#super bowl 2016

[calicojack1718]

Limited Immunity: Our Democracy Now the Stubborn Turd Stuck in the Bottom of the Toilet Bowl

The Roberts Court is dragging our democracy to the bath water to drown it, and it hardly seems as if any of us are kicking and screaming about it. All we can seem to do is mumble, "Old! So old! Biden so old." Remember Election 2016!

SUMMARY: Are those who do not remember history doomed to repeat it? It seems like we are. Here it is days after SCOTUS dropped the limited immunity turd on our democracy, and we’re still wringing our pearls and clutching our fainting couches, and falling onto our hands about Biden so old. Do we remember how we got a 6-3 Court? Are we happy with the decisions of the Robert’s White Nationalist Full…

[odinsblog]

This year’s Super Bowl was a weapon of mass distraction. If there’s any justice, future generations will remember the game not for Patrick Mahomes, Travis Kelce, or Taylor Swift but for the US-funded attacks on Palestinian civilians that occurred while so many Americans were glued to their TVs. During the game, watched by well over 100 million people in the United States, Israel launched a bombing raid of Rafah in the Gaza Strip, the most densely populated area on earth. More than 1 million people had fled now-leveled Gaza City to the refugee camps in Rafah and surrounding areas. Palestinians who have survived previous Israeli strikes are now staving off disease, destitution, and fear.

Meanwhile, CBS granted the Israeli government space for an ad about the 130 hostages left in Gaza. This ad, meant to build public support and justify the slaughter of nearly 30,000 civilians in Gaza, spurred 10,000 people to register complaints with the FCC, because the commercial did not disclose that a foreign government had paid for it. Coupled with the Rafah raid, this looks more like military synergy than happenstance. 

New England Patriots owner Robert Kraft also spent $7 million on an ad from his organization Foundation to Combat Anti-Semitism. It features Clarence Jones, a 93-year-old former speech writer for Dr. Martin Luther King Jr. Kraft and other pro-war billionaires use the memory of King so much, they should be paying his family indulgences for slandering his name. The ad failed to mention that Kraft has given $1 million to pro-war AIPAC and donated $1 million in 2016 to Donald Trump’s inauguration. Given that Kraft says that the Nazi march in Charlottesville was his motivation to start his foundation (Charlottesville was the one with “good people on both sides,” according to Trump), his hypocrisy is insidious.

Kraft and Israel want the same thing: a blank check to uproot Palestinians from Gaza and build settlements. One can also only imagine if a peace organization tried to buy an ad asking Israel and the United States the question: “How many dead children will be enough?” I suspect it would be denied faster than a public-service announcement about concussions.

(continue reading)

[justinspoliticalcorner]

Ian Millhiser at Vox:

The Supreme Court announced on Monday that it will not hear Mckesson v. Doe. The decision not to hear Mckesson leaves in place a lower court decision that effectively eliminated the right to organize a mass protest in the states of Louisiana, Mississippi, and Texas. Under that lower court decision, a protest organizer faces potentially ruinous financial consequences if a single attendee at a mass protest commits an illegal act.

It is possible that this outcome will be temporary. The Court did not embrace the United States Court of Appeals for the Fifth Circuit’s decision attacking the First Amendment right to protest, but it did not reverse it either. That means that, at least for now, the Fifth Circuit’s decision is the law in much of the American South. For the past several years, the Fifth Circuit has engaged in a crusade against DeRay Mckesson, a prominent figure within the Black Lives Matter movement who organized a protest near a Baton Rouge police station in 2016. The facts of the Mckesson case are, unfortunately, quite tragic. Mckesson helped organize the Baton Rouge protest following the fatal police shooting of Alton Sterling. During that protest, an unknown individual threw a rock or similar object at a police officer, the plaintiff in the Mckesson case who is identified only as “Officer John Doe.” Sadly, the officer was struck in the face and, according to one court, suffered “injuries to his teeth, jaw, brain, and head.”

Everyone agrees that this rock was not thrown by Mckesson, however. And the Supreme Court held in NAACP v. Claiborne Hardware (1982) that protest leaders cannot be held liable for the violent actions of a protest participant, absent unusual circumstances that are not present in the Mckesson case — such as if Mckesson had “authorized, directed, or ratified” the decision to throw the rock. Indeed, as Justice Sonia Sotomayor points out in a brief opinion accompanying the Court’s decision not to hear Mckesson, the Court recently reaffirmed the strong First Amendment protections enjoyed by people like Mckesson in Counterman v. Colorado (2023). That decision held that the First Amendment “precludes punishment” for inciting violent action “unless the speaker’s words were ‘intended’ (not just likely) to produce imminent disorder.”

The reason Claiborne protects protest organizers should be obvious. No one who organizes a mass event attended by thousands of people can possibly control the actions of all those attendees, regardless of whether the event is a political protest, a music concert, or the Super Bowl. So, if protest organizers can be sanctioned for the illegal action of any protest attendee, no one in their right mind would ever organize a political protest again. Indeed, as Fifth Circuit Judge Don Willett, who dissented from his court’s Mckesson decision, warned in one of his dissents, his court’s decision would make protest organizers liable for “the unlawful acts of counter-protesters and agitators.” So, under the Fifth Circuit’s rule, a Ku Klux Klansman could sabotage the Black Lives Matter movement simply by showing up at its protests and throwing stones.

The Fifth Circuit’s Mckesson decision is obviously wrong

Like Mckesson, Claiborne involved a racial justice protest that included some violent participants. In the mid-1960s, the NAACP launched a boycott of white merchants in Claiborne County, Mississippi. At least according to the state supreme court, some participants in this boycott “engaged in acts of physical force and violence against the persons and property of certain customers and prospective customers” of these white businesses. Indeed, one of the organizers of this boycott did far more to encourage violence than Mckesson is accused of in his case. Charles Evers, a local NAACP leader, allegedly said in a speech to boycott supporters that “if we catch any of you going in any of them racist stores, we’re gonna break your damn neck.”

With SCOTUS refusing to take up McKesson v. Doe, the 5th Circuit's insane anti-1st Amendment ruling that effectively bans mass protests remains in force for the 3 states covered in the 5th: Texas, Louisiana, and Mississippi.

[mydaddywiki]

Buddy Ryan

Physique: Husky Build Height: 5"10"

James David "Buddy" Ryan (February 17, 1931 – June 28, 2016; aged 85) was an American football coach in the NFL and AFL. During his 35-season coaching career, Ryan served as the head coach of the Philadelphia Eagles from 1986 to 1990, and of the Arizona Cardinals from 1994 to 1995. Ryan also served as the defensive coordinator of the Chicago Bears from 1978 to 1985, and of the Houston Oilers in 1993. Coaching multiple Hall of Fame defensive players throughout his career, Ryan is considered by many to be one of the greatest defensive minds in the history of American football.

Authentic and ornery, Ryan had that rugged, tough look that always get me going. Even his sons, Rex Ryan and Rob Ryan have it to some degree, but not the way Buddy did.

Born in Frederick, Oklahoma, Ryan played college football for Oklahoma A&M University (now Oklahoma State) where he earned four letters as a guard between 1952 and 1955. He served as a sergeant in the United States Army during the Korean War. Following his service in the military, Ryan's a career as a defensive troubadour began, winding its way through New York, Minnesota, Chicago, Philadelphia, Houston and Arizona.

Twice married, Ryan had had three sons, including fraternal twins, Rex and Rob with his first wife, Doris Ryan. Ryan married his second wife, Joanie Ryan in 1970. Ryan died on June 28, 2016, on his ranch in Shelbyville, Kentucky, at the age of 85, after a lengthy illness. Ryan's passion for the game often made him a divisive figure. As a coordinator, he warred with his head coach and fellow assistants. Most memorably, Ryan throwing a punch at Kevin Gilbride on the sideline of a nationally televised game. And he stay in the back of my mind ever since.

Career Highlights and Awards 2× Super Bowl champion as assistant coach (III, XX)

Head Coaching Record Regular season: 55–55–1 (.500) Postseason: 0–3 (.000) Career: 55–58–1 (.487)

[odder-oddish]

Anyone else ever think about how weird it would be for the DBD survivors to like, miss out on years of pop culture? Like, we know that Vittorio, Gabriel and some of the killers come from different time periods, but assuming that like the original characters were taken from their lives on their "release date" in the game, then that means that Dwight and Meg have been gone from the world for 8 years.

