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queers-gambit · 2 years ago

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Not So Heavenly Surprise

prompt: you share exciting news with your husband but don't receive the reaction you thought you'd get. and then, the Outbreak.

pairing: Joel Miller x female!wife!reader only height mentioned: you're shorter than Joel

fandom masterlist: HBO's The Last of Us

word count: 7.2k+

warnings: angst, angst, angst, slutty angst club, cursing, character death, major major major spoilers, death of a child, descriptive language - we talk about death and dead bodies!!! canon-level violence! NOT edited!!! (will get around to it) this work is super NOT FOR MINORS ❗️season one, episode one spoilers

September 02nd, 2002 one year before Outbreak Day

"You're going to have to tell him," you sighed to your reflection, trying to amp up the bravery. "He's gonna notice, you don't want him questioning anything, now do you? No, nope, no way, you don't. Okay, so, that's it - you're gonna tell him when he gets home. No big deal."

There was a knock at the door, Sarah calling, "Are you okay in there?"

"Girl!" You laughed, reaching for the knob and opening it to see her. "Ever heard of this thing called 'privacy'?"

"Not in this house," She smirked. "Can I get in? Wash my face?"

"Oh, yeah, totally," you moved out of her way, continuing with your nightly routine.

"So, who were you talking to?"

"Myself," you mused. "It helps me work out big decisions."

"Oh, so, you're finally gonna tell Dad you're pregnant?"

"What!?" You yelped, dropping the jar of night cream and groaning when it dolloped out from the fall - landing on your foot. "What the hell, Sarah?"

"What? You're surprised I figured it out?" She teased. "I found the pregnancy test."

"What? You were digging in the trash?"

"Well, if you must know, I dropped the toothpaste in there and found it when I was fishing it out..."

"Sarah," you sighed.

"You know he's going to be really happy, right?" She smiled at you, massaging her cheeks to curate foam from her face wash.

"Maybe," you sighed, stooping to clean your mess. "But I've been trying to figure out what to say."

"What's to say? Just tell him," she giggled. "C'mon, you guys have been married 8 years now! Isn't this, like, what was supposed to happen?"

"Well, yeah, but - "

"But nothing," Sarah laughed. "You're getting all nervous for nothing. It's just Dad, he loves you. He's going to be happy, I promise."

You sighed, nodding slowly, "All right, well, I'll try to tell him tonight."

"There is no try, only do."

"You did not just quote Star Wars to me!"

"Well, is Yoda wrong?"

You whined a little, "No..."

"So, get it done," she smiled. "This is really exciting."

"Yeah?"

"Yeah," she smiled, "I've always wanted to be a big sister."

"You'd kick ass as one," you agreed.

"Think how upset and flustered Dad will be when I teach Baby to curse!"

"Sarah, you teach the kid any curse words and I'll wash your own mouth with soap," you teasingly warned with a pointed finger. "I'm a little nervous, I think," you admitted.

"Why? Daddy loves you, he'll be really happy," Sarah defended. "Maybe a little shocked, but he'll be over the moon with joy."

"You think?"

"I know," she nodded. "Tell him tonight!"

"Tell who, what?" Tommy asked, appearing in the doorway to make you both shriek.

"What happened!?" You heard Joel, but then, everything was drowned out as you and Sarah started yelling at Tommy for scaring the shit outta you both. Joel appeared in time to see his little brother throw his hands up in defense, laughing at the two of you.

"Not cool, man!" You barked, shaking your head. "Didn't hear y'all come in, the hell's wrong wit'chu?"

"Y'all didn't lock the front door, again," Tommy smirked. "I came up real quick and quiet."

"Jackass," you muttered, wiping your hands on a towel before exiting the room. "Hi, baby," you muttered to Joel, pausing to rock onto your toes and plant a kiss to your husband's lips.

"Hi, honey," he mused, arm anchoring your waist. "What's with the screamin'?"

"Your brother's an ass," you pouted, giving your best exaggerated bottom lip.

"You had it comin', darlin'," Tommy teased. "Told you to lock up, huh?"

"Why're you even here? Why are you always! Here!?" You whined lightly. "Go home!"

"I'm staying the night," he mocked gently.

"You better not clean my fridge out," you warned him with slitted eyes. "I just went to the shop."

"You get them cookies you like?" Tommy perked a brother, watching your eyes widen a small fraction. "YOU DID!" Tommy laughed, turning, and bolting down the stairs - making you yelp and start yelling after him, following closely.

Joel and Sarah could be heard laughing from upstairs.

It was close to midnight by the time you and Joel finally settled for bed. Sarah's homework was done, whole family fed, Tommy was nursing a bonked head with a small ice pack, and you and Joel were turning your bed down.

"Hey, uh," you cleared your throat as you both got in the sheets, "so, I was wonderin' somethin'."

"What's that, sugar?"

"What do you think of when you consider the future?"

Joel paused, then shrugged, "We go to Nashville with Sarah this summer."

"No, baby, I mean the future - like, years from now."

Joel chuckled, "Uh, I don't know, baby, I just think of you and Sarah and Tommy... There's not many others left 'round."

"That's all?"

"I don't know, I think sometimes when Sarah goes off to college, that girl's goin' on a scholarship, you know? So, you and I could maybe take some time for a vacation. Finally take you on that honeymoon I promised."

You hummed, settling against his chest, "Where we goin'?"

"You know I'd take you wherever you wanted," he sighed, "but maybe we could afford... I don't know, trip to... Vegas?"

"So we can renew our vows with Elvis?"

"Why not?" He chuckled, squeezing your hip. "Might be fun, right?"

"You just wanna see the strippers."

"Can you blame me?"

You laughed and smacked his chest, "Easy, mister, you're on thin ice."

Joel laughed lightly, "You know I'm teasin', darlin'. C'mon, anywhere we could, where would you go?"

"Oh, the Maldives, without a doubt.," You smirked. "But how about we keep it simple? Go to, say, Paris?"

Joel snickered, "That's simple?"

"City of Love for our honeymoon? Baby, I'd say that's more cliché than anything. Besides, don't you wanna kiss me at the top of the Eiffel Tower?"

"'Course, sugar, but the food there?"

"Oh, like you've ever been!" You laughed, looking up at him. "Don't talk shit when you don't know."

"Hmm," he considered, "solid advice, sweetheart."

He reached out to caress the side of your cheek, making you sigh, "One thing's missin' though..."

"What's that?" Joel smirked.

"We'd have to find a babysitter."

"Sarah will be older than - "

"No, no, baby, not talkin' 'bout Sarah."

"Who, then?" He chuckled. "Tommy? Though he likes proving us wrong, he can take care of himself."

"No, I'm talking about a babysitter for us."

"Lost me again, sweetheart."

You stared at him for a moment, then admitted, "I'm pregnant. So, we'd need to find a sitter 'cause we'd have a little one by then." However, Joel just stared down at you, brows slowly furrowing as he processed your words. "Joel?" You wondered when he didn't answer, but instead, looked off past you. "Honey, you still with me?"

"I heard you," he grit, making you instantly sit up and off of him.

"Joel?"

He sighed deeply, "Why'd you have to do that?"

"I'm sorry?"

Joel sat up and swung his legs from bed, making you feel instantly smaller than you actually were. "Why'd you have to go and do that? Huh? Get pregnant?"

"Joel - "

"No, what the hell's this!?" He demanded, looking far too upset than you ever considered. "You're pregnant? You're really pregnant?"

"Yes - "

"God fuckin' damn it!" Joel swatted at a lamp, knocking it over, and waking the entire house - not that either Tommy or Sarah were asleep yet. "You can't seriously be pregnant!" Joel barked at you, and if he could, you knew he'd be gnashing his teeth.

"Why is this such a shock?" You asked. "This is what happens when you're married - "

"You were supposed to be on birth control!"

"It's only so much effective when you're cumming in me like some sex doll!" You snapped back, aware of your loudness.

"Don't turn this on me!"

"I'm not! Fuck's sake, I'm happy about this!" You stood from the bed, too. "I'm happy we're havin' a baby! Why're you reacting this way?"

"We can't afford a baby right now!" Joel looked enraged now. "We don't got the space - fuckin' Tommy crashes the couch! Where we puttin' a whole baby, huh? Where we puttin' a kid? How're we gonna afford more groceries? More schoolin'? You didn't think this through, now, did you!?"

"Fuck's sake, Joel, do I need to give you a sex-ed course? Explain how you're just as much in this as I am? I didn't do this to myself, we both took risks - but I didn't think this was gonna be an issue! I thought you'd want this!"

"When have I ever said I wanted another kid? Huh? Don't put words in my mouth, woman! I got Sarah, ain't no kid better than that! Why would I even want to bother? Knowing our situation!? You think you're ready to be a mom? All you do is work, and it makes you a pretty shaky stepmother! Neither of us are in a place to just stop and take care of a kid, we're in too deep with our current bills!"

You felt too stunned to speak, every defense you had lowering in pure sadness as tears collected in your eyes. "You serious, right now?"

"Completely," he sighed, hands to his hips.

"So, you... You don't want this baby?"

Joel's jaw flexed. "Not right now, no."

"Okay," you sighed.

"I can't take care of another kid," he shook his head. "Look, why can't Sarah be enough? You've known her her whole life."

"Why is it so wrong to wonder what it's like to be pregnant? To have my own child? Since you have Sarah."

"We have Sarah," he snapped.

"No... We don't, since I'm only a shaky stepmother."

"I didn't mean it like that."

"No? How'd you mean it?" You wondered sarcastically. "Maybe that I won't be a good mother? That you don't want a kid with me, is it? Whatever, Joel, look, there's no compromise here. You don't want this baby, but I do... So, this it is."

"What is? To what?"

"Us," you sighed, gesturing between you. "If you really don't want this baby, then I don't see how we can still participate in a marriage."

"The fuck - "

"I won't stay where I'm not wanted."

"I want you, just not the baby!"

"So, understand this. Because I'm growing that baby currently, you simply don't want me. So, it's all right, now. I'll get my shit and get out, figure out what to do movin' forward, and I'll have the divorce papers sent - "

"Like hell, you are!" Joel raged.

"How're we gonna fix this then!?"

"Fuckin' Christ, woman, you really know how to piss me off! This ain't my issue - this is your problem. But we ain't gettin' a divorce, so, you better figure it out."

You scoffed, "Who the hell even are you?"

"Come again?"

You gestured at him, "This is not who I married."

"Neither are you. When we got married, you said Sarah was more than enough - "

"You know what? Feelin's change!"

Joel scoffed, "Yeah, fuckin' tell me 'bout it."

"Wow," you sighed, turning for the closet, muttering, "wow, wow, wow, wow, WOW!"

"Fuck!" Joel snapped. "C'mon, doll, don't do this."

He watched you pack a suitcase frantically, the fight continuing to wage farther into the night. Back and forth, you two went round after round after round, trying to make the other understand and see reason. To Joel, it was a matter of financials and space. To you? It was everything else.

By 3 am, you had finally packed your necessary belongings into two bags - a suitcase and purse - before you were charging down the stairs with Joel still hollering after you. Tommy was in the living room, pacing, and Sarah was laid on the couch, eyes red and swollen as she clutched a pillow to her chest. You came to a halt when you saw them both, Joel still sneering but silencing himself when he saw what you stared at.

Just like that, he understood his brother and daughter had heard every word he shouted at you, and never had he felt such shame. You swallowed harshly, nodding at Tommy before looking to Sarah. With a wobbling smile, you managed to garble, "I'm sorry."

"Mama, wait!" Sarah gasped, shooting off the couch as you fled for the front door; Tommy catching her around her waist. "No! No! Daddy, go get her! Don't go! Mama! Please! What's happening? Why won't you go after her!?"

But to Tommy's shock and horror, Joel silently descended the stairs to push the front door closed and locked it - bolting them inside and his wife outside. "Joel," Tommy shook his head, confusing marring his features. "The hell happened?"

But Joel only sighed, turned, and headed up the stairs again. Not a moment later, his bedroom door closed - making Tommy release Sarah. She rushed to the door but stopped, only staring out, and Tommy understood she could no longer see your car.

"Hey, Sarah?" Tommy called softly. "You can stay home from school tomorrow. All right?"

She only nodded silently, taking a seat at the front door and just watching. He frowned, wanting to shoo her off to bed, but understood that her child-like mind could only understand so much. She wanted to wait for you to come home, she wanted to see you coming... However, the following morning, Joel found his daughter slumped against the front door and his brother on the stairs from watching her.

His heart had plummeted to his feet when he saw them, more so when he understood you weren't home. The house already felt colder.

