#such a simple thing and yet rare enough to be really noticeable
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sometimes i almost forget how refreshing it is to watch things created and directed by women... the scene where Sarah was filming that video focused on her face and on her emotions. the victim was very clearly shown as a victim.
that's expected from Al Rawabi, though; i'm really remembering how amazing this show is.
#such a simple thing and yet rare enough to be really noticeable#al rawabi school for girls#al rawabi school for girls s2#al rawabi school for girls s2 ep4#v rants#my posts
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smut ïč panty stealing â with Luke Castellan cw ! panty stealing / male masturbation / a little dark
"Fuck â baby âŠ" stifled moans were spilling over the boy's lips, quick in his movement as his hand went over his length.
fap. fap. fap.
The sound purely filthy, yet completely in rhythm with his quick motion. He didnât have a lot of time, after all, it would only be a few more minutes until your sweet voice would chime through his cabin. And Luke certainly did not want to explain just what he was doing. What he has been doingâŠ
"Gods â" another groan, and his tense fingers tightening around the flimsy material spread so greedily over his flushed tip.
It was sinful just as it was wrong ... but Luke rarely cared for such.
If you didn't want him to steal from you, then you should keep your belongings somewhere better hidden, simple as that. Although, Luke is terribly good at finding things he really shouldn't ...
Maybe being a borderline kleptomaniac was in his blood after all, being a son of Hermes â a god of thievery â and all that. So Luke could push the blame onto his heritage. But, honestly, this was all simply his own doing.
Your pretty boyfriend just loved that flushed look on your face, when you'd freak about your things going missing. Especially your underwear ! And maybe he just loves to make you doubt. Doubt that he ever bought you a pastel pink pair, doubt that â what ? No, you didn't wash your lacy blue one last week, it's right here' â and it's crusty and dirty despite you claiming to have washed it and â baby, are you sure you're alright ?
He is just so good at gaslighting and it's almost embarrassing ! For you, anyway, of where you tend to believe any and every lie that spills like thick honey from his mouth just to keep some control over you, and to make you believe that you really just need him for the simplest things. Because you're just such a mess without him !
Luke Castellan just really loves to fuck with your brain. Sometimes he loves it even more than having his fingers wrapped around your tongue, or your tongue wrapped around ... other things.
"Fuck, fuck, fuck." conjuring images of your sweet little tongue licking up and down his shaft with little to no experience because â of course Luke had been your first, is enough to have him hiss out in pleasure. The lace part of your underwear has him become even more sensitive, and it surely helps with pretending it's your teeth bumping into the sensitive skin, as you always claim he's just too big for your mouth, making it very hard to swallow around him without nibbling just a little !
He's already drenching the fabric, making it almost translucent by how much he's leaking. He knows it's almost pathetic, having the mere thought of you, the fantasy of you, reduce him to such desperateness. And yea, maybe it's a little unfair to not introduce you to his little ... fetish. But that would only make it less exciting for him !
And honestly, Luke always makes it up to you right after, even if you're completely unaware of such ! He always stuffs himself right between your thighs and licks you silly, until you're too dumb to notice the quick motion of him stuffing a new pair into the back pocket of his jeans ...
Yes, maybe Luke will end in Tartarus for this one, but he thinks it's totally worth it!
When the boy is sure he'll spill, feeling the familiar tightness build and build, he skillfully angles himself right where your panties would normally cup your his pussy. The thought of a â yet again â totally confused you, makes him finally shoot ropes of watery white until he's completely soaked the piece.
His fingers cramp a little when he detaches them from his skin, making your messy underwear fall to the side, and his head fall back into the pillows. Luke is breathing heavily still, having only barely enough time to stuff the dirty fabric under his pillows, and his softening member back into his pants, before your babbling self comes marching through his door.
Oh, and you're so blissfully unaware of your missing lingerie sticking to the underside of his pillow, of where he'd later hide it somewhere for you to find, just to scold you about being so damn careless with your stuff.
Thank the gods for him, because you'd just be so lost without a boyfriend like Luke Castellan !
đ đ more .
#luke castellan đ written by lane#luke castellan x reader smut#luke castellan x reader#luke castellan smut#â
smut#luke castellan x you#luke castellan x y/n#luke castellan x you smut#luke castellan x y/n smut
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Hii! I love your writing! Not sure if you did this yet, but could I get headcanons of what Leona, Jamil, Vil, and Lilia would call their s/o? (Other than herbivore on Leonaâs part) Thank you so much <3
THANK YOU!!! this is a little (just a little) different from the way i usually write hcs but i hope you like ittt
đ Leona Kingscholar
Leona didnât really intend for it to be his personal nickname for you or anything, but yeah, Herbivore does stick â at least for a while â and yeah, heâll still use it even if youâre also a beastperson, regardless of what you truly are. He actually thinks itâs extra funny to use it if it doesnât suit you.
The nicknaming is going to evolve with time, though. He does like using the occasional baby or babe, just casually, and probably not in public, but it wonât be the main thing heâll call you. His preference very much is in giving you a specific, fitting nickname. Something no one else could call you, at least not in the way he does.
Since heâs started out with Herbivore, heâs most likely to keep following that animal theming route. It feels right, anyway. Heâll think about it, going through many, many working titles until he finds something that feels perfectly customized. Itâs a significant amount of time until he just springs your brand new nickname on you, grinning all proud of himself... And after that day, thatâs basically your second name.
đ Jamil Viper
Jamil likes using your first name, and heâll mostly stick to that. When youâre around others, itâs basically a given that he wonât be calling you darling or sweetheart or anything like that, since he prefers to keep your relationship away from the prying eyes of strangers. PDA is just not his thing, and it will never really be.
Part of why he sticks with using just your even in private is just the comforting familiar feel of it, but he also does genuinely love your name. If you listen closely, youâll notice that the way he says it now is just a little different from how he said it before you got togetherâŠ
On the rare occasion he calls you something other than your name, you can pretty much be sure itâs always going to come after a âmyâ. Something like my love or my dear, which, fittingly, is more likely to slip out when heâs feeling more possessive than usual. But itâs pretty much reserved for that, plus whenever heâs comforting you for any somewhat serious reason. If you ask him to say it more often, he gets all flustered.
đ Vil Schoenheit
Like Jamil, he also really enjoys using just your first name, said in this way thatâs just slightly softer than how he says everyone elseâs names. What distinguishes them is that Vil does that intentionally, in this specific way thatâs clear enough for you to maybe pick up on, but not everyone else.
He really does like using petnames in private though. Vil is a little hesitant at first, because heâs definitely said the words before in some production he acted in. He didnât think much of it then, they were just words for himâ But now that heâs doing it for real, he canât help but notice just how different it feels. He knew it would feel different, he just wasnât expecting it to feel that intimateâŠ
In these moments, he finds himself being particularly fond of the more domestic-sounding kind. Honey is a common one, darling is used but a bit less so, itâs mostly for when heâs feeling particularly affectionate. Silently expects you to return the gesture, but it still makes him blush a little whenever you do.
đ Lilia Vanrouge
Lilia brings out the petnames pretty early on. Just around the time when he realizes his interest in you, which comes with the decision that now, his flirting is going to be intentional. The first one he uses will probably be something simple, easy to sprinkle into his usual speech, like dear.
He kind of likes the more âambiguousâ sounding namesâ That kind of stuff you might hear from the nice old lady who lives down your street. Hun and sweetie are other two favorites of his. Needless to say, he not only keeps it up even after you two start dating, but also specifically focuses on using whatever gets him the biggest reactions from you.
Despite having clear favorites, though, his approach to petnames is almost like heâs going down a list. One day youâre love, then the next youâre sweetheart. He likes to switch it up, see how you like different names, how you react to them. Very much encourages you to return the gesture, and if you do, heâll copy whatever petname you call him, so you two match.
if you like my work you can support me by commissioning me or tipping me on ko-fi ââ á”á” âŠ
#twst#twisted wonderland#twst x reader#twisted wonderland x reader#leona kingscholar#jamil viper#vil schoenheit#lilia vanrouge#leona kingscholar x reader#jamil viper x reader#vil schoenheit x reader#lilia vanrouge x reader#twst imagines#twst headcanons#lis writing
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The Being (Un)Known \\ S. Reid x fem!reader



You never meant to orbit Spencer Reid, but somehow, you always do. The space between you is filled with quiet observations, lingering glances, and a tension that hums beneath every near miss. A brush of hands, a breath caught mid-sentenceâsmall moments that build into something undeniable. It takes a near-disaster to bring you closer, but itâs the nights spent tangled in conversation, stolen glances over case files, and the weight of his name in your mouth that seal your fate.
12.1k, fem!reader. Slow-burn, lingering tension, quiet devotion, and Spencer being insufferably charming without realizing it.
CW: mutual pining, near-miss injury, brief emotional vulnerability, mild anxiety, excessive overthinking, cannon-typical violence, references to religion.
Spencer Reid is an enigma you never mean to chase, a sun you donât realize youâve been orbiting until the pull of his gravity is undeniable. Heâs not someone youâre supposed to know, not reallyâhe works in profiling, a world built on instinct and razor-sharp deduction, while youâre still buried in textbooks, an academy student trying to shape yourself into something worthy.
Heâs only a few years older, but the distance between you feels vast, like a canyon carved by time and experience. And yet, no matter how often you tell yourself that heâs just another name, just another agent, you keep finding him. Or maybeâjust maybeâhe lets himself be found.
You donât think much of it at first, the way your paths cross in quiet placesâhallways humming with fluorescent light, libraries steeped in dust and silence, moments that seem incidental but never quite are. And then, without warning, that quiet fascination tilts your entire world:
Itâs Spencer who speaks your name when SSA Hotchner asks for a student to shadow the team.
âItâs only a few cases,â he tells you, voice warm with something like certainty. Thereâs a rare kind of confidence in the way he smilesâsmall, knowing. âBut Rossi and I agreeâyouâve got too much potential to stay in a classroom much longer.â
âYouâre sharp,â Rossi agrees, stepping in with the weight of experience, his approval easy but meaningful. âPlay this right, kid, and youâll be glad you did.â
Rossiâs words settle over you, weighty with promise, but reality is heavier.
Your first case comes fastâtoo fast. One moment, youâre standing in the bullpen with a crisp folder in your hands, the next, youâre on a jet with seasoned agents, listening as crime scene photos flick past on the monitor. Itâs a triple homicide, the kind of case youâve only studied in theory, where the victimology is murky and the suspect is still a shadow. The words feel clinical in the briefing, just patterns and deductions, but then youâre standing in a house that doesnât feel like a crime scene yet, where someone left dishes in the sink and a jacket draped over the back of a chair, never to be touched again.
You swallow hard.
âDeep breath,â Spencer murmurs beside you, so quiet you almost miss it.
Your fingers curl into fists at your sides. You donât want him to noticeâdonât want anyone to noticeâbut Spencerâs eyes are too sharp, always catching things before they surface. You inhale, steadying yourself.
âThis is different than the academy,â you admit, voice just above a whisper.
âIt should be.â Spencer doesnât sound condescending, doesnât sound like heâs telling you anything you donât already know. Just a simple, grounding fact. âBut youâre still here.â
You are. And for now, thatâs enough.
Slowly, you become accustomed to it. The days fly by while the hours drag on. \\
âOkay,â you tell the team, throwing your folders on the table to begin organizing them in the order youâll present them. âJJ gave me four cases flagged as urgent,â you say, clicking the remote in your hand. The screen behind you flickers to life, displaying a title screen verging on too childish, nearly girly. You built the theme last night, sipping dregs of coffee, clinging to something that makes you feel human. A colorful border is enough to make you feel better about plastering victims' faces on a PowerPoint slide. âEach presents a significant threat, and each has something that warrants immediate intervention.â
CASE ONE: THE RITUALIST
Youâre following the curriculum exactly, formatting how your professor told you to, but coming up with titles for the cases felt exaggerated, almost picturesque. You hesitated to do so last night, fingers flinching above your keyboard.
Your favorite professor, kindly answering your 3 am email, assured you it was natural. Par for the course. Identify the cases, give them a name to be referred to. It feels childish, she conceded in her response, but itâs what they want students to do.
âIn Savannah, Georgia, three women have been found buried in shallow graves near the riverfront, all posed identically and dressed in wedding gowns.â
Emily crosses her arms, frowning. âThatâs theatrical.â
âIt is,â you agree, clicking to the next slideâa zoomed-in shot of the delicate lace on one victimâs gown, carefully arranged over stiff, lifeless hands. âThe unsub is mimicking a local legendâone about a grieving bride who drowned herself in the river in the 1800s.â
âAn emerging pattern?â JJ asks.
You nod. âThe first body was found two weeks ago. The second, one week ago. The third, two days ago.â
âWhich means heâs escalating,â Hotch observes.
âYes. If the unsub continues following this timeline, we could see another victim within days.â
Morgan exhales, shaking his head. âA guy like this? Heâs loving the attention. Heâs not gonna stop on his own.â
âNo,â you agree. âAnd if his rituals are as important to him as they seem, he wonât just pick random victims. Heâs looking for somethingâsomeoneâto fit his narrative.â
Spencer leans forward, fingers tapping absently on the table. âThat level of organization suggests a highly controlled personality. Heâs not just killingâheâs curating.â
âHeâs hand-stitching the dresses, too. Each is perfectly tailored to fit the victims.â The thought leaves a bitter taste in your mouth. You switch the slide.
CASE TWO: THE FAMILY ANNIHILATOR
âIn Tulsa, Oklahoma, three families have been murdered in their homes over the course of the past two days.â You keep your voice steady, clicking through the crime scene imagesâtoo much blood, overturned furniture, a dinner table frozen mid-meal. âIn all of the cases, the father was restrained and forced to watch before he was killed last.â
A grim silence settles over the room.
Rossi rubs a hand over his jaw. âHeâs not just taking them outâheâs making them suffer.â
Morgan exhales sharply. âWhich means this is personal.â
âPossibly,â you say. âThere was no forced entry in either case, which suggests the unsub is either someone the victims trusted or someone who knew how to manipulate his way inside.â
âA service worker, maybe?â Emily muses. âSomeone posing as law enforcement?â
âThatâs a strong possibility,â you admit. âAnd if the pattern holds, weâre looking at another family being targeted in a few hours.â
JJâs expression hardens. âWe canât let that happen.â
The weight in her voice lingers as you switch to the next slide.
CASE THREE: THE PHANTOM ABDUCTOR
âDenver, Colorado,â you say, clicking to a map marked with four red pins. âFour people have vanished over the last five monthsâone woman, two men, and a child. No bodies, no forensic evidence, no trace of them after the moment they disappeared.â
Spencer tilts his head. âNo pattern in victim selection?â
âNone that we can see,â you agree. âDifferent ages, different backgrounds. The only common thread is that they all vanished from public places.â
JJ frowns. âSecurity footage?â
You shake your head. âIn each case, cameras malfunctioned or lost power at the exact moment the victim disappeared.â
âThatâs not a coincidence,â Hotch says.
âNo,â you agree. âWhich means weâre looking at an unsubâor possibly multipleâwho is incredibly meticulous, well-prepared, and willing to wait for the perfect conditions.â
Morgan exhales. âDamn. If heâs this careful, we might not even know how many victims weâre missing.â
You nod, the reality of it settling into your gut like lead. You click to the final slide.
CASE FOUR: THE JANE DOE MURDERS
âPhoenix, Arizona,â you begin. âFive women have been found dead in the last six months. None have been identified.â
Emily shifts in her seat. âThatâs a long time for that many women to go without names.â
âExactly,â you say, flipping through the slidesâmalnourished bodies, identical scars along their spines. âWe suspect the victims were held for an extended period before being killed. Medical reports indicate malnutrition and signs of prolonged restraint.â
Rossi exhales slowly. âTorture?â
âMaybe. But what stands out are these.â You zoom in on the marks along the victimsâ backsâprecise, deliberate incisions. âThe wounds suggest medical knowledge. Someone who knew what they were doing.â
JJâs face tightens. âHeâs experimenting.â
âThatâs the concern.â You glance at the team, your stomach twisting. âThe unsub could still have others in captivity.â
A beat of silence.
Then, Hotch clears his throat. âAlright. Youâve presented four cases, all high priority. Now comes the hard part.â The part where you choose.
You inhale. Exhale. The weight of the decision presses against your ribs, but you donât let it show.
âTake a moment,â Hotch says, voice even. âDecide which one we handle first.â
The room is quiet as you grip the remote a little tighter, eyes flicking between the slides, between the horrors laid out before you. Whichever case you choose, the others will wait. But not forever. You swallow hard and decide. The weight of it sits heavy in your chest, pressing against your ribs like a vice.
You shift your gaze between the slides still illuminated on the monitorâeach one a tragedy waiting to unfold, each one a door closing on lives youâll never be able to save if you donât act now.
You exhale slowly, steadying yourself. How awful that the fate of lives rests on a test for a student. You know itâs important â they have to test you. Youâre here because Rossi and Spencer see potential, kept around because, according to Hotchâs last report, youâre proving to be irreplaceable. Still, the decision feels too big to be handed off to you.
You have to make a case, despite. You bite your lip, wrinkle your nose. Tells everyone around you can see, signals theyâre noting and remembering. âThe Tulsa case,â you say, finally, voice firm, but not as even as you want it to be. âThatâs where we go first.â
Across the room, the team absorbs your choice in silence.
Hotch nods once, expression unreadable. âWalk us through your reasoning.â
You click back to the slide, the images of two shattered families staring back at you. You resist the urge to look away. âThe unsubâs pattern is clear. Three families, mere hours apart. If he keeps to his timeline, another family is in dangerâpossibly right nowâ
JJâs jaw tightens, her fingers tapping lightly against the table. âAnd this isnât just about killing them,â she adds. âThe way he makes the fathers watchâitâs personal.â
âExactly.â You glance at Spencer, whoâs already nodding in agreement. âThe level of control, the methodical natureâit suggests military or law enforcement training. Someone used to hierarchy, dominance.â
Morgan folds his arms. âWhich means heâs not picking his victims at random.â
âNo,â you agree. âIf we can find the connection between the families, we can narrow down potential targets before he chooses his next one.â You click to the next slide, where the family structures are laid out side by side. âRight now, we have limited victimology, but the fathers were in leadership positions. One was a high-ranking bank manager, the other an attorney, the most recent one a sheriff.â
Emily tilts her head, considering. âA grudge? Financial ruin, a court case, something that connects them?â
âPossibly,â you say. âBut we wonât know for sure until we dig deeper. And we donât have time to wait for another murder to give us more evidence.â
Hotch doesnât hesitate. âAgreed.â He turns to the team. âIf we leave within the hour, weâll be in Tulsa by tonight. JJ, contact the local PD and get us access to the crime scenes. Morgan, start looking into the victimsâ professional historiesâsee if thereâs overlap. Prentiss, work with Garcia to pull any major financial or legal disputes in the last six months. Rossi, coordinate with victim servicesâwe need to talk to the families.â
Everyone moves into action around you, gathering files, pushing back chairs, murmuring in low voices.
Then, Spencer speaks, âYou made the right call.â You glance up to find him watching you, head tilted slightly, something unreadable in his expression.
You swallow. âI hope so.â Because it doesnât feel like the right call. It just feels like the least wrong one.
Spencer studies you for a moment longer, then nods, as if he understands something you havenât said aloud. The decision is made.Â
You catch the guy â youâre with the best team in the world, of course, you do â and subsequently pass the âtestâ JJ posed for you. This is the deal with your professors: aid in exchange for grades. Itâs not totally unheard of, accepting an academy student onto a team for a brief trial to test-run them. Especially a student top of their class like you are.
Whatâs unusual is how long you stay on the team.Â
Itâs long enough to catch more sightings of Spencer, scattered across the building, like watching a dove rest.
You donât mean to linger, but you do. A moment too long, just enough to feel like a pause in a conversation neither of you started. His fingers drum against the ceramic of his mugâquick, controlled, an absent rhythm. You canât help but wonder if he hears the world like that, like patterns waiting to be unraveled. Like music waiting to be played.
You scamper away, like a startled animal, afraid of what the mundane action awakens.Â
You donât have time to be entranced by Spencer Reid. You really, really donât, but you still feel the beginnings of it pool in your belly.Â
\\
 The air in the bullpen is thick with the low hum of voices, the shuffle of papers, the occasional ring of a phone cutting through the din before being silenced by a hurried answer. Stale coffee lingers in the air, curling around the sharper scent of printer ink and the faintest traces of cologne clinging to coats draped over chairs. It smells like exhaustion, like long hours pressed into fabric, like something too lived-in to ever be fully washed away. The air conditioning murmurs somewhere overhead, cooling the space unevenly so that certain corners feel frigid while others remain stubbornly warm, weighted by too many bodies moving too slowly.
You should be focused. You should be finishing the report in front of you, should be paying attention to the pages you keep flipping through but not actually reading. But instead, your gaze drifts, betraying you before you can stop it. Across the room, at the coffee station, Spencer stands with his back to you, one hand in the pocket of his slacks, the other wrapped loosely around a ceramic mug, fingers curled just slightly, resting on the smooth surface in a way that seems absentminded. His thumb moves in slow, methodical circles against the ridges of the cup, a rhythm so small and controlled that you might have missed it if you werenât watching. If you werenât, despite every part of you screaming not to, noticing. The fluorescent lights overhead cast a pale glow over the angles of his face, sharpening the cut of his cheekbones, catching in the strands of his hair that are just slightly disheveled, like heâs run his fingers through them one too many times.
