#superstar theatre

[imstillhere-butallislostart]

Who up missing superstar theatre rn

[trashpidgeon48]

Leitmotifs drive me insane, like I hear *repeated melody that has an association with a person, idea, or situation* and I go *tears up the fucking rug like a dog*

[just-wanna-be-a-ghost]

i’m hilarious

[securityholograms]

Jesus Christ Superstar // DJKT Pilsen, CZE (2023-)

[veronicalodgefaghag]

Do you guys get it? Does this make sense or do you need to have listened to Ghost Quartet for years and be obsessed with the “was that us or was that a movie?” line from Riverdale and the “it is happening again” line from Twin Peaks and the part in Jesus Christ Superstar where Jesus calls Judas a Judas and then Judas says “Christ” as if he’s cursing and subsequently the similar part in Ghost Quartet where Scheherazade is called “a real Scheherazade” and the shot in The Jughead Paradox when Betty and Jughead go back downstairs and all their friends are standing around the table and it just feels so very fake happy ending—do you need all that to get this? Anyway;

It Is Happening Again: Twin Peaks, Riverdale, Ghost Quartet, Jesus Christ Superstar: Prophecy and Repetition

Twin Peaks 2.7/ Riverdale 3.1/ Jesus Christ Superstar “The Arrest”/ Ghost Quartet “Bad Men”/ Jesus Christ Superstar “The Last Supper”/ Twin Peaks 2.?/ Ghost Quartet “The Camera Shop”/ Twin Peaks 2.8, 1.1/ Twin Peaks: Fire Walk With Me/ Twin Peaks 2.7/ Ghost Quartet “Usher Part 3”/ Riverdale 3.4, 3.2, 1.6, 6.5/ Ghost Quartet “The Camera Shop”, “Midnight”/ Twin Peaks 2.7/ Twin Peaks: Fire Walk With Me/ Twin Peaks 2.?/ Ghost Quartet “Usher Part 3”/ Twin Peaks 2.7

[unhingedscreaming]

Today, I'm thinking about Jesus Christ Superstar again (specifically the 2012 live arena version). Im thinking about how raw and desperate and viceral all of it is. Thinking about the inherit guilt and shame and anger is jesus and judas. How they can rail against the narrative all they want, can drag their feet towards the end, can go kicking and screaming, and it will end up the same anyway. How hard they fight against their fate, desperate to be heard. Judas begging Jesus to trust him, to listen to his concerns. "Listen Jesus, I don't like what I see. All I ask is that you listen to me, " Jesus begging God to have mercy, to answer the cries of his knly son. "God, god, why have you forsaken me?". Anout how Jesus begged for him mother as he was dying, about how scared and alone he was. Thinking about how Judas was right the whole time, that they did turn against Jesus, that it was out of his control. Jesus did want him, need him, to betray him for the sake of gods plan. "You wanted me to do it,". Thinking about how Judas didn't go to the rally with Jesus in hosanna, isntead watching over him from afar. About how all of the zealots who only saw jesus as a savior, half god half sacrificial lamb, and how judas was the only one not there. Thinking about anachronisms and using each others name like a curse. "You liar, you Judas." "Christ you deserve it. " Thinking about the love that threads them together, even if its not enough to save either of the.

[leuchtstabrebell]

just saw the Jesus Christ Superstar production in Nuremberg with a friend and thought i'd share some of my observations because this was WILD

details under the cut because i have a lot to say but this might be one of the queerest and boldest productions of JSC i have ever seen. the pope is herodes, nuns are participating in orgies, Mary is a mother, the catholic church is critizised every step of the way, hirarchies and power structures are questioned, and Judas wears a skirt. There are neon crosses and halos and a lot of blood, and so much thought and love put into this. The production value is very good as well. The cast is very young, especially the apostels and Judas and Jesus who are all in their early to mid-twenties, and the vibes are simply amazing.

This production is set in modern day rome and the vatican. jesus and the apostels are queer leftists activists trying to reform/act against the catholic church. like, this is the central element of this production.

(text on these signs reads, from l. to r.: No mandatory celibacy, God is a woman, Maria 2.0, #outinchurch, renewal now, the head of the fish is rotten. The banner reads "God is the love")

Many of these signs are references to reform movements inside the church and discussions around abuse of all kind in the catholic church, as well as demands for a more inclusive christianity (and society).