September 26th, 2003 Outbreak Day

Your daughter was barely a few months old by the time "it" happened. After leaving Joel, you went home to your parents and they were gracious enough to welcome you and the babe growing in your womb.

They made up your childhood bedroom into a nursery and let you transform their home office into a spare bedroom as your little brother was living in the guest room and older sister in the basement. It was an incredibly tiny room, but it worked for now; and your little girl was a ray of sunshine that you barely noticed how miserable you truly felt.

You hadn't seen Joel since the birth... And before that? Not since your fight. He really didn't want shit to do with your daughter, and while you always told him when your appointments were, he never showed. When you went into labor, your father was the one who called him because you only sobbed through the pain that you wanted your husband. So, Joel showed that day, but didn't go into the delivery room. He just waited outside it, listening, feeling his heart shatter again and again as you begged someone to find your husband, but no matter how your mother and father begged him to go in, he wouldn't. He couldn't.

It was only after the baby was born did he venture in.

You looked beat to hell and the sheets seemed bloodier than usual, but he didn't want to linger. He only nodded at you, hands in his pockets, "Good job... She's real beautiful."

You blinked, glancing over to where a nurse was swaddling the just-cleaned baby. "Thank you," you whispered. Then, he turned to leave, "W-Wait!" You begged, making him pause. "Don't you... I-I don't know, want to help name her?"

Joel sighed, glancing at you over his shoulder, "No, 's all right. Whatever you want, she's your daughter."

Your heart broke all over again, watching him leave. So much so, when the nurse brought your daughter over for you to hold, you broke down in horrendous sobs that the nurse actually shied away. You couldn't breathe from the pain, and it actually set off a few alarms on your hospital monitors.

Your mother watched in despair as a team of professionals had to sedate you in order to calm you down enough; holding her grandbaby and rocking her arms. She waited for days, hoping you'd ask to hold your daughter, but never did. Only when the lactation expert came in to help you nurse your daughter did you actually "willingly" hold her.

It just broke your heart to even look at her because she looked so much like Joel that it should've been illegal. Eventually, you came around and felt as if you couldn't set the baby down, but for the first few days were exhaustingly tough. Your parents were a huge help, but that didn't make it easier on you to try and process life without Joel. You loved your husband, wanted him back, but after his behavior, you couldn't fathom being within 6 feet of him again.

However, life had much different plans.

You didn't feed your baby formula, opting for breast feeding. Ironically, during your pregnancy, you had developed an intolerance to gluten and never wanted flour-products even after giving brith to your daughter. However, your father loved your mother's cookies...

It was nearly 2 am when it happened.

Your father had been the first "Infected" of the family, and only your mother was in their room with him. You heard the thumping and screams, peering out of your room only to see blood pooling from under your parent's closed bedroom door. "Get back," you hissed at your little brother, darting down the hall to your daughter's nursery.

"DADDY! NO!" You heard your brother scream a minute later, panic enveloping you as your daughter started to cry.

"No, no, no, it's okay, hey, hey, it's okay, sweetheart," you whispered, trying to shush her. There wasn't time to spare, and just as you secured your daughter to your chest with tight arms and made it from her room, your father came barreling out of your little brother's room - scaring the shit outta you. "D-Daddy?"

He snarled, neck snapping when he looked at you - but that wasn't your father. No, this creature was something else and while it was in your father's body, it wasn't your Daddy, and you weren't safe here.

"Down here! NOW!" Katie, your older sister called, making you shoot off down the stairs in a blind panic. Your father came crashing down behind you, knocking into your legs as you reached the bottom - forcing you to turn over and land on your back to protect your kid.

"OH MY GOD!" You screamed when your father bolted upright.

"STAY DOWN!"

Your sister swung her softball bat, knocking your father's head back with a sickly snap. He went down, and for a moment, it was all quiet. "What the fuck?" You panted, baby still crying.

"I don't know," Katie panted, reaching for your arms and helping you up. "I-I didn't - I didn't think," she stuttered, looking at your father, who's head was split open and spewing blood. "I-I killed him."

"Between us?" You nodded, "Think he was already dead."

"Where's Mommy? And Billy!?"

"Upstairs..."

"You don't think...?"

"Should we check?"

"What if they're alive and we just left them?" She worried, blinking back tears. "I-I don't know what to do."

"I think we need to get the fuck outta here," you admitted, looking around you two. "We aren't safe here, Katie, we should move."

Just then, there was a thud from upstairs. Your sister uttered your name in fear, and you had to steel yourself. "What do we do?" She whispered.

"Kitchen, there's only one door and the basement," you nodded, the two of you turning and hustling into the room. You looked around and found a long cerated knife, standing at the ready with one arm around your baby.

"What's gonna come for us?"

"Whatever the hell happened to Daddy," you gulped. "I still think we should run for it."

"But Mama - "

"She's probably dead!" You snapped. "But we aren't. We don't have to die if we play smart. I say, we get what we need and get the fuck out of here."

However, before she could answer, there was a snarling from outside the door. Your baby still cried, and soon, the door was bursting open with your mother's Infected body being hurled through the door. Your sister begged your name in a yell and you repeated at her that it's not really your mother - keeping the kitchen island between you three - and that she needed to swing the bat.

However, your little brother came barreling inside right after and knocked into you. It was a struggle as you had to let go of your baby to keep the 10-year-old demon off your body; hip teeth gnashing as pale tendrils came curling out of his mouth.

"NO!"

You couldn't look back at your sister, struggling to keep the suspiciously-strong boy at bay. You used your feet to kick him off you, snatch up the knife, and as he came back - snarling and screaming - you only stabbed the knife up into the underside of his jaw. Yanking free, blood and more came gushing out, and your brother when down.

When you turned, your sister was panting and leaning against a counter. Mother laid dead at her feet. "You good?" You asked.

"Yeah... You?"

"Yeah," you sniffled, moving to collect your baby from the bloody linoleum floor. "Can we get the fuck outta here now?"

"There's no more threat."

"Seriously?" You snapped. "Honey, if it happened here, it's happenin' elsewhere and we need to fucking move before we get left behind. Understand me?"

But then... There was a sickening sound from the only other door in the kitchen... The one leading to the basement...

"Katie?" You called your sister's name, "it's time to run."

"GO!" She screamed when a new body, that of your next door neighbor, came bursting through the door. You both ran, your daughter tight to your chest, and just made it outside your family home when a truck was screeching to a halt.

Joel leapt from the passenger seat, hollering your name in panic, and making you shoot off like a Roman Candle towards him. He caught you easily, holding you and your infant close to his chest as Katie came sprinting from behind you - taking cover behind Joel.

"What - "

"JOEL!" Katie screamed, pointing towards the body rushing from your home.

"Tommy!"

There came a gunshot, making you flinch into his chest as he turned you from the sight. "Get in the truck," Tommy called, Sarah opening the door from the inside to invite Katie in.

"We gotta go, darlin', it's time to go, let's go," Joel muttered to you.

"What the fuck is happenin'?"

"We don't know, but it's bad," he nodded, looking around frantically. "We need off the streets, baby, please, get in the truck."

But you paused, asking him, "You came back for me?"

"For the both of you," he sighed, caressing the top of your daughter's head - who still wailed in fear. "Please, baby, it's time to go - get in the truck." When you did, he rambled, "Thank you, thank you, thank you, all right, Tommy! Let's go!"

When everyone was in and doors shut, a new game began: Get the Hell Outta Dodge.

During the ride, Tommy and Joel filled you and Katie in with what they knew from the broadcasters that were once on the airwaves. Sarah held onto you tightly, infant child still wriggling in your lap and arms. You were trying to flee the suburbs, making for the highway, but it seemed, everyone else who hadn't been killed off had the same idea and created intense traffic.

"We're okay," you whispered to Sarah on repeat, almost in a chant. Katie frowned and slowly reached over Sarah's lap, taking hold of your daughter. You slowly let go only to latch full onto Sarah and try to comfort her with slow rocking and cooed words of encouragement. Joel knew that in your time apart, you and Sarah saw each other often - nearly on a daily basis - and could understand that you were her mother, through-and-through.

You both needed the comfort right now.

Someone to lean on.

Someone to be scared with you instead of saying "buck up."

"Take the field, Tommy!" Katie barked from the back, holding your screaming baby to her shoulder and trying to offer her warmth and comfort. However, it was impossible with the tangible panic and loud blaring of horns and cursing voices. "We can cut across and pick the road up on the west side."

"Yeah, yeah, yeah, yeah. West, West, all right. All right, hang on," he turned the wheel, everyone bracing for the sharp movement before the bumping of the terrain became wildly uneven.

Around them, other cars followed suit, and the field was soon flooded with civilian cars trying to flee. "The fuck could be happening?" Katie asked you, gulping, "You're the doctor!"

"I-I don't fucking know, Katie, please," you whispered back, gulping in nerves as Tommy drove you all over the grass.

However, when they came over the hill to catch sight of their destination, there was a flooding of lights and choppers in the air. Tommy cursed, "Shit! Fuckin' Army!"

"Isn't that good?" Sarah asked from your embrace.

"It's good for them, but that's the highway we're tryna get to," Tommy explained, coming to a halt as cars flooded past them.

"All right, keep movin'. Head north," Joel advised quietly, his mind trying to settle.

"Could be a lotta people," Tommy argued lightly.

"Well, we can't go south, we can't go east, we can't go west," Joel pointed out. "Hell else we supposed to go?"

"Tommy, fuckin' drive!" You grit, Katie joining you in on the last word.

"Tommy, c'mon!" Joel followed right after. The tires squealed as Tommy pressed on the gas while turning his wheel, making the truck turn and speed off for a distant suburban town; lights in the distance guiding you. "Yeah," Joel muttered. "Yeah, I know that place. This can work."

"Yeah, all right, fine, cool, but then what?" Katie asked. "Where are we supposed to go then?"

"I don't know. Mexico. Just far, far as we can," Joel answered uneasily. "How much gas?"

"Three-quarter tank," Tommy answered.

"Go through town," Joel advised. "Golf course by the river, straight across, we pick up the highway on the other side of the blockade, then we're out."

"I'm gonna throw up," Katie whispered, head tilted back with her eyes closed.

"If you're feelin' sick, hand me my baby," you snapped, looking at her with fear.

"No, girl, it's anxiety," she snapped back. "I'm not sick."

"How can you be sure?" Sarah wondered.

"Cause it would've hit us the same as it did our family..."

"Who'd it hit?" Tommy wondered, looking back.

"We're all that's left," you sighed, saving your sister from answering. "Daddy turned first, then Mama... Billy after... We got out."

"They bite 'chall?" Tommy asked, glancing back.

"No," you answered, looking at Katie. "You bit?"

"Nope, I beat 'em to the punch," she sighed. "Ah, fuck, my stomach."

"Throw up in my truck, darlin'," Tommy muttered, sucking his teeth.

"Throw up on my baby, Kate, and I'll beat 'cho ass," you snipped, perking a warning brow at her.

"Girl," she sighed, glancing at Sarah - who had sat off you in contemplation. "Sarah?" She whispered in wondered.

"Maybe it's everywhere," she voiced, glancing at the two of you sat on either side of her. "Maybe there's nowhere to go..."

"Well, hey, we'll just have to find somewhere safe," you nodded back at her, but furrowed your brow. "Anyone hear that?"

"Oh, shit - "

"What the fuck!?" Tommy called over Katie, glancing up towards the roof as there came a deafening sound of a plane flying far too low to the ground.

"Cover her ears!" You begged Katie, reaching for Sarah to press your hands over her ears. Your sister held your daughter's ears closed - her still screaming bloody murder - as the plane flew over the truck.

"Fuckin' hell!" She looked back, noting the sky. Sarah whipped around, too, only to spy two more planes in the sky - all flying low and at odd angles.

However, ahead of them, cop cars were speeding around the streets and cutting off any route. "Son of a bitch," Tommy cursed. "Gotta go around. Grab somethin'!"

You held onto the designated 'oh shit!' bar over your head as Sarah leaned over to hold Katie and your baby. Tommy took a sharp right into an alley, between buildings. When you all rightened, it was only to see the people on the street running around, screaming, cars zooming past them all. Tommy took a left, then another right, and joined the bustle of the street.

"All right, keep goin', keep goin'," Joel pointed ahead, but tommy blew past a stop sign. "Shit - TOMMY!"

Another car came to a screeching halt, barely missing T-boning the Tommy's truck. They moved on, only to discover people mauling each other in the street - blocking most of their path. "Oh, my God," Sarah whispered, reaching for you as your arm came around her shoulders again as Tommy came to a stall.

