#symbolic killing of the self etc etc etc

[devileggart]

INTERNET OVERDOSE

[aromanticannibal]

Weirdly i haven't seen ppl being mean abt Izuku this time around. My timeline everywhere is just

Bkdk from Jp artists. Izuku sensei. Bkdk from american artists. Izuku thirst trap. Kacchan thirst trap. Bnha movie/game. Izuku sensei. Izuku sensei. Izuku sensei. Porn of random character

The little i saw abt that collab are people being sad they can't get the burger combo or smth.

godbless

[theerurishipper]

I feel like people really underestimate the importance of Dick being the first Robin. Like, reverse Robin AUs are interesting and such, but I just hope people realize that in the context of canon, they would never work. The reason Batman and Robin ever works is because the first Robin was Dick Grayson specifically. Because Bruce would never have taken in any child if Dick's tragedy hadn't specifically happened to mirror his own experience. Dick Grayson was the only one Bruce truly saw himself in first, because the fundamental event that defines them is the same. And he sees the opportunity to help someone the way he was never helped, to make sure that Dick didn't go down the dark path he did. So, my point here is that the only one Bruce actually made the choice to take in, the only one who could kickstart it all, is Dick Grayson, because he is the only one with whom Bruce could immediately empathize and connect with.

This never happened with any other Robin. He took in Jason because he missed Dick, he took in Tim because Tim forced himself into the role, he took in Steph because he was trying to make Tim come back to being Robin, and Dick made Damian Robin. Of course, he loved all of them, and they all have their unique relationships with Bruce that are very important and inform their characters, and he does need them too. But he specifically formed this connection with Dick that made Dick the only person he ever considered taking in. It took a very specific set of circumstances in Dick's backstory that made Bruce commit an impulse adoption that just isn't really present in any other Robin's story. And the reason Jason or Tim or Steph or Damian or anyone else whom Bruce has taken under his wing even got that chance is because of the work Dick Grayson put into Bruce Wayne.

Before Dick, Bruce was reckless and didn't care at all about himself, to the point of almost being borderline suicidal. He was more brutal, more violent, etc. The reason all this changed, is because of Dick Grayson specifically. He was the one with whom Bruce opened up, with whom Bruce was forced to grow up, to take responsibility and learn to take care of both Dick and himself. Dick, to Bruce was the one who brought "color to their [his and Alfred's] monochrome lives." Dick Grayson's specific brand of happiness and joy changed Bruce for the better. Dick gave Bruce hope. This is true for other Robins too, but only because they followed the precedent that Dick Grayson set, only because they slid into his role (they have their own interesting relationships with Bruce, but this specifically is from Dick that other Robins carried on. A legacy, if you will). Dick Grayson turned Bruce into the kind of man who would become a serial adopter.

Without his influence, without his precedent, there would be no Batfamily, because Bruce would never have gotten to the point where he would be able or willing to take in someone else and care for them properly (It took living through his trauma again to get him to take Dick in lmao). Hell, there would be no Batman because Bruce would have gotten himself killed a long time ago if Dick hadn't helped him learn self-care. Dick knows Bruce best, because he understands him on a fundamentally deeper level than anyone else in the world. And he's the only one who can make Bruce open up at his rawest, most downtrodden state. He is the only one who can give Bruce at his lowest that kind of hope. There is no Robin without Dick Grayson. It's literally a tribute to his parents, using their colors and the name his mother called him. He created that identity as a symbol of hope. He helped Bruce become the kind of man who could and would let other people that he had to care for into his life. Without Dick Grayson, you can simply forget about any other Robin or the Batfamily as a concept even existing.

[novy2sirius]

᭓ ྀུ༺ a degree theory by nikola stojanovic

please read before proceeding

important note: this is not my info. this is all from nikola stojanovic’s theory on degrees in astrology. he has books on it that i think you can find online and download for free

trigger warnings: murder, car crashes, sex, and suicide

sign degrees

zero degrees: 0°

the same characteristics as the sign it’s already placed in. example - aries venus at 0° is purely an aries venus, obviously aside from the house energy

aries degrees: 1°, 13°, and 25°

beginnings, leadership, taking action, fighting spirit, not giving oneself up to fate, struggle, war, abuse, labor, diligence, etc

taurus degrees: 2°, 14°, and 26°

food, money, stability, earth, luxuries, sound of voice, singing voice, etc

gemini degrees: 3°, 15°, and 27°

communication, self-expression, technology, books, siblings, neighbors, etc

cancer degrees: 4°, 16°, and 28°

home, traditions, nurture, loyalty, faith, mother, the ocean/water, etc

leo degrees: 5°, 17°, and 29°

life, children, attention, fame, creativity, strength, happiness, light, etc

virgo degrees: 6° and 18°

improvement, health, to diminish, routine, animals, acts of service, etc

libra degrees: 7° and 19°

harmony/fairness, charm, beauty, law, music, art, dancing, pleasures, etc

scorpio degrees: 8° and 20°

death, major transformation, wealth, jealousy, sex, secrecy, taxes, etc

sagittarius degrees: 9° and 21°

wisdom, abundance, college, travel, photography, success, beliefs, etc

capricorn degrees: 10° and 22°

hard work, fear, public attention, karma, father, boss, isolation, history, etc

aquarius degrees: 11° and 23°

unexpected experiences, technology, friendships, networking, divorce, etc

pisces degrees: 12° and 24°

spirituality, escapism, dreams, illusion, the sea, mysteries, the hidden, etc

special degree meanings

supreme power: 2°

this degree is often found in the charts of people with remarkable achievements, who had extreme power, and who were highly respected according to nikola’s research

eroticism/a fun life: 5°

many sex symbols like marilyn monroe have this in their chart. nikola believed this was the best degree in general as well. he thought it indicated lots of fun and pleasure in one’s life

suicide/divorce: 11° and 23°

according to nikola the aquarius degrees (11 and 23) both indicate divorce occurring when placed in prominent positions in the chart. 11 is the only one indicating suicide though

car accidents: 15°

nikola believed that when this degree was connected to 8th house or scorpio placements it could indicate getting into car crashes

pure evil: 18°

nikola believed that this degree indicated a negative destiny for someone. he thought it was the worst degree you could have in your chart, based on his research he thought it was solely about facing hardships and nothing more. he also believed it could indicate being an evil person with no good intentions

to kill or be killed: 22°

just as the title reads, nikola believed this degree indicates being killed or being a killer. another thing he believed it could indicate was abandonment in the area of life it’s placed

clairvoyance: 29°

nikola believed this degree indicates someone that has very good intuition and can make accurate predictions about the outcomes of events

my opinion on astrology degrees

i personally don’t believe in nikola’s theory 100%, although i do think there’s accuracy to the signs being associated with specific degrees. i have always had stronger belief in my numerstrology degree theory than anything when it comes to this subject though. i definitely do not believe 18° is fully negative like he claims since the universe is yin yang so there’s always both positive and negative ways things can manifest. these are just my thoughts though

do you believe nikola’s degree theory? comment below!

[magz]

Edit: Stop send ask and tag say he native, magz have already respond here (post link) - Isaiah Merkin self-refer himself and consider himself white.

