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hannyoontify · 2 months ago

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the way you said hello - kim mingyu

member | executive chef!mingyu x reader (ft. jeonghan & seungkwan)

genre | (implied) soulmates!au, meet cute, strangers to lovers au, fluff, (angst if you rlly rlly rlly squint)

word count | 2.8k

synopsis | after a disastrous blind date, the night takes an unexpected turn when the restaurant’s handsome owner, mingyu, steps in. what starts as an act of kindness quickly becomes something more as sparks fly over a chance meeting

warnings | cursing, lowk kinda suggestive if you squint, kissing, one (1) mention of a knife, mentions of mingyu having previous injuries sustained from his occupation, there is a SIGNIFICANT time skip at the end but i don't specify how much LMAO that's up to ygs discretion

notes | requested by anon! i'm so sorry if this wasn't the direction you wanted it to go in 😭 i swear i tried my best! lowk don't know if i like this or not but i really liked the bickering between oc n seunghan NOT PROOFREAD

this can be read as a stand-alone or as a sequel to this mingyu fic!

You anxiously bounced your leg under the table, gently gnawing on your bottom lip as you glanced around the fancy restaurant. Across from you, the chair in front of you had now been empty for an awfully long time now and something told you that your blind date had ditched, leaving you with the incredibly overwhelming and taxing bill.

Fuck.

You rested your head in your hands and let out a tired sigh. There was no way this was happening.

As you reached for your wallet, you flagged down a nearby waiter to ask for the bill. He nodded at your request and you let out what seemed to the umpteenth sigh of that night. While waiting for the bill to reach your table, you began rearranging the leftover peas on your porcelain plate.

“Didn’t know we had a Picasso in the house.” An unfamiliar voice remarked next to you.

You yelped in surprise and whipped around to see a tall, handsome young man peering over your shoulder with an amused smile. He was in a black button down with the sleeves rolled up to his elbows, showcasing his prominent forearm muscles, tucked into a pair of dark trousers. “That’s very impressive… is that a self-portrait?”

You snorted in disbelief, your shoulders shaking as you let out a quiet laugh. “No, it’s supposed to be my date. Too bad they left before I could remember what they looked like.”

The mysterious man scrunched up his handsome face, as if to say ‘Ouch’. “Do you mind if I—?” He gestured towards the empty seat in front of you and you nodded.

“Go ahead. That seat’s going to be empty for the rest of the night anyways.” You let out a bitter laugh. He gave you a sympathetic smile and situated himself in front of you with an arm outstretched reaching over the table.

“Kim Mingyu. I’m the owner and executive chef of this restaurant. I received a report that there was an attractive young person who was left on their lonesome after their date mysteriously disappeared.” The man, Mingyu, tilted his head. “Didn’t think said person was going to be this attractive though.”

You blushed at his compliment as you shook his hand. “[Name]. Not sure who snitched on me, though I’m glad to have new company.”

“Are you… on your way out now? Since your date is gone?”

“Yes, I’m just waiting for the bill.”

Mingyu waved his hand dismissively. “Don’t worry about it. It’s on the house.”

Your eyes widened in disbelief. “You’re kidding.”

After spilling coffee on your blouse this morning and running 30 minutes late for work, you were more than positive that the day was going to end in disaster. The disappearance of your blind date following a very long, tiring day at work only confirmed those suspicions. However, it seemed like that the goddess of luck was no longer hellbent on making your life a living disaster with the way the stranger sitting across from you managed to douse out the fire that had been burning within you for the past few hours with a single smile.

“I’m afraid I’m not. But if you feel pressured or aren’t comfortable with it, no worries!” Mingyu said lightheartedly.

“Oh my God,” You ran a tired hand through your face and let out a dry, incredulous laugh. “You literally just saved me from having the worst day ever. I was preparing myself to break down into tears once I received the check. Thank you, I really appreciate that.”

He smiled at your words. “Of course, just doing my daily random act of kindness for a stranger. Although…” He trailed off and you quirked an inquisitive brow at him.

“Although?” You asked.

“Although… would it appall you if I said it was my way of shooting my shot?” Mingyu rubbed the back of his neck with a nervous laugh. His eyes nervously darted back and forth between your face and the half-eaten plate in front of him, left by your crappy blind date who was honestly, no longer in your realm of attention. Not when Mingyu was in front of you.

Shooting his shot? You felt your cheeks burn at a temperature similar to the candle perched on a candelabra on your table at his words and you coughed before fumbling to find the right words.

“I mean… I wouldn’t be opposed to it. Since you’re my savior tonight and all…” Your voice faltered and Mingyu beamed.

“That’s great! Here’s my business card, if you ever want to contact me.” He pulled out a crisp card and handed it to you as he got up from the chair. “Well, I must be getting on my way now. I’d love to stay and chat but I have big boss duties to do.”

Mingyu tipped an imaginary top hat towards your direction. You smiled. “It was nice meeting you, [Name].”

“It was nice meeting you too, Mingyu. I’ll contact you,” You waved his business card and he nodded.

“I’ll be looking forward to it. Bye, [Name].”

And with that he was gone, leaving nothing but the lingering scent of his perfume and the fluttering of your heart.

“Just call him!!” Your best friend urged you. He was sitting on the other end of the sofa, munching on a bag of chips as he watched you metaphorically rip your hair out over the business card you received from Mingyu a week ago.

“It’s not that simple, Seungkwan! What if he hates me now because it took me so long to contact him? I bet he’s forgotten about me at this point.” You pouted and continued to stare at the worn, but still elaborate cardstock in your hands.

Seungkwan rolled his eyes. “Dude, you’re overthinking this entire thing. Listen to me,” He paused to fix his posture to face you. “He gave you the business card, right?”

You nodded.

“Did he ask for your number?”

You shook your head.

“Did he receive any kind of contact information from you?”

You shook your head again.

“But he gave you his business card? [Name], he literally served you the ball on a silver platter. He’s interested in you but won’t make any moves unless you do. The ball is in your court. Take that damn ball and BOUNCE IT!”

Seungkwan let out a frustrated yell and shoved another handful of chips into his mouth. “I swear, you have the IQ of Jeonghan’s pet rock sometimes.”

“Hey! Doljjong is very intelligent!” Your other best friend yelled from the kitchen. “He has really good hearing too, so don’t insult him like that or else you’ll be dealing with me.”

Seungkwan rolled his eyes and you laughed as Jeonghan came out into the living room to give his own two cents.

“But Seungkwan’s right. The entire fate of a whole new possible relationship with this mythical Kim Mingyu—”

“HE’S REAL. I SHOOK HIS HAND.”

“—is in your hands. Don’t blow it. Or else me and Seungkwan—”

“Seungkwan and I.” You corrected him.

“—will be—Okay, fuck you, grammar police—Will be taking this matter into our own hands so we no longer have to hear your bitching and whining.”

You let out a frustrated groan and threw down the business card that’s been putting you through pain and misery through the past week.

“God, he was literally perfect. I don’t wanna blow it and—”

“That’s what they said.”

“Jeonghan, I’m going to literally throw Doljjong into the bottom of Han River and you’re going to be joining him soon after if you don’t shut the fuck up.”

Seungkwan burst into laughter and watched you and Jeonghan continue to argue back and forth.

“Forget it, it’s useless talking to a person who believes that a rock can be a pet.” You got up from your spot on the couch and reached for your phone. “I’m stepping out for some air. Lock the door if you leave before I come back.”

“See ya, don’t wanna be ya!” Jeonghan yelled from the living room as you left the house and you loudly groaned.

You loved both your best friends but they sometimes drove you absolutely insane.

The sky was dark but the countless lights from the skyscrapers and streetlights illuminated the Han River, making the surface twinkle and shine under the pale moonlight.

You were sitting on a lone bench, facing the river as you mindlessly fidgeted with Mingyu’s business card. The edges were fraying from the countless amount of times you’ve handled it between your fingertips, and you traced the black lettering of Mingyu’s name with your index finger as you silently sounded out every vowel and consonant of his name.

Seungkwan’s words rang in your head. ‘He literally served you the ball on a silver platter. He’s interested in you but won’t make any moves unless you do. The ball is in your court. Take that damn ball and BOUNCE IT!’

Like a switch was suddenly flipped inside you, you reached for your phone. The screen lit up and you pulled up a new message to type in the phone number that was written on the card in your hand.

Without a single thought, you sent,

hey! it’s [name]!

Before you could even type the first letter of your follow-up text, the status of your message changed from ‘Delivered’ to ‘Read 21:24’ and you let out a gasp.

And then the loud, shrill ringing of your ringtone cut through the peaceful night air.

You gasped louder than before after seeing the caller ID, reaching to frantically turn off the ringer before answering the phone.

“He–hello?”

“Took you long enough,” Mingyu’s voice sounded crisp and clear on the other end of the line. You couldn’t see him, but you could almost hear the smile in his voice as he spoke. “You almost had me thinking that you were ghosting me or something.”

You let out an apologetic groan. “I’m so sorry, Mingyu. I got in my head and kept putting it off. I swear it wasn’t personal…”

Mingyu’s laugh was bright. “No worries! I assumed you had your hands full. Although, I did jump a little every time I received a text from anyone from the past week.”

“Oh, man… I feel horrible. I’m so sorry.”

“I’m telling you, don’t worry about it! Better late than never, right?” There was an awkward moment of silence before he spoke again. “What are you up to right now?”

You hummed and looked out at the tranquil water of the Han River reflecting the bright lights of the city. “Nothing much. I stepped out for a minute for some air. What about you?”

“Oh, really? I’m actually out for a walk too.” You swore you heard a second voice near you, echoing the words Mingyu was saying in your phone. “Turn around for me?”

You whipped around with the phone still pressed to your ear to see Mingyu standing behind the bench, a small smile playing on his lips. You ended the phone call.

“Mingyu?”

“‘Morning, sunshine,” He slid into the empty spot next to you and you scooched over to make more room for him. “What a way to run into the guy you’ve been ghosting, huh?”

You snorted at his greeting, ignoring the slight burn you felt in your cheeks from the nickname he had addressed you by. “I told you, it wasn’t intentional.”

Mingyu grinned. “I know. Just felt like teasing you.”

“What are- what are you doing here though? Do you live in this area?” You asked. He nodded.

“Yeah. I moved into that apartment complex not too long ago,” He pointed to a tall building on the other side of the river. “Has a killer night view. You should come over to check it out sometime.”

You choked on your spit, resulting in you barking out a short, panicked laugh. “Do you—-do you usually say these… these things to people?”

“No, not really. I’m not usually like this,” Mingyu looked over at you with a slight tilt in his head. The night breeze brushed his bangs across his forehead and you felt your breath falter at the way the closest streetlight illuminated his honey-like, gorgeous skin.There was a particular glint in his eyes as he opened his mouth to speak again. “Pardon me if this is too brazen, but I’m only like this when I feel like I’ve met the one. My soulmate.”

Your breath was caught in your throat.

“Does it… usually work?” You choked out. Your face felt incredibly hot and your clammy hands were sticking to the bench.

Mingyu turned back to face the river and your stomach did an odd flip. “I’m not sure. You tell me.”

Oh God. You thought you were melting on the spot with the way he was looking at you. Mingyu was holding eye contact with such intensity, you physically couldn’t look away. Your heart hammered wildly against your ribcage and you decided you were going to sign yourself up for the upcoming Olympics, with the way your stomach was doing flips like an Olympic gymnast. Simone Biles had nothing on whatever routine was going on inside you right now.

“… I’d give it a solid 8 out of 10.” You gave him the most nonchalant shrug you could afford, knowing that there were enough butterflies in your stomach to start a butterfly conservatory. Mingyu looked at you as if he was surprised by the score.

“Really? What would I have to do to win back the last two points?”

You gave him a pointed look, and the next words to leave your mouth almost sent you into cardiac arrest. “Hmm… live up to your words? I guess?”

And the smile Mingyu gave you in that moment was the brightest one of all. His entire being seemed to glow in ecstasy, glowing brighter than the streetlights as he looked at you with a suggestive glint in his eyes. “I thought you’d never ask.”

“Mingyu?” You called from the living room. Mingyu didn’t respond and the only thing you heard from the kitchen was the clattering of plates and silverware. “Babe?”

Pushing yourself off the couch with a quiet groan, you padded over to the kitchen where your fiancé was busying himself with preparing dinner. He was hunched over the counter, his hands and trusty knife busy at work as he chopped away on his chopping block. Careful not to startle him when he had a knife in his hand, you snuck your arms around Mingyu’s torso and peered over his shoulder to watch him work his magic.

“Watcha doing?” You asked sweetly. Mingyu acknowledged your presence with a short peck on your forehead.

“Hi, baby.” His voice was rough and the sound sent shivers down your spine. “Preparing to feed you. Why?”

You hummed and nuzzled your face into Mingyu’s back. He smelled like a mix of spices, sweat, and his faint woody cologne permeated your senses. “Do you think we’re soulmates?”

Mingyu set down his knife and turned around to face you, his back resting against the marble counter with his hands resting comfortably at your waist.

“What’s with the sudden question?” He quirked a well-groomed brow at you and you smiled.

“Nothing… I just read a blog about soulmates and I was curious about whether you thought they were real,” Your fingers danced along Mingyu’s strong, muscular forearms, your fingertips lightly tracing all the old scars and burn marks that signified his experience and years spent working to master his craft. You repeated your original question again. “So… do you think we’re soulmates?”

Mingyu leaned in to press a quick kiss to your lips. “I don’t think so, love. I know so.”

“Really?” Your eyes brightened at his words and he nodded.

“Mhm. I knew from the moment I saw you playing with those leftover peas on your plate that I was going to marry you,” Mingyu leaned in again, nuzzling his nose against yours. You giggled. “Sometimes, I have dreams where I knew you in another life. But those dreams felt so… real. Like they’re fragments of memories from a past I can’t recall.”

“Are we married in those dreams too?”

“Mhm. We were happily married, just like we’re going to be.” Mingyu captured your lips with his, sighing gently as your fingers combed through his dark hair.

“I love you, Mingyu.” You whispered against his lips, like a secret only meant for the two of you to know. Something to be taken and hidden away, kept a secret in the deepest depths of the earth. A secret so sacred, it can only be cherished in the deepest, darkest places so that no one else can know.

“I love you too, [Name],” Mingyu’s love confession was more bold. Something he uttered with purpose and intention. He wanted the entire universe to know that he was yours. His heart belonged to you. He was going to love you loudly and boldly. “I’ll love you in every universe. Wherever you go, that’s where I’ll follow.”

reblogs and feedback is always appreciated ^-^

a/n: this is a big personal FUCK YOU to writer's block AHGJSJD i somehow managed to push through and finish this 😭 (it was at 300 words when i started today) albeit it was on my phone, in the dark, at 1 in the morning BUT I FINISHED IT. n now my insomnia's back LMAOO

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solxamber · 3 months ago

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Trash Novel Chronicles: I'd Rather Date the Male Lead's Dad - Lilia Vanrouge x reader

When you end up in your best friend's favourite but absurd novel about breaking a fae prince's curse, you didn't expect to get attached to his little family too. Even more unexpected? You fell for the male lead's dad, but hey it looks like he likes you too.

Series Masterlist

You love your best friend. You really, really do. But sometimes—sometimes—the things they drag you into make you question your life choices. This time? It’s a novel. A bad one.

The plot is borderline unreadable, but somehow, it’s now your problem. Because of course it is.

“So, listen,” your friend had said, waving the book around like it was some kind of literary masterpiece. “Malleus Draconia, the fae prince, is cursed—chained up in this forest. The curse can only be broken by someone who isn’t attracted to him. But here’s the kicker: he’s so hot that no one can break the curse. For ten years.”

“Uh-huh.” You’d nodded along, already feeling your brain cells start to wave white flags of surrender. But your friend continued.

“The main character stumbles upon him after years of drama and frees him because they’re the only one not drooling over him. Then they fall in love, blah, blah, blah.”

At this point, you were barely listening. But then they dropped the bomb. Your eyes were shutting and you felt the sweet embrace of sleep call to you.

“Also, there’s this subplot where a magical plague of squirrels overruns the kingdom, the Saint betrays everyone by secretly being a double agent for some shadowy organization, and—get this—there’s a surprise paternity reveal where the devil is the father of the Saint who turns out to be the evil villain controlling everything.”

Your face had hit the pillow as your soul left your body.

And somehow, the next thing you remember is waking up dead. Or, more specifically, reincarnated. In the body of the heroine. In that story.

You can't believe the story was so terrible that it killed you.

The first thing you notice when you wake up is that the room is way too fancy for your tastes. The bed is massive, the sheets feel like they cost more than your entire existence, and the walls are adorned with tacky portraits of people who are probably supposed to be important.

“Oh, no,” you groan, rubbing your eyes. “This can’t be happening.”

But it is. You’re in the novel. The very one your friend had been yammering about. And not only are you in it, but you’ve woken up a full year before the plot is supposed to kick off. A year of waiting for terrible drama, an ex-fiancé who can’t take a hint, and a poor fae prince you’re supposed to rescue.

But you? Yeah, you’re not that patient.

“No way am I waiting a whole year for some garbage plot to unfold,” you mutter, throwing the covers off. “I’m just going to free Malleus now, take my reward, and live a quiet, drama-free life by the beach.”

With that plan firmly in mind, you march out the door.

It takes a bit of wandering through some overly cursed forest, but you eventually find Malleus’s “prison.” And honestly? It’s not nearly as dramatic as you expected.

There he is, sitting in the middle of a clearing, chained up in some kind of spooky-but-also-weirdly-ornate setup. He looks just as the novel described: tall, dark-haired, horns giving him an air of mystery and power. But what you weren’t prepared for? The way his eyes widen slightly in surprise when he sees you.

“I wasn’t expecting… company,” Malleus says, his voice soft, almost tentative.

You pause for a second. He looks intimidating, sure, but there’s something oddly… sweet about him. Like a guy who’d get excited over a party invite and then be too shy to actually show up.

“Yeah, I’m just here to get this whole ‘curse-breaking’ thing out of the way,” you say casually, walking up to the chains. “I’ve got stuff to do.”

Malleus blinks, looking a bit confused. “You… are not attracted to me?”

You snort. “Nah, not really. You’re nice to look at, don’t get me wrong, but I’ve got my own problems. Let’s just get you free so I can collect my reward and move on.”

He still looks mildly surprised but nods. “Very well.”

With a shrug, you reach out and touch the chains. There’s a brief flicker of light, and they dissolve. Just like that.

Malleus looks down at his freed wrists, clearly shocked. “It… it worked.”

“Yeah, wild, right?” you say, brushing off your hands. “So, about that reward…”

Before you can finish, Malleus stands and, in a tone so polite it makes you feel guilty, says, “You have freed me. Please, allow me to invite you to stay at my castle. As a guest.”

You blink at him. “Uh, no thanks. I’m good.”

Malleus’s expression falters for a moment, and you swear he looks a little sad. “But… I would like to repay you for your kindness.”

He’s giving you this look, all wide-eyed and hopeful, and you realize—he just wants to hang out.

Oh no.

“Ugh, fine,” you groan. “I’ll stick around for a bit.”

The way his face lights up is honestly too pure for someone who was supposed to be all intimidating and all-powerful.

When you arrive at Malleus’s castle, things get interesting real fast. You’re greeted by his entourage—Sebek, who looks like he’s one insult away from going Super Saiyan; Silver, who’s napping on his feet; and Lilia, who seems like the embodiment of chaos.

Sebek is the first to speak, scowling at you with righteous fury. “How DARE you approach Lord Malleus with such insolence!”

You roll your eyes. “I just freed him. You’re welcome.”

Sebek looks like he’s about to explode, but Lilia steps forward, his sharp grin making you instantly suspicious. “Oh? You broke the curse? Without being… swayed by our dear Malleus’s charms?”

“Yup,” you say, popping the ‘p.’ “Didn’t even break a sweat.”

Lilia’s eyes gleam with amusement. “Fascinating. You must have quite the willpower. Or perhaps…” He looks you up and down, clearly intrigued. “You simply have different tastes?”

You blink. Then, without thinking, you point at him. “Actually, yeah. You’re hot.”

There’s a beat of stunned silence, during which Sebek looks like he’s been hit with a brick, and Lilia lets out a delighted laugh.

“Oh, you are a delight,” Lilia says, his eyes twinkling with mischief. “Perhaps you should stay longer.”

“You think I’m joking, but I’m not,” you deadpan, earning a grin from Lilia.

Silver, meanwhile, is still half-asleep and completely unfazed by your chaos. “Good job on freeing Malleus,” he mutters, yawning.

Malleus, who has been silent this whole time, finally speaks up. “You… do not find me attractive?”

You turn to him and sigh. “Look, it’s not that you’re not attractive. You’re, like… objectively pretty. But I don’t really go for the whole cursed prince thing.”

Malleus seems to process this slowly, his brows furrowing slightly. “I see…”

“But don’t worry,” you add quickly, feeling a bit bad for the guy. “You’re sweet. It’s a compliment, really.”

Malleus looks a little less confused and a bit more happy. “Sweet? No one has ever called me that before.”

You snort. “Well, I’m calling it now. And hey, you’ve got your freedom, right? Now you can get invited to all those parties you wanted.”

At this, Malleus’s eyes widen slightly, and you realize—oh no, he’s the type who really just wants to be invited to stuff.

“Oh,” you mutter under your breath, “you’re like a giant puppy, aren’t you?”

Malleus tilts his head, clearly confused, but before he can ask, Lilia leans in with a knowing grin. “I think you’ll fit in just fine around here.”

You sigh, rubbing your temples. “This is gonna be a long stay, isn’t it?”

Lilia’s smile widens. “Oh, most definitely.”

Later, you’re sitting around the dining hall with the group when Lilia casually brings up the dreaded plot points.

“So, when do you think the magical plague of squirrels will hit?” he asks, almost too casually.

You nearly choke on your drink. “The what now?”

“Oh, didn’t you know?” Lilia smirks. “There’s a prophecy. The squirrels will overrun the kingdom unless someone stops them.”

