#tales of dunk and egg

[kazz-brekker]

even though he only appears in 1 dunk and egg novella, daeron the drunken IS a genuinely interesting character to me. a lot of asoiaf is about exploring the more realistic outcomes of very traditional fantasy ideas (what if the vows the loyal knight swore required him to stand by while his king horribly abused people? what if the beloved prince eloping with a young lady caused a massive civil war? what if the warrior who overthrew the evil tyrant had absolutely no interest in the actual job of ruling?) and daeron is an exploration of what it would actually be like to have prophetic visions. would you find them fascinating and try to understand what they meant and what would happen in the future? or would they be frightening and overwhelming and not actually provide any guidance, only a horrible sense of dread that something is going to happen that you don't understand and can't prevent? would you embrace being able to know what was going to happen, or is it something you would try to forget at all costs if there's nothing you can do to change it?

[sierrabravoecho]

Words won’t be able to express how pissed off I’m going to be if George Reorge Rartin Martin decides to double down on the literary parallels between Dunk/Rohanne and Jaime/Brienne and writes in one measley farewell kiss before Brienne rides off into the sunset on her knightly quests

[greenbloods]

guys ive cracked the code

[wyattabernathyus]

Brynden and Daemon II

[demifiendrsa]

First footage of A Knight of the Seven Kingdoms

The Game of Thrones prequel series, A Knight of the Seven Kingdoms, will premiere on HBO in 2025.

[sirenascelestiales]

I forgot to add my favorite part of the Tales of Dunk and Egg/A Knight of the Seven Kingdoms is that Egg cut holes in his straw hat for Maester the mule :)

[darejani-artist]

🎻DAEMON II BLACKFYRE🎻

[goodqueenaly]

Was King Maekar or any of his vassals directly involved in the downfall of House Lothston? Also, how much of Danelle's rumored dark magic was real and how much of it was misogynistic propaganda?

Long, more under the cut:

We know virtually nothing about the downfall of House Lothston, other than that “[t]heir line was ended in madness and chaos when Lady Danelle Lothston turned to the black arts during the reign of King Maekar I”. Whether King Maekar himself participated in bringing down House Lothston and raising the Whents in their place, or whether he merely oversaw a local rebellion or indirect royal response against Lady Danelle and performed the executive cleanup afterward, is impossible at this moment to say. Certainly, Harrenhal sits close enough to the border of the Crownlands that those Houses sworn directly to the crown could have participated in dethroning Danelle, either because they had a vested local interest in doing so and/or because Maekar may have seen them as a useful ready force to respond quickly. Additionally, Maekar was certainly not shy about responding personally, and especially militarily, to threats in the realm: his leadership in the First and Third Blackfyre Rebellions, his probable intervention against Dagon Greyjoy, and of course his fatal action during the rebellion at Starpike. Given that history, it’s entirely possible Maekar himself led a royal/Crownlands-supported force to depose Lady Lothston (vaguely akin to Bloodraven doing so during the events of “The Mystery Knight”). However, with the only other specific detail in the end of the Lothston line being that the Whents “were given Harrenhal as a reward for their service in bringing the Lothstons down”, this could easily have been a local rebellion led by the Lothstons’ vassals and tenants, and simply recognized afterward by the crown. 

Do I think Danelle Lothston was genuinely guilty of some level of crime, possibly linked to “black arts”? I think it likely. (Which is not to say there was not also, and perhaps at the same time, misogynistic propaganda against her - more on that momentarily.) Number one, GRRM seems to have written the members of House Lothston almost uniformly negatively, or at least without much in the way of positive or heroic attributes. Danelle’s (probable) predecessors as rulers of Harrenhal, Lucas and Manfryd (or Manfred), are the most clearly villainous: Lucas infamously remembered as “the Pander” for his callous promotion of his wife and daughter as Aegon IV’s perhaps simultaneous mistresses; Manfryd decried as “Manfryd o’ the Black Hood”, marked by his vague but ominous “black deeds”. Falena, née Stokeworth, hardly comes across better, given her disturbing sexual relationship with (that is, rape of) the 14-year-old Prince Aegon; whether Falena actively encouraged the later King Aegon’s dual sexual interest, or was forced to do so by her husband, only furthers her negative characterization or adds the unfortunately familiar context of Westerosi patriarchy to the affair. Even the most sympathetic of the Lothstons, young Jeyne, seems to be presented more as an object of pity rather than as a laudable figure in her own right - a teenager used and abused by virtually (or actually) every adult in her life, then abandoned when she no longer proved useful to those adults. 

