#tags: pre-relationship

[theoceanofasanoya]

day 1 of asanoya: coffee smell (tags: pre-relationship au, fluff, cafe au, non-canon au

“Your usual?” The cute guy behind the counter asks. Asahi’s face becomes hot in a second, and he nods, trying to hide into his scarf to hide his blush. Nishinoya Yuu is charming, confident, and forward; pretty much the opposite of what Asahi thinks he is.

The cafe is empty this early in the morning. Asahi’s coffee time is almost the same time as they open; and since he’s a regular here, they’ve told him he can stop pretending to look around the neighbourhood to kill ten minutes before he walks in.

Today, it’s just him and Nishinoya in the cafe.

“One decaf and one iced americano,” Nishinoya says and doesn’t announce his total. Because it’s always the same, Asahi thinks, then opens his wallet from his tote bag. Nishinoya tuts, startling Asahi for a second. “It’s on the house if you answer two of my questions.”

“Oh?” Asahi looks around for any hints. “Is... Is there a special offer or something?”

“Or something,” Nishinoya grins. His brilliant, confident, toothy smile leaves Asahi’s knees a little weak. The cafe has a permanent coffee smell, and Asahi wonders if Nishinoya does too. And if he does, does he like smelling like it? He seems to be the type to have a great work-life balance; does he hate smelling coffee in the morning, because it reminds him of work?

His thoughts are interrupted by Nishinoya’s first question. “Who do you get the other coffee for? I’ve noticed your friends don’t pick up coffee with you.”

“Oh.” Asahi’s face is definitely too hot now. He glances at the board above them, wondering if he really missed a sign, then responds, quietly, “it’s for me. I drink the decaf in the morning and the americano in the evening.”

“You could come and get it in the evening,” Nishinoya leans over the counter a little bit. Asahi fiddles with his hands inside his hoodie pocket. He looks away, trying to suppress his smile and the butterflies in his stomach. “I’d love to see you around often.”

“I live a little far from the campus...” Asahi doesn’t even know why he’s offering up so much information to Nishinoya, but he likes the little surprised reaction he gets from Nishinoya a lot, so he continues. Shrugging, he adds, “I have too many assignments to work on, too.”

“Okay.” Nishinoya nods solemnly. “Next question: do you have a girlfriend?”

Asahi sputters at the question, looking at the barista with wide eyes. He says, “E-eh?”

“Do you have a girlfriend?” He asks like it’s very normal for something like this to happen. Asahi stares at Nishinoya for a minute, unsure of how to respond.

“I don’t,” he mumbles. “Why do you ask?”

“A handsome man like yourself ought to have a partner,” Nishinoya says, leaning closer to Asahi. His face is more than halfway across the counter, and his grin has become more sly. “Don’t you think so?”

“A-ah. Thank you.” Asahi bows. Since Nishinoya brought up the topic, he carefully adds, “I’m not very interested in girls.”

He omits the ‘for now’ that appears in this excuse. Worse comes to worst, I’ll stop coming here! He tries to convince himself: this guy knows very little about me, I don’t have to worry too much.

“Oh.” Nishinoya straightens himself up, but there’s no malice or disgusting in his actions that follow. In fact, his grin becomes a little wider. “Good to know. As I promised, today’s order is on the house for you!”

“Thank you.” Asahi bows deeper than usual and Nishinoya winks at him in response.

~*~

Asahi stops in his tracks when he finds Ennoshita opening the shutters of the cafe.

He must’ve changed his shift because of me, Asahi thinks and his heart aches. Then, shaking his head, he tells himself, that’s a good. I don’t have to change my regular cafe, and I dogged a homophobe.

It doesn’t help, but he walks up to the cafe anyway, trying to smile when Ennoshita greets him. He places his tote bag with most of his assignments on the counter, and adjusts his outfit. Nishinoya was practically climbing on top of this counter yesterday, his mind supplies bitterly. Don’t start getting your hopes up just because someone’s nice to you.

Before Ennoshita can come up to the counter, the door bell rings.

“Welcome to the cafe,” Asahi says, turning around to greet the customer. He freezes when he finds Nishinoya. His heartbeat picks up. “Oh. Hi.”

“Hi!” Nishinoya beams, taking long steps to reach Asahi. “I’m Nishinoya Yuu.”

“Azumane Asahi,” he says, unable to control the blush rising up his face. “I thought you picked up a different shift.”

“I did,” Nishinoya grins. “Azumane Asahi-san, can I buy you a coffee with my employee discount?”

Asahi rubs his shoulder, looking away from Nishinoya who is somehow more handsome without a counter between them. “O-okay.”

“Do you have a few minutes to chat, along with the coffee?”

“I do,” Asahi lies. He’ll be skipping one class to sit with Nishinoya, but that strongly feels like a future-Asahi problem right now. “What kind of coffee do you like?”

“Iced americano,” Nishinoya says.

[mari-lair]

"I will protect you" local low defense low HP savior promises.

[curseofdelos]

mentally I'm still here:

Nico insisting that neither of them are going to be sacrificed/left behind to satisfy the prophecy is a perfect encapsulation of his growth over the series and it makes me SO soft to think about

Nico as a character - particularly in BoO - doesn't have a lot of self-preservation. He doesn't really care what happens to him as long as the mission gets done. We see this most explicitly after he almost fades into nothingness after the Bryce Lawrence incident:

And again when he considers shadow travelling into Octavian's tent to assassinate him:

(Nico himself notes here that it was unlikely he would survive another jump. If Will hadn't stopped him, he probably would have died.)

In both cases, Nico was willing to risk death for the sake of ending the war. He puts very little value on his own life, and repeatedly argues to Reyna, Hedge, and Will that the possibility of saving camp (a place he never felt welcome at, might I add) is worth the risk of losing his life.

Even before Nico went on the quest with Reyna and Hedge, the others were concerned about his safety. Percy tried to remind him how unpredictable his shadow travelling could be, and Hazel notes that he has been acting strangely lately:

It's not quite clear what Hazel is worried about here, but my interpretation of this scene is that she's concerned that Nico isn't thinking - or perhaps, isn't caring - about what effect the constant shadow travelling will have on his wellbeing. Between Tartarus, the jar, and the Cupid incident, Nico's mental state is at its worst at this point in the series, and I think Hazel is worried he'll do something reckless - something he can't come back from.

And so in TSATS, when Nico is told that he's going to have to leave something of equal value behind in order to save Bob, the old him would have had zero issue sacrificing himself if that's what it took to ensure Will and Bob's survival. This version of Nico, who's been going to therapy w/ Mr D and opening up more and built a little support system for himself, can't fathom it.

Nico in BoO did not have a future. He had fully convinced himself that nobody cared about him or would miss him if he was gone - not Percy who fought for him at every turn in PJO, not his sister Hazel, not his new friends Jason and Reyna. He was ready to leave both camps behind because he couldn't see himself ever being happy there. He couldn't see himself being happy at all.

But now, in TSATS, he has a boyfriend that he loves, he has friends that he loves, and he has a community in Camp Half-Blood. He has experienced so much loss that losing someone else is his worst fear. The old Nico would have considered sacrificing himself to protect Will and Bob. At the very least, he would have kept that option in his back pocket as a 'just in case'; he wouldn't have sworn on the Styx that he wouldn't stay behind.

