#such great writing...

[daisywords]

One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.

Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.

It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?

Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.

[so-many-ocs]

"why does writing take so long" because 60% of it is coming up with a sentence, realizing that sentence doesn't work the way you want it to, and staring at a wall

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[descendant-of-truth]

Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity

Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.

But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works

In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED

[movedtodykedvonte]

*Spidey and the Sinister Six having their usual fight*

Doc Ock, landing a hit: You’re getting slow Spider-Man! Age finally catching up to you?

Spider-Man: You wish! I haven’t even hit my 30s! From those costumes I can already tell I failed to save you guys from those midlife crises! Sorry by the way.

Vulture: Watch it wallcr- wait… Did you just say your not in your thirties yet?

Spider-Man: Surprised that this spiders so young and spry? Well-

Electro: Dude I’ve been fighting you for at least 5 fucking years! How old even are you?

Shocker, joking cause he’s the only one who picked up no grown adult acts likes Spidey: Don’t swear in-front of the boy you don’t want him to pick it up.

Rhino: Christ! You’re tellin me I almost crushed some 12-year-olds skull all those years ago?

Spider-Man, regretting his quipping: I was not that young! Like just starting freshman year but-

Sandman, horrified as he’s the only one with a kid and dad instincts(as of my iteration): I could’ve killed a kid…

Shocker, genuinely curious: Are you even old enough to drink? Cruel to kill a man who ain’t had his first drink yet.

Electro: Please tell us you’re at least over 25 as of this fight. Hell, I’ll take over 21!

Spider-Man:….

Sandman, realizing just how young he really is: Oh my god.

Spider-Man: My birthday’s coming up soon so I guess it counts?

Doc Ock, exacerbated: It. Does. Not!

Vulture: What would your mother think if she knew her son was out here risking his life telling poorly constructed jokes?

Spider-Man, offended cause it quips slap: 1. My jokes are great 2. She and my dad are dead so-

Sandman, hysterical cause holy shit he almost killed a kid orphan: OH MY GOD!

[paradox-n-bedrock]

me in big fandoms: oh cool, it's so active and there's so many people to vibe with, this is amaz-

*finds my niche angle that appeals to approximately six people*

me: okay, folks, it's you and me now

[sp0o0kylights]

“Dustin isn’t coming.”

“What?” Eddie says, all frantic and jovial movements freezing instantly.

His eyes narrow on Lucas--the bearer of bad news. “Why?” 

“Family emergency.” 

Mike makes a face. “I saw his mom yesterday and she was fine, so is this a…?” 

He makes a gesture that is entirely incomprehensible to anyone who isn’t Sinclair and his terrifying girlfriend.

(At least, Eddie thinks Max is Lucas’s girlfriend this week. It got a little hard to keep up after the third break-up-make-up marathon, and he frankly, stopped bothering to try.

It helped that she barely spoke--The only time notable being when Eddie had mockingly asked Sinclair if he needed a cheerleader when she’d first sat in, upon which she’d asked Eddie if he needed new kneecaps with a look in her eye that said she was serious.)

Wheeler Jr.’s gesture however, made her put her book down.

“You think he’s having migraines again?” She not so much asked as demanded, which had Mike shrugging. 

“Dunno." Lucas says. "Dustin didn’t say.” 

“Gotta be, if he called Dustin.” Mike mutters, Lucas shuffling his papers about as he begins to set up for Hellfire. He was the last in the room, practically late, which Eddie had planned on harassing him for had he not announced Henderson’s absence. 

(Fucking freshmen. They just weren’t terrified of Eddie like they used to be.) 

 “Robin must be sick or something, otherwise he’d call her.”  Lucas finishes as he finally sits down. 

“Didn’t the Marching Band go on some trip?” Mike turns to address the rest of the table, and gets nods from Jeff and Gareth both. 

“Yeah they’re marching in some parade in Indianapolis.” Jeff confirms. 

“So his last resort was Dustin?” Max is getting that tone in her voice, the one that makes everyone at Hellfire very uncomfortable. “Typical.” 

She pushes away from the table, making a show of gathering up her things before rising easily to her feet.

Eddie trades looks with the elder Hellfire members as she makes her exit--the kind that says they’re all going to be talking about this later. 

They knew their freshmen had some weird obsession with the former King, of course, but Mayfield too?

