#take me: romance arc

[idleminds]

[clfixationstation]

one thing that I will criticize about Mikasa's character is that she doesn't understand Eren's (and Armin's) dream at all. The only insight we're offered into Mikasa's perspective of their dream is that she doesn't understand it and doesn't know what they're going on about. Like?? She doesn't get Eren's basic motivations?? Unless I completely missed something, Mikasa doesn't know that Eren wanted to explore an unoccupied world with Armin or that he desires 'freedom'. Which again, are Eren's base-level motivations. And she just. Isn't allowed to know??

[specialagentartemis]

something I see a lot, and feel like I have to remind myself regularly not to fall into the trap of:

It’s easy to relate to a character. It’s easy to see yourself in them, to see them as Like You. There’s power in that.

But I’ve met several people now who’ve gotten really angry and upset with me for not liking their fave, or for having a very different interpretation of the character than they do. People who relate so hard to a character, project so hard onto a character, that me not liking them, me acknowledging that the character is a villain, or me just having a different interpretation of that character’s relationships and motives, feels like an attack on them as a person—and they respond to me as such.

I’ve seen it happen enough that I try to consciously remind myself. Other’s people’s interpretations of a character are not an attack on me. I know who I am and that will not change if other people are wrong about have a different perspective on my favorite character.

[ottosbigtop]

Look at my pc boy. My funny Druid dwarf. Also shoutout to this game for letting me go by they/them every time i hear a character refer to me i turn into the wojack pointing image

[listen-to-the-inner-walrus]

If I could be arsed to learn how to edit videos and had some kind of mic, I would 110% make a two part video essay series on the politics of Jurassic World because MY GOD, there's so much to dissect.

The first part would be about how the park is the epitome of neoliberal futurism for techbros, including the way the park so easily falls apart though I doubt that aspect is purposeful. Everything is aesthetic first and function second, and we can't possibly use any of the reliable infrastructure we've already come up with because a train is not gonna get us to Mars, but a monorail might.

And the second would be about the buckwild terrible gender politics going on. The movie is deeply unsympathetic to Claire seemingly because she's a woman who prioritised her career as it's both centre to her character arc and also an inciting event of one of the plots. Not to mention the whole Zara thing or the Owen and Claire thing or the stupid "him, I meant him, line. The movie is rife with misogyny, but it feels like that specific misogyny was isekaied over from backlash to second wave feminism.

I could talk about it all for so long because in a way, it feels like a perfect time capsule for 2015. Back when people took Claire running in heels to be this feminist statement to be made fun of and not just a deeply misogynistic movie trying to sell you feminism. And back when Elon Musk managed to get away with his "I'm the real life Iron Man" shit, and people believed he was smart and all his plans would come to fruition. 2015 was a great time to be a tech bro in Silicon Valley with people just throwing money at all your fake promises.

Yeah. See. This is what I mean when I say I could talk about it forever.

[oh-no-its-bird]

I think a 'surviving as a maid' oneshot where Ash and the queen run away together would cure my depression actually

Same for a fic just about Mio and archmage Ciel interacting in literally any way tbh bc what the fuck the author really thought they could pull a "and there was only one bed" and just have us (the readers) let that slide???? Bitch I see you and I'm so here for it— honestly both from the casual familialness of it and potential shipping. I adore both possible angles of this dynamic

Mio, Ash and archmage Ciel as a dysfunctional little family / maybe throuple (but also it's incredibly unclear what's even happening there) is so compelling to me I'm sorry I'm fully checked out of like all other ships bc that dynamic is so interesting in literally all directions

Rolling it back to Ash and the Queen too, they have such good chemistry and I adore every scene they share together. The Queen has such this like gentle, elegant, tragic air to her that you can just tangible feel. The way I lose my fucking mind whenever Ash gets any real emotion out of her, just, ag. I love them. Fuck.

I can not find a single fic for this webtoon and this saddens me deeply. I think I need to fix this fact immediatley tbh

[sylphwing]

hm. i do not like chilshi 🤔

[tcfactory]

Okay smartass how would you fix Bingqiu if you had your way?

If you actually want to know you could do to be less of a rude little shit about it, anon, but all right.

This is not about 'fixing' anything. Bingqiu is a wildly popular ship and a lot of people enjoy the exact kind of delusional insanity these two have about each other and that's honestly great. Love it for them. Not my cup of tea though.

I think the easiest and fastest way to make them sort their shit out and maybe put them in a position where I might actually be interested in what's going on with them is to take the protagonist halo away. Maybe the System short circuits, maybe it just gets automatically turned off after the extras, don't know don't care.