This Nico, however, is doing much better - not perfect, but better. He loves Will, and he wants a life with him, and he's not willing to give that up for anything. Nico has hope for the future, and he's clinging to that hope with everything he has. He sees a light at the end of the tunnel, and he wants to reach it. He's not willing to sacrifice himself because it means losing that future.

Gone is the cynical pessimistic Nico who assumes the worst because the worst is all he thinks he can have. Here is the Nico who has had a taste of happiness and is willing to fight to keep it. He's not going to sacrifice himself because he wants to live. He's not just fighting for Will here; he's fighting for himself too.

And seeing him go from "if it kills me, it kills me" to "it's not going to be me" makes me so ASDFGHJKL

[historiawon]

WHILE THE IRON IS HOT

You, Rafayel's bodyguard, ask if you can commission him to sketch your next tattoo.

Based on this post. Can also be found on AO3 :)

Tags: gender neutral reader, getting closer (professionally as well as casually), reader is NOT an artist, rafayel is NOT a numbers guy, bickering, close proximity, lots of eye contact

Kindly read under the cut!

They say, ‘Strike when the iron is hot.’

The mantra repeats excessively in your mind as you watch over Rafayel, the person who employed you as his bodyguard. Because the current chances of Wanderers attacking the Mo Art Studio is low (never zero), you give your mind permission to wander. A little. Just a little.

Your mind wanders as far as a few weeks ago: the request at the tip of your tongue. That will later be inked to your skin.

As they say, ‘Strike while the iron is hot.’ You’re standing a few feet away from a brilliant artist. This is your chance.

You cough. “Excuse me.”  

“I have a name,” Rafayel says, as he brushes past you to rummage through his box of tools. He takes out a scraper.

“Right. Rafayel?”  

“What’s up?” He returns to his stool.

“I have a question, and please indulge me: what do you think about doing commissions?”

“Commissions?” Rafayel repeats, as he scrapes the dried pigment off the canvas. “Like, other people paying me to paint for them?”

“Yes.” 

Rafayel raises an eyebrow at you for a split-second before returning his attention back on the painting. He calculates a precise location before scraping again. “In your dreams. I don’t paint for anyone. I don’t even speed up my painting process for Thomas, even if he asked.”

“Even if it will earn you extra income?”

“And extra work! I already work hard enough to finish original pieces as they are.”

You nod and remember the instances of him submitting a painting late. “True. I suppose that your original works already earn enough to support you. . . and Thomas, ‘cause you pay him,” and me, as your bodyguard, you add as an afterthought. Wait, does he even pay me?

(You make a mental note to clarify that later; you have a more pressing concern right now.)

Slowly, Rafayel puts down his scraper and turns towards you. “You want me to paint something for you, is that it?”

“Hm.” You try to be vague. “No, I was just curious.”

“No, you’re not ‘just curious.’ There’s a follow-up question to it; I know.”

Silence hangs in the air as the two of you exchange a prolonged and loaded eye contact. Your breath hitches at the full attention. His pupils glance at your throat before looking back at your eyes.

Y/N, I know, his gaze seems to say.

Your steady look asks: You know?

With a nod, Rafayel’s expectant gaze answers, Try me.

We’re going off topic, Rafayel.  

“Ha! You blinked first!” He exclaims in victory then raises a hand as if to stop you from opening your mouth. “Yes, Y/N, I know a staring contest wasn’t what we were doing. But I know you have a follow-up question.”

“I do, but I was planning to take this slow. I know we have…” you gesture to the space between the two of you, “professional boundaries. I’m not in the position to ask for commission requests yet. It’s not even open.”

“So considerate,” Rafayel teases, but his gaze on you softens. “That’s cute.”

“Still, right?”

His ears flush pink, like he can’t believe what just happened. In a snap, he changes back to his usual self and touches his ear. “Just shoot your shot. Time will pass whether you ask me now or later.”

“My follow-up question was about if I can avail your services for an art commission. You can just draw; no colors. I’ll pay. What’s your price?”

“Assuring me straight up that you’ll pay? I like that in a customer!”

“We’re going off topic, Rafayel.”  

“Hey! What’s with the accusatory tone?” He says as he rubs his ears. The pink turns to red. “You’re no different. You went on a roundabout way just to ask me for a piece! You can just say,” he straightens his posture—highly reminiscent of your current posture that was earned from your job as a hunter—and imitates your tone, “‘Hey, Raf, can you make this for me? I’ll pay!’ Simple. Done.”

You break character and scoff. He chuckles at your reaction.

“Yes, but that was more of an opening rather than ‘off-topic.’ I’d rather know if you accept commissions or not before I ask you.”

“Why?”

“It’s polite.”

You bite back a grin when he makes a face. He apparently notices the way you hold back a smile—he glances at your mouth once and his ears turn red. Again. Redder than that dried pigment he’s been scraping off. “Whatever. I can be polite.”

“I’m not saying you aren’t.”

“It was implied,” he whined.

You adjust your expression back to a more neutral and respectful one to stay on track of the topic.

“So, how much will a sketch cost?”

“Hmm,” he looks at the ceiling and puts a finger under his jaw, which stains his skin with color. He seems too used to it to bother reacting. “Given that I’ve earned my spot in the industry, it would be, I don’t know. . . a lot?”

“Right. Do you have an exact amount?”

“Oh, cutie, I gotta be honest with you…” Eyes on the canvas, Rafayel scrunches his face with some hard-to-decipher smile. He picks up his scraper and scrapes off a small piece of dried pigment in the corner of the piece. A huge chunk of dried powder falls out. Yikes. “I don’t really know much about the numbers aspect. Will you bother Thomas with a hypothetical question? Don’t tell him I’m considering to give you a commission! I don’t wanna deal with his lectures.”

You make a mental note.

“Sure. I will do that. Do you want me to pay you directly? Since I imagine the price will be a lot, I can pay you in installments, if you accept.”

“Wow,” he drawls, tone impressed, “You thought this through.”

“Mm. I’m serious about this.”

Rafayel’s adam’s apple moves as he fixes his gaze at the canvas with intensity. “I’ll decide depending on the drawing. What do you want me to sketch?”

You imagine your budget, yet again. “Depends on the price.”

“Y/N,” he drawls. “We’re going in circles! Off-topic!”

“I was hoping you would sketch a tattoo for me.”

At that, Rafayel whips his head towards you so fast. The crack of his neck is loud enough for you to feel bad.

“What?” He asks, voice hoarse.

“Is your neck OK—”

“For—forget my neck. Off-topic,” he repeats, with his eyes almost teary on you. “Repeat what you said.”

“A tattoo. Just a small one. Under my ear.” At his stunned silence, you continue, “Well, it’s not every day that I can talk to a talented artist. I’m taking my chances and I’ll pay you, I promise. If I’m unable to pay it in full, then you can take money off my sala—”

“You—you want me to draw a tattoo?”

“Yes. For me.”

“I’ll draw it? Are you sure?” he almost chokes on his words.