And that's like, elections, political tension, music and movies, all sorts of stuff.

Like World Cups, Super Bowls, etc. Anyone who has a favorite team they follow would probably be wondering if they took home the title. Ace wonders if the last couple bets he made would have won him a couple hundred dollars or put him into debt even more. Musically inclined survivors are probably curious about their favorite star's newest albums, and newer survivors all have the latest hits stuck in their head.

And for the younger survivors... MEMES. Like remember how different those were in 2016? Newer survivors are coming in with the worst sort of brain rot; some try to explain it to the others but some don't bother.

And then one day, Zarina, who was released in early 2020, is like, yeah there's a bad virus going around. Everyone's staying inside and isolating, but we think it'll be over by Fall. And then, Felix shows up, like, yeah no there's still a plague. And then Elodie and later Yun-Jin and Mikaela are like, yep we still have COVID

And then, Thalita or Renato makes a joke about the Queen dying...

And David just loses his shit.

And then Nick Cage shows up???

I think about that a lot.

[soon-palestine]

Under that lower court decision, a protest organizer faces potentially ruinous financial consequences if a single attendee at a mass protest commits an illegal act.

It is possible that this outcome will be temporary. The Court did not embrace the United States Court of Appeals for the Fifth Circuit’s decision attacking the First Amendment right to protest, but it did not reverse it either. That means that, at least for now, the Fifth Circuit’s decision is the law in much of the American South.

For the past several years, the Fifth Circuit has engaged in a crusade against DeRay Mckesson, a prominent figure within the Black Lives Matter movement who organized a protest near a Baton Rouge police station in 2016.

The facts of the Mckesson case are, unfortunately, quite tragic. Mckesson helped organize the Baton Rouge protest following the fatal police shooting of Alton Sterling. During that protest, an unknown individual threw a rock or similar object at a police officer, the plaintiff in the Mckesson case who is identified only as “Officer John Doe.” Sadly, the officer was struck in the face and, according to one court, suffered “injuries to his teeth, jaw, brain, and head.”

Everyone agrees that this rock was not thrown by Mckesson, however. And the Supreme Court held in NAACP v. Claiborne Hardware (1982) that protest leaders cannot be held liable for the violent actions of a protest participant, absent unusual circumstances that are not present in the Mckesson case — such as if Mckesson had “authorized, directed, or ratified” the decision to throw the rock.

Indeed, as Justice Sonia Sotomayor points out in a brief opinion accompanying the Court’s decision not to hear Mckesson, the Court recently reaffirmed the strong First Amendment protections enjoyed by people like Mckesson in Counterman v. Colorado (2023). That decision held that the First Amendment “precludes punishment” for inciting violent action “unless the speaker’s words were ‘intended’ (not just likely) to produce imminent disorder.”

The reason Claiborne protects protest organizers should be obvious. No one who organizes a mass event attended by thousands of people can possibly control the actions of all those attendees, regardless of whether the event is a political protest, a music concert, or the Super Bowl. So, if protest organizers can be sanctioned for the illegal action of any protest attendee, no one in their right mind would ever organize a political protest again.

Indeed, as Fifth Circuit Judge Don Willett, who dissented from his court’s Mckesson decision, warned in one of his dissents, his court’s decision would make protest organizers liable for “the unlawful acts of counter-protesters and agitators.” So, under the Fifth Circuit’s rule, a Ku Klux Klansman could sabotage the Black Lives Matter movement simply by showing up at its protests and throwing stones.

[jgroffdaily]

Interview by Jake Nevis, photos by Jenny Anderson - excerpts:

For Groff in particular, who’s earned a Tony Award nomination for his swaggering turn as the prodigious composer Franklin Shepard, the experience of starring in Merrily We Roll Along is provoking a tender sort of reappraisal of the wide-eyed, closeted 20-something who arrived on Broadway two decades ago in Spring Awakening, tending his own dreams. “There’s so many powerful parallels and I’m feeling the opportunity to release a lot of the tension I was holding at that time,” he told me earlier this month over coffee in Greenwich Village (just before showing face at a Tony’s luncheon). “This character feels like an exorcism of the lightest and darkest parts of myself.” With easy candor—and a charm not dissimilar to the kind he demonstrates in the role—Groff opened up about learning to live without shame and what Looking, the polarizing HBO series he starred in from 2014 to 2016, taught him about show business.

JAKE NEVINS: Hey, Jonathan. Congrats on your Tony nomination.

JONATHON GROFF: Thank you so much.

NEVINS: That’s exciting. How do you feel?

GROFF: Oh my god, I feel super emotional. I’ve been crying a lot these days. Last time I was nominated was during Hamilton, which was like seven or eight years ago. And I wasn’t in the show when the nominations happened. I had left to do a TV show. So this is the first time since Spring Awakening that I’ve experienced the intensity of awards season on Broadway while being in the show. I’m having a lot of flashbacks to being 22 years old.

NEVINS: What were your first encounters with Merrily in particular?

GROFF: Gideon Glick, who was in Spring Awakening with me, sent a text to the Spring Awakening text chain saying, “This documentary came out called The Best Worst Thing That Ever Could Have Happened. And it’s devastating and beautiful, and it reminded me so much of us. You all have to go see it.” So I watched the documentary about Merrily that Lonny Price made and was blown away by it. At the Hollywood Bowl, I had done Sondheim on Sondheim, where I sang the role of Frank in “Opening Doors” and Jesse Tyler Ferguson did “Franklin Shepard, Inc.,” so I knew the songs from there. Funny enough, we had just finished our Spring Awakening reunion concert, which was in the fall of 2021, and we were making a documentary about the concert and about the show. The Merrily doc was a big inspiration for that because of how they went back and forth and showed them as kids and showed them as adults. And then in January 2022, me and Jim Carnahan, who cast me in Spring Awakening 16 years before, were in a film club during COVID. After we saw 8½ at the Film Forum in January 2022, he said to me, “We’re going to come to you with an offer for Frank in Merrily We Roll Along. Do you know the show?” And I was like, “I know pieces of it, but I don’t know the show.” Maria’s production in London was on YouTube, so I watched it and I died for it. I just thought it was fucking genius, never having seen it and obviously knowing from the documentary that the show was originally a flop. So it took six months between January and June 2022 for us to figure out the dates. Dan [Radcliffe] was already attached to play Charley, and then Lindsay [Mendez] came on, and then we were off and running.

[Jonathan on reactions to Looking] And I was like, “Whoa.” That was when I started to learn the art of walking with an open heart and also protecting myself.

NEVINS: What does that look like?

GROFF: It’s like, having empathy and respect for the haters and honoring them and understanding that that opinion can exist and I can still be in my lane and express myself. Just because someone says it’s terrible doesn’t mean it wasn’t worth making.

NEVINS: Well, I’ll leave you with this. What’s the status of your inner voice? By all accounts, you’re living your dream, but I don’t want to draw any conclusions.

GROFF: This feels like it’s been a rebirth, a bit of a renaissance, and a release. It’s like I’m re-experiencing what I experienced when I was 22 with Spring Awakening, but now as a flashback, which is what Merrily is about. I moved to New York in 2004, 20 years ago. This show takes place over the course of 20 years. It’s about three friends. Spring Awakening was about these three characters. There’s so many powerful parallels and I’m feeling the opportunity to release a lot of the tension I was holding at that time. It feels like this opportunity to tap back into that 20-year-old I was and release all of the baggage from that time. I’m feeling more like myself than I ever have. This character feels like an exorcism of the lightest and darkest parts of myself.

NEVINS: An exorcism that ends with a Tony, hopefully

GROFF: Oh my god.

