#talking about cartoons for too long

[torpedopickle]

I finally watched Transformers Earthspark Season 2 today. I have a lot of thoughts and I wrote some paragraphs for every episode. As you can see I wrote a LOT, enjoy my way too long cartoon analysis:

Episode 1: the cracks are showing but it hasn't crumbled yet

The animation feels less alive than in season 1 even if strong storyboarding still carries some scenes, as I know several of the season 1 storyboarders did work on this episode. It has a couple good sequences, a couple incredibly stilted ones. The overreliance on slowmo feels weird, and the animation struggles to properly convey things, like how we're supposed to take Hashtag's injury very seriously, but it just looked like she got bumped lightly.

the Decepticons are butchered and watered down into "evil because they're Decepticons". Chaos Terrans is an interesting concept and the way they're executing Aftermath would provide a foundation for exploring topics such as delinquent youth, but knowing how the series will go on to treat them in later episodes, I'm not hopeful.

the Maltos feel like they're sleepwalking. They have a lot of screentime but for some reason they don't feel present at all, it's like I'm watching their shadows move around on screen without the things that made them feel alive shining through.

If I didn't know beforehand what this season would eventually stagnate into, I could see myself being fooled into thinking the gripes I have with this episode are just growing pains, however i'm not so hopeful.

Episode 2: Improved in some ways but not in others. The episode premise is decent, and the narrower focus compared to episode 1 does help make the focus characters feel a bit more like themselves again. Unfortunately i just don't think the premise was utilized well at all. Introducing quintessons to the conflict is kind of a big development, but it doesn't flesh them out well IMO. They treat them like wild animals with no characterization for a majority of it, and then hint at some deeper conflicts at the very 3nd before promptly disposingof them. So ultimately it feels unsatisfying (although we do get some expositon in episode 9, but it doesn't add up to much).

And once again i must comment on the character acting on the humans especially being severely lacking.

Robbie and Mo having helmets for like half their screentime definitely feels like a cut corner not to animate their faces

Episode 3 review: some well animated sequences this time around, i'd seen the storyboards for them on twitter and they're really well done, but then there's some others that really werent as decent, so big ups and down in animation quality. Most of the episode did feel like a slight return to formula for Earthspark tho, with how it felt like it was actually making a point about something for once, which so far has been rare in season 2, although the conclusion wasn't the most satisfying with the whole "you can't have everything" message but then hashtag kinda gets most of what she wanted anyway.

Episode 4 is like.... baffling.

Like the fact that they swapped to a wholly different and much cheaper animation studio was so far just somewhat shining through, but now it's impossible to unsee. The animation here feels BEYOND stilted, in every way. Like not even the 2D FX animation looked convincing this time. That clip of Robbie dropping a cake is the weirdest animated thing i've ever seen. It's like it gets sucked out of his hands by a magnet.

The Faire Maestro is a type of character I feel like would have been handled really well in Transformers Animated but was just kinda nothing here, super ugly design too and very odd voice direction. Lots of just bizarre and mindboggling things in this episode, like them seeing faire maestro having an emberstone shard, and then deciding to steal it right in front of his face for absolutely no reason even though they think he's a normal guy and not a villain. And tiny inconsistencies like Mo knowing his name even though he never said it. Bizarre episode all around, Weird Al cameo is cute but then he's gone.

Episode 5 review: Finally Jawbreaker gets to be in it. Except now he feels like a baby. Just a big stomping juvenile baby.

And speaking of big stomping babies, Aftermath is one too. He feels like he's supposed to be a representation of troubled/delinquent youth who don't get along with their peers and who don't have positive role models or a support network, but he really comes off as being just... chaotic, no real sense of interiority to him other than "I'm mean and I enjoy being mean and I can't help it". He's entertaining on a surface level vibes basis, but it doesn't feel like any attempts are being made at making a point. He's barely been in the show so pretty much anything that could make his character interesting is completely missing. Like there's no development of how the decepticons are raising him other than the basic assumption of "bad role models", and the decepticons barely get to be characters this season either. Aftermath feels like an Afterthought, as Chaos Terrans have basically been less than a footnote, and the series has attempted to do no form of storytelling with them beyond surface level observations that honestly feel insulting to the other characters like how the decepticons are just evil now, and the autobots/terrans have lost all nuanced expressions of empathy and solidarity in favor of just "they're generally friendly"

oh and also the evil mushrooms are boring.