"Tommy, you can't stop here," Joel reminded.

"I can't drive through 'em all!"

"Are you serious?" Joel barked. "Just keep goin'!"

However, ahead came the smashing of glass and a stampede of people - all running wildly and making you assume they were Infected, too. "Ohhhhhhh, shit," Katie whimpered.

"Go, go, go, go, back, back, back, back, back, back," Joel encouraged his brother, who hastily switched gears.

"I'm trying!"

However, when you and Sarah looked back to watch the crowd and stay out of Tommy's range of sight, you saw a distant threat and tuned everything else out. "Joel!" You begged, reaching for his arm as the sight of an airborne plane turning in the sky to head back your way was far too pressing right now.

"Dad!" Sarah echoed.

"Holy shit," Katie sobbed, cradling your baby tightly and without you even noticing, put her seatbelt on.

"Move. MOVE!" Joel told Tommy.

The plane took a nosedive into the ground, exploding, and send a flurry of parts around the surrounding area. One of those areas happened to the building you were driving past, and one of the steel parts ricocheted off it and into the truck.

Everything went black.

"Baby? Baby, can you hear me? Hey, hey, hey, darlin', c'mon, open them pretty eyes for me, c'mon, baby, please."

"Fuck," you wheezed, eyes slowly opening.

"Hey, hey, hey, there you are, hey," Joel whispered, Tommy, Katie, and Sarah already out of the truck. "There you go, c'mon, you all right? You hurt?"

"No," you blinked a few times, wiggling your toes and fingers. "Fuck's sake, what happened?"

"Car accident," he nodded, "c'mon, sugar, gotta get up for me," he looked around. "We ain't safe here, c'mon, baby, that's it."

You nodded and let him pull you from the wreckage, grunting when shattered glass pressed into your skin to create long drips of blood that resembled a child's melted-crayon canvas from elementary art class. When out, Sarah kept weight off her ankle and wobbled in her stance, making you frowned, "All right?"

"Ankle," Sarah sniffled.

"We gotta get off the streets!" Tommy called from the other side of the car.

"KATIE!?"

"I got her!" She called back, and then, you could distinguish her shrill crying. You sighed with relief before Tommy was profanely screaming and Joel turned you and Sarah from the car just as an out-of-control police car came smashing into the truck.

"I got her," you told Joel, taking hold of Sarah in full as he nodded in thanks before turning for the wreckage they couldn't get around.

"Tommy!? Tommy!? Katie!? TOMMY!"

The brothers found a glimpse of each other through the flames, Tommy telling his brother, "Head to the river! We'll find a way! Get them outta here, Joel! Go!"

"Take care of my daughter," he nodded back.

"C'mon," Tommy told Katie, and the two were taking off with Tommy's gun slung over his shoulder.

Joel turned back for you and Sarah, gulping nervously at you, "Darlin', listen, I'm so sorry - "

"Joel, now's not the time," you panted. "We gotta go. Okay? We're good right now, but we gotta stay good. Let's get the fuck outta here, please. We can talk later!"

He nodded back, looking at Sarah, who refused, "We can't leave them! K-Katie has D - "

"They'll be fine," Joel insisted. "Tommy's with 'em, they'll look after each other. Can you run?"

"No," she shook her head, making Joel sigh.

"Can you?"

"I'm good," you nodded, worryingly looking at Sarah. "I can carry her - "

"'S all right, darlin'," he muttered, sweeping Sarah into his arms and making her arms latch around his neck. "You keep your eyes on me," he told his daughter. She nodded. "Okay?"

"Okay," Sarah breathed.

"Okay," Joel nodded. "And you don't look anywhere else." Sarah buried her head in her father's neck, his eyes meeting yours. "And you..." He panted, swallowing nervously. "You stay with me, you stay right with me, all right?"

"All right."

"All right," he agreed, hurrying off down the alley. You were true to your word, keeping up with him easily, but both slowing when the end of the alley only lead to a group of Infected motherfuckers feasting on the flesh of other humans.

You panicked for a moment, looking around you, and nearly missing the sound of the a distant explosion - sounding more like a crack from this distance. However, it was enough of a sound to draw the attention of at least one Infected Fucker - who looked up to stare at you, Joel, and Sarah.

Joel lead you to a building behind you - but the Fucker followed. "Joel, go, go, go," you hissed, easily taking the lead to use your body to burst through doors. Joel followed, understanding that because he was carrying Sarah, you had assumed the role of "guide" and wanted to clear his path - but it also cleared a path to be followed.

It made horrendous sounds as it chased you three, literally hauling it's body around as if it had no real control over it. The feeling inside your chest was chaotic, the tension tangible through the air as you lead Joel through the closed-diner.

The creature still followed.

Finally outside, you didn't have to restrict yourself but couldn't find it in you to leave Joel and Sarah behind. If this was the end, it was only right you fell as a family - and while deeply stupid of you, it was oddly poetic. However, as you heard the beast in pursuit just nipping at your heels, so sounded a reverberating gunshot.

It made you pause, looking back to see a headshot had taken the Infected Fucker out, and yet, no obvious sign of the shooter. Joel comforted Sarah, looking down at you - making you nod, telling him you were okay - before looking around again.

Then, a flashlight blinded you as a Humvee's lights flashed on, a voice demanding, "Don't move!"

"Joel..." You whispered, holding onto his elbow as he readjusted so he was slightly in front of you.

"My daughter's hurt!" Joel called to the military man. "Her ankle!"

"Stop right there!" He barked again.

"Okay," Joel muttered, nerves being shared as you had a bad feeling about this. "Easy now. We're not sick!"

But the solider, instead, radioed in, "I got three civilians by the river, one of 'em injured... Ankle..."

"What about Uncle Tommy and Aunt Katie?" Sarah asked her father.

"We're gonna get you somewhere safe first, with your Mama. Yeah? Then we'll come back for 'em, okay?"

"Okay."

"I'm sorry, repeat?" The solider asked into his comms system - earning your attention again. Joel tried to step forward, but the flashlight was right back up into your face, the man snapping, "Hey! No one told you to move!"

"Joel," you worried. "They have shoot-to-kill orders."

"What?" He whispered.

"In the event of extreme violence, similar to this, they have orders to shoot-to-kill," you told him shakily, watching the man. "I know you wanna trust 'em, but they're not our friend right now. Get ready to run..."

"Darlin' - "

"Joel," you hushed, squeezing his elbow.

The solider answered his commanding officer with three, spaced out, "Yes, sir's," before he was slowly picking up his firearm and the light was again in their eyes.

Joel realized how right his estranged wife was in that moment. "We're not sick," he tried to remind. But the man approached, making Sarah's breathing pick up as she held on tighter to Joel's neck - blindly reaching out for you. "Sir," Joel begged, "we are not sick!"

But just like you had said, the orders were shoot-to-kill, and the rapid gunfire sounded in the knight - only barely masked by Sarah's high-pitched scream. You felt a searing burn in your thigh, all three of you toppling over down the short hill you were heading towards; all three rolling away from one another.

When you came to a halt, you seethed in pain, holding your thigh, but hearing a much worse sound. Sarah hyperventilating. You looked up as the solider leered over Joel, army-crawling towards her just as a gunshot sounded. However, when you weren't struck, you kept going, and reached your stepdaughter.

"Baby?" You whispered.

"Mama," she begged. "Mama, Mama," she repeated, barely able to swallow her saliva - much less her fear. "Hurts," she grunted, soon losing the ability to form words.

Tommy had seen the scene and rushed forward to shoot the solider, leaving Katie at his side with your infant daughter still in arm. "I got'cha, hey, hey, hey, I"m here," you whispered, literally whipping your shirt off to press into her stomach. "JOEL!" You cried, looking over your shoulder to spy him on the ground.

He quickly scrambled to Sarah's other side, taking in the situation, and looking at you with absolute devastation. You cried as you held pressure, but you knew, from the entry wounds, Sarah didn't stand a chance. Her aorta artery had been hit and shredded by a bullet, only giving her moments left in this life.

Watching Joel was possibly harder than watching him walk away from you in the birthing room. He was desperate, trying to save his daughter but only being able to hold her as she grunted and sobbed in pain; bleeding out in her father's arms. Joel begged you to help but you couldn't, unable to form words, so, he turned to his brother and screamed at him - and your sister - to help him.

But in that moment he had looked away, Sarah's life had left them. "Joel," you whimpered, making him look down and realize what happened. He sobbed, drawing her in tightly; rocking helplessly on the ground as he couldn't fathom what had just happened.

However, amongst his mourning, there came a sound you never wanted to hear again. Whipping around, you caught sight of your sister starting to twitch and leapt to your feet; limping in hurried motions to snatch your screaming baby from her tightening grip.

"Katie," you begged in a sob, backing up towards Tommy, "oh, God, no... No, please."

But the bite on her forearm had turned a sickly black-and-blue, alerting she had been bit at some point and never voiced it. Before your very eyes, she turned from your dear, sweet older sister into a blood-thirsty monster. Yellowed and dead eyes, snarling and uncontrollable twitching, limbs that turned up in odd angles as the infection took over completely.

When done, you sister gave a shriek before you pleaded, "Tommy!"

He took aim and fired once, putting Katie out of her misery; sending her corpse crumbling to the ground. You panted, tears in your eyes as you couldn't process this night, but then... The unexpected.

"Oh, God, no," you gasped, wrenching your daughter from your chest as she started wriggling uncontrollably. "No, no, no, no, no, no," you sobbed, dropping to your knees and laying her down. Quickly opening her baby blanket, you noted the adult-sized bite on her whole shin, sobbing harshly. "Delilah! No, not my baby, no, no, oh, fuck, no, c'mon, not you, too. Not you, too, Delilah, please, my angel, oh, fuck, no, God damn it!"

"Darlin'," Tommy stuttered from behind you. He looked up in fear, finding his brother's confused gaze and calling, "J-Joel!"

"Delilah, please, fuck, h-how do I fix this!?" You begged. "No, fuck, God damn it! Why can't I help my daughters!?" You snarled at Tommy, sobbing until your chest hurt. "Why!? Why can't I save them!?"

"Doll," he whispered, his older brother slowly letting go of Sarah to lay her down, shut her eyes, and rest her arms over her stomach before turning for you.

"Not her, too, please," you begged. "That's everyone, please, no, please, th-this can't - please, this can't be happening! How do I help, Delilah, baby, please?" You still begged, looking at her bite. "I-I can - I don't know what to do! Wo-Would amputation work? Oh, fuck, no, no, it's - no, please!"

Joel stumbled to his feet, nearing you, but pausing as he could only stare as his infant daughter, whom he had only just seen, twitched and convulsed as the infection proved too great for her little body. It also wasn't lost to his that you had name her after his own mother, long since departed from this world and who would never meet her granddaughter.

"Oh, my God," Joel whispered, slowly nearing you as you sobbed over your daughter; hands hovering all over as you weren't sure where to touch her.

"Please!" You begged nobody, sobbing uselessly as Delilah came to a slow but jarring halt. "Oh, my God," you squeaked, leaning back in shock. "Oh... Oh, my fuckin' God, no... Not our kids, c'mon, no, God, please, fuck - this has to be some fucked-up nightmare. Right?" You looked desperately at Joel. "This... This isn't real, right? This isn't really happening? Please, Joel, you have to fucking tell me this isn't real - this can't be real."

"I'm sorry," Joel wheezed, slowly reaching for you.

"This didn't happen," you shook your head. "O-Our daughters - what the fuck just happened?"

Tommy slowly took the seat on your other side, Joel easily tugging you into his embrace as your sobs wracked your whole being. There were no words to be shared, only the grief of two parents who had just lost everything. Sarah's blood stained both your skin, Delilah laid perfectly still in her baby blanket right in front of you, and Tommy, who felt his gun weighed more than himself after failing to protect those he loved most in this world.

Joel, who lost his daughters but kept his brother.

And you... Who lost your husband a year ago and both your daughters, your mother, father, little brother, and older sister all in a single night. You, who would carry this night of great loss with you, for life. You, who felt confused on how "moving forward" was ever possible. You, who would eventually lose feeling in your head and heart that would result in years of violent turmoil.