A lot of Shen Qingqiu's self delusions are fueled by his unshakeable belief that Luo Binghe, being The Protagonist, is Perfectly Fine the way he is. Binghe is the Protagonist, so when there are no character development or obligatory angst events going on he is happy and healthy and a slightly charred good boy and Shen Qingqiu is The Happy Wife who dotes on his hubby and Everything Is Right In The World. Endless honeymoon with their responsibilities only coming to bother them every once in a while. And it makes it way too easy for Binghe to cover up that he's still hurt, still unstable and still insecure by what went down because Shen Qingqiu is willing to take him at face value when he presents his insecurities as just being shameless neediness for his husband. Of course he happily indulges Binghe! But that isn't really helping with the core of the problem now, does it?

Like, Binghe takes steps towards ensuring Shen Qingqiu's mental wellbeing even at the cost of his own as soon as Maigu Ridge is over when he takes him back to the sect. Shen Qingqiu tries too, in his own way (the entire segment in the tombs is all about him putting himself in very real danger for Binghe's sake) but at the same time, this is a guy who completely missed the writing on the wall that Bingge was deeply unhappy in PIDW. As long as he can hold onto his internal picture that The Protagonist Suffered A Lot But He Is Fine Now I don't think he can really offer the right kind of emotional support for Binghe to actually heal from what happened to him and move on to a healthier frame of mind.

If you take the protagonist halo away, then first of all Binghe can, you know, suck a little. Or a lot, actually. The world not making excuses for him and him being a little defanged would be good for him. He gets really nothing he actually wants from being the protagonist - Shen Qingqiu will love him anyway. Mobei-jun will still stick around to back him up and help him out, because he's still Shang Qinghua's favorite fictional son and Qinghua is happy to see Binghe happy, just, you know, somewhere way over there where he can't get jealous tsundere over Cucumber bro and maybe murder him about it. Sha Hualing is still going to be his buddy because he's her best source of human trivia and the writing inspiration for her girlfriend. Not having to be demon emperor and getting more time to spend with his husband would be a relief.

But he would have to be more aware of other people because he's not above them anymore. Maybe even forced to make a few new friends to get by. And his mask will fail and Shen Qingqiu will have to see him for what he is: just Luo Binghe, still hurt and still confused half demon, who loves him very much, but can't make sense of him and is afraid that he will be left behind or pushed away without explanation again and that's kinda Shen Qingqiu's own damn fault.

And Shen Qingqiu can't hold onto his delusions about The Protagonist. He can't willfully ignore that things are not fine with Binghe because he's not the Protagonist anymore and the world only allows that special privilege for the Protagonist. Binghe is just a guy now and he has so many heart demons he needs help with. His trauma from the abyss or Xin Mo can't be brushed off with 'oh that's just part of his blackening he's fine now' anymore. And it might need a little bit of adjusting to internalize that these problems have always been here just below the surface, but Shen Qingqiu genuinely loves Binghe and would want to help him become happier and more stable in any way he can.

Binghe becoming part of the world in a way that's one person among many - building a support network! maybe befriending new demons or actually getting to know and making up with the QJ disciples or finding common ground with LQG and becoming sparring buddies - rather than a protagonist in a sea of NPCs is a lot more interesting to me than whatever he has going on at the end of canon. And Shen Qingqiu can be there with him on that journey, because he already started unlearning the sense of unreality the System conditioned into him, but he still has a long way to go.

[bereft-of-frogs]

In my own self defense, it’s also not that I have any sort of blanket issue with romance as part of corruption arcs: because I truly cannot stop chewing on Marda Ro’s corruption. I genuinely love her character arc and there are TWO romances in it (plus all the real toxic shit in ‘A Closed Fist Has No Claws’)

I think the difference for me comes down to the love/loss between the two books feeding into Marda's preexisting convictions. She had such a strong belief system and clear motivations, which is why I think the Path of Deceit ending worked so well* to show how the romance subplot pushed her further into those beliefs, rather than upending them, and that was just super compelling to me

*(for me at least, I know some people didn't click with it, there have been a few Reddit threads about how it wasn’t clear why Marda flips on Kevmo so quickly, but it clicked with me really well)

anyway, Marda Ro's fall from naive girl who might have eventually chilled out a bit to leader of a violent death cult via a path littered with corpses is genuinely one of my favorite character arcs

[fastcardotmp3]

Re: the tags of that post you just reblogged from me - AU where Steve and Eddie swap roles for just the final fight (Eddie’s with the girls, Steve’s with Dustin) but with an added subplot where we meet Steve’s parents early in the season & maybe they’re trying to get him to grow up/move out/think about his future, or something else, but they’d have to feature somehow so we still get that ending scene except it’s Robin telling his parents he didn’t make it (im picturing a very tragic recontextualising around the phrase “you need to do something with your life” leading to Steve drawing the bats away from Dustin)

That’s just my quick thoughts though, I’d love to know how you’d do it!

oh I LOVE this you've got my brain spinning I have so many thoughts and it's all your fault!!!

