#suspended disbelief

[capiolumen]

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[elftwink]

if you're about to get top surgery, you may hear a voice in your head telling you to make a joke about getting something off your chest even though it's overplayed. im here to let you know it's your imperative and sacred duty to not only make the joke but to tell it to every person you talk to. and that you are right it would be funny as fuck. this is not sarcastic if you tell enough people one of them will have never heard it before and also it's still funny to every person who has heard it listen to me this is a once in a life time opportunity— [i start getting dragged out by the palace guards] commit to the bit!!! if you don't you'll forever wish you had!! heed my warning or forever suffer the cons— [castle door slams shut behind us]

[mysticdragon3md3]

I feel like whenever a story or characters manage to absorb an audience into their narrative, then people tend to naturally suspend more disbelief. So a clip out of context might be expected to be nit-picked by a lack of suspended disbelief. ...On the other hand, maybe people are right about CinemaSins-type culture normalizing nit-picking and not suspending disbelief. That would be sad.

[draconym]

Live theater in the His Dark Materials universe must be wild. Surely an actor's daemon also has lines to recite, so their daemon's form probably also factors into casting decisions. Maybe some plays have vague character descriptions for daemons, but I bet other plays have really specific or central daemon characters. And sure, big-budget theaters can afford to hire a separate actor with a particular daemon to stand backstage while their daemon plays its part onstage, but community theaters don't have those kinds of resources.

Like if you're casting for Julius Caesar, surely the real historical Caesar had a pretty iconic daemon, right? Are you going to cast an actor with a pigeon daemon as Caesar and just have everyone suspend their disbelief that it's Caesar's lioness, ἁμαρτία?

[ninyard]

in the mind of andrew minyard

[prettygirlgerard]

*ru paul voice* and say hello to our extra special guest judge, the SLAYYYvior of the broken, the beaten, and the GLAMMED, Gerard Way!

gerard:

[alinalal-art]

dark hour

Shop || Patreon

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 6

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 4] [Pt. 5]

[kittykatninja321]

Reading a Robin!Jason fic like:

[beescake]

back in the day we had pantskat

now we have sagg sollux

[ask-whitepearl-and-steven]

Is Amethyst able to change her skin color palette, or are the Maheswarans color blind..?

Dr. Maheswaran thought this was a car accident patient:

[mysticdragon3md3]

the WORST argument I’ve ever heard about female fantasy armor #dejatwo

[kiss-inthekitchen]

favorite insomniac | spencer reid

a little warm-up exercise i just finished <3 you can't sleep, so you decide to call the only other person you know who would be awake at this hour. ~500 words

You don’t get insomnia. Usually, you fall asleep quickly and easily, and then devolve into any number of nightmares or vivid dreams or somethings that cause to you wake up feeling like you hadn’t slept at all. 

Obviously not great. But not insomnia.

Tonight, however, is not a usual night.

You roll over once again, after what feels like hours but is probably only twenty minutes of lying as still as possible and trying to will your body to be tired. You check the time on your phone; 3:14 AM. 

Ugh. You have to be at work in less than 6 hours, awake in less than 5. Closer to 4, if you want to actually look presentable. 

You groan, scrubbing your hands over your face and barely resisting the urge to start punching your pillows. 

And then you give up. 

There’s one insomniac you know who’s got a pretty good chance of being awake right now. You've dialed the number before you can even think about it. The line rings once, and you realize what an inappropriate, quite possibly disrespectful choice this had been. You’re about to hang up, hovering over the red button, when you hear him. 

“Hey,” he says, voice raspy. 

Oh god, oh god. “Please tell me I didn’t wake you up.” 

“No,” Spencer chuckles bitterly, “You didn’t. What’s wrong?” 

“I can’t sleep?” 

His eyebrows raise halfway to his hairline. “So you called me?” 

You and Spencer are coworkers. You’re friends. You just don’t really hang out much outside of work and work-related events. Not that you haven’t wanted to, you just… don’t really know how. Or if you should. Or if it would be particularly smart. 

