FUCK IF THE TOUCHED SPEECH MADE MY HEART COMBUST THEN WHAT DID THE END OF DAYS ONE DO ???? such a perfect whole scene with the comedic greeting to the awkwardness to buffy basically calling him an idiot in 3 different ways (and using one of his made up words back at him) and then actually being real with spike and telling him their moment wasn’t just nothing but meaningful to her to spike telling her it was the best night of his life (twice he says this) and how he finally felt close to someone (and to her) and he is terrified (because he has loved her for so long and is used to it going nowhere and doesn’t want to push her after what he did) to buffy reassuring him he doesn’t have to be terrified to them actually starting the first real convo about THEM
this scene is full of love but it rips my heart out and it is so angsty still because with the big battle incoming neither one of them knows who will end up alive after this (if they win) and if they will be both be alive after this AND BUFFY’S FACE IN THE END (AND WHILE LISTENING TO SPIKE AND HER SOFT ’’SPIKE’’ WHEN SPIKE SAYS HE CAN’T DO THIS BEFORE OPENING UP TO HER)
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there's this post going around on twitter of someone giving their opinion that idol's dance skills are the least important to them and that they are artists first and they don't hear the squeak of their feet on the track so why does it matter, which is something to also unpack in itself, but then someone quoted that tweet being like "idols... are...artists?" and.... i just can't help but stare because if this doesn't show how people don't take idols artistry and talent seriously and only see them as content and not people then i don't know what does.... so you are telling me this WHOLE TIME... you thought they couldn't be classified as real artists even tho they spend years and years training to debut and spend days practising for performances and recording and doing wtv else but you still THINK... they shouldn't be called artists like?? if you genuinely think that it means that you don't actually like the music they produce and the performances they do which also begs the question: if you don't like it... WHY TF ARE YOU HERE THEN??
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Yoooo Voli I made ya a Electrochemistry × Volition playlist https://open.spotify.com/playlist/19Au6o98AzOf4hEGLMHKtB?si=7kBYYWAhSR-TuLPYicpgYg&pi=a-iR4K2sFbQsWA
also I can't DM you bc you don't follow me, LEMME IN PLS :3
oh hi hello! oooh, hold on, lemme add the link so its clickable. some cool songs in here, thank you for sharing :D!!
also yeah, sorry! :'3 DMs make me nervous and uncomfortable unfortunately, and i much prefer communicating through asks and comments if thats cool!!
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one of the top 10 most shocking facts about me is that i only started listening to sam fender's music today
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ugh ohmygod so I saw this post and it made me so mad that I simultaneously wanted to reblog it just to rant in the tags and to not reblog it so that I could avoid sharing it with /more/ people
listen. music is universal. when a singer, songwriter, producer, lyricist, musician, team puts something out into the world, there may be emotions that they are trying to put into it. They will draw on these emotions as they perform and edit and refine this thing they are making. There may be a story they are trying to tell, an experience they are trying to communicate, and this may not be straightforward; there is a level of abstraction between conceptualization and realization that I am convinced exists to some level in all pieces of art like this. This is not a flaw; this is marvellous. When I the listener interact with a song, or an album, or an artist's entire body of work - the emotions that I feel and the story that is conveyed to me may be just. absolutely different from the artist's intentions and their own experience. It may resonate with me in an entirely different way than intended; it may resonate with someone else in a separate, distinct, discrete way. My and others' awareness of the artist and any context they have made clear may play a part in this or it may not; it depends on how I interact with music and how readily available this information is.
All this is to say: the only fucked up thing with this whole gaylor shit is the part where people are convinced that their interpretation of her music and the way it resonates with them indicates some fundamental truth about her identity. The only person who knows that is her and frankly it's none of anyone else's business and it's probably not that interesting anyway. But!!! this does not mean that her music cannot resonate with someone's experience of queerness!!!! It is story and song and a vehicle for emotion, and the details that make something sing true to someone's life and values are not pinned to the artist's "true identity" like a fuckin. butterfly to a corkboard. there is VALUE and DELIGHT in being aware of some additional dimension of queerness by virtue of the singers intentions or identity or whatever but that's a fucking BONUS you NIMRODS the only thing you need is a heart to feel things and a song to feel them about it's about YOU and how you interpret things. you change things just by existing!!! the only person to experience a song the way you do is YOU!!! "if I wanna listen to gay music I'll listen to gay ppl singing about gay sex" good for you!! but what a sad and limited life you must lead to need the significance and meaning of art spoonfed to you by author bios.
AND THEN. fucking condescending ass AAAAAAAH listen. christian rock can slap. i say this as someone who is markedly not christian. and even if you don't think it slaps that's fine. but the fact that someone's out here going "oh poor limited babies who've never listened to real proper good music before projecting sasanaru onto christian rock because they've never known anything else" grow uppppp!!! first of all!!! nobody. NOBODY. is out here saying 10,000 reasons by matt whatever is about sasuke and naruto kissing. you know this in your heart of hearts, just like you know deep down that there is VALUE in eking out meaning in places where you don't expect to find it, and in places that have some connection to the earliest parts of you. (and even if you aren't doing this, aren't interacting with the context of the music and its genre, see above re:universal fucking language). you've probably done it before. it's tumblr, land of transformative works and webweaving of course you have. how limited in scope must you be to think that people who listen to a genre you don't value but who are also queer or something must be just poor deprived children, limited in resource, waiting for that next evolution i'm gonna weep. anyway listen to relient k cowards
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My college’s music department is doing a really good job of making me not want to join. They’re disorganized as hell, kind to freshmen but incredibly rude to upperclassmen and going so far to literally tell me I shouldn’t join their program. I literally did not ask, I was just trying to get information on the audition I apparently don’t have to do!! Or maybe I do because I’m about to have another long email chain of email forwards because no one knows what they’re doing.
Like I don’t want to let a couple of rude people beat me, but wow my passion for music has been crushed so fast.
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So I guess it’s time for me to advertise to the entire neighborhood how insufferably neurodivergent I am by blaring a very specific playlist on a portable speaker while I ride my bike around the neighborhood, wearing very specific clothes — holding my hands, face, and posture in a very specific way — and pray to Satan (not really… I’m agnostic just like someone else, unironically) they understand what I’m trying to tell them with the music, and make the connection between the name I’m alluding to and exactly what that name means, and put two and two together that the name will happen to them if they take any pamphlets from my father seriously and decide to convert to the path of “everlasting life on a paradise earth” ahahAhAHAHAHA I AM MAD SCIENTIST! (sunuvabitch)
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