Edit 2: censoring screenshots more.

Edit 3: Turned off reblogs, but y'all can link to post.

The youtuber W*ndig*on, the youtuber, said that he was the originator of the term “boogaloo boys”. (original thread)

Which is also primarily known as the nazi alt-right extremist militia hate group movement.

He claims they strayed from his ideals by being “anywhere from antifa to fascist” instead of just about “freedom”.

He says he renamed himself from boogalooboi to his current username to rebrand.

That he is what the boogaloobois model themselves after, presumably as his fans.

So it’s not that he coincidentally looks and acts with fascist dogwhistles, it’s that according to him, the fascists model themselves after him.

And still for whatever reason, he keeps wearing and saying things the Boogaloo boys are known for after supposedly renouncing them. The hawaiian shirts, the gun collection and fanaticism, military fatigues, the fixation with “freedom”, using “boogaloo” to mean ‘revolution’, etc.

He is a white devout christian man that makes those long conspiracy theory iceberg videos, as he considers conspiracy theories to be fun and interesting, but barely if ever addresses the antisemitism of most of those conspiracies.

And named himself and his Youtube channel after the taboo winter hunger spirit of the Algonquian native peoples. It is a part of a closed-off religion where you aren’t supposed to mention the spirit by name or it will notice or manifest.

It also conceptually symbolizes the imperialism and colonialism and greed - “the consuming forms of exclusion and assimilation” - that affected the Algonquian peoples. The further cultural appropriation and misrepresentation of the taboo spirit into a quirky cryptid and using it for branding and merchandise is inappropriate. (forum thread with article links about the taboo spirit)

He has also said stereotypically transmisogynistic things just because it was about Chris Chan.

He was inspired by shoe0nhead, an “anti-sjw” youtuber that claims to be a “leftist populist”, but is an anti-feminist that believes in 9/11 conspiracies, and he regularly interacts with her.

Image shown: His tweet, “step on me @/shoe0nhead”. End of Image. (Tweet Here)

And is a Kyle Rittenhouse fan. Someone who killed three people at a black lives matter protest and is affiliated and supported by the proud boys - a white supremacist neo-fascist group. He follows his official Twitter and agrees with tweets defending Kyle. (reddit threads on his official subreddit, on the subject of him following all kinds of people and his community’s political stances, like him being anti-vaxx and following alt-right people)

Images shown: First is the Official Twitter account of Kyle Rittenhouse, followed by his twitter account.

Second image is his tweet saying “The moment it was announced not guilty on all counts”, with a 42 second video showing Kyle Rittenhouse scared then relieved when the court said he wasn’t guilty and believed his self-defense claim. (Tweet here)

End of Image.

Do with this information what you will, but he does not have good politics.

[madkiska]

watching the entirety of jrwi: riptide again. here's some important things from the first few episodes that I feel we forgot (<110 mentions too though)

Jay

Had night terrors similar to those of Kubakinta's curse in episode 5, and they eventually start returning even after Loffinlot's curse is lifted ○ All of them were about her family and/or the navy ○ I simply think people leave her out of the nightmare stuff and she deserves it. Hurt her more, please (he said, lovingly)

was actually very upset at having to use her medal to get a Loffinlot rebellion to shut up ○ This could be because she didn't want them to guess she was a spy, but I choose to believe it's because she felt guilty

"If you're gonna be sailing with someone, you should have a good relationship with them. [nervous chuckle]." She says, while asking him for information about the Black Rose Pirates (ep. 10)

Said "thank god they didn't find me" after a nightmare about the navy attacking. Even when she was supposedly a spy, who one day would have to return to the navy ○ Very unclear if she was scared of her dad, or if it's because she was a secret spy so the navy would've just killed her

Rewatching, she was suspiciously into the plundering and gold and stuff. Like that was real sus. It doesn't fit her current character much

The only one among them who's gambled before

Chip

The entire thing literally starts off with Bizly holding a lit match

Called Gillion "Gill" and Jay "Sureshot" from an early stage

Was SO much more of a bastard. Lied to Gill constantly, didn't care about anything but the money, etc.

Had aggressive hand tremors alongside Jay's night terrors ○ Gill cures it with lay on hands

When he gets drunk married, they talk extensively about how he'd be released when he's dead. Welp.

They did actually break up and it was fine and they were still friends. They parted on good terms

Is really fucking good at chess ○ Beat Earl twice and Jay once. Jay had a point of exhaustion after a nightmare but Earl had no excuse ○ Lost to Gillion though, but only cause of prophetic screwup ○ This kid is smarter than he lets on, y'all

Was the first one to have a backstory dump while Jay is asking him about the Black Rose Pirates, yet still we know jack shit about his life before them other than "orphan"

Gill

Charlie has referred to Gillion with 'they' many times. I can pull receipts.

When describing Gill, Charlie said: "He's more.. elven, if you had to make a comparison. 'Cause I don't wanna be a fish guy". Oh, honey.

Smote a bald person by using his hair as a whip (ep. 4)

Was given anxiety and self-doubt alongside jay's night terrors and chip's tremors ○ "What do you want?" "I want the feeling of satisfaction I've been chasing my whole life." ○ This was episode FIVE.

First mention of the prophecy and how Gillion wasn't their ideal student is ep. 7, after he divine smites + prophetic screwups and deals like 60 damage to some beetles ○ Chip spends the next 30 seconds in gay awe

He refers to the crescent moon Niklaus tattoo as "my zodiac" (probably a bit) ○ It's not a lil basic white girl moon this thing is the entire size of his forearm

Gill had never heard about the Black Sea - it's unclear if the Undersea just don't know, or if that's just how sheltered he was (ep. 10)

Biz: "What would Gillion do. If he just had no goal - was just sitting there." "Gillion always has a goal." "Would his goal ever be to just.. Sit there?" "Absolutely not." ○ Later, Chip expresses that he doesn't know what Gillion likes. What he would want out of winning a bet. Gillion doesn't have an answer

Other

Apple, in a couple of early battles, acted like Gill's familiar (see: ep. 7)

They also pecked at his Niklaus tramp stamp and looked all confused at the idea of eating seeds

The specific crescent of the moon in the Niklaus tattoo is known as a symbol of "corruption" (ep. 9) and its antonym is the sun, for "life", similar to the yin and yang ○ Interesting to consider after what the tree said in 110 <_<

Pretzel has a masters degree in couple's therapy (ep. 10)

The Albatross/Millennium Chipper was described as the colour of rosewood or mahogany

Captain Lizzie's first introduction was a wanted poster, and Chip wanted to turn her in for the prize, then decided to try learn from her instead

Chip/Bizly called Old Man Earl "Erol" for a loooong time ○ Maybe it's an accent thing but I have an uncle called Erol and so this stands out to me

[jedi-enthusiasm-blog]

A Jedi's Weapon

I've been thinking about Lightsabers recently. Everyone knows them, everyone likes them, and I'm pretty sure everyone reading this wanted one when they were a kid. But lately, I've been thinking about what they represent.