[psychics4unet]

20 Simpsons Psychic Predictions That Came True 🚀

Hey there, fellow Simpsons fans! 🎉 If you’ve been following The Simpsons, you know that this iconic show isn’t just about laughs and donuts (though we love those too). It’s also about some eerily accurate predictions that have left us all scratching our heads. 🤔 How did this cartoon get so many things right about the future? Grab a seat, grab a donut 🍩, and let’s dive into some of the wildest psychic predictions from The Simpsons that actually came true! 🚀

🌟��✨ Curious about what the future holds for you? Just like The Simpsons predicted some mind-blowing events, you too can uncover what’s in store for your life. Click the link below for your own personal psychic reading and get insights that might just amaze you:

1. Donald Trump’s Presidency 🇺🇸

Season 11, Episode 17 (“Bart to the Future”)

In this episode from the year 2000, Lisa becomes the president and mentions that they inherited quite a budget crunch from President Trump. Fast forward to 2016, and Donald Trump becomes the 45th president of the United States. What the what?! 😲

2. Smartwatches ⌚

Season 6, Episode 19 (“Lisa’s Wedding”)

During a future vision of Lisa’s wedding, her fiancé uses a watch to make a phone call. This was in 1995, way before smartwatches became a thing in the 2010s. Talk about being ahead of the curve! 📱

3. Disney Buys 20th Century Fox 🏰🦊

Season 10, Episode 5 (“When You Dish Upon a Star”)

In 1998, there’s a scene showing the 20th Century Fox sign with a subtitle “A Division of Walt Disney Co.” In 2019, Disney actually bought 21st Century Fox. Coincidence? I think not! 🎬

4. Video Chatting 💻

Season 6, Episode 19 (“Lisa’s Wedding”)

Again in Lisa’s Wedding, we see video calls being made. This was years before Skype, FaceTime, or Zoom became part of our daily lives. The Simpsons were definitely on to something here! 🖥️

5. The Shard in London 🏙️

Season 6, Episode 19 (“Lisa’s Wedding”)

In the same episode (wow, it’s like a crystal ball!), we see a skyline that includes a skyscraper eerily similar to The Shard, which wasn’t built until 2012. 👀

6. Lady Gaga’s Super Bowl Performance 🎤

Season 23, Episode 22 (“Lisa Goes Gaga”)

In 2012, The Simpsons showed Lady Gaga performing at a concert, suspended in the air. Fast forward to 2017, and Gaga did exactly that at the Super Bowl halftime show. Fly, Gaga, fly! 🎇

7. Nobel Prize Winner 🏅

Season 22, Episode 1 (“Elementary School Musical”)

Milhouse predicted that Bengt Holmström would win the Nobel Prize in Economics. And guess what? Holmström did win it in 2016. Way to go, Milhouse! 📊

8. Ebola Outbreak 🌍

Season 9, Episode 3 (“Lisa’s Sax”)

In this 1997 episode, Marge suggests that Bart read a book titled “Curious George and the Ebola Virus.” Years later, in 2014, there was a significant Ebola outbreak. Chills! 😬

9. Siegfried and Roy Tiger Attack 🐅

Season 5, Episode 10 (“$pringfield (Or, How I Learned to Stop Worrying and Love Legalized Gambling)”)

The show depicted a white tiger attacking entertainers similar to Siegfried and Roy. Tragically, in 2003, Roy was indeed attacked by one of their white tigers during a performance. 😥

10. U.S. Wins Olympic Gold in Curling 🥌

Season 21, Episode 12 (“Boy Meets Curl”)

Homer and Marge compete in curling and win a gold medal. In real life, the U.S. men’s team won the gold medal in curling at the 2018 Winter Olympics. Sweep that, skeptics! 🥇

But wait, there’s more! Let’s keep this prediction train rolling with some honorable mentions that didn’t make the top 10 but are still pretty mind-blowing. 🚂💨

11. Horse Meat Scandal 🐴

Season 5, Episode 19 (“Sweet Seymour Skinner’s Baadasssss Song”)

Lunchlady Doris used “assorted horse parts” in the cafeteria food. In 2013, a scandal erupted in Europe when horse meat was found in various beef products.

12. FIFA Corruption Scandal ⚽

Season 25, Episode 16 (“You Don’t Have to Live Like a Referee”)

The episode features a storyline involving corruption in the World Football Federation. In 2015, several FIFA officials were arrested amid a corruption investigation.

13. Farmville 🚜

Season 9, Episode 12 (“Bart Carny”)

In this 1998 episode, kids are seen excitedly playing a yard work simulator game. Fast forward to the 2000s, and Farmville became a massive hit on Facebook.

14. Faulty Voting Machines 🗳️

Season 20, Episode 4 (“Treehouse of Horror XIX”)

Homer tries to vote for Obama in the 2008 election, but the machine keeps changing his vote to McCain. In 2012, there were real reports of voting machines changing votes.

15. Beats by Dre 🎧

Season 8, Episode 14 (“The Itchy & Scratchy & Poochie Show”)

In a scene from 1997, we see a character wearing what looks like modern-day Beats by Dre headphones, years before they existed.

16. Mutant Tomatoes 🍅

Season 11, Episode 5 (“E-I-E-I-(Annoyed Grunt)”)

Homer grows mutant tomatoes after using nuclear power on his crops. In real life, scientists created genetically modified tomatoes that glow in the dark.

17. NSA Surveillance 🕵️

The Simpsons Movie (2007)

The movie depicted the NSA spying on citizens. In 2013, Edward Snowden revealed that the NSA was indeed conducting mass surveillance on American citizens.

18. Shard Building in London 🏙️

Season 6, Episode 19 (“Lisa’s Wedding”)

We see a tall building in the London skyline that resembles The Shard, which was completed in 2012.

19. Michelangelo’s David Censorship 🗿

Season 2, Episode 9 (“Itchy & Scratchy & Marge”)

The episode shows Springfieldians protesting against Michelangelo’s David being exhibited. In 2016, Russian campaigners did try to cover the statue.

20. Autocorrect Fail 📱

Season 6, Episode 8 (“Lisa on Ice”)

Dolph writes a memo that says “Beat up Martin” which gets autocorrected to “Eat up Martha.” Apple’s iPhone autocorrect has had many such hilarious fails.

It’s wild, right? How does a cartoon get so many things right? Well, it’s probably a mix of clever writing, sharp observation, and maybe a bit of that Springfield magic. ✨

And it's not just us hardcore fans who are intrigued. Thanks to the internet, more and more people are discovering the spooky accuracy of The Simpsons' predictions. Social media platforms are buzzing with theories and speculations. Reddit threads are filled with fans dissecting episodes, and YouTube is packed with videos analyzing every prediction. It's like a virtual treasure hunt where every frame might hold a secret clue to our future! 🔮

Some folks even believe that the writers have a time machine or some sort of psychic ability. While that’s probably a stretch, it’s fun to think about! One thing’s for sure – The Simpsons will keep surprising us with their uncanny knack for predicting the future.

Whether you’re a longtime fan or just curious about the show’s “psychic” tendencies, it’s clear that The Simpsons is more than just a TV show. It’s a pop culture phenomenon that continues to influence and amuse us, while also making us think twice about what might come next. So, next time you’re watching, pay close attention – you might just be getting a sneak peek into the future! 🕵️‍♂️✨

Stay curious, my friends! And remember, the truth is out there… or maybe just in the next episode of The Simpsons. 🌟🚀

[lewisarchive]

Sir Lewis at Super Bowl 50 (2016)

[steveyockey]

film critic angelica jade bastién being swarmed by the beyhive (who is of course attempting to put her out of a job) over her negative review of the renaissance tour film which I think is an incredible piece of writing wholly appropriate for the time,

With “Formation” from 2016’s Lemonade, Beyoncé alchemized the aesthetics of Black radicalism. In the video, she is splayed out on a cop car in New Orleans that descends into murky waters. In her Super Bowl performance from that year, she and her dancers were decked in an all-black ensemble with raised fists meant to evoke the style of the Black Panthers without the group’s moral clarity and political conviction. When Beyoncé uses their aesthetic along with the words of Malcolm X, it behooves audiences and critics alike to hold her to a greater standard. Her apoliticism should not slide by. It should be noted that Renaissance is playing in Israel, which has led to “Break My Soul” becoming an anthem of sorts for Israelis waving their flag in screenings. Beyoncé has yet to make a statement about Palestine. But this silence is itself a statement. Perhaps she isn’t apolitical so much as an emblem of Black capitalism and wealth that seeks to maintain its stature. Renaissance: A Film demonstrates that Black joy isn’t inherently radical. In fact, without a sense of materiality, Black joy becomes directionless and easy to co-opt by the varied forces of power that are fueled by anti-Blackness. Beyoncé is an icon who has carefully maintained a sense of accessibility to anyone, anywhere, for any reason. Black musical traditions may have the potential for radicalism, but Beyoncé’s neutrality demonstrates they aren’t inherently that way. More than anything, Renaissance is a testament that Beyoncé is a brand that stands for absolutely nothing beyond its own greatness.