He doesnât look up.
Not at you, not at anyone. His focus is turned inward, lost somewhere else, eyes fixed on the dark surface of his coffee as if heâs reading something in it, tracing the shape of a thought that hasnât yet fully formed. His brow furrows slightly, just enough for you to notice, and then his fingers drum onceâtwiceâagainst the ceramic, a quick tap-tap before stilling again. A habit, you think. A rhythm he follows without meaning to, the kind of movement that comes from a mind that never truly rests.
It is only then, only in the moment before you force yourself to look away, that he lifts his head. Not in your direction, not searching for you, but simply breaking free from whatever thought had been holding him captive. His lips part slightly, as if he might say something, but no sound comes. He just breathes, slow and measured, before lifting the mug to his mouth, taking a small sip, swallowing in a way that seems almost careful, like heâs weighing the warmth of the liquid against the feeling of it settling in his throat. You shouldnât be watching this. Itâs too small, too insignificant, and yet you canât help but be transfixed by the way something as simple as drinking coffee becomes a deliberate act with him.
You realize that youâre still staring but youâre struggling to stop. You need to, you really need to, but the impulse to look at him is strong. Itâs beyond physical attraction â something in him calls to you. A hunger to understand him, to be near him, to listen to him talk. He soothes something inside of you just by existing, piques your interest without trying, captivates your attention and hardly notices.
You tear your gaze away, back to your report, blinking rapidly, but itâs too late. The image of him is already burned into your mind, curling itself around your ribs, slipping into the spaces between thoughts like ink seeping into paper.
You tell yourself itâs nothing.
But you donât look up again.
The scent of rain clings to his clothes when he sits beside you. Not the sharp, metallic bite of a downpour, but the softer, earthier remnants of a drizzle that has already passed, leaving only damp fabric and the faintest trace of petrichor in its wake. His coat is slung over the back of his chair, sleeves still holding the ghost of the movement he made when shrugging it off, the fabric folded in on itself in a way that suggests he hadnât given it much thought before sitting down. He smells like paper and ink, like something faintly sweet beneath itâmaybe cinnamon, maybe something darker, warmer, something that lingers just long enough to make you yearn to lean closer, to breathe in deeply enough to decipher it. You donât, of course. You force yourself to stay still, to keep your eyes on your screen, your hands resting on the keyboard even though you havenât typed anything in at least five minutes.
Spencer doesnât notice. Or if he does, he doesnât say anything.
Instead, he flips open a case file, fingers moving fluidly over the pages, eyes scanning the text with a kind of quiet intensity that makes it look effortless. The silence between you is thick, but not uncomfortable. It is the kind of silence that settles rather than lingers, the kind that feels less like absence and more like something tangible, something with weight, something wet and dripping, something shared. You wonder if he feels it, too.
After a while, he shifts, just slightly, and the movement is enough to break the stillness.
âDid you know,â he says, without preamble, voice smooth and even, âthat the human olfactory system can distinguish over a trillion different scents?â
You blink, glancing at him, and heâs still looking at the file in front of him, fingers tracing the edge of the page like heâs only half-aware that heâs doing it.
âA trillion?â you echo. You hope you hadnât inhaled too deeply when he sat down, pray to a god you donât believe in that you donât smell, start to attempt to calculate the probability of him simply thinking similar thoughts to you about the rain. The roof has been leaking, the scent of the sky is impossible to ignore.Â
His lips twitch slightly, not quite a smile but something close to it. âMost studies used to claim it was around ten thousand, but newer research suggests itâs significantly higher. The brain can recognize scent combinations even in extremely small concentrations, which meansââ
âThat weâre capable of identifying more smells than we ever actually register.â
His head turns slightly toward you, just enough for his eyes to flicker up, catching yours for the briefest second before he nods. âExactly.â
There is something about the way he looks at you in that momentâsomething unreadable, something lingering just beneath the surfaceâthat makes your breath catch in your throat.
You glance away first. Spencer exhales through his nose, quiet, considering. He doesnât continue with the tangent.
But the scent of rain still clings to him, even now. And for some reason, you canât stop thinking about it.
After stretched moments, the scent of rain and dirt and musk and sweet lingering between the two of you while you try your hardest to get actual work done, Spencer clears his throat. âYou know, you have a tell,â he says, voice thoughtful, not teasing.
You turn to him, brow lifting. âA tell?â
âWhenever youâre thinking about something but donât want to say it, you press your thumb to your middle finger. Like youâre holding something between them.â His gaze flickers downward. Sure enough, youâre doing it now.
You exhale, glancing out at the room in front of you. âI didnât realize you paid that much attention.â
Spencer smiles, small and knowing. Nearly sad, it twinges at your heart. The organ aches to leap out of your chest and fall into his hands. âI always do.â
The silence returns, but itâs different now. Heâs looking at you like heâs already memorized the way your hands move, the way your breath catches, the way your thoughts betray themselves in the smallest, most inconsequential gestures. And maybe he has. Maybe you shouldnât be surprised that he sees you so clearly, that he can read the shape of your hesitations as easily as words printed on a page. Itâs his job, of course he does.
The weight of his attention sits heavy on your skin, not uncomfortable but warm, seeping into the spaces between your ribs, something close to reverence but not quite. You donât know what to do with it.
So you do what you always do. You look away.
Itâs nothing more than what heâs trained to do. Youâve noticed his habit of clinking his nails against his coffee mugs. Beyond that, ignoring your fascination with him, you know Hotch only ever sleeps on the plane after a case is solved, never on the way even though the rest of the team will if it's convenient. Emily has a cat that she never talks about, one she methodically lint rolls hair from off of her pants. JJ smoothes her hair when sheâs happy. Morgan flares his nostrils often when heâs tired.
You all notice things, itâs natural. Thereâs nothing more to it than that. Spencer Reid isnât watching you for any reason other than itâs a habit heâs developed to survive, to thrive, in this line of work.Â
The night outside is thick with the slow hush of passing cars, headlights dragging shadows across the pavement, the distant murmur of a city that never quite sleeps. The rain has stopped, but its remnants remain, clinging to the asphalt, to the scent of damp earth rising in waves from the ground, to the fabric of Spencerâs shirt, the faint musk of it curling in the space between you.
You curl your fingers tighter, pressing your thumb to your middle finger again, not even thinking.
Spencerâs breath shifts, barely audible, and when you glance back at him, his eyes are still on your hands, watching, studying, something flickering behind his expressionâsomething unreadable, something you donât think you have the courage to name.
âWhat is it?â He asks instead of taking the leap.Â
âWhat is what?â
He gestures at your hands, veins flexing at the movement. âWhatâre you thinking and not saying?â
You flounder for a moment, lost in what to say. I think youâre beyond attractive, I canât believe youâve been staring at my hands, can you tell how often I stare at your hands, did you know sometimes I fall asleep thinking about you, that I have your smell memorized, that Iâm sure this means nothing and I just admire you as a person and there are definitely no fluttery feeling in my gut begging me to put my mouth on you? Also, do I reak? Are you spewing facts about smells, about something so unavoidable, because your desk is next to mine and Iâm simply putrid?
âIâm allergic to oranges,â you blurt out instead.Â
Spencer seems shocked, blinking at you, mouth slightly open. You can see the pink of his tongue between his teeth, slowly pressing into the bone as he begins to smile, pinching the soft skin there in reflex. You hadnât noticed it in detail before, but you suppose he does that often â bites the tip of his tongue when heâs fighting to keep that full-mouthed smile at bay.Â
âWhat?â
âIâm allergic. And Garcia gives one to me every week and Rossi noticed and assumed I love them so heâs started giving them to me, too, and, well,â you push back your desk chair and pull your drawer open. Orange scent wafts out, perfuming the air and making your nose wrinkle.Â
Sitting in the desk are five oranges, collected over the week, that youâve been waiting on a clear office to throw away.Â
âYouâre kidding!â Spencer cries, peering over your shoulder and snickering. âI thought you loved them, too. You always smell like them.â
âOh, ew.â
Spencer waves you off, plucking the fruit from your desk and cradling them in his arms, âItâs lovely, donât worry. Why didnât you say anything? You could get sick.â
You swallow the lovely comment, feeling it hit the base of your skull and sink into your blood, warming you all the way down. âItâs only a problem if I eat them, nothing happens if they touch me. Shove a slice down my throat, though, and I break out in hives.â
âIâll keep that in mind,â Spencer says, snickering and tossing the oranges away for you.Â
You make it through the rest of the evening. You get back to work. You pretend like none of it happened, like you didnât just let him glimpse a piece of you that you didnât mean to reveal. You tell yourself that itâs fine, that the moment is already dissolving into the rest of the day, folding itself into the pile of interactions that mean nothing, that donât linger.
But later, when youâre in bed, staring up at the ceiling, you realize two things.
OneâSpencer noticed your scent.
And twoâhe thinks itâs lovely.
âYou lied, earlier,â Spencer tells you, hours later in the elevator.Â
âHm?â
âAbout the oranges.â
âDo you want to see a doctors note?â Youâre tired, struggling to remember what heâs talking about. You two are the last in the office usually â youâre just a student and Spencer is vocal about not doing much outside of work.Â
âNo, I believe youâre allergic, itâs just not what you were thinking about.â Heâs leaning against the wall of the elevator, golden hair illuminated by the fluorescent lights. Itâs not the most flattering â the harsh lighting gives him a sickly complexion, deepening the dark circles under his eyes. Frankly, he looks nearly sick.Â
Frankly, he still looks so handsome that you feel slightly overwhelmed with it.Â
You decide to give him a piece of the truth to satiate him, knowing thereâs not much use in lying to a seasoned profiler. Thereâs a reason why heâs only a few years older than you with years more experience under his belt.Â
âYou freaked me out. I was thinking about how you smelled like the rain and cinnamon and then you started talking about smells. I thought I either smelled so bad that you couldnât think of any other way to tell me or you suddenly learned how to read minds.â
Spencer chuckles, motioning forward with his hand as the door opens. You walk forward, keeping your head turned to the side slightly to catch how his eyes crinkle as she smiles. His eyes drift up and then down, a habit he has before he speaks when heâs tired, and then he pushes himself off of the wall to follow you.Â
âI mentioned it because I could smell you, but itâs not bad, I promise.â
âReassuring.â
âIâm telling the truth!â
âSure. Just say I reak and Iâll change my shampoo or something, promise!â
âOh, please donât,â Spencer pleads, laughing. âWhat will I do without your Pantene-y scent filling the office every morning!â
\\
The safe house is supposed to be secure.
Itâs supposed to be a temporary holding place, a nondescript home tucked into a quiet neighborhood just far enough from the city that no one should be looking. The doors are reinforced, the blinds drawn tight, the exits mapped and double-checked. A necessary precaution. A routine assignment. A night of keeping a witness safe until she can testify in the morning.
You tell yourself all of this, but none of it changes the sharp tug of unease curling in your gut.
You donât let it show. Not when you check your watch for the third time in twenty minutes. Not when you shift your stance near the window, your fingers flexing at your sides like your body is already preparing for a fight you havenât seen yet. Not when Spencer, who has spent the better part of the evening reviewing case notes at the kitchen table, finally lifts his head and looks at you like heâs about to ask whatâs wrong.
âNothing,â you say before he can speak.
He doesnât believe you.
He tilts his head, studying you, eyes flickering across your face like he can read the tension there. Maybe he can. Maybe he has been for longer than you realize. You press your thumb to your middle finger, grounding yourself, and Spencer notices that, too.
You roll your eyes as you notice his noticing but say nothing, turning your attention back to the window. The street outside is still. Too still. The kind of silence that doesnât settle right, that carries the weight of something unseen pressing against it. It makes your stomach twist.
Spencer shifts behind you. âThe odds of an actual attack on a safe house are statistically low. Most unsubs wonât risk a direct confrontation in a location they canât control.â
âMost,â you echo.
He hesitates. âThere are exceptions.â
âAnd this feels like an exception.â
Spencer doesnât answer right away, but the flicker in his expression is enough. The same unease thatâs gnawing at you has made its way under his skin, too. He may not operate on instinct the way the others do, may rely on numbers and data and probabilities before action, but he isnât blind to the feeling in the airâthe one that says something is coming.
And then, something does.
The first gunshot cracks through the silence like a splintering branch, tearing the night open. The second follows immediately after, embedding into the window frame centimeters from where you were standing just seconds before. You donât think. You move.
Spencer is already on his feet when you shove him down, his body colliding with yours as the two of you hit the floor. The room erupts into chaosâglass shattering, bullets puncturing drywall, the distant, terrified gasp of the witness as she ducks behind the couch. Your heart pounds, adrenaline splashing hot and fast through your veins as you press against Spencer, shielding as much of him as you can. Heâs speaking, but you barely hear him over the sound of your own pulse roaring in your ears. The ringing of the gunshot so close to your head has left you dizzy and deaf.
âMove!â you manage to shout, grabbing his wrist and pulling him with you, keeping low as another round of gunfire splinters the table where he was sitting just moments before. You donât know how many shooters there are. You donât know where they are. But you know you have to get out.
Spencer doesnât hesitate. His fingers tighten around yours, and together you bolt for the hallway, ducking as another window bursts inward. You shove him ahead of you, searching for cover, for an escape, for anything but the open target the living room has become.
âBasement,â Spencer says, voice sharp, focused. It warbles against your pulsing ears, barely understood. Youâre mostly relying on lip reading and context clues. âWe need to get underground.â
You donât argue. You barely register the movement of your own body as you drag the witness with you, shoving open the basement door and practically throwing Spencer down the stairs before following, slamming it shut just as more bullets spray against the frame. Your breath is ragged, too loud in the thick darkness, the only light coming from the single flickering bulb overhead. The space is small, cluttered with storage boxes and old furniture, but itâs shelter. For now.
Youâre still gripping Spencerâs arm. Hard. You can feel the hammering of his pulse beneath your fingers, mirroring your own. It takes effort to release him, to force your hands to unclench.
He doesnât move away.
The witness is shaking, her breath coming in uneven gasps. Spencer kneels beside her, murmuring something soft, something steadying. You press your back against the door, listening for movement above, trying to piece together a plan while your body still thrums with leftover adrenaline.
Spencer looks up at you. His eyes are dark in the dim light, sharp with something between urgency and something else, something you donât have time to name.
âTheyâll breach soon,â he says, quiet but certain.
You nod, swallowing hard. The air is thick. The scent of dust and damp wood clings to it, mixing with the faint trace of Spencerâs cologne, something warm and familiar despite the chaos above. You focus on it, on the grounding presence of him beside you, close enough that you could reach out and touch the fabric of his shirt if you wanted to.
You donât.
You grip your gun tighter.
âThen we make sure weâre ready.â
Spencer exhales through his nose, slow and deliberate, and shifts closer, just slightly, his shoulder brushing against yours. The contact is brief but solid, enough to remind you that heâs here, that heâs real, that this isnât just a moment suspended in panic but something unfolding, something with weight.
The witness sniffles, drawing both of your attention back. Spencer softens his voice, murmuring reassurances, quiet, steady things meant to anchor her. You keep your focus on the door, ears tuned to the movements above, but some part of you latches onto his words, the cadence of them, the way they smooth over the jagged edges of the moment.
Another creak from upstairs. A shuffle of movement. Your fingers flex around your gun. Spencer glances at you again, expression unreadable in the dim light, but his meaning is clear.
Hold.
Wait.
And when the moment comes, move together.
Then the door bursts inward, and everything moves at once. Gunfire explodes, too close, too loud. You fire off two rounds before a sharp pain sears through your side, white-hot and immediate. The impact sends you stumbling back against the cold concrete floor, breath catching as a wave of dizziness threatens to pull you under.
Spencer is there before you even register falling. His hands are on you, pressing against the wound, urgent and shaking, his breath coming fast.
âYouâre hit,â he says, voice tight, edged with something near panic.
You grit your teeth. âI noticed.â
Spencer doesnât laugh. He just presses harder, trying to slow the bleeding, his fingers slick with warmth that doesnât belong to him. He glances up, scanning the dark corners of the basement, the outline of the intruder slumping forward as your shots take effect. The danger isnât over, not yet, but Spencer isnât moving away from you.
âYouâll be fine,â he mutters, more to himself than you.
You try for a smirk but only manage a wince. âWorried about me, Reid?â
His jaw tightens. âAlways.â
A crash echoes upstairs, heavy footsteps pounding against the floor. Reinforcements. You and Spencer exchange a glance, unspoken understanding passing between you. You both know that staying here is no longer an option.
Spencer shifts, keeping one hand pressed against your wound while the other reaches for the gun at his side. âWe need to move.â
The witness, still trembling in the corner, looks between you both with wide, terrified eyes. âWhat do we do?â
You grit your teeth, swallowing the pain threatening to pull you under. âThereâs a cellar door. Side of the house.â
Spencer nods sharply, adjusting his grip. âWe go now.â
He helps you up, his arm sliding under yours, bracing you against him. The movement sends fire through your side, but thereâs no time to dwell on it. The sound of approaching footsteps upstairs is growing louder, more deliberate. Whoever is coming isnât planning to leave survivors.
The three of you move as quickly as you can, Spencer leading the way with his gun raised, the witness keeping close behind. The basement door groans on its hinges as you push through, emerging into the damp night air. The rain has started again, a fine mist clinging to your skin as you stumble forward.
Headlights slice through the darkness just as the first gunshot erupts behind you. Spencer pulls you down, shielding you as best he can while the FBI-issued SUV skids to a stop at the curb. The doors burst open, Morgan and Hotch emerging with their weapons drawn.
âSheâs hit!â Spencer shouts, his grip on you tightening as the gunfire continues behind you.
Morgan doesnât hesitate. He returns fire, his stance steady, controlled. Hotch moves to cover you and the witness, his eyes sweeping over your injury before snapping back to the fight. âGet her in the car!â he orders.
Spencer doesnât wait. He all but lifts you into the backseat, the witness scrambling in after you. You can feel how his muscles strain to lift you, flexing and rolling as he lifts you as carefully as possible, refusing to allow you to help. The slam of the door barely muffles the chaos outside. Your breath comes in shallow gasps, the weight of adrenaline keeping you upright.It takes your swimming mind time to process that Spencer is curling the van instead of allowing you to move over. You should protest but your mind continues to jump around, straining to pay attention to the scene outside. Have they caught him? The witness is safe, sheâs sobbing beside you, but is the rest of the team?
Then the passenger door swings open, and Spencer climbs in beside you. Heâs breathing hard, his knuckles white where they grip his gun, but his eyes are locked on yours. âYou still with me?â
You nod, though exhaustion is dragging at your limbs, pulling you under. âStill here.â
His shoulders sag, just slightly. âGood.â
Morgan jumps into the driver's seat and peels away from the curb, tires screeching against wet pavement. You glance out the window just in time to see Hotch and the rest of the team securing the scene, the last of the gunfire fading into the distance.
Spencer exhales, finally lowering his weapon, and turns back to you. âLetâs get you home.â
\\
The jet hums beneath you, a steady vibration you feel in your bones. Most of the team is asleep, exhaustion weighing heavy after the mission. The overhead lights are dimmed, casting the cabin in soft shadows. You should be asleep, too, but the throbbing ache in your side keeps you from finding rest.
Spencer hasnât left your side. He sits next to you, his book open but untouched, his fingers drumming against the cover in restless patterns. Every so often, you catch him glancing at you, eyes flicking toward your face, your side, your hands.
âYouâre staring,â you murmur, not opening your eyes.
Spencer shifts. âIâm not.â
You crack an eye open, giving him a pointed look. âReid.â
He presses his lips together. âIâm just⊠observing.â
You huff a quiet laugh, shifting slightly, wincing at the sharp pull of your injury. Spencer moves before you can stop him, adjusting the blanket draped over you, tucking it carefully around your shoulders. His touch is light, careful.
âYou lost a lot of blood,â he says, voice soft but firm. âAnd, statistically, someone in your condition should be experiencing lightheadedness, muscle fatigue, and an increased need for rest. Your body is trying to compensate for the blood loss by increasing your heart rate, which is why youâre still feeling so warm despite the cabin temperature being nearly ten degrees lower than standard room temperature.â
You blink at him, half amused, half exhausted. âYou always talk this much when youâre worried?â
Spencer huffs. âIâm not worried.â
âYouâre quoting medical statistics at me, Reid.â
He shifts uncomfortably but doesnât argue. âI just think you should be resting.â
âThen stop talking and let me sleep.â
A pause. Then, almost reluctantly, he nods. âRight. Okay.â
You sigh, closing your eyes, exhaustion creeping in. Just as your body starts to go heavy with sleep, you feel movement beside youâthe soft rustle of fabric. Something warm drapes over your shoulders, heavier than the blanket.
You crack an eye open and see Spencer shrugging out of his jacket, carefully settling it around you.
âSpenceââ you start, but he shakes his head.
âJust sleep,â he murmurs, voice softer now. âYou need it.â
You donât argue. The warmth of his jacket, the steady hum of the jet, and the quiet presence of Spencer beside you lull you under.
The last thing you hear before sleep takes over is the sound of him turning another pageânot reading, just waiting.
\\
The bullpen is buzzing with the familiar hum of keyboards clacking, quiet conversations murmuring through the space, and the occasional scrape of a chair against the floor. Itâs one of those rare in-between daysâno pressing cases, no jet waiting on the tarmac, just paperwork and coffee refills. A brief, deceptive calm before the inevitable storm.