You, who would eventually find a path to redemption, but for tonight, you, who grieved loudly and openly in the bloody arms of your estranged husband.

requesting rules and masterlist

TLOU masterlist

#joel miller #joel miller imagine #joel miller x reader #joel miller x you #joel miller x y/n #joel miller fic #joel miller fanfiction #joel miller angst #joel miller tlou #joel miller hbo #the last of us #the last of us hbo #hbo the last of us #the last of us x reader #tlou #tlou hbo #hbo tlou #tlou joel

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raven-at-the-writing-desk · 22 days ago

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skully j. graves halfway checkpoint

Consider this part 2 of my evolving opinion on Skully! My initial impressions of him can be found here. Now that we’re at part 3 (presumably out of 5) of the event, I wanted to check in with updates on my feelings!

A lot of the points in my first impressions post still stand. However, what I’ll say is that Skully’s… villainous side… has definitely come out very strongly, especially in 3-20. A lot of my friends were squealing and getting super excited over this part. I feel like a lot of his popularity comes from 2 factors: 1) his overt flintiness (since much of the Twst fandom seems to long for this kind of (yume) content) and 2) Skully is one of the few characters who consistently acknowledges Yuu and asks for their opinions on stuff. The latter is very in demand, especially for the western fandom, which is very individualistic and often views Yuu or their Yuusonas as an integral character. And that’s valid! It’s just that this alone isn’t enough to satisfy me.

I’m… admittedly less thrilled about the direction Skully’s taking, and it’s completely for reasons related to my personal tastes 😂 I had mentioned in my original post that Skully reads to me as a Halloween-flavored Idia due to his otaku-like obsession with Halloween and how negatively he reacts when people express dissent toward his opinion. It feels very elitist and gate-keepy, which are aspects of fandom culture I find distasteful. (This is also a large part of why I didn’t like Idia at first.)

Edit (noticed this later and decided to tack it on): Another thing that really bothered me was that Skully keeps asking Yuu for their opinion. It SEEMS polite to consider them, but his intentions are way less selfless than they appear. Skully is often asking Yuu for their thoughts AFTER some other character has disagreed with him. So he is literally only consulting Yuu because he wants someone on HIS side. If you ever pick the dialogue option where you disagree with him, Skully insists there must be a misunderstanding and he will explain it to you no matter how long it takes. Don’t you see??? He doesn’t want to know what Yuu truly thinks; he wants validation in his own way of thinking. That’s NOT actually being considerate. The same shit happens when Skully tries to kiss Grim again. Grim dodges but Skully sneaks behind him and kisses him anyway because I guess that’s what gentlemen do according to him. Bro has demonstrated time and time again he does not value consent nor what others’ thoughts are on anything that differs from his own thoughts.

Those aspects of Skully get even more prominent in part 3. Throughout this section, Skully keeps reassuring himself that while he’s going along with the group’s plans for a boisterous and exciting Halloween, he’s certain that Jack-sama will surprise everyone with a Halloween that is more in line with a solitary, depressing one Skully envisions. Once Skully learns that Jack has no such intentions, he is disappointed and proceeds with a series of crimes 💀 Skully:

Tricks the Pumpkin King into drinking a sleeping poison

Does the good ol’ crazed villain laugh

Pulls a serious of expressions not even a loving mother would excuse

Curses and shouts

Assumes control of the Halloween plans

PUMPKINS GRIM when Grim and Yuu walk in on the scene of his crime (even when Grim gives zero indication that he thinks Skully is responsible for the poisoning)

Stuffs pumpkin!Grim into a sack

Colludes with Lock, Shock, and Barrel (for what yet, I don’t know)

Casually decides to show Yuu the best Halloween ever AFTER ALL THAT (it’s still not clear at this point if Yuu also got Pumpkin’d or not); the phrasing is still quite romantic but this is still a hostage situation, no??????

Like, wow, that’s… 😭 I’m not necessarily upset that Skully does bad things in the first place (lots of the Twst characters do questionable things), I’m just not sure if I’m following his reasoning for doing all of this. It seems like a LOT to me. Like, very niche and highly targeted anger.

He seems fixated on his own idea of Halloween—the Halloween he grew up with and was taught about in his village. For whatever reason, he is very sensitive to people challenging this version of the holiday or doing anything new. In fact, he becomes IRATE about it and drops the gentlemanly facade (which also seems to be something he is concerned about maintaining??). Skully is very frustrated that people don’t understand him, and that now his Halloween idol is also letting him down. Notably, his politeness deteriorates when he speaks about those who disregard his opinions on Halloween. He either becomes very gloomy or very mad (usually the latter), venting about worthless idiots who don’t understand his vision. Very strangely, he also mentions vaguely spiritual terms like atonement and his purpose in this world. Skully’s obsession with Halloween is so intense that it is evident even in his UM.

I get that his hometown was into this stuff, but even then, it seems pretty excessive??? Why is he so… insecure about this? Why does he react so violently? It really makes me wonder what the backstory will be for this massive Halloween fixation. Surely it’s not just being bullied by peers for his special interests (though that might play a role in it)? It sems to go far deeper than that. I would like to know, but I won’t be setting my expectations too high in case i end up being disappointed 💦 Historically, backstory reveals haven’t always made me like characters more.

I also feel like he’s not as crafty as previous Halloween villains were. Rollo ran on spite and constructed an elaborate plan to entrap the NRC students, Fellow relied on his UM and smooth talk… Skully is somewhat tricky in that he poisons Jack, but then he automatically gives himself away by pumpkin-ing Grim??? Why didn’t he just pretend he visited Jack and found him already poisoned? It would be so easy for him to play innocent and Grim and Yuu would believe him because he’s been mostly nice and even agreed to follow along with the Halloween plans even if he disagreed with them. He literally could have blamed Boogie’s Boys or Oogie Boogie himself, ANYONE. And how exactly does Skully plan on taking over Halloween after all of this??? He doesn’t exactly command power. Skully just seems a little short sighted and disorganized, and I don’t know if I enjoy this kind of a character.

Skully’s controlling, angry otaku energy is unfortunately NOT appealing to me whatsoever… Again, it feels like the worst aspects of Idia OTL But!! i’m really happy for all the people who really like this about him and I’m of course staying open minded for where this event will take us. Who knows, maybe parts 4 and 5 will completely turn him around for me, maybe once we get the backstory. (This sort of happened with me and Idia?? He’s still not my favorite guy but I definitely empathized with him a lot more after seeing the post-OB flashback.) We’ll see!

P.S. I wonder if the R cards this event will be the first to be pumpkin’d similar to how R cards in Playful Land were the first to be puppet’d?? That would certainly get the biggest threat to Skully’s plans, Malleus, out of the picture quickly. First it was Tamago-sama… Now it’s Kabocha-sama…

P. P. S. Slightly morbid to think about how those skewered pumpkins Jamil was stroking could have been pumpkin’d people 💀

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reallyromealone · 5 months ago

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Title: bakugos brother

Chapter:...4?

Fandom: bnha

Characters: Bakugo, kirishima, bakusquad and deku squad and a few teachers

Fic type: series

Pairings: kirishima x male reader

Warnings: male reader, reader insert, fluff, angst, teen romance

Notes:I lost the ask, so requester I hope you enjoy

🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸

"Apparently he's like super smart"

"He plays chess, I heard he never lost"

"He seems pretty ordinary, I don't get why he's Nedzus personal student"

(Name) Ignored the comments as he left Nedzu's office, his uniform perfectly ironed and his school work organized to perfection as he went to his gen-ed classes, spending the first portion of his day with Nedzu then the rest with his peers as the faculty deemed it important for him to make friends and talk to those his age.

"Apparently he's brothers with Bakugo"

"He probably has serious anger issues"

(Name) Walked into the gen-ed class and took a seat in his chair, staring off as he began playing chess in his head as he waited for things to start "you're bakugos brother, right?" A voice asked beside him and (name) looked to see a guy "yes, I am" (name) said simply as the others glared slightly "your brother is an obnoxious asshole!" One student said "yeah! You two are so fucking cold to others, what? You think you're better than us?!"

"You know, it's impressive " (name) said simply as a student looked confused "what is?"

"That you can make baseless accusations on someone whom you haven't even had a conversation with" (name) said simply as the others looked shocked "you make claims about me that hold zero merit and frankly I think that's appalling" "how dare--"

"I think that's enough class" present mic walked in clearly frustrated with his students "is this any way to treat a new classmate?"

"But--"

"But what? I heard everything and frankly I'm ashamed of you all" the blond teacher said sternly "(name) was put in your class hoping you all would give him a warm welcome and you berated him for actions of another"

The students looked ashamed and (name) was awkward, fidgeting with his mechanical pencil as the others mumbled out apologies and the blond sighed "now pull out your textbooks to page 138"

When classes ended, (name) had a free study period and decided to go to the courtyard to play some chess by himself and get away from it all, he felt just as lonely as he did at his old school but he should have expected to be in his brothers shadow here as well.

"Hey... Uh were sorry about what happened" a few students came up, a purple haired teen and two others "it was pretty shitty of us to put that on you, that wasn't cool" the teens mumbled and (name) shrugged "I'm used to it"

"You shouldn't have to be though and it's uncool"

"Shinso Hitoshi" the purple haired teen offered and (name) looked at them passively "Bakugo (name)" his voice always so calm and collected as they nodded "so you play chess?" One student asked and (name) nodded "outside of school, I'm a professional chess player"

"Whoa! That's so cool! Is that why you're Nedzu's student?"

"Actually it's due to my quirk, I have an intelligence quirk" (name) explained and the three sat with him "whoa those are super rare!" The other said and Shinso looked curious about it "why didn't you apply earlier?" Shinso asked before realizing that was probably insensitive and (name) shrugged "didn't think I would be able, two students already got into here... A third seemed impossible" it was a lie but they seemed to accept it.

"So what's it like being Nedzu's student?!"

After classes, Kirishima was excited to see his boyfriend as the two hadn't seen each other in a few days due to conflicting schedules but now they could! Even if half the class wanted to join as well.

"I brought a friend" (name) said simply as shinso looked awkward, kirishima feeling pride at his boyfriend making friends independent of the redhead "oh! You're the one going through the transfer!" Momo said excitedly "yeah the one replacing mineta!" Ochaco cheared "and right before the sports festival! Oh we can train together!"

Hitoshi was startled a bit as he noticed Midoriya who was a calming presence "come on! Aizawa is only letting us out till 845! We only have like five hours!" Mina yelled as Bakugo grunted at her dragging him.

Hitoshi was dragged into conversation with tenya and kaminari about god knows what as Kirishima and a few others chatted away, leaving the Bakugo siblings to walk beside each other awkwardly "how's heroics" (name) said in more of a statement, uncomfortable as he tried to make small talk with his brother "fine" Bakugo grunted as Kirishima went with tsu and Ochaco "babe I'll be right back! Don't follow I want it to be a surprise!"

And then the siblings were left alone as the group seperated to grab the things they needed or wanted and to meet up after for food.

"You two seem happy" Bakugo was rarely soft, the concept of him being calm and tentative was something that would be laughable to anyone who knew him "he makes me happy, I hope I make him feel the same" (name) said simply and Bakugo make a soft hum "I'm glad you're at U.A"

"Didn't you not want me here?" (Name) Looked at Katsuki as they stopped walking"fucking--- I know I was shitty, dad's making me go to therapy with hound dog" this was new, something he didn't expect at all.

"Dad's fed up with the hag, he's forcing basically everyone to therapy so expect a call"

The two sat on a bench, small talk between them as they waited for their friends to come back.

It was strange for Katsuki to say he was finally meeting his brother, on equal grounds and no hostility but Katsuki needed this.

He needed his brother.

"BABE LOOK WHAT I FOUND!" Kirishima barreled in with bracelets "look, it has chess pieces! And you can customize it so I added a barbell!" Kirishima said excitedly as he handed (name) one and the calmer Bakugo took it curiously "this is cheesy" he said simply but the small smile as he put on it made kirishima fly to cloud nine.

Bakugo was surprised that his brother had such an interest like origami, seeming genuinely happy with the variety pack of designs "oo make me a brid!" Kirishima teased and (name) took that seriously and they could see the gears turn in his head.

(Name) Was happy when he returned to his form, putting the bracelet in a safe area with his other important items and sat down, thinking About the conversation he had... Bakugo apologized...

He had to talk to kirishima tomorrow about this.

"Hey shitty hair,.can I talk?"

#bnha x male reader #bnha x reader #mha x male reader #mha x reader #male reader #x male reader #anime x male reader #anime x reader #kirishima x male reader #kirishima x reader

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fluentmoviequoter · 4 months ago

Text

Friends From Here

Requested Here!

Pairing: (platonic) Tim Bradford x fem!MP!Chen!reader (r implied to be Lucy's twin)

Summary: When you return to the States, Tim Bradford confuses you for your sister Lucy. That night, you realize why he seemed so familiar and gain a new friend.