What the hell was up with that guy?

At least Eddie thinks, right before things are once again shot to shit, they can go back to playing the game.

He can make it work this early into things, and if Henderson isn't’ a fan of what he’s about to do to the kid’s character in his absence, well. 

Maybe he shouldn’t be fucking absent then. 

“So what, Max, you're gonna go over there and make it worse?” Mike snorts. 

Fatal mistake.

Eddie almost strangles him for it, if only because it prolongs this entire unnecessary conversation. 

Max performs a military perfect heel turn, coming straight back for Wheeler Jr., which makes him right about fall out of his seat in panic. 

“What was that, Wheeler?” 

“I’m just saying--!” 

“We don’t know Steve’s having migraines.” Lucas reiterates, pinching the bridge of his nose. “Maybe it’s something else.” 

“Does Steve get migraines a lot?” Grant asks, because despite all appearances he’s a terrible gossip and gets sucked in far too easily.

Eddie throws a pencil at him for it. 

“Hel-looo, we have a game!?” He thunders, but unfortunately for him, precious Stevie-Weavies headache now has everyone’s attention. 

“Yeah, though he’s really good at pretending he doesn’t.” Lucas answers with a put upon sigh. 

“There’s a whole pattern--he ignores it until it gets super bad, then he has to call Robin or Dustin to come get him when he inevitably gets stranded at work or the like, grocery store.” 

“Well who else do you think he’d call?” Mike scoffs again. He does a lot of that, when discussing Harrington. “It’s not like his parents are--Ow, Max!” 

“Close your mouth before I close it for you.” She hisses and Mike, shockingly, does just that. 

To Eddie, she says; 

“Your ass isn’t any better, or did you forget I live across from you?” 

Eddie--who had an insult primed and ready--promptly shuts his mouth.

(Fucking! Asshole! Freshmen!) 

“Maybe I should go too.” Lucas says, hedging a look between his girlfriend and his DM. 

“No.” She snaps, pointing a finger at him.

 “If you go, then this idiot,” she flicks her finger to  Mike, “will go and then we really will make it worse. Stay here before your bichon frise has a fit about all his sheep abandoning him.”

Then she’s turning on her heel again, storming out. 

“What the hell’s a bichon frisé?” Gareth asks in the aftermath, frowning. 

“It’s a type of ahhhh--” Jeff clearly thinks better of the explanation, eyes sliding to Eddie.

Who’s scowling.

“I know what a bichon frisé is, Jeff.” He snaps. 

“I don’t.” Grant loudly complains. 

Jeff attempts to both calm Eddie and explain while Mike and Lucas spend far too many minutes looking after Max. 

“Enough!” Eddie howls, temper finally getting the best of him. “Are we playing or do you also need to go sit by the King’s bedside?”  

“Thank you,” Mike says, like he wasn’t a third of the entire problem. “Let’s play!”

They make it about ten entire minutes before getting knocked off track again. 

In fairness, not that Eddie would ever admit it--the second meltdown is his own fault.

xXx

Hellfire is Eddie’s domain. 

It’s one of the few places where he could relax without getting harassed or hounded, and having his freshmen--his!--abandon him for King Fucking Steve had set him off. 

So he’d made a few comments about it.

Maybe introduced an NPC who sounded suspiciously similar to Harrington, only to instantly kill him off. 

Made another couple of nasty comments. 

Who cares? It worked him through his snit rather nicely, and his boys all knew to leave him be.

Except, apparently, for Lucas. 

“Dude, would you lay off?”  The kid finally snaps, pencil slamming down on the table. 

Which is the most backbone-like thing anyone has ever heard Sinclair say, and he gets far more whistles for it than he should.

Eddie pins him in place with a glare. 

“What was that Sinclair?” He snarls, voice as menacing as he can make it.

(It’s pretty terrifying, he’s practiced quite a bit with it.) 

Sinclair flinches, but doesn’t back down. 

“I said lay off. Steve has migraines because of--” He stops, before seeming to come to a decision. “Because of me. He took a hit for me, and I owe him a life debt for it.” 

To Eddie, he says; “You get what those are, right?” 

Mike rolls his eyes. “It wasn’t just for you--”

“That time with Billy was!” Lucas is quick to snarl. “But you know what Mike, you’re right. It wasn’t just for me. He T-boned a car for all of us!” 