“Yes, it would be an honor.”

“’An honor’—oh my god. No, it would be an honor to me. Not to you, to me.” Rafayel fans himself with his collar. “Wha—what—what kind of tattoo?”

“I was thinking of a sunset.” You feel a little unprepared at Rafayel’s reaction. His eyes are wide and mouth agape. No amount of spotlight could top the nerve-wracking feeling of someone’s full attention on you. “Like… I don’t know how that would look good, but… preferably, uh, you know those sketches that are made in a continuous line? Like that?”

“Yes.”

“Yes,” you repeat. “Does that look good? Any professional, artistic opinion?”

“Whatever you want,” his voice cracks again. You wince. “It’s a tattoo, silly. It’s supposed to be personal.”

“The mere subject is personal. I don’t mind much about the artistic style it takes to get inked on me, as long as it fits the way I look.”

“On your neck, huh…” he mutters. “I’ll help. Let’s make it perfect.”

A pause. Rafayel stands up from his stool and tears off a piece of paper from a sketchbook. “Uh, you might want to sketch what was in your mind. Then I will modify it, if you’re unsatisfied with what you made.”

“I just said I don’t mind ab—”

“A tattoo is personal. You should draw and I’ll check.”

You wave your hands away from the paper. “Ah, no! I already tried. I’m bad at drawing. That is why I need your help.”

Rafayel avoids your gaze and leaves the paper on the stool. “OK, um, I’ll be back. Let me wash my hands first—”

“You don’t have to do it now—” you say, but the man is already brushing past you to wash his pigment-stained hands (and face). He belatedly locks the bathroom door behind him, and you can hear muffled screams from where you are standing.

What’s up with him? You wonder. Is this what happens when you strike a hot iron? You didn’t think you would go this far.

_

Rafayel returns as if you didn’t hear his muffled screaming. “Who’s gonna do your tattoo?”

“I found a tattoo shop at Linkon city. They said we’re allowed to bring designs of our own.”

He shifts his weight onto one foot and crosses his arms. “And you think they can imitate my genius?”

“I hope they can,” you indulge him a compliment. His ears flush pink—you can see it with the short distance between the two of you.

“How much is it?” You ask again. “Hey, does asking for your opinion have a price?”

“Geez. Why do you keep asking me about money and prices? I literally said I’m not a numbers guy. Don’t go back to the circle, Y/N.” He widens his eyes at you.

“I don’t know; you might be similar to a legal counselor. Don’t they charge clients per session?”

“We’re going off-topic, Y/N,” he says in exasperation. “I don’t know about other artists, but I’m not charging you for asking. Actually, you know what? Pay me with a favor instead. Don’t ask Thomas about a price! You’re commissioning me with a favor!”

The mental note in your head falls down like a ripped-out post-it. “Oh, OK! Thanks?”

“And no, my opinion is for free. You might never ask me for it again if I said it costs something.”

You shrug. “Possibly.”

“So let’s—” Rafayel looks around the room. “Sit down. Your legs must ache from standing all afternoon.”

You sit down on the couch he gestures to. It’s a little relieving on the leg area. Meanwhile, Rafayel tugs his collar with a nervous swallow as he sits next to you. In his hands are two pencils and an eraser shaped like an octopus.

“So, sunset?” He asks awkwardly.

You look at his eyes and smile. “Yes. Sunset.”

“OK. Sunset.”

“Uh-huh. Sunset. Should I get the paper you ripped earlier? And the sketchbook so it can be on top of something?” You say with hands already outstretched.

“So chivalrous,” he teases, but the frown on his face makes the teasing come off as awkward. You playfully scoff to avoid embarrassing him. “Yes. Please start.”

With the paper and sketchbook on your lap, you draw the first line.

The second. The third.

Then regret it.

“Yikes.”

“Hm?”

When you look at Rafayel, he no longer looks flustered. Replacing his awkward eyes is an intense, focused gaze. You instinctively cover the “drawing” with your palm, but Rafayel’s warm fingers pulls it back.

“This will be my tattoo.” You try to avoid feeling awkward.

He studies the drawing for a few beats. Then intently at your neck.

“Press your ear like this. I want to see the space where this will go.”

Awkwardly, you turn your head and press your ear forward to fold it.

“Is it this ear?”

“Yes.”

“Portrait?”

“Yes, portrait. I want it to be visible.”

You hold the pose for a few more seconds. Rafayel’s silence is making you feel more and more flustered. He exhales, mind in mid-thought.

“What do you think? As an artist?”

“I won’t answer that,” he says earnestly, “but do you want me to change it?”

“Please,” you whisper. “I mean, that’s what the entire conversation earlier was about, anyway. A talented artist to draw my tattoo. Hopefully.”

“I’ll make a few suggestions.”

Rafayel does not take the paper on the sketchbook away from your lap. Instead, he uses the second pencil and draws on it.

This is weird.

The warmness that radiates from him—from his close proximity with you—feels quite comforting. You suddenly remember the mattress of the bed when you used to live with Grandma. It just… it felt nice. You feel your upper body lose its tension.

Plus, you can see the violet strands of his hair up close. It’s a pretty color. Maybe violet will be your favorite color, from now on.

“Here, check this out—”

You snap out of your thoughts, but you do not make it obvious.

Rafayel created two sample tattoos, following at least two of the three lines you drew. It seems like the base for his modification drawings.

“What do you think?”

Your heart starts thumping in your chest like a lion in its cage. There’s a… there’s a rush of excitement in your stomach and in your throat. This is pretty. This is genius. Rafayel is able to turn something amateur into something great and you can’t help but be amazed. “That’s infinitely better, wow!”

“Are you sure? We can do better than that. I mean, this one’s stroke is out of line…”

“Sure, but these are pretty as they are! I must owe you a huge favor for this ‘commission,’ right?”

Something changes in Rafayel’s eyes. He looks a little sheepish. “Actually.”

“Yes?”

“I know what favor to ask of you now.”

“Tell me. Strike while the iron’s hot,” strike while we’re on the topic!

“How open are you to having me as your tattoo artist?”

[mintypsii]

usopps and a sprinkle of sanuso

[cecoeur]

How do you sleep at night? No one to hide behind Betrayed every alibi you had You had every chance to make amends instead you got drunk on bitterness And you still claim that you're innocent, it's sad

[im-not-a-l0ser]

I think I want to write a one-shot set in the Beanies universe, or one similar I suppose, where Max goes on a road-trip with the nerds+steph, and he and Steph are very disoriented by their nerd music.

Like, Steph never thought she'd hear her boyfriend rap the Pokemon, made even worse when it led into a song about drugs with poke-puns. Max doesn't understand the language Richie's singing in, but he knows it can't possibly be english. Neither of them can even process how fast Ruth is going at it, but he knows the other two nerds will yell Lafayette in support.

[springypaws]

I don’t think I’ll be able to actually finish this before the end of the month because the brain worms refuse it

BUT!!!

Sketchy gays at their probably-healthiest stages with the most generic relationship-representing pride hearts behind them (I had as much energy to figure out my gender/sexuality headcanons here as I did finishing the thing I gotta be honest)

[simplepotatofarmer]

a better proposal

the continuation of my fake marriage c!dnb au written for @alterdnbweek!