Jesus officates a wedding between two women apostels and everything is very gay. there are several rainbow flags involved. jesus is draped in a giant version of the flag at one point.

that being said, it is made pretty explicit that mary and jesus have some kind of relationship thing goin on??? They also sometimes seem removed from the rest of the group who have major found family vibes. they go on picnis and protests together, they care for each other, they dance, they sing, they cuddle. there was so much going on, I probably missed a lot of interactions between the apostels. Judas was very involved in the group, more than mary or jesus even, and judas and simon had a very cute friendship (they even play-fought in the beginning). They all hugged and kissed each other a lot as well. (Fun fact: many of the apostels are still in actors school and they did a cooperation with the staatstheater nuremberg which offered them the chance to participate in such a big production)

Now my thoughts on the individual characters:

Mary: sadly, my least favourite character in this production. i didn't really vibe with the actress, although she was great vocally. She rarely interacted with the apostels and kept mostly to herself and the apartment she shared with jesus and her child (I don't like the decision to have them live together almost like a nuclear family). it also did not help that she was noticeable older than the rest of the group and her costume wasn't great either. i loved her kid though, she was really cute (apparently, the gender of the kid changes depending on the child actor that day, here it was a girl). The child also connects the group, there were some cute found family vibes (although they could have done so much more with this ahhh). there are also several moments where the child symbolizes a brighter future to come, and hope, and innocence. she was such a cutie!!!!

This Jesus is a weirdo. Just a weird guy. Kinda Enjolras vibes, kinda angelic, kinda high as a kite beliefs in magic, depressed queer vibes. He would sometimes do weird motions with his hands to summon his powers to heal people????? his outfit was a statement as well.

I liked the acting, although the interpretation is one i had not seen before. The singing was pretty good, although the actors voice was a bit weak sometimes and he often had difficulty with belting higher notes. the actor has a very very soft voice in general??? it kinda contributed to the vibes of this jesus though and worked fine

I didn't like that they actually showed him being able to heal people, I like it more when it stays ambigious if he can actually do wonders/if he is actually the son of god. Interestingly, at the same time this Jesus felt very deserted by God to me? Gethsemane was very intense but also so absolutely defeated. it did not feel like a conversation with god but more pure desperation screamed into a void... This Jesus was really broken :( Also, the torture and whipping (which happens in the vatican???? kinda illegally???) was absolutely brutal and very bloody and he was sobbing in fetal position at several points of this production. also shaking like a little deer. in the last scenes, they filmed close-ups of his tortured face with a camera live and projected it on the large background screen which was very horrifiying and genius, especially during superstar. poor guy. he seemed very sad and burdened a lot of the time

Judas: There he is!!! My boi!!!! He was my absolute fave. The acting and singing was amazing, one of my fav interpretations of this character. The costume choices for him were amazing ( I mean look at him in that skirt and these boots) and this production chose to portray him in a very sympathetic light. He is the soul of the group in this production, while Jesus is the brain and Simon is the heart. (Peter is the bedrock, and Mary and her kid are honey-grease holding them together)

I mean, look at him!!! This judas cares so much, he contains multitudes. He is clearly loved by the people around and loves them back fiercely. He hugged people a lot and was very physical in general and the actor had so much charisma!!! In this version, Jesus and Judas also kind of seemed like two sides of the same coin, which I really liked. While Jesus is kind of otherworldy, charismatic, calm, and enigmatic, Judas is much more hands-on, real, passionate and energetic.

This Judas (like the whole production really) was very angry but he had every right to. In this production it also seemed like his anger at Mary and Jesus being with her was less about Mary (taking out some of the misogyny, luckily) and more about jesus retreating to something that could be perceived as a bourgouise lifestyle (my interpretation, at least). This judas seemed very queer but then again, most apostels in this production seemed to be queer. (The betrayal kiss was very passionate, btw)

Oh, and the cardinals waterboarded Judas with holy water in a church on wooden benches they put together??? And they also threatened and hurt him several other times??? I'm not sure what to feel about this because this makes the betrayal very very cooerced and that might flatten the character but it adds so many new layers as well. They also just push suitcase full of money on his arms and leave him there clutching the thing and sobbing??

Judas death ripped my heart out, it was so raw and cruel and also put emphasis on the cruelty of the catholic church and an uncaring or even cruel god?

and then he absolutely slayed in superstar. all the background dancers were the apostels (which was a deliberate choice because they had a huge cast they could have used for this), including Mary and they all had neon halos?? Judas descended from the ceiling. the staging was kinda similar to the 2012 revival with Judas as a show-caster and entertainer. there was golden glitter falling from the ceiling.

the whole production seemed very angry at institutionalized christianity and God himself but also full of hope and love, and superstar really examplified that.

Herode is the pope. Just straight up the pope. At first I was a bit underwhelmed because the set was very minimal bit then they revealed the pope and started their amazing choreography and I really loved that! just a good solid portrayal, very sexual as well. (this production was very much about hypocricy and not about condemming lust, the opposite really. this production is pretty sex-positive) 8/10

Caiaphas and Annas were pretty solid, like all the other high priests they were cardinals. I thought the actors did a good job although would have liked a deeper base for Caiaphas and a higher tenor for Annas. I thought it was interesting how often the priests/cardinals crossed themselves and blessed people and did christian gestures, especially during "This Jesus must die". They were also pretty violent both towards the apostels and towards jesus and judas.