You blink. “This is real? I thought that part was a fever dream.”

Malleus nods seriously. “The squirrels are quite the threat.”

You slam your head on the table. “I’m trapped in a nightmare.”

Silver, half-asleep as always, just yawns. “I’ll take care of them. Probably.”

And that’s when you realize: maybe you should have let the curse be.

You didn’t mean for it to happen, but you and Malleus… well, you’ve become friends. It started small, mostly casual conversations where he’d hover around, awkward but eager, just happy to be included. There was this one time you invited him to tea, and the poor guy looked like he was about to cry from happiness. Now? You’re taking your frienship to the next level.

“Hey,” you say, strolling into the throne room where Malleus is doing the farthest thing from brooding. He’s just kind of standing there, staring out the window like he’s daydreaming about a really nice picnic. “Want to go to the market with me?”

The look on his face is priceless. His eyes widen like you’ve just handed him a golden ticket to the best party of the year. “You… want me to accompany you?”

“Yeah,” you shrug, as if this isn’t the biggest deal of his life. “I need to pick up some stuff, and I figured it’d be more fun with a friend. Plus, y’know, maybe someone will actually give me a discount if you’re there.”

Malleus looks like you just offered him the world “I would be honored.”

And that’s how you, Malleus, and the rest of his chaotic entourage—because of course they followed—ended up at the bustling market.

Sebek? Less than thrilled. In fact, you think he might actually be foaming at the mouth. “I cannot believe you are fraternizing with Lord Malleus so casually! Do you not understand the honor you’ve been given?!”

“Sebek,” you sigh, waving a hand dismissively, “we’ve been over this. I’m his friend. Friends do normal stuff together. You know, like going to the market.”

Sebek glares at you like you’ve just insulted his entire bloodline. “Lord Malleus does not engage in such trivialities!”

“Uh,” you glance over at Malleus, who is currently inspecting a row of intricately carved fruit. “He’s literally doing it right now, Sebek.”

Malleus turns to you, holding up a fruit shaped like a tiny dragon. “Would you like to try one? It is said to bring good fortune.”

You grin at him. “If you’re offering, I’m down.”

Sebek looks like he’s about to explode from sheer indignation.

“You dare—!”

“Sebek,” Malleus cuts in, his voice as gentle as ever. “I am quite enjoying myself. There’s no need to worry.”

You grin at the sight. “You’re really into this, huh?”

Malleus glances at you, a little bashful but still smiling. “I have never been invited to something like this before. It is… a new experience.”

Oh god, he’s so sweet. You feel like you’re corrupting a baby deer by dragging him into the real world, but it’s so worth it.

Lilia, however, is having the time of his life. He leans over, grinning like the mischievous little gremlin he is, and whispers in your ear, “I must say, you’ve got quite the charm. Lord Malleus rarely accepts invitations. You might be more important to him than you think.”

You snort. “Yeah, well, maybe he just really likes fruit.”

Lilia laughs, a sound that’s equal parts endearing and dangerous. “Or maybe he enjoys your company, hm?”

“Careful,” you say, flashing a grin. “Keep sweet-talking me like that, and I might start flirting back.”

Lilia’s eyes gleam with amusement. “Oh? I think I’d enjoy that.”

Oh god, he’s not backing down. Now you’re in the deep end. “Listen, if you keep going, I’m gonna have to ask if you’ve got plans for dinner.”

“I’m free this evening,” Lilia replies smoothly. “Shall I prepare a feast? Or perhaps we could have something more… intimate?”

You blink at him, unable to tell if he’s messing with you or if this is just how he operates. Either way, you’re so down to find out.

Before you can respond, Sebek cuts in, voice raised to what can only be described as ‘angry airhorn.’ “You will not speak so casually to Master Lilia!”

“Oh, Sebek, relax,” you say, patting him on the shoulder, which is a mistake because it feels like patting a brick wall. “He likes it.”

Lilia winks at you, thoroughly enjoying the chaos. “Indeed, I do.”

You smirk, shooting Lilia a playful look. “See? The man’s practically begging for attention.”

Malleus, meanwhile, has been watching this entire exchange with mild confusion. “Is this what humans call… flirting?”

You give him an exaggerated nod. “Yup. It’s a sacred tradition. Very serious stuff.”

“I see,” Malleus muses, looking between you and Lilia. “Perhaps I should try it as well?”

“Oh, please don’t,” Sebek groans, looking absolutely horrified at the idea of Malleus flirting. “Lord Malleus, you are above such trivial pursuits!”

Lilia is practically cackling at this point. “Now, now, Sebek. It wouldn’t hurt to let Malleus explore new experiences.”

You grin and elbow Malleus lightly. “Don’t listen to Sebek. You can totally flirt if you want.”

Malleus, sweet as he is, looks completely serious when he asks, “What would I say? I do not wish to offend.”

You pause, trying very hard not to laugh. “Okay, how about this? Try complimenting someone. Like…” You glance around and point at a vendor selling flowers. “Tell them they have lovely flowers.”

Malleus nods, taking this very seriously, and walks over to the vendor. You, Lilia, Sebek, and Silver (who’s been napping the whole time) watch as Malleus, ever the gentleman, says to the vendor, “Your flowers… are as radiant as the moonlight.”

The vendor looks flustered, blushing furiously. “Oh! Thank you, My Lord!”

You can’t help but laugh. “See? You’re a natural.”

Malleus returns to your side, looking pleased with himself. “I believe that went well.”

“Yeah, now you just have to work on *accepting* compliments,” you say with a wink, and Malleus tilts his head slightly in confusion.

“Accepting?”

“Yeah,” you grin, “like, if I were to tell you you’re the sweetest giant fae-dragon puppy I’ve ever met, you’d say…?”

Malleus looks genuinely flustered, his cheeks tinting the faintest shade of pink. “I… would say… thank you?”

“Good enough,” you laugh, nudging him playfully. “We’ll work on it.”

Sebek is muttering to himself about ‘disrespect’ and ‘sacrilege,’ but Malleus looks… happy. Like, really happy. He’s still a little awkward, sure, but you can tell he’s having a good time. Probably more fun than he’s had in years.

Lilia, meanwhile, is back at your side, leaning in close with that smirk of his. “You’re quite the influence, you know.”

“Yeah, well,” you grin, “someone’s gotta drag him into the real world.”

“Perhaps you’ll drag me into something as well?” Lilia purrs, his voice low and teasing.

You blink at him. “Keep talking, and I might actually propose to you.”

“Oh, I’m counting on it,” Lilia says, eyes glinting with mischief. “Perhaps later tonight?”

“Is that an invitation?” you quip, raising an eyebrow.

Sebek practically has steam coming out of his ears. “Master Lilia!”

But Lilia just laughs, utterly unfazed. “Oh, Sebek. You really must learn to loosen up.”

Silver yawns loudly, cutting through Sebek’s rant like a chainsaw through butter. “Can we get food now?”

You snort. “That’s the best idea I’ve heard all day.”

Malleus, ever the polite host, nods eagerly. “Yes, let us dine together. A family outing is not complete without a meal.”

You pause, blinking. Family? Did he just call this a family outing?

Lilia catches your expression and chuckles. “Oh dear, it seems Malleus has grown quite fond of you.”

You shoot him a playful glare. “You make it sound like a bad thing.”

“Not at all,” Lilia says, smiling knowingly. “In fact, I believe it’s quite the opposite.”

Before you can respond, Malleus steps up, still radiating pure joy. “Would you do me the honor of joining me for dinner tonight? I would very much enjoy your company.”

Sebek looks like he’s about to self-destruct from sheer disbelief, but you? You can’t help but grin. “Sure, why not? But if I catch you stealing my dessert, it’s game over.”

Malleus chuckles, his awkwardness fading just a bit. “I shall do my best to restrain myself.”

Lilia leans over, voice low and teasing again. “Perhaps you’ll save dessert for me, hm?”

You snort. “Don’t push your luck, old man.”

“Ah, but I’m a fae. Luck is my specialty.”

You shake your head, grinning as you walk alongside Malleus, who’s positively glowing with happiness. Yeah, this is one weird, dysfunctional family, but maybe you like it that way.

It’s quiet tonight, the kind of quiet that settles deep in your bones, making you feel both peaceful and unbearably restless. You find yourself standing on a balcony, overlooking the courtyard bathed in moonlight. The cool breeze whispers through the trees, the scent of night-blooming flowers drifting lazily through the air.

Lilia stands beside you, leaning against the stone railing, his usual playful demeanor absent. In its place is a rare solemnity, something you’ve only seen glimpses of before. You glance at him, noting the way the moonlight catches in his hair, casting soft shadows across his face. It feels... strange, seeing him like this. So serious, so quiet.

After a long silence, he speaks, his voice soft but weighted with emotion. “I was terrified, you know. Of losing him.”

You don’t need to ask who he’s talking about. Malleus. The curse that had wrapped around him for so long, a dark cloud that threatened to take him away. You had been the unexpected catalyst for breaking it, and while you hadn’t fully understood the gravity of it at the time, you’re beginning to now.

Lilia continues, his gaze fixed on the stars above. “I’ve lived a long time. I’ve seen many things, lost many people... but the thought of losing him...” He trails off, his voice catching in a way that makes your heart ache. “It would have broken me.”

You swallow, unsure of what to say. What can you say to something like that? You’re just... you. You never asked to be involved in any of this, never imagined that you’d become such an important part of these people’s lives. But here you are.

“I didn’t do anything special,” you finally manage, your voice barely more than a whisper. “I was just... there.”

Lilia turns to look at you, and there’s something deep in his eyes—something raw and real that takes your breath away. “Sometimes just being there is enough,” he says quietly. “You saved him. And in doing so, you saved me too.”

You shift uncomfortably, not because of his words, but because of the way they tug at something deep inside of you. A part of you that you’ve been trying to keep buried for as long as you’ve been in this strange, unfamiliar world.

You’re silent for a long time, your gaze fixed on the moonlit sky. The memories of your old life swirl in your mind—your family, your best friend, all the people you’ve left behind. You haven’t spoken about it to anyone here, not in detail. It feels too dangerous, too vulnerable. But standing here, under the moonlight with Lilia, you feel like maybe... just maybe... you can share a piece of it.

“I miss them,” you admit softly, your voice barely above a whisper. “My family. My best friend. I miss... home.”

Lilia doesn’t say anything, but you can feel his presence beside you, warm and steady. He doesn’t press for details, doesn’t ask questions you’re not ready to answer. He just listens, and somehow, that’s enough.

You take a deep breath, the cool night air filling your lungs. “It’s hard,” you continue, your voice shaking slightly. “Being here. Being away from them. Sometimes it feels like... like I’m losing pieces of myself. Like I’m forgetting what it felt like to be... whole.”

Lilia’s hand gently rests on your shoulder, a comforting weight that grounds you. “You haven’t lost yourself,” he says quietly. “Not even a little.”

You close your eyes, letting his words wash over you. You don’t know if he’s right, but in this moment, you want to believe him. You want to believe that despite everything, despite the distance and the pain and the uncertainty, you’re still... you.

For a long time, the two of you stand in silence, the only sounds the soft rustling of the trees and the distant chirping of crickets. The moon hangs heavy in the sky, casting everything in a silvery glow. There’s a quiet understanding between you and Lilia, a shared pain that neither of you needs to fully explain.

Eventually, Lilia speaks again, his voice so soft it almost blends with the wind. “The world can be a cruel place,” he murmurs. “But it can also be kind. And in moments like this... it feels just a little more bearable, doesn’t it?”

You nod, your throat tight with unshed tears. “Yeah,” you whisper. “It does.”

The night stretches on, and though neither of you say anything more, there’s a comfort in the silence. A bond formed in the quiet acknowledgment of each other’s pain. And for the first time in a long while, you feel like you’re not quite so alone.

Maybe, just maybe, you’ll be okay.

You’re not entirely sure how you ended up here, but somehow, you’re on a date with Lilia. Yes, that Lilia—lord of chaos, culinary adventurer, and general source of havoc.

The setting is picturesque enough: a meadow at sunset, complete with wildflowers and a gentle breeze. At least, it would be picturesque if not for the feast Lilia has prepared, which has a worrying amount of color, movement, and mystery.

“Surprise is the key to a romantic evening,” Lilia declares as he gestures proudly over the assortment of dishes.

You take a moment to assess the display. There’s a vibrantly colored stew that seems to be emitting steam with a life of its own. A platter of vegetables is twitching as if they’re reconsidering their life choices. And there’s a pie—definitely a pie—with something that looks suspiciously like an eyeball poking out from under the crust.

Lilia smiles at you, eyes glinting. “Would you like to try the stew first, my dear? It’s my own special concoction.”

You stare at it, then at him. “How many people have survived eating this?”

Lilia leans in, eyes full of mischief. “Define survived.”

You grin. “Only one way to find out, right?” Before he can respond, you reach for the bowl and take a large spoonful of the stew. Lilia’s eyebrows rise, clearly impressed by your boldness.

It tastes... unusual. Like someone mixed spicy peppers, sweet berries, and some kind of very sharp herb. You take another bite, considering.

Lilia watches you, waiting for a reaction. “Well?” he asks, a hopeful glint in his eye.

You swallow, then nod thoughtfully. “It’s... actually good. Really good, in fact.”

Lilia blinks, his expression shifting from mischief to genuine surprise. “Really?”

You nod again, going in for a third bite, savoring the strange combination of flavors. “Yeah! I mean, it’s different, but in a good way. The spice, the sweetness... it kind of works.”

Lilia’s face lights up, his delight palpable. “You truly mean it? My culinary prowess is usually met with... trepidation.”

“Trepidation might be an understatement,” you say with a laugh. “But honestly? I think people don’t give you enough credit.”

From somewhere nearby, a strangled gasp echoes across the meadow.

“Master Lilia!” Sebek’s voice rings out, sounding more horrified than ever. You glance in the direction of the bushes where, sure enough, they’re rustling. Apparently, Sebek has taken it upon himself to supervise this date from afar.

Lilia chuckles, clearly enjoying Sebek's reaction as much as yours. “Oh, my dear Sebek. One day, you shall learn that adventure begins in the kitchen.”

You take a sip of the iridescent liquid before you—a drink that looks more like a potion than anything else. It’s sparkling, and it has the distinct taste of... glittery fruit juice? You’re not sure, but it’s oddly refreshing.

Lilia eyes you, his smile turning softer, more genuine. “I must say, you are full of surprises. Most would have fainted by now.”

“Hey, I can handle a little excitement,” you say, reaching for one of the twitching vegetables.

Lilia watches in awe as you pop it into your mouth and chew. “And?” he asks, almost breathless.

You blink. “Crunchy. Kind of earthy. I like it.”

Lilia’s smile widens, his eyes twinkling with delight. “Oh, how wonderful! My dear, you truly are one of a kind.”

Sebek’s dismayed groan echoes once again, and you laugh, glancing toward the bushes. “I think we’re breaking poor Sebek.”

“Well, that’s part of the fun, isn’t it?” Lilia replies, leaning closer to you. “And speaking of fun, I have something special for you.” He produces a bright blue flower, presenting it to you with a flourish.

You take it, giving it a cautious sniff. It smells like fresh-baked cookies, and you look at Lilia, raising an eyebrow. “A flower that smells like dessert? Now you’re really spoiling me.”

Lilia’s eyes soften, his voice lowering. “Only the best for someone who appreciates my unique touch.”

Before you can reply, there’s another voice—this one distinctly sleepy. “Father, what... what’s going on here?” Silver approaches, looking like he just woke up from a nap. He takes one look at the scene—the half-eaten dishes, the flower in your hand, and Lilia’s delighted expression—and sighs. “Are you actually eating this... willingly?”

You nod, grinning. “Turns out Lilia’s cooking isn’t so bad. It’s actually kind of great.”

Silver looks at you, then at Lilia, then back at you. He blinks, his brain clearly trying to process this information. “Father, are you using magic to manipulate their taste buds?”

Lilia puts a hand over his heart, looking offended. “Silver, how could you suggest such a thing? I assure you, our dear friend here is enjoying my cooking purely of their own volition.”

Silver sighs again, rubbing his temples. “I think I need another nap.”

Lilia laughs, turning his attention back to you, his eyes filled with affection. “You truly are something special, my dear. Few have ever dared, let alone enjoyed, my creations.”

You smile, giving his hand a squeeze. “Well, I guess I’m just full of surprises.”

Lilia leans in closer, his voice dropping to a whisper. “Would it be too much to say I find you... irresistible?”

You chuckle, narrowing your eyes playfully. “Don’t push your luck, old man.”

Lilia smirks, his gaze full of warmth. “Ah, but pushing my luck is what I do best. Perhaps next time, I’ll cook an even more adventurous meal for us.”

You pretend to consider it, tapping your chin. “Define adventurous.”

Lilia’s eyes glint mischievously. “How about roasted phoenix feathers?”

“Phoenix feathers?” you echo, shaking your head with a laugh. “You know what? I think I like you just the way you are—absurd cooking experiments and all.”

Lilia’s expression softens, his smile turning tender. “I’m glad to hear it.”

With that, the two of you rise, arm in arm, leaving behind the bizarre remains of the meal. Somewhere in the bushes, Sebek is probably fuming, and Silver has most likely already fallen asleep again.

But as you glance at Lilia, whose eyes are still filled with excitement and warmth, you think that maybe absurd is just what you need.

You love this little family, but you had to gain equal footing with Sebek before you got attached any further. So you did what you thought would work the best— Challenge him in something he enjoys.

You and Sebek had been circling the field for a while now, your horses galloping side by side as you both tried to outpace each other. The competitive tension was thick in the air, though not hostile—it was more of an unspoken game to see who would crack first.

“So, you’re telling me you’ve been riding horses for *years*?” Sebek shouts over the wind, his eyes sharp with determination.

“Yup,” you reply, grinning as your horse picks up speed. “Equestrian club, since I was a kid. Surprised?”

Sebek huffs, his posture straight and rigid as always, but you can tell he’s impressed. “It’s… commendable. For a human, you’ve got some skill.”

“Some skill?” you tease, glancing over at him with a mischievous smile. “Is that all I get? Come on, Sebek, I thought you were competitive.”

He narrows his eyes at you, spurring his horse faster to pull ahead. “I am competitive! You’ll find I do not lose so easily.”

You laugh, nudging your horse to keep up. There’s a thrill in it—pushing each other, but not in a mean way. Sebek’s passion for horse riding matches your own, and it’s fun to finally find common ground with him. Plus, you’re enjoying the challenge.

The field blurs by as you both race toward the far fence, neither of you backing down. As you approach the finish line (or rather, the arbitrary spot you both decided was the end), you both cross it at nearly the same time, pulling your horses to a halt, panting slightly.

Sebek is the first to speak, wiping a bead of sweat from his brow. “Hmph. You’re not bad.”

“Not bad? I’d say I’m pretty good,” you shoot back, grinning ear to ear.

Sebek scoffs, but there’s a lightness in his tone that wasn’t there before. “You’re still a human, but… I’ll admit, you ride with some honor.”

“Wow, high praise,” you tease, but you soften your smile. “Thanks, Sebek. You’re not half-bad yourself.”

For a split second, you think you catch the ghost of a smile on his face, but it quickly disappears as he straightens in his saddle. “Of course. Riding is in my blood.”

You roll your eyes playfully. “Oh, obviously. I bet you were born in the saddle.”

“Perhaps I was,” Sebek says, completely serious. You stifle a laugh, realizing he probably believes that.

But before you can retort, Lilia rides up, his usual mischievous grin firmly in place. “Ah, what’s this? A friendly competition between two of my favorite people?”

“Master Lilia,” Sebek says, immediately shifting into soldier mode. “We were just—”

“Competing, yes, I can see that.” Lilia’s grin widens as he glances between the two of you. “I must say, the sight of you both racing like that was… quite exhilarating.”

You smirk, not missing a beat. “What, did we impress you?”

Lilia leans closer, voice dropping into a playful tone. “Oh, darling, I’ve been impressed by you for quite some time now.”

Sebek looks like he’s about to faint from sheer mortification. “MASTER LILIA! HUMAN!”

You laugh, waving Lilia off. “Careful, Sebek, you’re gonna scare your horse.”

But surprisingly, Sebek doesn’t snap back. Instead, he looks at you, something softer in his expression. “I admit… you’ve shown me something today. Perhaps you’re not just a reckless human after all.”

You raise an eyebrow. “Wow, Sebek. If I didn’t know better, I’d think you’re starting to like me.”

Sebek grumbles, looking away. “Do not mistake my words. I merely acknowledge your competence. Nothing more.”

“Sure, sure,” you reply, still grinning. “But hey, anytime you wanna ride again, I’m game.”

Sebek glances back at you, his usual harshness softened just a bit. “Perhaps… I will take you up on that.”

Lilia chuckles, clearly pleased with the budding camaraderie. “Ah, it warms my heart to see you two bonding. Who knows? Maybe you’ll become the best of friends.”

You wink at Lilia. “Well, if Sebek keeps up, maybe I’ll make him my official riding partner.”

Sebek, for once, doesn’t argue. Instead, he gives a small, determined nod. “We shall see, human. We shall see.”

As you ride back toward the stables, you can’t help but smile. You’ve earned a bit of respect from Sebek, and who knows? Maybe you’ll turn this into a full-fledged rivalry—one with a bit more fun and a lot less shouting.

Lilia, of course, flirts all the way back, making sure to keep the mood light and teasing, much to Sebek’s increasing exasperation. But even he can't deny that today was fun

The day should've been as normal as you could have these days—your stomach had other plans. There’s this nagging craving in the back of your mind for ramen, but of course, you’re stuck in a medieval isekai world where even the concept of instant noodles would make heads explode.

You groan, pacing back and forth in your room. "Ramen, ramen, ramen..." You’re practically chanting it like a spell. Finally, you snap your fingers. "Alright! Let’s get some ramen going!"

With all the determination of a contestant in a cooking show, you head to the market, a list of makeshift ingredients mentally prepared. You have no clue how you’re going to explain seaweed or soy sauce to the vendors, but hey, you’ve gotten this far in life on sheer audacity.