Lightsabers are weapons, yes, but it's not their only function. They are useful tools, and not only in combat, but in everyday life to light fires, to cut down the branches of trees when your travelling through a forest, etc. But most of all, I like the symbolism and the meaning they have for the people of the galaxy.

Everyone can pick up a blaster and shoot. And although aiming is harder, it's nowhere near the level of difficulty that achieving mastery in lightsaber combat is. Lightsaber dueling has several forms, all of them unique and useful depending on the situation and the individual, which is amazing if you think about it hard enough.

Blasters are almost always used to kill. Sure, there are stun blasters, and Jedi do seem to be able to use them when the situation calls for it (Obi-Wan killing Grievous with a blaster in ROTS immediately comes to mind). But, if you want to defend yourself with a blaster, the only thing you can do is shoot back, aka aiming for the kill, kill them before they kill you. That's why Luke using a blaster is portrayed as a sign that he's not a Jedi yet, that's why Ezra using a blaster instead of reconstructing his lightsaber/blaster hybrid is used to signify a dangerous shift in his thinking.

Lightsabers are dangerous, yes, but the greatest danger doesn't come from your opponent attacking you before you can lift your weapon. Even Force-adepts have quicker ways to kill you if that's what they wanted to do (look at how often Vader actually uses his lightsaber in the OT, for example, the only person he kills with it is Obi-Wan and that's because Obi-Wan let himself be killed; very clearly, Vader prefers Force Choking, which is entirely fair).

The greatest danger of a lightsaber comes from your own blaster bolts being reflected right back at you. That is a good incentive to surrender and solve things in relative peace, instead of a firefight. Even if that's not enough to stop you, even if you shoot anyways, it gives you some pause, which a blaster can't do.

When it maims, it cauterizes the wound, which prevents you from dying of bloodloss and makes it easier to find medical treatment (think of Luke in ESB).

When it kills, it kills fast and immediately, if your opponent knows where to hit. (Think of Qui-Gon in TPM, where he gets to say his last words to Obi-Wan and doesn't seem to be in much pain).

Dexter says this, in Jedi Apprentice. What the lightsaber represents to the people. Hope, safety, there's someone to protect us now… unless you are the one opposing the Jedi, of course. No other weapon inspires so much hope and fear.

It's a weapon it takes a lot of time and effort to master. It's almost a self-imposed limitation.

It's a weapon with sacred value, unlike many others. It's a unique weapon connected to its user's soul. It's a weapon which is used to protect, to defend. It's a sword used as a shield.

It's the weapon of a Jedi.

A more elegant weapon, from a more civilized age.

[howlsofbloodhounds]

So I had this type of idea for Stage 4 for awhile now, heavily inspired by a non-utmv fanfic I read before. I bounced a lot of ideas off people in real life and some online, so there was some tweaking and adjustments over the time.

Stage 4 believing that if no one tells it to eat or offers it food, it’s because They don’t want it to eat. And so it must earn a reward.

It will only allow itself scraps of a reward (food, rest, shower, anything it thinks it needs) if a mission objective is fulfilled and the scene is marked. When a mission is completed and marked, it is allowed more and bigger rewards.

And it is only ever allowed rewards if it marks the mission as completed—such as carving or drawing an upside down heart on the victim, the scene, or its own body. The upside down heart is to represent Stage 4–that it did this and earned all the rewards—and affirm its mirroring of Chara.

A mission objective is possibly killing a target. Higher targets such as Frisks, Boss monsters, etc have names and higher rewards and punishments.

For example: Boss Monsters like Asgore, Flowey/Asriel, and Toriel could be called Command Objectives or considered Primary Targets. These figures symbolize the core of the world’s structure and power, and their destruction would be considered the ultimate display of obedience and power.

When it manages to kill these targets, Stage 4 could sense it’s earned an immense reward akin to a massive surge of energy.

This could mean it is allowed to binge on a full meal, which Stage 4 would only reserve for the highest-value targets. The meal could even be tied to something symbolic, like eating after erasing/killing Asgore as if its feeding on the defeated world itself.

Stage 4 could even delusionally believe that with each Command Objective kill, it unlocks a new skill or becomes physically more powerful, further feeding into its belief that its advancing toward its ultimate mission.

Stage 4 could even experience a brief moment of clarity or relief—the constant feeling of being watched or judged might lift temporarily, as though They are momentarily satisfied.

Failure to kill a Primary Target would result in severe punishment in Stage 4’s mind. It could deny itself food or any form of reward for an extended period, refusing to eat or do anything until the target is successfully eliminated.

Stage 4 could resort to self-harm, carving more intense or larger marks into its body as punishment, believing that it hasn’t earned the right to exist if it can’t complete such an important objective.

And the of course there’s the Personal Objective—Papyrus. Although Stage 4 will never think of it by name.

Killing Papyrus would carry extreme emotional weight, even if Stage 4 is emotionally disconnected, and the rewards would be specific to the psychological and emotional significance of the kill.

The Personal Objective is a target that transcends mere violence and ties into Killer’s identity and past as Sans. Stage 4 could view Papyrus as an “Impossible Target” due to Killer’s emotional baggage, even if it’s buried under layers of detachment.

If Stage 4 successfully kills the Personal Objective, it might interpret it as the final step in severing its connection to Sans entirely. The reward might not be physical, but a feeling of emotional void, as though Stage 4 has finally completed the process of becoming something separate from Sans.

Upon completing this objective, Stage 4 might mark itself in a specific way—perhaps carving an inverted heart directly where its own SOUL is, symbolizing that it has eradicated its deepest connection to its former self. This could become a ritual in which it leaves a permanent, highly visible mark as a trophy of its success.

After killing the Personal Objective, Stage 4 might grant itself a particularly significant meal, as if the kill has earned it a chance to feast without restriction. It could view this as a form of final reward for overcoming its hardest, most personal challenge.

Even though Stage 4 might not recognize the emotions associated with guilt, it could manifest as a deep, unsettling feeling of failure. If it fails to kill the Personal Objective, Stage 4 could physically punish itself in a much more severe way, such as carving larger or more intense marks into its body.

The delusion of being watched could intensify, making Stage 4 believe that They are forcing it to relive its failures, torturing it with images of the Personal Objective still being alive and mocking its inability to complete the mission.

Characters like Undyne and Mettaton provide a lot of EXP and are crucial for increasing LV (Levels of Violence). Killing them could be viewed as crucial for Leveling Up and advancing toward its ultimate goal.

Stage 4 could refer to these characters as Leveling Targets, recognizing their role in helping it gain power and EXP. Their purpose is to be eliminated so that Stage 4 can continue rising in LV and fulfill its larger mission.

Each kill could be perceived as granting an instant boost to its Level of Violence, further solidifying Stage 4’s sense of power and purpose. This could lead to Stage 4 feeling physically stronger and more capable after each kill.

After killing a high-EXP figure, Stage 4 might allow itself to eat a moderate meal, seeing it as a functional reward to keep itself going. It wouldn’t be as grand as killing a Primary Target, but enough to keep it sustained as it continues its mission.

Failing to kill these high-EXP targets would result in self-imposed hunger and a belief that it’s becoming weaker, as though not killing them is preventing it from reaching its full potential.