The cloak was spread out on the floor of the prison cell with one edge rolled up into the world’s most pathetic attempt at a pillow. Dream was resting his head on the lump of fabric, staring up at the ceiling, his intact leg bent at the knee and swaying back and forth. He had given up on trying to sleep and Techno had given up on trying to get him to sleep. The bags under his eyes said he needed rest but it didn’t come easy in Pandora’s Vault even for Techno who had always been proud of his ability to sleep anywhere. Techno yawned, not bothering to cover his mouth. At the sound, Dream turned his head and looked at him.

“Did I disturb you, Dream?” asked Techno with a grin.

Dream gave a quiet laugh.

“No.” The expression on Dream’s face was one Techno was familiar with and he readied himself for whatever nonsense specifically designed to make him shake his head was about to come out of Dream’s mouth. “I was just thinking…”

The grin on Techno’s face widened fondly.

“I’m sure, I’m sure.”

For a moment the tables were turned and Dream shot Techno a look before rolling his eyes.

“Fuck off, Techno, I-I am,” he said. “I was thinking, how—how did you propose to me?”

Techno blinked.

“Heh?”

The question hadn’t been what Techno was expecting and he stared at Dream who raised his shoulders in an awkward shrug before folding his hands across his stomach. His eyes were back on the ceiling.

“We’re pretending to be married, right? So, I mean, you had to propose, right?”

Glancing up at the ceiling as if he thought he could find whatever inspired Dream to go down this line of questioning, Techno mimicked his shrug.

“How d’you know I was the one to propose? Maybe you were the one,” said Techno.

Dream scoffed and rolled slightly onto his side to stare at Techno.

“It’s your idea that means you were the one to propose.”

The logic was flawless, Techno had to admit. With a groan, he stretched out onto his belly until his face was only a few inches away from Dream’s. Dream watched with what Techno thought was suspicion and a bit of eagerness.

“Alright, you’ve got a point.” Techno propped his chin up on one hand. “Lemme think. It had to be something epic, obviously.”

Dream nodded, face serious.

“Obviously.”

This close, it might have been possible to count the freckles on Dream’s cheeks and nose. He was watching Techno intently, eyes never leaving his face, and Techno felt a blush rising. The thought that they were close enough he could kiss Dream wouldn’t leave. He cleared his throat.

“It was the middle of battle. You were surrounded by enemies—”

One of Dream’s hands darted out and smacked Techno lightly on the arm.

“Hey!”

Techno caught Dream’s wrist. Dream wasn’t that much shorter than him but he had always been lithe and the starvation had taken that into painfully thin territory. Techno could wrap his fingers completely around his wrist.

“Remember, I’m the one proposin’ here, Dream, that means I get to decide.”

“Alright, fiiiine,” said Dream.

It would’ve been easy for him to tug his hand away – the grip was gentle – but he didn’t. Techno’s fingers moved upwards until he was able to lace them together with Dream’s.

“Where was I before I was so rudely interrupted?” Dream rolled his eyes and Techno grinned. “Oh right, so there you were, surrounded by enemies. I had already finished off the guys I was fightin’, obviously.”

Dream rolled his eyes again but he was smiling.

“Obviously,” he said, the sarcasm thick and amused.

Techno squeezed Dream’s hand a little.

“I saw you were in trouble and pearled right in the middle, just in time to parry a fatal blow. Together – see, I’m givin’ you some credit, Dream – we finished off the rest of ‘em just as the sun began settin’. In the orange light of the sunset, you actually looked kinda pretty.”

In the orange light of the lava, Dream did look kind of pretty, Techno thought, even with the feigned look of annoyance. He was still looking at Techno and he had leaned in closer and Techno didn’t think he had realized it.

“Then?” Dream prompted.

Techno shifted where he lay. He hadn’t realized he was staring.

“I took your hand,” he said, squeezing Dream’s hand, “and got down on one knee, askin’ you to marry me. Of course, you were ecstatic and said yes, Techno, I’ll marry you because I can’t believe someone as cool and handsome as you would want to marry a homeless guy.”

The laugh Dream gave was loud and delighted.

“Oh my god! What is wrong with you?” His voice rose and fell, squeaking out as his cheeks turned bright red. “You—That’s the worst proposal ever, Technoblade! Y-you didn’t even give me a ring or flowers or—or kiss me!”

The thought that had been stuck in Techno’s mind was white hot. He leaned in a little.

“It was the middle of a battle, Dream, I didn’t have time to stop to pick flowers, alright?”

Dream tilted his head up. His breath was warm on Techno’s face.

“Lame. I could—I could definitely do better.”

Techno’s laugh was soft and amused.

“Yeah? Alright, man, you tell me how you’d do it,” he said.

It was quiet for a moment and Techno was certain he could hear Dream’s heart racing just as quickly as his own was.

“I would’ve, like, done the whole candlelight dinner thing. I mean, I can’t really cook but whatever. I would’ve gotten you flowers,” said Dream, triumphantly, as if he had won the game they were playing.

Rubbing his thumb against Dream’s knuckle, Techno nodded slowly as he considered Dream’s words. He was considering a lot of things, like the curve of Dream’s mouth and the butterflies in his stomach. He was trying to ignore the way Dream was looking at him because he had a feeling it mirrored his own expression.

“Oh, I see, I see. You would’ve gone full rose petals on the floor, huh?” Dream didn’t answer because Techno had leaned in close enough that his snout was just barely touching the corner of his mouth. They both held perfectly still until Techno raised an eyebrow and said, “I guess you would’ve kissed me, too.”

When Dream answered, his lips brushed against Techno’s skin. He said, with no sarcasm, “Obviously.”

A shiver went down Techno’s spine and it pained him to move away.

“Y’know what, Dream? I’ll give it to ya, yours was better.”

[flowercrowngods]

based on this concept of steve and mike coming out to each other

🤍 also on ao3

The sun is setting in beautiful hues of pink and purple, tinging the town of Hawkins, Indiana, in a light of serenity and beauty it doesn’t really deserve. Steve’s hands are gripped tight around the steering wheel as he carefully scans the road and the houses he passes.

He almost misses the bike where it’s lying on the curb, carelessly discarded by the looks of it, and a tinge of worry shadows his frown. Worry that doesn’t quite dissipate when he spots the figure sitting on the roof, almost black against the lilac colour of the sky, but he breathes a sigh of relief. He considers grabbing the radio to let the others know he found Mike, but decides against it. Something tells him that maybe they’ll take a while. Something tells him there’s more to Will’s stunned silence and Mike’s sudden departure from where they were all hanging out at Steve’s after another successful Hellfire session. 

With a sigh, Steve cuts the engine and gets out of the car, keeping his eyes on Mike the whole time — ready for him to take off again, ready to go sit a while and wait for him to come back. But Mike doesn’t move, even after he shuts the door and approaches the Wheelers’ house. He doesn’t acknowledge Steve when he pulls himself up to the roof, easier this time than the first time he did this. 

