#taaqat

[theserenityinviolence]

Yaar tune bhi socha tha, "Meri jaan, don't ask me to love you, the way I once loved to",

Wah, dost, wah, aakhri mein gire tere aason toh, cigarette ki aang se, the tongue of flame teasing your eye, not a kiss, nay. but jaani don't forget..

Socha tha na tere dil ne bhi, ki life wouldn't have light, unless she smiled, and her teeth shone it bright?

Yaar, tera maqsad aur teri manzil tu khud hona chahiye, wrongly you thought, ki uske nikah se tu zindagi jeet jata.

Bas ek baat samajhle, tu jo bhi chahaye, teri taaqat sirf chahne ki hai. You plan, and He plans. He knows best, woh khuda hai. Chal chhod. Soh hai soh hai, nahi hona tha toh hota hi nahi, bhai hun mein tera toh mein haqq se sirf ek cheez kehta hu, Bhai, sorrows are plenty in our world, par unke saath, khushiyan aur comforts bhi. Khol tu apni aankhein, aur khol de apne dil ko. Tu jee le, tu jee veerey.. (Bloodywood reference) Tu jee. *I wrote this in between lectures in my handsome little pocket notebook. Anyway, it's supposed to be from one friend to another, I've taken inspiration from "Mujhse Pehli Se Mohabbat Mere Mehboob Na Maang" - Faiz Ahmed Faiz. I've tried keeping the words original, staying away from even direct English translations. Anyway, that's my first attempt at writing in Urdu.. :D that!

[bandarrrrr]

Pyaar kiya bhi to saala aisa kiya ki ab vo kisi aur ki ho gyi to use paane ki chaahat aur badh gyi

Par kuch karunga nhi, use khush rehne dene me hi bhalai hai kyuki uske liye to mai bas ek bura sapna ban kar reh gya hu, ek vo sapna jo use rooz darata ya pareshan karta tha par ab nhi kyuki ab uske paas uska ghar hai uska ek apna ashiana hai aur mai? Mai to ab bas ek aawara ban kar reh gya hu, 4 jagah shayad muuh maaru par tikku kisi bhi jagah nhi kyuki aawara tikte nhi sirf dolte hai aur ek aawara jo ghar se beghar hone k baad aawara bana hai, vo to bilkul bhi nhi wapas ghar jaa pate aur na Ghar bana paate hai kyuki unhe pata hai ki purana Ghar raha nhi aur Naya bana ne ki na himmat hai na waqt aur na hi taaqat hai

[verses-n-moon]

"Alfaaz saans band karne ki taqat rakhte hayn"

Alfaz mai bari taaqat hoti hay kabhi yeh aik zakhmi dil kay liye marham ban kar usko sukoon pohuncha detay hein tou kabhi yahi alfaz kisi hanstay huye insan ki rooh tak ko chalni kar dete hayn.

[qalbofnight]

Aik Alif | Bulleh Shah

 18  Sadiq  Monday, June 29, 2009

1. Parh parh ilm te faazil hoya Te kaday apnay aap nu parhya ee na

(You read to become all knowledgeable But you never read yourself)

You read so many books to know it all, yet fail to ever read your heart at all.

Bhaj bhaj warna ay mandir maseeti Te kaday mann apnay wich warya ee na

(You run to enter temples and mosques But you never entered your own heart)

You rush to holy shrines to play a part, Would you dare enter the shrine of your heart

Larna ay roz shaitaan de naal Te kadi nafs apnay naal larya ee na

(Everyday you fight Satan But you never fight your own Ego)

You are quick to attack the evil one, yet pride is a battle you have not won. Bulleh Shah asmaani ud-deya pharonda ay Te jera ghar betha unoon pharya ee na

(Bulleh Shah you try grabbing that which is in the sky But you never get hold of What sits inside you)

You grab for a star you can control, yet fail to grasp the light in your soul. Bas kareen o yaar (Stop it all my friend)

Let the race end, my friend

Ilm-oun bas kareen o yaar Ik Alif teray darkaar

(Stop seeking all this knowledge my friend Only an Alif is what you need)

Stop trying to be the one who knows, for 'God is One' you need to know.

Bas kareen o yaar (Stop it all my friend)

End the race, my friend

Allah Sayyaan Allah Sayyaan (God is the Master, God is All)

God is All we need! God is All!

Nee main jaanaa Jogi de naal

(I shall follow the Yogi {ascetic/sufi})

Follow the wandering dervish!

Jo naa jaane, Haqq ki taaqat Rabb naa devey us ko Himmat

(Those who deny the Strength of Truth Lord does not give them courage)

If you deny the power of all that's true, God will not grant strength to you. Hum Mann ke darya mein doobey Kaisi nayya? Kya manjhdhaar?

(We have drowned in the river of Self the boat and the flowing waters do not matter)

We are lost in this river of self, no boat or streams are of any help.

Bas kareen o yaar (Stop it all my friend)

End the race, my friend

Ilm-oun bas kareen o yaar (Stop seeking all this knowledge my friend)

Stop trying to know it all, my friend.

Allah Sayyaan Allah Sayyaan (God is the Master, God is All)

God is All we need! God is All!

[neilperrysme]

अगर तुम कहो तो मैं ख़ुद को भुला दूं

agar tum kaho toh mai khud ko bhula doon

तुम्हें भूल जाने की ताकत नहीं है

tumhein bhool jaane ki taaqat nahi hai

if you ask me ill forget this whole world

but i don't have the strength to forget you

[playermagic23]

Will Do Patti be the game-changer for actresses who turn producers?

While we wish Kriti Sanon the best of luck with her debut film, Do Patti, which will be available on Netflix on October 25, we can only hope that it will be the first of many game changers: a huge success among actress productions!

We say this because, thus far, there has been an alarmingly high rate of flops when women become film producers. Even the few actresses who have turned filmmakers have had a dismal track record at the box office (Simi Garewal's Rukhsat, Hema Malini's Dil Aashna Hai and Tell Me O Kkhuda, as well as the telefilm Mohini and five films directed by Pooja Bhatt from Paap to Jism 2).

There are some exceptions. The exceptions in this list are insignificant, as we will see. Reena Roy's home productions, Muqabla (1979) and Sanam Teri Kasam (1982), were both hero-driven films, whereas Juhi Chawla's co-production, Chalte Chalte, was co-produced with an actor—Shah Rukh Khan—and directed by Aziz Mirza. Yes, Kangana Ranaut's Manikarnika performed similarly. Priyanka Chopra Jonas' regional films, beginning with her smash-hit Marathi début, Ventilator, were profitable, while her Hindi film, The Sky is Pink, was not.