Stage 4 could experience a form of self-doubt, believing that it’s failing in its mission if it can’t eliminate Leveling Targets efficiently. This doubt could manifest as an intensified feeling of being watched, with Them seemingly disappointed or angry.

Stage 4 might cut deeper marks into its body after each failure, believing that it needs to pay for its mistakes.

Food becomes the ultimate reward, and if it doesn’t perform, it withholds it from itself, leading to starvation and physical weakening.

It might feel as though They are punishing it mentally by forcing it to relive moments of failure, experiencing the scorn of its observers.

And of course, saving the most important for last, the Star. Frisks, or an AU’s equivalent of a Frisk.

A world’s Frisk, or an AU’s Frisk-equivalent, with the ability to Reset the world if they possess more Determination than Stage 4, holds immense importance in the hierarchy of Stage 4’s objectives.

In fact, such a character would likely represent Stage 4’s greatest threat, as they hold the power to undo everything Stage 4 has worked for, rendering all its actions meaningless.

This would directly challenge the rigid control and sense of purpose Stage 4 adheres to, making these figures crucial targets in the broader mission to erase timelines.

The Star would rank among the highest-priority targets, given its ability to Reset and undo everything. In Stage 4’s mind, the Star’s mere existence jeopardizes its mission to erase the world or timeline, making it a special and crucial enemy.

While Boss Monsters and high-EXP figures serve as important stepping stones, Frisk (or their equivalent) would be the ultimate objective. Failure to neutralize the Star means the entire timeline can be undone, so eliminating it becomes a matter of necessity.

Stage 4 would view the Star as the embodiment of the Player’s influence or the timeline's refusal to die. The Star holds onto Determination, a power Stage 4 feels belongs only to Them. The Star’s Determination would be seen as a corruption that needs to be eradicated.

In Stage 4’s mind, the Frisk figure could represent the final test of strength—the one obstacle that can still defy the mission’s completion. Killing them would be the ultimate sign that Stage 4 has won, taking full control of the timeline.

The rewards for successfully eliminating the Star or its equivalent would be extraordinary, as this would be seen as securing control over the entire timeline and ensuring no future interference with the eradication process.

The significance of this kill would go beyond just one meal or mark; it would represent a massive psychological victory for Stage 4.

After killing the Star, Stage 4 might finally allow itself a massive reward—perhaps a large, ceremonial meal or months of rest—something it perceives as the ultimate prize for ensuring the timeline remains erased. This would symbolize the culmination of all its work.

Stage 4 could develop an almost delusional sense of invincibility after killing a Frisk-equivalent.

Since the Star is the embodiment of Resets, its death might convince Stage 4 that it has escaped the cycle of resetting and perhaps now is beyond the reach of even the Player's interference. (Of course this is temporary. Because its mission is never ending, and there will always be another Star to kill.)

In killing the Star, Stage 4 might feel as though it has gained complete mastery over the timeline or world, believing that the absence of the Star’s Determination grants it absolute dominion over the timeline. And no one can hurt it again, no one can hurt anyone.

Failing to eliminate the Star would likely feel like the ultimate punishment for Stage 4. The timeline being Reset would reinforce the idea that it’s trapped in a cycle of futility, rendering all of its violent acts pointless. This would have a massive psychological impact on Stage 4.

Stage 4 might feel as if it’s doomed to repeat its mission over and over, with the Star undoing everything, resulting in the ultimate form of punishment—being caught in a loop with no resolution. This would likely lead to escalating self-harm or intense starvation.

The sense of being watched or judged would intensify to the point where Stage 4 could believe everyone is Them, including the Star. The Reset would exacerbate Stage 4’s paranoia, making it feel as though it is under constant, mocking scrutiny.

Failing to kill the Star would mean absolute denial of food or other rewards. Stage 4 would feel that until the Star is dead, nothing it does matters, and it isn’t worthy of any reward. It could starve itself, refusing sustenance until the mission is completed.

The presence of a Frisk-equivalent in a world where Stage 4 is operating introduces the ultimate challenge to its mission.

These individuals would represent the final barrier to erasing the timeline entirely, and killing them would be seen as the greatest victory.

The concept of Reset would become an obsession for Stage 4, pushing it to ensure that no one—especially a figure as Determined as the Star—could ever interfere with the end of the world.

Rewards would be monumental, and punishments for failure would be equally harsh, driving Stage 4 to approach this final task with a cold and calculating sense of purpose.

Reaching certain levels in stats—such as 9 on everything—could even be enough to warrant 9 minutes of rest, or even 9 hours or days of rest if it’s something as massive as having destroyed 9 timelines in succession.

[shaylogic]

Charles Bag of Tricks = Go Bag from Life

Thinking about how Charles' cricket bat sat unused beside him during the abuse flashback, and how he now has a magic one in his possession as a ghost. In a couple cameos asking about the bat, Jayden says he figures that it was a normal bat that became what it is when Charles touched it.

I suspect it's a part of his soul as a ghost, something significant from his life, representing violence and protection of the self and others.

Edwin's endless notebook is probably part of his soul, with his family crest on it from his own home/school days. George said it was important to him personally to keep the notebook in Edwin's breast pocket, over his heart, despite his conflicted feelings about his parents.

Likewise, I've had a growing theory over the past few days that I've been chatting about with friends in the Dead Gay Detectives discord server about Charles' backpack.

It seems like a go bag to grab quick on the run from volatile situations, like bullies at school and an abusive home.

Both George & Jayden have stated more than once that they would like to have seen an episode exploring the inside of Charles' backpack, as there's more to be discovered there. Of course, this is a popular curiosity of the fans, as well, but it seems poignant to me that they've spoken on this, like important backstory and worldbuilding mechanics may be involved.

If the bag is also a part of Charles' ghost inventory, part of his soul, heart, mind, etc, that's massively symbolic!

I'll share screenshots of the notes I've been making for myself for my fic-writing on this:

What if Charles ran from home and boarding school and all of it but somehow still ended up with his "friends" at the lake, where he was killed?

@wordsinhaled @dearheartdont

[littlemoondarlingarts]

Did an artstyle study of the gorgeous art of @iliothermia and I genuinely learned alot so I'm very thankful that he gave me permission to do this 🙏🏻🙏🏻

As usual, rambles and process pics under the cut, be warned that I talk alot because this drawing was a true labor of love both for his art and Rouge

I wanted to use elements from his art but at the same time i know how deeply personal his art is to his own life and struggles and culture so i tried to be as respectful as possible (and if I failed at that please tell me I have no problem in deleting this) and tried to minimize my use of direct elements from his art to keep it to the skull which was heavily inspired by a drawing he has done, the waves which are such a beautiful staple of his art that I just couldn't not put it and the use of candles and small floral patterns and the style of the mold, but I tried to keep the rest to things that are symbolic to the character.

While he may have restraint to not explain everything, I'm not famous for that lol, so I will be explaining the symbolism behind my choices.

Part 1: the symbolism:

The red rose is Rouge's flower and it is heavily associated with him. The meaning of it being romantic desire and passion mixed with the thorns of it perfectly sum up his position as a beautiful black widow.