[supermaks]

Top 10 essential Verstappen races list please!

I habe been watching since I was a literal infant but I kinda took a break from 2014 until 2018 so I missed a lot of teenage Max lore. Now I treated myself to some f1tv for Christmas and want to rewatch a couple old races!!!

Malaysia 2015 Baby boys first points on his 2nd ever f1 start. Drags that lil toro rosso to q3 and then beats both red bulls. Also very funny to listen to the sky commentary because they dont take him seriously at all but he keeps doing things with that car he shouldnt be able to do so they have to keep talking about him and they're so annoyed about itnklfdjgkfdj

Singapore, 2015 classic max race. car d1es at the start. somehow makes it back on track 1 lap down, waits for his main character moment. gets it on lap 13. breezes past the field. gets told to swap positions. literally yells 'NO' and does not do it. U thought brazil 2022 was shocking, well. Educate yourself

USA, 2015 first of all there was a whole hurricane happening bro like a literal hurricane everything about thsi race is like .. what is going on. Hello. Is that Elton John???? Mind you, its Max's rookie season. Austin with wet conditions is the race track equivalent of a fucking minefield I think like half the grid retired. And still, u will witness that lil boy bring the fight to Merc and Ferrari. He actually fought Lewis and Seb Vettel for a podium. In a toro rosso. yeah

Spain, 2016 anime protagonist race. lil babby makes the jump to the big sister team amid much mockery and controversy, and wins on his debut. I can't say this enough. Max has made a career out of owning up to bitches. Every single time. Mercs take each other out, Danny ric gets inexplicably put on a 3 stopper ((lmfao)), and Max holds off fucking RAIKKONEN on DRS!!!! for like a billion years. Not a wheel out of place. And not even his defining moment of the year. For that, u gotta go with--

Brazil, 2016 He became MOTHER age 19 in Interlagos. Nothing else to say. if ur a verstappie u gotta watch Brazil 2016 like twice a year for ur troubles

China, 2017 just a super underrated race imo. Imma go on a tangent for a bit sorry but one of most insane aspects of Max's move to f1 is that he did so with 1 year of experience in f3. Like f3 had been the strongest engine he'd driven up to that point. f3 cars are fast but they're not f1 fast. So Max was supposed to be like a lil squid in a bowl of sharks. To anybody else it wouldve been extremely intimidating and scary to make that jump and its likely they would've sacrificed speed just because they didn't have that confidence in the car yet. And there'd be nothing wrong with that, thats just normal. Well Max never did normal. Seb put it perfectly and Im pretty sure he's not the first driver to comment on this, but Max goes for moves that nobody in their right mind would even dream of attempting. Shit that takes a special type of instinct, but more than that, a complete lack of fear. And with that comes the other side of the sword, which is the recklessness. Max was a reckless driver. A lot of drivers can be reckless, especially if the car doesn't allow them to just cruise to podiums, but Max was a child. This race is so important in his curriculum because it solidifies that his recklessness is not foolishness, but necessity. Bro passed 9 cars in one lap and held off danny ric with older tires. This after a disaster quali where he finished second to last because of an engine problem. To come back from that and get a podium the way he did, its a character drive. It showed who he was and Max was the future

Mexico, 2017 here. Yeah

Austria, 2018 quali is a must watch for this one. Listening to Max educate his engineers on 'discipline' for even DARING to ask him to pass danny ric prolly makes that move to Renault less confusing. Like u cant fight that. That is not a mf who will ever let u win a world title. But he didnt show it just during quali. This race is important because u can compare it some of his most dominant 2022 victories, in a car that would literally spit out its own tires and explode if Max idk farted or something.

USA, 2018 ok I'm biased but max has never come to the US and not served. Idk why its kind of funny but every time he steps foot in here he stunts and gets super wet and looks amazing. He's also absurdly good in US circuits for no reason. Like Max says, u gotta know how to defend not just attack. Prolly one of the most impressive defensive performances from him here, against none other than sir hammer herself. Lew had fresher tires and a championship winning merc and still couldnt crack lil bro with his renault engine, cap and a dream. Also they literally installed a whole new curb on the track specifically to make drivers stick to track limits and called it the verstopper and that. literal tears in my eyes yk look at this shit

Look at her . anyway

Enjoy thjs humble selection of our fav boy genius/fbi most wanted best hits. Next up

✨😤 Part 2 😤✨ Part 3 🧨🧨🧨🧨🧨

[9w1ft]

What are your thoughts on the three years Taylor had disappeared for before her reputation comeback? Was she also professionally cancelled, as in lost a lot of brand deals and the like?

PS: I like your tea posts a lot! How long have you been doing that now? Do you buy more tea for your collection?

PSS: How do you think your anon-answering records look like this year?

hi!

i am a rep era kaylor. i started paying attention to things with reputation, so i was not really paying attention closely during this period of time you’re asking about. so, my below thoughts are just based on me taking a second to google and check my chronological understanding of how things went based on how i’ve researched in the past.

**people who were there at the time please add on**

in actuality taylor only “disappeared” for about a year. maybe you are getting the 3 year number from the period of time between 1989 and rep release years? but taylor’s instagram reset only happened several months before reputation’s release. after releasing 1989 she of course went on tour with the 1989 tour and that went until december 2015. snapchatgate didn’t happen until july 2016. after that she had appearances at Formula 1 in Austin in october, the 2016 CMAs, and she release i don’t want to live forever with zayn in december 2016 with the music video released in january 2017 and had a pre super bowl concert in february. she erased everything from her instagram in august 2017, reputation was announced that august, and then her next public appearance was SNL on in november 2017.

i don’t get the sense she was professionally cancelled. one example, she signed her multi year promo deal with at&t in october 2016, which would have been after snapchatgate. that’s a huge deal. her deal with keds shoes did end with 2016 but i think part of that is likely aligned with taylor’s desire at the time to evolve her image. keds as very red era and it worked with 1989 era but, i think 2016 was a logical stopping point.

i think the reason why it felt like she disappeared is that she was active on social media so much in the years before snapchatgate, but then she really dropped a bunch of that so it felt like it was drastically less so suddenly. but taylor has really pared down her social media presence in recent years as well so, im not sure if she was similarly quiet these days if people would even notice.

re: ps: it’s been around 900 days since i started! yes i buy more teabags every once in a while to replenish. i have a lot of loose tea leaves though too.

re: pss: not sure i can judge the quality of my own anon answers! i think i only answer about 25% of the anons i get. if i don’t answer back it’s usually nothing personal 😆 sometimes i draft an answer to something when im halfway done and then forget its in the draft.. i often dont post stuff that is personal or questions that are difficult to respond to. sometimes the timing of a response has been lost and i don’t get back around to it. sometimes i won’t answer if the anon is unrelated to my blog or if its something being send around everywhere looking for someone to bite. etc etc. it’s not a perfect science but all and all, i don’t answer the majority of what i get, for sure. taking a page from taylor’s book: dear reader you don’t have to answer just cause they asked you…

[imhoser]

My personal suggestions for lovejoy alternatives:

On my first post, I mentioned that I listened to one lovejoy song once…and did not like it. I grew up with indie music so I consider myself to be quite qualified in recommending music.

If you want real life stories paired with sorrowful guitars:

The Decemberists

What a Terrible World, What a Wonderful World - 2015. 12/17/12 always makes my ugly cry.

Florasongs (EP) - 2015

I’ll Be Your Girl - 2018

Traveling On (EP) - 2018

Burial Ground (Single) - 2024

They’re coming out with a new album soon! In Burial Ground, James Mercer from The Shins sings the back-up vocals…<3

The Shins

All of the albums are great and fit under this category. My personal favorites are:

Wincing the Night Away (2007)

Heartworms (2017). Mildenhall…mildenhall…I don’t think there’s a more beautiful song by James.