Youâre at your desk, fingers drumming absently against a stack of reports youâve been meaning to go through for the past half hour. You should be working, but your attention keeps driftingâparticularly to the desk across from yours, where Spencer is deep in thought, a book propped open against his keyboard. Heâs not even pretending to do his paperwork.
You tilt your head, watching him for a beat. His lips move slightly as he reads, fingers tapping a rhythm on his desk, entirely lost in whatever tangent heâs found himself in. You fight a giggle.
âShould I be concerned that youâve been staring at that same page for the last fifteen minutes?â
Spencer blinks, snapping out of his reverie. He looks at you, then down at his book, then back at you, brow furrowing like heâs just realized heâs been caught.
âI wasnâtâI mean, I was reading. But I was also thinking.â
You raise an eyebrow. âAbout?â
He hesitates, glancing toward his book as if debating whether to explain. Then, with a small sigh, he leans back in his chair, pushing his hair out of his face. âDid you know that the average person speaks about sixteen thousand words per day? But in reality, most of our daily conversations are filled with repetition, small talk, and pleasantries that donât contribute much meaningful information.â
You blink at him. âSo, what, youâre saying we all talk too much?â
His lips twitch. âNot exactly. Just that⊠statistically, most conversations are redundant. People say the same things over and over again, sometimes just for the sake of filling silence.â
You smirk. âAnd yet, youâre one of the most talkative people I know.â
Spencer narrows his eyes, but thereâs amusement flickering there. âThatâs different. I provide new information.â
You hum, pretending to consider that. âDebatable.â The joke dances on your tongue and you see the edge of a smile fight to peel its way across his cheeks.
Before he can argue, a coffee cup appears in your peripheral vision, and you glance up to see JJ setting it on your desk with a knowing smile. âFlirting through statistics again?â she teases before apologetically placing another file on your desk next to the coffee-offering and walking off.
Spencer clears his throat, suddenly very interested in his book again, while you just chuckle, lifting the cup in silent thanks, adding the case to your impending pile.
âFace it, Reid,â you say, taking a sip. âYou talk a lot. Donât worry, itâs endearing.â
He exhales, shaking his head, but thereâs the hint of a smile playing at his lips. âYouâre impossible.â
You grin. âAnd yet, youâre still talking to me.â
You turn back to your work, flipping through the pages stuck in your folder. You werenât on the assignment youâre tasked with processing, the curse of being lowest on the totem pole, but the case is interesting enough. Still, you find your eyes skimming, fingers tapping on the desk.Â
âNow whoâs zoning out?â Spencer asks. When you look up, heâs smiling at you.
âSorry, I was just wondering. Were you saying that because you feel like our conversations are actually redundant?â
Spencer tilts his head, considering. âNo. If anything, our conversations are anomalous.â
You arch a brow. âAnomalous?â
âYes.â He shifts in his seat, leaning slightly toward you. âMost daily conversations consist of formulaic exchangesâsmall talk, routine inquiries, expected responses. But ours deviate. We donât follow typical social scripts.â
You take another sip of coffee, fighting a grin. âSo what youâre saying is⊠weâre special? Different? Not like other coworkers?â
Spencer huffs, clearly trying to fight back a smile of his own. âStatistically speaking, yes.â
You hum thoughtfully. âThatâs a very fancy way of admitting you enjoy talking to me.â
Spencer opens his mouth, then closes it, before finally shaking his head. âYouâre impossible.â
You smirk, leaning back in your chair. âYou already said that.â
âIâm repeating myself,â he says, deadpan. âWhich, as I previously stated, most people do without realizing.â
You burst into laughter, shaking your head. âSee? Redundant.â
Spencer exhales, feigning exasperation, but you catch the way his lips twitch, like heâs barely containing his amusement. He glances down at his book again, but itâs obvious heâs no longer reading. Instead, his fingers tap absently against the desk, his gaze drifting back to you as if heâs waiting for whatever youâll say next.
After a beat, you shift slightly in your chair, hesitating before asking, âIf most conversations are menial and redundant, is there anything youâd actually like to know about me?â
Spencerâs fingers stop tapping. His head tilts slightly, eyes brightening with interest. âYes.â
You blink, caught off guard by his immediate answer. âOh. Okay.â
He leans forward, forearms resting on his desk. âWhatâs your favorite color?â
The question is so simple, so unexpected, that you laugh softly. âThatâs what you want to know?â
He shrugs. âI like colors. Theyâre associated with memory and emotion. The colors we gravitate toward can tell a lot about how we perceive the world.â
You consider it. âHm. Blue, I think. The kind of blue right before the sun sets.â
Spencerâs lips twitch, like heâs cataloging that information for later. âThat makes sense.â
You raise a brow. âAnd yours?â
âYellow,â he says easily. âStatistically, itâs associated with intelligence and optimism. But mostly, I just like how warm it feels.â
You nod, smiling. âThat checks out.â
Spencer watches you for a beat before continuing, âDo you like to cook?â
âI can cook,â you say hesitantly. âDo I enjoy it? Debatable.â
His eyes crinkle at the corners. âSo, a reluctant chef.â
âMore like a survivalist cook,â you amend. âYou?â
âI actually do like cooking. Itâs methodical. Precise.â
You snort. âOf course, youâd say that.â
His lips twitch again. âWhat about books? Do you read for fun, or do you avoid it since we deal with enough research at work?â
You glance at the stack of case files on your desk before meeting his gaze. âI do read. But nothing⊠analytical. I like stories. Ones that pull you out of reality.â
Spencer hums, clearly pleased by that. âEscapism.â
âSomething like that. What about you?â
âIâm currently translating a Russian novel written in the 16th century.â
âAh. So you research at work and at home.â
Spencer hums, tilting his head to the side. âNo, I think itâs still escapism. Itâs something to focus on that takes just enough of my focus that I can let the world fade away. General novels donât do enough to âpull me out of reality.ââ
Your conversation continues, the questions growing deeperâfavorite childhood memory, biggest irrational fear, if you believe in fate. The air between you shifts, still lighthearted but threaded with something more thoughtful, something lingering. Neither of you notice how much time has passed, how the rest of the bullpen has faded into the background. Neither of you seem to mind.
âAre you two actually planning on doing work today, or just nerding out over here?â Morgan saunters over, arms crossed, a teasing grin plastered across his face. âSeriously, I donât think Iâve ever seen two people more excited to talk about words.â
You roll your eyes but play along immediately, sitting up straighter. âWeâre conducting an in-depth analysis of human conversation patterns, actually. Very important work.â
Spencer nods solemnly. âItâs a highly valuable study in linguistic redundancy.â
Morgan snorts. âRight. And how many case files have you two managed to process between all this very valuable research?â
You glance at the untouched stack of paperwork on your desk. âDefine âprocess.ââ
Morgan barks out a laugh, shaking his head. âUnbelievable. Youâre really letting him rub off on you, huh?â
Your grin falters, just slightly, something warm settling in your chest at the thought. You donât want to just be letting it happenâyou want to belong here, to be part of this team in every way that matters. And for the first time, it feels like maybe you already do.
Later that evening, Rossi hosts a team dinner at his house, a tradition that has somehow become a staple among the group. His kitchen is full of the warm scent of garlic and herbs, the clinking of dishes, the comfortable laughter of people who have seen the worst parts of the world together and still choose to sit at the same table.
When you arrive, the house is already brimming with conversation. Morgan greets you first, throwing an arm around your shoulders with an easy grin. "Look who finally decided to show up. We thought you might be hiding out, avoiding us."
You roll your eyes. "As if I could ever avoid all this chaos."
"Chaos?" JJ chimes in, nudging you playfully as she passes by with three drinks balanced between her two hands. "This is tradition."
Emily smirks, leaning against the counter as she sips her wine. "Some traditions involve singing. Others involve roasting marshmallows. Ours? A fine mix of sarcasm and psychological analysis."
âAnd food,â Rossi interrupts.
"And some of us even make an effort to discuss more elevated topics," Spencer adds, stepping into the kitchen with a book tucked under his arm.
Morgan groans. "Oh God, donât tell me you brought a book to dinner."
"Itâs not for dinner," Spencer says, offended. "Itâs just something I was reading earlier. Did you know that communal meals have historically played a significant role in human bonding? Anthropologists argue that the act of sharing food helped shape early societal structures, reinforcing a sense of trust and cooperation."
You smile, all warm edges and fuzzy thoughts. "So what you're saying is, this dinner is historically significant?"
Spencer nods, pleased. "Exactly."
Morgan shakes his head. "Yeah, alright, professor. How about instead of a lecture, you help set the table?"
Rossi moves through the kitchen with practiced ease, stirring sauces and pulling fresh bread from the oven, effortlessly hosting while still engaging in every conversation. He waves you over at one point, nudging a wine bottle toward you. "Since you brought such a good one last time, how about you do the honors?"
You take the bottle from him, grateful for something to do, something to focus on besides the bubbling warmth of the evening settling under your skin. As you work the cork from the bottle, Spencer sidles up beside you, watching with quiet amusement.
"You know," he starts, "thereâs actually a method to opening wine that prevents cork residue from contaminating the liquid."
You glance up at him with a self-conscious smile. "Is that your way of telling me Iâm doing it wrong?"
His lips twitch, a near-smile. "Not wrong. Just⊠suboptimal."
You roll your eyes, finally freeing the cork and handing him the bottle. "Then, by all means, Dr. Reid, show me the optimal way."
Spencer takes the bottle, hands brushing against yours. You find yourself still looking up at him for a moment, fingers gently touching, a moment collapsing into itself. You watch as his pupils dilate, slightly, a normal reaction to eye contact and nothing further (a notion your body refuses to acknowledge, filled with the silly idea that maybe itâs attraction pushing his eyes open further to observe more of you). His mouth opens, ready to explain what heâs doing. But, before he can launch into an explanation, Morganâs voice carries across the room. "Oh great, the nerds found each other again. Should we all just clear out and let you guys talk statistics over dinner?"
Emily snorts from where sheâs leaning against the counter, sipping her drink. "Honestly, Iâd pay to watch that."
You play along easily, shaking your head in faux exasperation. "We were having a very riveting discussion about wine physics, actually. Life-altering shit."
Morgan grins. "Yeah, I bet. Whatâs next, the molecular breakdown of garlic bread?"
Spencer straightens slightly. "Actuallyâ"
You elbow him lightly before he can get started, and his mouth snaps shut. Itâs the smallest moment, but it sends a ripple of warmth through youâthis unspoken understanding, the ease of teasing him without making him feel small.
Youâve noticed before when the gentle teasing goes too far. When the team pushes a bit too much, makes him feel like a burden instead of a fountain of knowledge. The painful edge of it digs into your stomach more often than you would care to admit. A significant amount of your energy when talking to Spencer is spent toeing that line. You canât help but tease but you never want to make him feel like his interests and knowledge are a burden.
Rossi chuckles, setting a tray of pasta on the counter. "Alright, everyone, grab a plate before the food gets cold."
The group disperses into easy movement, laughter trailing behind as plates are filled and seats are taken around the long wooden dining table. You settle beside Spencer again, your knees brushing under the table. The proximity is unintentional, but you donât move away, and neither does he.
The meal is indulgent, the flavors rich and familiar, but itïżœïżœïżœs not the food that lingersâitâs the feeling. The warmth of being gathered around this table, among these people, feels sacred in a way youâre not sure youâve ever experienced before. Like communion, like breaking bread with disciples who have seen you bleed and stayed anyway. You wonder if Spencer feels it, too, if he sees the holiness in shared meals and easy laughter, in the way the team fills the spaces between each other like stained glass fitted carefully into its frame.
You and this team have been through so much together â the rest more than you. The past months shadowing the team have been insightful, exciting, and have done more than anything else to solidify that this is what you want to be doing with your career. Beyond that, the time has been tough. Your grit, your ability to persevere and persist, and your skills, have been tested day beyond day.Â
Beyond the toughness though, youâve found a home. Community. Family. You see through their exteriors to admire them, the people around you. Itâs more than you could have ever thought it to be, this life. Before this, youâve been floating. Drifting through life, living for exams and physicals and finals. Studying, working for a result you were unfamiliar with. Now, though, the taste of the life youâve ground yourself to the bone for glistening on the tip of your tongue, youâre hungry. Starving for life to continue, salivating at the mouth for any and all opportunities to stay here, in this moment, with the team.Â
Conversations flow freely around you, a mix of teasing and genuine storytelling, warmth curling in your chest as you sip your wine and let yourself exist in this moment. Spencer doesnât talk much, but he listensâreally listensâhis attention flickering between the voices around the table, occasionally back to you.
At one point, Rossi taps his glass, drawing attention. "Since weâve got everyone here tonight, Iâd like to make a toast. To this team, to good food, and to the fact that somehow, against all odds, we manage to stay sane."
A chorus of laughter follows, glasses raised and clinking together. You catch Spencer watching you again over the rim of his glass, something unreadable in his gaze. Not quite curiosity, not quite something else. Whatever it is, it lingers between you like the space between notes in a songâpresent, felt, but not yet fully realized.
You take another sip of wine, and the flavor sits heavy on your tongue, tart and deep, reminiscent of something older than yourself. You wonder if this is what devotion feels likeâlingering in a moment you donât want to leave, knowing that if you close your eyes, youâll still hear the echoes of this laughter in your bones.
Spencer shifts beside you, his knee pressing just a little more firmly against yours. He doesnât look away this time. And for the first time, you let yourself believe that maybe, just maybe, this is where you belong.
\\
It starts over coffee, late in the afternoon when the sky has begun its slow descent into gold. The cafĂ© is small, tucked between a used bookstore and a florist, the kind of place that smells like roasted beans and cinnamon, where the music is just quiet enough to let conversation breathe. You meet there often, sometimes after work, sometimes on weekends when neither of you have anywhere urgent to be. It feels like neutral groundâsafe, familiar, but tonight, something feels different.
Spencer is fidgeting.
His fingers curl and uncurl around his coffee cup, tracing patterns in the ceramic like heâs working up to something. His gaze flickers to the window, the steam curling from his drink, your hands resting on the table. Anywhere but your face.
You sip your drink slowly, watching him with quiet apprehension. âYou look like youâre debating something incredibly complicated.â
He huffs a breath, almost a laugh, but it doesnât quite land. âI am.â
âMust be serious, then.â
âIt is.â He shifts, finallyâfinallyâmeets your gaze, something fragile and certain flickering in the warm depths of his eyes. âWould youââ he stops, swallows, starts again. âWould you want to go to dinner with me?â
The words settle between you, weighty but delicate, like something precious placed carefully in waiting hands. You can see the way he braces for impact, his fingers tightening around his cup, his breath just a little too still.
You tilt your head, letting the moment stretch, just to watch him squirm. Then, softly, âIn what way? A date?â
You are hesitant, voice barely audible. Youâre scared to ask, feeling childish, the words tasting forbiddenly sweet on your lips. You tell yourself you canât have been imagining everything between you two the past weeks â months, even. The lingering touches, the connection that sits at the base of your spine and ignites you with something far beyond holiness.Â
Spencer watches you for a moment before ducking his head. He looks shy, uncertain. âIf thatâs okay, yes.â
The words hit you in the center of your chest. Youâre certain youâve heard wrong for a full second, sure that he couldnât possibly be confirming your wildest dreams.Â
âI would really like that.â
His shoulders loosen, just slightly. Relief unwinds in the smallest of waysâthe way his fingers flex, the subtle shift in his posture. He nods, barely, taking a slow sip of his coffee like he needs to ground himself against the movement.
You donât miss the small, pleased smile he hides behind the rim of his cup.
\\
The evening of the date arrives, and your apartment is a disaster zone.
Clothes are strewn across your bed in varying states of rejection, your closet door hanging half-open as if it, too, is exhausted from your indecision. You tell yourself itâs not nervesâitâs just a normal dinner, just Spencerâbut your pulse betrays you, humming under your skin like an electric current.
You tug at the hem of your sweater, second-guessing, then third-guessing, your reflection offering no clarity. A date. The word itself feels foreign on your tongue, weighty in your mind. The possibility of something more, something unknown, something irreversibleâ
Then, the knock at your door.
You exhale sharply, pressing your hands against your thighs like itâll steady you, before crossing the room. You hesitate for just a moment, long enough to gather breath, then open it.
Spencer stands there, scarf wrapped around his neck, cheeks flushed from the cold. Heâs holding flowers, wrapped in delicate brown paper, not random but deliberate, purposeful. His fingers tighten around them as his lips part, ready to explain, but you reach out first, brushing your fingers over the petals.
âTheyâre beautiful.â
His gaze flickers to yours, searching. âThey, uh⊠they all have different meanings. I can tell you, if you want.â
Your chest feels warm, full. âIâd like that.â
He nods once, clearing his throat. âWell, the blue cornflowersâthey mean âhope in love,â and the lavender represents devotion. And the ivy, thatâs for fidelity, and umââ he stops, shifting awkwardlyââI wanted it to mean something. To you.â
Your fingers tighten just slightly around the bouquet, breath catching.
âIt does.â
The drive to the restaurant is wrapped in quiet conversation, the kind that feels like warmth on a winter evening. Spencer talksâof course he talksâhis voice weaving through facts about the historical significance of first dates, how certain cultures believed that sharing a meal was an intimate ritual, a way of binding souls together.
âYouâre romanticizing it,â you tease, studying the way the streetlights paint fleeting golden patterns across his profile.
He huffs a soft laugh. âItâs just history.â
âHistory can be romantic.â
He glances at you then, something unreadable settling in his features. âI suppose it can.â
You watch him as he drivesâthe way his fingers flex against the wheel, the small furrow between his brows when he concentrates. Thereâs something in the ease of this, in the soft lull of conversation and the quiet hum of the road beneath you, that feels like itâs teetering on the edge of something significant.
When you arrive, he moves to open your door but nearly smacks you in the face in his haste. He freezes, mortified, clears his throat. âSorry.â
You bite back a laugh. âItâs okay. I appreciate the effort.â
The restaurant is intimate, the kind of place that makes everything feel softerâlow candlelight, warm wood paneling, the steady murmur of quiet conversation. A flickering candle sits at the center of your table, casting shifting patterns along the surface, making everything feel just a little dreamlike, just a little surreal.
Spencer shifts in his seat, his fingers tapping once against the table before stilling. He exhales a quiet laugh. âThis is⊠nice.â
You nod, the candlelight catching in his eyes. âYeah. It is.â
The menu is filled with dishes just unfamiliar enough to make you both pause, debating choices. Spencer, of course, has read about half of them before.
âYou know, the origins of risotto actually trace back to the Middle Ages. It was influenced by Arabic rice cultivation techniques brought to Sicily, andââ he stops himself, clearing his throat. âSorry. I can, uh, get carried away.â
You shake your head, smiling. âI like when you get carried away.â
His gaze lingers, just a second too long.
The night stretches in slow, golden increments, conversation winding through shared stories, quiet laughter, the clink of silverware against plates. He tells you about childhood books that meant something to him, you tell him about the first time you realized you loved what you do. The space between you narrows, not in distance, but in something deeper, something quieter.
And then it happens.
The realization strikes like a bolt of lightning, sharp and electric. You want to kiss him. It isnât a slow realization, isnât something that builds over timeâit hits all at once, undeniable.
The candlelight flickers, catching the sharp cut of his jaw, the way his lips move around words. His fingers curl around his coffee cup, knuckles flexing. Something about it feels holy.
You realize, suddenly, that youâre staring. That youâre leaning in.
Spencer pauses mid-sentence, blinking at you. âWhat?â
You exhale, a slow smile tugging at your lips. âNothing.â
He watches you for a beat longer, his gaze searching, curious, like heâs trying to decipher something just out of reach. The air between you thickens, humming with something unspoken, something waiting.
But he doesnât press. Instead, he picks up his coffee again, takes a slow sip, and when he speaks next, itâs with the same easy rhythm as before.
And you let yourself sink into it, into him, into the quiet certainty of being here, together.
\\
The knock comes late. Too late for pleasantries, too late for anything but something raw, something that has been waiting to surface.
You arenât asleep. Havenât even tried. The air in your apartment feels too thick, the weight of the last case pressing into the spaces between your ribs, making every breath feel just a little too shallow. So when the knock sounds again, quieter this time but insistent, you already know who it is before you even reach for the door.
Spencer stands on the other side, hands buried in his pockets, his shoulders hunched like heâs been standing there for too long, debating whether or not to knock again. The dim hallway lighting casts shadows under his eyes, exhaustion lining his face, but thereâs something else, tooâsomething hesitant, something that flickers behind his expression like a barely-contained thought.
âSpencer?â you ask, brow furrowing.
He exhales, slow, measured, the way he does when heâs trying to pick the right words before speaking. âIââ He hesitates, shakes his head. âI donât know why Iâm here.â
A lie. You see it in the way his fingers twitch, in the way his breath stumbles. You see it in the way his eyes donât quite meet yours, how they flicker toward your shoulder, your collarbone, before darting away again, like heâs afraid of being caught.
You step aside, let him in.
The silence between you stretches, thick and heavy, but not uncomfortable. It settles, wraps around you both as he moves past you, as he lingers near the kitchen counter without quite leaning against it, as you close the door and turn to face him.
You should say something. Should ask him why heâs here, why he looks like heâs spent hours convincing himself not to be. But the words donât come. They tangle in your throat, unwilling to break the moment that is already unraveling between you.
Instead, itâs him who speaks first.
âI think about you.â
The words are soft, careful, but steady. Not a confession, not quite, but something close. Something that shifts the air between you, makes it sharper, makes it real.