And the Rule! The list of flops is indeed voluminous, extending from Shashikala's Karodpati way back in 1961 (which, according to the late actress, "turned us into kangalpatis or broke!"), Nargis' Raat Aur Din and Sharmila Tagore's Tyaag to the aforementioned films as well as Neetu Singh's Chorni, Raakhee's Pugli, Taaqat (1982) and Zindagani, the Madhuri Dixit home productions, Dil Tera Aashiq (despite Salman Khan!), Yaraana (1996), Mohabbat (1997) and Padmini Kolhapure productions, Dav Pech and Rockford, and (according to rumor) the Zeenat Aman-backed Baat Ban Jaye are also examples.

As is customary, many of these films were "officially" produced by frontmen such as family members, relatives, or secretaries. "But the money obviously came from the star concerned!" says one industry source.

In the millenium, Lara Dutta's Chalo Dilli (albeit a wonderful film), Raveena Tandon Thadani's Stumped!, Manisha Koirala's Paisa Vasool, and Preity Zinta's Ishqk In Paris joined the list of flops. Shilpa Shetty's Dishkiyaoon, Anushka Sharma's highly anticipated NH10, Phillauri, and Pari (after which she chose the safe, OTT route with Bbulbul and Qala), Deepika Padukone's Chhapaak, and Taapsee Pannu's Blurr and Dhak Dhak (all excellent films). As evidenced by some of the examples above, it was not necessarily necessary for the actresses to appear in all of their productions. But that didn't change the situation!

Alia Bhatt made a spectacular debut with Darlings last year, which, like Do Patti, was streamed on Netflix, raising expectations for her next (this time theatrical) co-production, Jigra. However, that film, along with Kareena Kapoor Khan's The Buckingham Murders, collapsed like a house of cards.

The Trade View According to veteran distributor-exhibitor Raj Bansal, "Actresses are not as familiar with the commercial aspects as they should be." Filmmaking is about bringing something positive to the table, and they have their own perspectives on this."

He stated that there will always be stories that no one else wants to produce, but actresses believe they can create the best film for them! "It is always content that will hold, and if that does not, no film is going to work, however big the star," stated the director.

However, Bansal emphasizes the importance of budgeting. "A film like The Buckingham Murders has recovered its investment before the release through non-theatrical avenues and so it does not really matter if collections are not good!" He makes the case. "However, the terrain should be evaluated, and the target audience should not be limited to metropolitan areas. Also, if we look closely, directors such as Hansal Mehta (The Buckingham Murders) and Vasan Bala (Alia Bhatt's Jigra) do not cater to the masses."

[shayaranasafar]

<Descriptive Essay>: Khuda aur zindagii

Khuda aur zindagi hamein har pal, har lamha, tajurbe se sikhaate hain. Hamein insaaniyat aur mohabbat seekhne ke liye kisii dharm ki zaruurat nahiin. Dharm ke bina bhi ham Khuda aur zindagi ke tajurbe se seekh sakte hain. Kyuki dharm ke bina Khuda aur zindagi ho sakte hain, lekin kya Khuda aur zindagi ke bina dharm ho sakta hai. Khuda se dharm hai, dharm se Khuda nahiin.

Hamaari zindagi daastaan kii tarah hi to hoti hai. Bas apni daastaan kii kalam hamaare haath mein nahiin hoti, wo Khuda ke haathon mein hoti hai. Lekin uss kahaani mein Khuda har jagah kalam se nahiin likhte, kuch jagah wo kalam hamaare haath mein bhi de dete hain. Wo kalam hoti hai duaa kii, apne farz nibhaane kii, aur jab ham wo sachche dil se karte hain, to Khuda uss duaa ko puura kar ya uss farz ko qubuul kar hamaare haathon se hamaari kahaani likh dete hain.

Duniya mein teen taaqat sarvashresht hain. Khuda kii taaqat, insaaniyat kii taaqat aur mohabbat kii taaqat. Khuda se koi shaitaan jeet nahiin sakta, insaaniyat se kabhi buraaii jeet nahiin sakti, aur mohabbat se kabhi nafrat jeet nahiin sakti.

Par duaa qubuul hone ke liye, ruuh mein, Khuda ke liye ibaadat aur mohabbat hona beshaq zaruuri hai, nekii aur insaaniyat ke saath-saath. Bina ruuh se ibaadat ke koi duaa, koi mohabbat qubuul nahiin hoti. Aur bina ruuh se mohabbat ya duaa kiye, koi ibaadat puuri nahiin hoti. Ruuh se koi, tab hi kar sakta hai jab wo sachche mann se kuch kare, naa kii koi matlabii ya baimaanii kii bhaavnaa rakh kar.

Zindagi aur Khuda ek dusre se jude hue hain. Khuda hamein zindagi dete hain, aur zindagi apni raaho par chalaa kar ye sikhaati hai ki kahaan Khuda ka shukriya adaa karna hai aur konsi raah ke zariye Khuda hamein seekh dena chaah rahein hain.

© Aks Akshita Aks

[ambivertbenazir]

Shiddat ki taaqat ka andaza nahi hai

Shayad usko

Woh jo kehta hai k dua mein koi asar nahi hota

[blogtozone]