I love this album, but I want to specifically highlight No Way Down from the Port of Morrow album!! I listened to No Way Down on loop for a week a few months back. It’s chef’s kiss

Fish in a Birdcage

Once again, all of the albums are great. My favorites are:

Through the Tides (2016)

Waterfall (2020)

If you want dramatics and folk tales:

The Decemberists:

The Decemberists used to focus more on folklore and stories about people being swallowed by whales and all that jazz. My favorite albums from this era are:

The Crane Wife (2006) - I cannot begin to tell you how amazing this album is. This is one of my favorite albums of all time. Crane Wife P1, 2, &3 are eternally beautiful. After the Bombs snd Sons & Daughters always give me chills.

The King is Dead (2011) - This is the album I remember the most…this was my favorite album of theirs when I was a kid! My favorite song as a kid was June Hymn. June Hymn and the song Use It by The New Pornographers were my favorites. The New Pornographers aren’t super similar to the type of indie that Lovejoy was, TNP is power pop!

A Bit o’ Everything:

Mumford & Sons

That one song I listened to…I immediately thought it was a worse version of a Mumford & Sons song…so here’s some of my favorites of theirs.

Sigh No More (2009) - Winter Winds, Dust Bowl Dance, and After the Storm are my favorites from this album. Outside of the ones that were all over the radio (The Cave/Little Lion Man)

Babel (2012) - Holland Road…I love you <3

Bastille. I always get Mumford & Sons and Bastille mixed up for some reason, so I HAVE to mention them.

Wild Wood (2016) - Good Grief…Snakes…save me

Want to dip into Americana?

The Avett Brothers

Another band I grew up with…they’re from my home state. They’re a very nostalgic band for me.

Mignonette (2004) - I only recently started to appreciate this album a lot more! It’s very wicked. It gets spooky towards the end and I love that. It’s similar to the Hazards of Love album by the Decemberists, in that it tells a full story in the course of the album.

I and Love and You (2009) - Kick Drum Heart and Tin Man ;-; they still make me cry.

[jewishbarbies]

One of the things that gets me rolling my eyes about TS, how can you be on your peak and still be whining about things that happened like almost a decade ago, how can you be mad about how the media reports you as this person who has various relationships that don’t seem to work out (or just mad they talk about your relationships in general as they do with all celebs and because you go on very visible pap walks)-and then be talking about your newest guy on the TIME interview! Make it make sense.

Also the way she talks about 2016 you would think she got banned from the radio, that she lost deals, that she got dropped from the record label! NOTHING OF THAT HAPPENED TO HER she did not lose her career, she didn’t lose her autonomy like Britney, didn’t got the treatment Janet Jackson got after the Super Bowl- how far can your victim mentality get, even when you are having literally everything an artist could ever dream of, does she truly believe this or is just a play to get the stans more worked up and get more attached to her and ruin all her “enemies” ? I think Kimye and Scooter and all the people who she doesn’t like, could disappear from the planet Earth and still she wouldn’t be satisfied

[anonymoushouseplantfan]

I would like to know more about your opinion on Priyanka and her whole marketing game and friendship with the Duchess. i always found it strange that people said she is world famous, when i only met her after the relationship with nick

She was super famous in South Asia. I am not sure where else.

But she was famous. It was very similar to Shakira, who was a huge Lat Am star before crossing over to the US. No one in the US knew who she was, but she was super famous.

Priyanka tried to pull a Shakira and cross over with her music first. Rumor was she got blacklisted in Bollywood for having an affair with a major actor, but I don’t remember the details. Anyway, she supposedly had to reinvent herself outside the country. She had a song with Pitbull during a Super Bowl, but it didn’t catch on. Then she got the Quantico series, which didn’t make her a household name either.

So in 2016 she was in a similar position to Meghan, at least as far as the US market was concerned. She had a tv series, she did charity work for the UN and she wanted to be more famous. I guess that’s why their publicists got them together. At the time Priyanka was more famous and established than Meghan so the “friendship” gave Meghan a lot of social credibility. There were a lot of articles about their common interest in philanthropy and such. There was also a lot of talk about Meghan’s interest in and connection to the Commonwealth and her “friend” Priyanka was cited as “proof” of that. The relationship was very useful to Meghan. Less useful to Priyanka, imo, although I think it showed her what a relationship could lead to if properly leveraged.

Then they both married famous people and had huge weddings. Meghan did not attend Priyanka’s wedding and the “friendship” never recovered. They finally broke up when Archie was born and Priyanka leaked that she had visited FrogCott and given the baby a present. Meghan made her deny the leak. She was now hanging out with Oprah and Amal and felt she was above Priyanka.

At that point their paths diverged. Priyanka got a big fame bump from the Jonas relationship but she focused on her work and she made movies, produced films, and did charity work. She now has restaurants, housewares lines and who knows what else (I think there’s a hair care line?). She’s also very successful as a Unicef campaigner.

She’s everything Meghan pretends to be. There’s a lot of PR involved but there is substance behind her PR and she works crazy hard. Her wedding was also insane. Check the Vogue articles about it.

[mattnben-bennmatt]

Matt Damon (& Co.)'s interview w/ GQ (18 July 2016)

The Encyclopedia of Matt Damon

As Matt Damon returns to the Bourne franchise, we decided to assemble this handy guide to the habits, quirks, and inner life of an honest-to-God screen legend, as told by George Clooney, Martin Scorsese, Ben Affleck, and the other titans who know him best

By The Editors of GQ | Photography by Sebastian Kim | Illustration by Joe Mckendry

Matt Damon is, scientifically, the most liked man in Hollywood. He is serious, and he is funny. He is approachable-seeming and often jacked. He has been in six of your ten favorite movies in the past 20 years, and he's met a bunch of people along the way who like him a whole lot. But for all his familiarity, he's still elusive (which is how he likes it). So instead of asking Matt Damon dumb questions about the new Jason Bourne movie (out this month!), we got Damon and those people who like him a lot*—George Clooney, Julia Roberts, Tina Fey, Ben Affleck, Martin Scorsese, and Co.—to tell all the stories about him that you haven't heard.

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Accent, Boston

Matt Damon: I was sitting at George Clooney's pool in Lake Como, and Brad Pitt walked in, sat down next to me, and said, “Do you want to do a Martin Scorsese movie in Boston?” [Brad] was a producer on The Departed, and he felt like he had gotten too old for those roles. It's one of the most absurd things that's ever happened in my life.

[Marty] said to me early on [in production], “I don't know Boston. This is your town.” So I would show up with stuff that I'd write and give it to Bill [Monahan, the screenwriter]. and say, "Do you like any of this?" The first time I rehearsed with Jack Nicholson, he went over to get some coffee, and he turned around [and said], “You know, I never would have made it this long if I wasn’t a great fucking writer.”

Martin Scorsese (director, ‘The Departed’): He comes from Boston; he's familiar with that world. When we were cutting The Departed, my editor, Thelma Schoonmaker, used a term to describe Matt's presence on-screen that's stayed with me: He's seated as an actor. He enters a movie grounded and at ease in his character and in the world of the story.

Bill Simmons (Bostonian; host, ‘Any Given Wednesday’): [Jimmy Kimmel] had this Super Bowl party, and Damon was there. He was like, “I'm readin' ya book! It's fahckin' ahsome.” [Matt's Good Will Hunting accent] is the greatest Boston accent that's ever been captured in a movie by an actual actor. The Departed is a catastrophe of bad Boston accents. Leo just gives up halfway through.

Sarah Silverman (co-star, “I'm Fucking Matt Damon”): We are all Boston-area people. I don't know how Matt talks so pretty.

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Artist, The

Julia Stiles (co-star, ‘Bourne’ films): After The Bourne Ultimatum came out, there was a premiere in London. Prince actually came to it, then got tickets for the cast to come see him [perform]. We were summoned into a room to meet him [after the show]. Matt said, “So you live in Minnesota? I hear you live in Minnesota.”

Damon: Prince said, “I live inside my own heart, Matt Damon.”

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Career Precedent

Damon: I always thought the goal was William Holden. To just be in a lot of good movies.