You inhale, slow, deliberate, but it doesnât steady you the way you hope it will. Your pulse jumps, a small stutter beneath fragile skin, and you know he sees it, knows heâs cataloging it the way he does everything.
Spencer exhales, a quiet, disbelieving laugh escaping him, and when he finally looks at you, really looks at you, thereâs something unguarded in his gaze. âI think about you all the time.â
You watch as he sways slightly, like heâs resisting the pull, like gravity itself is urging him closer.
And then he stops resisting.
He moves carefully, like heâs giving you space to step back, to stop him, but you donât. You stay rooted where you stand, watching as his hands hover at your sides, reverent, hesitant. His fingers flex once, a brief curl like heâs debating whether or not to touch you, whether or not to let himself have this.
âTell me to stop,â he murmurs, barely more than a breath.
You donât.
Instead, you reach for him first.
Your fingers brush against his wrist, a featherlight touch, tentative, but itâs enough. Enough for him to let out a slow, shaky breath, enough for him to tilt his head, just slightly, enough for his handsâhovering, waitingâto finally settle at your waist. His touch is a whisper of warmth, hesitant, reverent, the weight of it barely there as if afraid that pressing too hard will shatter whatever fragile thing exists between you in this moment.
His skin is fever-warm beneath your fingertips, the heat of him bleeding through the fabric of his sleeves, seeping into your own. The air between you hums, thick with something unspoken, a tension so finely drawn it feels like it might snap at the slightest movement. You donât know who moves first. Maybe itâs him, maybe itâs you, maybe itâs the inevitable force that has been pulling you together for longer than either of you has been willing to admit. But suddenly, impossibly, there is no more space left to close.
He is close. Close enough that you can see the flicker of uncertainty in his gaze, the way his pupils darken like ink spilling into warm honey. Close enough that you can feel the tremor in his fingers where they rest against you, like heâs bracing himself against something too big to name. Close enough that his breathâuneven, shallow, shakingâghosts across your cheek, the warmth of it sinking into your skin like an imprint that will never leave. His fingers flexâbarely, just a littleâbut the movement is enough to send a ripple down your spine, enough to make your stomach dip like a held note in a song unfinished.
He exhales again, something like a laugh but softer, more fragile, like he canât quite believe this is happening. Like he is standing at the edge of something vast and unknown, and for once in his life, he is hesitating.
âI donât know how to do this,â he admits, voice barely above a whisper, almost swallowed by the quiet between you.
You smile, small and real, the kind of smile meant only for him. âMe either.â
Spencer swallows hard, his throat bobbing. His gaze dropsâto your lips, flickers back to your eyesâsearching, waiting, still holding himself back. The space between you crackles with electricity, the kind that comes before a storm, before the sky splits open and the world drowns in something relentless, inescapable.
You make the choice for him.
You lift your chin just slightly, tilt forward just enough, and thatâs all it takes.
The first touch of his mouth to yours is hesitant, uncertain, the kind of kiss that feels like a question. A quiet, careful can I? rather than I will. His lips are warm, softer than you imagined, and his breath stumbles against yours as he presses just a little closer, as if afraid you might pull away. You feel it the moment something in him gives way, the moment the tension in his body unwinds and he stops second-guessing himself and simply lets go.
His fingers tighten at your waist, just barely, but enough to make you shiver. His other hand drifts, fingertips skimming up the curve of your spine like a whisper of a prayer, settling lightly at the back of your neck, a delicate anchor. He kisses you like heâs memorizing the shape of it, like heâs afraid heâll forget how you fit against him if he doesnât take his time.
He tastes like coffee, like exhaustion, like something sweeter underneath it all, something uniquely him. You drink him in, slow, deliberate, every second stretched thin and precious. The world has narrowed to thisâhis breath, his touch, the way he exhales so quietly when you sigh against his lips.
And then he pulls you closer, deepening it just slightly, just enough to steal whatever air was left between you.
When you part, neither of you move away. Your foreheads rest together, breaths mingling, still wrapped in the hush of the moment, still holding on, just for a little longer.
Spencer exhales, barely more than a whisper. âI donât want this to be a mistake.â
You press your fingers against the back of his hand, grounding. âItâs not.â
Something eases in his expression. He nods, just once, before his fingers trace lightly over your jaw, tilting your face back up toward his.
And then, he kisses you again.
#bubbs.writes#criminal minds#cm#x reader#spencer reid#fluff#criminal minds x reader#spencer reid x reader#reid x reader#fem!reader#spencer reid x rem!reader#spencer reid fanfiction#dr spencer reid#bau team#criminal minds fanfiction#dr reid#doctor spencer reid#fluff and angst#mutual pining#cannon typical violence#mentions of blood#mentions of injuries#mentions of injury#cw: guns
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Family Knows Best
Platonic Yandere Batfam x male reader
(I couldnt really find a good gif)
The signs had been obvious. Almost too obvious. But here you were, trapped within the walls of Wayne Manor, surrounded by a family whose love for you was more intense, more consuming, than anything you had ever known. The strangest part? You didnât mind.
Maybe you should be scared. Maybe you should be fighting to leave. But, really, wasnât this what you had always wanted? A place where people actually cared about you? Where they loved you unconditional?
It all started with a simple visit.
Damian Wayne had walked into your small pet clinic one late afternoon, accompanied by a boy his age. In his hands, Damian held a tiny duckling, its fluffy yellow body trembling against his hands.
"It was alone," he had said, his voice sharp but carefully controlled. "I suspect its mother is dead. What are the chances of its survival?"
The look in his eyes told you just how deeply he cared and how scared he was for it's survival. He was young, but his concern for the creature in his hands was genuine. You reassured him that with the right care, the duckling would grow strong. You even offered him advice on raising it, though, deep down, you had wanted to keep it for yourself. Unfortunately, due to the lack of space you opted for another option. This boy, Damian Wayne, had probably enough space for the duckling, not to mention the resources he had and most importantly, the heart to care for something so small.
What you didnât realize then was that your kindness had sealed your fate.
In the weeks that followed, the Waynes began appearing in your life in a frequency that couldn't be coincidence. First, it was Jason Todd, walking into your clinic to ask for advice for a "stray" cat he "found", you later realized that the cat was already part of the family for years. Then Dick Grayson, whose excuses were flimsierâhe had seen a stray dog outside and thought he should check if you had seen it, then he lingered in your waiting room, babbling on and on about the most random things. Tim Drake came next, standing awkwardly in your doorway as he asked for information on exotic pets, his eyes scanning every inch of your tiny clinic as though analyzing everything about you.
It felt... odd. Wayne money didnât typically find its way into the rougher parts of Gotham, yet here they were, weaving themselves into your routine, your space, your life.
Then the flowers started arriving.
Every morning, a fresh bouquet sat at your doorstepârare, expensive arrangements that made it clear this wasnât some random act of kindness. No name. No note. Just a silent reminder that someone was watching. At first you thought it was an accident, but the bouquets continued to show up, it made it obvious they were meant for you.
You told yourself you should be creeped out. But no one had ever sent you flowers before. No one had ever gone out of their way to make you feel special. No one would be bothered if you took them into your flimsy apartment. No one would complain and the flowers made your apartment kinder, nicer and just lovelier to wake up to
Then, one evening, Bruce Wayne walked into your clinic.
It was different from the others. The moment he stepped inside, the air in the room shifted. He didnât rush, didnât hesitate. He moved with an easy confidence, his deep blue eyes fixed solely on you. His usual playboy smile on his lips that could melt anyone, and yet here he was, looking at you as if you were royalty.
âIâve heard a lot about you,â he said, his voice smooth, warm.
You were frozen in place. The billionaire, the man Gotham worshipped, was standing in your dingy little clinic, smiling at you like you were the most fascinating thing in the world.
That was the beginning of the end.
He returned often. Sometimes he brought gifts, small, thoughtful things that showed he had been paying attention. A book you mentioned wanting to read. A coat after he ânoticedâ the thin fabric of your usual one. Every gesture was perfectly calculated, yet felt so natural, so effortless, that you found yourself leaning into his presence without a second thought. He came by at the same time everyday and you found yourself watching the clock closely, heart speeding up whenever it was almost time for his visit.
When he invited you to dinner at Wayne Manor, it felt inevitable.
And when he suggested you stay the night after a few glasses of wine? That, too, felt natural. It was late, Gotham is dangerous, not to mention that you didn't want to bother the nice butler.
When you woke the next morning, disoriented but warm beneath the heavy silk sheets, Bruce was already there, waiting with a tray of breakfast. His smile was soft but filled with something deeper, something darker.
âIâm so glad youâre here", he said with the same sweet voice.
Something was wrong. You knew something was wrong. The prince of Gotham not only invited you to dinner, let you stay the night and now he is in the room with a tray of breakfast? It was simply to weird to be true. But he was looking at you like you were the most precious thing in the world, and for the first time in your life, you felt seen. You felt like you belonged on this place
So you stayed.
And stayed.
Days bled into weeks. You told yourself you could leave if you wanted to. That nothing was keeping you here. No one really forced you to stay. And yet... you couldnât leave, it was like a higher force told you that you were right where you belonged, where you were cared for and loved. And then there was the family, so warm, so eager to keep you close. You werenât a prisoner. Not really.
You were theirs.
Dick was the easiest to get attached to. He was light, warmth, and safety all wrapped into one human. Movie nights with him turned into deep conversations about life, love, and loss, his struggles with relationships, especially with his family since he works outside of Gotham. He would confide in you, let himself cry against your shoulder, and then whisper how much he needed you to stay, how no one had ever made him feel this way before. âYouâre the only normal one here,â he would say, his fingers tight around your wrist. âYou make everything feel right.â
Jason was differentâquiet, intense, always hovering near but never too close. He would accompany you on walks through the gardens, listening more than speaking. When you talked about books, about the things that made you happy, memoriesfrom your childhoos, he would nod along, his face unreadable but always at peace. But you noticed the way he would subtly recommend books you might like, covering it under the guise of "a friend recommended it, but i haven't had the time to read it yet, why don't you give it a try", the way he perked up when you actually listened and bought the book and said you enjoyed it. He was quiet, but you could feel itâthe way he held on to every word, the way his presence lingered long after he was gone. His action spoke of how much he looked up to you, a father-figure that he had a normal relationship with.
Tim was an enigma. He barely slept, barely ate, but he always seemed to be there. At dinner. During family time. During late-night kitchen visits where he would sit across from you, a coffee cup in hand, while you ate a bowl of cereal. He would ramble about theories, about mysteries in books he read, some "case" from a the series he watched and though you hardly understood half of it, you nodded along, letting him talk. He needed that. He needed you. A presence that didn't tell him to quiet down, didn't butt in to tell him he was a bit too paranoid.
And Damian? Damian clung to you. Always following you around, like a puppy. It started smallâsitting beside you, leaning against you, watching you with sharp green eyes. Then came the possessiveness, the way he would glare at his brothers when they got too close, the way he fell asleep in your bed without asking. Not much time had passed before he called you brother
âI will not betray the honor of being by your side,â he had murmured one night, curled up against you. It was meant to be a statement, not a question.
And then there was Bruce Wayne. The man that looked at you as if you hung the stars. He cared for you like no other, always making sure you were alright. He spent most of his free time with you and he made sure you knew that he appreciated the way you brought the family together. Family time before you would often lead to fights, regret or just utter silence, but with you here, someone so ordinary in a special way the time spent together was peacful. Even Alfred the butler always smiled at you.
At this point you couldn't leave, be it because of you or because of the family that would made sure you wouldnât.
They werenât going to let you go. You were part of their family, their brother and son, the light of the manor.
And worse?
You didnât want to leave.
Because no one had ever loved you like this before. No one had ever looked at you like you were the most important thing in the world. It was sick, it was wrong, it was obsessive.
But it was also love.
And maybe that was enough.
Being a part of this family was probably the one thing in your life that felt right.

DC has a grip on my life rn, so feel free to request something. But other than that, i hope you all have a great day :)
#male reader#x male reader#x you#dc x male reader#dc x reader#dc x you#batfamily x reader#batfamily#batfam x reader#batfam#bruce wayne x male reader#Bruce Wayne#dick grayson#dick grayson x male reader#jason todd x male reader#jason todd#tim drake#tim drake x male reader#damian wayne#damian wayne x male reader#bruce wayne x reader#Dick Grayson x reader#jason todd x reader#Tim Drake x reader#Damian Wayne x reader#yandere batfam#yandere x male reader#platonic yandere batfam#platonic yandere
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A Tide of Tender Mercies
summary: oh, no, i think iâm in love with you
warning: SMUT 18+, oral, fingering (alexia receiving), some angst, reader being stubborn af
a/n: thank you to @muffinpink02 for helping navigate the sexy part ! also iâve deffo repeated some bits but i cannot for the life of me be bothered to sort it out
word count: 7k
part 1
-
The chalet isâŠwell, perfect. Itâs the kind of perfect that only comes from meticulous planning, obsessive list-making, and a kind of restrained indulgence that most people would never understand. Set high above a tiny Swiss village known for its fondue and twenty-something millionaires, it sits against a backdrop of mountains sharp enough to slice the clouds. The exterior is severe, almost aggressively minimalistic: crisp white stucco, blackened wood shutters, and glass doors that could double as showroom installations. The effect is daunting, beautiful, andâif youâre being honestâa bit over-the-top. You chose it, naturally, because itâs the type of place where âjust a flingâ can occur without a single hint of domesticity.
Inside, everything is pristine, hand-selected, curated to within an inch of its life. You were adamant that the linens be Egyptian cotton, but not the gaudy kind; theyâre 800-thread count, light enough to seem insubstantial but woven to feel solid, unyielding. Theyâre arranged in clinical folds on the bed, starched and pressed in a way that suggests theyâre almost afraid to be touched. Youâll mess them up later, but for now, theyâre an artwork of restraint.
And then there are the wines, selected with the sort of care that would make a sommelier weep. Itâs silly, of courseâAlexia doesnât normally drink during the season, so she will hardly glance at the labels, but youâve assembled an array that hints at depth nonetheless. An entire wall of Swiss Chasselas, a few rare vintages from Bordeaux, and an stupidly expensive pinot noir that tastes like dirt but cost enough to suggest you know what youâre doing. The idea is that if she gives in to something sophisticated, sheâll find it here. If she doesnât, youâll find her something else. Something that says youâve thought of everything. Which, of course, you have.
The whole thing has a sort of perverse charm, really, how every detail has been obsessively pre-arranged to ensure that she knows youâre not in this for anything serious. And yet, here you are, flying her across Europe to the kind of setting people book for anniversaries and life-altering proposals.
Thereâs a sort of humour in it, if youâre willing to look. You even laugh to yourself, laying out the spa towels in the bathroomâtoo thick, too plush, a little too âI love youââknowing full well she wonât notice them. Sheâll think of them as âtowels,â and if she does notice, itâll be because she needs a new one. But thatâs fine. Itâs all part of the performance, all part of the thing youâve constructed around this chalet, around her arrival, around the notion that this isâwhat? Casual? Fun? Whatever word fits it neatly enough to deny what youâre feeling.
And then there are the candles. Oh, God, the candles. You tried to keep them simple, restrained, the kind of scents that evoke a distant memory rather than a specific moment. Sandalwood, bergamot, a flicker of pine; nothing too floral, nothing that says âromance,â but hints of something just familiar enough to feel safe. You even toyed with the idea of an unscented option, just in case the pine felt too⊠suggestive. Itâs ridiculous, but youâve learned to lean into it, to control it, to package it neatly. If itâs planned, then itâs deliberate, and if itâs deliberate, then itâs just for fun.
âWhy all this?â you imagine her saying, eyebrows raised, maybe laughing as she notices the excessive stock of Swiss chocolates in the cabinet. You have them lined up in neat rows, the artisan kindâno corner-shop Toblerone hereâand each one is individually wrapped in foil that gleams in the dim kitchen light. You picture her rolling her eyes at the small mountain of truffle boxes, asking if youâve stocked up for a wedding. And you, of course, would shrug it off, offering some deadpan line about Swiss tourism. Or a joke about Swiss efficiency. Or something suitably bland that keeps the tone right where you want itâon the edge of humour, a step away from real. Youâve prepared for every reaction, really. Which is pointless, because she hasnât even arrived yet.
Itâs the first time sheâs been here. The place is new, purchased after a very well-timed therapy session that conveniently rebranded âself-indulgenceâ as âself-care.â The therapistâs exact words were âIf you want to be your best self, find the spaces that let you breathe.â And you took that literally, flying up here for private viewings until this place caught your eye. Well, maybe not your eye. But it was one of those rare places that looked exactly like the pictures, maybe better, and it had the kind of aesthetic that screams âI need nothing from youâ while begging for a sense of purpose. You bought it almost instantly.
And now, after weeks of fine-tuning, sheâll be here soon. You catch yourself arranging the books on the side table, pausing over which titles to leave outâa mix of philosophy and modern fiction that says âI read but donât take it too seriously.â You laugh to yourself at the pretension of it, yet you leave the carefully selected titles exactly as they are.
Itâs silly, really, because the goal here is detachment, the freedom to keep things light and uncomplicated. You tell yourself that as you straighten the pillows on the sofa for the second time, catching your own eye in the polished mirror that hangs in the foyer.
âYouâre being weird,â you say out loud, imagining her walking in, that quick smile flashing, eyebrows raised in a way that says, âIs this all for me?â You picture her laughing, maybe rolling those pretty green eyes of hers. But you have an answer for that too, prepared in advance, a casual shrug.
âJust a little atmosphere,â youâll say, as if itâs nothing.
You check your watch. Thirty-two minutes until Alexia arrives. Thirty-two minutes to double-check that every single minutely considered, utterly detached detail says, I couldnât care lessâor, more precisely, I care in exactly the right amount of less. Because she needs to know that this is nothing. That this trip to an over-the-top chalet overlooking a town mostly inhabited by 19-year-olds in cashmere is simply an exercise in relaxation, togetherness, a concept youâre fairly sure youâre allergic to.
She doesnât know it yet, but you bought the place partly to show her. Partly to remind her, subtly, that she could disappear tomorrow and youâd still have this. Because thatâs the problem with Alexia, isnât it? Sheâs not really yours. Sheâs something you can enjoy, display even, but never own. The complete opposite of the real estate youâve added to your collection. You stand there, glass in hand, the Lagavulin youâve graciously poured yourself warming your fingers through the crystal, staring out at the Alps with the vague thought that an obscene number of people have had their ashes scattered here, somewhere along this ridgeline. Itâs an unsettling idea you rather enjoy.
She texts, something about a delay on the tarmac, and you stare at the message for a beat too long, analysing the exact wording like youâre looking for hidden subtext. As if there could be subtext in the word âdelayed.â
A casual fling, you remind yourself, should never be complicated by subtext.
To pass the time, you scan the kitchen once again. The coffee is fresh-ground, of course, from a bag that cost as much as an entire yearâs supply from anywhere normal. Itâs pre-portioned in tiny glass canisters your assistant found online that look like vintage apothecary jars. The labels are printed in Helvetica Neue because you once read that itâs a âsubtly superiorâ font. Ridiculous. But also, itâs perfect. Thereâs also a miniature mountain of imported Spanish oranges on the counter, carefully arranged in a hammered copper bowl you donât remember buying. You could make mimosas, you think, if you didnât know sheâll insist on starting with a protein shake instead.
You put a bottle of Alpine mineral water in the fridge just for her, chilled to the exact 4.4°C she prefers. Yes, itâs an oddly specific temperature preference. No, she didnât tell you directly. You overheard her mention it once, offhand, to someone else. Which is exactly why youâre bound to a polite indifference if she asks why itâs there. Itâs simply what the fridge was set to. Nothing personal.
Just the thought of her walking in has you adjusting your posture as if sheâs already watching. Alexia doesnât miss a single detail. Once, she commented on the way you have a tendency to pull your sleeves over your hands. You havenât done it since. Now, you check that every piece of clothing youâve chosen is deliberately, carelessly oversizedâbut only to the point that still reads as flattering.
Then, at last, you hear the crunch of tyres on gravel. You scurry to watch from the window as she steps out of the car you sent, and sheâs immediately caught in that glacial alpine light, her features so stark and defined that itâs almost cinematic. Thereâs a sharp thrillâone you wonât admit to yourselfâin seeing her here, framed against this scene like sheâs the final piece in some high-budget film. The coat sheâs wearing is slightly too large, lending her a relaxed, indifferent air, as if sheâd picked up the first thing she saw on her way out the door. Effortless, in that way that would feel studied on anyone else.
You stand back from the window just before she glances up, retreating into the comfort of shadows. Timing is everything. Youâve thought this through, down to each calculated second. Itâs critical, after all, that she finds you not watching, but instead lingering at a perfect remove, preferably with a slight air of distraction. Youâre aiming for a kind of aloofness, as if her arrival is the least interesting event of the day.
Sheâs about to ring the bell when you move, deliberately slow, to the door, letting it swing open just as she raises her hand. Thereâs a brief, barely perceptible pause as her eyes meet yours, a spark of something unspoken passing between you both before she raises an eyebrow, a look that hovers between amusement and challenge.
âMissed me?â she asks, dryly, though thereâs a glint in her eye that suggests sheâs perfectly aware of what sheâs doing. Sheâs close now, close enough that you can catch the faintest whiff of her perfume, something dark and woody and just the right side of familiar.
You tilt your head, giving her a slow once-over, and shrug. âNot especially,â you say, voice low, careful to keep the tone perfectly flat. But you let your gaze linger just a second too long on her collarbone, barely visible where her coat has slipped slightly, enough to make her catch it, her mouth curling up at the edge. Itâs a deliberate game, one youâve both played a hundred times, each move rehearsed, practised to the point of art.