Except, ten minutes later, you find yourself hopelessly lost. You had been walking with confidence, chest out, head high, until you somehow managed to wander into a part of town that definitely wasn’t on your mental map. Instead of bustling vendors and cheerful shoppers, you’re now looking at a spooky, abandoned-looking area, complete with dense fog and suspiciously creaky trees.

“This... This isn’t the market,” you mutter, pausing in front of a seriously ominous cottage. If there were ever a sign that said "DO NOT ENTER" in flashing neon, this would be it. And yet, for reasons unknown even to yourself, you approach.

Before you can bolt in the opposite direction, the door swings open with the most dramatic creak you’ve ever heard. A woman, dressed in black robes, stands in the doorway with a gaze that could curdle milk. Her aura practically screams witch, and not the cool kind either—the villainous, melodramatic kind.

“Well, well, well,” she sneers, stepping out with all the grace of a Broadway villain, “look who wandered into my lair.”

“Uh, yeah...” You trail off, scratching the back of your head. “So… this isn’t the market?”

The witch gives you a look so condescending it could melt iron. “No,” she hisses, “it most certainly is not. You’ve trespassed on my domain, little fool!”

“Right, so sorry about that,” you say, trying to backpedal. “I’m just trying to make some ramen, and I—wait, hold on, who are you exactly?”

Her eyes flash with annoyance. “You don’t know who I am?”

You blink at her. “Is this the part where you tell me, like in those cartoons? ‘Cause I’m getting major ‘I’m about to monologue’ vibes right now.”

The witch’s face twitches, clearly not used to people interrupting her villain speech. “I,” she says, pausing for dramatic effect, “am the witch who cursed Malleus Draconia!”

Oh, that witch. You’ve heard some stories about her, mostly from half-paying attention when your friend geeked out over the original plot. But now that you’re face-to-face with her... this is not how you pictured it. You tilt your head.

“So, wait,” you begin, trying to suppress a snicker, “you’re the one who came up with that whole 15-year curse plan? And your big finale was… what? Swooping in at the last second to save him and then expecting him to marry you?”

Her eyes narrow. “That was the plan.”

You stare at her for a moment, the absurdity sinking in. “...That’s ridiculous.”

“How dare you mock me?!” she shrieks, her voice reaching a pitch that probably scared some birds out of nearby trees. She raises her hand, dark magic swirling between her fingers, and you swear you can hear thunder crack in the distance.

“Okay, hang on,” you say, taking a cautious step back. “Let’s not get all zappy here. I’m just saying that’s a lot of effort for a plan that has, like, a one percent success rate.”

“Silence!” She’s fuming now, throwing her hand forward to launch the magic at you—and you brace yourself for the worst. You’ve seen this in movies before. This is the part where you get turned into a frog or something equally terrible.

Except… nothing happens.

The magic fizzles out midair like a dud firecracker, leaving a puff of smoke and an awkward silence in its wake. You blink. She blinks. You both stare at the spot where the magic should have been.

“Uh…” you begin, rubbing the back of your neck. “Was that supposed to do something?”

The witch looks at her hand, then at you, then back at her hand again like she’s having a serious identity crisis. “What...?”

“I mean, points for the drama, but I’m still standing here,” you say, waving your hand in front of your face as if checking for damage. “And I don’t think I’m a toad.”

She tries again, gathering more magic in her hands and launching it at you with renewed fury. But once again, nothing. The magic stops short, fizzling out like it’s hitting an invisible barrier around you. Now she’s just staring at you, dumbfounded.

You, on the other hand, are absolutely flabbergasted. “Okay, this is getting weird.”

That’s when Lilia appears—literally, out of nowhere. He casually steps out from behind a tree like this is all a normal Monday for him. “Ah, I thought I sensed some familiar mischief afoot,” he says, his voice cheerful, though his eyes glint with something far more dangerous as they lock onto the witch.

The witch recoils, visibly shaken. “Lilia Vanrouge,” she hisses, sounding more like a disgruntled cat than a fearsome sorceress.

“In the flesh,” he says with a light bow, his grin all sharp teeth and mischief. “What brings you out of your little hidey-hole?”

She glares at him but doesn’t say anything. She’s outmatched, and she knows it. With one last seething look at you, she vanishes into thin air with a dramatic whoosh of smoke, leaving you and Lilia alone in the now eerily quiet forest.

You turn to him, utterly confused. “What the heck was that about? Why didn’t her magic work on me?”

Lilia’s grin softens, his gaze turning fond. “Ah, I see I’ve forgotten to tell you. I placed a fae’s blessing on you some time ago.”

“Wait, what?” You gape at him. “When did you do that?!”

He chuckles, as if you asking when he bestowed a magical shield on you is the most amusing thing he’s heard all week. “You tend to attract trouble, my dear. I thought it best to give you a little extra protection.”

You blink at him, still processing. “So… you’ve been secretly protecting me this whole time?”

His gaze turns a bit more serious, the usual playful air dropping away. “I don’t want to see anything happen to you,” he says softly, the words carrying a weight you hadn’t expected.

For a moment, you’re left speechless, flustered even. The teasing and jokes you’re so used to from Lilia are gone, replaced by something… deeper. It throws you off your game.

“Well, uh…” You clear your throat, desperately trying to recover. “I appreciate not getting turned into a frog or whatever she was planning.”

His grin returns, and the moment passes. “You’re welcome. Now, shall we head back to the market? I believe you were on a quest for... ramen, was it?”

You let out a laugh, shaking your head as the absurdity of it all catches up with you. “Yeah, let’s do that. And maybe next time I’ll avoid wandering into spooky villain lairs.”

“An excellent plan,” he says, offering you his arm. “Shall we?”

And just like that, you’re back on track—albeit a bit more shaken than before, but at least you’ve got a magical blessing you didn’t know about and one very charming fae escorting you through the mess.

You’re sitting under a large tree in the courtyard, soaking up the rare bit of peace and quiet that’s fallen over your life. It’s a nice day, the kind that makes you feel all warm and content, the sun shining gently through the leaves. Beside you, Silver is leaning against the trunk, dozing off as usual. You’ve become used to his tendency to fall asleep mid-conversation, and honestly, it’s kind of adorable.

He stirs a little, blinking his sleepy eyes open and looking at you with a soft smile. “It’s nice to have moments like this,” he says, voice a bit groggy. “Especially after everything.”

“Yeah,” you reply, leaning back on your hands. “It’s been... a lot.”

Silver glances at you, his gaze thoughtful. “You really helped us. My family,” he says, his tone a bit more serious than usual. “Freeing Lord Malleus from that curse... it was no small feat.”

Your stomach twists a little at the mention of Malleus. It still feels surreal that you had a hand in such a monumental event. You shrug, trying to play it cool. “Eh, you know... just another day of accidentally stumbling into chaos.”

He chuckles lightly, his smile softening even more. “I’m not sure if I’ll ever be able to thank you properly for what you’ve done. You really saved us all.”

You wave your hand dismissively. “Stop, you’re going to make me blush. I was just trying to make some money, and suddenly I’m in the middle of an epic quest. You know how it is.”

Silver hums, half-amused, and then casually drops the bomb on you like it’s the most normal thing in the world: “You’d be perfect with Father.”

Your brain short-circuits. “...Sorry, what?”

Silver, utterly oblivious to the internal crisis he’s just unleashed within you, looks at you with that serene, peaceful expression of his. “Father. You’d be perfect with him.”

The world screeches to a halt. *Perfect? With Lilia?* You stare at him, wide-eyed, your mouth hanging open in a most undignified manner. “I’m sorry, did you just—did you just suggest that I—me—should be with your father?!”

Silver nods, looking completely at peace with his assessment, like he’s just commented on the weather. “Yes. You two get along well. You make each other laugh, and he seems fond of you. And Father... well, he deserves someone who can make him smile like that.”

Your mind is racing at 100 miles per hour. “Silver. SILVER.�� You clutch your head as if physically holding your brain together will stop it from spiraling into madness. “Do you have any idea what you just said?”

Silver, ever the calm and composed knight, merely tilts his head. “Was it something strange?”

“STRANGE?!” You’re flailing now, completely losing your cool. “You just casually suggested I should date your father! Who, may I remind you, is an ancient fae with enough power to casually toss me into another dimension if he wanted!”

Silver blinks, seeming to consider this for a moment. “I don’t think he’d toss you into another dimension. He’d probably just... laugh and then take you out to dinner.”

You’re having a full-blown existential crisis. Your face is bright red, your heart is doing somersaults, and you’re not sure if you want to scream, faint, or throw yourself into the nearest fountain.

Silver, meanwhile, is just sitting there, serene and utterly oblivious to the emotional chaos he’s just unleashed upon you. “Father’s a good person,” He says softly. “I think you two would be happy together.”

“I... I...” You sputter, trying to form words but utterly failing as images of Lilia’s teasing smile and playful banter run through your mind. And then you imagine the alternative: Lilia’s serious side, the one that is somehow even more terrifyingly attractive, and you feel your heart skip a beat.

“Oh no,” you whisper, clutching your chest. “Oh no, no, no... Silver, what have you done?”

Silver looks at you with concern now, finally noticing that you’re having what can only be described as a breakdown. “Are you alright?"

“NO!” you cry, standing up and pacing back and forth in front of him. “You’ve broken me! You’ve ruined me! I’m—Silver, your father is... He’s... and I... Oh, gods, this is too much. TOO MUCH!”

Silver watches you pace for a moment before quietly saying, “You’re thinking about it, though.”

You freeze mid-step. “I—NO! Maybe? Yes? I—Why would you say that, Silver?!”

He just smiles, a soft, knowing smile. “Because it’s true.”

You slump back down beside him, groaning loudly as you cover your face with your hands. “You’re impossible, you know that?”

Silver chuckles softly, resting his head back against the tree again. “I’ve heard that before.”

And as you sit there, your mind spinning with thoughts of Lilia and all the ridiculous, impossible implications Silver’s comment has brought to life, you can’t help but think that maybe—just *maybe*—he has a point.

But you’re not ready to admit that yet. Not even to yourself.

“I need a drink,” you mumble under your breath, and Silver hums in agreement.

“Father would probably help you make it,” he says, and you let out a loud groan, flopping onto the grass in dramatic defeat.

“Silver, you’re killing me.”

He just smiles that peaceful smile of his.

It’s a quiet afternoon, the sun beginning to dip below the horizon, casting a golden glow over the courtyard. You’re standing with Malleus and Sebek in one of the palace’s gardens, the tranquil hum of life around you contrasting with the more serious conversation that’s about to unfold. You can feel the weight of what Malleus is about to say, and your mind spins as you prepare yourself for another emotionally charged moment.

Malleus takes a deep breath, his gaze fixed on the distant horizon. “For the longest time,” he begins, his voice soft and filled with an unspoken vulnerability, “I thought I would be stuck. Trapped in that cursed state forever. I had resigned myself to it, believing that it was my fate to be alone.”

You shift slightly, unsure how to respond to such raw honesty. Sebek, standing next to Malleus, is silent for once, his usual loud and defensive nature tempered by the gravity of his lord’s words.

“But then you came along,” Malleus continues, turning his glowing eyes toward you. “You broke the curse, something no one had been able to do. You gave me back my freedom, something I had lost hope of ever regaining.”

Sebek clears his throat loudly, his usual dramatic flair coming to the surface despite the tenderness of the moment. “Yes, well,” he says, voice gruff but tinged with the awkwardness of someone who isn’t quite used to expressing gratitude. “I... suppose we should be... grateful. After all, if it weren’t for you, Lord Malleus would still be... cursed, and we wouldn’t be here together as we are now.”

You blink at Sebek’s begrudging admission, feeling a small smile tug at your lips. The fact that he of all people is thanking you, even in such a roundabout way, is oddly touching.

“Wow, Sebek,” you say, voice teasing but soft. “Who knew you had it in you?”

Sebek bristles at your words, his expression a mix of indignation and embarrassment. “D-Don’t misunderstand!” he exclaims, face turning a shade redder than usual. “I’m merely stating the facts! Nothing more!”

Malleus chuckles softly at Sebek’s outburst, his usual gentle smile returning to his face. “Sebek’s gratitude, no matter how begrudging, is indeed a rarity,” he teases lightly before turning his attention back to you. “But truly, I am grateful. You’ve given me back more than just my freedom. You’ve given me back... this.”

He gestures around him, indicating the garden, the palace, the sky above. “This life, this chance to be with those I care about. And for that, I owe you a debt that I may never be able to repay.”

You shift awkwardly, feeling a strange warmth bloom in your chest. “I mean, I didn’t really set out to save anyone,” you admit, your voice light but with an edge of honesty. “I just... wanted the reward. And then maybe to go home.”

Sebek’s eyebrows shoot up in surprise, and he opens his mouth to argue, but Malleus holds up a hand, stopping him before he can launch into one of his dramatic tirades

You hesitate, glancing between Malleus and Sebek. “I didn’t think I’d get attached,” you admit quietly, your voice softening. “But I have. Somehow, I’ve found myself... caring about all of you. This weird little makeshift family.”

Sebek looks as though he’s about to protest the “weird” part, but a stern glance from Malleus keeps him quiet. You can see the begrudging acknowledgment in his eyes, though—he knows it’s true, even if he doesn’t want to admit it.

Malleus hums thoughtfully, his gaze lingering on you for a moment before he speaks again. “Well,” he says casually, as if discussing something as simple as the weather, “if you’re so attached, perhaps we should make it official. Perhaps you should marry into the family."

You freeze. Did he just—?

You whip your head towards Malleus, completely flustered. “M-Marry?! What?!”

Sebek, on the other hand, looks as if someone just punched him in the face. His mouth opens and closes like a fish gasping for air, his eyes wide with outrage. “L-Lord Malleus, what are you suggesting?!” he sputters.

Malleus blinks, as calm as ever. “I’m suggesting marriage,” he repeats, as if it’s the most logical thing in the world. “If they are so attached to us, it seems a reasonable next step. Perhaps they should marry Lilia?”

Your face turns a bright shade of red as your heart pounds in your chest. “Wh-What?!” you stammer. “Lilia?!”

Sebek turns even redder, his face contorting in disbelief. “Master Lilia?!”

Malleus nods sagely, completely unfazed by both of your reactions. “Yes, Lilia. He has shown great affection for them, and they would fit well within our family. Would you not agree, Sebek?”

Sebek looks like he’s about to explode, but there’s an uncomfortable silence as he realizes… he can’t argue. He knows Malleus and Lilia both care about you. He knows that you’ve proven yourself to be a good person, despite his initial distrust. His mouth twitches, the words clearly struggling to escape his throat.

“I—well—Lord Malleus,” Sebek starts, looking every bit as if he’s been defeated by sheer logic. “I… I must admit… They are a suitable companion for Master Lilia… even if the idea of them marrying… well, it is quite… outrageous.”

You feel your soul leave your body as the conversation continues. Sebek can’t quite bring himself to fully agree, yet he doesn’t outright refuse the idea either. His loyalty to his lords binds him, and his begrudging acceptance of your presence has left him caught between duty and outrage.

“I—This—” you stammer, completely overwhelmed. “I—This is insane!”

Malleus looks at you with a calm smile. “Think it over,” he says, voice gentle. “You’ve already become part of our lives. Why not make it official?”

You open your mouth to protest, but the words die in your throat as you see the sincerity in his eyes. This isn’t just a flippant suggestion—it’s Malleus genuinely offering you a place in his family. But the idea of marrying Lilia? That’s… that’s a whole new level of madness.

“I—I think I need to lie down,” you mutter, pressing your hands to your temples. “This is too much.”

Malleus chuckles softly, and even Sebek seems to relax—if only a little. But as you glance between the two of them, you can’t help but feel a strange warmth in your chest. Even with all the absurdity, you know one thing for sure: you’ve found a place with them, whether you intended to or not.

The cat was just sitting there. Innocently perched on the branch, fluffy and regal like a tiny, judgmental king. You don’t even know what possessed you, really. Maybe it was those huge, adorable eyes or the way its tail flicked back and forth. But somehow, someway, you ended up halfway up a tree. Climbing a tree. For a cat.

“I just wanted to pet you,” you mutter, feeling slightly ridiculous as you hug the branch for dear life. “And now I’m stuck. Great.”

The cat stares at you, completely indifferent to your plight. You sigh, glancing down at the ground, which now seems alarmingly far away. Heights were never your thing, but in the moment, with that cute little furball teasing you, logic flew right out the window. Now, you’re clinging to the tree like a cowardly kitten yourself.

“Why did I think this was a good idea?” you groan. The cat blinks at you. “Don’t look at me like that. This is all your fault!”

And then, because fate has a terrible sense of humor, you hear a voice from below. A familiar, unmistakable voice—playful, with a hint of amusement laced through it.

“Well, well, what do we have here? It appears my dear little beastie has gotten themselves stuck.”

You nearly slip off the branch as you glance down to see Lilia standing at the base of the tree, arms crossed and an infuriatingly amused grin on his face. He looks every bit the mischievous fae, eyes twinkling with barely suppressed laughter.

“I—uh—this is—” You stammer, trying to come up with some kind of excuse, but nothing comes. You’re halfway up a tree. Because of a cat. No explanation is going to save your dignity now.

Lilia tilts his head, chuckling. “Were you planning on living up there from now on? Or should I assist you in returning to the ground?”

“Hey, don’t judge me!” you huff, cheeks burning. “The cat—look at the cat! It was really cute, okay?”

Lilia glances up at the feline, which is now licking its paw in complete disinterest. He raises an eyebrow. “Ah, yes, the cat. I see now. How could anyone resist such a noble creature?”

You groan, feeling your face get even hotter. “I—um—I might need help getting down.”

Lilia’s grin widens. “Of course, my dear. I was planning on catching you anyway.”

You freeze. “C-Catching me?”

“Mmhm. Just jump down, and I’ll catch you,” Lilia says, his tone so casual, as if catching people out of trees is just something he does every day. He spreads his arms out, waiting expectantly.

Your heart races as you eye the distance between the branch and the ground again. It’s not terribly high, but… still high enough to make you nervous. But Lilia’s standing there with that easy confidence, and the thought of staying stuck in this tree forever doesn’t exactly appeal to you either.

Taking a deep breath, you inch closer to the edge of the branch. “O-Okay. I’m going to jump.”

“Go ahead,” Lilia says, his voice soft. “I’ll catch you.”

With one last look at the disinterested cat, you finally push yourself off the branch. For a split second, there’s nothing but the rush of air—and then you feel yourself land securely in Lilia’s arms. You’re caught. Easily, gently. Like it was nothing at all.

He looks down at you, his face much closer than you anticipated. “See? I told you I would catch you.”

You’re breathless for a moment, your heart doing flips as you realize just how close you are to him. His arms are around you, holding you steady, and you can feel the warmth of his body through his clothes. He’s staring at you with that soft, amused smile, and you’re suddenly acutely aware of just how handsome he is.

“Oh no,” you whisper to yourself, “I’m swooning.”

Lilia raises an eyebrow. “Hmm?”

“Y-You’re really smooth,” you blurt out before you can stop yourself. “Like, catching me so easily and looking at me like that. It’s—it’s really unfair.”

He chuckles softly, clearly entertained by your flustered state. “Unfair, you say?”

“Yeah, like—like, you’re so effortlessly cool and charming, and I—” You freeze, suddenly realizing what you’re saying. You clamp your mouth shut, but it’s too late. The words are out, and your brain has completely short-circuited.

And then, before you even know what’s happening, the words just spill out of you in a panicked rush. “Okay, I like you! No, wait—I think I’m in love with you! I mean, how could I not be? You’re so amazing, and I just—Oh god, I’m confessing! I’m confessing right now, aren’t I? This is a confession. Oh no, this is terrible. I didn’t mean to—”

You feel your entire body heat up as you bury your face in your hands, completely mortified. Of all the ways you could’ve confessed your feelings to Lilia, this had to be the worst possible way. You weren’t ready! You were supposed to be calm and collected, not blurting it out after getting caught in a tree!

For a moment, there’s silence. And then, you hear the softest chuckle from Lilia. His arms tighten around you slightly, pulling you just a little closer.

“You’re adorable,” he says, his voice soft and full of warmth.

You peek through your fingers, confused. “Huh?”

“I’ve known for a while that your feelings for me were more than friendly,” Lilia continues, his smile gentle. “But hearing you confess like this… it’s endearing.”

You blink, trying to process his words. “Wait—you’ve known?”

Lilia nods. “You’re not as subtle as you think, my dear.”

You groan again, hiding your face in your hands once more. “This is so embarrassing…”

Lilia laughs softly, and before you know it, he leans in and presses a light, gentle kiss to your forehead. Your heart skips a beat, and you lower your hands, looking up at him in surprise.

“There’s no need to be embarrassed,” Lilia says, his eyes soft. “I’m honored to be the one you’ve chosen.”

Your heart flutters as his words sink in, and you realize that, despite your mortification, he’s… accepting your feelings. He’s not teasing you or brushing it off—he’s genuinely acknowledging your confession. And more than that… he’s reciprocating.

“Lilia…” you whisper, your face still burning with embarrassment, but also with a warmth that you can’t quite describe.

He leans in a little closer, his nose brushing against yours. “You don’t need to say anything more, my dear. Just know that I feel the same.”

And with that, Lilia closes the distance between you, his lips meeting yours in a soft, sweet kiss that makes your heart race even faster. All thoughts of your earlier panic melt away, replaced by the warmth of his touch and the feeling of being completely safe in his arms.

As he pulls back, you’re left staring at him, wide-eyed and breathless. Lilia smiles down at you, his eyes twinkling with amusement and affection.

“So,” he says, his voice teasing, “was that worth climbing a tree for?”

You blink, still dazed from the kiss. “I… I think so.”

Lilia laughs softly, pressing another quick kiss to your lips before setting you down on the ground. “Next time, though, perhaps we’ll find a more dignified setting for your confessions, hmm?”