Warnings: platonic relationship but allusions to future romance, fluff!

Word Count: 1.7k+ words

A/N: While it is implied that r and Lucy are twins, this can be read as sisters, half-sisters, or an adopted sister that happens to look similar to Lucy! I tried to keep it somewhat inclusive so there are no physical descriptions for r other than Tim thinking r was Lucy from the back!

Masterlist | Tim Bradford Masterlist | Request Info/Fandom List

It has been far too long since you saw your sister Lucy. You joined the Army immediately out of high school and have worked through the ranks since then. Now, you’re an officer with the Military Police. Though you may never know, your determination and success are part of why Lucy became a cop.

Your phone rings as you wait for your plane back to the States. Lucy’s picture on your screen makes you smile, but you answer it quickly.

“Hi!” Lucy exclaims when the line connects. “Are you busy?”

You glance at the boarding screen above you and see you have fifteen minutes to spare.

“No, I’ve got time. What’s up?” you reply.

“I’ve got good news! I’m getting short sleeves!”

“Lucy, congratulations! I’m so proud of you.”

“Thank you! I wish you were here so we could celebrate together. Have you heard anything about when your next leave is?”

“I wish I was there too, but we’re so busy here that I haven’t even had time to ask.”

“Okay,” Lucy says. She’s trying to sound as excited as before but doesn’t quite manage it.

“I’m sorry, Lucy.”

“No, I understand. I just…”

“Miss me?” you tease. “Because I’m the best sister and friend you’ll ever have, and I’m just so amazing and smart that you-“

“Stop,” Lucy begs through her laughter. “I have to go before my TO yells at me, but I really miss you. Talk soon?”

“Super soon,” you promise. “I love you, Lucy, and congratulations again.”

“I love you too,” Lucy replies before the line ends.

The landing in Los Angeles is smooth, but you barely look around as you secure a car and head for the Mid-Wilshire police station. You changed out of your uniform at the airport, but you have to see Lucy before you can do anything else. The man at the front desk tells you to wait, and he’ll find your sister for you. With your back to the desk, you check your phone to get caught up on what you missed during the flight.

“Chen!” someone yells behind you. “Why aren’t you in uniform?”

“Excuse me?” you ask as you turn to face the officer. Your brows raise when you realize he’s attractive, but his attitude keeps you from enjoying it for long.

“Just because you graduated to short sleeves doesn’t mean you can come and go as you please, boot,” he adds.

You desperately want to laugh because you don’t think you and Lucy look that much alike, even though you’ve heard it all your lives. Rather than laugh, however, you decide to play along with Officer Bradford.

“It means something,” you argue.

“You’re on the clock, boot-“

“Bradford?” Lucy asks behind him. “Is everything okay?”

You press your lips together at the shock on his face. His brows furrow as he looks at you, and then he turns slowly. When he moves, Lucy sees you standing before him and nearly shoves him out of the way to hug you. You happily wrap your arms around her and say hello but level your gaze on Bradford, who you think owes your sister an apology.

“Sorry about that,” he mumbles. “So, you’re…”

“My sister,” Lucy answers.

“I’ll give you two a minute,” Tim says. “Sorry again.”

“You look so good in your short sleeves!” you cheer once he’s gone.

“I feel so good in them!” Lucy agrees.

“Have you told Mom?”

“I’m going to tonight over dinner. Does she know you’re back?”

“No,” you answer with a laugh. “I didn’t tell her anything.”

“How long are you here? Can you come to dinner tonight?”

“I can come to dinner tonight and I’ll tell you everything after dinner, how’s that? I mean, you are on the clock, boot.”

Lucy laughs at your impression of Tim before she hugs you and invites you to stay in her apartment. You gladly accept, but as you exit the station, you wonder why Tim Bradford’s voice and attitude seem so familiar.

The door slams as your mom storms out after belittling Lucy over her success. You reach across the counter and take Lucy’s hand to keep her calm.

“Lucy let’s get out of here,” you suggest. “We’ll celebrate the way you deserve to be celebrated.”

“Was she like this with you?” Lucy asks weakly.

“I was on the other side of the country, then the world,” you remind her with a shrug. “She didn’t take my calls the first few months, but eventually she started calling me. Mom is… you know Mom.”

Lucy nods and hands you the keys to her car.

“Yeah, let’s go party, sis!” you cheer. “Short sleeves!”

“Wait, why did I give you the keys? You don’t know where to go,” Lucy remembers.

“Party!” you yell over your shoulder as you lead her out of the apartment.

“What do you want?” you ask Lucy as you stand.

“Surprise me,” she replies happily.

You nod and tap the back of your chair as you walk away. At the bar, you see someone you recognize. You aren’t sure how you didn’t remember him sooner.

“Sergeant Bradford,” you greet. “You know, I took credit for you leaving the Army.”

“Chen,” he replies. “That’s why your sister looked so familiar. And I didn’t leave because of you.”

“Really? Because I’m the last soldier you gave orders too. Explain that.”

Tim shakes his head, but his lips quirk into a small smile at your teasing.

“You were actually my favorite Sergeant I met. The rest of them seemed to think that I was incompetent.”

“Did you talk back to them?” Tim asks. When you don’t answer, he replies, “I thought so.”

“I’m here to celebrate my sister graduating to short sleeves, but…” you pause and pull a napkin toward you to write your number on. “We should talk. When you know who I am and don’t call me boot.”

Tim takes the offered napkin and nods. “Sure.”

You wink at him as you pick up your drink and Lucy’s. When you return to the table, you forget about Sergeant Bradford for the night, but he doesn’t forget about you.

Several hours later, you steer Lucy to her bed and promise her you’ll still be there in the morning. Once she’s asleep, you collapse against the couch and take a deep breath. You’ve been back in Los Angeles for less than a day and are exhausted. Your phone buzzes, and you scroll through your notifications until a text stops you.

Breakfast tomorrow? I’ll remember your name this time. -TB

You reply that you’d like that and suggest a restaurant nearby. Back in town with your sister, a new station, and a breakfast ‘date’ with Tim makes falling asleep with a smile easy.

Before you leave, you text Lucy where you’ll be and leave her a note with a promise to bring her food. You don’t mention who you are meeting, but you have much more to tell her when you return.

“Good morning,” you greet as you join Tim in a booth.

“Morning,” he replies. “How was your first night back?”

“How’d you know I just got back?”

“Your sister talks a lot.”

You nod knowingly before a waitress arrives and takes your order. After she leaves, you lean back in the seat.

“I think we should try to be friends,” Tim says.

“You make it sound like you could fail,” you reply. “Why don’t we just say we’ll be friends?”

“Then, I think we should be friends. Unless you’re leaving? Just… I think it would be nice to have a friend who understands what we’ve been through.”

“Lucy made it sound like you were a cold, un-friend-able grump. But I should warn you, if you really want to be friends with me, I’ll be the best friend you’ve ever had and you won’t be able to ditch me.”

“I think I can handle that,” Tim assures. “But you didn’t answer my question about leaving.”

“Let me tell my sister the big news and then I’ll tell you, deal?”

“Deal.”

“Also, as my friend, I hope you’re prepared to pay for my breakfast,” you say as your food arrives. “Because I have to buy Lucy a celebration breakfast and confetti pancakes have gotten more expensive since I was here last.”

“Sure,” Tim answers with a laugh. “What else are friends for?”

“You should come back to Lucy’s apartment with me. Big news is for friends, too.”

When you walk into Lucy’s apartment with Tim, you’re not surprised that she’s still in her room. You knock before entering and tell her that you’ve got breakfast and company. She smells the pancakes and rushes to wake up and get ready.

“Tim?” she questions as she enters the living area.

“He’s here as my friend and he’s going to be nice to you. Right, Tim?” you ask.

“Right. We’re celebrating your short sleeves. Yay!” Tim cheers sarcastically.

“You’re the one who kept me in long sleeves,” Lucy accuses.

“He threatened to make me clean the latrines the first time we met,” you say. “I think it’s part of his charm.”

“Sure,” Lucy agrees, unconvinced. “Confetti pancakes are for very good news.”

“You did something amazing, Lucy. You’ve got your dream job and you’re moving up; that deserves celebration,” you point out.

“And…”

“And,” you begin. “I’m staying in the states. I am now working in domestic investigations.”

“You’re an MP?” Tim asks as Lucy jumps to hug you and shouts, “Yes!”

“I am,” you tell Tim. “Have been for a few years now. I was working overseas, traveling constantly, so when a domestic position opened, I jumped at it.”

“The sisters are back!” Lucy cheers. “This definitely deserves pancakes.”

“Told you,” you tease her.

“Would you have said yes if you weren’t staying?” Tim inquires as you slide a pancake toward him.

“Yes to what?” Lucy asks around her fork.

“To being friends,” Tim rushes to explain. “Not a date or anything.”

“I would have told you that I wasn’t staying long, but we could’ve been friends from anywhere, Tim,” you say.

“But you would not have gotten the weekly phone call,” Lucy adds. “That was mine.”

“No more weekly phone calls now. The furthest I’ll go is DC and it’ll only be for a few days at a time. Now I just have to get a place to live.”

“Live here with me!” Lucy suggests excitedly. “I have a spare room.”

You look at Tim, and he shrugs. “I’ve never had a friend live close by, don’t look at me.”

“Oh, I have so much to teach you,” you muse.

“Which you can do from here,” Lucy points out.

#tim bradford x reader #tim bradford x fem!reader #tim bradford x y/n #tim bradford x you #tim bradford fluff #tim bradford the rookie #tim bradford imagine #tim bradford fic #tim bradford #fem!reader #requests #hanna writes✯#the rookie x reader #the rookie abc

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candywife333 · 1 year ago

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My Little Saesang (Part 2)

chubby reader x idol jungkook

Summary: Y/N had been a super fan for a while. Some would say bordering on saesang or creep level. She didn't think she was one, till she experienced an incident that made her stop being a fan. She had never thought that Jungkook or any of BTS ever noticed her, as she was part of the masses of obsessive fans. But they had. Especially, one doe eyed idol in particular. He never thought he would miss his fan, or shall we say saesang. Yet, he couldn't help but notice her absence. He took her comforting presence, her kind eyes, hair disheveled in excitement, and wide smile for granted. And he didn't know when her presence started to matter to him so much. When exactly did she become such a constant in his life?

Disclaimer: The Jungkook represented in this fic does not reflect the true actions or thoughts of the real life Jungkook. Please treat this fic as exactly what it is, fiction

Triggers: Critique of fandom culture and kpop as a whole, identity crisis, eventual smut

Note: Not proofread. Slated to be approximately 4 parts or less.

Jungkook POV

It took me about two weeks, but I did start to notice her absence. I never got her real name. But I and all the other members christened her with the moniker of strawberry shortcake, for how tiny and chubby she was, and also how flushed her entire face and neck become as she jumped up and down to our songs. We called her berry or SS for short. The few fans we had from the beginning, we either knew their actual names or had little nicknames to commemorate them.

She was a fan of the entire group, but I knew I was her bias, and so did the other members. It was obvious, the way she left tiny gifts wrapped in gold and red ( as though it were perpetually christmas year round for her) addressed towards me. She even took fancams of me, her eyes furtively moving along my body , gasping when she caught sight of my abs over the years. I wouldn't deny that sometimes I played up my antics for the camera just so I could catch her mouth wide open in an "O" petrified in shock as she bopped her head up and down manically.

Berry was not there. And it was starting to really bother me. It shouldn't in fact. She shouldn't matter that much to me. Yet, I always had her in my corner since debut. I always had her eyes on me, watching over me. It felt comforting even though she had gotten a little too close for comfort twice or thrice by accosting me with gifts on sets of music video shoots or backstage. Her specialty was with desserts. She would always leave me coffee infused brownies and tres leche cake towards the end of the year right in front of the HYBE building, addressed to me specifically with a cheery little note wishing me for christmas and new years.

And now I was staring at the entire crowd at MusicBank, surveying the area to see her familiar face. She was usually in the first row, bopping her light stick in an erratic manner, mouthing the lyrics to the song, staring at me with excited eyes that lit up with glee. The girl really didn't seem to love material things, because she would always wear the same red beanie and pearl earrings I had been seeing for the past 5 years. Her clothes were always a nondescript black or brown shade, pants and a sweater. She never really donned feminine clothes in all the years I had noticed her.