Voyeurism is a big part of this drawing and it is first noticed with the eyes motif on the roses' leaves, this symbolises his response to his trauma which left him feeling like an unwanted pervert on his own self. I can talk about this aspect of his story for hours but I'll spare you lol.

The X-ray cutouts are his complicated relationship with his own body and death, it is a thing that is constantly on his mind as he suffers from suicidal thoughts but at the same time he is always running away from it in fear, but he knows that eventually, he will have to stop running.

The candles melting represent him being only wanted when he is useful, when he is giving parts of himself up for others to use and abuse, when he is lighting their lives by slowly draining his own.

The piano is one of the rare things that bring him happiness and peace, but he needs to be heavily dissociated to be able to enjoy it which is represented by the hands being disconnected from the rest of the drawing and just floating in their own reality.

The snake represents two things, one is him being venomous to those around him, the mistakes he's made, the promises he's broken, the pain he's caused etc. But it also represents those who slowly wrap themselves around him in a warm embrace, presenting themselves as a saviour in his most dire times only to end up being the ones who will hurt him the most.

The book is about his obsession with keeping track of everything and of studying people, accidentally turning himself into an unwanted voyeur on their lives to the point where he has written the life stories of many people who would never want to be remembered through his eyes in his little books.

The butterflies are him, both in the way they are seen as "the good insects" and the beautiful delicate ones despite the fact that they eat flesh sometimes, it is also related to the way his simple presence for a few minutes in someone's life can create a whirlwind of change that will leave it unrecognizable, or he can simply be another body in their bed.

The hair turning into waves is meant to reflect the way he is always drowning in his own thoughts, a hand crafted constant state of misery.

The beta fish are some of the most beautiful and colourful fish out there, yet they are seen as cheap and easy first pets, leading to them being neglected and given environments that are too small and crammed, making their beautifully slow death the only thing they can offer to their owner. I don't think I need to explain more..

The skull is probably someone he's loved, or someone he's killed, or both.

The heart is his, it is rotten and covered in mold, any love he offers is tainted by his inability to heal and it is spreading to infect every aspect of his life.

Part 2: the inspirations:

The roses are a homage to the way Rachamim always places flowers in his art, either in the background or as a focal point of the illustration, most of the flowers he uses are cultural in nature, so I opted to not reuse any of them and changed it to a flower related to my oc.

Eyes are a repeated theme in his art, whether it be angel eyes, the evil eye or anything else, and as you can tell both of these are cultural and religious and while the evil eye exists in my culture, it does not in my oc's so I didn't use it. Instead I opted to pay homage to one of his beautiful merman drawings in which he used the plants to make an eye-like shape that stares at the viewer.

I thought I was being real smart in turning the hair into waves but yesterday I saw an illustration where he did the same so rip to me thinking i was being original lol.

The snake and butterflies are my way of replicating his use of animals while trying to not directly copy any animals that have a connection to himself or his culture/religion.

The beta fish is just to reference the ever present fishies in his art. I know he uses them because they represent friendship for him and they are the only animals safe from the evil eye (thanks for the fun fact) so I uh... I don't really know if this was disrespectful or not to be honest but I tried to use a different type of fish, idk this might still be slightly problematic and again I'm always ready to delete this if it makes anyone uncomfortable.

The waves are a direct copy of how he draws the gorgeous waves in his art, another case of something I fear may be crossing the line because the waves are drawn in the style of cultural jewelry 😭

The tiny flowers are an obvious reference to his own tiny flowers that decorate his art and characters.

The skull with the candles is heavily inspired by a specific drawing of his.

The cutouts are my way of paying my respects to my absolute favourite piece of art he's done without directly copying its concept because as far as I can tell, it is a very personal and emotional piece.

The mold style is a reference to his mold man (I forgot his name I'm sorry).

And the candles are another repeated motif in his art as well as the pillars and the pant style.

And ouf I sure do talk alot don't I? I just really love the amount of things I was able to cram into this piece and I haven't even mentioned everything😭😭 I will NOT be doing this again because I'm simply not as patient as he is and as proud as I am of the result, this was torture. I hope I didn't disrespect him, his art or his culture and I genuinely tried my best to be as respectful as possible but I might have some blind spots due to our experiences being so vastly different so again, please don't hesitate to inform me if you want this deleted!

[v1ktim]

OBSCURA: Trailer Analysis

SPOILERS AHEAD!!

In the trailer/video that goes with Chapter One of OBSCURA (Here. Watch it on your own, sub to Rotten Raccons) is PACKED with details and all sorts of information. Let's start with the first thing we see when the video starts.

Cirrus:

This is a snippet of Cirrus' CG in game with some things added. The text in the top left is what we're interested in. "18. presbyter//ecclesia lunaris" What does the number mean? Well if we take it in terms of Major Arcana for Tarot cards. the moon in number 18.(XVIII) Fitting for the lunar priest, but the deeper meaning also fits. Usually meaning hidden danger or enemies, deception to darker forces at play. Then we have the Latin. If we take the dashes and an indication of a break, then the translation is roughly "Preist// height of the moon" But if we take it as one sentence it translates to "Priest of the Lunar Church" Keir:

Again, staring with the number. 20 (XX) is Judgement. I find this fascinating. With obvious associations to justice, scales, balance etc it;s an interesting connection that I wouldn't have originally thought of to Keir but it fits well. The card itself means reflection, reckoning and awakening. Usually taking a look at oneself to see where an imbalance lies so you can fix it and move forwards while reversed can mean a lack of self-awareness, doubt and self-loathing. (yikes) The latin here is interesting too. Instead of having the dashes like everyone else, he had the latin next to the number and then a separate, less visible one at the bottom center of the screen. "Cavilator Fur" translates to "Scornful thief" and the dimmer, less noticeable word is "Cultelluss" or "knife" and it's pointing to where his dagger in on his belt.

Oleander:

The Number 11 (XI) is Justice. Meaning cause and effect, clarity and truth and the reverse meaning opposite. Oleander is a character who knows the effects of his actions. They are measures and precise. He is aware of the cause and effect. And in his neutral and good endings we see him bring his own form of 'justice' or balance. When Lord Valentine tried to have him killed, he simply returned the favor personally, and succeded. "Nerii//periculosum scurra" when translated as a sentence means "A dangerous clown". This obviously references the way Vesper calls him a clown when they first meet and telling us directly that he is dangerous. Francesco:

The Wheel of Fortune is what is assigned to Francesco, meaning change, cycles and inevitable fate, greater forces as play that are pushing towards and ultimate and unavoidable end. This theme goes along with theming that he is running out of time. THere is a reason for him coming to the underground, for rushing Vesper and the tailor so he can experience as much as he can. There is something pushing him forwards.

"Francisium//innocentes nobiles" At a first glance it looks like a latin version of his name, and "innocent nobiles." The second part is correct but the whole phrase means "The innocent nobles of France" which is FACINATING to say the least. The connection to France is interesting to me and brings my mind to the French revolution. Another detail I think is interesting is that his secondary outfit we see him in, the jewelry that is around his neck is right where a beheading would happen and once I saw it I couldn't unsee it.