There’s a snide comment in the air between them, a version of Mike that would have lashed out at him, made fun of and insulted him. But this one just sits there, hands in his lap, frown on his face, and stares ahead. 

“What do you want,” he asks eventually, though it doesn’t have the kind of heat that Steve expects. He barely even sounds like a teenager. Just sort of… dejected. Steve aches for him; just a little bit. 

“Just making sure you’re alright,” Steve says, shrugging, looking ahead as well so Mike doesn’t feel watched. Or seen, maybe. 

Because the thing is, Steve does see him. He sees the way he looks at Will sometimes, and the way his eyes fill with something that can only be described as yearning, or aching, followed by regret and fear. Which always, always turn into anger. Into frustration. Into snide comments and rolled eyes and walls that keep getting an inch added to them each day. It’s never directed at Will, that anger, and rarely at the rest of the Party, but Steve still sees it. Gets the worst of it and takes it, because he knows something about how that feels. 

He knows something about looking at someone like that, about feeling that fear, that regret, that worry that come with it. He knows something about never really daring to meet someone’s eyes for fear of what they would see. 

“I’m alright,” Mike says, sounding anything but. There’s a bitterness in his voice. Frustration in the way his thumb is picking at the skin of his fingers. Confusion in the tension of his shoulders, and Steve feels like he only needs to make one wrong move, say one wrong word, make a single sound that’s off key to the melody of this moment, and Mike will jump off the roof and take off again with his bike. 

So all he says, after a moment’s consideration, is, “Cool.” Like he believes him. Giving Mike room to breathe, room to pretend. He knows something about that, too. 

He knows and he sees and he feels. 

And suddenly he wants to say something he’s never said before, something he didn’t even get to tell Robin because she knew and saw and felt, too, taking something from him that he hasn’t yet been ready to reclaim for himself. 

And maybe it’s because he sees something of himself in the way Mike holds himself, in the way he snaps at anyone willing to listen, in the way he frowns in regret and barely meets anyone’s eyes except when it’s in challenge — and, most of all, in the way he never, never meets Will’s eyes. In the way he looks away when the other boy turns to him, and in the way his eyes will snap back and take in everything about his best friend when he’s not aware of it. 

Maybe it’s because the sky is pink and lilac and purple above them, allowing for a certain magic to happen, allowing for a bravery that doesn’t come easy to him; but as he sits on the roof next to Mike Wheeler, the only one of the Party he never really connected with, he closes his eyes against the breeze that catches in his hair and opens his jacket a little further, slithering beneath the fabric as if in a brief embrace, a nudge, a sign to take this leap, and takes a deep breath. 

His heart is picking up its pace inside his chest, taking this leap along wit him, and pulls up one of his legs to wrap his hands around it — just to have something to hold onto. 

He opens his mouth once, twice, three times, but the words never really come out. They don’t know how, and he’s beginning to tremble a little with it, tension building in his chest where the words are still locked away, hidden among layers of truth. 

Mike looks over with a frown and eyes him warily. It makes Steve want to laugh, this sudden change of pace, but he just keeps staring ahead; even when Mike asks, “Are you alright?” 

“Yeah,” Steve says. And then then dam is broken and breaking further, and with another deep breath, still not meeting Mike’s eyes, instead focusing on the tree tops in the distance that shine in hues of purple, he finally says, “I’m kind of dating Eddie Munson.” 

And just like that, it’s out. He’s out. 

He doesn’t know if the world still spins, if time still passes, if he still breathes, because for a moment there is only silence. Mike stops picking at the skin of his fingers, Steve stops trembling, and neither of them moves. 

It’s both anticlimactic and momentous, this silence between them when their eyes meet. When the words unfold and grow wings, when Mike understands, his eyes growing big with something that Steve can’t quite read with how tense he is despite his best efforts. 

The silence stretches between them, surpassing comfort and overstaying its welcome, and suddenly it’s Steve who feels like he’s about to take off if Mike so much as twitches his brows. 

“You… What?” 

Forget it, Steve wants to say. Nothing. 

But also, I’m in love with Eddie Munson. And I used to be in love with Nancy. And that’s okay. Both of that, it’s okay. 

He ends up repeating his words, though, because they know what it’s like to be spoken now. “Eddie. I’m kind of dating Eddie.” 

“But…” It’s Mike now whose mouth is opening and closing without saying anything. Mike who’s blinking, trembling a little, twitching, picking at his skin again, moving further along his hand this time to pinch the skin between his thumb and pointer finger. Steve almost reaches out to stop him, but he doesn’t really dare to. 

“But?” he prompts after a while, not quite comfortable with this loaded kind of silence. 

“Eddie’s a boy.” 

But Tammy Thompson is a girl. 

“I know,” Steve says, his tone carefully neutral, wanting to see, to wait where Mike takes this, to hear what’s on his mind, to watch the wheels turn and the gears shift. He feels awfully raw and open, vulnerable with someone who hasn’t been treating that with care yet. But there’s something about this moment that feels bigger than his own fears, bigger than the light nausea settling in his gut; far more important than the way he wants to run and hide, away from the scrutiny. 

“And…” Mike continues, still battling the words inside his head. Steve wonders if there are too many or none at all. “But you… You loved Nancy.” 

Ah. Smart boy. “I did,” Steve says with a small smile. “And it was never a lie. But I found that… Yeah, I can kinda like boys, too, y’know? And that’s, like, okay.”

A beat. A frown. A confused, hopeful, small, “It is?” 

Steve just nods, smiling in reassurance and relief at equal measures. Silence settles once more, now that the sky has darkened into a deeper, darker blue; but it’s not as loaded this time, not as tense. It’s an invitation. An offering. A promise of I’m here, I’m with you, you can take as long as you need. To get down from the roof, to come back, to come out of wherever you think you need to hide from the world. 

Mike takes it. He stays, pulling up his leg, too, mirroring Steve’s pose and staring ahead, but not as far away. He seems alert, seems to be thinking rather than dwelling, seems to be gearing up for something. Steve watches and sees and knows, remaining patient beside him, his chin resting on his knee as Mike learns to deal with this new world that has been presented to him. This new world that comes with opportunities and chances and possibilities that are scary and big and difficult to make. 

“Y’know,” Mike starts at last, interrupting the silence, playing with it, his voice hushed and quiet to keep it from disappearing completely. “Lucas, when he had that championship game? He told us, Dustin and me, that we didn’t have to be the losers this time. The nerds. The outcasts. Different. And all I wanted was to scream at him, because…” 

Mike swallows his words, keeping them from tumbling out of his mouth, and Steve aches for him again. He wants to reach out, wants to say it’s okay, tell him it’s alright, to take his time. But he waits in silence, lets Mike find the bravery he needs on his own, and waits. 

“Because how could he say that, you know? How could he, when… Will wasn’t there. And all I did, all I ever did anymore, was miss him. And I loved El, I knew I did. And she was gone, too, but…” 

He trails off again, and this time Steve picks it up. To let him know he’s not alone. To let Mike know he understands what he’s saying. He understands. “But she’s not Will. You needed Will.” 