Sinclaire is on his feet now, which is the unfortunate moment that Eddie realizes he has once again lost control of the room. 

A situation he firmly blames on Steve Harrington, because he’s petty. 

“Or did you forget that part? That’s you, me, Will, Nancy and Jonathan right there! Nevermind the tunnel. Or the junkyard! 

“We had the junkyard handled--”

Lucas scoffs. 

“We absolutely did not.” 

“I don’t get why you’re all making such a big deal out of this. He’s the fighter. That’s what he does. That’s why we brought him to the tunnel.”

“You recall what happened at Starcourt, right?” Lucas challenges, furious. “You did see him after, right?” 

This, finally, seems to shut Mike up. 

“Shouldn’t you be mad at him for that?” He says after a moment, and the rest of Hellfire has completely put aside all actual gaming to watch this play out with a morbid sort of fascination. 

Eddie allows it, only because he’s trying to breathe the way Wayne taught him to before he loses it entirely and throws both of the idiot kids out of the drama room. 

“He pulled your sister into it.”

“Have you met Erica!? You can’t pull her into shit!” Lucas spits furiously. “That wasn’t D&D, Mike. It was the Upsi--real life.” 

Lucas is quick to correct himself, even in the heat of the moment--as all the kids are, like the entire school hasn’t clocked that they have some weird ass secret they’re terrible at hiding.

“And if we’re playing those games, then who pulled him into the tunnels? Who made him come to the junkyard?”

“Dustin.” Mike says snidely. 

“You don’t get to blame Dustin when Steve was the only person around.” 

“There were people around! They just weren’t people who--weren’t--who couldn’t--”

“Finish that sentence.” Lucas demands 

“Be trusted.” Mike spits out, like it hurts him. 

“Exactly.” 

“El went through way more than Steve ever has! El--”

“El was using her po--doing mage things! And also, she shouldn’t have had to go through all this shit either! We can’t rely on her to save the day every single time, Mike--and look at how hurt she gets!”

“She--”

“She hides it from you, you know. How bad she hurts. Cause she wants to put your feelings first.” 

“I--”

“Will does too.”  Is Lucas’s parting shot. His backpack is in his hands in a blink, papers and character figure shoved wildly into it, before he’s storming out the door in a poor mimicry of Mayfield.

“Harrington T-Boned a car?” Grant says, in the resounding silence. 

“That BMW of his hasn’t had a scratch on it--” Jeff says, with an inquisitive tilt to his head. 

“He didn’t use the Beamer.” Mike interrupts, angry and sulking. “Are we playing or not?”

“I’m gonna say not, given we are down two players.’ Eddie tells him through clenched teeth. 

“I’m going to be so mad if Steve doesn’t have a migraine.” Mike grumbles, as he begins packing up his stuff. 

The rest of Hellfire follow his lead, after one look at Eddie’s face convince the lot of them that it’s best to flee now, before Eddie unleashes all his pent up rage. 

“Not as mad as I’ll be, Wheeler.” Eddie promises darkly.

And it is a promise--because now, he’s going to follow all his stupid (sans Mike, who isn’t in his good graces either but at least stayed) freshmen--and go visit one fallen King.

If Harrington doesn’t have a headache now, he will when Eddie’s done with him.

[the-one-who-lambs]

This is a super super gentle reminder not to put your favorite authors on a pedestal. We're real people living average lives and not trying to be influencers. We criticize ourselves enough and we don't want to be held to an invisible standard (we start to worry we fail to exceed our own selves) or compared to other writers (we are not competing) or tailor our craft to cater to a wider audience (the right people will find you).

[rox-and-prose]

Idk why people hate the idea of socialized healthcare. "Oh it's gonna make my taxes go up and I can just get it through my employer" THEN YOU ALREADY PAY FOR IT! YOU ALREADY HAVE THAT MONEY DEDUCTED FROM YOUR PAYCHECK! YOUR EMPLOYER ISNT "GRANTING" YOU HEALTH INSURANCE, THEYRE JUST GIVING YOU THE CHANCE TO PAY FOR THE PRIVILEGE OF BEING TOLD THEY DONT COVER ANYTHING YOU NEED!

[ramen-writes]

"I pledge to you my life-"

"wh-what?"