You groan, covering your face again as you mutter, “Please don’t remind me…”

But despite your embarrassment, you can’t help the small, giddy smile that creeps onto your face as you realize that, somehow, things turned out perfectly anyway.

You sit with Lilia on a bench beneath the shade of a massive oak tree, the same one he caught you from, nerves simmering beneath your calm exterior. He’s as composed as ever, leaning back against the tree with a small, amused smile playing on his lips.

Across from you sit Malleus, Silver, and Sebek, all three watching you with varying degrees of curiosity—Malleus with calm interest, Silver with that sleepy, gentle acceptance, and Sebek with what you’re sure is the beginning of a tirade bubbling just beneath the surface.

“We have some news,” Lilia says, breaking the silence with his usual playful tone. His hand slips into yours, squeezing lightly. “About us.”

Malleus’s eyes light up with interest, his draconic gaze honing in on the subtle intertwining of your hands with Lilia’s. “News?” he repeats, leaning forward slightly. “What sort of news?”

You exchange a glance with Lilia, and he gives you a nod, as if to say go on, it’s safe. Taking a deep breath, you steel yourself and blurt out, “We’re together. Like, romantically.”

There’s a beat of silence.

Then Malleus’s eyes widen, his entire face brightening with delight. “Truly?” he asks, a rare, genuine smile spreading across his face. “That is wonderful news! You will be joining the family then?”

You blink, momentarily thrown off by how happy he is. “Uh, well—eventually, I guess. We haven’t exactly planned a wedding yet…”

“But when we do,” Lilia interjects smoothly, eyes glinting with amusement, “you will be the first to receive an invitation, Malleus.”

Malleus beams, the delight practically radiating off him like sunlight. “I would expect no less. To witness your union—ah, it will be a grand day.”

Meanwhile, Silver gives you both a small, approving nod. His expression is calm, though there’s a softness in his eyes that shows he’s happy for you. “I’m glad,” he says, his voice as gentle as ever. “Father deserves someone who makes him happy. And you… you seem to do that.”

Your heart warms at the approval from Silver. “Thanks, Silver,” you say, offering him a smile in return.

And then there’s Sebek.

For a moment, he just stares at you and Lilia, his mouth working as if he’s trying to form words. You brace yourself for the inevitable protest, expecting him to shout something about how inappropriate it is, or how you could never be good enough for Lilia, or—

“You…” Sebek finally speaks, though his tone is less outraged than you anticipated. He scowls, but there’s an undeniable hint of reluctant acceptance in his eyes. “You’re together, then?”

Lilia nods, his smile never wavering. “Indeed, Sebek.”

Sebek inhales deeply, closing his eyes as if preparing for some kind of inner battle. You can almost hear him wrestling with his instincts, wanting to object but also unable to deny the truth of the situation. After a long pause, he finally exhales and mutters, “Well… I suppose… if it makes Master Lilia happy, then…”

You’re about to breathe a sigh of relief when Sebek opens his eyes again, pointing an accusatory finger at you. “But that does not mean you should grow complacent! Just because Master Lilia has chosen you does not mean you are exempt from proving yourself worthy!”

Lilia laughs softly at Sebek’s stubbornness, and you can’t help but grin. “Of course, Sebek,” you say, teasing him lightly. “I’ll do my best to live up to your high standards.”

Sebek huffs, crossing his arms. “See that you do.”

Despite his bluster, you can tell he’s not truly upset. There’s a begrudging acceptance in his stance, the same way someone might finally accept that their favorite hero isn’t perfect, but still worthy of respect. Sebek might not be able to fully wrap his head around the idea of you and Lilia being together, but deep down, you can tell he doesn’t disapprove. Not really.

Malleus, meanwhile, is still beaming. “I look forward to your wedding,” he says, sounding genuinely excited. “It will be a grand celebration. And I will be the first to celebrate your union.”

You laugh, finally feeling the tension melt away. “You’ll be the first to get an invitation, don’t worry.”

Lilia squeezes your hand again, his eyes warm as he looks at you. “Indeed,” he says softly, “and I think it will be a lovely celebration.”

As you sit there, surrounded by Lilia’s peculiar little family, you can’t help but feel a swell of emotion. For all their eccentricities—Malleus’s dragon-like mannerisms, Silver’s sleepy but sincere approval, and Sebek’s stubborn loyalty—you’ve somehow found yourself among people who care. Who, in their own ways, are happy to see you and Lilia together.

And as you glance at Lilia, who’s still watching you with that fond, amused expression, you realize something important: this makeshift family of fae and knights… they’ve accepted you.

Flaws and all.

The living room felt a little too tense for your taste today. You were sprawled out on a chair, arms crossed, listening to the absurd conversation that seemed to have spiraled out of control.

Malleus, sitting at the head of the table, had the "serious prince" expression that made you roll your eyes every time you saw it. Lilia was perched on the back of his chair, his legs dangling, thoroughly amused by the current predicament. Sebek stood in his usual soldier-like stance, ready to protect everyone from... squirrels, apparently. And Silver was doing his best to stay upright while leaning on a wall. He was losing that battle.

“It’s time to discuss the prophecy” Malleus said, his voice carrying an ominous weight you found ridiculous. “The Squirrel Plague will bring misfortune. Entire kingdoms will fall to their tiny paws.”

You blinked. “We’re seriously talking about squirrels?”

Lilia nodded with an overly grave face. “Indeed, my dear. Squirrels are resourceful creatures. Vicious even, if the stories are true.”

Sebek puffed up his chest, eyes blazing with his trademark fervor. “MY LORD, IF THOSE RODENTS BELIEVE THEY CAN THREATEN YOU—"

You leaned forward, waving your hand dismissively. “Alright, alright, let's not hype up the squirrels too much, okay? This whole situation is ridiculous.”

Silver, who had just about managed to pry his eyes open, muttered, “It’s not just the squirrels. I heard some people talking about... uh, the Saint being accused of spying or something.”

The room fell into silence for a second, everyone digesting that little bombshell.

Lilia’s grin widened as if the idea of spies delighted him. “Spies, you say? This is getting quite intriguing.”

You groaned, pinching the bridge of your nose. “Yeah, no thanks. Squirrels are bad enough, but spies? I’m not dealing with this.”

Malleus turned towards you, a slight frown on his lips. “I assumed you wished to stay here. You haven’t mentioned wanting to leave before.”

You sighed, shrugging. “I mean, I don't have any attachments to this place. I stayed because you guys were here. But right now, let's bounce. Immediately. The squirrels can have this place.”

Silver, rubbing his eyes, nodded. “They're right. It’s a lot of hassle, and honestly, the squirrels are starting to weird me out. I saw one trying to chew through the wall this morning.”

Sebek turned to Silver with his mouth agape. “A SQUIRREL DARED TO ATTACK OUR DOMAIN?!”

Lilia chuckled, nodding. “They’re getting bolder, indeed. I even had one throw an acorn at me this morning. It was a declaration of war, I tell you.”

You waved your hands at them. “Guys, seriously. I don’t care if we’re at war with the squirrels. I just don’t want to be here. Briar Valley sounds much nicer, doesn’t it? No plagues, no spy accusations, no rabid rodents.”

Malleus blinked at you, then slowly smiled. “If you wish to leave, then there’s no reason for us to stay. I thought perhaps you'd not want to leave the place you grew up in, that you would be attached.”

“Attached?” You gestured dramatically at the window, where you swore you could see a squirrel watching with beady little eyes. “Nope. I’m only attached to you four, and I’m not risking my life for some acorn-flinging rodents.”

Silver yawned, already giving in. “I say we go. Less hassle, more sleep.”

Lilia gave a theatrical sigh leaning on Malleus. “Well, I suppose the adventure ends here. Back to Briar Valley it is! And I’ll be sure to bring along some acorns... perhaps we can keep the spirit of battle alive.”

Sebek, his voice still full of misplaced enthusiasm, nodded fiercely. “IF MY LORD DECIDES TO RETURN, THEN I SHALL ENSURE OUR JOURNEY IS WITHOUT PERIL! THE SQUIRRELS SHALL NOT—”

You interrupted with a grin. “Yes, yes, Sebek. You’ll protect us from the squirrels. Good job.”

Lilia hopped off Malleus’s chair, already halfway to the door. “I’ll go prepare the portal. Who knows, maybe we can get there in time for the fireflies.”

You got up too, stretching and giving one last look at the living room. “I think I’ve had enough of prophecies, plagues, and espionage.”

Lilia grins "Maybe we could have our wedding in Briar Valley". Malleus, now entirely on board, nodded with regal finality. “Then we shall return to Briar Valley. I trust the squirrels will not miss us.”

Lilia snickered, and you felt him squeeze your shoulder. “Perhaps we should bring a souvenir,” he mused. “A squirrel, perhaps, as a reminder of this peculiar little chapter of our lives.”

You shook your head, laughing. “I think I’d rather forget it altogether.”

With that, you and your four favorite Briar Valley residents left—leaving behind the squirrels, the spies, and every bit of drama that had nothing to do with you. Peace, it turned out, was just a portal away.

With that, the group made their decision—no heroic stand against the prophecy, no attempts to sort out spy dramas. Just a swift, sensible retreat to where things were far less complicated. And honestly? That suited you just fine.

Alright! I liked writing this a lot, It's not as chaotic as my other isekai ones but I like how it turned out!

Also if the formatting is off, I'm so sorry but I fell spectacularly on my ass while ice-skating and can't sit long enough to edit on my laptop.

Also quick poll for the next trash novel one, I'll definitely finish all of them, this is just for which one should I post first. They're all almost done.

Series Masterlist ; My Masterlists

#twst x reader #twisted wonderland #twisted wonderland x reader #twst #lilia vanrouge #lilia x reader #lilia vanrouge x reader #lilia twst #lilia x you #isekai #fem reader

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pyrrhiccomedy · 8 months ago

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I am genuinely so proud of my wife for becoming a crafts person over the last few years.

Like, I was always a crafts person. I was an arts and crafts kid. My parents sent me to classes or summer camps or after-school clubs pretty much continuously from when I was about 5 years old, and over the years I did metalsmithing, stained glass, polymer clay sculpting, loom weaving, oil painting, charcoal drawing, clothes-making & tailoring, carpentry, woodcarving, macrame, miniatures, beading, jewelry-making, basket weaving, leatherworking, paper-making, bookbinding, papier mache, decoupage, sand sculpting, and probably more that I'm forgetting. There was never a day in my life while I was growing up when my entire bedroom floor wasn't taken up by 2-5 different ongoing art projects. As an adult, it's given me the firm confidence that I can walk up to pretty much any crafting skill, and get the hang of it, and enjoy doing it.

My wife never had that. She wrote, but that was really her only artistic outlet. Art & craftsmanship were just not any of her business. She always expressed admiration for my gumption when it came to making things with my hands, usually with a "bigger idiots than me have done it" attitude, but she was certain she'd be bad at it if she tried it, and that she wouldn't have fun. As evidence, she would offer every time in her life when she had attempted to learn a craft, and didn't have fun, and all the Arts And Crafts kids picked it up a lot faster than her.

Which like - yeah! Learning how to do a new craft is a skill all on its own! Fine motor control is a skill developed over time! So is spatial reasoning, and materials intuition! She wasn't just 'trying to learn wreath-making,' or whatever, she was trying to learn how to learn how to make something with her hands AND wreath-making, at the same time, so of course it would take her longer than the kids who already had the first part, and of course it would be more frustrating for her. I knew she wasn't uniquely bad at crafts: she just didn't know how to approach picking them up, because she was never encouraged to learn.

And then the pandemic hit.

And while we were all trapped inside and going insane in new and exciting ways to all of us, she tentatively decided to pick up embroidery. She probably wouldn't stick with it, she explained: she'd probably be bad at it. It probably wouldn't be fun. But she thought embroidery was pretty, and literally what else did she have going on?

And then she did stick with it. For over a year. And she got pretty good at it! She embellished a baseball hat for her sister with cactuses and wildflowers from where they grew up which came out adorable. She made an embroidered portrait of one of our friends' cat that they still have displayed in their entryway. And she discovered - and remarked on it often, with mild surprise - that she was having fun. She'd say a lot of stuff like "this stitch was so frustrating at first, but now that I get it I really like doing it," or "I kept getting this tangled but I've figured it out now. I just needed to relax."

Then she took up pottery. We did that as a couple for about a year, too. Now she's a knitter.

And it's just been so great, to see her eyes light up when she sees a sweater she likes, and hear her say, "I could make that!" She's slowly let go of the perfectionism that I think holds a lot of people back from doing crafts: that dismay when you make a mistake which leads to discarding a whole project, or starting something over. More and more she's taking on the veteran crafter attitude of "oops lol, whatever I'll just keep going." She's picking things up faster. She's taking pleasure in learning incremental steps. She's started to see crafting as something that relaxes and engages her, instead of as something inherently frustrating. I've gotten to watch her learn to find joy in making something with her hands. I always knew she was creative and artistic and capable of learning how to do anything. It's been so much fun to watch her start to take that on as part of how she sees herself.

We have this running joke about how she will prematurely declare herself to be in an era. Like, she'll go swimming twice and announce that she's now in her "swimming era," and then never go swimming again. Or she'll make one smoothie, buy a bunch of fruit, and declare that we are now in a "smoothie era," and then a week later we have to throw out a bunch of fruit that's gone bad.

The other day (while she was knitting, and I was sitting on the couch next to her doing crochet), she went, "I feel like I've gotten - like, I'm a bit crafty these days, I think. Like, I've done a couple of different crafts, and gotten pretty good at them. I think this is now, kind of, you know...something that I can say that I do."

I supplied that I would even go so far as to say that she was in her "crafting era."

Her eyes widened. "It's an era?"

I pointed out that it was something she'd been doing pretty much continuously for the last three and a half years. That feels like the start of an era to me.

"Yes," she decided. "It's an era. This is my crafts era. I'm a crafts person now."

She's planning to make me a sweater with a duck on it for fall.

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harunayuuka2060 · 1 month ago

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MC: ...

Skully: *is asleep, leaning against the frame of the portrait*

MC: I've never seen him asleep before...

MC: ...

MC: I wonder what his hair would feel like if I touched it.

MC: *gently caresses Skully's hair, surprised by the sensation of his strands between their fingertips*

Skully: *wakes up*

MC: ...

Skully: ...

Skully: *blushes a little*

MC: ...

MC: Sorry.

Skully: ...

Skully: It's... it's alright, my lovely friend. Though, I must admit, I was a bit surprised.

MC: I'm sorry... I won't do it again—

Skully: No! I... *smiles* I like it.

MC: ...

MC: He's really cute...

#twisted wonderland #twst mc #twst skully

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multiverse-menagerie · 1 year ago

Note

Perhaps could I request the bg3 companions going through Tav's sketchbook and finding that it's riddled with drawings of each companion, but especially them. Maybe it's the early stages of a romance or smthn?

I’ve been slowly spinning this around in my head, yessss

Gale

At first, Gale thinks journal is a book you’ve left for him. He’s not really one to go through your personal belongings after all. But upon opening the journal and finding swaths of drawings of your party and him, he’s thrown a little off kilter

He returns it to you immediately (read as: he fights with himself for a good ten minutes to stop looking at the sketches of himself and return the book to you) but asks you about your hobby

Listens very intently to however much you’re willing to tell him. Gale would ask, “are those me? or do you know some other roguishly handsome wizard with a penchant for fancy robes?”

He’s trying Very Hard to downplay his feelings about the whole matter. He’s not used to being the admired one…but he’s certainly not complaining

Shadowheart

As she hopes everyone will respect her need for privacy, Shadowheart strives to do the same for others. Despite many opportunities to peak at your journal, she resists and eventually asks you about it directly, but with no pressure

shy!Tav, nervously showing off the sketches and trying to gloss over how many of these drawings are of Shadowheart - after a deep breath, Shadowheart ignores the blush rising on her skin and asks about some of the other drawings

Confident!Tav, flipping through the sketches and happily showing off the images of Shadowheart especially - Shadowheart flusters, sputters out a near incomprehensible jumble of words and rushes off

Either way, the moment lives Rent Free(tm) in her head and she hopes you’ll show her the journal again

Astarion

STUNNED. like, almost drops your sketch in surprise bc wait. Holy shit. Is that him??

recovers smoothly, plays down the way his adrenaline has spiked

It does not matter how good the portraits of him are, sketches or fully finished drawings, he is Memorizing those pages

If you draw him with any soft expression, he’ll point out that image to you and be like “I think you’ve messed up on that particular reaction, dear” (that’s how he looks at you, shh don’t tell him)

Wyll

He spots you watching him one day as he’s training, your eyes flipping between him and the journal in front of you. Eventually he gives in and wanders over, inquiring about what you’re up to

when you show him the spread, sketches of him doing swordplay (and a few close headshots) - Wyll is both very impressed and very flustered

He compliments your skills, though jokingly questions the subject of your drawings. Certainly someone else would make a more attractive drawing, he says, gesturing vaguely to his mismatched eyes and newly acquired horns

Is surprised by the fierce frown you give him, the disapproval in your voice at his suggestion. You’re drawing him for a reason. Thoroughly chastised and a little embarrassed, Wyll thanks you (he doesn’t elaborate beyond that but you get the idea)

Karlach

Karlach is too afraid to touch anything that seems even vaguely flammable, but she’s seen you scribbling into your journal on many an occasion. Eventually her curiosity gets the better of her and she asks you about it

If you’re hesitant to show her, she’ll back off…but kind of pout like a little kid. Not in an attempt to make you feel bad but just bc that’s who she is. If and when you decide to show her the sketches, she’s super hyped

Jaw on the floor. She’s not got the patience or skills for drawing, not really, but your talent blows her away. And then she sees the drawings of her and she’s like - mouth open, heart eyes

jokes about how you’ve drawn her, with a huge grin on her face the whole time “how long have you been staring at my thighs to get the drawing this accurate? should I get a new outfit for your next page?”

Lae’zel

She’s never really cared much for her appearance - don’t get me wrong, she thinks she looks great but she’s never really been the one to stare at her reflection or anything

But Lae’zel sees herself in your sketches, drawings of her in softer states, in relaxation, and shes…surprised

Part of her bristles - she’s a strong warrior on a mission, she doesn’t need you seeing her as soft. But a different part of her…eases. Relaxes. You see her as an individual worth affection.

Lae’zel wouldn’t comment much about the drawings, but she would ask to sit and watch you draw, if it wouldn’t bother you. Your skilled hands, the way your brow furrows as you draw. Yes. She likes that.

Halsin

At first, Halsin is simply impressed by your talents. Artistry has always been something he’s enjoyed, no matter the form, so he’s happy to get to see your work

When he comes across the pages devoted to him, he’s thrown off a little. He’s used to being admired, if we’re being honest. As long as he’s lived and as many people he’s been with, it happens. But he’s not used to…this. Being part of the art but without any expectation of him.

Traces a finger over the lines of his face - somehow you’ve captured a look that makes him seem so…heroic. Is that how you see him? Warmth feels his chest and he goes to seek you out

You don’t get much of an answer, when you ask why he’s scooped you and paying you extra attention, nuzzling his face into your hair

#baldurs gate x reader #gale x reader #astarion x reader #karlach x reader #wyll x reader #Lae’zel x reader #halsin x reader #shadowheart x reader #bg3 x reader #baldurs gate 3 x reader

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jinwoosbabyboo · 2 months ago

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Your Birthday Is So Special !

You don't really celebrate your birthday it tends to just be another day for you. You've gone as far as to forget your own birthday some years and since you never mention your birthday it's almost a mystery. The LADS Men want to show you how special your birthday is since if that day never happened they wouldn't be looking at the love of their life. What would they do to celebrate your birthday? A/N: Ms. "I don't care about my birthday" meets Mr. "Your birthday is so special" [Requested by: miacara2]

Zayne

Zayne would take the day off for your birthday. I'm not talking he just so happened to have the day off. No. This man would do what he needed to do to get the day off just for your special day. Since he is you primary care physician your birthday is on file so he's aware of it even without you telling him.

He would have spoken to Jenna days or weeks prior to get you out of work by noon without being suspicious. You would come out of the building to find him standing there with a box of your favorite sweets and treats. "What are you doing here? What's all this?" You'd question with a giddy smile on your face; seeing Zayne unexpectedly was always a serotonin boost.

"Are you free this afternoon?" He'd ask avoiding your questions while flashing that cute half-millimeter smile of his, but his eyes would dance with mischief. "I am?" You'd furrow your brows in confusion. He'd intertwine his fingers with yours and take you to do whatever your little heart desires for the day. Once you're exhausted from the day he would offer to take you home.

This is where your real surprise would be. He would have your countertops covered in gifts and sweets along with a beautiful cake. "Zayne....when did you do this?" He would definitely stand there relishing in your shocked face. "It took all morning, but it was more than worth it" You couldn't help but hug him tightly you never thought you'd actually be happy to celebrate your birthday.

"Happy Birthday My Love let's celebrate together every year from now on"

Rafayel

Rafayel would be simply appalled at the fact you don't celebrate your birthday. "What do you mean it's just another day!?" He asked wide-eyed. "It's just not important" He would be so upset to hear you talk about your birthday like that. To him your birthday is like a national holiday there's no way he could let the sun take another trip around the earth without celebrating.

Rafayel: When is it? MC: I'm not telling you Rafayel: If you dont tell me I'll just figure it out MC: Good luck

He was indeed able to figure it out. How? Let's just say he has connections if he wants information he'll get it. He'd waste no time planning a whole day for the two of you. I picture Rafayel wanting to give you that childlike gleeful birthday that you never had growing up. He'd take you to an arcade or amusement park or even a fair/night market and would tell everyone it's your birthday "It's this pretty girls' birthday today!"

Now Although Rafayel is indeed a silly little guy he is very sentimental. At the end of the night he'd take you to an exhibit he rented out for just the two of you. It would be covered in his painted portraits of you along with candid photographs. Each one would have a gift or your favorite sweet perched on a cocktail table underneath it. "Why would you do this?" You asked in shock. "Because a special girl deserves to be treated as such especially on her special day Happy Birthday Cutie"

Xavier

He's used to forgetting his own birthday since he never considered it very special. Though something stirred in him when he overheard Simone, Tara, and Lisa asking you what you wanted to do for your birthday. You seemed to brush them off with a sweet smile saying "Nothing it's not a big deal just treat it like any other day" They all huffed and puffed at your words as you scurried off saying you had some research to do.