Lakshya Title Song Piano Notes

Lakshya Title Song Piano Notes

Notes :-  Haan yehi rasta hai tera, tune ab jaana hai C5 A4# A4 A4# C5 A4# A4 F4, A4 A4# C5 A4# A4 A4# C5 A4# Haan yehi sapna hai tera, tune pehchaana hai C5 A4# A4 A4# C5 A4# A4 F4, A4 A4# C5 A4# A4 A4# C5 A4# Music C5 D5 D5# D5 C5 A4# C5 D5 C5 Haan yehi rasta hai tera, tune ab jaana hai C5 A4# A4 A4# C5 A4# A4 F4, A4 A4# C5 A4# A4 A4# C5 A4# Haan yehi sapna hai tera, tune pehchaana hai C5 A4# A4 A4# C5 A4# A4 F4, A4 A4# C5 A4# A4 A4# C5 A4# Tujhe ab ye dikhaana hai C5 D5 D5# D5 C5 A4# C5 D5 C5 Music C5 D5 D5# D5 C5 A4# C5 D5 C5 Roke tujhko aandhiyaan, ya zameen aur aasmaan E5 E5 E5 D5 E5 D5 E5, F5 F5 F5 F5 F5 F5 G5 Paayega jo lakshya hai tera F5 G5 A5 F5 G5 A5# A5 G5 F5 F5 Lakshya toh har haal mein paana hai F5 F5 G5 C5 D5 D5# D5 C5 A4# C5 D5 C5 Music A4 A4# A4 G4 F4 G4 A4 A4# A4 G4 C5, C5 D5 D5# D5 C5 A4# C5 D5 C5 A4 A4# A4 G4 F4 G4 A4 A4# A4 G4 C5, C5 D5 D5# D5 C5 A4# C5 D5 C5 Mushkil koyi, aajaaye toh, parbat koyi, takraaye toh F4 A4 G4 A4# A4, A4 G4 F4 E4 G4, F4 A4 G4 A4# A4, A4 G4 F4 E4 F4 Taaqat koyi, dikhlaaye toh, toofaan koyi, mandlaaye toh A4 A4# D5 D5# D5, D5 C5 A4# A4 C5, A4 A4# D5 D5# D5, D5 C5 A4# A4 C5 Mushkil koyi aajaaye toh, parbat koyi takraaye toh A4 A4# D5 D5# D5 D5 C5 A4# A4 C5, A4 A4# D5 D5# D5, D5 C5 A4# A4 C5 Barse chaahe ambar se aag, lipte chaahe pairon se laakh C5 F5 C5 F5 C5 G5 F5 E5 F5, C5 F5 C5 F5 C5 G5 F5 E5 F5 Barse chaahe ambar se aag, lipte chaahe pairon se laakh C5 F5 C5 F5 C5 G5 F5 E5 F5, F5 G5 F5 G5 G5 A5 G5 F5 G5 Paayega jo lakshya hai tera G5 A5 F5 G5 A5# A5 G5 F5 F5 Lakshya toh har haal mein paana hai F5 A5 G5 C5 D5 D5# D5 C5 A4# C5 D5 C5

About Song :-

The title song "Lakshya" is from the Bollywood movie "Lakshya," which was released in 2004. The film was directed by Farhan Akhtar and starred Hrithik Roshan, Preity Zinta, and Amitabh Bachchan in prominent roles. The song "Lakshya" is a patriotic and motivational track that became popular for its inspiring lyrics and music. Here's some information about the song: Singer: The song "Lakshya" was sung by Shankar Mahadevan. Shankar Mahadevan's powerful vocals contributed to the song's inspirational quality. Lyrics: The lyrics for the song were written by Javed Akhtar. The lyrics are motivational and convey a sense of purpose, determination, and the pursuit of goals. Music: The music for the song was composed by Shankar-Ehsaan-Loy, a renowned music trio in the Indian film industry. They crafted the song with a stirring melody and a blend of Indian and Western musical elements. Movie Context: In the film "Lakshya," the title song is used to emphasize the journey of the protagonist, Lieutenant Karan Shergill (played by Hrithik Roshan), as he transforms from an aimless young man into a focused and determined army officer during the 1999 Kargil War between India and Pakistan. The song plays a pivotal role in the film, motivating Karan and highlighting the importance of his mission. Popularity: The song "Lakshya" was well-received by audiences and critics alike. Its inspirational message and powerful music made it a favorite, especially in the context of the film's theme of determination and valor in the face of adversity. The song "Lakshya" remains a popular patriotic song in India and is often played during national events, celebrations, and gatherings that commemorate the country's armed forces and their dedication to the nation. If you'd like to listen to the song "Lakshya" or learn more about it, you can easily find it on various music streaming platforms, and it continues to inspire and resonate with people in India and beyond. Read the full article

[muftiasifabdullahqadri7]

Sawal :Iznillaah" Is Aayat Se Kya Nateeja Akhaz Hota Hai?

Jawab : Is Irshad Se Maloom Hua Ke Allaah Ta'ala Ke Diye Huye Ikhtiyar Se Us Ke Mahboob Bande Murde Zinda Kar Sakte Hain. Isiliye Mahboobane Khuda Ki Taaqat Wa Qudrat Manna Shirk Nahin Balki Ayine Tauheed Hai.

(📚allama sayyed shah turabul haq qadri, deeni taleem, page:36)

[hoshiflms]

rahi na taaqat-e-guftaar aur agar ho bhi

to kis umeed pe kahiye ki aarzu kya hai

[notationsworld]