“But I shouldn’t!” Mike explodes suddenly, riled up because Steve adds fuel to the fire, because Steve has that same fire, too; and because they are so, so similar when they want to be. “And now he’s back and it should be fine, I shouldn’t be feeling like this, it doesn’t even make sense! How can I…” 

Steve looks at him, at his expression that is nothing but lost — completely and utterly. He’s seen it on the bathroom floor at the mall; high out of his mind as he was, he’ll never forget the way Robin looked at him, the sheer crestfallen expression. All that confusion, all that fear and frustration and, in the end, resignation. He’s seen it in the mirror, and he’s seen it in those pretty brown eyes that he just can’t get out of his head anymore. 

He offers, gently, “How can you need him when he’s right there? How can you love him when a year ago you loved El?”

And Mike just looks at him before he deflates completely, his shoulders falling along with his face. He nods. Shrugs. Looks away and hides his face behind his leg. 

Steve sighs softly, watching the boy and speaking the words he wants to say the sixteen year-old version of himself. “I don’t know,” he says truthfully. “I really don’t, and it sucks sometimes, having this need to, like, decide. Or understand. Or stop and be like the rest of them.” Like Robin and Eddie, or like the rest of the world. “But I like to think, sometimes, that maybe it’s a good thing. That there’s just… I don’t know, it sounds corny as hell, but like, there’s just so much love to give, we can’t even stick to only boys or girls, y’know.” 

“That does sound real corny as fuck, man,” Mike says, and back is that long suffering tone of his, back is that eye roll and the twitching elbow, ready to nudge Steve in the side. It’s still tinged with that vulnerability, not quite Mike yet, but it’s an offering.

One of many tonight, it seems.

Steve grins, a bit lopsided and raw, shoving Mike gently as he remembers something he overheard once. “Sorry, mister Heart of our group, but I don’t think you have any leg to stand on here.”

That makes Mike freeze, though, and he stares at Steve wide-eyed; caught. Exposed. Reminded.

“What did you say?”

“Uh,” Steve falters, not sure where he went wrong — or if he went wrong at all. “I overheard Will calling you that, talking about you to, uhm. Someone. I don’t know. Why, what’s— What’s wrong?”

“Nothing,” Mike says, way too quickly, pulling away again with everything he has, hiding behind those walls once more, and Steve feels whiplash from it.

“Mike,” he says, his voice quiet and gentle as he turns to face him completely.

“No.”

“It’s okay,” Steve says. Promises, as much as he can.

“Shut up!”

“You’re not wrong or bad or broken. It’s okay, you’re okay.”

“I said, shut up, Steve.”

“You should see the way he looks at you, too. You should go talk to him. You—“

Mike lashes out, finally coming out from behind those walls again, only to shove at Steve, to push him away — hard enough for him to lose his balance and almost fall off the roof, clenching one hand on the edge, the other in the rainwater gutter with a bitten-off curse.

“Shit, I’m sorry!” Mike reaches for him immediately, snapping out of whatever anger Steve caused, and pulling him back until he’s safe again, apologising over and over, dead to Steve’s promises that it’s alright. “Fuck, I’m so sorry, Steve, I’m so—“

He pulls Mike against his chest, finally reaching out to hold the boy who always pushes people away when they get too close — quite literally, too.

But he doesn’t shove this time, doesn’t move out of Steve’s grasp as the mumbled apologies become heaving sobs.

“It’s okay, you’re okay, you’re so okay, Mike,” Steve tells him over and over as he holds him. The sky above is almost black now and Steve lets Mike cry into his chest.

It takes a while for Mike to calm down, but Steve just holds him through it, ready to let go whenever Mike wants to pull back and snap out of it again — but he never does, and Steve feels a certain kind of affection for the boy that is usually reserved for Lucas or Dustin.

At last, when he’s calmed down, Mike pulls back a little. “Do you really… Does it… Is it really okay?”

Can it be okay? Can I really like both? Is that not just me, being broken and wrong and bad? Will I get the chance to not be alone?

Steve swallows hard, and his voice is hoarse when he says, “Yeah. It’s really okay. ‘N’ I’m with you, yeah? If someone gives you shit for it. Or if you need a reminder.”

And Mike — puffy eyed, snotty nosed, so, so young — looks at him with those trusting eyes and nods, like he believes Steve. Like he trusts him. Like he hopes.

“Just don’t fucking shove me off your roof again.”

Ans just like that, the spell is broken, the tension is lifted, and silence has left them, as Mike almost chokes on a laugh and shoves at him again, lightly this time, before jumping off the roof so Steve can’t retaliate.

“Asshole,” he mutters, shaking his head as he, too, jumps off the roof, dusting off his pants as he watches Mike grabbing his bike. “Hey, Micycle,” he calls, cackling when Mike flips him the bird. “You want a ride back?”

Mike stops, considering as Steve casually flicks his keys into the air and catches them expertly. “What kinda music do you got?”

“The Clash, ‘cause Eddie hates them.”

“Yeah, that’s because they suck!”

Steve snorts, opening the driver’s side door. “Y’know, they’re one of Will’s favourites, actually.”

He watches Mike freeze with a grin on his face, knowing there’s no way the boy would take the bike.

“You’re so annoying,” Mike sighs as he brings his bike close to the garage and carefully lays it on the grass this time before hurrying over to Steve, getting in on the front, rolling his eyes when Steve cackles. “I don’t know why Eddie would date you—“

His words are drowned out when Steve turns up Train in Vain, drumming along on the steering wheel with a shit eating grin. Though the atmosphere is wildly different now, the spell broken and the bubble burst, it’s undeniable that something happened between them. Something big, something important.

Something that makes Mike’s annoyed, long-suffering expression be broken by the smile he’s trying to hide. It makes Steve laugh, elated and feeling something that’s much, much bigger than he himself ever could be.

It’s going to be okay. So, so okay.

Before they know it, they’re pulling up to Steve’s and he turns off the car, is about to get out when Mike makes him still again.

“Hey, Steve?”

“Hm?”

“I think it’s cool. You and Eddie.”

He smiles, relief and fondness washing over him. “Yeah?”

“Yeah.”

“Thanks.” He reaches over and ruffles Mike’s hair — a wild mane these days, but they could make it work with some care and some products. “Now go get your man, lover boy.”

“God, you suck so much, you’re so annoying!”

Steve’s cackling again when the passenger door slams shut and Mike lets himself into his house.

He spots a figure in the dark, their face lighting up when they take a drag of a cigarette — and Steve’s heart stumbles in his chest. He scrambles to get out, attempting to look calm and collected, even though Eddie always manages to see right through him.

“Hello, stranger,” he says, leaning against the wall beside Eddie, hiding away in the dark, where the world won’t see their shoulders touch, or their fingers tentatively playing with each other before they can’t take it no longer and lace their hands, holding on tight.

“Hi,” Eddie breathes. “How’d it go?”

“Fine, I think. But, uhm… I told him. About me. About us. That, uh. That okay?”

Even in the dark, Steve can feel eyes on him, but he just stares ahead, opting instead to give his warm hand a squeeze. He smiles when Eddie’s thumb begins to draw patterns on his palm.

“Hmm. Very. You think they’ll be okay?”