"As your protector and knight"

"wait stop. No-"

"to serve you-"

"please stop. Not like this"

"and stand behind you"

"No- stand with me n-not-"

"I pledge to you my loyalty and from this moment on. I shall honor and protect, put your liege before my own-"

"stop. I bid you to take it back!"

"From now my life is yours and I shall serve you with honor"

"This is no oath I ever desire from you!"

"I shall become the sword that will protect you"

"There must be another way-"

"I will aid you to the top"

"There's no height I will reside upon without you by my side!"

"I am your loyal servant"

"No- you're the only one who isn't. You're my companion, my love, the only one by my side. Don't do this, please"

"who will reside behind you until my bones turn to dust and my heart sets to a stop"

"N-no.....please"

[diabeticgirl4]

it's such a quick subtle moment, but I really appreciated the teamwork of grog having percy land on him in their fall (+supporting him w his fist!) so he wouldn't have to slow down in his chase for ripley

[emmyrosee]

“Do I have a cute butt?”

“Excuse me?” Osamu asks at your question, popping an eye open as he chuckles. You giggle at your matched silliness, gently patting his chest.

“You know.... like, is my butt cute?” You ask again, traveling your eyes to look. Your leg is hooked over his waist, his large hand running along your thigh sweetly.

Osamu sighs sleepily, “is this one of those scenarios where if I answer, you’ll hit me?”

You giggle at him, “depends on your answer.”

“Then I think you have, single handedly, the cutest butt in the world, sweet love.” His large hand travels down and gives your ass a gentle pat, almost like you were a baby.

Well, you are his baby, as he always assures.

Your heart flutters wildly at his words, they always have an effect on you, and you can’t help but nuzzle into his chest further to hide your face.

“Awww,” he teases. “Did I make my angel girl all shy?”

“Shut up,” you mutter, shoving him lightly. He chuckles lowly before shoving his hand under your hip and pushing you up, guiding you to straddle his waist. He gently caresses your sides and thighs, dopey, loving smile on his pink lips.

“I think every part of you is the cutest, my love,” Osamu whispers, making you roll your eyes.

“Oh yeah?” You challenge. “Like what?” He raises his own brows, “everything.” He gently takes your hand in his, “I love these small, sexy hands of yours.” He plants a kiss to each of your fingers before closing them, placing a final kiss to your knuckles. You bite your lip, brushing the fallen locks of hair out of his eyes.

“They’re not small,” you protest. “Yours are just massive.”

“Either way,” he continues. “I love these hips, and these legs that everyone stares at when you wear shorts,” he gently digs his fingers in your thighs slightly, leaving lightened prints before transforming back to your original skin tone.

You avert his gaze, “they stare because my hips come up to your thighs. Tall freak.”

“They stare because you’re hot,” he says, putting extra emphasis on the ‘T’ and grinning like the Cheshire Cat. “They stare because somehow, your stunning ass got stuck with me."

“I love being stuck with you!"

“I love it too,” he assures, smiling as you laugh. “That’s another thing,” he says. “That sweet laugh of yours.”

“Oh, you mean the dolphin mating call?” You scoff, crossing your arms.

Osamu shakes his head, “no, you brat. I’m talking about your laugh. Your sweet giggles. Your scoffs. The way it goes silent when you laugh really hard. It the fucking best.”

“No it’s not,” you groan. “You’re the only person on planet earth who could find a walrus being assaulted with a crowbar cute.”

“There’s nothing wrong with finding your little giggles endearing.”

“Yeah, right.”

“But you know what I love most about you?” He asks, cupping your ass and hips in his massive hands.

You quirk your brow, “what’s that, oh Prince Charming of mine.”

“My absolute biggest weakness about you, dollface, is...” he squeezed harder. “Messing with you.”

You can barely process what he said before he bucks his hips up against you, bouncing you up and down. You scream out in laughter, planting your hands to his chest. His own laughter mixes with yours, his thighs continuing to bounce you like you’re a rider on a horse.

“Okay, okay!” You manage between giggles. “I get it!”

“Don’t,” bounce “think,” bounce “you,” bounce “do.” He grins as he stops bouncing, sitting up to wrap his arms around you, pulling you flush to his chest as you both flop back down.

“You’re so bad,” you giggle, running your hands over his chest. Osamu chuckles, planting a kiss to your head.