Kandhon Se Milte Hain Kandhe - Sargam And Flute Notes

Kandhon Se Milte Hain Kandhe (Lakshya) - Sargam, Harmonium And Flute Notes

                                  SCALE OF THE FLUTE IS F BASS/MIDDLE Kandhon se milte hain kandhe kadmo se kadam milte hain S..S..S..S..S..S..S..S..S.S.S..S.S.S..n..S..R.. Hum chalte hain jab aise to  S.R.G..G..G..S..R..R..R.. Dil dushman ke hilte hain S..d..n..S..R..R..S.. Kandhon se milte hain kandhe kadmo se kadam milte hain S..S..S..S..S..S..S..S..S.S.S..S.S.S..n..S..R.. Hum chalte hain jab aise to S.R.G..G..G..S..R..R..R.. Dil dushman ke hilte hain S..d..n..S..R..R..S.. Ab to humein aage badhte hai rahna G.m.P.D.P...m.G.m..G.R.G..R.S.R..p.. Ab to humein saathi hai bas itna hi kahna G.m.P.D.P...m.G.m..G.R.G..R.S.R..S.n.R..S.. Ab to humein aage badhte hai rahna G.m.P.D.P...m.G.m..G.R.G..R.S.R..p.. Ab to humein saathi hai bas itna hi kahna G.m.P.D.P...m.G.m..G.R.G..R.S.R..S.n.R..S.. Ab jo bhi ho shola banke patthar hai pighlana S..S..D..D...D..P..m..G..S..D..P..m..G..S.. Ab jo bhi ho baadal banke parbat par hai chhana S..S..D..D...D..P..m..G..S..D..P..m..G..S.. Kandhon se milte hain kandhe kadmo se kadam milte hain S..S..S..S..S..S..S..S..S.S.S..S.S.S..n..S..R.. Hum chalte hain jab aise to S.R.G..G..G..S..R..R..R.. Dil dushman ke hilte hain S..d..n..S..R..R..S.. Kandhon se milte hain kandhe kadmo se kadam milte hain S..S..S..S..S..S..S..S..S.S.S..S.S.S..n..S..R.. Hum chalte hain jab aise to  S.R.G..G..G..S..R..R..R.. Dil dushman ke hilte hain S..d..n..S..R..R..S.. Nikle hain maidaan mein  S'.N.S'..P...S'.N.S'..P... Hum jaan hatheli par lekar  R'..S'.R'..S'.N..D..P..G.m.P.. Ab dekho dam leinge  S'.N.S'..P...S'.N.S'..P... Hum jaake apni manzil par R'..S'.R'..S'.N..D..P..G.m.P.. Khatron se hans ke khelna P..P...D.P..m..G...R.S.. Itni to hum mein himmat hai  P..P...D.P..m.G.R..G.m.P.. Modhein kalayee maut ki  P..P...D.P..m..G...R.S.. Itni to hum mein taaqat hai  P..P...D.P..m.G.R..G.m.P.. Hum sarhadon ke vaaste  P..P...D.P..m..G...R.S.. Lohe ki ik deewaar hain P..P...D.P..m.G.R..G.m.P.. Hum dushmanon ke vaaste  P..P...D.P..m..G...R.S.. Hoshiyaar hain taiyar hain P..P...D.P..m.G.m..G.R.. Ab jo bhi ho shola banke patthar hai pighlana S..S..D..D...D..P..m..G..S..D..P..m..G..S.. Ab jo bhi ho baadal banke parbat par hai chhana S..S..D..D...D..P..m..G..S..D..P..m..G..S.. Kandhon se milte hain kandhe kadmo se kadam milte hain S..S..S..S..S..S..S..S..S.S.S..S.S.S..n..S..R.. Hum chalte hain jab aise to S.R.G..G..G..S..R..R..R.. Dil dushman ke hilte hain S..d..n..S..R..R..S.. Also Read This :- - Udd Jaa Kaale Kaava – Sargam, Harmonium And Flute Notes - Ae Watan Ae Watan Humko Teri Kasam – Sargam And Flute Notes - Ae Watan (Raazi) – Sargam, Harmonium And Flute Notes - Abhi Mujh Mein Kahin (Full Song) – Sargam, Harmonium And Flute Notes - Kaun Disha Mein Leke Chala Re – Sargam, Harmonium And Flute Notes Where DO -  SA       -    S   RE  -  RE      -    R MI  -  GA      -    G FA  -   MA      -  M SO  -   PA         - P LA  -  DHA      - D TI    -  NI          - N LOW OCTAVE PA -  p DHA -  d NI -  n SHUDH MA - m        TIWAR MA - M HIGH OCTAVE SA -    S' RE -     R' GA -     G' MA -     M'   m' PA -       P' KOMAL SWAR DHA -  D(k) NI -       N(k) RE -       R(k) GA -      G(k) Read the full article

[indiesole]

Indies (Lifetime) Playlist Tributes to Music Legends ! -PART 14

SURESH WADKAR’S TOP 360 (HINDI FILM) SONGS ! (Contd from 186)-

Yt Link:

Jara Pyar Ke Safar Mein - Apna Bhi Koi Hota

Pareshan Ho Tum –Janam Se Pehle

Kabhie Ajnabi The -Kabhie Ajnabi The

Jadugar ka jadu -Jadugar

Gaon Mein Mach Gaya Shor -Dacait

Nasha Husn Ka Utar Jayega -Mardon Wali Baat

Har Ek Se Milna Hans Hans Ke -Ayee Milan Ki Raat

Parbat Ki Unchai Par Thehar Gayi Hai Shaam -Naagmani

Saawan Nahi Bhadon Nahi - Kudrat

Amir Se Hoga Ya Garib Se Hoga -Insaniyat Ke Dushman

Hum Naujawan - Hum Naujawan

Kaisan shaadi rachayi ho - Naram Garam

Tum Jo Haseen Itni -Raaz

Zindagi Ashk Sahi – Path Bhrashta

Baje Badhai More Angana - Maa Beti

Maine Apna Sanam Tujhe - Maa Beti

Samay Ke Darpan Mein - Jeevan Dhara

(Humming)- Ghar Ek Mandir

Kaisa Hai Tere Ishq Mein –Parbat ke us paar

Jhoom jhoom ke megha chaaye -Indra the tiger(dubbed)

Mujhse shaadi karogi – Dulhan hum le jayenge

Mai Tera Deevana –Bond 303

Yaar Pe Hai Dil Mera Qurbaan - Patthar Ke Phool

Tum Bhi Hanso Hum Bhi Hanse -Achha Bura

Ek Aas Liye, Vishwaas Liye - Khwab

Ram Dulari Mayke Gayi -Meri Biwi Ki Shaadi

Meri Yaad Aayegi Aati Rahegi - Sunny

Sheron Wali Mata Ka Jab Naam - Amba

Dil Mere Lehra Le - Jhoothi Shaan

Maine Kaha Tumne Suna - Dacait

Kamra Tha Mera Bandh –Zakhmee Insaan

Zamane Ke Malik Teri Meharbani – Zara si bhool

Aao raas rache garba raat hai -Toofan

“

Chai aiyo radhe rani - Sangeet

Man Ki Baat Jab Hotho Pe -Raadha Aur Seeta

Mere Man Baaja Mirdang Manjira Best Audio Video - Utsav

Mammy Aisi Pappa Aise - Hum Rahe Na Hum

Duniya Mein Nahin Hogi –Ladke baap se badke

Gao Gao Gate Jao - Udhar Ki Zindagi

“ (duet)

Gaadi aati hai

“ (duet)