"We need to do something for her birthday she works so hard!" Tara said in a whisper-shout to Lisa and Simone. Xavier would barge into the conversation his lips moving before his brain could catch up "Can I be of service in this secret plan?" Contrary to popular belief Xavier would end up spearheading all the planning. He would want your girls to be involved since he sees how much they love you and how much you love them.

He would have you spend the day with your girls and the night with him. Your girls would be there right when you wake up screaming happy birthday in your face. They would take you to get your hair and nails done along with a little lunch date and shopping spree. You would be all dolled up and pretty by the time they dropped you off at home where Xavier was waiting with music, gifts, flowers and a cake. I also imagine since he is the one who taught you how to dance he would take you to a beautiful garden where he would dance the night away with you like Cinderella.

"I know I said birthdays were nothing special, but yours is and I want to spend every year with you. Happy Birthday My Lady"

Sylus

Sylus is not letting your birthday pass without a proper celebration. First of all he's taking you out the country for sure. That beautiful island you've been looking at? Yup he got a villa on it and flies you down there on his private jet so you have the utmost comfort. "Where are we going?" You'd ask as he escorts you up the stairs onto the plane. "Somewhere special" His answer was nonchalant as he poured you a glass of wine. "What's the occasion?" he would glance at you and let his beautiful smile spread across his face as he slipped the glass into your hand "Something special" You scoffed at his answer.

Although you never mentioned when your birthday was of course Sylus did his research. He planned for months to make your surprise perfect. You would land and walk into the villa fully decorated with balloons, all your favorite foods, a desert bar with a cake, and flourishing with gifts. Even the twins would already be there jumping out at you to yell surprise.

Sylus would make your birthday into a full weeklong celebration/vacation. "You overdid it you know? My birthday really isn't that important" Your words end up going in one ear and out the other. You were his special girl everything involving you was special especially your birthday. Otherwise how would he be able to smile in this drab world if you weren't here?

"That's why I've made it my mission to show your otherwise" He'd smile down at you and flick your forehead. "Happy Birthday Princess"

#love and deepspace #sylus love and deepspace #sylus #lnds sylus #love and deepspace sylus #lads #lads rafayel #lads xavier #lads zayne #zayne love and deepspace #love and deepspace rafayel #xavier love and deepspace #lnds rafayel #lnds zayne #lnds xavier #lads sylus #nikaaaaimagine

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lillotte17 · 6 months ago

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*throws more Veilguard Banter into the gaping maw of Tumblr and then flees*

Solas: “I have another question, Varric. If I may?”

Varric: “Just the one?”

S: “For now. I must admit, I was surprised to see that you were the one they asked to make an attempt at dissuading me from completing my mission. Not to belittle our prior bonds of friendship, but if the intent was to send an agent who might presumably hold some power of persuasion over me, I…would have thought another candidate might have seemed like the more obvious choice.”

V: “Would it really have changed anything if she had been the one telling you to stop?”

S: “I…do not know. I should think not.”

V: “But at least you would have gotten to see her again, right?”

S: “Perhaps.”

V: “Heh, don’t you worry, Chuckles, I’m sure you’ll get your chance. The fact that I was here instead of her is more of a fluke than anything else. She was more than eager to follow up on the tip that led us to you, but then the kid insisted on tagging along, and you know how it is.”

S: “…kid?”

V: “Right, the kid. You probably haven’t seen him either.”

S: “…No. I have not. Although, I would have thought that there would have been news if the Herald of Andraste had… Well. I suppose there is wisdom in striving to keep such affairs private. I certainly have no right to voice an objection.”

V: “Why would you object to seeing the kid again?”

S: “Again? I… You are referring to Cole.”

V: *snorts* “Well, yeah. Who’d you think I was talking about?”

S: “Never mind.”

Rook: “So, Varric, do you really think the Inquisitor is going to show up?”

Varric: “Oh, don’t worry, she’ll be here. She’s been searching high and low for Chuckles for nearly a decade.”

R: *whistles* “And she never caught up to him in all that time?”

V: “Once. It…didn’t end well. After that, a few of our agents came close over the years, but it turns out that the world is a pretty big place, and tracking a lone elf with a network of magical transportation mirrors on his side is about as tricky as you’d expect. It’s even harder when you’ve got a notorious reputation and half of Thedas has seen portraits of your face. One whisper of the Herald of Andraste entering a city, and all our leads would vanish overnight.”

R: “But…I thought the two of them liked each other?”

V: “I think that made it worse, actually.”

Solas: “You do realize that I am standing right here?”

Solas: “For what it is worth, I am sorry about your Bianca, Varric.”

Varric: “Oh, you know, what’s an irreplaceable keepsake from the woman I can never be with in the grand scheme of things, anyway? At least you didn’t turn me to stone.”

S: “Your anger is justified. I do not expect your forgiveness, but I would apologize for my actions, none the less.”

V: “Look, if I were you, my forgiveness isn’t what I’d be worried about right now. Someone else has a much bigger bone to pick with you than I do.”

S: “I am not expecting her forgiveness, either.”

V: “So, you’re not even going to try?”

S: “And what, precisely, should I be trying, Master Tethras? This is hardly the sort of situation to be solved by a bouquet of flowers and a well-constructed poem.”

Rook: “Maybe you could send chocolates?”

V: “I was going to suggest groveling, actually.”

#Solas #Varric #Rook #solavellan #dragon age #dragon age: the veilguard #fic #i don't know that i feel like these flow as well as the first set #but i'm having fun with Varric dragging Solas through Uncomfortable Conversations

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angelfic · 10 months ago

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— I MISS YOU, I’M SORRY.

pairing: theodore nott x reader

summary: you haven’t seen theo since he supposedly left you to join the other side. now that he’s back and has revealed his true intentions to you, you’re finding it hard to be forgiving.

warnings: swearing, kissing, tiniest bit of angst, very unedited. not much else other than a whole load of waffle… my bad

author’s note: this is a sort of fix-it fic… kinda. yes I am very much stealing the essence (you could say) from marauders fics because I prefer writing those and yes it’s basically this drabble recycled and yes grimmauld place is still the order headquarters well into the war just don’t question my timeline and you’ll be fine ok ty enjoy xoxo

12 Grimmauld place feels unsettling at the best of times, what with the portrait of Walburga Black hurling insults at you every time her curtain slips open and the row of shrunken house-elf heads mounted on the wall. The Order of the Phoenix holding hushed up meetings in the dining room while you and your friends are forced to stay upstairs isn’t anything new or surprising, but the last few days feel different.

Instead of Mrs Weasley telling members of the Order to whisper when you, her kids and Harry and Hermione are in the room, she flaps about ordering them to stop talking altogether. At first you think you’re imagining it when her eyes flick over to you every time, until you bring it up to Ginny and Hermione.

“You’re not imagining it,” Hermione mutters as she shuts the door of the bedroom and casts a quick Muffliato charm before settling cross legged on the bed opposite you and Ginny. “I overheard Mrs Weasley and Tonks in the kitchen this morning, talking about how the Order is arranging transport for some Death Eater spies to come back here.”

You gasp, pretending to be scandalised. “You mean you were evesdropping. That’s not very prefect-y of you.” Ginny snorts at Hermione’s indignant glare and you can’t help cracking a smile at the way her cheeks have slightly reddened. “Sorry, sorry, you know I’m kidding. But what’s that got to do with her looking at me like I’ve gone through a personal tragedy?”

“Your ex-boyfriend did leave you to go join the Death Eaters,” Ginny points out. Hermione gapes at her, but Ginny merely throws her hands up in exasperation. “Well, he did! No point beating around the bush!”

A lump rises in your throat at the mention of Theodore. Truth be told, you’ve tried not to think about what happened since the last time you spoke about him. ‘Spoke’ being a strong word since it was mostly crying and sniffling and blowing your nose into tissue after tissue in Ginny’s room at the Burrow. Mrs Weasley had made your favourite dinner that night and brought you up a hot chocolate to make you feel better. And it really had- so much so that you refused to speak about him since.

You’re more angry than you are sad now, which makes you nod at Ginny’s words. “You’re right. He’s an arsehole, there’s no point in tip-toeing around it for my sake.” Hermione frowns a little, worry clear as day on her face, but you don’t stop talking. “Besides, we’re on opposite sides and this is a war happening. Not some silly, childish break-up. He chose to be a Death Eater and if we have to fight him, so be it.”

Hermione and Ginny stay quiet for a few seconds and watch you breathe heavily. Thankfully, before either of them can speak, Harry and Ron come bursting into the room.

“They’ve only gone and brought Death Eaters into the bloody building!” Ron shakes his head.

Harry snorts at Ron’s dramatics. “Ex-Death Eaters. Apparently. Still a bit dodgy, in fairness.”

“I thought they were spies,” you say, unable to help your curiosity as you stand up. Ginny and Hermione follow you out of the room as you all peak over the bannister to try and get a glimpse of the action downstairs. Annoyingly, there only seem to be a couple of dishevelled looking Order members milling around.

“Maybe Mrs Weasley and Tonks got it mixed up, or maybe they aren’t privy to what’s going on…” Hermione frowns, deep in thought. “I don’t think anyone but Dumbledore knows what’s actually going on.”

Harry makes an irritated sound. “What’s new?”

“Oh, by the way, Mum sent us up to get you lot for dinner,” Ron says absentmindedly as he tries to get a good look over your shoulder at whatever is happening in the hall downstairs. “Mind you, that was before all the Death Eater business so she’ll probably send us right back up.”

The five of you quickly shuffle downstairs to get to the dining room and while your stomach is growling loud enough to forget any thoughts of Order business, Ron and Harry linger in the hall a little in an attempt to get some answers. You don’t doubt Harry will get some, being the Chosen One and all.

You nudge and elbow your way into the dining room where you’re happily surprised to see a messy-haired Tonks yawning over a bowl of soup. She smiles sleepily when she spots the three of you.

“Hi, girls,” she mumbles through a yawn. “Merlin, I’m exhausted. I keep falling asleep in my soup. Good thing it’s mushroom.” She points to her newly platinum blonde hair that matches the contents of her bowl.

“Why’re you so tired?” Hermione asks as she ladles some soup into bowls for you, Ginny and herself. Her voice is quiet as not to attract attention from Mrs Weasley with her questioning. “Is it to do with tonight’s, uh, Order business?”

“Yep.”

Tonks looks as though she’s about to drift off and Ginny seems to jump at the opportunity to gather information.

“So, what are their names?” She gets straight to the point, glaring at you when you choke on your soup a little, not expecting her to be so blunt.

You and Hermione stop eating and wait with bated breath for Tonks to refuse to answer. She merely yawns again, before talking. “You’ll meet them soon enough.”

“Meet them?” you ask, unable to help yourself. “Aren’t they… uh, you know… dangerous?”

“Dumbledore doesn’t seem to think so,” Tonks says, shrugging. You grow a little frustrated at this, since Dumbledore isn’t exactly known for having straightforward plans. While you know his intentions are good, someone he thinks is safe could very well be the opposite. While you ponder this, Tonks’ next words quickly turn your irritation into shock. “The others were understandably quite wary, what with one of them being You-Know-Who’s son and everything, but…”

You feel a ringing in your ear and every word coming from Tonks may as well be directed to her mushroom soup because you aren’t listening anymore. You-Know-Who’s son. You haven’t seen Mattheo since term ended, and even then it was only from a distance. You hadn’t spoken to him since Theo revealed his Dark Mark to you and you’d since avoided his entire friend group like the plague. If Mattheo is in the building, you can only hope and pray that Theodore isn’t with him.

Vaguely aware of someone shaking you by the shoulder, you snap out of your thoughts. “Who else is with Mattheo?” you ask Tonks, your voice sounding rough to your own ears. She blinks through her sleepiness, slightly startled awake by your unwavering eye contact. “Voldemort’s son. Who’s with him? What do they look like?”

You’re so focused on getting an answer from Tonks, and Hermione and Ginny are clearly on the same page as you now since they’re both silent and waiting for a response, that none of you notice Mrs Weasley entering the dining room.

“Tonks, is he blonde or-?”

“Enough!” Mrs Weasley interrupts you hastily, making everyone jump. She sounds panicked, but the look she throws Tonks is stern, like a warning to keep silent. When she turns back to you however, her eyes soften and her voice is gentle, albeit with a hint of annoyance. “I asked Dumbledore not to bring them here while everyone was awake. I didn’t want you all upset again, dear. Look, you can have your dinner upstairs, I’ll bring it up to you!”

You’re grateful for her concern, but it’s a little hard to feel anything other than the pit in your stomach since she’s just confirmed what you were dreading.

Ginny speaks up first, angry on your behalf. “Mum, she deserves to know if that awful git is in the same house as her! I say she ought to go and deck him in the face.”

“Ginny!” Hermione looks at her in exasperation as Mrs Weasley gasps, horrified. “That sort of attitude isn’t going to help anyone.”

“You’re right,” you mumble, getting up from your seat.

Hermione lets out a sigh of relief. “Thank goodness.”

“I should go and deck him in the face.”

Hermione’s sputtering falls to deaf ears as you abruptly leave your seat to go out into the hall, the scraping of chairs behind you indicating that everyone is following closely.

Realistically, you have no plans to actually hit Theodore. In fact, you don’t think you’ve ever successfully landed a punch before in your life. This doesn’t stop you charging into the hallway and elbowing your way through the huddle of Order members to get to the door they seem to be crowded around.

Kingsley Shacklebolt is the last of them to stumble out of your way, clearly too surprised by your sudden presence to continue guarding the door. You raise a shaky hand to the doorknob and hesitate for a second, suddenly nervous. Kingsley takes this moment to snap out of his surprise and redirects his attentions to what you’re about to do next.

“My dear, I’m afraid I can’t allow you to-”

“Kingsley, do you have any idea why I’m standing here?” you say curtly, cutting him off.

He throws a quick glance at Mrs Weasley, almost as if it’s by reflex. Clearly she’s told more people than Dumbledore to keep word of Theodore far from you. “I, uhm, I may have heard a thing or two…”

“Right, so are you going to stop me entering this room, then?” you ask boldly. Your voice catches slightly on the end of your sentence and Kingsley falters a little.

“Well, really I should-“ he begins, eyes darting to your own slightly teary ones. He sighs. “No, I’m not. Just try not to hex the boy.”

He steps out of your way and you finally barge into room, the door swinging open as you stay lingering near the entrance. The room is just as dingy as the rest of the house, lit up by some candles dotted around the room

You first see Professor McGonagall getting up abruptly from her chair where she was previously sat next to a standing Dumbledore. He merely peers at you over his half moon spectacles and raises his eyebrows.

You suddenly feel a little silly, and rude for barging in like that. “Sorry, Professor Dumbledore, I-“

You stop talking when see movement on the other side of the room from the corner of your eye. Just as Tonks had said, Mattheo Riddle, son of Lord Voldemort is standing right there, flanked by Lorenzo Berkshire… and Theodore. Your mouth goes dry.

As soon as you catch his eye, he smiles broadly at you. You don’t return the gesture, taking his appearance in instead. He’s thinner than the last time you saw him. No visible injuries, but he’s definitely seen better days. His dirty blonde hair is overgrown and unruly as it falls into his eyes which, despite brightening up at your presence, are tired.

You keep your expression as impassive as you can, slightly angry with yourself at the twinge of concern you feel. It was all well and good interrupting whatever meeting was happening in here before you came in, but now that you’re here… you have no idea what to do or say.

Theo’s smile falters when you continue to stand there with clenched fists and a stony face and you’re tempted to just run out of the room when Dumbledore clears his throat.

“Well,” your Headmaster says pleasantly, as though you were all engaged in polite conversation rather than a strained silence. “This reunion was certainly a little earlier than anticipated, but I suppose that can’t be helped. I think we ought to give Mr Nott and Miss Y/L/N a moment alone.”

“Uh, can’t we stay in here too?” Lorenzo asks with a nervous chuckle, eyes darting to the watchful crowd standing right outside the door. You can’t blame him for wary, being an ex-Death Eater in a house full of Order members.

Mattheo nods, throwing an arm around Theodore’s shoulder, ignoring the glare he receives. “Yeah. These two won’t mind a bit of company. Right?” he asks you cheerfully. You blink at him.

“Relax, Berkshire,” Professor McGonagall says, rolling her eyes at the way Lorenzo has inched further into the room. She snaps her fingers to get them moving out the door. “Nobody is going to hex you, you silly boy.”

“Can’t say the same for Theo,” Mattheo mutters as he walks past you and follows everyone out, shutting the door.

You don’t really have any choice but to look at Theo now. He tries a smile again, despite the fact you’re not returning it and he takes a step towards you.

You immediately step back.

Theo flinches ever so slightly, his eyes unable to hide that he’s hurt.

Good, you think viciously.

Sighing, he looks at you imploringly like he wants to say something, but can’t find the words. “You’re angry with me,” he settles on muttering, his voice quiet in the dark room.

You let out a derisive laugh. “Angry? You worked that out, huh? Death-Eater’s didn’t completely addle your brain then, did they?”

“Darling, please let me explain,” Theo pleads, taking another few steps towards you.

Rather than stepping back, you whip out your wand and point it right at him. He doesn’t back away, merely raising his hands in surrender and arching an eyebrow as if to ask you if you’re serious. This angers you further.

“Do not call me darling,” you hiss, raising your wand further. Theo doesn’t react, as though he knows you’d never actually use magic to hurt him. Your hand trembles with the weight of the realisation that no, you wouldn’t hurt him. That you’ve actually been more worried that becoming a Death Eater would get him hurt than him betraying you. He left you with nothing but a cold goodbye and you still can’t help caring.

Feeling stupid, and a little bit pathetic, you drop your hand to your side and allow him to continue standing before you as he lowers his hands. You grit your teeth and cross your arms. “Explain.”

Theo lets out a relieved breath. “I never wanted to leave you,” he says, and you immediately roll your eyes. “I- no, look at me. I didn’t.”

“That doesn’t explain the fact that you did,” you deadpan, turning away to leave. Theo quickly reaches out to grasp both of your arms and gently turns you towards him.

You stiffen at the first physical contact you’ve had with him in months, your body betraying you and erupting goosebumps all over your arms in spite of your anger.

“I lied about it to protect you,” he whispers, peering at you through the strands of hair that are stubbornly falling into his eyes from weeks of neglect. Theo looks slightly pained and you recognise his expression to mean that he’s desperately trying to phrase his next words correctly. His eyes flick over to your right arm. No. To his left wrist, where you know his Dark Mark to be. “You can ask Dumbledore if you don’t believe me… Me and the others only ever took the Mark so we’d be able to spy on The D- on him.”

The relief hits you like a freight train and lightens your heavy chest all in one go. You hadn’t just felt betrayed by your boyfriend leaving you all those months ago. You had felt dread at the possibility of him joining a Pureblood supremacist’s cult. Dread at the idea that the views he’d shared with you were all lies and that he was a completely difference person to the one you loved.

Despite the relief, the sting of the breakup still lingers with you.

“That meant you had to be a prick when you left me?” you ask, voice shaking against your will. His eyes soften.

“Yes,” he says weakly. “How else could I have left you without worrying that… that he could use you against me if he found me out? I never wanted to take the Mark and it killed me when I saw the look on your face.”

Your scowl, trying your best to distract Theodore from the fact that your vision has gone blurry from the tears welling up in your eyes. By the look on his face, you doubt you’re doing a very good job. “Do you really think I would have cared about a fucking tattoo, if you had just told me the truth?”

“No, I know,” Theo sighs, absentmindedly drawing closer to you. “I’ll explain anything you want, but the work we did was too close to The Dark Lord to risk telling anyone about at the time. Dumbledore made me, Mattheo and Enzo swear not to say anything. It was safer that way.”

“Did you make an Unbreakable Vow?” you whisper, stiller than ever.

Theo furrows his brows. “No, but-”

You pull away from him abruptly and back away to the door, ignoring the way his hands reach out in an attempt to hold your arms again. “Then I hope the information you got for Dumbledore was worth it.”

You don’t look back at him, nor do you check to see if anyone is in the hallway as you run upstairs and into your room, slamming the door shut as you lean against it, breathing heavily. You stay there for a while, reeling from your anger and irritation at the fact you still have to stay in this bloody house while Theodore’s in it.

The next few days are confusing to say the least. Theo doesn’t seem to have any plans to avoid you, but he respects your space.

Sort of.

He isn’t badgering you every second of the day, but somehow whichever room you’re in, he finds himself in as well. Whenever you try and reach for something, even if it’s not on a particularly high shelf, or particularly far away, Theo beats you to it, ever the gentleman.

It’s starting to unnerve you a little.

One particular afternoon, you walk into the kitchen hoping to make a cup of tea in peace. At the table sits Theo, a cigarette hanging loosely between his fingers. When he spots you, he sits up straighter and you dawdle stupidly at the entrance.

Before you can snap out of it and remember what you came in here for, Theo gets up and walks over to the mugs. “Tea?” he asks politely, and, you think, a little hopefully.

“Will you make it and let me drink it alone?” you ask bluntly.

“I’ll make it and sit with you in silence,” he offers, undeterred despite your coldness.

Narrowing your eyes, you glance at the clock and sigh. It’s too early in the morning to put off having your tea, so you allow it. “Fine. Milk and-”

“Two sugars,” he cuts you off with an annoyingly smug smile. “I remember.”

You poke your cheek with your tongue, but stay silent as he turns his attentions to the kettle. Theo’s face quickly falls when he realises he has no idea how to use it. Your impassive expression almost cracks and you have to bite back a laugh as he examines the thing. Walking over to the counter, you drag the kettle so that it’s closer to you. And so you don’t have to be as close to Theo, but that’s besides the point.