Thats the first portion. Later in the video we get some images that flash across the screen with more latin and numbers. The numbers correspond with the numbers we were given previously. Again, in the order of how they appear in the video: Cirrus: Snake Skeleton

Latin first. "Obsequium// ducit as caelum" means "compliance leads to heaven" This connects to his entire theme. To get the best end with Cirrus, you don't question him. You don't question his motives or hesitate, you just comply. The imagery of a snake skeleton is interesting too. The obvious imagery and symbolism with snakes, deceit, lies, danger. But also connections to the story of Adam and Eve. The snake that tempts Eve, causing her fall from grace.

Keir: Scales

The Latin here is obscured a bit but it says "Fatum// vestrum vel extaneus" meaning "Your fate is at stake". This one leaves me wondering quite a bit. It says 'your' as if it's talking to the player, to us. To Vesper. This could tie into how Vesper is roped into Mouse Hole, how they are forced to get a noose around their neck like the rest of those living in Mouse Hole. They have to perform well in the heist that happens otherwise they risk death that comes a lot sooner than would be caused by fractum anima. They also risk the lives of Keir and those in Mouse Hole.

The imagery here is super interesting too. Scales are usually associated with justice which happens to be Oleander's tarot card. Scales, are obviously associated with balance, with equilibrium, and fair deals. While we mostly see one side of the scale it seems to be balanced. And in combination with the Latin, I think it's referring to the delicate balance that is Keir's life. A balance of his line of work being risky but lucrative, but if it's too much of a risk, he not only risks his life but all the others in Mouse Hole.

Oleander: Human Skull

"Pantiantur// sicut habes" roughly translates to "Let them suffer as you have" which, WOW. OKAY. Again, Oleander delivers his own form of justice to Lord Valentine by delivering the same thing Valentine tried to do to Oleander, but more personal. Let them suffer as you have. It brings to mind the "eye for an eye" metaphor. An eye for an eye and the world goes blind. But Justice is blind is she not? The skull imagery is interesting as well. This is all painting Oleander as a very dangerous man. Charming and witty, with a flair for the dramatic, yes, but dangerous all the same. A man who can kill. In the neutral ending he says, "For now you are safe with me. If you want to stay like that, you need to follow my lead." If he doesn't have the same attachment to you as he does in the good ending, you are an asset to him and he doesn't spare you the same kindness.

Francesco: Hour Glass

"Tempus//decurrit" means "time is running out". His is the shortest and simplest of the secondary ones. He is running out of time. He rushes you at the tailor to get an outfit made because he can't afford to wait. He wants to get as much as he can, done in the time he has left. No time to waste. The hourglass is the same message. Time is running out. It makes me wonder what is causing his time to run out. Here's the thing, Vesper's time is also running out with Fractum Anima, and interesting connection and it would be interesting if he also had it or something similar but I don't think that's the case with the other things we have seen. With the other things, the "innocent nobles of France" bit and the Wheel of Fortune, It feels like it's alluding to an execution to something similar. But that's purely speculation. That's it! That's what I have! (Thanks to Atlas on discord for great resources and helping me connect the dots with the numbers and tarot!!)

[charmedreincarnation]

So, I was watching ATLA and LOK for the millionth time, and there are so many elements in these shows that I have applied to my life, it's not even funny. This isn’t even really meant to be particularly educating but honestly I could have used atla and lok alone at the beginning of my journey and still come to the same conclusions as I had today. They’re both some of my fav shows since I was a child, and looking back and seeing its influence on me is very nostalgic. Also the live action is getting produced soon so I can’t think of a better time to make this post.

Chakras

Anyways In Avatar: The Last Airbender," Aang learns about chakras from Guru Pathik. Chakras are like energy points in our body. Each one is linked to a different part of life, such as love, truth, or survival. When Aang clears blockages in these chakras, he can use his Avatar powers better. I had made a post about I will link here but honestly watching the scene in a kids show is more appealing 😭😭

Meditation

Meditation is used a lot in the Avatar series. It helps characters like Aang to focus, feel calm, and understand themselves better. In real life, meditation does the same thing! It can obviously help reduce stress, improve focus and make us feel happier. In both shows I saw characters use meditation to induce a plethora of things.

Talk to Past Lives: Aang uses meditation to talk to his past lives for advice.

Ask for Help: Aang meditates to ask spirits for help.

Clear Minds: Characters meditate to think clearly and make good decisions.

Astral Projection: Aang and Jinora can travel as spirits, separate from their bodies, and etc

Yin and Yang

Avater uses the Moon (Yin) and Ocean (Yang) spirits to symbolize balance. Yin (Moon spirit) is like the subconscious mind, it's quiet, internal, and creative. Yang (Ocean spirit) can be seen as the conscious mind, it's active, external, and logical.

Just like in Neville Goddard's teachings, both aspects need to work together for balance. In the show, when the Moon spirit is killed, chaos ensues because the balance is disrupted. It's only when the Moon spirit is revived that harmony is restored. This is similar to how our subconscious (inner self) and conscious (outer self) minds need to work together to achieve our desires as we want to experience both of the worlds as they work in unison.

Astral realm and the sprit world

Atla and lok also talks about a spirit world. This is like another dimension filled with spirits and mystical beings. It's similar to what we call the 'astral realm' - so a space beyond the physical world where our consciousness can go. Also Jinora, a character in "The Legend of Korra," has a unique spiritual ability that allows her to astral project. So she can separate her spirit from her physical body and traverse both the physical and spiritual worlds in her spiritual form.

Jinora displays astral projection abilities multiple times. For instance, in Season 2, she uses this skill to guide Korra, who is lost in the spirit world, she also uses it to find and save Kai in seasons 3. Her astral form appears as a glowing butterfly-like spirit, and she used it multiple times to lead her friends to safety.

The Void state

In lok a character named Zaheer learns to fly. He was put in jail for trying to kidnap the Avatar. But he obviously didn't waste time while in jail. Instead, he used it to meditate and try to reach enlightenment. He does this by entering a 'void' state when he meditates. He lets go of all his earthly attachments and desires, and this makes him weightless. His ability to fly is deeply intertwined with his spiritual beliefs and his interpretation of the teachings of Guru Laghima, an ancient Air Nomad.

In the show Guru Laghima, who lived 4,000 years before Zaheer's time, was the first airbender known to have unlocked the ability to fly. According to his teachings, one could achieve flight by "entering the void" - which meant letting go of all earthly attachments and desires to attain true freedom. When his gf dies This emotional event helps him truly let go of his last earthly tether, thus allowing him to "enter the void" and unlock the ability to fly.

Reincarnation and the avatar cycle

I knew the shows were probably based of real life because I’ve seen air nomad clothing, and I know monks are very closely reflected onto the show but really every aspect rings true and is similar to beliefs in Buddhism. This is especially true when looking at the Dalai Lama, who is a spiritual leader in Tibetan Buddhism.