Yeh Teri Meri Yaari -Daata

Baba Sai Baba -Dozakh

Maiya Mera Muqaddar - Mera Muqaddar

Ek Nahin Hum Do -Tajurba

Har Mod Pe Mud Ti Jaye Motor Mitran Di -Raahee

Mere Dil Ne Tujhe Chaha -Shiva Shakti

Tu Hai Kamal Maula Teri Kudrat Kamal -Sultanat

Aasmaan Chhat Ho Meri - Thikana

Muqabla Muqabla Tere Bhakt Jano Ka - Marte Dam Tak

Yaaro Humko Dekh Ke - Dosti Dushmani

O Aayee Baisakhi - Agnee

I Love You - Kaun Kare Kurbanie

Sheesha E Dil Men Teri Hi Tasveer – Gehra Zakhm

Sehre Mein Dulha Hoga - Parinda

Taaqat Hai Jiske Paas - Bepanaah

Main Door Chala Jaoonga - Kalaakaar

Bahut Khubsoorat Hai - Kaun Jeeta Kaun Haara

Kurta Malmal Ka – Jeeo..Jeene Do

Kiss Me - Shiva

Is Zindagi Ka Talabgar – Bad aur badnam

Yeh Hawa Yeh Fiza - Sadma

Main Aaj Bahut Khush Hoon - Sansar

Sapne Mein Milti Hai - Satya

Na Hoti Dosti Tumse – Awara Baap

Mere Sawal Ka Tum Do Jawab - Saazish

Jai Jai Ram Siyaram - Lav Kush

Hamein Aasman Ne Bheja – Sheshnaag

Woh Mera Mehboob –Divorce

Sangmarmar Sa Tha – Purani Haveli

Main Tera Pagal Premi – Abhi Abhi

Suraj Mukhi Mukhda Tera – Kalaakaar

Gale Lag Ja -Tan-Badan

Ek Swarg Hai Aasman Par – Amba

Saheli Ho – Paheli

Kitne din - Sati naag kanya

Pyar mein pyar se – College Girl

Sang Sang Rah Kar - Sati naag kanya

Akkad Bakkad Dono Phakkad – Tajurba

Apni Gadi Chalti Hai – Laalach

Ramji Ne Dhanush Toda – Eeshwar

Kabhi bole haan - Kali Basti

Hum Gharibon Ne Tera – Loha

Tera Mera Pyar Amar – Rukhsat

Inhi Mulaqaton Mein - Maan Abhiman

Chaudhvin Raat Hai - Yaadon Ka Mausam

Milte The Kabhi Hum Dar Dar Ke –Raahee

Zinda Hain Jo Log Mohabbat -Aao Pyaar Karen

Tanaatan Baj Gai Ghanti Sajan - Watan Ke Rakhwale

Main Balam Wahi Lungi – Diruba Tangewali

Hai Mohabbat – Hero

Hamka Isak Huwa Hai Yaaro – Coolie

Na Idher Ke Rahe Na Udher Rahe - Kaanch Ki Deewar

Baju Bandh Baju Bandh - Prem Granth

Calcutta Ho Ya Kashi -Jawani Zindabad

Chhod Ke Tujhko -Maha Sangram

Yehi Hai Dosti – Bad aur badnam

Dil Ko Zara Sambhalo – Farz aur kanoon

Banna Mera Aaya Hariyala - Radha Ka Sangam

Jag Ja – Omkara

Dua Samajh Lo Ya Isko Gaali – Thikana

Sagar Mein Tarang Hai - Lahoo Ke Do Rang

Kiska Kusur Hai - Lahu Ke Do Rang

Hum Jitne Baar Jiyenge – Khilaf

Raat Ke Dhai Baje – Kaminey

“ (remix)

Foot Pathon Ke Hum – Mashaal

Peele Peele Sharab Hai Peele – Ghulami

Sang Sang Rahenge Janam Janam - Ek Vivaah Aisa Bhi

Jab Tak Hai Jee Jee Bhar Ke Pee – John Jani Janardhan

Shalok – Bhai ka dushman bhai

Ganga jamuna saraswati -Ganga jamuna saraswati

Allah Ka Naam Le -Palay Khan

Main Jis Mehfil Mein - Badle Ki Aag

Dil Kahe Har Dum – Guddu

Hum Paanch Pandav -Hum Paanch

Goli Chacha Ko Salam Karo -Mera Dost Mera Dushman

Paani – Iqbal

Jahan Kabhi Dil Ne Khai Thokar – Veergati

Aaye Hain Woh Mazaar - Saajan Ki Saheli

Hoga Na Hoga Pyar Kabhi Kum -Kaun Kare Kurbanie

Hum To Banjaare Hain – Nishanebaaz

Paanch Ungliyon Ki - All Rounder

Chal Kahi Chale Sajna – Muqaddar

Sona Kare Jhilmil Jhilmil – Paheli

Yeh Janmabhoomi Janma Devi Maa -Zakhmi Sher

Do-Do-Do-Do – Ramji Londonwaley

Dekho pyare rut kaisi ayi – Muqabla

Sundari Yeh Jeevan Tera – Dalpati

Madine Ki Galiyon Se Awaz Aai – Bambai ka maharaja

Chhod Aaye Hum Woh Galiyan –Maachis

Tum Mere Ho – Betaabi

Na Tum Ne Kiya – Nache Mayuri

Kaise Kahan Kab Ho – Bhagmati

Hum Dono Hain -Karishma Kudrat Kaa

Ae Kaash Dil-E-Nada Aisa Na Kiya Hota – Imandaar

Dil Aakhir Dil Hai – Dil Aakhir Dil Hai

Wafa Mere Dil Ki – Rukhsat

Chehera Kamal Hai Aapka - Maine Jeena Seekh Liya

Hamein Aasman Ne Bheja (Sad) – Sheshnaag

Ek Dil Ki Diwani –Ghatak

Mubarak Ho Mubarak Ho – Angaaray

Mere Dil Ki Galiyon – Banjaran

Jab Prem Aggan Lag Jaye - Dil-E-Nadaan

Dhamak Dhamak Dhaiya Dhaiya – Karamdaata

Aaj Ki Duniya Mein – Paapi pet ka sawaal hai

Babul de do dua aaj to pyar se - Saajan Ka Ghar

Chaar Din Ka Safar –Zaalim

Meri Qadar Jani –Shiva

Badal Ghumad Badh Aaye – Saaz

Kaaton Se - Rakht Charitra

Yaar Mera Chikna Ghada -Badle Ki Aag

Bheega Bheega Mausam Tadpaye - Bandh Darwaza

Mere Zindagi Meri Jaan - Sar Utha Ke Jiyo

Sadion Mein Ek Baar Milen -Ye Rishta Na Tootay

Mangti Hai Pyasi Dharti – Parampara

Hum Aashiq Hai – Sunny

Dono Nibhayein Apna Dharam - Ek Vivaah Aisa Bhi

Sunne Wale Sunlete Hain – Saaz

Na Tir Se Maro – Mohabbat ke dushman

Chaar Din Ka Safar (Sad) – Zaalim

Ang Jale Gora Rang Jale - Daku Hasina

Kitne Ajeeb Rishte Hain Yahaan Par – Page 3

Apni Hai Unchi Uraan -Unchi Uraan

Holi Ke Din – Chatpati

Aaj Matki Utaroonga - Paapi Farishte

Kudi Pat Jaayegi – Grahasthi

Rocky Aur Johny – Zakhmee Insaan

Chal Padi - Dil Pe Mat Le Yaar

USTAD BADE GHULAM ALI KHAN ‘S TOP 190 SONGS !