(I am so sorry for how long this got)

I think there are for sure many versions of this plotline that could work BUT here goes nothing

I definitely agree that we'd need to introduce Steve's parents early on (in my ideal world we'd have met them sooner than s4 for this plotline but alas I'm not in charge I'm simply posthumously script doctoring) and I think one version of the conversation there could come from a place of wanting what's best for him, but centering itself around ambition and choice in a way that sticks with Steve.

"You had so much ambition when you were still in school, Steve-- all of your sports, how sociable you were-- what happened to that? Where did you lose that along the way?"

And Steve flounders a little bit, because he's gotten to the point after season 3 where he can see himself better from the outside, is just that touch more self aware and good at reading not just other people's feelings but his own.

So it takes him a beat to put it into words, but he's able to, is the thing--

"Maybe I don't need to go down the-- the usual path to end up where I want to end up."

"Is this where you want to end up?" his mother asks, "working at a video store for the rest of your life?"

"It's not about that," Steve shrugs, pouring two travel mugs of coffee all the while, one for him and one for Robin.

Because he knows it's not about that, he spent all of last summer learning it's not about that and the months since discovering that there's a certain amount of peace in knowing that things aren't perfect but that matters less when you have your people around.

"What's it about then? Steve, I just-- I don't want you to get stuck here, when I know you could do so much more with your life if you just chose to."

"I'm not doing nothing with my life, Mom!" he laughs, exasperated but certain for once in his goddamn life. "I'm-- I'm actually doing really well right now, I've got good friends and I've got the kind of job where I'm kept busy while I figure out what's next for me and I'm just... happy, I guess? Like, can't my ambition just be to keep doing stuff that makes me happy? Can't I choose that?"

And he has to go to work, has to walk out and promise her that they'll talk about it more later, talk about it with his dad too, but Steve knows what he cares about and this isn't going to shake his resolve.

What he cares about is this group of people who have changed his life even more than the monsters did, who brought enough good into it to at the very least match the bad, and in some cases (like the girl already monologuing as she climbs into the front seat of his car and accepts her coffee with a mocking kiss to his cheek) somehow usurp the bad.

Steve doesn't have to be what this town expects of him, what most likely to end up rich superlative voters expect of him, what his parents expect of him, because his life isn't about being any particular something, it's in the doing.

It's in the swinging of a baseball bat, the swinging of his fists to keep the people he loves safe.

It's in the morning drives to get Robin to school on time and the late night ones to make sure Dustin meets curfew.

It's in the friendship he's managed to find with Nancy in the past year, the knowledge that this version of them is the best one by far.

It's in the days driving the kids to the trailer park to visit Max even if she ultimately ends up refusing to come out with them, because at least they're doing it, at least they're trying with her.

It's in this, too, when they drive out to Reefer Rick's place and some of the claims of happiness start slipping through Steve's fingers again with the proof that it isn't over, the fight.

But they've beat it before and they can beat it again. It's in the doing, and Steve has gotten knocked down many a time but the thing he always does is he always gets up on the other side.

He knows this. He trusts in this. He's built a fucking worldview around this because that's where his ambition went, Mom.

That's what happened to "Steve Harrington, actually a cool dude."

Steve's humble enough to thank Eddie for saving his ass, but he's done this enough times to still be able to reassure the guy who calls him badass that, "It always looks hopeless right before we win. Don't freak out too bad if it looks like the end of the world, huh?"

Eddie looks at him like he has two heads, says he's jealous of Steve's optimism.

Even Robin tells him that she thinks they might not win this time but all Steve knows is that they always have before. All Steve knows is that his instincts usually work out, let him protect the rest of them long enough to make the big and vital moves necessary to beat this thing.

All Steve knows is that he just, he's changed a lot but-- He's just the same kid who was cocky enough to run back into the Byers' house to fight a monster, stubborn enough to let the Russian's beat the hell out of him before he'd let them do the same to Robin and he--

"I don't know, I still have hope. Maybe this is the first time we actually win. Forever."

There's this sense of finality to it, hanging in the air, and she doesn't look convinced there in the same way she doesn't look convinced when he and Dustin are saying goodbye to the other three at Eddie's trailer, but Steve kisses her once on the forehead and says, "what are you waiting around for? Go kick some ass, your schmuck will be here when you're done."