As I looked for her, I could only find her associate, the ARMY who always stuck by her, who we had named Specs. The tall, lithe limbed girl glared at me. It felt like she was piercing daggers through my skull as she squinted though her black thick framed glasses. She had always had a smile on her face, and now she looked so angry. Yoongi always had a tiny crush on her. She had supported him for ages, even paying for his meals many times when he was still a trainee. Why was she so indignant?

Before I could start questioning all of this even further, Yoongi came up to me with a hand on my shoulder, noticing Specs, "How is my baby doing? And why the hell is she glaring at you like you murdered her first born child? Did you do anything to her?", he questioned in a worried tone of voice. I answered back, "Of course not. I don't really interact with fans that personally. You know that hyung".

He continued quizzically, raising one eye brow up, "Where is berry? My baby Specs is alone today? You really must've done something to fuck things up. She isn't even looking at me. Totally ignoring me. The hell, she usually smiles softly at me and today she looks like somebody pissed on her breakfast. What gives"?

I had no idea what was going on. Our loyal fans for years, people who we didn't necessarily consider saesangs, but just sort of obsessive in their devotion, were either not present or ignoring us. What the hell was becoming of this fandom?!!!!

That's when I saw Berry push through the crowd. And I was so shook, that an earthquake could've come through and swallowed me up and I wouldn't have cared. Berry was dressed in a peach colored floral fit and flare dress with her customary pearls in her ears and what looked like heels on. The only way I knew was that she looked taller than usual. She had a floral ribbon in her hair, lip gloss on, eye make up on point. What the hell was she up to all of a sudden?

Her hair was streaming down her back in waves, loosened from the customary ponytail I saw all the time. She hugged Specs and a few other armies who I noticed she always had around with her. She kissed another army in a wheelchair on the cheek, plopping a pastry box in her hands and wrapping her neck with a scarf. With the deadest look in her eyes, lifeless and devoid of the usual pretty sparkle, she stared at me, as though it were some sort of messed up farewell. WTF??!!! Why did this feel like a good bye? She just looked so done.

She didn't smile at me or any of the members. She gave her light stick to another baby Army in 3rd row, she looked back once wistfully, and left the place through the door.

Where the fuck was she going?!!!?!

After the performance, dreading the fact that Berry left right in the beginning (something she had never done even once in the past years) , I walked up to Specs in the front row. The gangly girl looked super shocked to see me right up in front of her. I squeaked out in mild panic, "Where is your friend? She looked all dressed up and cute today. Does she have plans or something?"

The initial shock wore off on Specs face as something akin to irritation filtered through, "She has a date today , with a coworker I believe. That's why she is dressed up. But you don't need to know that. Today was her official last day as active super fan. She is still a fan, but she's decided to convert from offline to online fan. That's it". Specs said all this with a finality that started freaking me out. I stuttered, "SS-S-S-S-he became an online fan. Meaning, she won't show up in person to our events anymore"?

Specs muttered derisively, "Do you not understand anything I just said. Korean is your first language right? I just told you she is done being such an avid fan". She snorted, looking tired with a distant glaze in her eyes , "Maybe even I should stop. I am getting too old for this shit. My mom keeps telling me to get married, and here I am attending all this stuff, obsessing over millionaires who have more money than I ever could in my life. I am becoming an old fucking lady and I don't even have a husband or family of my own. I guess all of us older armies might need to redirect our lives back towards ourselves".

She stomped away after that remark. Yoongi ran up to me as I walked back stage. He inquired , "Is Specs still there? I was going to ask her for her number".

I grumbled out with my hands on my head, "She left hyung. So did berry, a while ago. I think we are losing our OG fans. Berry never left me once in the last few years. Even when we became so famous in the US, she never stopped attending my events, even some of the big ones in the US. What went so wrong that she is quitting?"

Yoongi choked in confusion, "You mean to tell me that both Specs and Berry are quitting. They ain't even that old, maybe late 20s. Oh no, fuck!!! My baby, Specs, I never told her how much she meant to me. What did she say?" Yoongi, shook my arm hard, trying to squeeze answer out at me. "She said that she is becoming too old for this and maybe she should get married soon, because her mother is pressuring her".

Yoongi's eyes popped wide open, panic and fear evident in his eyes, squeaking, "WTFFFFF. Since when did they give up on us like this? I can't let Specs go. She has been with me before I was famous , looking like a homeless dude, and even now. I have to get her back!!!! The fuck, I need to talk to the ARMY fanclub president for her contact". He scurried off in anxiety, leaving me back to stew in sadness. What had I done so wrong for Berry to leave me after so many years? Something must've ticked her off. Shit, the chocolate. It all hit me in a frenzy. It was the Godiva chocolate. That limited edition Christmas chocolate she had left for me that day on set.

It had been one of the hardest days in my schedule, and just seeing her face had made it all better. But the irritation had gotten to me, and in my anger at being hangry on a diet, I had thrown the chocolate in the trash. Oh no. Wait. A dreadful thought entered my head. What if she thought, that it was my rejection of her support and love as a fan? Fuck. Fuck. Fuck. She probably thought I hated her or something when it was just a bad day.

What bothered me even more, was that she had skipped my event to attend a date. A date with a guy who was not me. This thought filtered through my head, and I froze. Why did it aggravate me so much that she was on a date with another dude? Then I imagined her soft eyes, gleaming with love as she stared at another guy, kissed him on the cheek, sharing a chocolate cake with him and partaking in a chocolate-fililed kiss on the lips.

I felt like literally crying. I don't know why I did. But, I just did. I had to find her no matter what and I had to do it fast, before she gave up on me.

Y/N POV

The date had been fine. Jung-shik had been a cute guy, all brown curls , shy smiles and blushes. He was one of the art managers at KBS who I had met at the bakery. We talked about work, music, and art, eating cheese cake at a cake cafe. He had been a true gentleman, asking me what I wanted to have and opening the door for me, even going so far as to drop me near the bus station.

I sat at the bus station, waiting for my ride back at him when I saw a billboard of the sexy man himself, Jungkook. I could never escape this guy it seemed, even in death. I had felt his stare at me and Kim Hee today. It was odd, he never stared at individual fans like. He did that with particularly beautiful Armys---total models and divas I tell you. But, never with me. Even Yoongi stared at Kim Hee like they had three kids together, like she was coming home with him, like she was married to him---as much as that girl liked to deny it.

I never felt him even acknowledge me, with a glance, till today. I could feel the smoldering presence digging into my skin. Probably cause I dressed up for once today. As I was about to get on the bus that had pulled in, I saw a flash of black fluffy hair.

Before I could get on the bus, a strong sturdy vascular hand encircled my wrist, stopping me from getting on. Looking up at this man's face, I realized who it was. Doe eyes pierced into my face with a cutting glare, a sneer on his face, chewed up lips contorting in anger and ......something that felt like envy, "Who the hell did you go on a date with Berry? You better not be giving my chocolates away to anyone else".

#bts x reader #jungkook x reader #chubby reader #smut #eventual smut #angst #self love #jungkook x chubby reader #jungkook x curvy reader #jungkook x y/n #jungkook x plus size reader #jungkook bts #bts #bts angst #bts x chubby reader #bts x curvy reader #bts x plus size reader

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vvatchword · 1 year ago

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In Defense of BioShock Infinite

Although I had preordered BioShock Infinite with all its bells and whistles, I did not actually play it until January 2023. And lordy, I had me another Experience with a capital E. How the hell a bunch of urban Yanks could capture my experience as a queer democratic-socialist atheist struggling with her roots as a rural evangelical-cum-fascist is kinda magical, honestly. As to the game itself, it didn’t hurt how good it looked—the kickass skyhook gun battles—that novel setting—the complex characters—that delicious historical setting—that bloodthirsty critique of America—and to top it all off, they had pulled yet another Cassandra. Hell, speaking of which—not only was the game fun, it was fucking smart. It was intelligent, memorable, and meaningful in a way I hadn’t experienced in video games for years.

Now, back in 2013, when I had realized that I would be spoiled for Infinite, I left the BioShock fandom. After completing the game, I headed to Tumblr to re-engage, wagging my whole body like an excitable golden retriever, only to discover that BioShock Infinite was remarkably absent, and when mentioned, brutally derided.

“I hate BioShock Infinite and all my friends do, too,” someone said in the tags under a post.

I was utterly befuddled and deeply sad. I wanted to talk about BioShock Infinite! I wanted to dig into it, uncover unexpected ideas, learn new things, talk shit, make new friends—the full fandom experience. And instead I kept stumbling into hateful diatribes and super-charged disgust.

Obviously, I first looked at myself and my own judgment. Had I missed some obvious problem or misread some theme or dialogue? This wouldn’t be the first time I’d snapped down on a hook. But the more I thought about it, the angrier I got.

There are two parts of BioShock Infinite that are unquestionably terrible: the fridging of Daisy Fitzroy and the false equivalence of violence between haves and have-nots (lol what are the have-nots supposed to do, ask nicely?). Additionally, one could look at the use of real Native American tragedies as tasteless. Personally, I do not—in the same way that I don’t find it tasteless that real war victims were used as inspiration for Splicer deformities. This is what really happened; this is commentary on events that really happened to real people.

At this point, I’m sure I don’t have to explain why two of these themes are Unequivocally Bad.

Anyway, I thought that perhaps these were the reasons BSI had been condemned to Super Hell.

I was wrong.

How Criitcsim Werk

This wasn’t the fandom I’d made friends in over 2010. Hell, this wasn’t the fandom of 2013. This was a fandom made up of Babies. They were making their first coltish stumblings into media criticism and with it, dredging up the same brain-dead bullshit from Tumblr circa 2008.

Suddenly I was brought face to face with people who seemed to think that if a character couldn’t be likable or good that the story itself couldn’t be likable or good; that one bad element means the story is unsalvageable (lol u pussies); the implication that one is bad for liking it; the destructive juvenile insistence that media accurately measures its fans’ moral qualities en masse like an astrological sign. This goes far beyond simple like or dislike and plunges head-first into Puritanism: praying loudly on street-corners instead of quietly in a dark corner where God might hear you.

At one point I had a kid go off about how they wouldn’t take time to understand Booker DeWitt’s perspective because he had (fictionally) taken part in a genocide. (That same person said the Native American element had been employed for shock value, a thought that sometimes keeps me up at night, because it is legitimately one of the dumbest criticisms the game has ever received.) At another point I saw someone acting personally offended that (fictional person) Dr. Suchong’s (fictional) data was being stolen (in a fiction) by a (fictional) racist who would (fictionally) take credit for (fictional person) Suchong’s (fictional) inventions “while calling him slurs”. Sure, a better question would have been, “Why would the creative team opt to do this” rather than assume intentional racism from a Jewish creative director with an in-office multi-ethnic team in the year of our lord 2013, but why not handwave the choice with prurient moral dismay so your audience won’t beat you to death with bats?

It was as though fans were treating these completely fictional characters as real people whose personal gods had opted to torment them, and that their tormentors merited the kind of censure that psychopaths should receive. As I hope all of you understand, this is fucking madness.

More than once I saw people posting about hating the studio or the creative director in ways that seemed intense, unreasoning, and excessive—notably an “I Hate [Irrational Games creative director] Ken Levine” stamp (rofl the more things change amirite). People get so performatively moralistic about it that I started wondering if I missed something big along the way. Was there some secret Voxophone I missed swearing fealty to baby Hitler or some shit?

Double Standards

At the same time, I was utterly confused. BioShocks 1 and 2 both featured some absolutely ghastly bullshit based on real-life horrors and a thick mix of complicated human beings—many of them victims who have become monsters. The fact they are grounded in historical tragedies is a huge part of their appeal. Hell, I don’t think those games would have had half their meaning without World Wars I and II and the threat of a third.

A gay man who feels so cursed by his orientation that he is incapable of intimacy and systematically destroys his ex-lovers—including the man he loves the most. A Korean who survived Japanese occupation and a Jewish Holocaust survivor repeat the violence and traumas exacted upon them and their people, subjecting a new generation to agonies unthinkable. Chasing the shadows of Bolsheviks, a Russian citizen becomes the brutal tyrant that he loathed. A rich lawyer with an easygoing drawl designs a concentration camp and systematically harvests hundreds, if not thousands of political prisoners, selling them out to medical testing for a quick buck.

But a Native man who destroys his own people and class to ensure his own survival and social acceptability is too far? This character is where people drew the line, so much so that the entire game is disavowed? Hell, if you’re just talking about Booker (rather than Comstock), he doesn’t have anywhere near the largest bodycount. If we were to judge on the metric of human misery alone, Booker wouldn’t even hit the top ten.