While none of these figures was specifically described as using magic or “black arts”, the point of the above is to say that I think GRRM is writing the Lothstons along the same lines as, say, the Brackens or Peakes - in other words, narrative heels, almost always the villains of whatever situation the author writes for them. In light of that dynastic negativity, I could see where the author will actually have Danelle dabble in supernatural practices, given that Westeros is a world where magic, including blood magic, is real, potent, and potentially nefarious. Whatever Danelle may have wanted to gain by such magic (and the potential of sorcery in this world is too wide to speculate with any real certainty, given what little else we have on her), she was in a position where, if she so chose, she could magically exploit the resources of Harrenhal’s vast estate - the potential sorcerous knowledge its library might possess (or that she could obtain from other places), as well as the smallfolk she could summon and use - for that purpose.

Number two, I think the very obvious real-world inspiration GRRM is drawing on for Lady Danelle is Elizabeth Báthory - or, maybe more specifically, the popular conception of Elizabeth Báthory. Whatever the actual truth of  her crimes, the legend of Elizabeth Báthory is one of maniacal, even supposedly supernatural bloodshed and cruelty - a sadistic, pseudo-vampiric figure who tortured and killed her young, female victims in a quest for eternal youth and beauty. As GRRM tends to rely on (often woefully inaccurate, ahem Henry VIII) popular ideas of historical figures, I think he’ll likely do the same here - not delving too deeply into research on the real-life Báthory, more simply drawing on the historical/pseudo-historical legend. Again, because this is a world where magic, including blood magic, is real, it’s even easier for GRRM to take the fantastical version of Báthory that has come down in myth and present her more literally with Danelle Lothston. 

Number three, I think the idea of a malicious, and indeed feudally and sorcerously malicious, figure being brought down by the intervention of the crown under King Maekar fits so perfectly with what I see as the development of our Egg from prince into king. What Egg has begun to observe in these first three Tales of Dunk and Egg, and what I think he’ll see more and more explicitly as the Tales continue, is unchecked aristocratic privilege turned to the worst degree, especially against the smallfolk of these estates - torturing them to death for unclear crimes (as Dunk sees in the opening of “The Sworn Sword”), placing them in the bloody middle of their highborn feuds (as I think we’ll read about, quite literally, in “The Village Hero”), or simply letting them suffer without the expected protection of their overlords while those lieges squabble over titles and position (which I think will be a major issue in whatever “The She-Wolves of Winterfell” ends up being called). Lady Danelle being guilty of at least some level of crime, and perhaps blood magic-based crime, against her people would escalate this issue even more for Egg: here was a great local magnate who, despite her sometime allegiance to the crown (as seen in the Second Blackfyre Rebellion), had exercised her personal power at the cost, in blood and/or lives, of the people she was ostensibly obliged to guard and nurture - thereby proving again to Egg, perhaps, the value of promoting greater rights for the smallfolk during his eventual reign. Likewise having Egg argue, perhaps, for his father to bring down, or at least support the bringing down, of a woman who both so grossly abused her feudal responsibilities toward her people and was potentially notorious in her use of sorcery, the author may foreshadow Egg making a similar, but possibly even more dramatic, decision against Bloodraven - denouncing another sorcerer and sometime supporter of the crown who had nevertheless allowed for great suffering among the smallfolk, and who had committed too great a crime to go unpunished. 