Episode 6 review: Man this episode just *feels* wrong, like viscerally.

The show's handling of the chaos terrans just keeps getting worse. There's absolutely NOTHING about spitfire that compels any form of empathy. Like there's not even a mote of her being a troubled and misguided youth, she's just straight up ontologically cruel, like nothing about the conflict in this episode regards a failure to understand, communicate, or empathise with each other, it's just a straight up rejection of those things on both sides. For this chaos terran delinquent analogy thing to work you NEED there to be a sense of humanity or waywardness to them. You NEED to be able to conceive of them as being capable of more than just anger. This just feels meanspirited, especially the way the Maltos have no desire for Spitfire to be better. They just wholeheartedly accept that she's ontologically evil, and honestly, the way she's presented in this episode you'd think they were right, but they're not SUPPOSED to be right.

It sucks too cuz chaos terrans are a great idea

season 1's terrans were all representations of good natured minority kids, particularly third culture kids, who despite their best intentions and kindness end up having to fight for acceptance.

The chaos terrans are a natural progression of that, with depicting kids who end up on the fringe of society because they're inherently different from others and have a harder time being understood, and who don't have a support network to set them straight.

So it starts out in a place where they'd easily be able to build on it, but it's squandered imo. And for several reasons:

1. the Decepticons are 1 dimensional bad guys this season so they fail to capitalize on any potential storytelling they could have done with how their generational resentment might be passed down to the younger generation. They also fail to build any sort of relationship between the Chaos Terrans and the decepticons, so any obligation to stay or debt of gratitude that they might feel is just not there. You get no sense of why they'd want to be decepticons other than wanting to be enabled and encouraged for cruel behavior. They could have given breakdown an actual father son dynamic with aftermath but instead undercut it and play it for laughs.

2. Because the malto's solidarity have been completely watered down into just being "good guys", and never really get to articulate any sort of deeper point in their attempt to appeal to the chaos terrans, so you don't get a sense of how they might help them if they were allowed.

and 3. because the chaos terrans themselves don't really feel like they have much of an inner struggle, interiority, or conflict, it doesn't really feel like there's much of a foothold for

Anyone to latch onto to get through to them. Which makes them feel unredeemable.

so to reiterate and summarize these 3 points; 1. there's no sense of how the chaos terrans are being given negative reinforcement, 2. there's no sense of how the Maltos might help undo this, and 3. there's no sense of how the chaos terrans might want to be helped or not helped.

I understand that like part of the point is that they don't understand the chaos terrans, which supposedly makes them feel more alienated and further pushed towards anger, but there's no nuance or attempt at solidarity to the way these misunderstandings occur. Like there's no hint of Twitch and the Maltos trying their best to reach out to spitfire in meaningful ways. There's no sense of there being some fundamental difference in perspective or circumstance that make them able to understand eachother's point of view, it's just straight up "i tried to be nice but you were mean so now i won't be nice anymore" and it never goes beyond that. It's insulting how easily the Maltos give up on them.

Episode 7: serving as a direct followup to the last, it continues a lot of the same flaws. It squanders any chance of giving Spitfire some depth, like they could have spun her obsessive competitiveness into a deep-seated need for approval or validation or something, but no, she's as one dimensional as her behavior would suggest. Her behavior just becomes more and more destructive to a cartoonish degree where it no longer becomes possible to feel empathy for her.

the whole freaky friday misunderstanding thing too also feels super forced, which isn't helped by the animation failing to convey a lot of ideas.

Comparing this season to season 1 so far, man it just really sucks at juggling the characters. We've had practically 0 focus or development for any of the autobots and decepticons, and the maltos for that matter, despite their overwhelming screentime.

