#talk with the wall

[vixxdaemon]

I need everyone to consider putting red eyeliner on O’saa. Trust me, it’s healing.

[daenerys-targaryen]

CAPT CAROL “AVENGER” DANVERS

[chrisery-business]

my biggest issue with the httyd live action-and just about any live action reboot is that it seems that the live action adaptations are being made to make the original “better”? like, so many people talk about a live action spiderverse, a live action hercules, a live action PRINCE OF EGYPT (dont piss me OFF.)-like animation is a beautiful work of art, and for some reason putting real people and cgi in it is supposed to be an “upgrade”? im probably being that friend that’s too woke or whatever, but i just think it’s so disrespectful to act like something that takes so much time and effort and energy is immediately considered as lower because it is animated. animation is beautiful, and it is one of the most heartfelt art forms there are, and erasing that for the sake of a cash grab is downright degrading to animation as a medium.

[lacependragonwrites]

"How do you brainstorm your ideas and stories?"

Listen, man, I've been using thinking about fictional characters and their problems to avoid thinking about The Horrors since I was single digits in age. I have no idea how to start. Nor do I know how to stop. The inside of my head is constant "what ifs". I just made them fun instead of horrifying.

[mirror-mariposa]

Never gonna get over how the anime made this scene just so,, haunting and elevated. Like I love the manga but I love how the anime has taken these scenes and elevated the themes of death and rebirth with simple shots like this and it’s why even after reading all of the manga I still get excited for the anime because I *know* the anime will not only be a faithful adaptation, but also an artistic masterpiece as it uses the medium to its advantage

[chloesimaginationthings]

I can’t wait to see mangle in the FNAF 2 movie,,

[sunsetcurveauto]

percy with road rage and blaring the horn of hermes's taxi. NEVER forget my boy is from new york

[lylahammar]

skinny ppl learn to shut the fuck up when the conversation isn't about you challenge

[titanofthedepths]

Yes you’re not fatphobic but are you capable of talking about fat people in a positive manner without saying somft/round/rotund/squishy/tumby/chumby/any other variation of the sort. Are you capable of talking about us in a positive manner without it being about beauty or attractiveness. Are you able to talk about fat people in general without being dehumanizing or infantilizing. Can you treat fat people with respect.

[freshfrenchtoast]

Kageyama's backstory only being revealed near the very end of the series is really interesting from a meta perspective.

For reference, his chapter is 387 out of 402. That's 96% of the way in.

To contrast, other characters like Tsukishima and Yamaguchi's backstories are shown in Chapters 87-88.

Now, we do get the explanation for his "King of the Court" title in Chapter 6, at the start of the series, but we don't see how he got to that point, or why he started playing volleyball in the first place like Tsukishima's and Yamaguchi's stories show.

It creates this situation where, despite being the deuteragonist, the character our protagonist, Hinata, is practically glued to the entire series, we barely know anything about him.

We don't even know he has a sister until that point whereas other characters' siblings like Natsu, Saeko, Akiteru, Alisa have all made appearances way before then. Even Oikawa's sister, though we don't see her, we at least know she exists because of Takeru.

He's both closed off to us (the audience) as well as the other characters in the series, and this results in them finding him rude or disliking his character in general (see: the "Kageyama is abusive" discourse that somehow keeps popping up even now).

Chapter 387 takes place in 2018 and was published in 2020 so it takes him 6 years of in-universe time and 8 years of irl time to really open up.

And the catalyst for all of this is Hinata fulfilling his promise of beating him.

You see, another thing to note is that, whenever Hinata thinks of Kageyama, he's always looking at him from behind.

His internal image of him is someone who's always up ahead, someone he needs to catch up to, meaning Hinata can only see one side of him, he cannot see all of Kageyama until he catches up and passes him.

Which he finally does here.

In this shot Hinata is finally the one who's looking back at Kageyama. At this moment, Hinata (and by extension the audience) can see him for all he is, can see how he was just a lonely boy who's been waiting for someone to meet him where he is, to keep running alongside him and not quit the race.

Someone he doesn't have to go easy on. Someone who would actually tell him to hurry up instead of slow down for a change.