“It’s already filled with water, you just need to flip the switch so it starts boiling,” you explain, pointing to the little part. Theo places his cigarette in between his lips as he furrows his brows, clearly skeptical of the muggle contraption. You suppose you can’t blame him since you, Hermione and Harry have had to explain the kettle to countless members of the Order since it was introduced to the house a few months ago.

You still don’t know where the plug socket is and considering the fact that Grimmauld Place has never inhabited muggles, you aren’t going to bother asking.

When Theo flicks the switch and sees the light turn red, a satisfied smile graces his lips where the cigarette still hangs. You look away from his mouth very quickly and go to sit down. Unable to leave without making things awkward, you decide the only thing to do is watch Theo make two cups of tea. He doesn’t need instruction since he knows exactly how you like it, but something catches in your throat when he uses a green mug. Your favourite colour.

The only sound in the kitchen is the clink of the spoon swirling in the cups and Theo soon brings both cups over with an incredibly concentrated frown to make sure there’s no spillages as he sets one down on the table. The other he hands to you himself and you have to clench your jaw when you grab it, your own hands brushing against his, which he doesn’t seem to be in a rush to move away.

“Thanks,” you mutter, trying to use the burning heat of the mug against your skin to distract from the fact that you have tingles.

“S’alright,” he replies, a barely restrained grin on his face. You narrow your eyes at him over the rim of the mug as you sip your tea.

Damn, you think to yourself. Why is it always so good when he makes it?

The two of you settle into a surprisingly comfortable silence as you drink your tea and he smokes. The puffs are very carefully directed away from you, but you can’t help wrinkling your nose out of habit. Back when you were still together, you were always firm about him cutting down and now you have to restrain yourself from reaching over and plucking the cigarette out of his lips to throw it away like you used to do with ease. He never objected.

Theo notices your looks all the same, and it’s almost like he’s reading your thoughts. He raises a brow, almost daring you to remove the cigarette yourself. “You want me to stop?”

“I don’t care,” you say in an attempt to sound nonchalant. Shrugging, you try your hardest not to react to his obvious bait, but it’s like a bloody reflex. “It’s your lungs on the line, not mine. If you want to lose five years off your life, then by all means, go ahead. I really couldn’t care-”

“As you wish,” he interrupts you, grinning like an idiot again. The next thing you know, he’s putting out the cigarette, and sipping his tea instead. He doesn’t even like tea.

“I didn’t say you had to stop,” you grumble, slightly pleased nonetheless.

He merely hums, taking a gulp of his tea. You accidentally let out a snort of laughter when he grimaces at the taste. Theo’s lips quirk up in amusement when you laugh, unrestrained and it’s only when you catch him staring at you that you quickly stop.

The smug expression on his face quickly returns as though he knows you’re finding it hard to be fully angry at him.

“Stop looking at me like that,” you snap, drawing your knees up on your chair towards your chin. “You look stupid. And your hair is too long.”

Theo huffs out a surprised laugh. “My hair is too long?” he asks incredulously, reaching up to tug a piece down so it reaches the bottom of his nose. “Hm, you’re right. You cut it pretty good that one time. Would you do it again for me?”

“Mrs Weasley is better at it,” you say, chin jutting out stubbornly. “I’m sure she’d be delighted if you just ask.”

“The way she looks at me, I’d be lucky to get away with my head still attached to my body,” he drawls, wholly unimpressed by your suggestion. “Why can’t you do it?”

“Because I’m not done being angry with you yet,” you reply simply, draining the contents of your mug. “Trust me when I say you don’t want me anywhere near your head with a pair of scissors either.”

Theo nods slowly, a smile gracing his lips— strange, since you just threatened physical violence. “So, what I’m hearing is that you’re not going to be angry with me forever.”

“I- Well, I didn’t mean-” you stutter pointlessly, cutting yourself off with a sigh. “I don’t know yet. It’s too early for this, leave me alone.”

“That was the first cigarette I’ve had since before I left,” Theo says quietly, searching your face for a reaction, almost nervously.

You aren’t quite sure how to respond to this random piece of information and you find yourself floundering. “Uhm. Okay, good. That’s… Yeah, that’s great for you and your lungs, well done. Saves money too. They were actually, uh, saying on the news the other day that the average amount people spend on-”

“Darling, as much as I appreciate it, that’s not what I’m getting at,” he interrupts, the ghost of a smirk at his lips. You scowl at him for letting you go on for so long and motion for him to get to the bloody point. “Every time I brought a cigarette to my lips, I remembered you weren’t going to be there to nag me about it. It just feels pointless now.”

You stare at him. “Nice to know that my nagging was what you remembered me by.”

“That’s not-” Theo cuts himself off with a laugh that sounds halfway to a groan. “Merlin, you’re not going to make this easy for me, are you?”

You open your mouth to respond, but before you can get a word out, Harry walks in which you find odd considering it’s so early in the morning and him and Ron are usually only out of bed when Mrs Weasley yells them down for breakfast.

“Morning,” he says through a yawn. The greeting is directed at you, but he sends an expectant look at Theo right after. “Time to leave, Nott.

“Leave for where?” you ask before you can help yourself. You realise with a start that Harry and Theo are dressed and ready while you’re still in your pyjamas. “Where do you have to go?”

“Horcrux hunting,” Harry says flippantly, as though he’s just announced he’s going fishing. Hermione had filled you in on the information Theo and the others had ascertained from their time with Voldemort, but you didn’t even consider them or Harry would actually be going with the Order to find them. “Nott and the others know more than we do, so they’re coming with.”

You level a look at Theo, who seems to be pointedly avoiding eye contact with you. “Thanks for sharing that tiny tidbit of information, by the way,” you mutter sourly.

He winces, getting up slowly from his chair. “It, uh, didn’t seem that important. It’s only a quick little task anyway. We’ll be back before you know it.”

“I’m not stupid,” you scoff, standing up so you can attempt to look a little more dignified as you confront Theo. Harry, on the other hand, looks as though he regrets his decision to enter the kitchen in the first place. Despite this, you hadn’t missed the way he furrowed his brows when Theo spoke. “Even if Harry wasn’t looking at you like you were speaking gibberish, I would know that you’re lying. It’s a Horcrux you’re leaving to get. Not the weekly food shop.”

Harry snickers at this, though quickly turns it into a cough when Theo sends him a withering glare. Sighing, you decide to ignore him for the moment and turn to Harry instead

“Be safe,” you say, gentler than before. “And don’t be a hero, just try and get out of there safely.”

“Pfft,” Harry waves you off, a sarcastic tone entering his voice. “When have you known me to do that?”

You roll your eyes, cracking a smile as he walks away, supposedly to find the rest of the group.

“Don’t I get a ‘be safe’ as well?” Theo tries for a casual, joking voice. A hint of irritation seeps through it though. You shift on your feet a little awkwardly, slightly flustered at his obvious jealousy.

“Uhm, okay. Bye,” you say stiffly, fiddling with the loose string of your cardigan sleeve so you have something to do with your hands other than ball them up at your sides. Theo seems to be satisfied with the curt response, or more likely your lack of insults, and he nods, turning away to leave. As you watch him walk away, a familiar sense of anxiety bubbles up in your stomach and you blurt out the only thing you can think of. “Don’t die!”

He slowly turns around, very clearly holding back a grin. You think you might thump the boy. “Will you forgive me if I come back alive?”

“Well,” you huff, crossing your arms. As petty as it may be, you’ve always found it hard to loosen a grudge. You settle for a shrug instead. “Come back alive first and then I’ll see.”

Theo takes two steps forward and closes the short distance that was previously allowing you to keep a cool- well, cool-ish, head. He keeps both arms behind his back, however, as he dips his head down slightly.

“My sweet, stubborn girl,” Theo says in a low voice. His proximity flounders you for a moment and you don’t even protest that no, you’re not his anything. The way your breathing turns shallow would be contradicting that greatly though. “I’ll try my best. And if I don’t come back alive, I promise you can yell at my ghost.”

You scowl, and this time you actually do thump him on the arm. “You’re not funny, you idiot. Now, go. I can already hear Mattheo irritating the patience out of Harry.”

Theo gives you a little two-fingered salute and a wink before he walks away again, leaving you alone with a funny feeling in settling in your stomach.

You aren’t the only one who sits anxiously in the living room waiting for the group to return with the infamous Horcrux. Ron has eaten his way through three bowls of cereal and rapidly makes a start on his fourth while Hermione tries to distract herself with reading a book that she hasn’t noticed is upside down.

After another hour goes by, Ginny, who was previously pacing up and down the stairs, sighs and turns Hermione’s book the right way up which startles her, causing her to give up altogether.

You sit cross-legged and completely still, other than switching your legs every time one of them goes numb. Eventually, you get so sick of watching Mrs Weasley mop over the same spot on the floor for the fifth time that you jump up from your seat, causing her to start and knock over the bucket of dirty mop water all over the floor.

“Oh, dear,” she mutters, waving her wand and siphoning all the water up in a second.

“Sorry, Mrs Weasley,” you say, wincing. “I’m just a little stressed since it’s been ages already-”

You get cut off by Hermione gasping at the sound of the front door opening along with voices. She grips your arm tightly. “They’re back!”

Barely registering the pain of her nails digging into the skin of your arm, you waste no time in running into the hall with the others to greet everyone at the door. You can’t help the relieved smile on your face when you do a quick head count and find everyone present.

As you get closer, you see how exhausted they look. Not to mention the fact they’re dripping water all over the rug. Harry stands at the front of the group looking like he might collapse if he stands any longer and Hermione and Ron pick up on this as they rush over to help him inside.

As they stumble him across the hall, you stop craning your neck as Theo comes into view. The relief you previously felt leaves you faster than your body knows how to deal with and you have to force yourself to breathe when you take in the state of him.

At first glance he doesn’t look particularly worse than the rest. They all have a vaguely haunted look in their eyes along with a sickly pallor like they haven’t seen the sun in days.

But the way Mattheo and Lorenzo are holding him up brings attention to the fact that all of his weight is being put on one leg. The other, to your horror, has a deep, bloody gash trailing down his thigh and onto his calf. The sight of blood steadily dripping onto the floor below has you frozen, almost mesmerised in a terrible way, and it’s not until Dumbledore speaks that you snap out of it and to attention.

“Miss Y/L/N, if you could please fetch Madam Pomfrey for me,” Dumbledore asks, his voice a lot calmer than you feel. You nod, turning away quickly before Theo can see the panic which is probably clear as day on your face.

It takes a scary second to find Madam Pomfrey, but as soon as you do, she gets down to business preparing her supplies in the living room which is as far as Theo seems to be able to make it.

He lays on the sofa, breathing shallowly as Madam Pomfrey crouches down beside him to begin assessing the wound. Peering at it closely, she looks up at Dumbledore sharply. “Inferi?”

“I’m afraid so,” he replies solemnly and you let out a choked sort of whimper.

“Merlin,” Ron whispers, looking like he might be sick. Whether that’s because Madam Pomfrey is cleaning Theo’s leg, or because of the mention of Inferi, you aren’t sure. “What the hell were you guys doing?”

“All will be explained, Mr Weasley,” Dumbledore reassures him, looking over his spectacles. “However, I must insist that for now we allow dear Madam Pomfrey to tend to Mr Nott’s injuries.”

“Will you be able to heal him?” Mattheo asks, swallowing hard. The concern in his voice for his best friend has your heart clenching and you look to Madam Pomfrey just as earnestly for an answer.

“Yes, I dare say I can,” Madam Pomfrey says grimly, but she pulls out a couple little bottle of potions from her bag with a frown. “That doesn’t mean it won’t be extremely painful, unfortunately.”

“Can’t imagine what pain feels like,” Theo mumbles, shifting his position on the sofa slightly and wincing. His face goes whiter than before and he shuts his eyes tightly from the pain, but he still manages to talk, however hard it may be. “Not like I’ve just had Inferi mistaking my leg for their lunch.”

“No talking and no moving,” Madam Pomfrey instructs Theo, sending him a stern glare.

“Sorry-”

“Shhh!” you hiss, giving him a glare of your own. Theo’s eyes flutter open slightly and his lips quirk up when he sees you leaning over him as close as you can get without Madam Pomfrey shooing you away.

His smile quickly drops when Madam Pomfrey pours some purple liquid into the open wound, causing it to hiss and smoke. The groan that leaves Theo has you holding your breath and you fight the urge to shut your eyes and turn away.

“Merlin, I can’t watch,” Lorenzo gags, his skin turning even sicklier than before. Turning away, he holds onto Mattheo’s shoulder to steady himself, the latter looking more interested than anything as he peers at Theo’s sizzling cut. Lorenzo shakes his head and holds a hand over his mouth every time he can hear Madam Pomfrey pouring more of the potion. “Oh, God, that’s disgusting.”

“Mr Berkshire, if you are unable to watch, then don’t,” Madam Pomfrey snaps, screwing the bottle shut and grabbing another one. She waves her hand in an impatient shooing motion. “In fact, everyone out. Now! This isn’t a Quidditch match, for heaven’s sake!”

Dumbledore starts filing everyone out and you consider staying for a minute but Madam Pomfrey’s raised eyebrows have you hurtling out of the room with everyone else. Theo starts to say something, but a drop of something else makes him grit his teeth and the green smoke produced by the potion follows you out the door.

The next hour or so is filled with Harry, Mattheo and Lorenzo being fussed over by Mrs Weasley, who insists on them going up to bed once they’ve cleaned up and changed into dry clothing. Unfortunately for the rest of you, this means you won’t be getting an update any time soon. Dumbledore is, as always these days, nowhere to be seen.

“I wonder if they found the Horcrux,” you say under your breath to Hermione as she anxiously taps her foot against the kitchen floor.

“They did,” she says grimly, glancing impatiently at the clock. She has her thinking face on, brows furrowed and gaze distant. “It was in a cave in the middle of nowhere. Harry quickly told me before Mrs Weasley sent them off. I wonder when they’ll wake up though… They didn’t look too happy, and I have a feeling it wasn’t all to do with Nott.”

You nod slowly, a weight lifting off your chest despite the last part. If, after all this, they hadn’t retrieved the Horcrux, you think you’d probably have gone to the bloody cave yourself.

“Theodore’s resting now, anyway,” Hermione adds, giving you a quick glance as though she’s waiting for a reaction. You keep your face as impassive as you can, attempting a casual nod. “Madam Pomfrey says he’s healing nicely and his leg will be fine. It’ll just be a bit sore for a few days. I’m sure he’s awake if you want to go see him.”

“I might,” you mumble, shrugging. You try to sound flippant, but the urge to clamber out of your seat probably shows because Hermione rolls her eyes at you.

“Oh, why don’t you just put him out of his misery?” she asks, her words coming out at the speed of light, like she’s been wanting to say it for a while. You blink at her in shock. Sighing, she leans over the table and her tone becomes gentle. “I know he lied to you, and you should be angry with him for that! But… well, it’s been a really awkward few days with him asking us where you are every second of the day. And, technically, he was never really a Death Eater, he was helping our side!”

Hermione takes a deep breath and exhales, slumping back in her seat as she waits for your reaction. You try not to laugh. “How long have you been holding that one in?”

“Since the second he turned up here,” she says, sagely. “Now, don’t change the subject! Go and see him. Go on, off you go!”

You stand up, swiftly dodging Hermione’s flapping hands to try and rush you out the door. “Okay, I’m going. It’s probably about time anyway,” you grumble, a fond smile creeping up on you nonetheless.

Looking satisfied, Hermione stops trying to usher you out and you make your way over to the living room again. The door is open and you sigh with relief when you notice the room is empty, bar Theo who’s in the same position as he was the last time you saw him. His eyes are shut and you wonder if he’s sleeping until you step on a creaky floorboard and he cracks one eye open.

“Hey,” you say quietly, tip-toeing into the room to perch on the coffee table adjacent to the sofa. “Did I wake you?”

“Nah,” Theo replies, moving to sit up as much as he can. You suspect he’d have the same answer even if he was asleep. He looks a lot more awake than he did before and you feel your chest squeeze tightly when you realise how glad you are. Theo seems to notice this and he reaches over to hold one of your hands, detaching it from the way you grasp them both together. “I promised you I’d come back alive, didn’t I?”

You snort, shaking your head at his ability to be so chipper. “Alive and dripping blood all over the carpet. You know if Kreacher finds out it was you, he’ll murder you in your sleep, right?”

“It doesn’t count if I die now,” Theo protests, frowning as if you’re talking about a serious possibility and not joking. “Deal was you’d forgive me if I came back alive after finding the Horcrux, remember?”

“Hm,” you hum, pretending to think deeply about it as he rubs circles on the back of your hand with his thumb. It causes you to momentarily lose your focus. “What I remember saying is that I would think about it.”

Theo shakes his head, a look of mock concern overtaking his features. “I think the stress of my injury has gotten to your memory… What I remember is you vowing to forgive me the moment I stepped foot in this place.”

“I think Madam Pomfrey’s painkillers are getting to you,” you say drily, moving to kneel on the floor next to him.

“She didn’t use any,” Theo grumbles, looking mournfully at the bandages on his leg. “She’s really sadistic, I’m telling you.”

You laugh, ducking your head so you aren’t flustered by the way Theo’s eyes focus on your smile with a grin of his own.

“You know what she told me would help with the pain?” Theo asks quietly, his enviously long eyelashes fanning over his cheekbones as he looks down at you, almost nervously.

“Let me guess,” you say, sitting up so the distance between your faces is much shorter now. “A kiss to make it all better?”

“Healer’s orders,” he says, shrugging. His breathing quickens when you don’t move away and he swallows hard, eyes dropping lower to your mouth when you bite your lip to stop from cracking a smile. “I’m not saying you have to, but if you’re okay with going directly against her orders, then-”

You cut him off by pressing a lingering kiss to his lips and he inhales sharply, unmoving for a split second before parting his lips and deepening the kiss. Theo’s hands move to your waist where he uses his remaining strength to hoist you up onto the sofa next him, one of your legs thrown over his waist as you half-straddle him.

You gasp into his mouth when he nips at your bottom lip and the sound he makes in the back of his throat has your cheeks warming up and you kiss him harder. The fact it’s been so long since you’ve even been near him has you both kissing for what feels like hours and you only pull away when you need to breathe and you’re worried you’re leaning on Theo’s leg.

Pulling away, you scan Theo’s face and pause for a second to take in his beautiful features. His eyes are blown wide like he can’t believe he’s here with you, kissing you. A warm feeling starting in your stomach spreads all the way down to the tips of your fingers as he looks at you.

“Any other very important requests from the Healer?” you ask breathlessly, feeling a shiver run down your spine where Theo lightly skims his fingers. A dangerous smile overtakes his face and his lips, pink and swollen from kissing you, curve up, causing you to narrow your eyes at him.

“I think she mentioned something about a sponge bath?”

You whack his arm and he yelps, grabbing your wrist to stop you assaulting him further. “Hey, I’m an injured patient!”

“Your leg is injured, not your arm.”

“It is now,” he says, pouting as he rubs dramatically at his bicep where you lightly thumped him. He grumbles when you roll your eyes and press another kiss to his lips to get him to stop pouting. “You’re lucky I love you.”

“Hm,” you hum, settling your face in his chest and sighing at the warmth of his arms, feeling him smile against your forehead where he kisses you.

#theodore nott x reader #theodore nott x y/n #theodore nott x you #theodore nott fluff #theodore nott scenarios #theodore nott imagines #theodore nott fanfiction #theodore nott smut #theodore nott

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linkspooky · 6 months ago

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JASON TODD VS. DABI: WHY NOT ME?

"You haven't been here long but you've seen him, right? The batman. The batman. He lives in darkness, to find the helpless and bring them into the light. So I have to wonder...why couldn't he do it for me?" The Boy Wonder: Issue #2

This is the story of the boy who didn't get saved. The story of a boy who really ought to have been saved. Of course, every victim deserves to be saved, but this boy was the son of a superhero. Can a hero who saves everyone, but fails to save his own son really be called a hero? As for the son, how does it feel to watch his father save complete strangers but let him fall to the wayside?

Jason Todd and Dabi are two characters with similar backstories and motives (so similar it's possible Dabi is outright based on Jason Todd) which are worthy of comparison. These are two tragic arcs which explore the conflict between a hero's responsibility to act as a father, and their responsibility to save people. As I said they are tragic because in both cases the hero fails, as a father, and a hero. However, I'm comparing the two because Jason Todd's story is a well written tragedy, and Toya's story is not.

If you were to write a story of my life, it would surely be a tragedy.

Aristotle's Poetics is the first attempt to define what Tragedy is, not as a story where sad things happen but a specific story structure. He outlines not only what makes tragedy, tragedy, but also what makes a good tragedy.

The Plot, then, is the first principle, and, as it were, the soul of a tragedy: Character holds the second place. A similar fact is seen in painting. The most beautiful colours, laid on confusedly, will not give as much pleasure as the chalk outline of a portrait. Thus Tragedy is the imitation of an action, and of the agents mainly with a view to the action.

I use this quote because the painting metaphor is a great way of explaining what I'm getting at, you can have a painting with the most wonderful colors, you can have a story with really good ideas like the Todoroki family plotline but if you don't use those colors correctly all you're going to end up with is a bad painting.

In poetics Aristotle clearly defines a tight well-structured plot as the first priority for effective tragedy, character as second.

Again, a beautiful object, whether it be a living organism or any whole composed of parts, must not only have an orderly arrangement of parts, but must also be of a certain magnitude; for beauty depends on magnitude and order. Hence a very small animal organism cannot be beautiful; for the view of it is confused, the object being seen in an almost imperceptible moment of time. Nor, again, can one of vast size be beautiful; for as the eye cannot take it all in at once, the unity and sense of the whole is lost for the spectator; as for instance if there were one a thousand miles long

To make sure you understand, it's vital in tragedy for all the pieces to fit together. Tragedy is a specific story format. Good tragedy uses the parts of a story well, but bad tragedy is sloppy and poorly put together. In tragedy, the whole has to be greater than the sum of its parts. The Todoroki Family are all good characters out of context, but the story could have enhanced their characters but detracted from them due to how poorly it is told. The fact that a lot of MHA fans are in love with the Todoroki family out of the context of the story, but also have constant complaints for how Horikoshi handles their plotlines is, in my opinion, very telling.