Sheâs barely through the door when you feel itâthat unmistakable tension, thickening the air between you. Itâs almost tangible, a static hum just beneath the surface of polite conversation, something that pulls at you like gravity. The moment feels precarious, balanced on the edge of something youâre not quite willing to name, because if you wait too long, the feeling will settle into something more familiar. Something too close to comfort, which is the last thing you want.
She doesnât seem to notice it, of course, her mind likely on dinner plans or the slow crawl of the evening. You, however, are already teetering at the edge of patience, every nerve just slightly too aware of her. She walks in, drops her bag by the door with a casual grace that feels almost too natural, like sheâs done this a hundred times, like she could do this forever if you asked her to. And you wonder if youâd even want thatâsomething so predictably domestic, the quiet comfort of a routine. No. You want her in ways that defy that kind of simplicity, in a way that doesnât ask permission.
You watch her from the corner of your eye as she takes in the room. Her eyes linger on the minimal, curated details you agonised over: the leather-bound books you never plan to read, the art on the walls meant to suggest a taste for something more sophisticated than it is. Sheâs oblivious, seemingly caught up in the novelty of the place, and thatâs exactly what you intended. She canât know how meticulously you set the scene, how every pillow and chair is positioned with an almost obsessive precision. All she has to do is be here. Youâll take care of the rest.
Thereâs a slow, unhurried quality to her movements, an ease thatâs infuriating because itâs so at odds with the pulse of urgency rising in you. She wanders over to the fireplace, running her hand along the mantel with a soft, idle curiosity. Her fingers trace over the edge of a photograph you donât remember putting there, something abstract and distant, chosen for the way it says absolutely nothing about you. Itâs maddening, really, the way she lingers in the space, claiming it without meaning to, as if her very presence could overwrite the hours you spent constructing it.
âYouâve really outdone yourself,â she says, her voice light, unaware of the way it cuts through the silence with a sharpness thatâs almost physical. Thereâs a half-smile on her face, something unreadable that you canât quite shake off.
You shrug, adopting an air of disinterest youâve perfected over the years. âThought youâd appreciate the change of sceneryâ
She raises an eyebrow, still oblivious, her focus now on the bust of Venus of Arles by the window. For a second, you want to laugh at the madness of it, how sheâs here, right in front of you, while youâre clawing at the edges of your own restraint.
But sheâs still gazing around, her fingers brushing the edge of a table as if she has all the time in the world. As if she doesnât know what youâre holding back. You take a slow breath, exhale, feel the tension coil tighter inside, and think that if you let this linger for even another second, youâll start to resent the calmness of it, the quiet rhythm that feels too much like waiting. Like settling into something youâre not prepared to face.
âWine?â You ask in a futile attempt to keep things just this side of civilised. The offer hangs in the air, a thin layer of normalcy that feels like it could snap at any moment, but she only nods, glancing over with a slight smile, one corner of her mouth lifting in that way thatâs halfway between polite interest and something more.
âSure,â she says, her voice smooth, without a hint of awareness. âYou pickâ
You turn to the wine rack with an exaggerated casualness, scanning bottles you chose with this exact moment in mind. You could explain the notes of every vintage, how each one was picked not because it pairs with any particular foodâbecause letâs face it, dinnerâs not exactly on your mindâbut because it suggests a kind of sophistication, a subtlety. You choose a bottle of red, something full-bodied and just slightly bitter, almost as if in silent commentary on the situation. You pour, slowly, setting the glass down in front of her with a kind of precision thatâs both reverent and clinical. She reaches for it, her fingers grazing the stem, the gesture infuriatingly graceful.
The first sip seems to surprise her. âGood choice,â she murmurs, eyes meeting yours over the rim of the glass.
The silence stretches on just a moment too long, the air thick with something that isnât quite tension, more like a coiled spring just waiting for one of you to press down. You feel it building as she shifts, glancing around the room, and suddenly, you realise sheâs working up to something. Thereâs a certain deliberateness in the way she moves, a careful consideration in her stare, and you knowâknowâshe didnât come all this way just to admire the decor.
âLook,â she starts, her voice softer than usual, carrying a weight that tells you sheâs not talking about the view. âIâve been thinkingââ
But you canâtâwonâtâlet her finish. Not when you know exactly what sheâs about to say. You cut her off, leaning forward, your tone light, easy, deliberately dismissive. âPlease donât tell me you came all the way here just to talk, Alexiaâ
She freezes, mid-sentence, and thereâs a flash of something in her eyes, a blend of surprise andâannoyance, maybe? But she masks it quickly, her lips pressing into a tight line. âI thought youâd appreciate me being⊠honest,â she says slowly, as though testing the waters, watching you carefully.
âHonest? Thatâs what weâre calling it?â You let a smirk tug at the corner of your mouth, a practiced expression, something designed to be just detached enough to hold everything at armâs length. âCome on, weâre better than that, arenât we?â
She raises an eyebrow, clearly unimpressed by your deflection, but thereâs still a hint of amusement in her eyes. âBetter than what? Talking?â
Talking. The word hangs in the air, innocent, innocuous, yet loaded in a way that feels heavier than it has any right to. You shift, taking another sip of wine, letting the liquid burn down, hoping itâll smother the way her eyes feel like they're peeling away all your practiced layers. Itâs one thing to enjoy someoneâs company, but the feeling creeping in now is something else, something youâre not used to. It feels inconvenient. Like an itch you canât reach.
You try to fire back, something witty, something cool, but the words catch in your throat, your mind scraping empty. Itâs frustrating, the way sheâs caught you off guard, how sheâs unraveled your carefully crafted reserve without even trying. You reach for your glass again, swirling the wine, stalling for time, anything to avoid that knowing look in her eyes.
But then it dawns on you, like a spark catching flameâthereâs still one thing left to do to regain control. Something you can do that would put you back in charge, bring this uncomfortable vulnerability back into something physical, where you excel. You set your glass down, slowly, purposefully, letting the silence stretch taut between you both.
She watches you with that smirk, that trace of challenge, as if daring you to break this moment of stillness.
âCome here,â you say, low and steady, injecting just enough command to leave no room for debate.
âNoâ
She says it so simply, so carelessly, that for a moment youâre almost convinced you misheard her. Itâs infuriating, really, that one little word has the power to throw you so entirely. Your pulse stumbles, and you feel the ground slipping from under you, just enough to catch you off guard.
âAlexia.â You give her a look thatâs intended to be definitive, final, but it lands with all the power of a weak threat. Her smirk widens into a full, infuriating smile, the one that says sheâs entirely aware of the effect sheâs having on you.
âJust hear me out,â she says, with a kind of softness thatâs more unnerving than youâd like. âYouâre doing that thing. The thing where you turn everything intoââ She pauses, gesturing vaguely with her hand, searching for the right word, ââinto some kind of performanceâ
Itâs an odd, unnerving feeling, this loss of footing. Normally, youâd have a witty reply ready, something cutting or clever, but instead, you feel like sheâs stripped you bare, left you standing there with nothing but honesty, and you hate it.
âSo now youâre the expert?â you reply, finally finding your voice, though it sounds sharper than you meant. âSince when do youââ
âSince I started actually falling for you,â she says, cutting you off, her voice low but clear. Itâs not even particularly dramatic, the way she says it, and somehow thatâs worse. Like sheâs not trying to turn it into anything, not expecting any kind of reactionâjust stating it as a fact.
You feel a flush rise to your face, and you mask it with another sip of wine, a hasty attempt to cover up the sudden jolt in your chest. She waits, just watches you with that maddening calm, as if giving you all the time in the world to come up with some kind of response.
The air between you feels thick, heavy with something unsaid and unfamiliar. You feel the urge to laugh, to make light of it, anything to disperse this feeling building between you, something dangerously close to vulnerability.
âYou donât have to make this into⊠whatever this is,â you say, gesturing between you. âLetâs not get sentimentalâ
âIâm not,â she says, crossing her arms, looking impossibly patient. âI told you Iâm just trying to be honest. I thought that was allowedâ
âHonest,â you repeat, as though the word itself is foreign. And maybe it is. Honesty has never been the thing you reach for. Honesty is for people who can afford to look foolish, who donât mind slipping, stumbling a little. Honesty is⊠unnecessary. And maybe thatâs exactly why itâs got you so rattled now.
You set your glass down, more forcefully than intended, and close the distance between you with a deliberate slowness, a silence that says everything you arenât willing to say out loud. She watches you, unmoving, waiting, that infuriating patience of hers still intact.
âFine,â you murmur, leaning in close, your voice barely above a whisper. âIf youre falling for me, fucking show meâ
Her lips quirk in the barest hint of a smile, a flicker of amusement mixed with something warmer, something that makes you feel like youâre the one being dissected here. Itâs maddening, really, how effortlessly she manages to get under your skin, slip past all those careful layers. And yet youâre already reaching for her, pulling her closer, desperate to change the pace, to turn this moment into something you can control.
Thereâs a split second where neither of you move, holding the charged silence like it might be the only thread of control left. And then it snaps. You reach for her, not gently, fingers curling around her wrist with enough force that she has no choice but to be pulled in. Her smirk flickers, only slightly, and thereâs something about the momentary surprise in her eyes that makes your grip tighten further, anchoring yourself as much as her. Itâs a flash of vulnerability that vanishes as quickly as it appears, leaving behind nothing but a thin layer of bravado, one youâre keen to shatter.
You pull her toward you, and the air shifts, that faint hint of uncertainty cracking into something far messier. Your hand finds its way to the back of her neck, fingers threading into her hair with a kind of reckless precision, not even aware of how tightly youâre holding on. You donât waste time; youâre not even sure thereâs time to waste. And as soon as you lean in, catching her mouth with a kiss thatâs anything but tentative, you feel her resistance melt, her lips parting under yours with a roughness thatâs almost defiant.
She meets you with equal force, as if each clash of mouths, each bruising press of skin, is a way to gain back her own control, and you revel in it, the give-and-take that feels as calculated as it is chaotic. Your hand slips to her jaw, holding her there, your thumb brushing over the corner of her mouth with a kind of ferocity that toes the line between possessive and desperate. You know itâs not going to be gentle; thereâs a part of you that doesnât want it to be.
Youâre moving backwards, feeling the edge of the marble island press into your spine, but it doesnât matter. Sheâs everywhere, her hands gripping the fabric of your shirt, blunt nails scraping against your skin as if sheâs staking a claim, as if sheâs finally caught on to the pace youâve been trying to set and decided to match it.
âIs this what you wanted?â Her words slip out like a slow, deliberate knife cutting through the air between you. The tone, sharp, unfamiliar, though has been the soundtrack to your late-night thoughts. Itâs almost as if she knows, like sheâs caught you in the act of something thatâs always been just below the surface. Her breath comes in shallow gasps, eyes darting between your face and the space between you two, as if trying to read the faintest tremor in your expression. Itâs always a game with her, always a step too far.
Yes.
âNo,â you manage, your voice betraying youâcracked, thin, like a lie too rehearsed. The words come out wrong, but they come out anyway, forced through a tightening chest.
The moment stretches, each second fracturing, bending and folding into itself. Itâs like trying to hold a conversation with a shadowâeverything slips just out of reach, and the harder you try to grasp it, the more it seems to twist away, leaving nothing but the sensation of your own breath hitching in your throat. You fucking hate this. You hate the way her fingers curl in the fabric of your shirt, as if trying to remind you of your place, of the expectations that have always followed you both like a silent, mocking echo.
No, you donât hate her.
Fuck. You love her.
The thought is an ugly, dissonant thing, a weight that doesnât settle easily, like a slow-moving tide pulling you under. The waterâs cold. You canât feel the bottom. You donât know which way is up, and the only thing you do know is that, somewhere along the line, youâve let yourself drown.
Your pulse is almost deafening in your ears, hammering in time with your desperate need for air. Thereâs something about the way she stands before youâstill and deliberate, eyes trained on yoursâthat makes the room feel smaller, closer. You think you can hear her thoughts. Feel them. Itâs maddening, how much she seems to know you, how sheâs always known the way you bend. How much sheâs learned to manipulate that bend, until you almost forget what itâs like to be anything but this: a response.
You swallow. The taste of her is lingering on your lips, sweet and bitter all at once, like a bad memory. How many times has this happened? You donât know anymore. The last time feels as far away as the first timeâwhen she leaned in, the weight of her body an invisible promise. But tonight, thereâs something different. Itâs in the way she watches you, cold, calculating, her fingers still gripping the edges of your shirt, the only real connection between you two in the moment.
She inhales slowly, the rhythm deliberate, like sheâs listening to a song you canât hear. The silence is suffocating.
âYouâre lying,â she says, low and accusing, with just enough venom to make you flinch. Thereâs a tiny smile that tugs at the corner of her mouth, something fleeting, something knowing. You want to reach out, to take her in your hands and pull her close, but the distance between you both feels like a universe. The space feels like a reflection of everything thatâs wrong with you: the empty conversations, the meaningless gestures, the ache thatâs always there, just beneath the skin. Itâs maddening, this tension.
And yetâŠ
You want her. Fuck, you need her. You donât know if itâs because you love her or because she knows how to make you feel more alive than anything else. Sheâs become your addiction, your fire, the only thing you canât quit.
Another shift in the air. Another breath from her, shallow and calculated. Itâs not a question anymore, not a challengeâitâs an affirmation. She knows, and you know, too.
You close your eyes for a moment, just long enough to lose yourself in the fleeting memory of something that almost felt like peace. The sound of her voice, the taste of her, the way she touched you. Itâs all a blur, a disjointed collection of moments tied together by one inescapable truth: youâll never be able to walk away.
Not this time.
When your eyes open again, sheâs still standing there, eyes not leaving yours, studying you. Everything feels slowed down, almost too slow. Like time is bending around her, twisting the seconds into something thick, sticky. Her gaze doesnât soften, but it holds you in place, an anchor, a force. The room is silent except for the faint hum of the refrigerator in the background, the dull tap of your own pulse in your ears.
You donât speak. Not yet. You donât need to.
Her fingers slide along your chest, trailing down in that same slow, infuriating pace, until they settle on the edge of your shirt again, the same place they started. She doesnïżœïżœïżœt look away, her lips curving upward in a smile that doesnât reach her eyes.
Itâs like sheâs trying to decide whether you want to hurt her or fuck her. And the problem is, youâre not sure you can tell the difference anymore.
Your hands curl into fists at your sides, nails digging into your palms like that might keep you steady, like that might stop you from doing the one thing you swore you wouldnât.
Loving something. Someone. Loving Alexia.
âWhat are you so afraid of?â she murmurs, her voice low, almost gentle, and itâs the softness of it that makes you unravel completely.
You donât thinkâyou canât. One second youâre standing there trying to convince yourself you still have your palms wrapped around this situation, and the next theyâre on her, pulling her in with a force thatâs almost cruel. Your mouth finds hers, hard and unrelenting, and she gasps into the kiss, her fingers clutching at your shirt, wrinkling the silk, as if you might disappear if she doesnât hold on.
She tastes like spearmint gum and coffee. You imagine her shivering as she steps off the plane, teeth chattering in the wind, and too polite to mention it. But your driver notices, you pay him to notice, so before her luggage is out of the cargo, a café con leche is being pressed into her gloved hands.
Itâs not a kiss. Not really. Itâs a collision, hard and unrelenting, her mouth crashing into yours with a force that feels like defiance, like sheâs daring you to stop pretending. To stop holding yourself together so tightly youâre liable to snap.
Your hands are already on her, pulling her close, so close it feels claustrophobic, but you canât stop. You canât make yourself pull away because then youâd have to look at her, really look at her, and confront the unbearable softness in her eyes. Youâd have to hear her voice again, saying the one thing youâve been trying to ignore since she first murmured it like a needle under your skin:
âWhat are you so afraid of?â
What youâre afraid of is this. Her. The way sheâs stripped you bare with no effort at all, no grand gestures or declarations. Sheâs unravelling you with the weight of her presence, with the simple fact of her being, and you hate it almost as much as you crave it.
Your teeth scrape against her lower lip, harder than you mean to, and she gasps, but she doesnât pull away. Her nails dig into your shoulders, gripping onto you while you take your rightful place at the helm of this godforsaken dance.
And sheâs letting you. Letting you press her against the edge of the table, her legs bumping into the thick, varnished oak. The table was handmade by some artisan you donât remember the name of, its surface polished to a high gloss that reflects the warm light overhead. Youâd spent weeks agonising over the purchase, debating wood grains and finishes with a level of scrutiny that felt absurd even at the time. Itâs the kind of thing people like you do when theyâre too scared to focus on what matters.
But now itâs just a table. A thing in the way, a thing thatâs caught between you and her.
Her jeans catch on the wood as you push her back, and the sound is sharp, cutting through the fog in your head. You hesitate for half a second, your hands hovering at her hips, fingers brushing the cool metal of her belt buckle.
âYouâre thinking too much,â she says, her voice low and breathless. Itâs not a reproachâitâs almost amused, like she knows exactly whatâs going on in your head, and itâs ridiculous to her that youâre trying to wrestle this into something itâs not.
âIâm not thinking at all,â you say, and itâs true. Or itâs a lie. You donât know anymore, and you donât care.
The belt comes undone with a soft clink, the leather sliding through the loops of her jeans in one smooth motion. You let it fall to the floor, the sound of it hitting the tile lost beneath the ragged breaths youâre both taking. Your hands are shaking slightly as you undo the button on her jeans, the metal cold against your fingertips.
She doesnât help you. Doesnât lift her hips, doesnât make it easier. She just watches you, her gaze steady and unwavering, like sheâs daring you to keep going.
And you do.
You yank the denim down her thighs, your movements jerky, almost frantic, and itâs not until the fabric crumples on the floor that you realise your hands are still trembling. She notices too, her lips twitching into that infuriating half-smile, the one that makes your stomach twist into knots.
âWhat are you doing?â she asks, her voice soft but edged with something sharper, something that cuts right through you.
âI donât know,â you admit, and the honesty of it feels like a blow to the chest.
âDonât stop,â she whispers, and the words make something inside you snap.
You hook your fingers into the waistband of her underwear, dragging them down her thighs in one swift, unceremonious motion. The damp lace clings for a moment before it slides free, pooling at her knees before hitting the floor. You donât stop to think. Thereâs no room for hesitation here, no space for the doubt thatâs been clawing at you since this started.
Her scent hits you first, heady and intoxicating, and for a moment you freeze, overwhelmed by the sheer weight of it. But then she movesâjust slightly, her hips tilting forward in an unspoken pleaâand itâs all the permission you need.
You press your mouth to her, your tongue sliding through her folds with a slow, deliberate pressure that pulls a broken sound from her throat. Her taste is sharp, almost sweet, and it floods your senses in a way that makes you dizzy. Her thighs close around your head instinctively, caging you in, and you let out a low, involuntary groan against her skin.
âFuckââ Her voice is high and breathy, her fingers digging into your scalp now, hard enough to sting. âDonât stop. Donâtââ
You donât. You press deeper, your tongue finding the sensitive bundle of nerves at her centre and circling it with a precision you didnât know you had. She jerks against you, her body arching off the table, and you use the opportunity to slide your hands up her thighs, holding her steady.
The table creaks beneath her, the sound of the wood groaning under her weight mixing with the wet, obscene noises of your mouth against her. Itâs filthy and raw, every sense overwhelmed, and youâre not sure if youâre doing this to prove a point or because you canât bear to stop. Maybe itâs both.
Her head tilts back, exposing the long, elegant line of her throat, and you want to mark it, to leave evidence of this all over her skin, but you canât pull away. Not when sheâs gasping your name, her voice breaking like she canât quite believe whatâs happening.
You slide a finger into her, slow at first, just enough to make her hips stutter against your mouth. Sheâs tight, impossibly so, and you feel her clench around you as you add a second finger, curling them just right. Her moan is loud, sharp, and it sends a bolt of heat straight through you.
âGod, youââ She doesnât finish the sentence, doesnât seem capable of forming words anymore, and it sends a twisted sense of satisfaction through you. You focus on her clit again, your tongue moving in quick, precise circles as your fingers work her open, the slick heat of her making it almost too easy.
Her legs tremble around you, and you can feel her getting closer, her breathing turning shallow and erratic. You donât let up, donât give her a second to recover, pressing her higher and higher until she breaks with a cry that sounds like your name.
Her whole body shudders, her thighs clamping tight around your head as she rides out her orgasm, and you keep going, drawing it out as long as you can until sheâs pushing weakly at your shoulders.
âEnough,â she gasps, her voice wrecked, and you finally pull back, your lips and chin wet with her.
You look up at her, and sheâs a messâher hair sticking to her damp forehead, her chest heaving with every ragged breath. Her eyes meet yours, dark and unreadable, and for a moment neither of you says anything.
Then, slowly, she reaches for you, her hands shaking as she grabs at your jumper and pulls you up to meet her. Her kiss is rough and desperate, her teeth catching on your lower lip, and you realise sheâs not done.
Her hands donât go for your own clothes like youâd expected. Instead, they move to your thighs, her grip firm and commanding, and before you can comprehend whatâs happening, sheâs lifting you. The sudden change knocks the air out of your lungs, and you gasp, your legs instinctively wrapping around her waist, locking you against her. The motion is seamless, like sheâs done this beforeâor like sheâs always known she could.
You try to tell yourself you hate how easy it feels, but you donât. You canât.
