#suffer with me lol

[monterraverde]

//Love causing psychic damage on the whole dash LOL

[isjasz]

[Ready for a new game?]

day 11 definitelynottober - heart in your fist & week 1 weeklyhermittober - beginnings

===

IM SO READY LETSGO SO EXCITED FOR THE NEW LIFE SERIES💥💥💥💥💥💥

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[rowanisawriter]

Thanatos’s sprite being so intimidating with his scythe and his scowl and his pale eyes is actually so funny since it turns out he’s the most ridiculous character in the game and says shit like “what are we” and “i miss not feeling anything” and he gives you his little toy mouse that he’s just had in his pocket since he was a kid and his own mother confirms that he’s a category 1 yearner

[opens-up-4-nobody]

:-P

[kiwiplaetzchen]

Character Sheet / Student ID

With the help of some cute Gremlins, I was able to create a Character Sheet / Student ID with different designs for each house for your Hogwarts (Legacy) OC/MC!

Please feel free to use it and share your character(s)! :3 💚💙💛❤️

[maybevillage]

i like to associate kabru with mushrooms...

[olasketches]

two sides of the same coin

[ryuzumisama]

The Pale Elf

[kristoffs-lullaby]

Jealousy, Jealousy

[kor0kke]

💖 Caption this

[medicalunprofessional]

never change, man !

[graha-stan-account]

Things I learned from Encyclopedia Eorzea III

Do with this what you will, ffxiv fandom.

G'raha and the tower appeared about 15 years after the Flood of Light. Ardbert and team were all already dead. "Our" Minfilia had already dissipated.

At the time, he looked like his normal self. He is described as a Mystel dressed as a mage, so we can assume people knew he was a "Mystel" at the time, vs. later when his appearance is only speculative.

A bunch of refugees clamored to the Crystal Tower when it appeared. He said yeah you can hang out here, the tower defenses will keep you safe.

And then fucked off for 4 years to survey the damage of the Flood of Light.

When he got back he knew shit was really fucked and ASAP started trying to figure out how the hell to get the WoL over for pizza

At some point he figures out he needed to address the WoL verbally for some reason for the summoning to work properly???

It doesn't.

He decides this shit is gonna take 5ever and I'm already having a quarter life crisis. I'm going to bind my aether to the tower. It's the one secret anti-aging trick that has doctors PISSED

It'll be great, like, he'll almost never age.

Downside, his body slowly becomes necrotic with crystal.

More time lost because he has to use aether to discretely animate his crystallized limbs and digits to keep their use.

At some point, early Crystarium dwellers get tired of asking him for his name (he won't give it) and him rejecting the crown they offer him so they start calling him the Crystal Exarch.

Exarch says OK and wheels out some Allagan nodes to help build what would become the Crystarium. Go ham, guys.

Since no one really recalls what the Exarch looks like in present day, G'raha likely began wearing a cowl after returning from traveling Norvrandt, or when his body begins to change. Those who remember are likely dead (age or sineaters) or sworn to secrecy.

The developing crystal, which he did his best to hide, prevented him from truly connecting with the others.

Sometime after this, an infant Lyna falls into his care.

Well technically the Settlement Council (because he was like hey let's have a representative government [not because I grew up in one or anything!]! I'll just be over here.)

But he was very involved in her upbringing.

Probably because he was close friends with her parents.

Who die tragically while serving in the Crystarium guard (Meaning that the guard is at least 30 years old, likely more, as her parents were known to have served in the guard since inception basically and Lyna is 33 in SHB)

G'raha was probably in his mid-eighties at this point, judging by Lyna's age in SHB (33) and that we know G'raha had the Crystal Exarch title for 9 decades + the 24 years he had lived before he entered the tower. (He is likely slightly older due to the intervening time between being awakened in the Bad Timeline and heading to the First.)

He FINALLY gets summoning to work something like 90 years later!!!!! Except it still doesn't! Five years before he could nab the WoL, he nabbed Thancred instead (oops). It took another 2 years for it to successfully transport a soul again.

[reineyday]

i LOVE how they had lucy react to feral ghouls three separate times: the first when coop shot/mercy killed roger and she was dismayed, the second when she released a bunch and was forced to put them down when they attacked her and everyone else, and the third when she herself shot/mercy killed her mother.

it's just such a succinct way to showcase how her actions are changing in accordance with what she's learning about the world she finds herself in and how survive inside it, but that these new actions are still ultimately revolving around her own goodness. will be interesting to see how much of that transfers onto coop vs how much of his jadedness ends up affecting her own ethics.

[dawnbreakersgaze]

I love that this series of shots looks like Zayne is so freaking done with MC he doesn't even know what to do with himself

Like this poor man has suffered a million lifetimes for her and she's over here eating all his fucking cookies. The audacity 🍪

[reineydraws]

i was watching ahsoka and noticed she has three head tails and i was like, "it's like mitsuri's three braids!" and then it... snowballed. a lot. 😂 so here are some of my kny faves in a star wars au!

may the force be with you 😎