What Aristotle goes on to posit is the best tragedies do not come about by accident, but rather by the direct actions of the characters.

But again, Tragedy is an imitation not only of a complete action, but of events inspiring fear or pity. Such an effect is best produced when the events come on us by surprise; and the effect is heightened when, at the same time, they follow as cause and effect. The tragic wonder will thee be greater than if they happened of themselves or by accident; for even coincidences are most striking when they have an air of design.

Therefore Tragedies require consequentialism, like Newton's Third Law, every action will have an equal and opposite reaction. To simplify a good tragedy arises from the consequences of the character's actions (or inaction). The most basic form is that the hero of the story will have a tragic flaw that they fail to improve upon in time and then leads to their destruction. In essence, tragedy is where the hero fails. Not only does the hero fail, but the hero loses, and that irreversible loss is what defines tragedy. Medea slays her own children, Oedipus rips his own eyes off and deserts his kingdom, Creon Antigone is buried alive and Creon's son, her fiancee, commits suicide.

These events share two things in common, they are irreversible (hence why they feel like good endings), and two they evoke catharsis. Aristotle defines the goal of tragedy to evoke terror and pity. We feel alongside these heroes, Medea was abandoned by the husband Jason who she left her home and slaughtered her own brother for, Oedipus did all of his crimes unwittingly and is a victim of fate, Antigone was doing the right thing by burying her brother so his soul could pass on to the afterlife.

There's all different sorts of tragedies, Hamliet explores more here. I'd say UTRH and Hellish Todoroki Family are tragedies centered around grief.

Tragedy works on extreme emotions, and extreme hard-hitting consequences to the hero's failures. The worst thing a tragedy can be is boring.

The Tragic Hero

Now that I'm done lecturing you let's actually talk about both My Hero Academia and Batman like I promised. Both of these stories don't actually feature the central victim as their protagonist, and that is a feature not a flaw.

Rather, the story we are being told is that of a tragic hero, failing to save a tragic victim because of their own personal flaws.

These flaws are called (hamartia) or "error in judgement". A hero, being called a hero of a story is often unaware of his flaws which is central to what makes them unable to fix those flaws in time. That flaw can later lead to a moral failing, such as Othello's jealousy, initially jealousy is an understandable emotion, but then it leads to him trusting Iago over his own wife and killing his wife in a rage.

Most importantly, the hero’s suffering and its far-reaching reverberations are far out of proportion to his flaw.

Let's begin with talking of the heroes and their flaws, Batman and Endeavor. My main reason for comparing these two is in these specific stories they have the same flaw, inability to move past their personal guilt towards their son, and the same conflict the duty of a father versus the duty of a hero.

However, Batman functions as a tragic hero, and Enji does not. The summary of their conflict is right here in these two panels.

A parent is required to place their children above everything else, because they are the ones responsible for bringing that child into the world. Bruce Wayne made the decision to adopt Jason. Enji made the decision to have children, however with Enji you have the added insidious motivation of he only wanted to make designer babies and just didn't care for the ones who didn't turn out right.

Bruce attempts to do both, to act as a father for Jason and also a crime fighter as batman but he can't do both. This comes to a head in Death of the Family when Jason is having serious trouble because of his lack of a strong parental figure, and Bruce knowing that Jason is in trouble chooses still to go off and fight crime instead of staying with him. The choice to place crimefighting over the child they chose to take responsibility for has the unintended consequence of getting that child killed.

Whereas Enji makes the same choice over and over again, ignoring Toya's clear troubles at the fact his father no longer spends time with him and choosing to run away to the world of heroes because he doesn't want to face the fact that his actions are severely hurting his son. Bruce's motivations are more sympathetic admittedly he wasn't actively practicing eugenics, but the choice is the same and the consequences are the same.

Both Bruce and Enji are forced to bear witness to the deaths of their children when they are not there, specifically because they made a choice to be a hero instead of staying by their child's side. A situation directly caused by their choice to be a hero over a father, and a situation that would have been avoided if they had stayed with their child in their time of need. Jason runs off when Batman tells him to stay and gets kidnapped by the Joker, if Enji had been on Sekoto peak that day Toya would never have accidentally lost control of his fire.

This is just the backstory however, the main event that kickstart this plot is the unexpected return from the dead of both Jason and Dabi. Each story follows the same plot beats. A new villain appears to challenge Endeavor / Batman. The villain reveals themselves as their dead son. Both Endeavor / Batman are given a chance to try reaching out to their sons, but they choose not to.

Then even though they are given a second chance with a miracle of a dead son coming back to them, they choose the exact same thing they chose before, being a hero and because of that the tragedy repeats itself. For both of them they are unable to save their son again, and the son goes through a second death. History repeats itself, the lesson isn't learned.

Their fatal flaw is their guilt. This is a story about grief and mourning after all, a son who is died, buried, but never grieved properly, never mourned, an open wound on the father suddenly coming back. The inability of each to process their grief blinds them from seeing the fact the son has come back, and they have a second chance.

Toya has internalized he is a failure, because Enji literally called him that. Jason believes that Batman thinks he is a failure. In both cases the father is the one who failed, Bruce at least acknowledges this but cannot communicate it in any way shape or form.

This guilt and responsibility both Enji and Bruce feel causes them to self-sabotage. They no longer have the confidence they are in the right (they no longer feel like heroes because they have failed to be heroes to their own son).

You can also add the layer of complication that since both men chose to be heroes in the past, they do not know how to handle the situation as a father now that they're being challenged to step up as one. Unfortunately, they are not the fathers that stepped up.

The reason their grief becomes a flaw is because they put their grief over their victims. . Each man is aware too much of their own failure, and while they should feel guilty they make the classic mistake of placing their own guilt over the feelings of the victim. The guilt they feel for causing the death and the genuine grief of losing a son is given priority over Jason and Dabi who you know... actually died.

An overwhelming grief and guilt is understandable because grief is a messy and human emotion, losing a child is an unimaginable tragedy that should never be inflicted on anyone.

Yet at the same time both Dabi and Jason are grieving to. This paradox that Batman only thinks of his own grief at losing a son and never stops to think about how Jason must feel leads to one of the best lines in Under the Red Hood.

"The father had lost a son, and now the son had lost a father."

Batman's guilt is so strong over being the cause of Jason's suffering, that the suffering of the victim himself is ignored. To be fair to My Hero Academia, the Todorokis say a similar line to Enji.

However, this is where I begin to get into the difference between ideas and execution. Tragedies are stories of actions and logical consequences, every action has an equal and opposite reaction in Under the Red Hood. Batman is punished for the choices he makes, the choices he doesn't make, and the choices he fails to make in time.

The Todoroki plotline features almost none of its character making any choices of substance, and because of that the plotline says the right things over and over again, but it all comes off as tell don't show.

I'm going to quote @codenamesazanka's post right here a couple of times because they describe the complete failure of the Todoroki plotline to show us a reason why we should be feeling things for the characters artfully.

We've heard Enji say this before - I'm sorry, I intend to atone. It's indeed the right thing to say, it's exactly what he should be saying and acting. Natsuo is declaring no contact - That's fine, I'm sorry, I accept this as part of my atonement and will continue. Touya calls him a coward - That's fine, I'm sorry, I accept this as part of my atonement and will continue. The public hates him - That's fine, I'm sorry, I accept this as part of my atonement and will continue. But you can only hear this so many times before you want to snap and beat the character, the story, the writing over the head with Enji's wheelchair. Why is that? He's behaving exactly as he should, and yet...

The reason why it fails to evoke strong feelings is because of what we'd called "narrative dissonance." The actions of Bruce and Enji are the same, they both neglect to do anything, make any real attempts to reach out to their victims because they're paralyzed by guilt.

However, we are told that they have entirely different arcs. Bruce's arc is a tragic fall. He's failing as a hero. While we are being told that Enji is experiencing an arc of atonement. Enji is supposed to be improving himself, and Bruce is supposed to be experiencing negative character development but they both do the exact same thing in story. Bruce neglects Jason, we are told by the story, by the characters in the story that Bruce is failing Jason. Enji does nothing in time to actually atone for Toya or try to help him, yet, we are told again, and again, and again, and again, and again, and again that Enji is atoning with nothing substantive to show us this is the case.

To show what I meant instead of telling this scene is in chapter 252.

This scene is the ending point in chapter in chapter #426.

It's just him repeating the exact same sentiment and yet in a more than 150+ chapter gap, Enji never made any action to show he was now placing his family first. Enji didn't say anything to Dabi when he revealed himself as Toya. Enji didn't look for Toya in the months before the final war arc. Enji literally appeared on live TV in a broadcast that Toya was watching and said the very selfish "Watch Me" atone for the crime of creating Toya instead of literally talking about Toya or too Toya. Well, that would have rocked the boat too much... THAT IS LITERALLY THE POINT. Enji had to somehow break from tradition or make some significant sacrifice onscreen to his social standing to show that he's willing to put his family first. Enji decides to go along with Hawks decision to not face Toya head on, making the decision to be the hero for the final time which directly causes Toya to get up after Shoto brings him down non-lethally and make one last attempt to suicide bomb for his father's inaction.

Bruce does nothing for a long time in Under the Red Hood. He ignores his initial instinct that Jason came back and instead makes a long investigation on whether or not someone can come back from the dead in order to distract himself. When Jason takes the mask off, Batman already knew but was pretending otherwise because he didn't want to face the reality.

Even when Jason takes his mask off, Bruce still takes on the "I need to investigate this" angle even though Jason calls him out that deep down he already knows it's the truth. This of course foreshadows Bruce's underlying flaw, he doesn't want to face Jason head on because he feels too much grief about what happened to Jason and his guilt is more important than Jason's own grief. Just as the father has lost the son, the son has lost the father.

What follows is several chapters of Batman fighting crime as usual and making no attempts to directly search for Jason. They cross paths a few times but when they do Bruce doesn't follow. In fact, Bruce only shows up when Jason sends Bruce a sample of the joker's hair and Bruce knows that the Joker has kidnapped him out of Arkham. Bruce almost lets Jason get killed by Black Mask because he doesn't know whether to stop Jason or save him yet again, and then they have their final showdown where Jason has kidnapped the joker to demand Bruce kill him, and Bruce finally attempts to talk him down.

Out of context it sounds like I'm describing the same plotline, to the point where if you haven't read either, it looks like I'm complaining baselessly. Why is one hero doing nothing until it's too late good, and the other bad? The difference is of course context, or rather framing. Bruce's actions are called out by the people around him (Dick, Jason, Alfred) as him handling the situation wrong. Whereas both Enji's internal monologue and other characters say that he is doing his best to atone for his actions and deserves a chance, but the events we are shown in story are the exact opposite.

Here's another example to SHOW my point. Here's Dabi with my special, hardcover edition of under the Red Hood.

I reread the entirety of the fourteen chapter plotline and the majority of internal narrations come from characters outside of Bruce observing his behavior and commenting on how differently he's acting. Jason's backstory for instance is told by Alfred, not Bruce. Dick Grayson the first Robin comments on Batman's odd behavior. The rest are the third person narrator. Bruce has four instances of internal monologues spanning a few pages each in a 378 page story. (Alfred has the most internal monologues and he's presented as a more trustworthy unbiased narrator than Bruce, to get us to question Bruce's actions).

"Information travels on many routes, sometimes it comes predictably like the tides. You just need to know where to stand and meet it. Other times it's elusive and you have to root through the garbage to find it. In the last few years I've come to rely on Barbara Gordon, Oracle, we all did. Utilizing every form of surveillance equipment she has been the eyes and ear [...] but those days are over. I can't rely on anyone anymore. [...] and tonight it's also about the company I keep. It's different with him [night wing] out here. I think about when he was younger, when I was younger, it was different, simpler and I miss it. I miss those days, for that it's hard to be around him.

This first internal monologue is a case of unreliable narrator, because as soon as finishing it Dick Grayson / Nightwing shows up, offers Batman his help and while Bruce at first refuses it the two of them are forced to work together to fight Amazo. What does this show us? Bruce is not alone, but Bruce actively acts like he's alone ignoring the feelings of the other people around him. It exhibits a flaw of Bruce and the bad headspace he is in mentally (if I remember correctly Stephanie Brown recently died in the comics while this storyline was being published. It establishes Bruce's improper coping mechanism with grief, and how he is going about it the incorrect way.

Bruce says I work alone, and then Bruce says it's easier working with Dick, I miss it, but I can't go back to those days. It's bruce's contradictory thinking patterns in the same chapter that stop him. it's bruce's fault he cannot connect to Dick, and he is actively mourning the past because his relationship with Dick has changed.

Now the final part of the monologue in that chapter.

He's quick. Not just fast, agile. He's not thinking about his next move, he's just making it. He's been trained well. And there's something about him. Something familiar. There was something interesting about before he cut the line, before it had been taught. That had to have been practiced. Either that or just plain dumb luck. No it's not luck.

This is the first hint that Bruce already suspects it's Jason from early on but is in denial about it. This unreliable narrator trope also gives an agency to Bruce's decision, he is actively choosing to ignore the possibility that it's Jason because it doesn't want it to be.

Whereas, a lot of Endeavor's plot takes away any agency from him. For example, he doesn't even know that Dabi is Toya, because if he had the sneaking suspicion and ignored it like Batman did that might have made him look bad. We can't have the main character in a tragedy looking bad now can we?

The second monologue is more denial.

That device is from Kord industries. I should know. Ordered it special from them. How can he have it? No more dead ends. No more questions. No more guessing. Tonight I find out what is passing for the truth.

Reading between the lines this is outright confirmation Batman already knows.

The third is a brief reflection in his feelings for Jason.

The armor has to be light enough to fit but strong enough to protect. But sometimes a great many times, it's not strong enough. It wans't strong enough for Barbara who has to fight from her chair. It wasn't strong enough for Stephanie, other dear soldier enough dear grave. And it wasn't enough for Jason. Willful Jason. Who ignored the danger. Who spat at risk. Who was never frightened enough. I've always wondered... always... was he scared at the end? Was he praying I'd come save him? And in those last moments when he knew that I wouldn't. Did he hate me for it?

This monologue directly shows without stating it outright, Bruce is prioritizing his feelings of grief and failure mixing them in with his genuine grief over the loss of a son. it's selfish of him, but grief is a selfish emotion.

Here's the thing Bruce is allowed to be selfish and to not have the correct reaction to his grief, because the whole story is centered on Bruce being unable to get his shit together in time, and this picture into his emotions is an explanation as to why. Bruce is afraid of being hated by Jason. Jason of course has every right to hate him for failing as a father, but still I think not wanting to be hated to a person you loved so much and feel genuinely sorry over what you let happen to them is an understandable reaction.

Meanwhile we have Enji saying repeatedly all the right things in his monologue, the selfless, I don't need to be forgiven, it's okay if they hate me, I just need to atone but he never actually does anything. There's no explanation for why he isn't doing anything either, so that narrative dissonance. We're shown why Bruce doesn't act in time, he's internally a mess to be frank. We are not shown why Enji doesn't act in time because his internal monologue tells us again and again he's committed to atoning and he understands what the right thing to do is.

As Codenamesanzanka says:

Enji is still saying all the right things, but the story isn't giving him the opportunity to actually do the right things. To have his new actions matter. I have no doubt about his sincerity in his mantra, but without the 'show', it's hollow. Similarly, "Let's talk" is actually kinda bullshit too, because it's so vague. This is less about Enji, and more about the writing, how it set up this scene. "Let's talk" or "I want to talk" or any of that variation is repeated 6 times, without anything more or specific added.

There's an excess of repetition of Enji saying he wants to atone, he's ready to atone, without any of that materializing in the story.

As @class1akids says in this reaction post:

It also feels also super-hollow to say he's sheltering the family from the fallout, after they've just talked about how Fuyumi lost her job (and got a new one through the connections she herself built). How is he going to do that?

The fourth because I don't want to write it down, it's just Batman monologueing on how his partnership with Jason is still good and explaining the technical details of his fight with count Vertigo. It's in chapter 10 if you must look it up.

So four monologues total. Two monologues establish indirectly that Batman knows that Red Hood is Jason and doesn't want to face him. The third monologue establishes why he doesn't want to face him, he's afraid of being hated. The monologue is in line with Bruce's actions in the story, Bruce investigates several ways of reviving from the dead instead of looking for Jason.

The character's reactions around Bruce are also talking about how he's not acting like himself. Especially Alfred's who speaks of Bruce's indecision, on whether to put a stop to or save Jason.

"It is curious. He is lost in thought. It is not like him to spend vast stretches of time immobile, where his mind is gripped in the solitary process of deduction. This is quite different. He is hesitating. At a loss for what to do. I believe it is about Jason. And whether or not to stop him or save him."

This is illustrated in two scenes later where Jason spends a long time simply watching when Jason is fighting enemies, first in a fight against Captain Nazi, and second Black Mask. Jason even gives a direct callout of that behavior.

Jason: What the hell took you so long? Couldn't decide if you wanted to let me live. Batman: Shut up and fight.

Observed by Alfred Bruce is completely stalling and can't choose, observed by Jason Bruce can't decide whether to let Jason live or not. Bruce hesitates twice. We know why. We see it in action. It's called out as flawed behavior.

Now let's cover all the tell that don't show that is Endeavor's many monologues.

Pro Hero Arc:

I have to safeguard the future for them. That's the job for whoever's on top. What about the lives I cut short? Just demanding forgiveness isn't enough, it's too late for that. At this point I need to atone there's no other route.

Hellish Todoroki Family 1:

I'm trying to make ammends going forward. It might be too late. but I fall asleep every night thinking about it. Lately it's been the same dream. The wife and the kids looking happy at the dinner table. But I'm never there with them. It might be too late but I fall asleep every night thinking about what I can do for my family. I wish you could be here too, Toya. It's always the same dream. My whole family's there but not me. If I really care how they feel [I'll remain here].

I'm not going to read 200 chapters so I'm just going to ballpark it based on memory. Here we go.

Dabi's Dance:

My eldest, Toya didn't harbor frost within him. He didn't have a way to overcome the inescapable downside of overheating but I nevertheless sought to raise the boy as a hero. [...] Because Toya had more potential than me I placed my ambitions on his shoulders. I thought it could be you. You could have been the one to reach my eternal goal. My frustration... My envy... The ugliness in my heart... you could have been the one to smash it all to dust.

Plot twist this is the only monologue I like. It's different from all the others, and it's the only one where Enji is being emotionally honest. He put the emotional burden of his own emotional insecurities on an eight year old child, and expected to live vicariously through him and when Toya failed to live up to those expectations he just abandoned him. It alligns what we have been shown so far, Enji is not acting like a reptentant man here who realizes the harm he's done to Toya and only thinks of Toya as an extension of himself and his own regrets.

The Fight Against AFO:

My mistakes took the form as Toya leading to many stolen futures. The past never dies. Rage, resentment and even penace wound together toward the future. And the future is a path for the young. A path with so many branching choices. That's why I must win this. [I'll keep paying my penance. I'll win today and keep my eyes on Toya.]

When Enji decides to double Suicide with Toya:

I take full responsibility. I swore to bear the burden and live my life atoning for it all. However, you've been watching me all this time. While I couldn't be there to watch you. You were someone I especially needed to do right by. No I can't let you meet your end alone, but I won't let anyone else get caught up in our tragedy.

Hellish Todoroki Family Final:

I came to talk about what's to come. I'm retiring as a hero. That was my initial plan even before the war started, but now I can't even walk on my own. The hero endeavor burned to death. Your flames were really stronger than mine. [...] You're right. You know everything about me, Toya. After all you were always watching me. And you wanted me to do the same for you, but I didn't. Not matter what anyone says your heat does come from my hellflame. From now on I'll come everyday, so let's talk. It's too late now, so let's talk. [...] You're free to hate me. Anything is fine really, so throw it all at me.

This one is spoken dialogue but it's still a four-page long monologue. Every one of Enji's monologues with one exceptionsays the same thing: I'm sorry, I'll spend the rest of my life atoning for my actions.

We're repeatedly told Enji is atoning but he acts like Batman. Then, his actions should be framed as Batman, not atoning but avoiding any responsibility.

As observed by Class1akids when we were discussing the update:

Everyone else faces an uphill struggle with their lives, but we should all feel sorry for Enji atoning and being in hell. I hate Hori's compulsion to over-write his abusers and over-explain their atonement. He does this with Bakugou too but with Enji it's more irritating. It was so much more enjoyable when he just wrote the thing but didn't point at them and say -> look, they are atoning. Aren't they soooo cool??

Enji's internal monologues and the other characters frame him as some sort of martyr, while on the other hand it's clear by both Batman's actions and Alfred's observations he's not acting like his usual self. In fact, this is an interpretation of Under the Red Hood that I love from the writers of the video game Arkham Knight that does a less tragic retelling of Under the Red Hood:

Batman doesn't fight victims. He saves them.

Therefore if Batman is fighting Jason, a victim, he's not acting like Batman. I'm also fine with Arkham Knight being an Under the Red Hood retelling because it's a different story. Comics do this all the time, different universe versions, popular storylines adapted into different mediums. It also works as a commentary on the original story, by showing what Batman could have done to lead to a more positive outcome it makes Batman's choices in Under the Red Hood worse and more tragic because he could have saved Jason, there was still a chance.

So here we have two flawed tragic heroes who are meant to be both pitied and condemned for their actions. One of them is all pity with no condemnation. The other is both pity and condemnation, Batman is grieving, but also he's failing his responsibility towards Jason. Therefore one protagonist works, the other fails utterly.

I'm not saying abusers don't deserve redemption. I'm not saying Enji should have died in order to atone. I'm not saying that the underlying problem with the arc is that they decided to make Enji sympathetic and a focus of the arc. The most important problem is the breaking of one of the fundamental rules of storytelling: Show, Don't Tell.