People believe that the Dalai Lama is a new version of Avalokiteśvara or Chenrezig, who is known as the Bodhisattva of Compassion. When a Dalai Lama dies, it's believed he comes back to life in a new person. Then, high-ranking lamas look for signs to find this person.

This is like the cycle of the Avatar. When an Avatar dies, they come back to life in a new person from the next nation in a set order (Air, Water, Earth, Fire). The new Avatar is found using different tests, which is much like how the new Dalai Lama is found.

But there are some differences. For example, the Avatar can remember their past lives, but the Dalai Lama usually doesn't say they remember theirs. Also, the Avatar is special because they can control all four elements, which is a fantasy idea and doesn't have a real-life counterpart in Buddhism.

I was researching my a specific Lama and his story was a reflection of Korra’s character. It's interesting to note that both the Dalai Lama and Korra knew from a young age that they were special. In the show, Korra knew she was the Avatar when she was very young. Similarly, the Dalai Lama also recognized his identity at a young age.

Honestly, it's just a really good show to watch. I probably even missed some elements from the show bc I’m more concerned about watching it than learning something. But I love both ATLA and LOK and I've even shifted to LOK and will shift to ATLA as well! I really suggest watching its so good y’all. Byeee

[sissytobitch10seconds]

So I'm going to go on a little tangent here. I usually don't do the whole symbolism is the actual meaning thing because it doesn't make sense to me most times.

But I keep seeing the take that the ending of the Umbrella Academy is telling abused people that it's their fault and they have to die for the sin of being abused. I don't think this is what the show was telling us at all, if we're going down the route of things not being taken literally.

When Five goes to Max's diner and meets all the other Fives, they're distinguished by one word in front of their name, which implies that they're not really all that different from each other. Otherwise, they would have chosen other names for themselves. This is an important part of my theory for what the ending actually meant.

The timelines fractured when the marigold was released and created the forty three kids. I believe that because Marigold is such a strong element that literally warps the environment it belongs in (In the comics Allison created a giant John Wilks Booth to kill the Abraham Lincoln statue that had come to life, Klaus can basically raise the dead, Diego can warp space to make things turn and move, etc.) it also fractured the bodies that it inhabits. It created life inside of those women and thus it's not that far of a stretch to assume that each timeline has a part of the people it created instead of it being the standard timeline nonsense.

I mean, if it were the standard theory with timelines (i.e. the timeline is always divulging with each action or inaction that we perform) then Five wouldn't have said they needed to come together. We have always trusted Five when it comes to timeline stuff before, he was intelligent enough to have created the Commission after all.

So if the timelines hold a part of the forty-three, then they have to come together for all of the Marigold Holders to be whole. Their souls may exist in the singular timeline where the durango has consumed the marigold, but we don't know that for sure.

Thus, because each timeline represents a fraction of our beloved characters, the ending where they die is not actually telling them that they have to die because of their abuse. It's telling them (and us) that to recover from abuse and become a non-fractured person, you have to let the version of yourself that your abuser created become a part of you or die off. I know that I had to let go of the person that my abusive ex-girlfriend made so that I could feel more like my true self.

We see Lila and Diego's three kids, Claire, and Lila's parents playing in the park in the end-credits scene. Umbrella Academy isn't a stupid show, it already showed us what happened when kids without parents are born. So it implies that some form of at least Lila, Diego, and Allison exist in the final timeline.

Thus, the ending is not telling us that abused people have to die to stop causing pain or whatever the inane take is, it's telling us that to heal you have to come to terms with all the parts of yourself and let go of the bad behaviors that you exhibit. I could do a whole other post about how the Umbrellas aren't really full people, they're defense mechanisms walking around in people-suits. Our Umbrellas aren't gone, they're existing in a better form and without the pain that Reginald caused them which would fundamentally change them as people and make them unrecognizable to us.

The flower represent the abused part of them, the powers and the Academy and the end of the world and the Commission and Oblivion, that still exists but is so small in their healed selves that they don't even have to look at it if they don't want to.

[tsuwabuki]

what if kobeni had a contract with famine?

1. she's the first one to mention starving in the infinity devil trap.

2. you could hide some foreshadowing under innocuous comments that anyone could make. it's not odd for a poor 20 year old girl to take comfort and enjoyment in tasty food. mentioning the hobby right after 'my devil is a secret' could be nothing, but....

3. someone on reddit mentioned a possible 'final girl' devil with kobeni which I love but I felt the kitchen knife mention would match better with famine. after all, we see falling devil act as a chef preparing a meal for famine. could expand that to kobeni.

4. after famine reveals her name at the aquarium, a kobeni bro makes his debut. also if the infinity devil was used by famine here, was it also used by famine the first time we see it?

5. what we know of famines motivations and context as a horseman translates well to a theory on kobenis abilities. they seem quite powerful when activated so you would need a powerful demon.

5a. ok so my theory. when kobeni is starved of enough good things (family, luck, companionship, safety, bravery, etc), to the point she is fully starved from her humanity, she becomes hyper competent.

you see her fail to reach this state in the hotel due to her clinging to humanity (feels bad about wanting denji dead, for stabbing aki, etc). I think she succeeds in reaching hypercompetence during the rhythm game bit due to being terrified and isolated, it just so happens that the hypercompetence went into playing the rhythm game.

the only other moment where kobenis devil contract ability(ies?) come into play is after her partner gets killed protecting her and she finds out her whole team has been wiped out.

5b. ok so how does this hyper competence after 'starvation' relate to famine as a devil? well the horsemen act as as symbols and metaphors for humanity/life to triumph over.

we see that supported by both conquest and famine taking the role of nurturing humans to become stronger. you could even make that claim for all devils but this isn't about that.

starving is supposed to trigger humanity's instinct to survive by Doing Whatever It Takes. this fits nicely to how I think kobenis contract functions and why she would accept a nerf on her life like that (and how it plays into mental health, childhood abuse, and how someone could choose permanent(?) self destruction at such a young point of their life).

the fact that we see her devil contract trigger (rhythm game) after she's already left public safety means she's stuck with that contract probably the rest of her life. she wanted to go to college but her neglectful parents forced her to pick between sex work and the equivalent of demon fodder.

and because we don't know anything about her contract, we don't know how much she gave up to have this power 😭 being starved of good luck sounds like a really bad longterm debuff even if you theoretically get really good luck at your most terrified moments.

i lost my train of thought here but I'll add one more tangential thing. fujimoto is showing multiple examples of what childhood abuse and/or lack of a stable life can do to someone and how those systems help, hurt, and trap them. kobeni is an example of something more grounded despite her being comedic relief and I love that contrast with her.

she was forced to join the military due to family pressure and economic situation, could not handle the mental strain and quit with a potential life long disability that could get worse over time. she gets a job at a fast food restaurant and has spent her life so far hopping from one toxic 'family' to another.