“I’m so sorry. I figured if anyone was liable to be awake right now, it’d be… I wasn’t thinking. I’ll let you go, I’m–” 

“Hey, it’s alright,” he says, amused. You’re the only person he ever gets the opportunity to calm down; he’s usually the most nervous person in the room. “This doesn’t usually happen to you though, does it?” 

“No,” you huff, flopping back against your pillows. “I’d ask you for tips, but whatever you’re doing clearly isn’t working.” 

“That’s nice.” 

“Am I wrong?” 

“No, you’re not wrong.” 

You make a self-satisfied little “hmph” sound. 

“What did you call me for then?” 

Something in the timbre of his voice makes your heart speed up. “I don’t know, human connection across the ether that is 3 AM?” The sense that you’re the only two people in the universe. The sound of his voice. Not that you could say that part out loud.

“Wanna go for a drive?”

Huh? “Wh– We have work in, like, 5 hours.” 

“Oh, you haven’t been counting, have you?”

“You mean like thinking ‘if I fall asleep right now at this moment I could get 5 hours of sleep’ but then I still don’t fall asleep and I watch the minutes go by until it’s only 4 and a half hours and then I get angry at myself for being awake and then I’m somehow even more awake?” 

He chuckles, dark and rich through the phone. “The classic trap. Never count the hours.” 

“Now you tell me.” 

“Alright,” he grunts, and you hear him shuffling around, “I’m picking you up.”

“You're what?!"

"I'm picking you up," his voice lilts up, almost like a question. But not like he's asking for permission, more like he's teasing you. Like he knows your answer anyway.

"Now? You have a car?” 

“Yes, now. And yes, I have a car,” you hear jingling on the other end. “You’re gonna like it.”

[ozymandian-hymn]

quick aggie doodle — nov 16 pogbur but he stood maybe a little bit too close to a TNT, and there was no c!Phil to save him from the blast. died as he lived: never whole and alone

also because the breaking bad gus fring death scene won't leave my head, like holy shit look that's peak rule of cool (cw gore)

[adverbally]

Conversations with Dead People

Written for the @steddieangstyaugust prompt “Ghosts” | wc: 1,159 | rated: T | cw: past major character death, brief passive suicidal ideation | tags: grief, not a fix-it, Eddie is Dead | title from the Buffy the Vampire Slayer episode that inspired this fic (season 7, episode 7)

This takes place in an AU where Steve and Eddie have been together since shortly after the events of season 3. The events of season 4 happen as they do in canon.

———

He’s not really a ghost, Eleven had explained. It’s more like residual psychic energy that Eddie left behind when he died. An echo, lingering, a telepathic reverberation of his soul or brain waves or whatever made him Eddie. Him, but not. It’s a distinction that Steve can’t seem to make, not when he’s sitting cross-legged on the floor of his living room in front of El, waiting for her to make contact.

“Eddie?” Steve asks tentatively. “Are you there?”

El is quiet behind her blindfold for a moment. “He says, ‘Hey, Stevie.’”

He doesn’t know what he was expecting but shock forces a laugh out of him, too loud and a little wet. “Hey, Eds.” He hasn’t said those words in months but it still feels natural, like a reflex. “I miss you.”

“He misses you too. He sounds sad but he’s smiling,” El reports matter of factly.

“You can see him?” Somehow this might be the thing that breaks Steve, the longing and the fear of seeing him again twisting in his gut. “Is he– does he look–”

“He looks normal. Not hurt. But he says you look like shit.”

Eddie can see him, Eddie is okay, Eddie is trying to joke around to make him feel better, Eddie is so close but out of reach and… Steve’s face crumples.

He can’t do this. Why is he doing this? Hope and despair are warring in a sticky lump in his throat, choking him until he can’t speak. He’s wasting his chance to talk to Eddie again. He doesn’t want to talk to him, he wants to feel him, cold hands and strong arms and sharp teeth and soft lips. He wants him back. He wants to be with him.

“‘Don’t cry, baby.’” The words are soft and clunky coming from El’s mouth but Steve knows exactly how Eddie must sound on the other side.

The sob he was suppressing rips its way out of him. “I miss you,” he says again, stupidly, but he can’t think of anything else. He presses the heels of his hands into his eyes like they can stem the flood of tears now that they have begun. “I miss you so much.”