Your hands find her shoulders, her jaw, her hairâanything to ground yourself, but nothing works. Youâre still dizzy, still untethered, even as her lips crash against yours. Thereâs nothing gentle about it, nothing controlled. Her teeth scrape your bottom lip, her tongue pushes into your mouth like sheâs trying to devour you, and you let her because for once you donât want to think about what comes next.
Sheâs walking, you realise belatedly, the steady rhythm of her steps making your body rock against hers. Itâs disorienting, the way she carries you so easily, like your weight is nothing, like youâre the fragile thing here.
You kiss her harder to prove youâre not, nipping at her lip until she growls low in her throat, a sound that vibrates through you and pulls a small, involuntary moan from your lips. Her hands tighten on you, her fingers digging into the soft flesh of your thighs, and it sends a sharp thrill up your spine.
The hallway blurs around you, the world narrowing until itâs just herâher mouth on yours, her hands gripping you like sheâll never let go, her body impossibly solid against yours.
When she finally kicks the door open and lays you down on the bed, it feels like surrender. Not hers. Yours.
You donât realise how tightly youâve been clinging to her until she pulls back, your fingers still knotted in the collar of her shirt. The fabric wrinkles between your hands, and for a moment you just stare at each other, the room charged with something you donât have the words to name.
Her eyes are dark, searching, but thereâs no smugness, no trace of victory there. Instead, thereâs something softer, something that makes your chest ache in a way that has nothing to do with lust.
âIâve got you,â she murmurs, her voice low and steady, and it undoes you more than anything else sheâs done tonight.
Itâs too much. The weight of her words, the way she says them like a promise, like she means it. Your chest tightens, and you shake your head, your fingers releasing her collar to press against her shoulders, keeping her at a distance.
But she doesnât let you push her away completely. Her hands slide up your sides, gentle now, her touch a sharp contrast to the bruising grip she had on you moments ago. Sheâs watching you, waiting, like she knows exactly whatâs going through your head.
You hate her for it. You hate her because sheâs right.
âI canâtâŠâ Your voice cracks, barely audible, and you donât even know what youâre trying to say.
She leans in, her forehead resting against yours, her breath warm against your cheek. âYou donât have to,â she says simply, and the honesty in her tone is unbearable.
You want to argue, to fight, to push her away, but your body doesnât move. You just lay there, your chest heaving, your hands trembling against her. You feel like youâre teetering on the edge of something vast and unknowable, and for the first time in a long time, youâre not sure if youâll survive the fall.
Because this isnât about sex anymore.
Itâs about her, and the way she looks at you like youâre something worth holding onto. Itâs about the way your body feels like itâs breaking apart under the weight of it, like youâre finally being seen for what you areâwhat youâve always been.
A liar. A coward. Someone too afraid to let go, too afraid to feel, too afraid to love.
Her lips brush yours again, soft this time, barely there, and you let out a shaky breath. Itâs not enough to drown in. Not yet. But itâs close.
âLet me in,â she whispers, and itâs not a command. Itâs an offering.
You close your eyes, and for the first time, you donât resist.
#alexia putellas#alexia putellas x reader#fcb femeni#fcb femeni x reader#espwnt#espwnt x reader#woso#woso x reader#woso imagine#woso community
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GET IT TOGETHER | äžæ”·.ć»șäșș. Nanami Kento
SYNOPSIS: after the honeymoon phase, Kento became distant - youâre wholeheartedly convinced he doesnât love you anymore, and that itâs all your fault
PAIRING: fem!reader x husband!nanami
WC: 2.3k words
CW: alcohol use, hurt/comfort | PART II
đž DEE SAYS: enjoy my first anime/jjk ff <3
đ§ â GET IT TOGETHER BY 702

Nanami had been distant for a while - snappy, disinterested, working until the late hours of the night. Affection from him felt obligatory: a cold kiss on the cheek before leaving the house and after returning; vague compliments, mostly about your cooking, that never really reached his eyes; a slow deterioration of quality time until it became a wistful fantasy to have his attention for five minutes.
âIâm busy, Y/N. Leave me be.â
Most of your conversations were strictly functional - then again, Nanami had never been one for what he deemed âsuperficial nicetiesâ (known to others as polite conversation). Had it not been for the fact that heâs mostly holed up in his home office, youâd be inclined to suspect him of cheating.
In all honesty, you had began to blame yourself. If there was another woman, then at least you wouldnât feel this crushing weight on your shoulders. It felt as if you werenât enough, that Nanami was sick of you and it was all your fault. He was constantly tired, constantly on edge⊠constantly unhappy. You were a failure of a wife, playing along with this farce just to feel some form of normality. Just keep swimming, you told yourself. All marriages go through a rough patch, heâll come round.
Today was one of the rare instances that Nanami had to leave for an in-person meeting at his company, the quarterly report neatly tucked under his arm to read over beforehand. You had made him breakfast, but he didnât eat, preferring to sip black coffee from the pot. You had tried to adjust his tie for him, but heâd pushed your hand away, fixing it himself. And then, like clockwork, like it was a necessary yet unsatisfactory part of his routine, Nanami kissed your cheek. Cold, brief, and apathetic, accompanied by a murmured âsee you tonightâ.
It had been all too much when the door closed behind him - you grabbed a nearby wine bottle and retreated to the bedroom to cry.
You werenât one to assume love was like the movies - love for you had never been like the romanticised, fantastical bullshit the media tries to shove down everyoneâs throats.
In the beginning, yours and Kentoâs love had been quiet, simple even, but boundless. He may have not been the most flamboyant in his gestures, or the most poetic with his words, but Kento ensured you knew just how much he adored you. Stolen kisses when you were busy doing something, a soft inhale of your hair as he cuddled you close, a squeeze of your hand as you navigated through a busy crowd.
Kento didnât bring you anywhere anymore. God, you missed the man you married.
Retrospectively, wine on an empty stomach at 9am was not a good breakfast, but you couldnât help it. Your mind swirled around and around in circles as you tried to soothe it with alcohol - a futile effort. The more you drank, the more memories flooded your conscious, reducing you to tears.
Rather than going to do the food shopping, or cooking dinner, or anything of value, you simply sat in bed, drunkenly sobbing. This was only worsened by the wedding album you managed to procure from somewhere, staining the pages as you flipped through, sniffling and hiccuping.
Eventually, after a wasted day of drinking and sobbing, followed by more sobbing and drinking, you had passed out in bed, hugging the wedding album to your chest. The alcohol had numbed your senses rather than the pain, so you were none the wiser when Nanami opened the door in the early evening.
The first thing Nanami noticed was the lack of warmth. The house was freezing cold, the kitchen still had the remnants of his abandoned breakfast, and you were nowhere to be seen. He quirked an eyebrow, confused by your absence - usually youâd welcome him home with a smile, the smell of something delicious wafting through the air as you helped him out of his blazer. That was what he was used to, that was the routine you two had fallen into. Then he would kiss your cheek, compliment you on the food, and sit down for dinner. But there was no dinner, no help - no you.
âY/N?â Nanami called out, setting down his briefcase with a sigh, shrugging his blazer off and tossing it on the nearby chair. âY/N, Iâm home!â
When he was met by nothing but silence, concern began to gnaw at Nanami. Not even bothering to remove his shoes, he paced to the bedroom, throwing open the door. None of the lights were on but he could see your faint silhouette under the covers, and Nanami rolled his eyes. You mustâve napped and overslept, he thought to himself, slightly irritated that you hadnât prepared something for him to eat. He paced to the bedside table and flicked on the lamp, voice low and neutral, yet still tainted with a twinge of annoyance.
âY/N, come on now. Surely being a housewife isnât that tiring-â
He trailed off when he turned to face you, annoyance melting away as the light revealed your state of ruin. Dried tear stains ran down your cheeks, hair in disarray and your nose visibly irritated. Drops of red on the sheet concerned him, only for his questions to be answered by the bottle of wine now visible on the other bedside table. But the knife through his chest? Seeing you, his darling wife, whimpering in her sleep while clutching their wedding album.
Shocked, Nanami softly sat on the edge of the mattress, taking in the view with both concern and surprise. Now that he was fully focusing on you, he saw the dark bags under your eyes, the fitful sleep you were in clearly not relaxing. A tentative hand stroked the globe of your cheek, the usually smooth texture interrupted with the roughness of the tear stains. Nanami cupped your cheek carefully, as if you were fragile porcelain that would break under any pressure. His thumb rubbed smooth circles into your skin, and his brows were furrowed in concern as he spoke again, voice thick with emotion.
âOh baby, I shouldnât have let you get like this.â
Leaning forward, Kento softly tilted your head up slightly, pressing a sweet kiss to your slightly-parted lips. The scent of wine on your breath was overwhelming, and the ripple of unease it caused in his stomach only worsened the guilt gnawing at him. He knew he had been a pretty shit husband as of late, becoming more and more engrossed in work as they continued to up his workload, but this? This was the clearest indicator of just how harsh heâd been on you, and that made him feel more sick than the strong smell of wine.
He had failed you.
As he stared at you, engrossed in the sudden changes he hadnât seen slowly building for months, you shivered against his hand, snuggling into it. For a second, an emotion flashed across your face - relief perhaps? - before you groggily regained consciousness.
âK-Kento..?â
Your words were slurred, and your eyes unfocused, barely able to hold his gaze as Nanami withdrew his hand from you. His other hand took yours, holding it tight as you groaned, trying to sit up. Kento shook his head, softly pushing you back down.
âHey, hey. Itâs okay, lie down. Iâm here, Y/N.â
Tears began to form in your eyes as Nanami began stroking your hair, finger twirling a strand of it, just as he used to do. The care in the action, the comfort, only worsened the pain festering inside you.
âKen, Iâm s-sorry⊠so fuckinâ sorry Ken..â
Brows furrowing further, Nanami scooped you into his embrace, tugging you closer when you clung to him and began sobbing.
âSorry? Baby, what happened? You havenât done anything wrong.â His palm flattened against your back, rubbing in circles as if soothing a child.
âYou hate m-me! You fuckinâ hate me because⊠because Iâm so fucking shit at being a wife! You- hic!- you donât love me anymore!â
Nanami was rendered speechless by your outburst, looking at you with his jaw dropped. You still clung to him, fists crumpling the front of his dress shirt as you gasped for breath in between sobs. After his momentary short-circuit, his free hand cupped the back of your head, pulling you closer as his other hand still tried to calm you with its ministrations.
âY/N, please donât say that. Thereâs never a day where my love for you hasnât been strong and steadfast. I donât think Iâm capable of hating you, my love.â
Tears welling in his own eyes, Nanami began rocking you back and forth softly, murmuring sweet nothings to you in a desperate attempt to calm you. As your sobs slowly began to subside into sniffles, Nanami tenderly tilted your head to face him, pressing a soft kiss to your forehead.
âIâm the shit husband, Y/N. Iâm the one who made my wife believe I hated her even for a second.â
He sighed to himself when your eyes were still unfocused, silent tears still trailing down your cheeks.
âOkay, Iâm gonna get you some food. I bet you didnât even eat today.â
Nodding sluggishly, you attempted to sit up and was yet again denied, this time with Nanami holding you close. He then set you back down into the cushions, adjusting them for you, before standing.
âI think itâs better if you stay here and I make you something.â
As Nanami turned to leave, your hand quickly jutted out, holding his wrist tight. He turned to you, surprised by the strength of your grip as your eyes pleaded with him.
âStay, please.â
Chuckling, Nanami took your hand in his and kissed your knuckles, biting his lip after they brushed against your wedding band.
âIâll be back soon, I promise. You need some food in you asap, and I didnât have time for lunch today.â
With a drunken pout, you nodded and let your hand drop from his, cuddling the wedding album once again. Nanami hid his smile, leaving the door ajar so he could listen out for you.
While not exactly a Michelin star chef, Nanami was a decent cook, and had whipped up a small bowl of soup for himself and some buttered toast for you in record timing. He brought it back to the room, pausing in the doorway as he watched you flick through the wedding album, eyes finally dry and looking fairly more sober.
âIâve got some toast for you. If youâre feeling up for it, thereâs still soup on the stove.â
You nodded, closing the album and gently placing it on the side before gratefully accepting the plate of toast. Nanami settled down into the nearby armchair, taking in grateful mouthfuls of soup. The silence was calm, even with the slight undercurrent of tension, only interrupted by the crunch of toast and the clink of spoon on bowl.
When everything was cleared, Nanami changed out of his rumpled clothes, slid into bed next to you, turned off the lamp, and wrapped an arm around your shoulders. You allowed yourself to relax into the embrace, brain still a little fuzzy from the alcohol. The silence stretched on, both of you wide awake but reluctant to speak.
âWork has been hell, Y/N,â he finally admitted under the cover of night, finger rubbing circles absentmindedly into your upper arm, âI was taking on so much that I barely felt human anymore.â
Your eyes had yet to adjust to the darkness, but you still turned to look at him regardless. You could just about make out the bridge of his nose, and a few hairs that had refused to gel down properly.
âI know itâs not an excuse,â he continued, âbut itâs my explanation for my distance. I was so caught up in trying for a promotion, working my ass off to provide for you, that I didnât notice I wasnât providing for you in any other way.â
Turning, you rested your head on his chest, listening to the steady heartbeat pick up a little from the contact. It was true, almost every waking minute Nanami had been working. His grip tightened protectively, pushing you closer to his body, relishing in the warmth your body provided. He sniffed, and you couldâve sworn that you saw a tear roll down.
âYouâre my everything, Y/N. I donât know what I would be without you. You make my black and white world technicolor, vivid with possibilities I never even imagined.â
His lips tenderly pressed against your temple, moving to pepper across the rest of your face, drawing a giggle out of you. This was a side to Nanami you had never seen, and you didnât interrupt in fear it would dishearten him from continuing.
âSeeing you like this, it really changed my perspective on things. Iâm not just here to make money for you, Iâm here to love you, protect you, cherish you like I promised in our vows.â
His face hovered over yours, and you could just about see the glint of his irises gleaming back at you.
âItâll take me some time, but please donât give up on me, on us. Please never feel like I could feel anything other than unyielding love for you.â
Cupping your cheek, you could feel the cool metal of his wedding band on your skin. You cupped his hand with your own, interlocking fingers, tears forming again. Only this time, they werenât sad.
âI love you, Y/N. I have loved you, I do love you, and I forever will love you.â
âI love you too, Kento. I couldnât give up on you if I tried.â
Drawing closer, you could practically feel the smile on his face, just before he pressed his lips onto your own.
âGood. Iâll never give you a reason to try again.â

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#âź â desirekento#jjk x reader#jujutsu kaisen#jjk#jujustsu kaisen x reader#nanami#nanami x reader#nanami angst#nanami fanfic#jjk kento#kento x reader#nanami kento#jjk nanami#jjk angst#jjk fanfic
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Ooo I know! It's just a little thought
What if capitano and y/n had their first fight in front of their kid?
"I told you I'm fine." You try convincing your ever so worried husband for the nth time.
The thing was, ever since you gave birth to your daughter, it's like he had a leash on you, not in a bad way. Capitano only wants to protect you and his daughter, and knowing his position as the fatui Harbinger, it had become difficult to keep an eye on both of you 24/7. So he trusts that you would tell him everything by the end of the day.
Capitano's protective nature was both endearing and infuriating at times, but you often appreciated his care. Today, however, his overprotective streak was starting to get under your skin.
The argument started as a simple disagreement about a minor decision, but had quickly escalated into a fiercer discussion.
"i want to keep you and our family safe." He said firmly, and he wishes you'd stop there to understand him.
"I only brought her with me to the market so she can learn how to socialize with people, and for her to experience picking treats with me."
"You were fine this time." he retorted, his voice taking on a slightly higher tone. "But what about the next time?"
You grit your teeth together in frustration, because really, this is getting ridiculous. "Maybe if you didn't think so much about itâ"
He doesn't even let you finish before he speaks back, "How can I not think about it? Every time you leave this house, every time you're out of my sight, I can't help but worry." He takes a deep breath to calm his nerves, it's rare that he's ever arguing with you, usually when you're upset with eachother, he usually stays quiet.
"You don't understand. My job has shown me the worst of Humanity, the things they're capable of. I just want to keep you safe." Capitano holds on both sides of your arms, "i trust my men enough to accompany you. But i can never be truly sure that you're safe without me." He's upset, you know it by the way his eyebrows wrinkle together.
But you're not convinced just yet, "our daughter wants to go to the park sometimes. Do you know how many times i had to stop myself from refusing her everytime she frowns at me?"
Capitano's expression hardened again at your words, his jaw clenching tightly. "The park is dangerous," he argued back while applying a bit more pressure on your arms, "It's too open, too vulnerable. There are too many unknowns, too much that could potentially harm you and our daughter."
"It's not like we are going to die." You bluntly respond and it makes his eyes widen, even the sentence makes him shiver. He's one and only fear, not seeing you both because of one mistake.
Just as he parted his lips to answer back, a faint soundâa sneeze coming from the corner of the closet. One you recognise so well that it makes you stiffen in your place, and you notice Capitano pressing his lips into a thin line.
You both turn your heads until met by the little girl attempting and failing to hide on the side of the giant closet.
"she's watching," you whisper, glancing back at him and he nods before sliding his hands off you.
"You can come out," he called gently, his voice softer than the previous argument.
He knelt down on one knee as she stepped out from her hiding spot, his eyes wide with innocence and remorse for the argument she had witnessed. "Come here." He encouraged her, his arms opened slightly for her. And she hesitantly walks at first before taking confident steps towards the comfort of her father's embrace.
You join them after, kneeling down at their level and your husband opens his other arm to squeeze you in with them. Capitano's arm wrapped around her small form, holding her close against his chest.
"I'm sorry you saw us arguing," he murmured, "We didn't mean for you to hear all that." You continue softly.
Your daughter's head turned towards you, her eyes filling with tears as she heard your apologies. She looked between you and Capitano, her lower lip trembling slightly. It's like children can mimick their parents current emotions.
"Your mother and I just had a disagreement. We didn't mean to scare you."
"is everything okay?" She whispers quietly while fidgeting with her fingers together, "Yes." You both instantly respond.
her expression is still uncertain. "We promise," you reassured her again before he gives further more reassurance "Everything's okay, angel. Mama and papa are fine. We're not mad at each other. We're just... going to talk things through, okay?"
She then starts slowly nodding, "that's my brave girl." His lips curl upwards as he strokes the strands of her hair.
"and we will take you to the park."
Your daughter's eyes widened, a small gasp of happiness escaping her lips. She looked up at you, her eyes seem to sparkle even.
Meanwhile, Capitano's eyes narrowed at your declaration. He shot you a warning look, silently reminding you of his previous disagreement.
"... With your father of course." You laugh quietly and his shoulders seem to relax, "fine. We will all go."
"yay! Swings!" The little girl grins while excitedly holding her hands together.
"well, aren't you weak for the little angel?" You whisper to your husband, giving him a small smile, already having forgotten about your argument.
Capitano holds you both closer to him, as if relieved to have this little family in his life, the only thing that makes everything more bearable, "she has me wrapped around her little finger, just like her mother."
The link to my short capitano series :p
#you can read the series in my masterlist !!<3#GUYS NO HE'S NOT ACTUALLY ROTTING đđ (đ)#il capitano x reader#capitano#capitano x reader#genshin x reader#genshin impact x reader#il capitano#capitano x you#il capitano x you#genshin impact#fatui harbingers x reader#fatui harbingers
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Dottore and his segments get a taste of their own medicine after giving you a job of your own. (In other words, you ignore their need for attention in favor of your work, they get pouty, just like you did.)
As of late, a peculiar sight had made its way into the lab. Actually, peculiar wasn't even strong enough of a word for the agents to use. They had nearly tripped over their feet once they saw the new area of their working quarters in the lab.
In addition to their Lord Harbinger's desk (that was shared amongst the segments depending on the day), there was now another desk on the opposite side of the room, and the cute decorations on it were quite noticeable. Photo frames and stationery. A comfortable and plush chair with a blanket that dropped over it.
... A plushie version of the Harbinger that laid on Dottore's desk, commissioned by you to motivate him.
(A side thought - the number of desks the Doctor had was something to wonder about. One in the lab, one in the office, one in the bedroom - no wonder things were always scattered around the place. But that was something for another day...)
And most importantly, you, Dottore's spouse, standing next to their Lord, rocking back on your heels nervously as he introduced you as their new co-worker.
â
It all began when you approached your husband with a very simple request.
"Dottie, I want a job!" You said with enthusiasm, smile as wide and proud as ever. The scientist paused his work and turned to look at you with a blank expression.
"... A job, you say?" You only puffed your chest out more at his confirmation.
"Yes, a job. I mean, being your lover is already a lot of work for my poor back, but I want to actually work with you! With your research and stuff, like the old days!" Your excitement was completely serious and were it not for your health, it would have been infectious for the scholar. Rarely did he ever meet anyone who was truly interested in his work. But of course, certain restrictions have held you back for a long time now.
"We've already been over this. My work is too dangerous for you," the Doctor sighed as he turned back around to continue whatever he was doing.
"I know, I know, but I meant other kinds of stuff. I've been thinking like... a desk job! It doesn't have to be anything dangerous! I could... sort papers for you? Oh, and you have one of those fancy stamps, right? I could stamp them too! I could rewrite your notes... ah, and the best part - I could help you write reports too! You always liked my essays, didn't you?" You were doing your best to provide Dottore with a convincing case, snuggling up against his firm back. Only another sigh escaped your husband, not really that convinced.