anyways. throwing kobeni famine contract into the theory pile

[literalite]

mistki's the land is inhospitable and so are we (2023)!! as edits featuring mine and some of my friends ocs 😁 had a lot of fun with this project... rough explainer of how/why each song corresponds to each character/s under the cut because i love symbolism and talking! sorry it is long

bug like an angel - sapphire

without spoiling too much of her story and arc... sapphire's life is not easy. she's hurt by people she cares for and who care for her, although inadvertently, and in turn hurts people who she cares for and who cared for her, also not by her own volition. it's kind of a terrible truth that you will harm and be harmed by the people you love, even when you and they truly don't want to. it's up to you how much you're willing to take and deal. you can't keep every promise you make and you can't right every wrong. but you have to keep trying anyway. that's sapphire's strength, and the core of her goodness and why i personally consider her one of my favourite ocs. i chose to depict bug like an angel in mitski's more positive interpretation here and in that light i think it works best for saph

buffalo replaced - heiya

well first and foremost the vibes of the song fits heiya perfectly fhgjk but also lyricism and tone... yep. quick breakdown of heiya's background since i doubt i'll ever be able to do it properly she's an interesting character for me because she like a lot of my other characters has lost. everything. she had a wife and a child and they were both killed and she had to leave her home again and again and unlike how some of my others would have taken this she has never flagged in her unwavering dedication to preserving hope. for herself for her people for the future etc etc. which is a very fucking difficult thing to do! the world changes faster than you can keep up with it sometimes but for heiya she will not let herself tire and be swept away in it all. people rely on her. she's a guiding star as much as she is a woman. she's a lover and a fighter and thats what buffalo replaced means to me! so

heaven - vinny and caleb

i feel like of all my oc couples so far they have like. the sweetest most kind of simply mutually trusting dare i say straight forward love. they just love each other so much and thats all. the world could end around them when theyre together and it'd be okay truly. also yeah vinny is ostensibly in heaven now bye angel i feel like this one was pretty self explanatory. me and who WHEN

i don't like my mind - sunny

he just like me fr (said in denji voice) anyways wow ha. unstoppable unending guilt due to past actions that haunt your every waking moment? throwing yourself into any and all distraction just to take your mind off it, filling your time with other shit so that past sin doesnt for once echo in your awful and hollow brain? this song is perfect for sunny honestly just that sentiment also the "please don't take this job from me".... sometimes the coping is worse. you can be proud of something because you can do it better than anyone else even if that thing is terrible

the deal - wolfgang munch by @gunthermunch

Wolfgang Amadeus Munch. umm this will make more sense later on but it still kind of makes sense now i think. he doesn't want to be himself he keeps . leaving and moving and running away from his own memories his own self in reaction to others. if he could pawn it all off he would. if he could be better in an instant without having to feel every agonising second of change he would! but thats not how the world works. or is it. read munch by gunthermunch thats an order

when memories snow - lilian

i feel the older you get the more your past kind of swells up and trails behind you... at least for lilian that is shes very linked to the different versions of the girl/young woman she used to be. for her its a double edged blade, a lot of her own strength is drawn from who she was and what happened to her throughout her life. they haunt her but she's haunting it back in her own way

my love mine all mine - saige, bellona, ari

stares you down okay so usage of this song very much almost verges into spoiler territory but uhm. uhm. starts twitching basically the whole dynamic here is . sometimes when you love you will sacrifice. and while that is usually a good thing sometimes it is not but sometimes it still is. sometimes you pay your dues for love and sometimes someone else has to pay for your love as well. and whether that is worth it to them remains to be seen. but it's all about love still. whether that's a worthy cause is up to you i suppose

the frost - yoshiki and hikaru from hikaru ga shida natsu

fun fact (or not so fun fact since i had it listed as such) this slot was originally meant to be taken up by a gojo/geto edit and while it still works for them frighteningly well i swerved to do another black and white haired doomed gay pairing gfhjkl; i really recommend yall to read hikaru ga shinda natsu/the summer that hikaru died because honestly it speaks for itself! it's SO good i love it so bad

star - ari and luca by @anjitrait

wow these two did not deserve the horrors the narrative (me) slammed down onto their heads. they're kind of the most married of all time to me but like of course under pressure even the strongest most loving of bonds will warp. they've been together for roughly a decade and a half now. they know and love each other as totally as you could possibly imagine. despite it all i am yours, no matter. are we picking up what i'm putting down chat

i'm your man - nayef and sióar by @lucidicer

after the album dropped like at least 3 people swung into my dms with a ?this you?? about this song which. i mean the fucking dogs that start barking halfway through the song. are you kidding me. but anyways sioyef and devotion. sioyef and putting yourself in your lover's hands and looking to them like they are a god. this is super self explanatory. you know

i love me after you - redacted and ophelia

HM.... all i'll say here is that sometimes the homoerotic tension filled high school friendship where both parties have something very wrong with them but in totally different directions can be. scarring. bad. sometimes love just isn't enough when you don't know what you're meant to do with it and when you've lived in survival mode all your life. but that once the dust clears you can scrape yourself off the ground get up keep going and that isn't gonna be the end for you there. or for love, even. sometimes shit just ain't meant to be and thats ok

[edelgards]

i had a train of thought about saint seiros and catholic canonization and ended up yapping about how rhea's sainthood isn't a symbol of her divinity but is an allegory of her humanity instead.

sainthood in the catholic church is the recognition of people who performed miracles, did acts of goodwill, etc. in the name of god. these individuals are then canonized by the church who acknowledge their good deeds and are now considered as holy people, the closest we—original sin bearers, according to them—get to divinity i guess and a lot of canonized saints were people who weren't the best nor the ones you'd expect to be saint.

in fe3h, of course we know the church was not exactly what we thought it was and such rules might or might not be in the seiros doctrines. seiros is a self declared saint lol yes, it was a ruse but it made me think and compare that situation to catholic canonizations.

rhea was born a divine being, a child of the goddess. she doesn't need to be elevated to sainthood, she IS divine. you don't need to sanctify what is pure from the very beginning. that's like calling an angel a saint or something and implying that a divine entity had been a sinner/impure and is only holy because of canonization which i think, from a religious fanatic pov, is an insult. anyways seiros, however, is called a saint... which i'd like to think implies the opposite of the catholic church's meaning of sainthood.

rhea/seiros' sainthood is a symbol of her humanity.

of her being flawed, her imperfections. everything that happened after zanado was her, a divine being, becoming human. her vengeance, righteous fury, her grief and most of all, her kindness despite all that's happened are what makes her human.

honestly don't know where i'm going with this but i guess you could look at the tragedy being her rebirth? from "holy" to human. her humanity began the second she lost her mother. it spiraled her grief and drove her to vengeance—her war with nemesis and his 10 elites. and then, there's her church. what started out as damage control and a self-preservation driven lie turned into something genuine that allowed her to learn to love the people that killed her own.

her continued service to the people (albeit morally questionable at times i have to admit) is, to me, her continued acceptance of her humanity–whether conscious, not, or figuratively. as opposed to indech and macuil yeeting out of human affairs the moment the war was over, a refusal of their "humanity" and choosing "divinity" instead.

ok, that's all. my point is rhea's humanity is what makes her holy. her ability to be kind after all that she went through is what makes her a saint and that makes me insane sometimes because can you imagine losing your people and you're the only one that knows, surrounded by the mirror image of the people that took your own?? anyways, talking to empty chairs: thanks for coming to my ted talk.