Harvey Weinstein (producer, ‘Good Will Hunting,’ ‘Dogma,’ ‘All the Pretty Horses,’ ‘The Talented Mr. Ripley,’ ‘Rounders,’ ‘Jay and Silent Bob Strike Back,’ ‘Project Greenlight,’ ‘The Brothers Grimm’): Matt Damon is the closest thing we have to James Stewart. Matt can be funny, Matt can be charming, but there's an idealism in Matt, like Mr. Smith Goes to Washington or It's a Wonderful Life. But Jimmy Stewart also did those very tough Westerns. He wasn't Bourne, but you get the idea he flew 40 missions over Germany as an Air Force commander. [He's] that kind of great man with tremendous integrity.

Michael Douglas (co-star, ‘Behind the Candelabra’): [Matt] reminds me of me a lot, in terms of the kind of range of parts and things that he does. He always looks to what's the best script, what's going to make the best movie, and what isn't. He has a real sense of what it takes to make a good movie. Having the best part in a bad movie doesn't help you.

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Face, Matt's

Scarlett Johansson (co-star, ‘We Bought a Zoo’): The most amazing gift about Matt's physical appearance is that he can walk into the hair-and-makeup trailer looking like someone who slept directly on his face for seven hours and emerge a bona fide movie star. He has a great makeup artist.

George Clooney (co-star, ‘Ocean’s Eleven,’ ‘Twelve,’ and ‘Thirteen’; director, ‘Syriana,’ ‘Confessions of a Dangerous Mind,’ ‘The Monuments Men’): He looks swell in a Speedo.

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Face, Pitt's

Damon: I don't look like Marlon Brando. I remember Ben and I having a realization early on. Like, we were watching Brad [Pitt] in a movie, and one of us turned to the other and said, “I haven't heard a thing that guy said in five minutes. I'm just looking at him.” And we realized there's a good and a bad [that comes with that]. It'll mask one of your lesser performances, but it also detracts from your best performances. Because Brad has been legitimately brilliant in some of the things he's done, and he doesn't get the credit as an actor that I think he deserves. I never had to carry that water.

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Friend, Best

Tina Fey (creator, ‘30 Rock’): People would be like, “[Matt and Ben] are so cute!” And I'd be like, “They're J.Crew sweaters. When you see all the colors next to each other, they look cute, but when you get one home, you're like, ‘Damn, I just got an orange sweater.’ ” But now that is withdrawn. In person, Matt holds up.

Damon: Ben is the orange sweater.

Ben Affleck (co-writer, ‘Good Will Hunting’; best friend): The quality that has allowed Matt to maintain the illusion that he is Mr. Nice Guy is that he found a young TV actor who was just a pretty face and made friends with him so he would always look good by comparison. Matt is very media-savvy and manipulative in that way. He's like a mix of [O. J. Simpson defense-team members] Bob Shapiro and Alan Dershowitz.

Kevin Smith (writer and director, ‘Dogma,’ ‘Jay and Silent Bob Strike Back’; co-executive producer, ‘Good Will Hunting’): Matt made pretty thoughtful choices about what roles he wanted to play and the directors he wanted to work with after Good Will Hunting, which made Ben's more commercial choices easier to put down for some folks. The assignation was that Matt chose to be a serious actor in films, while Ben chose to star in movies. That script flipped when Matt was Bourne and Ben became a filmmaker.

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Friend, Brother of Best

Damon: Casey moved in with us [when he was 19]. He would walk in the room, and I'm like, “Is that my shirt?” It got so bad with the Affleck brothers that I was at the point where I wanted to label all of my stuff, 'cause it would just fucking show up in Casey's drawer. And if it's there long enough, then it's like some version of squatters' rights, where suddenly he's like, “No, dude, this is mine. You saw me. I've been wearing this since December.” Like, that doesn't mean it's yours! Just because you washed it doesn't mean it's yours.

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Good Will

Billy Bob Thornton (director, ‘All the Pretty Horses’): I did Armageddon with Ben, and I knew 'em before they made Good Will Hunting. They talked to me about it: “Hey, we got this script.” And I'm like, “Yeah, yeah, whatever.” Wish I hadn't have said that.

Steven Soderbergh (director, ‘The Informant!’; ‘Ocean's Eleven,’ ‘Twelve,’ and ‘Thirteen’; ‘Contagion’; ‘Behind the Candelabra’): I was looking for rewrite work, and one of the open assignments was for Good Will Hunting. I said, “What's it about?” And they said, “Math.” And I said, “Well, I'm terrible at math, so I'm the wrong guy.” Let's put it this way: Word was out on Reservoir Dogs at the script stage—I remember hearing, “There's this fucking great script out there written by this guy.” There wasn't that kind of thing about [Good Will Hunting].

Damon: Harvey [Weinstein] hadn't seen it—somebody lower down the ladder [at Miramax] had passed. And we were fucked. We had made a deal with Castle Rock where we had to sell it for a million dollars and whoever we sold it to had to allow us to star in it. If we didn't, it was gonna go back to Castle Rock and we were out of the movie. We asked [Kevin Smith] to direct it, and Kevin wouldn't. He goes, “I'm not a good enough director.”

Smith: I asked Ben to FedEx a copy of the script and hit it in the bathroom, intending to read a few pages while on the bowl. Two hours later, I came out of the bathroom crying [because] it was so good. [Co-executive producer] Scott Mosier said, “You were in the bathroom for two hours, and now you're crying. Should I call an ambulance?” I said, “No. We gotta call Harvey.” And we gave it to Harvey and said, “Remember when you picked up the Pulp Fiction script from TriStar in turnaround? This is like that. Especially the Oscars part.”

Weinstein: Kevin Smith gave it to Jon Gordon in my office. Jon Gordon gave it to me. I loved it.

Damon: Every Oscar weekend, the three big agencies host parties. In 1998, [the year we won an Oscar for Good Will Hunting], the CAA party was given in our name. Like, “Ben Affleck and Matt Damon invite you to the CAA party.” We called it “our party.” It was incredible. I talked to Tom Cruise. Even a movie like Cocktail, which the critics didn't particularly dig, was a hit. An agent said to me, “There's no career that's ever been like this. Everyone has ups and downs. This guy's never had a down.” He was the movie star's movie star. And I remember the way he talked about the business: He was not owed anything or could count on anything. And I was like, “Oh, my God. It's an insecure business for Tom Cruise!”

Simmons: I was dating this girl who moved to Chicago, and I was living in Boston. I was making, like, $200 a week writing a column and bartending, and it cost somewhere between $300 and $450 to fly to Chicago. So I went to see Good Will Hunting in Cambridge by myself. And at the end, he goes to see about a girl, and I was like, “You know what? I like her, but I don't know if I'd go to see about a girl.” We broke up within 12 hours. And my next girlfriend was my wife. That's why I always defend Matt Damon.

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Grimm, Brothers

Brian Koppelman (co-writer, ‘Rounders,’ ‘Ocean's Thirteen’): The nose [in Ocean's Thirteen] originated because we had heard this rumor that Matt had wanted to wear a weird nose in Brothers Grimm. He wasn't able to, so we decided we were going to give him an even bigger, uglier nose.

Terry Gilliam (director, ‘The Brothers Grimm,’ ‘The Zero Theorem’): He's got that cute little retroussé nose and a big bony head, and I thought his head needed something stronger. So we put the bump on, and he suddenly became like Marlon Brando—he was sexy, he walked different. And then we had a huge fight with the Weinsteins and they threatened to close the movie down if I put that bump on his nose.

Weinstein: Oh, my God. Matt and Heath Ledger, may he rest in peace, just on bended knees said, “Can you finance this movie?” And my brother said, “It's Terry Gilliam—let's just do it.”

Damon: I remember the night that Terry shattered a wineglass in his hand because he was in an argument with one of the producers. He said, “I'm not gonna fucking…,” and snapped the wineglass in his hand, and then went storming out. And Heath [Ledger] and I just immediately got up to follow our fearless leader. Terry goes, “I think that went well! Where are we going for dinner?”

He was deciding whether to refuse to shoot over the nose issue. And he came into the makeup room at five in the morning and said, “They gave me the money that I need to make the movie, but we have to not do the nose. What do you think?” And Chrissie Beveridge, who still does my makeup, pulled out the nose and put it on the table. And we literally looked at it and just started laughing.