Peter was really giving dark academia vibes except a bit more boring. I thought it was pretty funny that it was easy to tell that he was Peter just from the costume alone. he had a nice, warm voice and I liked the acting choices - he was very soft and calm, except for when he went absolutely wild on the SWAT team coming to arrest Jesus and broke a bottle to use a shard to cut of the ear (i suppose) of one of them. iconic. 8/10

Simon: what an icon! at one point, he carries petrol and a lighter around to fucking burn the whole thing to the ground. he is passionate and kind and ready to punch someone at any time. his acting and singing were really really good. At the last supper, Simon sucker punches Judas in the face and calls him a "fucking traitor" before shakily ending the song on his guitar to try and comfort the other apostels because their whole world just fell apart. I really love this Simon

Pilate: He had such a great voice and presence, and carried himself with a lot of gravitas. Pilates dream was very stripped down but it worked because of the actor. He seemed really desillusioned and kind but ultimately deafeated, conforming to the will of people around him (lower clergy and devout catholics in this version) (That reminds me, the ouverture was accompanied by various clergy making out in the vatican with each other while headlines about scandals in the church were projected in the background.

There are probably a lot of things I forgot to mention, and there were also some things I did not like about this production but overall, I am really really impressed and just happy that I got to see it live.

You can still see the production too btw, at least if you can make it to Nuremberg :)

[cealaine]

[nevui-penim-miruvorrr]

My favs lgbtq+ characters from musicals

1.- Herbert from Tanz der Vampire

2.-Herodes from Jesuchrist Superstar

3.- Der Tod from Elisabeth Das Musical

COMISSIONS OPEN !

10$-ONE character CHEST UP with color( every fandom, oc’s, etc)

15$ ONE character WAIST UP with color

20$ TWO characters CHEST UP with color( every fandom, oc’s, etc)

30$ TWO characters WAIST UP with COLOR

35$-ONE character FULL BODY WITH COLOR

50$-TWO characters FULL BODY with COLOR

60$-i don’t want put the word with nsxx or i will be flagged lol + COLOR + FULL BODY

i don’t do, mechas,background or armors too complicated

*only paypal

I'tS HALLOWEEEEEEEEN !!!! AT LEAST .

ASK FOR YOU HALLOWEEN COMISSION FOR THIS SPOOOOPY SEASON !

[hobgoblinns]

JESUS CHRIST SUPERSTAR (sweden, 2014)

"'heaven is within us,' that is what you said!"

[f-yeahbendaniels]

My Top Five Favorite Ben Daniels Characters (Roles in His 50s) - Honorable Mentions: 5. Pontius Pilate - Jesus Christ Superstar: Live in Concert! (2018).

[kekeijo]

Jesus Christ Superstar UK Tour 2023: starring Ian McIntosh, Shem Omari James, & Hannah Richardson

Bonus:

[dikdikpronouncedxylophone]

[catannepicfanatic]

Storm is written in 7/8 time which is very uncommon time signature, same with most uneven time signatures (exceptions being ¾ and 9/8 off the top of my head) there are two other songs I know of that are in 7/8 (meet me inside Hamilton and the temple Jesus Christ Superstar) which may have inspired Jorge in writing in 7/8.

I say this as Lin Manuel Miranda has stated when he wrote meet me inside, he thought of 7/8 he had the temple as an example of how to write in 7/8 time and Jorge has been a part of a production of Jesus Christ Superstar. And if you are a part of the musical thearte scene, it is hard to avoid Hamilton and in early demos you can see that Jorge was heavily influenced by Lin Manuel Miranda’s song style.

I am not the most well versed in Andrew Lloyd Webber, but I know he was an influence for Lin, so it is highly likely that he was an influence for Jorge as well. I am not saying that Jorge or Lin were copying anyone, but more pointing out their musical influences.

Anyone who writes music has their musical influences, if I were to write a song today, I would be very heavily influenced by Jorge’s and Lin’s song styles as they have written my favourite songs.

When I wrote music in the past, I would incorporate every pattern or instrument I enjoyed listening to the most as I wrote these songs for myself. (The only people who have heard these songs were my teachers and closest friends, I did not want to show my weird songs to anyone else)

Everyone in my class had their musical influences and you could hear it in their work. You could hear Bach, Debussy, Mozart, and many more influencing their work, as well as Sondheim, Rogers, and Webber.

There is so much more I want to say about the music itself. But this already quite long, and it would be better to break it into parts. Stick around for part 2…..or more.