"Come on..." you inhaled his familiar scent, tinged with that laboratory smell that never seemed to go away, but somehow brought comfort to you. "I've been so bored lately... and lonely," you muttered the last part pointedly. "I just want some work to take my mind off things!"
Indeed, there was always limited entertainment and pastimes to occupy yourself with. It was especially boring on days you couldn't get out of bed, or when no segment could afford you attention...
"And you know what, I could give those agents of yours some writing tips, too!"
Yes, there had been many times his employees were not up to his standards, despite how many of them fawned over him (for some odd reason)...
"And I'll be helping you too! It's good for everyone."
Of course, you always felt rather good about yourself if you managed to help him, being the Second Harbinger and all...
"I suppose I shall give it some thought-" Before the man could finish his sentence you started squeezing him tightly while hopping in delight.
"Oh, thank you! So, when do I start? Do I get one of your huge desks too?"
"I didn't say yes yet, darling."
"Shh... we both know what you mean!"
â
And that was how you now clocked in at "work" every day with the agents (later than normal, but you had special privileges.) It was daunting at first for the poor souls, even the ones who secretly admired you from afar (being in the fan club and all.) Even though initially you were merely sorting papers, you were the most important person in that room.
However, soon enough, going to work in this dreary lab became a lot more cheery thanks to your sweet demeanor. Somehow, the atmosphere had become a lot less tense since the last time the segments visited.
The agents had little to no problem speaking to you like a normal person, after you had graciously given them tips on impressing the Harbinger.
"Psst..." you were hovering behind an unsuspecting agent, reading the report she had for Dottore, who jumped at your whisper. "You know, he might click his tongue if you give him that." Although her mask covered her face, you could see that half surprised at how you popped out of nowhere, and half agreeing with your words. Perhaps she felt comfortable enough to spill the situation to you.
"I-I am well aware of that," she deeply sighed, "but no matter what I write, my Lord always seems to be unsatisfied..." You patted her shoulder in sympathy. Having worked with Dottore since the Akademiya days, you knew very well of his distaste for certain things.
"Well, that's why I was hired, friend! To make his and your life easier! See, look here, that's a no-no, he wouldn't appreciate those details, mhm, but this needs to be elaborated on more, uh huh..." Of course, being the good spouse and employee you were, the report was converted into the best one that had ever landed on the Doctor's desk.
On your lunch break, they provided you with some juicy gossip about anything they could get their hands on (the fan club had long reaches, apparently.) Frequently you had to debunk things about Dottore... (the handbook was swiftly revised.)
Needless to say, things seemed to be going well. You looked happier. Motivated. Having new "friends" as your company (that still watched their mouth around you after a single glance from the segments.)
However... an issue arose after a while. One that seemed entirely stupid and impossible.
Now that you were so caught up in your work, when the segments finally had some spare time to come to you, they were... rejected. Yes, they had come to you, fully expecting your devoted attention and kisses that you always gave them without hesitation, but now turned away. (Even more embarrassing, sometimes in front of the agents who kept their eyes glued to their strange chemicals.)
â
It was Omega, of all segments, who was turned away first. The most confident and charming of the bunch left uncharacteristically silent. He had come up behind you and traced his hands against your neck, always being the one who had no shame in touching you. You only softly giggled at the sensation and caught his hand in yours.
"It seems you've been busy for a while, dear." In truth, it was mostly you seeking him out and not vice versa, but the segment hadn't seen you invading his office in a while. The space had gotten too quiet without you.
"Mhm! But I can't imagine how much work you do. My desk is nowhere as cluttered as yours," you smiled as you felt the segment kiss your lashes.
"What do you say to a break with me?" Omega offered, already knowing what your eager response would be.
"Nah, I can't right now."
...
Your words took a few seconds to process through his head.
"Pardon?"
"I have all this work, 'Mega, and other people need my help," you shrugged your shoulders as you swung your legs. "But don't worry. I'm sure we can spend some time later!" You kissed him on the cheek and pulled your chair in before continuing your work.
Omega, the greatest segment, was reduced to a blankly staring man who had been deprived of his lover's attention for the first time.
He was irritable for the rest of the day.
â
Beta was next, the poor thing.
You were always the one he blew off steam to, always willing to listen about his gripes and complaints, offering him consolation in the form of kisses and soft words.
However, you hadn't come to visit in so long, the segment was all pent up and now the agents were beginning to fall victim to him.
Fine then - he'd seek you out. Not because he needed you or missed you or anything of the sort. You were just... halting his progress with the lack of your presence. Yes, that was it.
And so the scientist, donning his grand pink bow tie, swung by your desk.
"So this is where you've been? How boring." Beta was not a segment that you'd want to do paperwork. He much preferred to be hands-on.
"Ah, Beta!" You brightened in delight at seeing one of your lovers. "I missed you!" At least you were always honest about your feelings.
... But to cut a long story short, Beta faced the same conundrum that Omega did.
Someone got turned into a floating Ruin Machine that day.
â
By now all the segments had experienced being turned away from work. Alpha's signature scowl had become permanent. Zandy was pouting the whole day as he missed his parent. Foxttore kept to himself with a pathetic sopping wet eye. His segments were fighting with each other inside his mind, a great nuisance.
All because you were too absorbed with your work to pay them any attention.
... The Doctor was now realizing that it sounded like a very familiar tune sung by you. So this was what you felt for days on end? Now, it was easier for him to understand why you were always upset if you were ignored too much.
Still, it was mortifyingly embarrassing that his segments were reduced to this pitiful state just because you rejected cuddles a few times. Regardless, it was up to him to solve the issue. After all... he missed you too. He wanted you to be around him more often again.
And so the Doctor made his way to his beloved.
There you were, all cozy on your seat as you sorted through some papers. Really, he had no clue you'd be this productive, to be honest. At least it was proof that your health hadn't gotten worse, considering how well you were handling this.
"Aren't you the one who kept saying to take breaks?" His voice made you jump a bit, having not heard him walk up.
"It's you, Dottie! I was wondering when you'd come around. And of course, I take breaks, Dottore. I have lunch with the other agents!" Ah, another party that's been hogging your attention.
"You know, this job has been pretty fun, Dottore! Everyone's real nice, we make jokes, I get to write about interesting things..." You continued to go on about the research and while usually he'd be intrigued by your findings, this time he had enough.
Dottore picked you up like a long cat as you squealed from the sudden grasping.
"What are you doing?!"
"You're coming with me," was his cut and dry response as he lifted you into his arms.
"B-But I have to work on the big report for Pantalone!" Dottore's eye twitched at the mention of the banker.
"Someone else can."
"But I-"
"I'm not listening to anything you say further," he plainly said as he walked with you cuddled into his chest as you gawked at him.
Could he be... jealous? A wee bit lonely? You kept your guesses to yourself as he eventually bought you back to his room and laid you on his bed, not even saying anything to you before sitting at his desk.
Did he simply miss your presence that much? You felt a bit bad neglecting your lovers that much. But to be fair, they kinda did the same... sometimes. You got up to console your silly husband, who was just a man in your hands.
"Hey... I missed you too, dear husband... but I had to make sure no one stole the title of best assistant from me!" Dottore only sighed at your foolishness.
Of course no one could ever replace you.
"I know you'd rather die than admit it... but don't worry. You're lucky I'm sensitive to your feelings," you teased as you kissed the top of his mask. "I'll pay more attention to you and the segments, before they cause another headache for you, love. You'll give me some vacation time off, right?"
You laughed at your own joke before Dottore pulled you into his lap, biting down hard on your neck.
â
"Beloved, would you care to join me in discussing your work?"
"You fool, they're obviously coming to my lab to activate a new Ruin Machine."
"But [Name] is supposed to play with me today!!"
"As if, they're far too busy to join you all with your silly games."
"You all will stress them out with this arguing. Now, why don't you join me for a cup of coffee instead?"
"Grr, gr gr, grr!"
It was good to be loved so deeply.
#smooches talks#dottore love notes <3#fragile reader <3#dottore x reader#just lots of fluff I whipped up as a mini apology for being inactive. >.<#idk if this seems random but i love this scenario#reader simultaneously feeling like they're helping zandik while also keeping their mind off sad things <33#dottore happy seeing u happy but then gets jealous bc now ur glued to UR desk... unfair. tch... (he's a hypocrite)#divider by cafekitsune
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how about a reader who just loves making their vampire beloved smile? Reader loves making them happy, and just really wants to see them smile and have them laugh and. I just want to make them happy đ„čđ
(There has been a lot of controversy around the characters of Bert and Joan. I will make it clear right now. When I write about them, I will not associate them with the group they were a part of in the movie for obvious comfort reasons. With that said, enjoy. âșïž)
Remmick
You see Remmick standing outside. He seems far awayâin a far away land of wonder and love. You smile to yourself. Your smile is sad for you know what that look means and where he isâŠIn a world of green, love and family long gone. But, there is one thing that remains. You step closer to him, flashing him an expectant smile. âHey RemmickâŠsince youâre the boss of smooth moves, how about you show me that Irish tap dance of yours? I wanna see if I can learn a thing or two.â
He snaps out of his daze and eyes you for a long moment, that sharp grin you grew to know and love creeping onto his faceâlike heâs sizing up a worthy challenge.
âWhy not?â he agrees with a twinkle in his eye, âCould be fun.â
He lifts his foot, tapping out a quick, rhythmic beat on the groundâsharp, precise, almost hypnotic. The sound echoes, crisp and alive. It sends dust and tiny rocks flyingâŠ
âCome on then. Try to follow, lass/lassie.â
You mimic his steps, a little clumsy at first, but catching the rhythm. He watches you intently and nods in approval.
âNot bad,â he admits with a rare chuckle. âYe might just survive the next round of this dance.â
He offers you a hand, fingers cold and yet so sure. âKeep up, or Iâll have ye dance for eternity.â
You laugh, grabbing his hand, before looking into his eyes and catching a mix of pride and joy in his gaze. He leads you into another dance and you realise that even if you had to dance for all eternityâŠyou wouldnât mind. As long as your Remmick keeps smiling at you the way he does when he dances alongside you.
Mary
You find Mary sitting quietly in the corner, her usual stoic expression firmly in place. But not for long. You plop down beside her with a small, knowing grin.
âHey, Mary,â you call her softly, âI bet youâve got a smile in there somewhere. What do you say I help you find it?â
She glances at you sideways, unimpressed. âGood luck.â
Your grin widens. You then raise a finger for dramatic effect as you start searching for something in your bag. You then pull out a kitten out of nowhere and just settle it on her lap. The kitten looks up at her with big eyes and the tiniest mew escapes it.
For a moment, nothing.
Thenâa twitch at the corner of her mouth.
You lean in closer, encouraging. âSee? Even the toughest canât resist that one.â
Maryâs lips curl into a tentative, shy smileâthe kind thatâs been waiting for permission to come out.
You smile back warmly. âThere it is. That wonderful smile. Told you I would help you find it.â
She shakes her head, almost embarrassed, but you catch the warmth shining behind her eyes. Sometimes, all it takes is a little patience and a little silliness.
Stack
You catch him alone by the garden. Stack stands there, hands in his coat pockets, head tilted just enough to make it clear heâs deep in somethingâmemory, regret, or the kind of silence thatâs lived too long inside a man. You approach slowly, holding something behind your back. He notices you, of courseâhe always doesâbut he doesnât say anything. Just offers that subtle glance, as if to say âWhat brings you here, trouble?â
You step close. Not too close, not at first. And then, wordlessly, you hold out your offering: a small, battered harmonica.
âPlay anything thatâs in your soul tonight.â
He blinks. His eyes flicker from the harmonica to your face and back again. He hesitates before taking it. The sound that comes out is soft, smoky, and just a little broken. Not sad, but not quite whole either. A gentle blues melody, simple and slow, the kind that feels like rocking on a porch in the deep South with a storm in the distance and someone you love nearby.Â
When the last note fades, he lowers the harmonica, exhaling slowly. His fingers tremble, just slightly, as if theyâd been holding more than music.
Then, without a word, he takes your hand and lifts it gently to his lips. âThatâŠwas me.â
You donât need to ask what it means. Itâs all thereâin the music, in the weight of his silence, in the way he now leans against you like heâs done running. The two of you sway together, slow and steady, your heartbeat keeping time where the harmonica left off.
âYouâre trouble,â he whispers, voice low and warm. âThe kind I never wanna lose.â
And right then, with the garden around you, the stars overhead, and his soul laid bare in your hand, you realize something simple and stunning: Youâd give him a thousand harmonicas if it meant heâd keep smiling like this.
Bo
You find out about the sweet tea by accident.
Boâs sitting on the porch one late evening. You bring him a mug of coffee, and he takes one sip before wrinkling his nose like you just served him poison.
âJesus. That bitter shit again?â
You raise a brow. âItâs coffee, Bo. It keeps people alive.â
He squints out towards the treeline. âYeah, well. Dead men like sweet tea.â
You blink. Thatâs all he gives you. No follow-up. No explanation. Just a dismissive shrug, a soft grunt, and back to whatever he was doing. But something in the way he said it sticks with you. So you take it as a challenge.
It becomes a little ritual. Each afternoon, a fresh pitcher appears in the fridge labeled:
Boâs Sweet Tea. Touch and I break fingers. â€ïž
You start slipping notes alongside itâtiny, scribbled-on sticky notes stuck to mugs, doorframes, even his boots when youâre feeling particularly bold. A doodle of Bo scowling at a sun wearing sunglasses becomes your favourite.
âYou know this is excessive,â he comments, pretending heâs annoyed.
âYou know I donât care,â you retort, mimicking his unhappy frown.
And when he thinks youâre not looking? He traces one of the doodles with his fingertip. Smiling.
A few days later, you find one stuck to your mirror.
Itâs not from you.
Itâs a doodle. A rough, blocky drawing of a glass of sweet teaâŠwith fangs. At the bottom, in a neat handwriting:
For the pain in my ass who makes even beinâ undead worth wakinâ up for. â B
Annie
Annieâs laughter is musicânot the soft, delicate kind, but the kind that fills a house. It echoes down hallways, wraps around furniture, settles in your bones like a healing balm. You live for it. No joke is ever too dumb, no moment too small, if it ends with her eyes squinting shut and her hand slapping her thigh like sheâs just heard the funniest thing in the world.
Itâs not just laughter. Itâs a sound that makes bad days forget they were ever so bold as to try. A sound that pushes back the dark.
A laugh that warms a room and chases away bad dreams.
You leave flowers by her bed. You cook next to her just to get her to smack your hand away from the spices. You recite her old hoodoo proverbs back to her incorrectly, on purpose, until she shakes her head and says,
âYou are not right, child.â
And then she laughs. That rich, real laugh.
You treasure it. Collect it like loose change in your soul. Because that sound, that smile, those eyes crinkled with joy?
Thatâs magic.Â
âKeep that joy on you,â she whispers later. âIt protects more than garlic ever could.â
And you will. Because that smile? That sound?
Itâs worth everything.
Joan
Sheâs got that arms-crossed, thousand-yard-stare energy like sheâs been surviving off spite and strong coffee for years. You approach her cautiously like youâre poking a sleeping bearâwith a flower in your hand. Sheâs standing stiffly, arms folded, face all sharp lines and quiet rage. You tilt your head, giving her your most disarming grin.
âJoan. Darling. You ever triedâŠsmiling?â
Sheâs standing with her arms crossed, elegant and unbothered, lips tight, chin liftedâlike smiling would lower her credit score.
âI read somewhere that smiling releases stress. Wanna give it a go?â You attempt again.
Her gaze is ice. âI donât feel stressed.â
You blink. âReally? Youâre undead, bound to a hive mind, and stuck with Bert. That sounds stressful.â
She blinks at you like youâve just insulted her ancestors. Okay. Wrong tactic. You hold up a badly drawn doodle of her you made earlierâexaggerated scowl, smoke coming from the ears, the words âWorldâs Grumpiest Sweetheartâ scrawled underneath.
She blinks. âYouâre lucky I havenât buried you yet.â
You lean closer, teasing. âYou almost smiled. Admit it. That was a pre-smile. A proto-smile.â
Joan turns away, muttering under her breathâbut not before you catch it. The tiniest smirk tugging at the edge of her mouth.
You smirk. Victory.
Bert

Heâs sitting in a chair upside down. Literally. Legs tossed carelessly over the backrest, head hanging off the seat like he forgot what gravity is. One boot is missing (thrown? stolen? hard to say), and the sock on his visible foot has a hole right where his big toe sticks out. His arms dangle limply, like a dead possum flopped on a porch swing.
You lean over him with a hopeful expression. âBert, smile for me.â
At the sound of your voice, he whips his head around so fast youâre worried for his undead spine. âYa wanna see me smile?â
You grinned. âYeah.â
He pauses. Eyes narrow. ââŠYa makinâ fun of me?â
You snort. âOnly a little.â
He does a backflip and lands with the grace of a cat. Heâs immediately grinning. Full, fanged, and wicked. Itâs the grin of someone who has either just committed arson or is about to ask you to join. His smile is hugeâtoo big for his face, all sharp teeth and crinkled nose and wild eyes. It looks like it belongs on a feral dog and a five-year-old at the same time.
âDoes this count?â he asks, baring every fang with chaotic pride.
You pretend to recoil. âYou look like a vampire and a raccoon made a baby.â
He cacklesâloud, weird, delighted. Itâs not a normal laughâitâs a banshee wail through a car engine. âThanks, baby. You sure know how to make a corpse feel wanted.â
He drapes an arm around your shoulders like he belongs thereâlike youâre his favorite person to bother in the whole wide world (which you are).
âTell me more,â he says, waggling his eyebrows. âTell me Iâm a sewer rat. Tell me I look like I chew drywall for fun.â
âYou do.â
âI have!â
You snort, which only encourages him. He might follow you around for the next three hours just hoping youâll insult him again.
Cornbread
âHey, Cornbread?â
He looks up and you give him twenty dollars.
He looks at the money. He looks up at you. He looks down at the money again. Then, he gives you the biggest and most genuine smile he can muster.
âThatâs what am talkinâ about! Free money! Ya just know how to brighten up my day, dontcha pumpkinâ?â
Yeah. Pretty easy.
How do they make you smile?
You come home after a long day. The manor is unusually quiet. No crashing, no shouting, no Remmick singing and no Bert or Stack trying to light something on fire.
Your eyes narrow like Joan.
Suspicious.
You round the corner and stop dead in your tracks.
There it isâleaned carefully against the wall in the drawing room, covered with a deep red velvet cloth. A note stuck to the top, in Remmickâs handwriting:
âThis oneâs for you, lass/lassie.â
You pull the cloth backâŠAnd your breath catches.
Itâs a painting. A portrait. And not just any portraitâitâs a carefully arranged painting of every vampire in the houseâŠposed around you. In the center. Sitting calmly, softly smiling, like youâre the heart of it all. Their faces are painted in. But something feels off. You then realise. Each face is painted in a different style. All of them. Hand-done. And then it hits you. Each vampire painted themselves.
Joanâs section is flawless, regal, and exacting. Her posture is perfect, her hand resting lightly on your chair like she owns the room (and maybe she does). Her expression? Subtle, proud. As if daring the canvas to defy her.
Remmickâs is dynamic, mid-turn, captured in motion like heâs walking in from the shadows. His smirk is barely visible, as if heâs sharing a secret with you no one else gets to know.
Bertâs part is completely out of proportion. His grin is too wide. He gave himself two shotguns and seems almost child-like at the same time. ClearlyâŠJoan is the artist between them.
Maryâs section is quiet, tucked slightly behind you, painted in the softest colors. She painted herself looking at you, not the viewer, like she couldnât fake interest in anything else.
Annieâs section is strangely hauntingâshe painted herself reaching towards your shoulder, like a protective presence, her eyes gentle but watchful. There are wildflowers around her feet. They werenât in anyone elseâs.
Bo painted himself looking straight at the viewerâwith a soft, almost amused smirk. He seems to be whispering something to the portrait you. A secret. Or something else? Hard to sayâŠ
Stackâs section is the darkest oneâa shadowy corner of the painting, where the colors fade into deep charcoal and steel blues. You almost miss him at first. And hereâs the thing: while most of the vampires painted themselves looking outward or at youâŠStack painted you resting your hand on his shoulder. A subtle connection. One you didnât even notice until you traced the lines with your fingertips.
Thatâs when you realize: The others might guard you. Fight for you. Dazzle you.
But Stack? He carries you.
Cornbread painted himself as a stick man at the bottom of the portrait. Sleeping.
You stare for a long time.
In the center, theyâd painted youâsoft, real, glowing. A living being among the un-living. Your chair the throne. Your expression the glue holding the frame together.