Now, again, does Lady Lothston being guilty of some level of crime mean that there is no possibility of misogyny or sexism associated with her downfall? Of course not. Indeed, the very idea that Danelle bathed in blood - a rumor very much recalling Egg’s report that Shiera Seastar “bathe[d] in blood to keep her beauty” - reflects the (male) Westerosi conception of “older” women (again, by Westerosi standards) as “handsome” rather than beautiful, and even that designation is often a concession in light of their age (see, for example, Alerie Hightower). Likewise, because Danelle was a woman ruling in her own right in a patriarchal aristocracy which expects power to flow from males, through males, to males, Danelle was from the outset subject; again, while I still think Danelle was likely guilty of some level of crime, the largely negative social conception of female rule may have formed additional, sexist context to her downfall - “if only there had been a strong male hand at Harrenhal”, for example, or “well, that’s what happens when you give a woman so much power”. (And of course, I tend to think Hoster Tully may have eyed the later female inheritance of the Lothstons’ successors at Harrenhal, the Whents, with an idea of taking advantage of similar misogynistic unease.) Too, Harrenhal’s historical association with women of allegedly maliciously supernatural reputation - Rhaena, who spent her last years at Harrenhal “feared … as a witch” by locals, and Alys Rivers, the so-called “witch queen of Harrenhal”, who held the castle in supposed draconic defiance of King Aegon III - may have again aided the potentially misogynistic context of Danelle’s downfall. Again, Danelle does not have to have been completely guiltless - Alys Rivers certainly maintained an active rebellion against the Targaryen government, and was - for her to be lumped in with the “witches” of Harrenhal’s past, and to have her crimes take on an exaggerated, sensationally supernatural nature - the stories of sending out giant bats to capture children, for instance. Danelle Lothston being guilty and Danelle Lothston being subject to misogynistic prejudices are not mutually exclusive ideas; the author’s excellent exploration of that dynamic with, say, Cersei is proof of that. 

[iheartbookbran]

I’m obsessed with GRRM’s new not a blog post because he’s basically like “I need to hurry up and finish that pesky Winds of Winter thingie so that I can move on and concentrate on what’s really important… the Dunk and Egg novellas!”

[lordbloodraven1000eyes1]

Check out this great Gig I've got from #fiverr https://www.fiverr.com/s/8zADPXE

A seamless pattern I got that's bloodraven themed. Hope everyone likes it 😃

[rozsesandart]

Prince Daeron Targaryen 🐦‍🔥

Youngest child of king Aegon V Targaryen and Betha Blackwood. He was a warrior, with a rebellious character that matched the one of his siblings. For this, he will break his betrothal oath to lady Olenna Redwyne, preferring the company of a knight named Jeremy Norridge, with whom he’ll die in battle.

Art by @rozsesandart

Art masterlist- socials - kofi - commissions info

[greenbloods]

thinking about glendon ball tonight. knight of the pussywillows born in a brothel heir to treason and heroism. sold his own sister for a knighthood you are no true knight ser. you are half a boy and you are thirsty for honor thirsty for glory thirsty to prove yourself. to be as brave as your father who is not your father. they tortured the blood out of you you but they never got your honor. what kind of honorable knight sells his sisters maidenhead? hero's blood or whore's blood it makes no matter. your blood does not matter. some will hate you no matter what you do. but others...they can still be kind. you will never be your father. you never even knew your father. you are the mystery knight but the only one who doesn't know the answer to the mystery is you. your father is not your father. in the stories all the knights are brave and honorable and their steel is true. you could still have it in you to be brave, right? you could be brave

[historicaltargs]

"He had curly silver-gold hair, deep violet eyes, and pale unblemished skin. Aerion's face was sculptured and imperious, with a high brow, sharp cheekbones, and a straight nose. He frequently wore clothing as bright as fire, in red and yellow and gold, and a black cloak bordered in scarlet satin" - ASOIAF wiki

Fancast - Cody Fern

[im-in-andromeda]

there’s something about the way that each of the stories in the tales of dunk and egg series start with death. dunk digging the grave for ser arlan, the two men in the crow cage, the traitor’s head impaled on the gates… i don’t know what that something is but it is Something

[pulksten-blog]

Brynden

[sierrabravoecho]

How I imagine this joke was received when it debuted on Westerosi SNL or whatever