Yt Link:

Simply the greatest 'classical singer' in the history of music! Supreme commander of raag, taal, bhav, khayal, & sur. Viewed as sole revolutionary bringing popular interest & mass appeal to raag music! Direct or indirect guru, of most legend of legends of Indian music! A man beyond profl art,who famously never sang for cinema,except once,upon persistent request of long-time super fan Naushad, that too upon receiving what will be regd in record books as by far the highest profl fee ever recd for any art performance, 70 times more than highest paid performer of the times, Lata & Rafi, a imaginary price he'd only quoted to somehow get rid of prod -dir K.Asif, that much to his shock was instantly agreed upon! Ustad Amir Khan, a classical legend himself, hearing HIM, in ecstasy remarked, "They should ban public performances of the ragas Bade sahab touches.Will forever be a let down". Quotes: "If people of our region were trained in classical tehzeeb/manner,would've been no partition!" " I don't know nor care for place of origin, of the raga or it's ppl.All I seek is it's purity." "A true lover of tune,won't be cruel,but wary of hurting,also necessarily God loving & dedicated personality."

Ready reckoner on diff terms,raags,styles etc,for lay listeners:

1.Raag-A array of melodious swars,with musical motifs,to color mind & affect emotions 2.Vadi-Root swar 3.Samvadi-Significant " 4.Nyas-Most used " 5.7 shadja(swar)-sa(Shadaj),re(Rishabh),ga(Gandhar),ma(Madhyam),pa(Pancham),dha(Dhaivat),ni(Nishad) 6.Komal-Soft swar(For 4/7-re,ga,dha,ni) 7.Teevra-Sharp "(ma) 8.Shudh-Natural " 9.Achal-2 Swar with no variants(pa,sa) 10.Thaat-Parent scale,used to classify raags 11.Aroh-Ascending scale 12.Avroh-Descending " 13.Vakr-11&12 above,not in same order 14.Drut(laya)-Conc'g fast tempo of raag.Gen'y 160-320 beat/min.Many base full recitals on drut mode(Teentaal) 15.Khyal-Style allowing unltd imagination to embelish ragas,requ'g more technicality than intellect 16.Bandish-'Fixed verse'.On relg-spiritual or royal panegyrics,or musicology,or romance.Strict on form+style. 17.Thumri-Radha-Krishna recitals,that arouse 'thumakna'(& dance of ghungru) 18.Dhrupad-Bandishes on Krishn 19.Tarana-Persian-Arabic words & phonemes in raags,medium to fast tempo RAAGS: 1.Todi/Bhairavi-Bhakti of female divine 2.Khamaj-Lite,sedate,husky;in thumris 3.Kafi-1or2,Bhimplasi,Pahadi,used in nt folk eg Thappa(fast,bouncy),Dadra(ghazal,slow),Holi,Kirtan,Bhajan 4.Gavti/Bheem-1+Khyal 5.Bhinn Shadj/Kaushik Dhwani-5 sur.No re-pa 6.Shankara-5 aroh 6 avroh,mostly higher notes 7.Multani-Noon 8.Malhar-Combo o'Raag Kafi & Raag Durga(sweet soothing mild),sung in patient seriousness. 9.Bahar-Malhar adapted 10.Malkauns-Oldest raags,sung 2-4am,for soothing & intoxicating effect. Derived from Mal and Kaushik, ie he who wears serpents like garlands–God Shiva.Created by Goddess Parvati to calm lord Shiva,post Tandav in rage of Sati's sacrifice. Also by Jain Tirthankaras when Lecturing Samavasarana. Ragini-Dhanashri. Most 'em pentatonic raags'r of Shaivait musical school. 11.Bageshri/~Raageshri- Popular late night raag,to depict emo of woman waiting for reunion with lover.1st by Tansen 12.Malgunji/Lankeshwari-Khamaj+B(R)ageshri 13.Chhayanat-Late eve,3hrs till midnt,reflecting high exuberance with mild pathos 14.Bihag-Loving raag,shudh saptak 15.Behagda-Bihag+Khamaj 16.Sohini-Passive sensuous 17.Kedar-Fav raag played lots by Krishna.Known to've thermal energy,& raagini of Raag Deepak,that conveys honesty, integrity & truthfulness,making mind aware of soul's true character. 18.Basant,also Hindol-hope in new spring onset,to start unseflishly afresh 19.Megh-When Govardhan Parvat was on Lord Krishna's short finger,Lord Shiva generated a Damru sound to protect Lord Krishna from the high energy release-Raga MEGH!Tansen's physical agony after singing Raag Deepak also pacified by it 20.Bhoopali-Bhakti ras,like Rag Shudh Kalyan & Yaman,abt evoking non-attachment 21.Marwa-Bhakti ras,sunset 22.Puriya-" in highr octave 23.Gunkali-Soft " 24.Sorath-Strong belief 25.Hameer-Nocturnal,gen'ly in upper octaves,on all natural notes 26.Kamod-Tough combo of Malhar,Hameer,Kedar,Chhayanat 27.Shyam Kalyan-Kamod+Kalyan 28.Lalit-Serene dev'l,at dawn 29.Tilang-V.sweet raag 30.Darbari(Kanada)-Grave,lot in lower octave(lower than most Kanada family raags),deeply emo,no frivolos decors 31.Asavari/Jaunpuri-To depict cold 32.Nayaki Kanada-Dynamic,enthu & full of vitality 33Sarang(family)-Of melodic history 34.Adana-Slow Darbari b4 Sarang drut(Ascetic on tiger skin) 35.Jaijaiwanti-Happiness & satisfaction of King winning battle+sadness of lost son 36.Tilak Kamod-Like Raag Des.V.melodious raag,of rains 37.Madhmad Sarang-Sarang mid 38.Pilu-In thumri etc 39.Sohini-Moist tranquil nt,high octaves 40.Kalingda/~Raag Bhairav-Peaceful morng contmplatv devtl 41.Paraj-Basant b4 Kalingda 42.Andolika-Caps shudh;Small komal/tivr 43.Hemant-Deep,soothing,aroh5 avroh7

Pictorial depiction of playlist: https://tooter.in/IndieSpace/posts/107715271386256227

POORNIMA / SUSHMA SHRESHTA ‘S TOP 220 SONGS !

