and sufficiently embedded in everyday life, that it becomes a person's baseline for 'normal'.

CPTSD is not a synonym for emotional microtraumas or cumulative trauma or 'death by a thousand cuts'. It's specifically defining the psychological differences in response to long term formative trauma as opposed to traumatic events which you process as an aberration (eg the difference between regular violence against you from trusted adults in childhood vs being physically abused for the first time in adulthood with existing experience of healthy relationships). Traumas causing CPTSD tend to be pretty similar in type, scale and severity to traumas causing standard PTSD - they are just more embedded and normalised earlier in life.

all this to say there's nothing wrong with acknowledging that cumulative microtraumas can't affect us in traumatic ways. there's nothing wrong with pointing out that there's a broad range of types of trauma, and trauma can include stuff like growing up marginalised or ill as well as abuse, war, injury or immediate loss. there's nothing wrong, too, with acknowledging that a lot that is traumatic doesn't necessarily feel traumatic to you.

but like. no. CPTSD is not a diagnosis for people whose trauma wasn't 'big enough' for PTSD. CPTSD is not cumulative microtraumas. CPTSD is a response to formative macrotraumas or to a long term traumatic situation without hope of escape or change and if you want to talk about microtraumas then do that but it's not what CPTSD is!

[neolxzr]

Literally a genuine question no ill intent

What do you like about Aira? As much as people are absolutely adamant Akira is projecting (I really don't think he is (I'm not saying Akira is innocent) I just think he's trying to address the prejudiced thoughts the average Japanese person will have on the Ainu) Aira's weird comments and behaviour to Hiiro have been there since day one. And I also think Aira being the one who says all this is because he's supposed to reflect the fans and the average Japanese fan probably isn't that educated on the Ainu + there can be a good few racist enstars fans...

I'm not trying to sound heated about this I'm just coming from a genuine place, what appeal is there in Aira?

Also, as much as the Aira fans are talking about blaming Akira, I feel like there should absolutely be a focus on Hiiro right now considering that comment was... yknow said to him. I just think we should actually be talking about the Amagis considering that comment was intended to discuss the Amagis and their culture and the discrimination they go through.

i had someone ask me a similar question once but not in the context of all thats happening currently so you can read that here if youre inclined

buuuut what made me like aira so much in the first place was honestly that his concept as a character is really funny. i made a post a long while back that went into the funny meta jokes that you could make using aira as a character before i really knew much about enstars at all. having a character in your idol series that loves idols and canonically reads fanfic about them is just a funny concept in general. and as i continued to read more he continued to be funny and annoying and endearing (his little mini interaction with midori comes to mind immediately. there is something wrong with him)

also i tend to gravitate towards characters that give me like. little sibling energy. i love having a favorite little guy to dote on

but afterwards what really drew me to him was the main story!! thermometry specifically comes to mind (ouuugh,,,,). his feature scout stories are also great and so is feather touch! i wont like. go into detail really cause my blog is covered in me talking about aira already

his dynamic with hiiro is one of my favorites too, especially in mainstory. their dynamic isnt JUST aira says shitty things to hiiro and thats it. their relationship develops really far to the point where aira admits that he needs hiiro as much as hiiro needs him. they're young and inexperienced and kind of codependent as they're trying to keep themselves from going under in a sort of cutthroat industry. i think thats really neat. their relationship is really sweet to me and aira is a great tsundere type of character. he regularly is shown to actually like hiiro a lot as mean as he can be to him sometimes i.e. here. and you know the whole holding hands thing (which they also fucked up in the climax story but Whatever)

theres also this. which i think about regularly. the hiiai shipping fuel is vast

and additionally i think aira has some really great relationships with other characters too, alkaloid especially. feather touch develops his relationship with tatsumi a lot and its one of my favorite aira moments. i couldnt find my screenshots for this one but basically aira gives tatsumi his unlocked phone (something VERY important to aira since hes a little screenager) and it shows tatsumi just how much aira trusts him and he realizes how important aira is as a friend to him. being someone with a history like him aira's friendship is sort of new to him and it helps them both grow

he loves his friends so so much and he’s had a positive impact on all of alkaloid. he is its heart after all

but in any case i'm not going to like, defend myself for liking aira. i am aware that the shitty stuff has been there from the start but i've said something similar in the past that was like. aira isn't real and he cannot take accountability for what he says. he's a character written by real people who doesn't have any control over how he acts. so i guess that's why when i think the writers write something i dont think he would do or say in my own personal aira opinion i can sort of brush it off as just bad writing.

and not in the sense that i dont recognize that enstars sucks, because it does. enstars can be terribly racist sometimes and not just when concerning aira, and thats important to talk about (i.e. the orient cards, the king of thieves cards, etc). but at the end of the day the most important thing to recognize is the people and company behind the game as well as the real people who play the game and are affected by it. and not like, the specific characters in the game. cause they didn't actually do anything or feel anything you know