“Yeah,” Steve breathes, stealing Eddie’s cigarette from his mouth and pulling it between his own lips. “Yeah, I think they will be.”

[kickedin17]

There's something about blurryface (album) that's kind of like. Sticky. In the way that your skin is sticky when it's summer and it's past midnight and you have the window open to try to sleep but it's still too warm. Or, sticky, in the way that your hands are clammy when it's drop dead winter and you're driving around someone else's suburb, looking down the weird little leftover alleys between houses and wondering if something's going to be standing there looking back at you. And you are profoundly lonely. And you walk to a gas station, it's september maybe, and everything smells like spilled gasoline and stale cigarette smoke and there's brightly colored trash in all the gutters and all the neon signs glare off the asphalt, and when you go into the convenience store the single employee looks at you like maybe there's something weird about you, but you don't know what it is. Too quiet, maybe. Something wrong with your face. You don't smile enough. You don't want to be smiled at. It's dark all the time. But it's also springtime and the sky is pink and everything feels fleshy and delicate and rabbit-esque (tiny little heartbeats bursting everywhere), and you pick the first dandelion you see growing through the sidewalk cracks and it gets sticky milk all over your fingers. And you are profoundly lonely. You're pretending things would be better if you lived in a city where it rained more often and you could feel the hum of passing train tracks under your feet, but the truth is you're going to be lonely everywhere you go because there's this sticky ugly hollowness in you that you can't wash off no matter how hard you scrub. And maybe it would be better if you drove back home and closed the window and never left your house again and let all the lightbulbs die because something about the dark hurts less. You're running from something. What is it? Why can't you ever quite catch your breath? Why are you so sure this all has to end badly? You grew up but haven't yet learned how to grow out of anything. It's dark all the time here. Your face isn't the right one but there are no other faces. Your skin is sticky and you can't sleep. You are profoundly lonely.

[kuragesoda]

*busts through your walls* hi can i talk to you about my golden retriever bf jiro agenda

+bonus under the cut :DD

[morallysuperiorlips]

4 (Oddly) Specific Types of Relationship Dynamics That Are GUARANTEED to Make Your Story More Interesting!

1.) Friends with Benefits to Enemies to Lovers: Let's be real. We ALL love a good enemies to lovers moment (it's easily one of my most loved tropes, hands down). But, a great way to really charge up that underlying hate that eventually flourishes into the perfect romance is by giving your characters a relationship before they became enemies...not just friends in this case, but friends with benefits. With that specificity, there's also a pre-existing sexual relationship that might really help in charging those negative feelings toward one another. Like, they were already intimate, and have seen those very private things about one another, but now they're fighting? Woof.

2.) Friends That Are Deeply in (Platonic) Love: No, I'm not talking friends to lovers. I'm talking friends that are just simply platonically in love. There's nothing sexual about their relationship, and there isn't really anything inherently romantic about it either, but they might show their love in ways that might traditionally be seen as "romantic." Intimate hugs, cuddling, saying "I love you so much," etc. I feel like I don't see this enough in written friendships and think it's wonderful for two characters to be so connected in a way that's not inherently sexual or traditionally romantic. GIVE US MORE PLATONIC ROMANCE!

3.) The Love Triangle...But They All Love Each Other: This is for my OT3/poly homies out there. This one made the list so I could scream it from the rooftops: IF YOU HAVE A LOVE TRIANGLE, MAKE THEM ALL BE IN LOVE WITH EACH OTHER, COWARDS. OTHERWISE, IT'S JUST AN ANGLE, AND THAT'S NOT FUN FOR ANYONE. The concept of a love "triangle" is so overdone, and now we're in a new era--show me the throuple. Show me them trying to get over their feelings for one another and they just can't. Show me the complications of it all. Show me how they come to terms with loving two different people. Show me how they make it work. Show me how they show their love for one another in their non-traditional way. Nobody will see it coming and if your readers are anything like me, they'll appreciate you for it.

4.) Close-Knit Established Couples That Have Already Gone Through the Wringer: It's kind of crazy, but I haven't read a lot about established couples that already have a past of their relationship bonds being tested. It's always about the fresh new couples on the scene, and while I'm all for it, I love a couple that's already gone through some shit and are already fortified against whatever else is coming their way. Of course, that shouldn't stop you from throwing them back to the metaphorical sharks again, but I feel like it will be substantially more interesting to watch a couple who has already fought for one another (and won) do it all over again. How to they fare in comparison to a fresh couple? Are they annoyed about it? Or maybe they find it amusing because "been there, done that"?

As always, GO WRITE SOMETHING TODAY! <3

[marragurl]

Saxaphone player Gallagher has not left my mind since the jazz night art dropped AND THEN Robin saying Halovian’s innately have good voices and Sunday used to hum lullabies to her as kids happened in the 2.2 special program, and I’m sure you guys can see where my unfortunate Galladay heart is going with this.

Whoever decided to make this art, I love you. I hope your pillow is cool every night, you’re never stuck in traffic, and your water is refreshing with every sip.

Also the art of Sunday with the White Gentlemen drink in the S.P.A.R.K.L.E jazz night event has also spiraled into me delusionally thinking that’s his go to drink. Which is hilarious since Robin has hinted before that he seems to have a massive sweet tooth in her letters.

(Sunday how do you even make holding a drink menacing, Sunday please get some therapy-)

So imagine this:

Pre 2.0 Galladay, where they’re both wary and suspicious of each other but didn’t do anything outright. Sunday slowly began to visit Gallagher’s bar whenever he had time to observe the Hound, initially on the down low just to get a sense of what he was working with and what to keep an eye on. He always gravitated to that one corner booth that every bar had with the most privacy, and just stalked there for a few hours before leaving. (Smol menacing birb in a tree vibes)

Gallagher obviously knew that Sunday was doing this (even though everyone else seemed to somehow completely miss him, Gallagher wouldn’t be surprised if Sunday was doing some weird Harmony mind tricks), and after the first few “stakeouts,” he bit the bullet and actually approached the table to engage with Sunday, on the off chance this was some weird “test of loyalty” by the Halovian to see if the Hound would swallow his pride to serve his so-called masters.

Nothing terrible happened, but he remained passive-aggressively polite when serving him, and Sunday remained passive-aggressively cool-headed in response. There was some snark of what dear “sweet-toothed” Sunday would want at a bar, and an icy reply of “aren’t you the master drink smith? Why don’t you show me those skills you boasted about?” which led to Gallagher being petty and giving Sunday the White Gentlemen drink, both for the story behind it being such a metaphor for Sunday, and because it was on the more bitter side of alcoholic drinks.

Sunday wasn’t too against the drink; it wasn’t something he would have ordered if it had been his choice, but it wasn’t a bad drink by any means. He couldn’t help but continue to drink it even after Gallagher left his little hidey booth to go back to the main bar, but he’d never stoop so low as to complement the Hound. Of course, he never ordered anything else from then on, only White Gentleman. In fact, over time it seemed to slowly get better, the flavors grew on him, and he couldn't help but look forward to it during difficult nights in the Dreamscape.

If Gallagher tried to needle him into a different drink, Sunday just bit back a “oh? Admitting defeat? I thought this was your best drink for me?” with a little smirk while Gallagher had to use every bit of self-control to not punch him in the face.