The Tragic Villain

Not only does The Hellish Todoroki Family plotline fail to make Enji a compelling protagonist, it also fails it's biggest victim. Now, these are both stories that end with the hero failing to save their victim. So if both of these stories have the same ending, why am I saying it failed Dabi, but not Jason?

Well, let me explain.

Dabi and Jason are both villains turned victims. The stories themselves are about this ambiguity. How much should the be held responsible for their own choices? If they are actively harming innocent people, then shouldn't they be stopped? Should they be automatically be forgiven just because of the pain and grief they've suffered, even if they've been causing it to others?

Both characters are also reflective of their fathers because they are too being selfish in their grief, they want their grief acknowledged and so are violently lashing out.

Jason and Dabi both make plays at being vigilantes at first, Dabi wants to inherit Stains will, and Jason Todd wants to be a better bat-man by taking control of the drug trade in Gotham and cutting crime down by executing gang heads. However, neither of them are being honest with this and it's shown through their actions, both of them abandon their original plans.

In the final showdown all Toya cares about is facing Enji on the battlefield, and when he's on the brink of death his mind erodes to the point where all he can do is scream for Enji's attention while his flames get hotter and hotter.

Let's take about Jason first and how his narrative treats him a whole lot better and more sympathetically, with more humanity than Batman. Jason is still held responsible for his choices, he is criticized by Bruce for murdering gang leaders and passing it off as justice. He's also blatantly shown to be a hypocrite. My favorite scene from Red Hood: Lost Days, the official UTRH prequel.

"I want to kill the joker in a cool way. Just sniping the Joker from a rooftop isn't dramatic enough for me."

This scene, and the final scene of UTRH underlines Jason isn't executing criminals because he believes it's the right thing to do, or because of his stated motivation that killing the joker would prevent more future victims.

Instead his every action is to set up a scenario where he makes a selfish demand of Bruce. He wants Bruce to prove to him that he would choose him over being a hero, by setting up his final scenario. Him, the Joker, and Batman. Jason will shoot the Joker. Bruce has a gun. He can either choose to let Jason kill the Joker, or kill Jason to stop him, either way it makes it clear what Bruce's priorities are.

The underlying reason for this is similiar to Bruce. Just like Bruce, Jason is deeply afraid that Batman doesn't love him. That he thinks of him as a failure. (This is Toya's main reason too).

He also interprets Bruce's failure to avenge him to mean that Bruce didn't even care enough to mourn him. If Bruce loved him enough, he'd choose him over the joker, but he's so afraid that Bruce doesn't love him enough that he's going to force Bruce to choose.

Along the way he's also going to behead several crimelords in order to put an exclamation point on that point.

The way Jason completely unravels in the confrontation shows this insecurity, he begins with monologueing about how batman should totally kill people, until his fear that he wasn't important enough, and his grief at losing his father is revealed.

Batman: I know I failed you, but I tried to save you. I'm trying to save you now. Jason: Is that what what you think this is about? Your letting me die. I don't know what clouds your judgement worse, your guilt or your antiquated sense of morality. Bruce, I forgive you for not saving me. Jason: But why on god's green earth is he still alive? Ignoring what he's done in the past. Blindly, stupidly disregarding the whole graveyards he's filled with people. The friend's he's killed. I thought killing me - that I'd be the last person you ever let him hurt. Jason: If it had been you that he beat to a bloody mess. If it had been you he left in agony. If he had taken you from this world. I would have done nothing but search the planet for this pathetic pile of evil, this death worshipping garbage, and sent him off to hell.

Direct statement, it's irresponsible of Bruce to let Joker live after killing Jason and should have put him down to prevent future victims. Reading between the lines, Batman not taking revenge for Jason is a sign that he didn't love him enough, Jason loves Batman more because he would have taken revenge.

As the confrontation continues and Jason's mental spiral worsens, to the point where he can't keep up his pretense of self-righteousness.

Jason: I'm not talking about killing cobblepot, or scarecrow, or riddled, or dent. Jason: I'm talking about him. Just him. And doing it because...he took me away from you.

The father had lost the son, and now the son had lost the father.

Jason's revenge is just a cover, for his grief at losing Bruce. I think this also shows a really positive aspect of Jason's character to humanize him instead of condemning him for his actions to ignore or even justify the suffering he endured: Jason really loves Bruce.

I mean how meaningful is the statement: "Bruce, I forgive you for not saving me."

Bruce has been afraid to hear the whole time that Jason hates him, that he won't forgive him, but Jason loves him deeply. In fact his love is almost equal to his rage because Jason is a deeply emotional person, and these little details make him human and not just like a plot obstacle that Bruce has to face. A metaphor for his past failures.

Dabi is drawn as a crying boy who wants comfort, Jason is shown to be a crying boy who wants comfort through both dialogue and action without us directly needing to be told. It's a heartbreaking line and doing it because he took me away from you and it lands perfectly because the narrative wants us to just look at Jason's grief. It doesn't add an asterisk* even though he was in pain, he's done unforgivable things that can't be justified to undercut Jason's suffering.

In fact that might be another underlying problem with The Hellish Todoroki Family, the narrative tries too hard to make you feel a certain way instead of just presenting things as they are to make you come to your own conclusion. UTRH doesn't support Jason's revenge based serial killing of villains. It doesn't say he's justified to cut off the heads of mobsters. However, it doesn't excessively state "Well, I'm really sorry what happened to you but what you've done can't be forgiven" so we don't have to challenge ourselves to feel too much empathy for Jason's suffering.

Meanwhile even when Toya tries to express his rightful anger and grief, we're always met with someone shutting him down and saying well yeah, but you're wrong, involving innocent people is unforgivable.

As said by @stillness-in-green in the replies to this post:

I think so much harm (in-universe, but the state of the Twitter fandom makes me think the messages are pretty toxic irl, too) comes out of portraying the Heroes as needing to weigh in on the *morality* of the Villains' actions before they gauge "saving" them, when that is not a thing that glorified cops have any business thinking they have the right to do. Demanding repentance before the rehab is so bizarre.

You can say someone's actions are wrong without using it as a factor to consider whether or not their suffering as a human being should be acknowledged, and like I said there's multiple instances of people just yelling at Toya how immoral he is instead of addressing the elephant in the room.

You're wrong, you're wrong, you're wrong, you're wrong.

(Okay, I understand that some people have interpreted this as a show of Honnae and Tatamae, the Todoroki's who are a very repressed household are finally talking about their feelings even if those feelings are selfish and ugly).

(I'm not criticizing Shoto for saying that the people he killed were his own choice necessarily, Shoto is a character who's actions need to be read more deeply than his words he was dedicated to bringing Dabi down without him burning himself any further start to finished. My criticism lies in the fact that Hori uses Shoto as a mouth piece because he thinks we need to be reminded that murder is bad).

However, even acknowledging that time and place man, time and place. They couldn't have done that in the aftermath, when Toya isn't burning to death?

Hey buddy, you're being selfish.

Toya: AHHHHHHHHHHHHHHH I'M MELTING, I'M MELTING.

This is I feel the underlying problem with the way the arc is written, not because the Todorokis are a very traditional Japanese family and there are cultural reasons they express their emotions differently, I'll give a caveat to that it's a nuance I might not understand.

However, I am arguing the actual problem is tell don't show. Horikoshi thinks that we as an audience need to be told multiple times that murder is bad, and we cannot be trusted to interpret that on our own.

Under the Red Hood shows both sides of Batman and Jason's debate, and let's us just come to the conclusion that Jason is in the wrong because revenge isn't justice. Horikoshi reaches no shit sherlock levels of telling us that we're not supposed to approve of Dabi's murders.

it's also a matter of giving Dabi narrative space to express his feelings, like every time Dabi tries to talk he is continually shut down (Shoto does engage Dabi talk to him and listen to why he didn't come back though I'll give him that) and it seems to be to push forward this weird idea that you shouldn't sympathize with the pain Dabi has endured or the ways he's dehumanized unless he does something to prove he deserves to be treated like a human being first.

Jason gets to monologue and make an entire argument, and his argument also shows the depths of his love for Bruce and what a deeply feeling person he is, and how those feelings being hurt and twisted could logically lead to his lashing out.

Compare this to Dabi who doesn't get a final monologue, but is instead reduced to a completely mindless state where he just cries out for his dad's attention. He doesn't get to make his argument.

Jason and Dabi both choose to blow themselves up, but Jason gets enough character agency to show this is a deliberate choice he's making even if it's the wrong one. He retains his character agency and ability to make decisions until the end of the narrative.

Jason's also you know physically crying. The end result of the narrative is about wrong choices that both Bruce and Jason make together, and then suffer the consequences together. Bruce watches the same failure play out again and he isn't able to save Jason, Jason doesn't get what he wants, he doesn't get revenge and he doesn't get to reunite with his father. It's tragic for both of them, and brought about by decisions both of them made.

Whereas yes Dabi makes a lot of bad decisions leading up to the last war arc, but in the end his final fate is up to a choice Enji made to not face Toya in the final battle.

However, while the final consequence of the battle is brought about more by Enji's decisions than Toya's, it's Toya who endures all the suffering and punishment. It's Toya who is in an iron coffin, and doomed to slowly and agonizingly die with all of his skin burnt off unable to move. Toya doesn't even get agency after the arc is over. Enji still has a wheelchair, Enji can still move around, Enji's still fucking rich, he's not in prison for his actions, he as Rei wheeling him around.

Toya's agency and choices are all taken from him, presumably to serve the plot purpose of making Enji save him to finish off his arc, and then ENJI DOESN'T EVEN SAVE HIM.

Also I think it's important to mention, Bruce's tragic ending is brought about by him attempting to save both, trying to save the joker and Jason with the same action. Whereas Enji's tragic ending is brought about by Enji NOT LIFTING A FUCKING FINGER TO HELP. Yet, it's Dabi who has the lion's share of suffering, and is sentenced to this horrific state of being skinless in an iron coffin and only being able to be awake a few minutes a day with no choice but to waste away.

Bruce is also immediately called out for his actions, by the Joker of all people, you handled this all wrong, it's your fault. Bruce is right to not kill the joker, killing the Joker would not have solved any of Jason's problems, but the fact that he put off facing Jason for so long, and his inability to communicate that he loves Jason is what leads to Jason thinking that the only way to prove Bruce loves him is to force him to choose. It's because Bruce has utterly failed to show him in any other way that he is loved.

Joker: Oh my god, I love it! You manage to find a way to win, and everyone still loses. I'm going to be the one who gets what he wants tonight, badda bing, badda boom."

I'd also like to add that a lot of agency in Enji's actions are taken away too, to make him look more blameless. It's not Enji's fault that he didn't say anything to Dabi during Dabi's dance, he passed out because he had a punctured lung. It's not Enji's fault that he spent a month protecting Deku instead of searching for Toya, he had to protect innocent people. It's not Enji's fault that he didn't go immediately to face Toya in the final war arc Hawks told him not to.

It's not Enji's fault that he made Shoto and Toya fight like Pokemon instead of cleaning up his own mess, and also he feels really sorry for it and as soon as he's done punching the bad guy he'll look after Toya he promises.

Enji does get called out for this behavior but it falls flat because it only comes from the villain AFO, and Toya himself. As I stated above too, the ending is more influenced by Enji's actions not Toya's (because Toya's agency is stripped away until he's mindless) but Toya is the one who has to die while Enji gets to live and atone.

That is the real sticking point for The Hellish Todoroki Family, the way it ends.

Themes Are For Eight Graders

The underlying problem with the whole arc and why The Hellish Todoroki Family fails as a tragedy, is because it wasn't written to be a tragedy.

The above quote is from an interview with the writers of the widely hated Game of Thrones Season 8, which took a sudden tragic turn for Dany's character, gave her an incredibly dehumanizing ending of being put down like a rabid dog by her own lover, an ending that was neither foreshadowed nor did it match with anything written before.

In this meta here by @hamliet it goes far more into depth that Game of Thrones isn't a tragedy, but a piece of Romantic fiction (not a love story, Romanticism is a genre of big emotions, the beauty of life, larger than life ideas hence why it fits well with fantasy genre, it can be sad but it doesn't follow tragic structure).

Dany is a romantic heroine, a deconstruction of the idea of the classic warrior princess trope, and you know a colonizer, but she's not meant to be written as an inherently bad person. There are people who say that Dany was going to die in the original books. I'm one of those people. Me. However, context and framing matters, Dany for all her colonizing ways does genuinely want to do the right thing, so it's likely she'd die a heroic death as a reflection of her selfless intentions (and intentions do matter for fictional characters) whereas in the show she's put down as a villain.

Now watch me I'm going to coin a term for future literary critics to use: Narrative Gaslighting.

Narrative gaslighting is different then Show Don't Tell, where an author has just failed to properly show what they're trying to tell you in the story. Narrative Gaslighting is when a narrative deliberately tries to mislead you, straight up lies to you, or just insists things that did not happen totally happened guys. Much like real gaslighting, Narrative Gaslighting makes you feel stupid for interpreting things a certain way and insists you were wrong all along.

Narrative gaslighting is when Tyrian gives a speech that everyone should have suspected Dany when she burned slavers alive that she was secretly evil and would one day turn on them.

Like, no.

Dany is flawed because she is a foreigner, interfering with the politics of a different country that she does not understand in order to gain enough resources and men to return to her home country and invade that country to exercise her right as a Targeryn to uphold the divine right of kings.

Game of Thrones doesn't mention any of that shit that's in alignment with the previous actions in the story, it's just insisting the very ableist notion that Dany was insane all along and her violence towards other people is the result of her mental illness.

(Also before anyone says, so if she's a colonizer than how can she have good intentions, everyone is Bad in Game of Thrones, they're all waging war to vie for a throne, monarchy is bad guys. IDK how to tell you that Game of Thrones has gray on gray on gray on gray morality).

(Also this aside ties into the hangup of MHA and most popular fandom culture on Twitter, that Dany's moral failings somehow disqualify her from her humanity. In spite of the fact that on top of all of that she's a rape victim, and like, Dany's only on that continent in the first place because she was sold as a bride.)

But here's the same weird subtext that Horikoshi's writing of Dabi. The fact that Dabi was continually victimized and denied human dignity does not need to be addressed, because he did the bad things and didn't atone properly enough for it first.

In essence this random post on the gunnerkrigg court forums I found on the same day the chapter came out, displaying apollo's gift of prophecy.

"When someone is persecuted, it's important to inform everyone about their flaws. That way you don't have to feel anything about all the times that they were denied human dignity."

So, Dany is not written as a tragic hero but a romantic one, we as an audience are both meant to acknowledge her flaws and sympathize with her, not demonize her in an ableist way for being insane, and even if Dany is meant to die the tragic way she dies does not match up with all of the narrative foreshadowing that was built before that.

Like, for instance a lot of POC after the show ended kept telling everyone that Dany's actions in a foreign country were seriously problematic, and not only did the audience not listen but the showwiters didn't acknowledge it with the same subtlety as the books. So those people especially were able to pick up Dany's character flaws, and when the show finally acknowledged them it's not even in the way that critiques of the show were pointing out Dany's flaws it was just "she was insane all along." Not like taking time to go "no matter what the intention, interfering with the politics of a foreign country is wrong."

The problem with the Todoroki arc is essentially the same, down to the ableism (because outsiders continually call Dabi either a maniac or insane Demon without even giving credence to his grievances about hero society he's just reduced to an insane fringe element of society, and Dabi himself is reduced to a completely mindless, childish, insane screaming state where he can't make active decisions).

The Todoroki Arc is not set up to us as a tragic one. The ending is pretty clearly telegraphed to the whole audience. People are not wrong for thinking that Toya's ending would be either rehabilitation like Rei with the eventual hope of being welcomed home, or some kind of house arrest where he still gets to be with his family.

Everyone happy at the Dinner table and Enji not sitting with them.

"I wish you could be here, Toya."

"We all have to go stop, Toya."

"In that case, I'll make him sit down for a bowl with me."

Even Shoto's efforts to take down Toya non-lethally are rendered completely pointless, because Toya gets back up again and then burns himself alive (completely by his own choice so no one has to feel bad that they failed).

The story sets up the expectation that Toya is going to be brought home and sit down for a meal with his family. Then it makes you feel stupid for going in an entirely different direction. It was always going to end this way didn't you know The Todorokis are a tragedy?

Well, I just spent a very long section of this thesis statement illustrating that if it's supposed to be a tragedy, then it's still not written well.

It's a written as a romantic story of a family healing, and the villain getting saved, only for the villain not to be saved and the story to just keep on going like not getting saved isn't a huge failure. This is something that should permanently destroy the main characters, that they got the chance to repeat Sekoto peak and be there this time and they all utterly failed. I feel bad for Shoto most of all because he did everything right, and he still loses his brother, but does the story show that?

The problem is the story is blatantly lying to you about the fact that Toya was somehow saved, even though he LITERALLY LOOKS LIKE HELLRAISER. To quote Codenamesanzanka again:

But I feel the story couldn't give us that because it will remind the reader and everyone just how much Touya will be missing. In-story, talking any more will overburden Touya's heart - and how apt is that metaphor? So let's talk about how we'll talk, but that's all that's allowed here for this scene. Else we'll see how unfair it is that Touya has to be confined to this room, he isn't with his family and they have to come to this prison just to tell him about their day, and soon he will be gone. Details make it real, and it would've exposed the lie that Touya was saved in an actual way. The story knows it too - "this extra time Shouto gave us." This is all 'extra', and not the core. [...] If the story was sincere that this is a case of "it's simply too late" - as it should be!!! imo, to really drive in the clear point that they failed, they did not get the save they wanted, because that's the truth - the tone of the chapter isn't tragic enough for that. The tone is going for 'Making Peace With This'. We've skipped the stages of grief and all we have is acceptance. The characters have accepted this, and so must the readers as well.

Therefore it's narrative gaslighting, the story is making us doubt our perceptions and trying instead to manipulate us to feel a certain way. We don't have to question the unfairness of Toya's fate, because look at all the people he's hurt, and look how Enji is atoning and taking responsibility.

The story builds up the idea that Enji will choose Toya. That he will choose being a father over being a hero. Enji doesn't do that, and it's Toya who suffers the horrific, painful consequences while Enji gets off mostly scott free. Mind you it's also ableist to suggest that being in a wheelchair is some sort of life-ending consequence like he's fine. The story even goes out of its way to say how avoidable this ending could have been if Enji or Rei or someone lifted a single finger to give Toya the acknowledgement he wanted, and then gives it a "Too little, Too Late" conclusion but doesn't acknowledge that this is where it's ending and instead tells us that Enji has successfully atoned.

"Everyone's watching me. So this is what it's like. If it was such a simple thing, then why not sooner?"

If it was going to turn out this way Toya should have just died here, not because death would somehow be a mercy compared to life in prison, but because the Todoroki Family doesn't deserve to get to pat themselves on the back. If they let Sekoto Peak happen a second time, then they should have to deal with the consequences of that.

It would be consistent is my point. This is written as a "Too Little, Too Late" kind of ending, but we don't get the emotional response from the Todorokis that they've let Toya die a second time.

On the other hand, UTRH has the exact same tragic ending but it doesn't make me angry because it's honest about it. The Todorokis let Sekoto peak happen a second time. Batman let Death in the Family happen a second time, but look at how even the narration and comic panels of the story acknowledge it.

"Fate is a funny thing. It swells up like a raging current and we are forced to travel. It provides us no exit. No deviation. It drops us in a bottomless ocean and compels us. We either swim, or drown, and sometimes as we struggle against the tide, a great truth arises."

One ends with Enji meaninglessly stating that he'll spend the rest of his life atoning for Toya and watching over him (which I guess will be like two months tops) for the fifth time. The other ends with Batman being lectured by the Joker of all people of how he chose wrong and being forced to watch once again as a warehouse blows up, and he's completely helpless to save Jason.

UTRH ends with the message that Batman sucks, Enji's atonement arc ends with Natsuo calling him cool for atoning and UTRH makes me like Batman way more as a character. Whereas at this point I feel nothing from the Todoroki Family, except for a disgust for the way that Toya not only has to die, but has to die a slow, gruesome death while the rest of his family walks away with the small comfort of "oh at least we'll get to say what we need to say before Toya passes."

Especially with the fact that Toya's greatest fear was that when he died, he died meaninglessly because his family never grieved him and all moved on with their life. I guess we don't have to analyze how gross the underlying message that criminals don't deserve to be sympathized with because themes are for eighth graders.

EPILOGUE

The post is finished but apparently everyone expects me to cover every single possible angle even in posts this long.

You didn't address the cultural aspect. Under the Red Hood is a western story, and Todoroki Family is based on eastern concepts.

The post isn't about that. The post is long enough I can't cover every single topic. Here's someone who covered that topic thoroughly. This one discusses more about the nuances of collectivism.

Also, since the Todoroki Family obviously copied Under the Red Hood's homework, it warrants a comparison. Especially since it seems to critically misunderstand what made the original work.

Which is a valid form of Literary Criticism, as Ursula K Le Guinn once said:

It doesn’t occur to the novice that a genre is a genre because it has a field and focus of its own; its appropriate and particular tools, rules, and techniques for handling the material; its traditions; and its experienced, appreciative readers—that it is, in fact, a literature. Ignoring all this, our novice is just about to reinvent the wheel, the space ship, the space alien, and the mad scientist, with cries of innocent wonder. The cries will not be echoed by the readers. Readers familiar with that genre have met the space ship, the alien, and the mad scientist before. They know more about them than the writer does.

The Todorkis aren't all to blame for Toya. Natsu, Fuyumi and Shoto are innocent:

You're right. It's just easier to refer them as the Todorokis then specifying "Enji and Rei" each time.

You didn't mention Shoto once in this post:

I have no cricism for Shoto's role in all this. In fact I think he's the best written part. I praise it here.

Shoto is a good boy, and he deserved to spend more time with his brother. The fact he won't be able to sit down and have dinner of him, is the greatest tragedy of them all.

#mha meta #mha spoilers #mha 426 #mha 426 spoilers #shoto todoroki #dabi #toya todoroki #enji todoroki #under the red hood #jason todd #bruce wayne #batman #mha critical #todoroki family

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