This is likely a casting budget thing. Which is why bumblebee has been demoted from main cast member to a guy who maybe says 2 lines every 3 episodes.

The quality of season 1's writing would go up and down quite drastically between episodes, but so far season 2 has consistently been on par with some of season 1's worse entries. It's juvenile and it has next to nothing to say about anything. Barely even any basic surface level messages, just mostly meaningless antics with next to no focus on exploring characters.

Episode 8 review: it's fine. No notes. It's a competent comedy episode. Fun premise with the whole "thing getting continuously stolen by different people" trope. Basing an episode around optimus's trailer is funny. Animation isn't stellar. Overall it's just an ok episode. I have nothing to say about it other than it's well executed even if it's not very ambitious.

Episode 9/10: okay! End of the season. The finale's mixed for me. In a different universe, this would have been an OK finale for the most part, but the fact that the season has tarnished every single character and plotline from season 1 and made no successful attempt at building anything new of value makes it lack any impact it could have had.

Interesting angle to flip the quintesson creator race narrative that transformers fans are used to. Although they too were an afterthought for this season. Aftermath and Spitfire getting killed really was the rotten cherry on top of their miserable cake. First they're treated like dirt by the story and handled as poorly as they could possibly be, squandering the excellent potential they had, but then they just kill them. Just so starscream's heelturn is even more evil. It honestly feels sad to me that they even bothered to acknowledge the fact that starscream was redeemble in season 1. Just makes it feel even more annoying that they conciously gave up trying to make him nuanced. Some of the animation was good. The shots of terratronus rising were very well composited and communicated the scale extremely well. As for the actual climax, it felt pretty lacking.

Overall a dissapointing season. A shadow of what earthspark was. Most of the characters are completely sidelined (likely for lack of a casting budget), and the few who aren't don't get a single story that feels reminiscent of that immensely strong sense of confident identity that season 1 had.

Hasbro cannot help themselves can they

[corellianhounds]

I know we (rightfully) give Attack of the Clones a lot of grief for Obi-Wan just being able to show up unannounced and for him to just be given the literal biggest state secrets possibly of the entire war, in addition to how this cloning operation has been going on for like a decade without anyone knowing anything or any documentation crossing Mace Windu’s desk, but considering Sifo Dyas or Dooku or whoever was able to somehow erase an entire planet from (allegedly) every known bit of data collection or documentation, it could be argued that maybe Dyas and Dooku were just master forgers and had fake correspondence and reports going between them and the Kaminoans for over a decade now.

It’s not that far of a leap to say they got their hands on some heavily encrypted software on some very expensive computers and were able to imitate different speech patterns and documents and handwriting and official stamps or even holograms and holocalls. As far as the Kaminoans know, all of their contacts are fully aware and in the know about this clone army (because as far as they know, Sifo Dyas is alive and had to have been in communication recently)— When Obi-Wan shows up, it just happened to be at the exact time Dooku was the one supposed to be there in person himself that day. The Kaminoans did greet him as Master Jedi and said he was expected.

Obviously that could have only worked in the movie if Dooku had shown up and we saw him having to keep his cool/sneak around when some other Kaminoans tell him his “assistant” has already arrived, would you like us to escort you to him?

Internally Dooku’s thinking “WHOMST??” but externally he’s keeping his chill while searching the Force for whoever else might be— is that OBI-WAN KENOBI??

It’s soooooo tasty for Qui-Gon’s master and Qui-Gon’s apprentice to meet under these circumstances. Both of them know the other shouldn’t be there right now. They’re both having to play it cool in front of the Kaminoans, and this is even besides the fact Kenobi was there to find the bounty hunter assassin in the first place.

“I didn’t think you… were still as active in the Order,” Obi-Wan says slowly and diplomatically, knowing for a FACT that Dooku left the Order a long time ago.

“I… retired from active service,” Dooku says, equally diplomatically. “I act as a… consultant from time to time.”