His someone better.

[mimefish]

ok so did anyone else jump at the lore potential and imagery and symbolism of joel walking down a long narrow corridor to a red door he created to end his series completely of his own volition only for the trap to not work and embarrass him in front of the spectators who were all watching at the time btw. so he just had to go off and kill himself with ender pearl spam. anyone else

[oooocleo]

ok! new year is the time to finally put up some of my work on INPRNT... i want to focus a bit less on individual shop sales/shipping&packing in 2024, in favor of bigger projects, hence this first step in that direction!

INPRNT link here! ✨

[showaboutdeath]

hey guys, "cringe culture is dead" means letting proshippers do whatever they want with fiction, hope this helps 👍

[ladystoneboobs]

so, one aspect of catelyn which i think is underrated (certainly the biggest adaptation loss which nobody talks about) is her, let's say superstitiousness, or better yet, let's call it genre-savviness, being one of the few adult characters open to magic and the supernatural in this fantasy world. we first meet her in the godswood, home of gods which are not truly hers, yet she is still very aware of their power. when she and ned talk of the deserter he killed, he hopes he won't have to go with the nw to deal with mance rayder, but she has even more fear of that idea bc there are worse things beyond the wall than just wildlings. ned scoffs and says she's been listening to old nan too much, but she's right. we already know from the prologue that she's right! and here she is, understanding the genre of their world better than her husband, who was actually born and spent his earliest years in this northern land of deep magic, listening to old nan's stories. same with the direwolves, where she was uncomfortable with them at first, but later believed in them as guardians from the old gods even after robb had lost his own faith. and once again, we know she's right even if she doesn't know the evidence to back up her instincts, bc summer and shaggydog did not fail bran and rickon and robb was almost certainly a warg like his brothers. (perhaps making it more fitting that she's the one brought back as a fantasy vengeance monster, not ned and robb, the most unbelieving dead starks.) and in her 2nd agot chapter, everyone focuses on her ambition in wanting ned to agree to the hand job (pun intended) and sansa's betrothal, and while she does recognize the value of their daughter being a future queen more than ned does, that's only her stated argument bc she thinks it's rational enough for ned to listen to. (if ambitious matchmaking were as important to her as to her father she never would have made those frey betrothals fandom loves to blame her for.) in her own head there's a deeper urge driving her. she keeps thinking of the dead direwolf with antlers in its throat, an omen which filled her with dread from the first she heard of it, before robert's arrival, and thinking of it again is what makes her desperate to convince ned not to refuse robert. she had to make him see. and really, she's not wrong, as jon snow would say. the dead direwolf was an omen of ned and robert getting each other killed. it's just one of those misread portents, with no way of knowing the danger to ned was in his loyalty to robert, not conflict with him. BUT the next time she's dealing with baratheons, she knows exactly what she's talking about. it's catelyn, not brienne, who sees the shadow slaying renly, and explains that it was stannis who did that through some dark magic. with no way of knowing how it was achieved and no prior expectation that such a thing were ever possible, she realizes with no hestitation that stannis was guilty and that his red witch was capable of pulling this off somehow. really, the only instinct of the supernatural she's wholly wrong about is her insistence that varys gathered his knowledge through some dark enchantment. however, though that might offend varys, given his own personal experience with a sorcerer, i'd say it's a reasonable assumption without knowing the dude had children moving through walls everywhere like oversized rodents. and imo it just shows she had a healthy respect and awe for varys's power which most other characters lack.

oh, oh, and let's not forget that she also believed in the curse of harrenhal, from her own childhood and the stories old nan told her kids. "and every house that held Harrenhal since had come to misfortune. Strong it might be, but it was a dark place, and cursed. 'I would not have Robb fight a battle in the shadow of that keep,' Catelyn admitted." sure, that wasn't enough to save robb, but he did not die from the curse of harrenhal. that doom was meant for his enemies from tywin lannister to roose bolton.

[luminarytex]

my babygirls oh how i love them and their joy

[allysdelta]

CrossOmens Part 1: A Long Time to Hope

Part 2: A Matter of Character Part 3: Book-Bound

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