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SIMONE ASHLEY Eve & Paradise Lost (2024) | dir. Dominic Savage
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heartbreak weather!
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desperately desperately searching my room for the signed pic of Christopher Ecclestons parasite in chief post
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no “carrd.” you learn things about me based on what you can piece together from the vague details of my life I disclose in rare moments of vulnerability
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i love filtering tags like. no. i do not want to see it. goodbye.
and then it is gone forever except for the fact that I am now presented with the most enticing button in the world
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The finished watercolour of our boys enjoying a walk in the woods.
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wirt from otgw really is one of the best written teenage characters ever i think. like. he's 15-16-ish and wants people to take him seriously SO badly, but he also struggles to take responsibility for most things. he's dripping with anxiety. he overcomplicates everything in his mind but sometimes he has lapses of impulse. he can be surprisingly blunt when he's angry. he can't help but hate his little half-brother (and stepdad) out of spite and it takes both of them nearly dying for him to start working through those feelings. he's really creative but he keeps his interests in poetry and the clarinet a secret because he thinks it's fucking embarrassing. he reads real estate magazines and knows a lot about architecture and interior design, which is such a random little detail but i love it. he's self-conscious and lowkey suicidial and always assumes the worst in other people's view of him, but BASICALLY EVERYONE BACK HOME LIKES HIM, including the girl he has a massive crush on, and he just can't see it because he never makes an effort to reach out. every minor stepback feels like the end of the world to him. he has no idea who he is or what he wants.
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the locked tomb series is really like. maybe love doesn't conquer all. maybe love is not pure and good and holy. maybe love is not a white dove come to save you from yourself. maybe it won't fix you. maybe it'll make everything worse. maybe love is dirty and ugly and terrifying and awful. maybe it'll kill you. maybe it'll warp you into something unrecognizable. maybe love is a parasite and by the time you realize it's there, it's too late to tear it out of you, no matter how badly you might want to. maybe it's a cordiceps fungus, tangled up in your nerves, making you do things you'd never ordinarily do. maybe love is a dog with its jaw locked on your arm. maybe love is an angry ghost. maybe love is a brain hemorrhage, a seizure, two weeks of sleeplessness and cracking open your own tibia unanesthetized in a bathroom. maybe it's the ocean you'll drown in. maybe it's poison. maybe it's scary and filthy and difficult and bad for you.
so what now? are you going to stop? are you even going to try?
no. of course you aren't.
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The charm offensive
A tiny scene from this ficlet by @pipwasreal
This commission was very fun, because drawing Niko AND Charles smiling is always fantastic. Plus, our boy deserves some praise!
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Edwin Payne & Monty | Dead Boy Detectives 1.06
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I love how many small moments there are in the show where Charles and Edwin just look at each other to check in with each other. As if their reaction only makes sense if it is mirrored by the other. It's in this kind of synchronicity and their seeking & giving of reassurance that we can really see that they have been together for over thirty years..
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I'm not gay bro I just feel some typa way when the blade of your sword tickles my neck. I'm on my knees because you knocked me off my feet. I can't meet your gaze because I'm forced to confront how my hubris has led to my downfall. I'm blushing because you're hot
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House MD is crazy because it'll go from "haha Wilson & I are doing fun little bets" to "Chase fucking killed someone and got away with it" back to "House is doing clinic duty and told someone Parthinogenisis is real??" And then to "House hallucinated an extremely intimate sexual encounter with Cuddy and goes to a fucking psychiatric hospital" and then "LIN MANUEL MIRANDA & HOUSE RAPPING IN THE TALENT SHOW YEAHHHH" and it's like??? SO WHAT THE FUCK AM I SUPPOSED TO DO ABOUT THIS INFORMATION????????? It's constantly throwing the audience around between being silly and lighthearted to some of the most tragic, crushing, sometimes downright PAINFUL plotlines imaginable. That is what makes this show SO. DAMN. GOOD.
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Edwin finding out about the existence of audiobooks and buying some to Charles because 'he seemed to quite enjoy listening to stories read out loud and now he can also do so when Edwin's not around'.
Soon he notices that Charles won't ever listen to them. Edwin feels a little sad that his gift is being underappreciated, which then leads to Charles admitting that him enjoying it when Edwin reads out loud was much less about the book part and much more about the Edwin part
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