Chrissie Beveridge (makeup artist): Terry [said], “Would you talk to Bob Weinstein?” I didn't.

Damon: It was a $3 million nose.

Weinstein: Ironically, it's Terry Gilliam's highest-grossing movie he ever had in the United States. [Editors' note: Actually, ‘12 Monkeys’ is.]

Soderbergh: So on [Ocean's Thirteen], I was like, “Dude, we can do it. Like, we can give you the nose.”

Damon: And in Invictus, I ended up wearing the actual [Brothers Grimm] nose.

Beveridge: It was a slightly different nose.

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Ledger, Heath

Gilliam: Matt is mathematical at times, and that's both a strength and sometimes… I think that's what it maybe was between him and Heath. Because [Heath's] heart was on his sleeve, and that opened up a lot in Matt.

Damon: He was too bright for this world. Coming off [The Brothers Grimm, I was] telling everybody that I just worked with the best actor I've ever seen. And people were like, “What are you talking about? The guy from A Knight's Tale?” And I was like, “You just wait. And wait until you see what kind of a director he's gonna be.”

There were things that he did where I couldn't have got there in three lifetimes. And there were ways in which he was like a puppy dog. You wanted to protect him.

[His death was] just fucking pointless. I called Terry when I found out, and he was like, “I'm sitting here in Vancouver. I'm looking out the window, and it's a beautiful sunny day, and the lights are turning red, and the lights are turning green, and cars are stopping, and cars are driving. I am surrounded by mediocrity. And he's gone.”

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Maaaaaatt Daaaaamon

Damon: The most common head shot that I'm asked to sign is pictures of that fucking puppet [from Team America: World Police]. And they always say, “Will you write ‘Maaaaaatt Daaaaamon’?” I'm like, “Okay. Matt, with, like, 16 *a'*s in it.” [Trey Parker and Matt Stone] are legitimate geniuses. But when that came out, I thought, Wow, is that what people think of me? That I'm really dumb? So I remember asking friends of mine, and they all told me that it didn't really make sense that I was dumb. I was like, “Are you just saying that?” And then [my wife] Lucy heard an interview with [Matt and Trey] where they said the puppet showed up the day before they were supposed to shoot with it, and it looked like it had special needs, and they didn't have time to change it with the budget. I don't know if they made that up subsequently.

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“Matt Damon, I'm F#©%ing”

In 2008, Sarah Silverman and Damon starred in a music video called “I'm Fucking Matt Damon” to “inform” Silverman's then boyfriend, Jimmy Kimmel, that she was “sleeping with” Damon.

Jimmy Kimmel (host, ‘Jimmy Kimmel Live!’; nemesis): [The video “I'm Fucking Matt Damon”] was supposed to be a present for my 40th birthday. Just to make sure the punch in the stomach hit a kidney.

Silverman: [When the show premiered,] Jimmy was literally getting guests like the man with the longest arm hair. So as a joke, he would say at the end of the night, “Sorry, Matt Damon. We ran out of time,” because Matt Damon was the biggest movie star he could think of.

Damon: We had done The Bourne Ultimatum [spoof] with [Kimmel sidekick] Guillermo [as Jason Bourne]. Like, now Jimmy's kicking me out of my own movies? And we all were just like, “How do we keep this thing alive?” And the guy who directed that called with this idea that Sarah had given him.

Silverman: Matt came in, learned the song in a closet of the hotel we had, and then we had three hours with him to shoot because he had his daughter's Halloween pageant at noon.

Damon: It happened really fast, and then suddenly I was in the car. I was like, “Holy fuck, I'm going to a parent-teacher conference. I can't do shit like this anymore.”

Ben Affleck: As soon as I saw “I'm Fucking Matt Damon,” I knew I would be doing “I'm Fucking Ben Affleck.” So I called Jimmy, and they were already putting it together. Having Josh Groban yelling out, “I'm fucking Beeeeen. I'm fucking Ben Affleck!” remains a high point of my career and life.

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Mojo

Soderbergh: When [Matt] hit us on the Ocean's set, he said, “I really feel like I've kind of lost my mojo.” He'd just come off a couple movies that didn't work commercially [All the Pretty Horses and The Legend of Bagger Vance], and they were not finished with Bourne—they were gonna go back and reshoot more after we wrapped. And I remember George [Clooney] and I saying, “We can do that with this. You're going to have a blast.”

Damon: I showed up like a drowned rat and just stumbled into the room [with Steven] and George. Steven says, “This is the movie where you're gonna get your mojo back.” And they had a big party because it was the “We have arrived in Chicago” party. They rented out a bar with the whole crew. And then we shot the next day, and then they rented out a bar and had a huge “We're leaving Chicago” party. And I'm like, “Wow, maybe I am gonna get my mojo back on this shoot.”

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Parenting, Matt's

Fey: Some people are lying when they say they want to go be with their families, but I think Matt actually really does like his family—his lovely wife and his 26 daughters.

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Parenting, Matt's Mother's

Soderbergh: One of the first thoughts I had when I met Matt was, Okay. This guy was very well raised. I don't mean that in a pejorative sense. I was just like, “He's a good kid.” Like, “They raised a good kid.” Which is what you would want anybody to say about your child.

Julia Roberts (co-star, ‘Ocean's Eleven’ and ‘Twelve’): Matty's a good boy.

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Pilot, Carol the

In 2010, Damon began a four-episode guest arc on the NBC sitcom ‘30 Rock’ as Liz Lemon's boyfriend, pilot Carol Burnett.

Damon: Lucy and I started watching on the first episode and were like, “This is our favorite thing.” I literally went up to [Tina Fey] at the SAG Awards and said, “Look, your show is so great, and if you ever have anything on it, I would love to do a guest spot.”

Fey: [Matt] was like, “I wanna be on the show! I wanna be on the show!” We immediately flew back the next day and called WME, and the agent was like, “He's not doing this!” And we're like, “No, no, he told us he wanted to do it.” And you could tell his agent was like, “Faaaaaaahhhhhhck. He's too good for this!”

Damon: Yeah, that was one that Patrick was like, “What the fuck? What are you doing?”

Patrick Whitesell (Matt's agent): I wasn't opposed to Matt doing it. I thought it would be a fun thing. The only thing was I wanted it limited in the number of episodes.

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Scheduling Conflict

Douglas: [When I first heard about Behind the Candelabra,] I was recovering from a Stage IV cancer bout and was so unbelievably fortunate to look at this Richard LaGravenese script and go, “My God.” And Soderbergh's involved, and then Matt, who wanted to do the other part. And then when we were getting ready to go do it, both of them—both Steven and Matt individually—said, “You know, we've got conflicting schedules right now. So let's put this off for a year.” And my heart sunk. I thought, Oh shit, it ain't ever going to happen. The truth be told, I was so happy to be alive that I didn't recognize the fact of just how underweight I was. And I think both of them looked at me and said, “He's not ready to do Liberace.” And rather than in any way make me feel like it was a problem, they simply lied and said, “We have other projects,” and waited a year, until I got back on my feet and my strength was there.

Damon: I'll take it, but I did have a scheduling conflict. I think that Steven certainly knew that more time on the mend would not hurt at all. They replaced Michael from the neck down with a concert pianist, but Michael's arms had to be at the right place at all times or it didn't work. The amount of hours [that took], I don't even know. It was this virtuoso performance. And he said to me the last night [of shooting], “I couldn't have done this last year.”

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Sweating

Koppelman: We write [Rounders] on spec, and Harvey Weinstein buys it. Then we get a call that he wants to show us ten minutes of this film [Good Will Hunting] with this guy Matt Damon, who [they thought] should star in [our movie]. We immediately love the idea.

So we happened to be down at [the L.A. casino] Hollywood Park, and we started talking to these guys and mentioned that we'd written this poker movie. They go, “Matt Damon's our best friend.” And I said, “Oh, really? Matt Damon's your best friend?” Twenty-five minutes later, Matt and Ben come storming in. Neither guy had played casino poker. Matt was immediately like, “Tell me stuff I need to know.” So we got a table and [co-writer] David [Levien] showed Matt how to riffle chips. Within 10, 15 minutes, he's sitting at the table riffling like he's an old pro.