As time went on, the bar slowly became a place Sunday frequented to not quite relax, but to get away from the hustle and bustle of Penacony and his duties as one of its main faces. The stresses slowly started piling up, especially with the Charmony fast approaching in a few months and all that came with it.

Gallagher didn’t seem to loosen up regarding his attitude with Sunday, but he did get better at shoving down the visceral hatred he had for everything to do with The Family and Sunday as time went on. He didn’t get soft with Sunday per se, but he definitely kept an eye out for him, and definitely knew when to cut off his drinks on days where it seemed that Sunday wasn’t all that there for their usual veiled comments towards one another when he went to serve him his drink.

It started small, with Sunday staying later and later until sometimes he was the last one to leave the bar to return to reality. Gallagher wasn’t quite sure what to make of it, still wasn’t quite sure this wasn’t some weird long-term test Sunday was devising, especially since he still seemed to be the same ruthless Family member, the same Head of the Oak Family, when Gallagher was working as a Bloodhound outside the bar. For some reason though, within the enclosed space of this strange sanctuary, it was almost peaceful between the two.

One night, there was something wrong when Sunday entered the bar during Gallagher’s shift. He saw a bit of a crowd near the small stage that was within eyesight of his little hidey booth, it seemed some of the musicians of the live band were arguing? He watched as Gallagher came over, seemed to try to speak with the group before honing in on one of the musicians who had been making the most noise and seemed to be about to get physical with the rest. Sunday watched as Gallagher picked up the musician by the scruff of their suit with one hand and carried them towards the doors and lightly tossed them out.

(It was the first time Sunday had actually seen Gallagher perform anything resembling the actual duty of a Bloodhound. It only hit him that he’d only ever seen the other when giving reports, orders, or at the bar. Why was this so shocking to him, he’d seen the man’s arms before, hard not to with his slovenly dress and messy clothing style, as if he couldn’t bother to hide away his imperfections from the world, not like Sunday who refused to be seen by the world, to dare to show one thing off about himself despite his countless failings- he’s getting far too distracted by one meager showing of strength, focus Sunday)

There had always been a live music segment. Sunday was curious to see what would happen with the band missing a member, but was distracted by Gallagher placing his usual White Gentlemen in front of him before heading back to the musicians without a single word to him. Gallagher took a moment to speak with the rest of the band, who seemed to be coming out of their shock and took on worried looks. Sunday could only watch in muted shock as Gallagher went behind the bar and came back with a case, opening it to reveal a saxophone. He then went on stage with the rest of the group, positioned himself further to the side and in the back amongst the shadows within Sunday’s line of sight, and played with the band for the rest of the night.

Sunday couldn’t look away.

He was frozen as he watched Gallagher seamlessly transition from song to song, taking only small breaks to continue serving the other patrons before heading back in. Sunday only remembered about his own drink when his gloves began to get wet from the ice melting into condensation on his glass.

Something felt off within Sunday, and for the first time since Robin’s debut, he couldn't help humming to the music of the band, music that wasn’t of his own sister’s making. He couldn’t help but remember those little concerts the two would have, taking care of his little sister, his only world. He would do anything to keep the Harmony, to keep their family going. When was the last time they truly spent time together? Before he became the Head of the Oak Family? Before he couldn't recognize his own smile?

He was so lost in his thoughts, in memories he thought he buried, that he didn’t realize that it was once again closing time, and he was once again the last one left. He only snapped out of it when Gallagher came by to grab his empty glass, only quirking a questioning brow at him before heading back to the bar.

Gallagher had been keeping a quiet eye on the Halovian that night from the back of the band, in the shadows he felt the most comfort in when in the Dreamscape of Penacony. He had watched Sunday’s eyes glaze over, and the only reason he hadn’t felt offended by the seeming disinterest was the look in the other man’s eyes reminding him of his own when he looked in the mirror. The same look of shame, regret, loss, longing, of the wishes to regain everything he had lost. The same look he strove to hide under every bit of the facade he had crafted of this new self, but came back all too often with every reference of the Family found within his prison in the Dreamscape.

Maybe it was the shared nostalgia within his own heart, that little bit of his true self that he thought died when the Family tore out everything that made him who he was, that made him return behind the bar and begin making Sunday another White Gentlemen, giving Sunday a small nod to beckon him over. He wasn’t expecting anything from it, and he masked his own surprise when Sunday actually left his little shelter to come and take a seat in front of him at the bar. Even while out of it, Gallagher made note of the quiet confidence the other still carried himself. Nothing seemed wrong to anyone else looking at him, only for the lost look in his eyes.

The first time in the many months that they’ve been skirting around each other, and finally they seemed to be face to face.

It was quiet as Gallagher made Sunday his usual drink, a drink he had been slowly changing over the months to be sweeter and sweeter that Sunday never quite seemed to notice, or if he did, he never said anything, only seeming to savor it more each subsequent night. Maybe not even Gallagher noticed his own changes to the drink, subtle as they were.

It was quiet as Sunday took the finished drink, and it was quiet as his eyes slid over the bartop to see the saxophone case laying open with the instrument inside. It was quiet as Gallagher followed his eyes, as he came out from behind the bartop to take the saxophone out and take a seat in a chair only one seat down from Sunday’s. It was quiet as Gallagher began to play to his audience of one.

It was quiet as Sunday quietly hummed along.

It was quiet as they both knew that it would not last.

OK yea so this was all because I heard ‘La vie en rose’ at the end of the Jazz night event and went “Damn I wish that’s Gallagher playing on his Sax” and then we spiraled.

Uh. Idk what it is with me having a small ship moment which then spirals into a full blown writing session. My mind blanked out and as I came to I find out that I made a whole ass little one shot over here then completely forgot about it WHOOPS

So yea, hope my fellow Galladay enjoyers… enjoyed! I think I’ve slowly begun to crave… not domestic or fluff per se from these two, but after every AO3 fic being super dark between them (which I get! They are the toxic yaoi kings of Penacony as of writing this, no one is denying that!) I think I want to see them be explored in a more melancholic sense. Not quite the “forbidden” love angle, but in the “damn we kinda have some parallels, and maybe in another life we could have gotten along but there’s too much baggage and anger, both historically and currently to really even try anything”

I have this feeling this may not be the last time I write about these two… is Galladay going to be the ship that gets me to actually use my AO3 account?

[fullscoreshenanigans]

(The Promised Neverland Art Book World)

Ah yes, one of my favorite genres of baby full score trio pictures: Isabella being openly affectionate toward Emma and Norman in front of Ray while being hands off with him.

(Chapter 2 | Chapter 37 | Chapter 165 | Chapter 170 | Chapter 177)

[whipitgod]

fuck the concept that one partner has to be a bottom and one partner has to be a top! and while im at it, fuck the idea that in order for a pairing to work you need to twinkify/feminize one of of the characters! that just isnt how gay relationships work 95% of the time! most real gay couples are verse, and most gay couples dont follow the stereotype that one person has to be fem and the other has to be masc! stop trying to apply heteronormative relationship dynamics to queer couples!