“It’s soooo funny how I’ve never heard anything about that or this clone army the Jedi ordered,” Obi-Wan says, making direct eye contact with Dooku and probably trying to read his mind (to no avail). “The one they ordered ten years ago before there was ever any thought of the Jedi being actively involved on the frontlines of what isn’t a declared war. What would the Jedi want with a military in the first place?”

“How old are you, young one?” Dooku deflects in that fake kindly condescending grandfatherly voice. “How long have you been on the Council— Oh you’re just a Kniiiiight, that’s right, okay I see. How interesting. How much information are you actually privilege to, Obi-Wan?”

And this is all happening even before Obi-Wan Nancy Drew’d his way to Jango Fett’s private quarters!

Obi-Wan KNOWS he can’t go rogue right now when he’s that far from his ship on a city surrounded by an ocean and a literal army of clones soldiers (of that one super efficient bounty hunter, whenever it is he finds that out) all apparently under the command (?) of someone who definitely definitely super should not be speaking or doing or ordering anything under the name of the Jedi Order.

Count Dooku (who he doesn’t even know is a Sith yet) could very easily accuse him of being an impostor and have him detained or attacked or killed on sight. Zam Wessel was already established to be a shapeshifter in this movie, so it’s not outside the realm of possibility for Obi-Wan to not be who he says he is (which is kinda true?? since he WASN’T the Jedi ambassador for the Temple there to pick up his to-go order of a quarter-million identical men, with a million more on the way??). The Kaminoans might not even know much else about Jedi and Sith aesthetics besides “Wears robes” so if Dooku pulled a red lightsaber it might not even faze them, since he’d be able to provide more information and correspondence proving he’s the ‘actual’ Jedi anyway

Like can you imagine a fight breaking out not just between Kenobi and Jango, but a team-up of Jango and Dooku against Kenobi? That would have jumpstarted some of this clone army business a lot earlier in the movie and actually addressed what should have been the biggest conspiracy, coverup, and militaristic move of the MILLENNIUM

[majouartings]

guess who's been playing ace attorney again IT WAS ME

sometimes the real otp is you x the ship that altered your brain chemistry for a little while when you were 18

[dailyhtfboards]

Day 47

Today’s board is:

It’s been so long since we’ve had a Giggles board!! Here she is, quite well rested.

(From TV episode 12A I’ve Got You Under my Skin)

[xxplastic-cubexx]

thinkin bout magneto's lil list of aliases from that One Shot of his government file or w/e in 97 and how it lists the three main men who've played him (David Hemblen, Ian McKellen, Michael Fassbender) and kinda cackling at the idea 1.) if they included All his names 2.) having 'michael' on that list twice

[comradecowplant]

*** weewoo weewoo, Severance rant incoming, avoid or gather 'round depending on your preference, weewoo weewoo***

oofda Severance went from what's gotta be the best episode in the series-- visually, emotionally, character drive, general plot development, etc.-- to probably the weakest. Dgmw, I absolutely adore Patricia Arquette's performance as this sad off-putting woman and was eager for a Cobel check-in, but back-to-back bottleneck episodes leading up the finale was a TERRIBLE pacing choice, just completely missing the mark in a season that has already been plagued with pacing issues-- I'm lookin' at you, beloved by many but meh to me bc I have never been a melly shipper & thought it was a frustrating cut-away from the previous episode's dramatic final moment, Woe's Hollow-- & did not really provide much new information/plot momentum to make up for it-- yeah yeah Cobel lifelong Kier cultist, child labor & mommy issues, groomed & exploited scientific prowess, Lumon ruining anachronistic ether-huffing towns economically & spiritually; didn't really dig deeper or meaningfully build on anything we already know of in a away that needed to be a full break-away episode for, imo. Coulda & shoulda been the b-plot to a Milchick's continued spirit breaking/background to Ms. Huang (which would have very much thematically tied together to each!) -focused episode. And considering how short the episode is compared to the rest, I kind of suspect it might have began production that way but it was changed for some reason further along, but that's purely vibes based speculation.