Keep in mind that the most-discussed BioShock game on Tumblr is BioShock 2, and that one of the biggest fandom favorites is Augustus Sinclair—the easy-talkin’ Georgia lawyer who sells your character into horrors past all human comprehension, as he sold hundreds before and after you. Sinclair is a motherfucker so vile that BioShock 2 gives you no choice but to murder him. But Sinclair is also pleasant; good-looking to some; spends the whole game making sweet love to your ear; is one of the only true positive experiences you experience in a horror story. Unlike DeWitt, a man who is brutal and awful from step one, Sinclair is smooth and sweet. Unlike DeWitt, Sinclair’s victims are faceless, completely fictional, and carry no political or social baggage.

People fuckin’ ship this guy with Subject Delta, his explicit victim. He’s usually described as a squishy cinnamon roll. In most fanfiction, he often gets to escape to the surface and fuck Delta while helping raise Eleanor as Dad 2. It is rare that I find fanfiction that acknowledges his monsterhood in all its glory. In fact, I can only think of two.

Literacy Comes in Levels

My problem with the over-the-top hatred of BioShock Infinite is along the same lines as my confusion at Twilight and Harry Potter hate: there is so much worse out there (how much do the haters actually engage with media if they think this is that bad—yes, even considering the shitty creators themselves!), the hatred far outweighs the sin committed (in BioShock’s case, the truly bad bits are not central enough to derail the larger narrative), people don’t seem to hate it so much as they want to be seen hating it, fans want to enforce an unspoken rule hating it (bitches this is poison. Stop this), and there’s something about the hate that stinks of poor reading comprehension.

A great metric for general literacy is the newspaper. In journalism, you’re writing for the lowest-common denominator, which for years here in the USA has been about a fifth-grade reading level (about 10-11 years old, for my non-American readers). The AP posted an article a couple years back about how the general reading comprehension of Americans needs to be dropped to a third-grade one (8-9 years), and baby, I’m here to say it’s true.

Most of the problem is that the American education system is shitty as fuck. The rest of it is from an extremely American disdain of intellectualism and the arts. People are not taught how to interpret art or literature—a difficult and subtle skill which involves accepting such truths as “multiple contradictory readings can exist and yet be simultaneously correct”, “the author can be a complete tool and still be right about things”, “the author can be a great person and still write horrifyingly incorrect bullshit”, and “worthwhile works can be ridiculously long and it really is your fault for not having an attention span”.

Media criticism must be learned through trial, error, asking questions, confidently swaggering into a public space to announce your brilliant insight only to have your ass handed to you (usually by your older self ten years later), being willing to admit you swaggered confidently into a public space to state bullshit and then amending your bullshit only to produce more bullshit, and otherwise making a complete and utter cock of yourself. We are taught to fear and flee pain and failure, despite the fact this is how we learn and improve. Because we judge our value by whether or not we are “smart,” we are afraid of displaying that we don’t know something or might be mistaken–better not to try at all than to reveal ourselves to be fools. And yet the best way to learn is to crash up against someone else and be proven wrong!

American parents are terrified of hurting their children to the point that they spare them cognitive dissonance of any kind, disavowing difficult art—without any appreciation for the fact that art is how we provide safe spaces to explore key human experiences, better preparing us to face those difficult subjects when there are real-world consequences (sex, gender and social expression, grief, violence, predation, illness, interacting with people of different ideologies, whatever new issue is pissing off some smooth-brained old motherfucker somewhere).

If parents and teachers aren’t teaching us how to interpret art, we’re probably never going to develop the skill at all, or crash unsubtly into it in a piecemeal fashion (hello it me). Another unfortunate side effect is that these readers tend to be blitheringly superficial: they are literally intellectually incapable of reading deeper than the uppermost layer of a text. The curtains are always blue.

And let’s not forget the role moral performatism plays in media criticism, which although faaar from new, has reached hilarious levels in the age of social media. What’s important isn’t understanding something, it’s finding something to symbolically burn at the stake so everyone knows God loves us: please keep loving me, please don’t hurt me, please don’t throw me on the fire—for performatism is not for outsiders. We long for human connection so fucking much that it’s more important to destroy what might point out our fallibilities than it is to let ourselves stand in the furnace and burn out the dross.

What do you think the point of BioShock Infinite was?

Emotional Machines

Let’s face it. Human beings give a lot more credence to how something makes them feel than they do its complex invisible reality. We are not logical creatures; we are emotional ones. Our logic is too new a biological mechanism to override something as powerfully stupid as our primal lizard brains.

Knowing this, let’s take BioShock’s most popular characters. The first two are Subject Delta and Jack Wynand, the protagonists of BioShocks 2 and 1, respectively; and why not? They’re the characters we play. In the first two BioShocks, whether or not you kill Little Sisters determines the ending you receive. In other words, Delta and Jack can only be as “wicked” as the players are.

How do people want to see themselves? As good. What do people want to see around themselves? Good. (What is “good”? Uh, well,,,,,,) What do they want? Simple moral questions with simple moral answers. And in the first two BioShocks, what is moral is obvious: don’t kill little girls. It’s actually kind of insulting once you say it out loud.

In-fandom, Jack and Subject Delta are almost never painted as murderers or monsters, but as victims and heroes; I saw someone musing about putting Subject Delta on a “gentle giants” poll and I nearly choked on my own tongue. I only saw that musing because someone put Subject Delta and Jack in a “Best Fathers” poll. Nobody in-fandom really considers the “evil” or “complicated” endings as canon choices, despite those versions being fully understandable alternate readings, with a story that doesn’t make sense without them. (I don’t believe Burial at Sea is necessarily canon; in fact, I would bet good money that it is a huge middle finger lol, mostly because a number of brain-dead motherfuckers won’t take unhappiness for an answer.)

Most fandom art and writing is gentle, sweet, good: the symbolic healing of the damaged, the salvation of innocents, the turning of new leaves. These things are not just saccharine sweet—they tend to be unrealistically sweet. Now, far be it from me to demand these works cease. There’s a reason they exist. People write them because they need hope and happiness; I have enjoyed them greatly myself and intend to enjoy them in the future. But if y’all get to have your dessert, I demand the right to have my dinner.

The Colours Out of Earth

Let there be media where the opposite can also be true: where everything is unbelievably complicated and unforgivably fucked-up. Let there be characters who slide slurs into their speech without thinking. Let there be characters who destroy themselves in a thousand different ways, not all of them obvious, some of them horrifying. Let there be well-meaning people struggling with all their mights to do what is right only to destroy everyone around them and then completely miss the fact it’s all their faults. Let there be wickedness painted as goodness, superficial appearances accepted over essential and inherent values, denial of change and transformation, failure to accept that what is old must die and what is new must live, human stupidity and short-sightedness and cruelty in all their flavors. Let’s smash it all together and see how it plays out.

Oh, badly? No shit! But “badly” isn’t the point. How does it play out?

Let there be a world of gradients—a place I can float from color to color, hue to hue, value to value, while attempting to figure out where, why, how, and by whom they transform—to taste concepts in a hundred different ways, test their textures by a hundred different mediums, insert them into a hundred different contexts. I need to understand why I feel the way I do; I need to understand morality in all its hideous, fragmentary glory. For I have been sold to a ideology of blacks and whites, and let me tell you: it prepares you for nothing, and it will always destroy what is most precious about human life.

I can no longer believe in a world where what is lost always returns, because that world does not exist. I have a reflexive need to come to terms with Finality: what I have lost, what I have destroyed, what will never return, what will never be better. I have a reflexive need to understand Transformation: what I am now, what is as of the present, what has risen shambling from the ashes, what turns to gaze upon me in the darkness. I need to understand what is wretched about me as much as I need to heal myself. How can I heal if I can’t understand how I have hurt and been hurt?

I need to shine a light in the dark. Not to remodel it, not to destroy it—because I also can’t believe in a world where the wicked is destroyed forever—but to behold it, to learn from it, to view my own impact upon it, to accept how it has become a part of me, to learn how to do my best (because that’s all one can do). I must learn to love people more than causes, I must learn to love people rather than the act of winning, I must learn to love people rather than battle. I need to stand in that endless black with the lamp off and my eyes closed, letting the agony roll over me, burning with a fire that throws no light, rolling back and forth from an intense self-loathing to a fury at a society that destroys what is most valuable because it didn’t make them feel the way they wanted.

The Unforgivable

I believe that there are only two differences between Booker DeWitt and his equally cursed cohorts.

In the Hall of Whores: The Unmarked Slate

First, unlike the previous two games, where you enter the world as a tabula rasa and might roleplay as what you perceive as a good person, you are explicitly put into the shoes of a monster, and nothing you do can save you.

With other shitty BioShock characters, you are passively watching other people, and you are able to hold yourself apart. Sure, everyone else is crazy as fuck from using biological Kryptonite, but you’re too smart to end up a crazy fucking asshole like them! Sure, you are now technically a mass murderer, but those fuckers deserved it, damn it!

“Look at this crazy bastard!” you say, rolling your eyes at the Steinmans and Cohens and Ryans and Fontaines. “It sure is a great thing I’m not a crazy bastard!”

You are able to escape acknowledging that you, too, in certain circumstances, might be the crazy bastard. You are being challenged to stand in the body of a person who has committed unforgivable sins. Imagine if you yourself committed those sins. Imagine what sins you have already committed. Imagine what brutalities you cannot take back. Imagine what horrors you have wreaked just by breathing.

“Ahhhh!” said players, probably. “What do you mean I’m not allowed to be good?”

Because that’s what the game was designed to do. Because “good” is a fucking cop-out and if it’s how you live with yourself wait until you find out you’ve been doing horrifying bullshit all your life without question. You can be evil by association through no fault of your own.

Original Sin

Second, the plight of Native Americans is a sin that non-Natives will always carry, and the socially conscious are aware of this even if they don’t know how to put it into words. The state of affairs being what it is, it is unlikely that First Peoples will ever be treated humanely, much less have their land returned. They must struggle for scraps of what is rightfully theirs while we lounge on their corpses. We cannot help but benefit from their destruction; we are made unwitting partners with our forebears; we steal the fruits of their lands and make mockeries of their faiths and identities. We have destroyed part of what made this world fascinating and unique and most of it can never be returned. Even if everything were to be made right tomorrow, their genocide is a sin that we will carry until we die, because the only reason we could be here at all is because they were killed.

The obvious solution stands before us, but the powers that be are so much greater than we that we are effectively powerless, and achieving anything less than total restoration smacks of anticlimax.

This is unbearable.

How can one think of oneself as a good person if one sees the good that must be done, but cannot achieve it? If one’s actions are meaningless? Goodness without action is pretension.

We are all Booker DeWitt. We have all set fire to the tipi. We swept the ashes away, we ignored the sizes of the bones, we built a CVS on their graves, and then we made statues and holidays commemorating Native Americans like the world’s cheapest “Thinking of You” card. We have de-fanged them, transformed them into cardboard cutouts, and set them up as cute little side characters in our sweeping American dream.

Booker is not a man. Booker is America and Americans—and America and Americans are monstrous: one part hypocrisy, two parts incessant violence, three parts constant peacocking, and four parts dumb as a stump.

The Monsters We Make

Outside of the message about “choice,” an enormous part of BioShock’s thematic ensemble is the creation of monsters. How are monsters created? Who or what is responsible for creating them? What do the monsters think made them the ways they are? Can a monster be saved? How? Is it enough to acknowledge you did wrong and want to be a better person?

Maybe most people are aware on some instinctive level of what facing one’s own monsterhood means. No one wants it. It’s not fun. It hurts. It’s embarrassing. It’s destructive. It’s admitting you don’t have it all together and might never, ever—that despite your best actions, you can have it horribly wrong at any point. In an age where we demand moral perfection, it demands vulnerability: you must admit that sometimes you’re the racist, the transphobe, the sexist, the nationalist, the classist, the homophobe, the violent, the wrong, the dumbfuck.

Human beings are not built to be moral; human beings are built to survive. We so rapidly learn how to deal with our contexts at such young ages that we don’t have the time or capabilities to question why those contexts are the ways they are or why it is demanded we perform the ways we do.

In a very real way, BioShock Infinite demands vulnerability of us. It demands you look in the mirror and see what is monstrous in you—how you have been created—manufactured—a tool, a machine, a trained animal. It asks you to recognize that you can be a monster simply by association. And if we can’t look into the mirror and truly acknowledge that monsterhood, we run very real risks of becoming or enabling those monsters in one way or another.