Yt Link:

Itni Shakti hamein dena data - Ankush

Kaisi rahungi tere bina – Album

Teri Hai Zameen Tera Aasman - The Burning Train

Tumsa Koi Nahi – Poornima

Palkon Mein Sapne - Raja Ki Aayegi Baraat

Aayi Savan Ki Ritu Matvali - Awara Zindagi

Chod Mohe Gayile - Goriya

Rehte Nashe Mein - Papi Gudia

Ek Baar Ek Baar Pyar Se Toh Dekh - Sanam Teri Kasam

Chin China China - Aunty No. 1

Kya huva kuch huva - Rampur ka raja

Udhar Ki Zindagi - Dadaji Ki Chhadi Hu Main

Jab Tak Rahega Samose Mein Aaloo - Mr And Mrs Khiladi

Hungama Ho Gaya - Deewana Mastana

Choona Na Mera Ghungta – Agniputra

Yeh aalam yeh mausam -Jai kishen

Bharatpur Lut Gaya - English Babu Desi Mem

San Sana Nana Sai Sai - Banarasi Babu

Sona Kitna Sona Hai - Hero No 1

Mr. Lova Lova – Ishq

Har Waqt Mujh Mein Masti Masti – Krishna

Illa Loo Illa Loo – Mrityudaata

Har Janam Mera - Aaj Ka Samson

Lau Kaha Se Mai Wo Jubaa - Jaane Jigar

Inteqaam Ki Aag - Hum Nahin Bhoolenge

Mere Rabba - Sarhad Paar

Kahin Rut Badal Na Jaaye - Awara Zindagi

O My Sweetheart Dil Ko Dil Se Jod De

Kiss Me Come Quick

Tukur Tukur Dekhte Ho Kya – Masoom

Main No 1 Hoon – Vaade Iraade

Tum Tana Na Tana – Baharon ke Manzil

Channe Ke Khet Mein – Anjaam

Tu Tu Tu Tu Tara - Bol Radha Bol

Shaam Hai Dhuan Dhuan – Diljale

Behke behke kadam – Himmat

Saiyan Ke Saath Madhaiya Mein - Eena Meena Deeka

Cham Cham Chandni -Janam Kundli

Haye Hukku Haye Hukku Haaye Haaye - Gopi Kishan

Pinjre main popat bole

Barsaat main jab ayega sawan ka mahina – Maa

Jawani Diwani – Chamatkar

Kuch Hua Re Hua Re – Shastra

Dil Tera Deewana – Raghuveer

Hun Huna Re – Taaqat

Main Paidal Se Jaa - Hero No 1

Mera Mehboob Aayega - Gopi Kishan

Teri Kismat Mein – Kismat

A Aa E Ee Mera Dil Na Todo - Raja Babu

Mera Daaman - Haryanvi Pop

Ho Gaya Hai Mujhko Pyar Pyar – Dil Bole PIya piya

Chanda Ki Chori - Raja Ki Aayegi Baraat

Batti Na Bujha - Gopi Kishan

Chori Se Chupke – Dharam Yoddha

Dil Mein Hai Tu – Daata

Teesra Kaun – Teesra Kaun

Chudiyan Bajaungi - Betaaj Badshah

Main Hoon Gaon Ki Gori - Bol Radha Bol

Bichhuaa - Haryanvi Pop

Mera Lehenga Gher Ghumer - Hum Hain Bemisal

Chori Pakdi Gayi – Dil bole piya piya

Sarkai Lo Khatiya Jada Lage - Raja Babu

Saawan Mahina Lagi Hai Jhadi - Pehla Pehla Pyar

Kudi Tu Kudi Kamal Ki Tu - Sikandar Sadak Ka

Kuku Kuru Kuku Kuru – Himmat

Chhatri Na Khol Barsaat Mein - Gopi Kishan

Sana Sana Sannana – Barood

Eena Ko Mil Gayi Meena – Eena Meena Deeka

Ui Amma Ui Amma - Raja Babu

Aa Tujhe Main Pyar Doon – Bandish

Love Rap - Maine Dekha Jab – Krantiveer

Ban Gae Ban Gae Ban Gae yaar mere saiyya ki Sarkar

Chudiya Bajau Ki Bajau Kangna – Muqaddar

Yeh Dil Deewana - Vaade Iraade

Sajna teri bena -Ram Aur Shyam

Piya piya - Ram Aur Shyam

Yun to nazar baaz toone - Naam kya hai

Padhna Likhna Chhodo – Angrakshak

Kis Ladki Ne Dil Mera Chhina – Mafia

Turu Ru Turu Ru – Elaan

Panga Na Le Mere Naal -Haseena Maan Jaayegi

Jumme ke Jumme Ghar Aaya Karo – Mr & Mrs Khiladi

Janu Mai Jane Tu – Gangster

Looshe Wai Wai - Jai Kishen

Tera naam likh diya - Baharon ki manzil

Mera Dil Bola – Elaan

Meri Jaan Dua Karna – Baharon ki manzil

Godna God Mohe – Vinashak

Log Aate Hai – Pehchaan

Dheere Dheere Nazar Ladne De – Pehchaan

Mujhko Ek Pappi Chahiye – Vijeta

Ek Ladki Pataka - Apne Dam Par

Sama Hai Mastana – Dil Bole Piya Piya

Mantar Maar Gaya – “

Yaar Mera Chikna Ghada - Badle Ki Aag

Tukur Tukur Dekhte Ho Kya – Masoom

Munna Main Chunna Tu - Khoon Ka Sindoor

Nazro Se Aaj Nazre – Tahkhana

Godanwa Godo Mori Baiyaan Ji – Mudda The Issue

Intvw

Tu Mere Dil Mein Bas Ja – Judwaa

Biwi No.1 - Biwi No.1

Sirf Sunday Ko – Ansh

Taana Tandana –Insaaf

Laddu Motichur Ka - Hote Hote Pyaar Ho Gaya

Teetar Teetar – Bandish

Chu Chu Chu - Kyun Sharmaye Kyu Ghabraye

Gore Gore Gaal Meri Jaan Ke - Jai Vikranta

Parody Song- Mehendi

Pari Kahan Se Aai - Khoon Ka Sindoor

Dilwala Dil Legaya - Dil bole piya piya

Ankhon Mein Mohabbat Hai – Gair

Dil Deewana Mane Na- Janam Kundli

Haye Ram Buddhe Me Bada Dum Hai – Zahreela

Choli Ke Andar Kya Hai – Khalnaaika

Gajab Siti Maare Saiyan Pichware - Lahoo Ke Do Rang

Ittefaq raaton ko

O Jaanu O Mere Jaanu -Pehla Pehla Pyar

Gali Gali Tere Husn Ki - Miya Biwi Aur Saali

Aiya Aiya Aiya Masti Cha Gayi –

Mama Miya Mama Miya –

Jeth Ki Dopahri Mein - Coolie No. 1

Dhik Ta Na Na (Female) – Laadla

Dhik Ta Na Na – Laadla

Chal Kar Le Thoda Pyar - Tu Chor Main Sipahi

Tak Jhoom – Mrityudaata

Aadhi Si Raat - Haryanvi Pop

Gore Rang Pe Itraye – Suhag

Love Me Love Me – Taaqat