These pacing issues paired with the knowledge that there are only nine episodes a season in this silly era of television, I am increasingly nervous about the finale, particularly considering ms dipshit mama bear super sibling withOUT a background in neuroscience who thinks she knows better than the scientist who was already digging around inside his noggin Devon followed through and reached Cobel 🤦‍♂️ like, clearly there are cracks in Cobel's Kier worship/Lumon militancy-- I think she has an ego that 1) cannot forgive how tossed away she was, especially with the newest detail of her being the overlooked inventor of the severance technology, & 2) despite the indoctrination, she has enough self-preservation to bridge the cognitive dissonance that rationalizes Lumon's abuses now that it's HER that might get locked away in the mind wipe torture basement-- but you're watching a different show in a different universe if you think we've gotten any evidence to strongly indicate that she is actually trustworthy. As the inventor of the chip she could be the perfect person to help Mark with the final reintegration steps... or, as I suspect will be more along the lines of what will happen, she could activate any of the other "modes" that have so far been only eluded to/cause further brain damage/betray mark & ragbhari to leverage herself into a better position with lumon/whatever will benefit her in her quest for... well, besides survival & credit for her invention, I really can't say for sure what her motivations currently are, but legitimate compassion & concern for Mark/the innies certainly are not among them.

Idk, just overall I think this season has put its hands in too many plot pies, especially now that the other outies have been given more character development time, a choice I've liked overall but that has not been 😏 integrated 😏 well with the rest of the story, largely because (forgive my repeating myself) of the pacing/9 episode limit-- we've gotten the central Mark reintegration plot, then we have melly romance b-plot, dylan emotional affair with his own wife c-plot, outie irv + his relationship to the testing floor & whatever the fuck is going on with burt/his husband d & e-plot, milchick being racially micro-aggressed f-plot, ms huang & the spectre of child labor g-plot, nasty lady helena eagan & her sinister side swept blunt bang h-plot, whatever cobel's deal is i-plot, the general overarching What Evil Mysterious Schemes is Lumon Up To j to whatever plot, and finally, the most pressing plot point to me that has been frustratingly shelved until episode 7, What's Happening to Gemma plot. I don't expect nor want wrapped packages with bows, but satisfying narratives involve give and take, and I simply don't have much confidence in the real estate provided by the 49 remaining minutes of the season that we'll get much of anywhere (except mad over what bad things are likely about to happen to Gemma, that is one thing I have begrudging confidence in 😔)

[eyesonjupiter]

When you start a rewatch of Babylon 5 after many many years.

And you realise that there must be loads of content on tumblr.

But you can't really interact with it because the person you're watching it with has not seen it yet and is also on tumblr.

[stripedchickens]

Watching danny motta watch the owl house (because I tried once a while ago and had to stop a few episodes in because I couldn’t handle the filler episodes- a huge mistake on my part) THE IDEAS !! For self insert fanfiction mostly-

I am loving danny mottas hype and love for the show! And getting to learn more about it before watching it has definitely made me want to watch it fully on my own now. My plan is to read some fanfics and then watch the show so I can’t wait to be more into toh!

[the-judicial-assistants-notebook]

You mentioned how actually endearing and compelling Justine/Verity and John/Shaun's bond is, and BOY I so agree with you. I don't see people talk about them often sadly, but I genuinely think it's one of the strongest parts of the game and its narrative (in particular John's character development itself, despite that he appeared pretty late in the story, his involvement in the final sequence was really tasty. "If I kill someone for revenge I'll end hurting people dear to me, so it all will be pointless" hmmm if there isn't a certain samurai guy in another game who needed to learn this as well... but I digress)

Prosecutor's Gambit's parent/child theme is a pretty heavy handed topic, but it's not like there aren't some really amazing parts in this whole deal! I kinda don't even care about the mastermind as much as I care about John (and Kate Hall for this matter)

THEY ARE SO IMPORTANT TO ME!!!!!! I think much of their appeal comes from Justine's shift in personality after her connection to John is revealed (like her joking about smashing Edgeworth's evidence with her gavel), but also every interaction of theirs is so sweet and lovely.