David Levien (co-writer, ‘Rounders,’ ‘Ocean's Thirteen’): He took poker very, very seriously then, and obviously Ben got bit by the bug. We said, “If you really want to learn about this, come to New York.”

Damon: I started getting in and sweating the games, which means sitting behind a player who agrees to show you their hole cards so you can watch how they play the hand. And these were rounders, the people who were making basically ten bucks an hour sitting there with no health benefits, just hoping that somebody new would come in so they could chop him up.

Edward Norton (co-star, ‘Rounders’): Matt and I got coaching from top poker pros, but also from some guys in the underground poker scene who were experts in working a game as partners with coded signals, because that was something our characters did in the film. We decided we'd see if we could actually pull it off in a game, and we cut it apart. Then we walked down Sixth Avenue a few blocks and chopped up our collective winnings. We agreed that our commitment to the craft of acting justifiably forced our ethical standards into the backseat. And most of the money we clipped came off Harvey and Bob Weinstein, so we agreed that was good for humanity.

Alicia Vikander (co-star, ‘Jason Bourne’): We were shooting [Jason Bourne] in Vegas, and I learned to play craps [the night we wrapped]. I asked Matt [for advice] because of course he and Ben are kind of known for that. I said that I was going to bed, and then I said that I was just going to have one drink. It happened to be quite a few.

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Sweating (More)

Damon: I've sweat some great directors for the last 20 years. When Ben was doing Gone Girl, I went over and visited the set and sat behind David [Fincher] while he was directing. There was a scene where Ben and Rosamund [Pike] walk into a bookstore and end up coming towards the camera through one of the aisles and kissing each other. So before the door opens and they come in, an extra walks by at the end of the line of books. David instantly starts monologuing: “Who fucking walks like that? Are you fucking… Am I wrong? Like, who fucking walks like that? It's ridiculous. I mean, he fucking looks like an extra in a movie. What the fuck?” Meanwhile, Ben and Rosamund are acting their hearts out, and I know they're gonna go again, no matter what they do, because this person fucking blew it. So David goes over and gives them notes, and they get ready to do it again, and Rosamund's makeup artist comes walking in to touch her up. David's looking at his monitor, and he goes, “Now, that's how you walk.”

Joshua Donen (David Fincher's manager): David denies that this ever took place, but out of respect for the talents of Mr. Damon, he has decided not to take legal action.

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Teeth

Roberts: He does have nice teeth.

Kimmel: I mean, they can't be real, right? They're so perfect. They're obviously something that some Hollywood witch doctor put into his head somewhere along the line, possibly on one of his jaunts to China where he disappears for six months and suddenly has a whole new look. One day he's Jason Bourne. The next day he's Liberace's fiancé.

Damon: True.

Larry Rosenthal, D.D.S., declined to respond to multiple requests for comment.

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Thing, Best I've Ever Been a Part Of

Damon: [The 2000 Cormac McCarthy novel adaptation All the Pretty Horses] failed the critics and failed to find the audience. I'm not over it 18 years later or whatever it is, so I'm just clearly never gonna get over it. It really fucking depresses me. I only saw Billy [Bob Thornton]'s cut once, and I just remember feeling like, “Oh, my God, this is the best thing I've ever been a part of.” It was Daniel Lanois's music that did it—it was all Daniel on this old guitar.

Thornton: The studio made us take Dan's score out.

Weinstein: It's great, but there were studio executives who fell asleep during the screening. The movie cost $48 million. You [ask], “Am I going to put a four-hour movie out?”

Damon: I was in Paris working on The Bourne Identity, and every night after work, I'd come home and I'd have a conference call with Harvey and Billy Bob. I would pace in this living room in this apartment I'd rented as I was talking to them. Billy's heart was fucking breaking. [When] he relented, he said, “Harvey, I have a chance to do four, maybe five great things before I die. And what I'm hearing you say to me is this isn't gonna be one of them.” And my knees literally buckled.

Thornton: You live with it. They did offer us the opportunity to put [my cut] out on DVD with the original music. But Dan felt like, “If my music wasn't good enough for them to put in the movie, then I don't know if I wanna put it in there on the DVD,” so I stood by him. I'm not gonna ever go side against an artist.

Weinstein: I've said to Matt, “I'll put up a million dollars any day of the week to restore it. I don't even care if I get the money back.” And I'm happy to sit down with Matt and Billy and do that. We've tried to resurrect that on a number of occasions, but the composer didn't want to let us do it, and he has strong rights. I understand. But time softens everyone. It's time to re-approach him.

Thornton: I think maybe one of these days I'm gonna just have a party over at my house to show it to 20 or 30 people.

Damon: I would love it if he did.

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Wife, Krasinski's

John Krasinski (co-writer, ‘Promised Land’): The day I met him was the scene in The Adjustment Bureau where he kisses my wife [Emily Blunt] in a very big way. And so when I went up to him, he turned to me, and the first thing he ever said to me was, “Hey, man. I was just totally tonguing your girl.” And I went, “Oh, okay. Cool.” And he saw my face and he just cratered. He said, “Oh, my God. I am so sorry. I am so sorry.”

Damon: A reason to do that movie was to meet those two. They're just the best.

Emily Blunt : I have never played a board game with the Damons. The four of us hang out constantly and drink way too much together. Red wine for the three of us, and John's allergic to red wine, so he has to take down the bottle of white by himself. Which is not an issue.

Damon: That allergy is recent. He used to not be allergic to red wine, so we were perfect dinner companions. Now everything is off.

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Worship

Chris Hemsworth (friend; Norse god): [I was going to be on the cover of GQ, and] I was like, “Shit, what do we do [for the story]?” Matt goes, “You should go bike riding! You can use mine.” So the next morning, I didn't want to bring the writer [into Matt's home because] I didn't want Matt to be uncomfortable. And Matt was like, “No, bring him in!” Matt's cooking pancakes and telling all kinds of interesting stories and quoting all sorts of interesting people. And I was sitting there going, “I just lost myself the cover. I can just see the cover turning into Matt's cover. This is the worst thing I could have done with this thing, introduce the writer to Matt.” I felt like I had a new girlfriend and I had introduced her to my cooler friend or something.

Blunt: It's almost sickening, actually. He's like the most universally loved person I've ever met.

Jessica Chastain (co-star, ‘Interstellar,’ ‘The Martian’): When I was going to go work on The Martian, everyone was going on and on about what a great person he was. You always wonder, like, “Okay, is the reputation accurate?” And with him, it was.

Jeff Schaffer (executive producer, ‘Seinfeld,’ ‘Curb Your Enthusiasm’; co-creator, ‘The League’; Harvard classmate): “Great” gets thrown around a lot. Like, if you hate a movie, you go, “It was great!” In L.A., “great” means it's shit. So I have to drop down one to “good.” He's a good man.

Matthew McConaughey (co-star, ‘Interstellar’): I remember a late night in Laurel Canyon after A Time to Kill came out. Matt shared a genuine excitement for the success the film and I were having. He's always been like that, as far as I know—confident and self-assured enough to appreciate a peer's success while still paving his own path.

Krasinski: You look at him and think, Wow. You've maintained staying grounded with a career like this. For people who don't have even half the career of you, if we're not as grounded as you, we're just jackasses.

Paul Greengrass (director, ‘The Bourne Supremacy,’ ‘The Bourne Ultimatum’; director and co-writer, ‘Jason Bourne’): He is a really superb, aggressive, fast driver. Somewhere deep in that soul there must be a Jason Bourne lurking.

Simmons: If you're at a party and somebody's like, “You know who I fucking hate? Matt Damon,” people would be like, “What? Why do you hate Matt Damon? Did he fuck your girlfriend?”

Kimmel: He had sex with my girlfriend and then made a song about it. I think he's more devious than [his character in The Talented Mr. Ripley]. More diabolical. Matt Damon in real life is more of a pure evil.

Soderbergh: You could walk around town with a checkbook offering to pay people a million dollars to say something bad about Matt, feeling secure you'd never have to write a check.

Reported by Zach Baron, Lauren Larson, Anna Peele, Clay Skipper, and Caity Weaver.