Nadhin Dhinna - Mr. Bechara

Suno Miya Suno Miya - Kyo Kii Main Jhuth Nahin Bolta

Mujhe Hero Ban Jaane Dee - Mr & Mrs Khiladi

Ab Tak Hai Puri – Kudrat

Aao Chalo Hum Kare Nain Mataka – Loafer

Sasuji – Rajaji

Gora Pareshaan Hai – Shikari

Ab Tu Meri – Prince No 1

Lut Gayee – Hulchul

Love Love - Hindustan Ki Kasam

Darwaja Khula Tha - Sar Uthake Jiyo

Dil Mera Udaas Hai –Angrakshak

Kuch Kuch Kuch Ho Raha Hai – Loafer

Ek Chadar Do Sone Wale - Betaaj Badshah

Gora Gora Rang – Dil bole piya piya

Sabse Badi Dosti – Baharon ke manzil

Goriya pyar mujhe - Mere Humsafar

Maine Kya Julm Kiya - Eena Meena Deeka

Chaadar Bichhayi Diyo Na - Aakhri Dacait

Tan Tana Tan Tan Taara – Judwaa

Oonchi Hai Building – Judwaa

Ooperwale neeli chhatri – Lalchee

Soorat Hai Meri Bholi – Jai Kishen

Roop Salona Tera Dekh Ke - Jaani Dushman

Chhod De Janeman Apni Zid Chhod De – Chandaal

Kashmakash Badhi Toh – Cheetah

Tum Tum Ho Ke Nahin - Saatwan Aasman

Ooyee Ooyee Meri Amma - Bewafa Sanam

Agar Barsaat Na Hoti To Dil Ki Bat – Janam Kundli

Amanat

Ladke Aaj Ke Ladke – Vijaypath

Mera Dil Bole Piya Piya

More Piya Ke Sang – Goriya

Dil Tera Badmaash Hey karta hai –

Dil Dhadak Mera – Mard

Jaane Jaana Tune Chua

Angoorwali Bagiyan - Maa Kasam

Ek Ladki Nache Raaste Mein – Suraj

Mujhe Ekraar Karna De Zara Izhar –Bhai

Neend Aati Nahin – Vijeta

Pyaar Ki Rail Gadi - Sabse Badhkar Hum

Sawan Ki Raat Suhani – Rangbaaz

Mach Gaya Shor – Barood

Galiyan Da Munda - Do Numbri

Chhan Chhana Chhan

Chum Le Mere Balon Ko – Shapath

Dekho Jo Palat Ke – Zameer

Yeh Dil Ka Dhadkana - Sikandar Sadak Ka

Chikne Chikne Gaal - Sher E Hindustan

Doob Ke Dariya Mein · Saajan Chale Sasural

Oee maa ye kya ho gaya - Aao Pyaar Karen

Towel Mein Baahar Jaaogi - Eena Meena Deeka (Contd)

[indiejones]

BOLLYWOOD'S 5 MOST POPULAR GANGSTER FILMS !

On a day we've witnessed perhaps the first live gang-war of our lives, wanna know which're the 5 biggest blockbuster dacoit dramas of Bollywood? (Based on Indies Inflation-Adjusted All-Time Biggest Blockbusters List)

1. Bhola Bhala (No.53) 2. Gora Aur Kala (No.122) 3. Mera Gaon Mera Desh (No.250) 4. Jis Desh Mein Ganga Behti Hai (No.268) & 5. Taaqat (No.320)

[soulfultawakkul]

Acha hai paas agar koi gham khawaar bhi nahi, ab mera haal, laiq-e-izhaar bhi nahi.

Hasrat say ab nigah tarf-e-yar bhi nahi, yaani kay ham mein taaqat-e-deedaar bhi nahi.

- -

Gham khawaar: sympathiser/comforter laiq-e-izhaar: suitable or capable of expression Tarf-e-yar: towards partner/love interest Taaqat-e-deedaar: power of sight

[globalworship]

Yeshu Mere Saath Hai (’Jesus is With Me’ Hindi song)

Anil Kant is a popular composer, recording artist, worship leader and pastor in India. His wife Reena and daughter Shreya are also excellent singers and appear on this studio track from 2006.

Hindi lyrics and English translation are below the video.

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YESHU MERE SAATH HAI,

Yeshu mere andar hai Jesus is with me Jesus dwells in me Yeshu ko mein pehne hoon, mujhmein woh zinda hai I am wearing Jesus, Jesus is alive in me Yahi meri taaqat hai, yeh nahin bhoolna hai He is my strength, I will not forget this Kabhi nahin bhoolna hai-2 Never forget this

Jitni huqumaten, Yeshu ke adhin hain All the powers and principalities are under the authority of Jesus Duniya ki taaqaten Yeshu ke adhin hain The powers and principalities of the world are under the authority of Jesus Saari bimariyan Yeshu ke adhin hain All sickness is under the authority of Jesus Atmik shaktiyan, Yeshu ke adhin hain Spiritual power is under the authority of Jesus Yahi meri taaqat hai  yeh nahin bhoolna hai He is my strength, I will not forget this Kabhi nahin bhoolna hai-2 Never forget this.........

Shaitaan chalaak hai, karta woh vaar hai satan is shrewd, he is waiting to attack Masloob Yeshu se, woh gaya haar hai But Jesus has defeated him Chhu bhi na payega, ab kabhi woh mujhe He cannot touch me anymore Na dara payega ab kabhi woh mujhe He cannot scare me anymore Yahi meri taaqat hai, yeh nahin bhoolna hai He is my strength, I will not forget this Kabhi nahin bhoolna hai-2 Never forget this.........

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Anil and his family have recorded 20+ albums. Most are available outside of India as downloads on Apple Music, Amazon, etc. https://www.facebook.com/anilkantofficialpage

See a live version of this song in my previous blog post at https://globalworship.tumblr.com/post/188677351500/yeshu-mere-saath-hai-by-anil-shreya-kant-hindi