I love how protective they both are of each other, and it makes all the more sense when you take into consideration that Justine wasn't much older than a child herself when she decided to adopt him. I love how they take care to show that, yes, to an extent, they both do look after each other, but Justine is still very much his mother, and she does her job well. The scenes where she's strict with him are so deeply important to me. You know she studied parenting books and did everything she could to prepare herself for this life. And yeah, John is such a great kid!! Genuinely one of the best parent-child relationships in the series to me.

I found it kind of funny how every other relationship in AAI2 involved a dad HAHA It was so much, but I get it. They really wanted to make sure you got what they were going for, and hey, most people seem to like it. I really liked Gregory's segments, which was a welcomed surprise. I didn't expect to love him as much as I did. And, yeah, the mastermind stuff did not work for me. It's probably because I didn't trust Simeon from the moment I met him (their heavy handedness worked against them in his case for me. They were pushing the idea of him being meek and unassuming too hard; I clocked it immediately as a red herring); but even the overall reveal and final confrontation were, like... eh. okay, then. HAHA The best parts of the game for me were those character interactions with the side character. Wasn't really paying attention to whatever was going on with Simeon and the president, but John, Justine, Sebastian, Katherine, Gregory, and Raymond? My actual world.

Also taking this opportunity to share all the screenshots I took of John and Justine <3 :

[july-19th-club]

favorite type of villanous characters are the ones whose motivations boil down to

like they dont even have to have any stakes in the broader situation. they just have take pleasure in destruction

[haarute]

it's amazing how almost all of my friendships (and by almost all i mean Every save like three) are ruined by my own self essentially swerving into a wall and crashing on purpose due to my inability to believe my company could ever be even slightly desirable to anyone and i'd rather just burn it all and die than see myself as someone who intrudes and abuses people's kindness out of my own selfish desire to want companionship.

[milflewis]

.

[todayisafridaynight]

so magical that yakuza 1 and shadow the hedgehog came out the same year........ 2005 the best year for sega honestly.....

[mar64ds]

sometimes i think about the passage of time and how some pieces of media will be forgotten, but then i realize in the future people will probably make 20 hour long video essays about old media, introducing people to it and creating a fanbase for it all over again and it makes me smile :)

[dontmixpaintinyourcoffee]

HELLO IT HAS BEEN… squints at computer clock... AWHILE! I must ask, as it is pride month, what're your favorite gay ships/LGBTQ+ headcanons for the EAH characters?- Looking Adoringly Anon

Hello Looking Adoringly Anon! Lovely to hear from you again (for anyone wondering, I am still making the eah redesigns, I'm just on an unofficial break because time is an illusion and my brain hurts)

For ships, definitely Apple and Darling, there's a lot of fun stuff to be had with the destiny mechanics and metaphors for heteronormativity, and I really like the contrast between Darling hiding herself to give herself freedom versus Apple hiding herself in order to maintain social status

Other headcanons include:

•Raven and Dexter are both bisexual

•Ashlynn is transfemme

•Apple and Darling are both lesbians

•Farrah is nonbinary and uses any pronouns

•Cedar is questioning, and she and Cerise (who is gay) definitely stay up late talking about identity and queerness and society on the regular

That's about it, I don't have a lot of very specific headcanons, just broad ideas and inclinations for different characters

HAPPY PRIDE Y'ALL!!!!

[bmpmp3]

its interesting as someone who used to be a bit closer to the very online capital A "Art Community" but is now a little more outside of it and focused on local art academia etc instead because the former always compliments me on "art style" and the latter always compliments me on the supposedly bizarre subject matter choices i make... its not bad its just interesting to see those two bubbles and how surprisingly separated they can be. unfortunately for them both, my art style is only Like This because i have a learning disability that slightly colours every line i draw and the unusual compositional choices like only drawing one eye and shit is because i was on deviantart in 2009 <3