“What can I say,” he sighs dreamily. “I'm a man of poetic genius.”

"If that's what you want to call it."

Immediately, hands dart under your arms to tickle you viciously, smirking as you shriek and clamp your hands to your sides and laughter pours out of your lips.

It truly was his favorite sound.

[ckret2]

I've seen some folks saying that the reference to The Great Gatsby in TBOB was just a joke Alex didn't put deeper meaning into—which might be true, IDK the man's motives for choosing Gatsby specifically—and that there's no way the book has any deeper relevance to Bill's character beyond the eye doctor thing—which is totally wrong. Whether or not Alex intended parallels, there ARE parallels. So, for those of you who didn't read or didn't pay attention to The Great Gatsby:

the book's about a guy who started out as an unimportant loser with starry-eyed dreams, who very quickly gained a lot of power/gold and now presents himself as this dapper fancy well-dressed super important guy.

He constantly throws huge parties, he's got a reputation for being THE party host. But it's a sham, he's pouring all these resources into this party to make himself look so cool but he's living at the very edge of his means.

He lies about his history, lies about how he got his money (spoilers: he's a criminal), lies even in how he presents his personality—he's a con artist, he's always wearing a mask.

The reason he's doing all this—putting on the mask, making himself look so great—is because he's trying to reach across this very thin boundary to a better life he can see, JUST out of reach, so close but something he's never quite clever enough and rich enough and persuasive enough to reach. Every night at his parties he stares at his goal, he can LITERALLY SEE it, he just can't reach it himself.

The best he can do is briefly charm and dazzle someone on the other side of this social boundary, but he can never quite persuade that person to help him cross over; in fact no one on the other side of the boundary thinks he has a right to cross it.

He finds somebody—the guy narrating the book about him—who's very lonely, socially awkward, and disillusioned, whom he can easily awe with his stories and persuade to help him reach his goal, come on please, it'll be harmless! (It is not harmless.)

He loses control over the act he's putting on and over the people who only follow him around as long as he's still got the resources to keep them entertained and loyal.

It ends with him getting murdered by a guy he has LITERALLY never met before—by which point everyone has realized that he's a nobody making it all up as he goes along who was just desperately chasing the illusion of a good life and the admiration of everyone around him.

The narrator ends up disillusioned with him and the whole culture around him of grasping and clawing for a glitzy glamorous life at the expense of the regular people who are manipulated, trampled, and discarded in the process.

Now tell me that Gatsby doesn't have any parallels to Bill's character. And this is just based off reading the book a decade ago—there's probably tons of little details I don't even remember. The book may well have been chosen as a coincidence, it did recently hit the public domain. But if so, it's a VERY GOOD coincidence.

[braindos]

tgaa + moomin

[beetleandfox]

I love how unsanitized The Terror feels. Like there’s grime everywhere. You can tell those men smell bad. When they do surgery you can hear the bone being cut, when they get sick they look genuinely ill. The main character’s actor even has pockmarks, he LOOKS like he could be from the 1800s! And idk, I think it’s cool that we’re so aware of the characters’ carnal desires. They’re hungry, thirsty, freezing, etc, and it is so obvious that they have a body with needs!!

I think this also accounts for how horny the show feels, even though everyone is bundled up 90% of the time and there are no real romantic subplots. Besides the fact that it’s a very carnal show, it just has the intimacy and grime of true horniness. Is this thing on

[mygeekcorner]

You know those "write badly!" posts that sometimes makes the rounds to encourage all you lovely writers that it's okay that not everything is a masterpiece?

Yeah, those.

I just want all you authors out there not feeling good enough to know that i just decided to reread one of the worst fics I've ever read. Because it's one of the best fics I've ever read.

The plot is simplistic at best. The language is horrible. The pacing is nowhere to be found behind all the "and then!!!" the author peppers their writing like a carbonara with.

But

The characters. The insights into their motivations is fucking master thesis level. I cry just thinking about the way the author predicted where canon was headed years ago. And the way they Preemptively fixed all the ooc-ness the mangaka is now struggling to wrap up.

It's been living in my head rent-free for years and i wouldn't want it any other way. Just with slightly less "and then!!"

So yes, write badly.

In three years time some sucker will come back for seconds because they loved it for all the things you Did manage to do right.