Worst of all: perhaps monsterhood isn’t optional. Perhaps the monster was inside of us from the very beginning. It’s not a matter of if you become a monster, but when, under what circumstances, by whose hand. What is more, believing the “right” moral stances will not save you. Monsterhood can afflict anyone, in any ideology, any political stance, in any social movement, in any faith. The only element that can save you is to truly love other people, and even then, you can fail, for there can be states where there is no winner and ways to misread how best to treat another person.

Environment and Society: Context Will Not Be Denied

BioShock 1’s original ending is Jack-as-monster, regardless of how many children he saves, regardless of your feelings as player. He passes through the gauntlet of Rapture, but he has supped of its poison. And he wasn’t poisoned when he entered Rapture the second time—he was poisoned the minute he was conceived. He was born of it. He had no hope of ever escaping it—he never could have—he’d never had a choice to begin with.

No matter what choices you make in BioShock Infinite, Elizabeth will always kill you. Why? Because she has seen every world—every context—every limitation—every boon. And there is no way to stop what has been; there is no way to undo what has been done. The minute you have committed to a decision, you have split the universe; there is no telling what kind of person it will make you. In fact, there’s no telling which of your decisions will matter at all. Only Elizabeth can see because she is the unlimited future: your offspring stands before you, judge and jury, and you will have no choice but to accept her verdict, for despite your name, you are incapable of controlling how you are interpreted.

Elizabeth sits across from you in the boat and stares without blinking. She sees a million million similar Bookers. Some are a little bit taller, some a little bit shorter, some a little heavier or lighter. Some more-resemble one grandparent or another. They have different colored ties. This one blinks when rain hits him in the eyeball. That one took a brutal beating back on the airship and one eye is swollen shut. That one can’t stop shaking; this one is unable to speak at all; one hasn’t yet lost hope, although even he doesn’t realize it.

They all lowered the torch to the tipi.

The baptism determined Comstock; what determined Booker?

Why Booker Is

In BioShock 1, characters are often stand-ins for larger concepts. Thus Ryan stands in as Ayn Rand’s Objectivist Ubermensch; Bill McDonagh as Andrew Ryan’s conscience; Diane McClintock as the citizenry of Rapture; Captain Sullivan as law and order; Frank Fontaine as the truest expression of Objectivism in its distilled form.

Who is Booker? Most importantly: why is he?

Booker is a fictional character with a brutal background based on historical events, alternative and true. Booker might be Lakota; Booker might have undergone forced Anglicization; Booker might have been ripped from his parents; Booker is a product of violence, perhaps literally. Booker is American exceptionalism distilled. Booker is the past in constant judgment of itself, unable to live with itself and unable to die. Booker destroys what is best in him and around him in exchange for belonging. Booker has sold the future to absolve his sins. Booker has sold his daughter because he is a fictional character in a work of fiction who needs to be propelled.

Booker is a shell, a sluice, an environment. Booker is the broken shape you are meant to fill, horrified. His internal shape should torture you as it has tortured him: the messy slaggy soul of a shitty tin soldier.

Does Booker take the baptism and become Comstock? If so, it might be his second one. His last name literally means “the white.” His first name can mean “author.” It is most likely his second name: an attempt to rewrite himself. And when he was unable to rewrite himself the first time, when the cognitive dissonance boiled at the edges of his skull, he found there was only one way to cleanse himself the second: to remake the world entirely. To force transformation on everyone else. To take vengeance on a world that could never love him, never want him—to create a world that has no choice but to love him. If he can’t change the world’s mind, he’ll change the world.

Note what he opts to do: to take the fight to the environment–to the unyielding universe.

Context Is Everything

It is no mistake that BioShock Infinite occurs in 1912: the sinking of the Titanic is often credited with ending an unfettered optimism, a period when the Western world believed technology had brought the human race into a golden age. With World War I—which would follow a mere two years later—came modern warfare and all the horrors thereof, not the least of which was the realization that humans had created a kind of war that could destroy the entire world. World War I also seeded the rise of the United States: much of the wealth of warring Europe—itself fat on the blood of subjugated peoples and stolen lands—would rattle into America’s coffers.

It is also no mistake that BioShock 1 directly follows World War II. With WWII came a heightened terror—that this war is not the last war, that there will never be an end to war, that war will go on expanding and expanding until it has consumed us all. World War III would not be denied: prettily packaged in the ideals of its children, it simply followed the utopians down to their underwater tombs. According to BioShock 1’s original ending, World War III is not a matter of if—it’s a matter of when.

But even more important than the history in the BioShock games are their settings. Mute leviathans, Rapture and Columbia determine all of your behaviors: from where you can exist in space to all of your desires and goals to how you choose to present yourself to how you opt to behave. Isolated in extremism—whether that extremism is the crushing depths of the ocean or the unbearable lightness of the air—most of their power is that they simply cannot be escaped. You can’t outrun them. They are everywhere. They are everything.

Like Lovecraft before it, BioShock acknowledges the greatest horror of all: you cannot escape your context. Your context does not only involve your immediate surroundings. It is also historical; contains zeitgeists from various cultures and subcultures; is filled with pressures both personal and impersonal, human and nonhuman. Many of these forces can hurt you. Many more can destroy you. What you do to survive depends very much on where, when, and with whom you must live.

Human beings are not built to be moral.

The Death of the Future

In the film Operation, Burma!, a soldier asks Errol Flynn: “Who were you before the war?”

“An architect,” says Flynn.

Who were you? Because that “you” doesn’t matter now. That “you” is irrelevant. So you’re an architect. What the war does to you; what these deaths mean to you; your past, your education, your loves and desires and forward motivation, the you that could have been outside war, the you that slogs alone into the brutal future—all completely irrelevant. Your forebears don’t care so long as you can bleed.

Children are the manufactured tools of their creators—helpless before the enormous strength of their elders and the zeitgeists that enclose them, poisoned by their parents’ insecurities and flaws, utilized like weapons regardless of the cost—often with great love.

Consider something more than the traumatized culture: consider the society filled with traumatized children; consider the traumatized society. Consider channeling children through that trauma over and over and over again, if you can. Poisoned—poisoned—poisoned—all of us poisoned. Poisoned by those who loved us most. Poisoned by the people we trusted. Poisoned by the people who meant to make a better world.

I believe it is notable that creative director Ken Levine is Jewish; I have read from multiple accounts that the European Jewish diaspora was uniquely traumatized from the Holocaust and passed that trauma down upon their own families. I sometimes wonder if he saw that firsthand.

The fathers eat sour grapes; their children’s teeth are set on edge.

Choice: Player Expectations and Entitlement

For players who experienced BioShocks 1 and 2 with their multiple endings (Good, Bad, and “ok bye then I guess” respectively), it must have been jarring to suddenly reckon with being a monster. How often I see players grousing that nothing they do will change their wicked pasts! These players completely miss that the only meaningful choice had already been made, that it had nothing to do with the player at all, and even if they had been there, DeWitt was still unforgivable. The only way to go on was to bow out and allow the future to redefine herself.

Nobody was ready for that shit.

Like it or not, BioShock 1 had set a precedent. Not everyone’s going to read up on creator intentions. If any keyword came blaring through the noise, it would have been “choice.” Most players only recognize choice by the ability to make it, not the absence of it, and most of them weren’t equipped to recognize that its lack was the point. The meaningless choices were commentary, and they were as much about the player as they were about DeWitt himself. Not every choice will be meaningful, will it? And there will be choices you make that will be momentous, but they will seem very small when you make them.

Because most players had experienced what they thought was a basic moralistic tale in the first two games, and would see Infinite not as reflection upon America’s destructive personality, its obsession with a meaningless Good/Bad duocracy, and the infinite, cyclical nature of violence, they saw Booker’s death as corrupted artsy claptrap.

“I did the good schuut,” they say. “I want the good schuut end. Where happy end??? Where treat :(”

Bitch the future is here.

Time to die.

It’s Not Me, It’s You

Generally I despise essays that end with, “But the real fault lay with the clueless motherfuckers who played the game!” Often, if enough people complain, there’s something to it; the message has been obscured somehow. Details or explanations weren’t clear or intuitive enough, some mechanism isn’t working somewhere, some character needs to talk more or less, some setting needs to be transformed. O artist: stop whining and get cracking. If everywhere you go smells like shit, it’s time to look under your shoe.

But sometimes it’s true that a piece of media is on a level folks aren’t equipped for. Think of every literature and art class you’ve ever had, if you’ve been fortunate enough to have one. There’s always someone scoffing in a back row, like here are all these jokers making more of something than they should. Similarly, some of you have been arguing with me this entire time, saying: “I just wanted a video game. I just wanted to shoot something and feel better and instead I get this bullshit ending that makes no sense.”

First of all, smart bullshit (and even fucked-up attempts at smart bullshit! Hi BioShock 2) gets to exist on this Earth along with Gmod and Roblox or Schuut Big Tits 84 (there are 84 tits and you must shoot them all. They explode into smaller tits) or whatever-the-fuck-else you think is a worthwhile gaming experience. Second of all, miserable bullshit also gets to exist, and what did you fucking expect if you played through either BioShocks 1 or 2? When you hear a football player quavering out in the darkness for his mom to pick him up, how’d that make you feel? What did you think was going to happen to Jack after pounding back the entire Plasmid library, the cancer cocktail that explicitly destroys the fuck out of its users? Third of all, if you missed the smart bullshit going on in BioShock 1 and didn’t think BioShock Infinite might be larger in scope in more ways than one, that’s on you. Fourthly, if you were simply satisfied with saving like, 15 kids from a violently-perishing city of thousands and call it good, I mean… is that really where your thoughts end? Are you really that fucking small?

It’s Not You, It’s Me

You ever meet those motherfuckers who talk shit about Shakespeare or modern art? And you’re just left there staring with dead eyes at this poseur who mistakes playing devil’s advocate for intelligence, cheek resting on your fist, thinking about the fanfic you’re writing, wondering who it’s for, remembering that all your smut-writing friends get ten times the viewers, and considering throwing yourself in front of a bus.

Yeah, there’s a personal element to this: the fact that BioShock Infinite is the kind of art I like and long for and want to make myself, the fact that the game was successful and yet the studio was closed, the way its DLC was so rushed that the story plopped out like half-baked mystery meat—realizing that the same forced rush was at 2K’s behest for BioShock 2, as well, and wondering how good art can ever be made in this unforgiving capitalist hellscape. The game was weirdly niche and I’m not 100% sure I’ll ever experience anything quite like it again. And with the whiners in this fandom, the loud ones controlling the narrative, some fresh brain-dead exec in some brain-dead publisher might be like: “We must keep it safer and simpler for these fuckin babby adult!”

Nah bitch nah. Naaaah. Cry some more while I enjoy me my fucking dinner. I’ll eat it while making loud smacking noises and keeping unbroken eye contact. Come here. Let’s look at each other. It’ll be like Lady and the Tramp but we want to punch each other. What truer form of love can there be here in the modern world?

I keep having to remind myself that this response isn’t new. I keep having to remind myself of my place. I keep having to remind myself why I write, why I read, why I like to experience art to begin with. It’s not for the reasons other people do it. Oh, I want the same emotional release as everyone else, I want the same rollicking plots, I adore the same tropes. I seek out everything and anything for a good time; I’ll read Moby Dick today and a smutty 5,000-word abortion with the world’s most suspect grammar tomorrow. I don’t give a shit if it’s low- or high-brow; there are all kinds of ways to have fun and there are all kinds of ways to engage with art, and lord knows I’ve done my share of smooth-brain criticism. The problem is that I’ve always wandered off by myself, sunk into an all-consuming reverie, on tracks that no one else ever seems to be on, and then looked up to talk excitedly about something only to realize I’m alone. And whose fault is that?

By the same token, maybe I haven’t talked enough. Maybe I spend too much time with my mouth shut. Maybe I haven’t stood up enough for things that are worth our time, worth talking up, worth setting on pedestals.

I tell you, BioShock Infinite will stand the test of time. It’s too good for this. It’s too good for you, warts and all. Some of you will grow to understand that; some of you won’t; many of you will shrug and go on with your lives (and this is fine; it is only a video game). But I’ve truly not seen anything like it. I can’t believe a mainstream video game was allowed to be so fucking brutal about the American juggernaut, and what’s more, that it sold like hotcakes. Plus, I can’t think of any works in recent memory that have struck me so close to my own heart. No creative work has made me start beating a monster’s face into a washbasin for ten hours only to lift her by the scalp and see my own eyes looking back.

Look into those eyes. See your own stupid impulses pouring out. Your own stupid excuses, your violences, your sins—your claws, your teeth, your costumes, your hilarious attempts at interpretive dance. The beast doth protest too much.

O, monster—behold thyself—and tremble.

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