His instincts have always protected them in the past.

It's his instincts that have him formulating a plan the second he realizes the bats are going to get inside the trailer, going to make a break for the gate and attack whole swaths of people unprepared for such a thing.

Dustin will be mad about being abandoned on the other side, but Steve's pissed him off before and he's always gotten over it.

It's in the doing, his ambition.

It's in the doing, the key to a well-spent life.

It's in the doing, the being of Steve Harrington, overconfident nature and all.

He always gets back up, every knock to the head and blow to the ego, Steve always gets back up, so he holds his ground and fights. Leads the bats away and keeps them there.

His mother wasn't wrong that he's changed, but she wasn't right when she claimed the thing he'd lost was his ambition. He'd found it, this force of nature in his chest that makes him willing to face down hell if it means the people he loves are safe.

He always gets back up, a tail around his throat.

He always gets back up, teeth in his flesh.

Steve Harrington is a pro at getting knocked down.

"I'll get up in a second, just-- just a second--"

"Steve there's-- there's so much blood-- Steve, you need to-- you have to get up now--"

"It's okay, it's okay, we won, just-- just another minute. Wanna see that-- Rob and the others made it back. Then we--can go--"

Dustin is crying. Dustin is holding him.

And Steve is bleeding out, he thinks somewhere indistinct and hazy at the back of his mind. He'll get up and fix that in a minute.

"You die, I die! Hey, hey motherfucker! Don't close your eyes-- you die, I die, you hear me?!"

It's in the doing, really, that Steve does as he's told just long enough to see the other three come stumbling out of the tree line towards them.

It's in the doing, in the choice of it, that he dies knowing they won.

(His mother wails when Robin approaches her at the shelter two days later with sunken eyes and unwashed hair. His father sinks into the closest chair and takes the offered keys to a maroon BMW with trembling hands.)

(It's in the doing that this time, in order to really win, they have to cling a little bit to his hope.)

[pixiesnooze]

When it comes to complex characters there needs to be more than just justification for their actions. There needs to be character arcs and developments and improvement or even a downgrade there needs to be something otherwise it’s stagnant and boring. There also needs to be acknowledgement that, yes they had undergone traumatic situations and experiences and that makes us as reader understand the THOUGHT PROCESS behind the characters actions, HOWEVER that does not mean that those action are inconsequential. For every action made by the character and every decision taken by the character there is an outcome and whether it benefits that character and imposes a (say) traumatic experience on a different character, then that is a completely separate discussion from understanding why the character had done what they had done. I can understand why they did that, in the face of their past experiences but that does not mean that it was right. Whether it was to protect themselves from hurt or having to undergo similar situations (especially trauma inducing ones), that action or decision caused another (innocent bystander) person hurt too. Does it make them a bad person? It depends. Because that is when the character arcs, the character developments the MORE to the thought process comes in. How did they, once they realised the hurt they have cause/continue to cause, undo or reflect or atone for that hurt? Just because we can understand why someone does something they do does not mean they are exempt from hurting people, and making amends, atoning. And no amount of “well they went through this” and “they went through that” and “they didn’t want to get hurt again” takes away from my previous statement.

[airbenderedacted]

IF I WERE WOY CREW I WOULD ALSO FIGHT FOR THE IMPORTANCE OF HAVING THE LESBIAN FLAG SOMEWHERE ON OR NEAR DOMINATOR IN JUST ONE WHOLE SCENE IN THE SHOW  SEND TWEET

[rotisseries]

i havent seen mha since i was like 13, is uraraka and blood girl yuri canon?

technically no but to me yeah it very much is but tragically

[clerichs-xi]

also since im here already another dante sketch where he torments volo in goblin camp by making better rhymes than him

[bagelwizard]

new oc time!!! woah!!

So, me and the bestie @pinkhankie were chatting over Discord and decided to make a couple of silly ocs for fun, and I happened to be creator of this little Biospark loser: Beo. The other two are simply Waddle Doo and Armoria, by the previously mentioned person. Check him out!!!!!!!

Anyways, these three are a bunch of teenage besties who decided to form a rag-tag hero group consisting of a hyper orb, an exceedingly clumsy ninja in training, and a gullible robot who can't read. Surely nothing can go wrong?

[bombshellsandbluebells]

I genuinely mean this in the nicest way possible and not trying to vague blog

but I think sometimes people get a little too convinced by their own theories or the theories floating around fandom that when something doesn’t work out that way, it doesn’t just feel like a let down because what they wanted didn’t happen, it feels like things were set up and then left unresolved when I don’t think that’s always the case