The static on the radio is the only response for long seconds before El says, “He’s crying now. He says he’s sorry. Not sorry he did it but sorry it turned out like this.”

Steve shakes his head. Any real anger he felt toward Eddie had been short lived, but the reminder stings. “You had to be a hero, huh?”

“‘It was worth it to keep you safe.’”

He tries not to think too hard about how much he wishes he could’ve switched places with Eddie. Eddie wouldn’t have let him, of course, stubborn as he is. Was. Is? Steve clears his throat before asking, “Are you… okay?”

It’s a stupid question. How can Eddie be okay? What could Steve do about it anyway? Thankfully Eddie seems to understand what he was trying to ask.

“‘I’m still dead, sweetheart,’” Eddie-El says, almost apologetically. “‘But I’m okay. I’m not in pain, I’m safe. It’s not like being in the Upside Down. It’s peaceful.’”

��Okay. That’s good,” Steve says, almost to himself.

El tilts her head like she’s listening. “He says he watches out for you.”

God, what must Eddie have seen over the past three months? How many nights had Steve sobbed himself to sleep, clutching Eddie’s pillow and trying to memorize its fading scent? How often had Steve put on a brave face to comfort Dustin and reassure him that Eddie’s death wasn’t his fault? How many times had Steve gone to visit Wayne, both of them sitting at the kitchen table while they cried into their cups of coffee and silently mourned the way that the trailer seemed so damn empty without Eddie there to fill it?

“‘Are you okay?’” El asks on Eddie’s behalf.

“We’re just trying to keep it together. It’s…” Steve wipes his nose on the sleeve of his hoodie. It was Eddie’s hoodie, actually, but Steve kept stealing it. It’s soft and it smells good! You’re never getting it back! he had laughed. Now it smells more like Steve than Eddie and he couldn’t give it back even if he wanted to. “It’s really fucking hard without you.”

“‘You’re always looking out for everyone else. Promise me you’ll take care of yourself?’” The inflection of it sounds like goodbye, like all those mornings of Eddie gearing up to head back to the trailer before Wayne noticed, like Steve begging for just one more kiss before Eddie left.

But there’s something final in it this time that makes panic surge in Steve’s chest.

“Nonono, don’t go, you can’t– you just got here, you can’t just leave,” he babbles, wishing Eddie had a physical presence he could hold on to. The logical part of Steve’s mind knew that this was only temporary, that any echo will eventually fade, but he hadn’t realized it would be so soon.

“‘I wish I could stay.’” El sounds so sad when she speaks for him.

Steve presses his hands to his mouth, tries to hold in the terrible sound of his grief until Eddie isn’t there to hear it anymore. He takes a deep breath and tries to keep his voice level despite the tears streaming down his face. “Will I see you again?”

“‘Hopefully not for a long, long time.’”

He thinks of the past three months, thinks of going through that three more times to make a year, then all of that over and over for as many years as he has left… It sounds like pure torture.

“‘Promise me,’” Eddie-El insists.

“I promise.” Steve’s voice breaks, but he tries to crack a smile when he remembers Eddie can see him. “Stay out of trouble?”

Even before El says, “He laughed at that,” Steve is picturing Eddie’s head tossed back with the force of his guffaw, his dark eyes glimmering with amusement. It settles something in him.

“I love you,” Steve says, snotty and shaky but as solemn as a wedding vow.

The radio stutters then, sounding like it’s flipping through frequencies on its own. When the jumble of static and indistinct speech stops, Steve hears Eddie’s voice, loud and clear, for the first time since March.

“I love you, Steve Harrington,” he announces. Soft and warm like spending a lazy morning in bed. Bright and smiley like adoring someone in a way that can’t be hidden. Exhilarated and awed like collapsing together in a sweaty, spent heap. Bittersweet like a kiss goodnight, like a little white lie, like a promise that has to be broken.

Steve feels that voice surrounding him, crashing over and through him. He shuts his eyes and hugs himself, tries to hold himself together, until the radio shuts itself off.

Then, in the echoing silence of his living room, Steve lets himself fall to pieces.