And on the back of the canvas, someone (probably Annie) had scrawled:
âThank you for being the reason for our smiles, child.â
#fandoms#imagine#fanfic#sinners 2025#remmick x you#remmick x y/n#remmick x reader#mary x reader#mary sinners#stack x reader#stack x you#bert and joan#Bert X reader#Joan x reader#bo chow x reader#annie sinners#annie x reader#cornbread x reader
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holding hands in the dark | fushiguro megumi â°âșsome nights he talks in his sleep. you stay quiet, holding his hand in the darkâŠsome nights you do just that; other nights you wake him, tell him that itâs going to be okay, that heâs going to be okay. some nights he rolls over, and pretends he isnât wiping away tears. other nights, he believes you. but most nights, when he realizes that your hand is squeezing his, whether youâre awake or not, he squeezes back. 4.2k words
a/n: I would say that this piece reads as very self-indlugent, but honestly, writing in general is self-indulgent for me, so rarely will a finished piece not feel a bit self-indulgent to me. this feels like a quintessential megumi nightmare fic, so hopefully it's as good as some others you may have read; of course, I always appreciate interaction, but I love my ghost readers, too :)
rare is the night when you donât find yourself tangled in megumiâs dark blue, fresh smelling sheets. youâd both lived on the campus long enough to know that the whole curfew idea was not enforced. your lives were hard enough; gojo, nor yaga would take away the precious, minute bits of comfort you could find, not when there was already so little of it. they didnât seem to care that you found that comfort in each other, though gojoâs teasing did seem endless. it didnât bother you, at least not like it bothered megumi. rosy cheeks, half-hearted scoffs, eyes rollingâŠit seemed to drive him crazy, but then in his haze of irritation, heâd catch your eyes, and instead of a grimace, youâd find a soft small. he could almost read your mindâtease us all you want, it wonât change anything. your thoughts, your mind, your still, simple presence was an anchor to him, tethering him to all that was good in his sorry, sorry world. not just when gojo decided to tease, but when things seemed, or even were, really, really bad.Â
most nights, you lie awake for a long time. the intense, almost comforting silence preferable to the unpredictability sleep brings. when conscious, you choose what you remember. once you submit yourself to numbing, mindless sleep, youâre no longer in control of what your mind conjures up; memories too painful to share, too painful to even remember. megumiâs noticed this, but heâs yet to say anything. maybe he thinks itâs not his place. maybe he thinks it would piss you off. either way, he doesnât have to say anything, his presence, his heavy, warm breath against your back, his tousled hair tickling your neck, his arm draped carelessly (not carelessly at all) over your stomachâthat is more than enough. and he feels the same. tonight is quiet. no wind, no rain, no crickets, no creaking porch swing, just megumiâs lazy breathing, and maybe thatâs why you fall asleep so quickly. or maybe your body is finally used to enjoying the sleep youâve so agonizingly deprived it of now that you can actually relax.Â
you wouldnât consider yourself the sentimental typeâmaybe thatâs why megumi likes you so much. no need to dwell on the past, not when itâs so fraught with pain, not when it hurts that much. but you find yourself thinking of one of the first nights you spent in his room often.Â
youâd been in there hundreds of times: to study, to hangout with him and yuuji and nobara, to hide from yaga after screwing up a mission, to makeout on his desk chair until you were out of breath. but youâd never been in his bed. for some reason, it seemed like he didnât want you there, but you knew better than to let this hurt your feelings. megumi was a creature of habit, and a creature of thought. if he felt a certain way about something, didnât want you to do something, there was a good reason for it, and when he wanted you to know that reason, heâd tell you. until then, youâd let him to conclusions on his own. he was so sure you were crafted specifically and perfectly for him. no one had ever understood him quite that well, and he was confident no one else ever would.Â
he didnât attach particularly good memories to his dorm room. nightmares, lying awake at night, cold-sweat wicking into his t-shirt, being afraid, being alone. after one especially grueling day, he decided he couldnât take it anymore. couldnât take the silence, the painstaking loneliness, and why should he have to? you always tell him that âif you ever need anything, just ask me. please. I want you to want me,â and with pleading, sincere eyes, he believed you. he did want you; more than heâd ever wanted anything, and normally that scared him. but his fear of being alone, of waking up gasping, being just too late to save someone, trumped any nervousness he had in asking you to stay in his room.
at 9:30 he practically dragged you from the kitchen, forcing you to rush your goodnights to the other students, and trudged to his dorm, hand-in-hand. heâd texted you earlier, asking you to sleep in his dorm. youâd assumed something had happened on this mission, but patient and kind as you were, understanding of the situation, you wouldnât force it out of him.Â
he didnât offer much when you got there, just a quiet âthanks,â and a change of clothes he tossed your way like the fabric might speak for him. the shirt smelled like himâclean detergent, something like pineâand you didnât comment on how warm it felt, like it had just come out of the dryer. the both of you crawled into bed without the usual banter. no sleepy teasing, no shared scrolling through stupid videos, no jokingly whispered âdid you lock your door?â that megumi always answered with a deadpan yes and a kiss to your temple. he was silent. curled inward. you didnât press. you just shifted behind him, let him mold himself to your back like armor, latched onto his arm wrapped around your middle, and let the silence settle around the both of you.Â
maybe thatâs why you heard it. sometime in the middle of the night, when the moonlight through the blinds painted silver slats across the blanket, you woke up to the sound of his voice. not fullyâyour brain was swimming in that hazy, half-dream placeâbut enough to understand. ânoâdonât goâI said stay backââ his voice was raw, like he was begging. you didnât move at first. you werenât sure if he was awake, if this was something he wanted you to witness. your hand was still resting on his stomach, but you stilled it. waited. youâd still been half awake, willing your eyes to fully close, forcing yourself to breathe in fours, clenching the mild headache out of your skull, so you felt a little guilty, witnessing this. "I canâtâI canât loseââ and then he jolted slightly, not fully waking, but like his body was trying to escape whatever dream had him trapped. your hand, so slowly, so carefully, slid from his stomach to his chest. you pressed it there, gentle, warm, and you whispered, just once, âI'm here, gumi.â he didnât open his eyes. but his breathing slowed. you stayed like that until dawn.
he was silent the next morning. got ready quickly, and rushed you over to your dorm so you could get ready too. the almost domestic quality of it pulled on his heart more than he liked.Â
the worst part of his dreams is that they followed him around during the day, too. they were too vivid, too devastating, too real to be forgotten the next morning. he always remembered them. this one had been bad, though they usually were. too late to save someone, too late to save himself. picture-by-picture playbacks of deaths heâd witnessed, civilians he thought himself too weak to save. heâd voiced these anxieties to you before and sometimes youâd grab his wrists, plead with him using just your eyes, tell him that it wasnât his fault, there was nothing more he couldâve done, that no one was mad at himâbut most of the time, youâd slowly wrap your arms around him and rest your head on his chest, close your eyes and breathe deeply. "I know. I understand. I feel the same way.â your lips didnât say those things, but your actions did. anchored. thatâs how you made him feel.Â
he doesnât say anything about his nightmare, and you donât feel the need to bring it up. and maybe youâre a little scared, worried that if you say something, heâll clam up, stop inviting you over, stop letting you help him. as infuriating as it was, that was megumi. when you first started dating, you didnât allow it, still didn't sometimes.
âjust let it go, itâs nothing,â he choked out and you could see he was saying it through gritted teeth. blood was slowly seeping onto the carpet beneath him, long since soaked through his uniform.Â
"I said sit down, fushiguro. shoko may not force you to let her heal you, but I will.â you spoke with a low, final quality that rumbled in your chest. he hated going to see shoko, having to rely on someone so constantly, having to admit to pain, to defeat, even if the mission was successful. after helping him out of his jacket, slowly cleaning his wound, meticulously taping gauze on it, and forcing him to change it every couple of hours, he decided he would go see shoko. it was too intimate, too raw, too bare. heâd rather admit weakness to shoko than to you.Â
but as time went on, megumi got better at being honest with you, and you got better at letting him. if he said he was fine, you didnât argue, even if you knew it wasnât true. if it made him feel better to lie, then so be it. there was a line drawn, of course, you only allowed each other to become a certain amount of not fine before caving, taking turns like a seesaw. but most importantly, you trusted each other.Â
itâs been a few days since that night, but something lingers. megumi hasnât mentioned the dream. not once. not in passing, not with a joke, not even in the awkward, half-mumbled way he sometimes says things like âyou helpedâ when what he really means is "I needed you.â you donât ask. not because you donât want toâgod, you doâbut because that night, when your hand had found his chest and your voice had cracked through whatever hell he was stuck in, something in him hadâŠsettled. and sometimes thatâs enough.
still, the weight of it clings to the corners of the room. tonight, youâre back in his bed. your legs are tangled together like always, his arm casually slung around your waist like always, the room dim and hushed and safe. like always. but megumiâs not asleep. heâs tracing lazy circles over your wrist with his thumb, absent and rhythmic. the kind of touch that means I'm thinking about something I might actually say out loud. eventually. you give him time. you always give him time. youâre so fucking patient, it drives him insane. finally, he shifts behind you, voice low and gravelly from disuse. âdid IâŠsay anything weird?â his breath warms the nape of your neck.Â
you donât roll over. just blink at the shadows cast by his blinds and answer evenly, âweird? no.â a pause. then: âbut you said something.â you let out a soft sigh. âyou were dreaming.â
"I figured.â his fingers pause. âyou saidâŠ'I'm here.'â
you nod against the pillow. âyeah.â yeah, I am here, and I'm not going anywhere, and I shouldnât have to say that because I know you know it, but I'm gonna say it anyway. another long beat of silence.Â
then he says, softer this time, more vulnerable than youâve ever heard him, "I thought you were gone. in the dream. you wouldnât listen to me.â you close your eyes. his voice has that raw edge again, like heâs apologizing for something he couldnât control. like heâs ashamed of needing you, even in sleep. you donât say I'm sorry. you donât say it was just a dream. you just reach back and take his hand in yours, your fingers weaving together like itâs muscle memory. âI'm not going anywhere,â you murmur.
another beat. then he squeezes your hand. "I know.â good.Â
you wake up the next morning before him. that never happens. megumiâs always the one with an internal clock so rigid it could qualify as a cursed technique. you, usually awake far into the night, could sleep well past any alarm. but today heâs out cold, face half-buried in the crook of your shoulder, his arm still wrapped around you like heâs afraid youâll vanish if he lets go. you lie there for a while, letting the steady sound of his breathing lull you into something like peace.Â
itâs strange, this softness. youâd never imagined youâd crave it, not like this., not when itâs so wildly, horrifyingly foreign. but with him, it feels earned. you glance over at his nightstand. his phone is face down. his alarm hasnât gone off yet (like he even needs one). you could wake him. you donât. instead, you shift just enough to turn toward him. his hair is a messâlike usualâand thereâs the faintest crease in his cheek from the pillow. he looks younger when he sleeps, like someone who hasnât watched too many people die. you donât touch him, donât dare disturb this rare moment of peace. you just watch. and maybeâjust maybeâyou let yourself imagine a world where this is normal. where you both get to wake up like this every morning, in a world that doesnât punish you for finding solace in each other.
but megumi stirs before you can get too far into the fantasy. his eyes blink open slowly, bleary and half-aware. âyouâre awake?â
you smile faintly. âdonât sound so surprised.âÂ
he hums. âitâs early.â
you shrug. âdidnât want to wake you.â
he shifts, stretches slightly but doesnât move away from you. âthatâs new.â
âyou needed it,â you say simply.
heâs quiet for a while. then: âthanks.â thanks for being here, thanks for staying, thanks for everything Iâve never thanked you for. you reach up, brushing a bit of hair from his forehead. âyou donât have to thank me for that. ever.â his eyes flicker down to your hand, then back up to meet yours. for once, he doesnât look away.
âŠâŠ
heâs gotten comfortableâtoo comfortable, he tells himself. he sleeps, almost the whole night through, without waking up, and when he finally does wake up, he canât remember whether or not heâs had a nightmare. but, again, too comfortable.Â
it wasnât uncommon for missions to take a long time, to keep you apart for even more than a whole day. as tenacious as you both were, you soldiered on in silence. rare, if ever, was the âmiss you,â text after a two-day mission. in fact, rare was it that megumi texted you ever. either he was busy with a mission or babysitting gojo, or he was with you, no need to text. but it had been four whole fucking days, and youâd texted him once, only after he had texted you first. there was a pit growing in his stomach, coiling and widening with each night he spent in your dormâgod, it smelled like you, where the fuck else was he supposed to be able to sleep?
after the first 32 hours, heâd caved. âmission going ok?â it was perfect. not too needy, but not too detached, right? making sure you were safe, without coming right out and admitting he missed you. he was weirdly proud of how good his text was at accurately conveying what he wanted it to. but anything even remotely positive vanished with your reply.Â
âkind of.âÂ
kind of? kind of?! what the hell does that mean. heâs gonna scold your ass when you get back. donât ever text me something like that again, when I ask about your mission tell me itâs ok. that youâre ok. if youâre not, you shouldâve already called me. kind of.Â
heâs standing outside the door of yagaâs office approximately 60 seconds later.Â
âfushiguro? you can come inâŠâ he says tentatively, like heâs confused. his door is open to student concerns, even if he doesnât actually give a shit about them.Â
but fushiguro canât come in. he can hardly breath, can hardly think. kind of. âmission. gojoâs on a mission with-withâŠitâs been four days. whatâs going on?â if yaga knew him better, heâd pick up on the tremble that coats his voice, on the shaky quality of his hands, which are wringing each other to the point of bruises.Â
âoh, well as you know, itâs a retrieval mission. you of all people should know that these things take time and ââÂ
âwhen will they be back?â heâs reigned himself back in, anchor, anchor, anchor. his voice is restrained now, his fingernails are tearing into the skin of his palm. yaga looks at him curiously. never, in all the time heâs been at the school, had fushiguro come to check in on one of gojoâs missions.Â
âI'm not entirely sure. my best guess? late tonight. according to gojo-san, theyâve retrieved the cursed object. now itâs just a matter of getting it back here safely.âÂ
âany known injuries?âÂ
ânothing severe enough to mention.â megumi is gone before yaga finishes his sentence. tonight. tonight. youâd be back tonight, and hopefully not too injured that you couldnât sleep in his bed. but, itâs like he thought. heâs gotten far too comfortable.Â
âŠâŠ
he hears the footsteps before he sees anything. too many of them. too heavy. not yours. megumi's halfway down the hall when he spots the groupâgojo leading, shoko behind, and between themâŠyou.Â
no. not you. not like this.
your body is limp in gojoâs arms, head lolled against his shoulder, blood still wet in your hair and smeared across your cheek like war paint. you're wrapped in a school-issued jacket that isnât yours. your fingers twitch once, then go still. megumi stops in his tracks. his stomach drops. actually dropsâlike his body has gone cold, like gravity just gave up on holding him together. for a second, he thinks heâs going to throw up. his ears ring. everything narrows to a single, white-hot point: youâre not supposed to look like that.
youâre supposed to be walking in on your own. youâre supposed to roll your eyes when you see him, say something like, âmiss me?â like you didnât almost die. like the world hasn't shattered in your absence. but insteadâyou look broken. like something someone tried to put back together but gave up halfway. megumi doesnât remember moving, but suddenly heâs there, beside the stretcher as shoko rolls you down the hall. his hand reaches out, trembling, stopping just short of touching your shoulder. he canât bring himself to do it.
shokoâs voice is calm, brisk, she's not talking to megumi. maybe to gojo, he doesn't know. âsheâs stable. internal damage is healed. I'll need an hour, maybe two, to get her pain levels down. her vitals are holding.â holding. like youâre a system being kept online. not a person. megumi feels bile rise in his throat. gojo starts to speakâsomething low, serious, rareâand megumi doesnât even hear him. the words flow around him, soft and useless. explanations, apologies, something about how things got out of hand, how âshe handled herself better than anyone else couldâve.â that he didnât mean for this. that no one expectedâ
megumi tunes out. heâs just so fucking tired. he doesnât care about the mission. doesnât care about strategy or odds or what went wrong or why shokoâs voice is tighter than usual, why gojo wonât meet his eyes. all he knows is this:
youâre here. youâre home. but itâs not right.
instead, your lips are cracked and stained with blood, and thereâs a gash just beneath your collarbone that gojo keeps not looking at. the air smells like antiseptic and copper, like death that hasnât quite arrived yet. megumi clenches his fists. and he countsâone, two, threeâeach second dragging its feet as he waits for shoko to finish what she has to do. for everyone else to leave. for them to stop talking like it means anything. like any of it will matter if you never wake up. his fingers twitch. youâre here. youâre home. but youâre not you. and until you are, he wonât breathe right again. and heâs sure he wonât sleep, right?
the fluorescent lights hum above himâsteady, sterile, unfeelingâbut megumi only hears the shallow, rhythmic sounds of your breathing. at least that hasn't stopped. he keeps a careful hand on your pulse anyway, thumb pressing just beneath your jaw like he's trying to hold time still with the pads of his fingers.
you don't move.
you're warm now, though. shoko made sure of that. bandaged, stitched, healed just enough. but it's not enough. not for megumi. not when he walked into the infirmary expecting you to smile at himâtease him about how he got taller while you were gone, make some offhanded joke about gojo probably crying when he saw your injuriesâand instead youâre laid out on a cot like a ghost. limp. blood crusted at your temple.Â
he stood for a long time, just watching, waiting, praying. then he moves.
it's clumsy, almost pitiful, how quickly he sheds the stiffness from his body and crawls onto the cot beside you. itâs too small for the both of you, barely wide enough to hold one person, let alone two. he doesn't care. his arms go around you like heâs afraid youâll evaporate. and thenâfinallyâhis eyes fall shut.
it isnât that the nightmares donât come. they try. they always try. but your body shifts, instinctively, into his. you sigh, weakly, in your sleep, and your fingers twitch against his shirt like theyâre trying to curl into something familiar. megumi exhales. his whole body softens. not a sigh, not a breathâjust melts. he sleeps harder than he ever has. the kind of sleep that makes hours fold into seconds. the kind that turns pain into numbness and then into nothing at all.
and when he opens his eyes again, thereâs light bleeding through. and your eyes are open, too. bleary, unfocused. but on him. your fingers are entwined with his. his heart leaps so hard it hurts. "...hey," you rasp, voice scratchy and paper-thin. "I drooled on your shirt."
he lets out a soundâhalf a laugh, half a sobâand tucks his face into your shoulder, tightening his hold like if he lets go, youâll vanish. "I thought you were dead," he whispers.
"still might be," you mumble, eyes closing again. "...but at least I'm warm.â
he squeezes your hand. âyou idiot.â and this time, when he cries, itâs quiet. itâs careful. itâs grateful.
âŠâŠ
things donât necessarily change after that. at least, not in a spoken manner. but megumiâŠmegumi changes. thereâs little stoicism left in him. he tells you he loves you, everyday, when previously that was a scarce gift given only on the rarest of occasions. but the weight of it, despite itâs increased frequency, is just as heavy.Â
shoko lets you leave later that day on strict orders of rest, no missions, and gallons of water. you donât listen. megumi does.Â
later that night, heâs worried again. or rather, he never stopped worrying. but now itâs worse. and he knows that you know, but he canât bring himself to speak. to burden you with his anxieties, not when youâre already so burdened.Â
however, he knows what youâd say if you could read his thoughts. âtell me anyway.â
"I had a dream the night before you came home. you wereâŠwe wereâŠit wasnât enough,â and god, why does voice sound like heâs crying?
you donât say anything right away. youâre afraid if you do, itâll break the moment like brittle glass. that if you turn around, youâll see him pulling back into himself, tying those heavy emotional threads into too-tight knots again. so instead, you shift just a littleâenough that your back presses more firmly to his chest, that your hand finds his and gently, deliberately, intertwines your fingers.
his thumb stills against your wrist, and then it squeezes, once. like a thank you.
âyou donât have to tell me about it,â you murmur, barely audible, eyes fluttering shut. âyou donât owe me anything.â
âyes, I do. I owe you everything,â he whispers. âand even if I didnât, I want to tell you.â
thatâs how megumi says I love you. not in words, not directly. but in truths he fights to share. in silences he breaks for you and you alone. in the way he lets you stayâstay close, stay in, stay his.
and so, with the quiet hum of safety wrapping around both of you, he begins to talk. just softly, slowly. a few words at firstânames, places, what he saw, what he felt. the way your voice cut through the nightmare like a tether to the real world. the way he woke up half-choking on a sob and found himself holding you instead of air. the relief, the shame, the aching tenderness of knowing you were real and warm and right there.
and you listen. you always do. you say little, not because you have nothing to say, but because he needs this. needs your silence. needs your hand. needs you here, breathing and alive and not a ghost. by the time his words run dry, youâve turned to face him. he looks tiredâhollow-eyed and frayedâbut thereâs something softer about him now. heâs unfurled, just a bit. just enough.
you reach up, brushing your fingers through his hair, and he closes his eyes like it physically relieves him. âmegumi?â
âhm?â
âif I die, I'll haunt you.â
his eyes open again, and you see itâhis reluctant smile, small and crooked. âyou already do.â
you both fall asleep that night without meaning to. wrapped up in each other, wrapped in words spoken and unspoken. you fall asleep first, this time, not before searching through the blankets for his hand. and for once, so does megumi. no dreams. no terror. just you. just peace.
header images found on pinterest from an unnamed account, message for removal or credit
#filed under: jjk fics <3#jjk#jjk x reader#jjk x you#jjk comfort#jjk fluff#jjk hurt/comfort#megumi fushiguro#megumi fushiguro x reader#megumi fushiguro x you#megumi fushiguro fluff#megumi x reader#megumi x you#megumi fluff#megumi comfort#megumi hurt/comfort#megumi fic#megumi headcanons#megumi jjk
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Splish, Splash Pt. 1/2

Pairing â Lifeguard!Hong Jisoo/Joshua x afab!Lifeguard!Reader
Summary â When you get stuck with the new guy at your shifts, you weren't sure what to make of him. His bright smile and the everlasting sunshine he seemed to carry around, paired with the good natured sass and way to juicy ass left you reeling. Will you be able to survive the summer without losing your mind?
Genre â fluff, angst, Lifeguard!Au, enemies to lovers au
Warnings â suggestive, cursing, alcohol, sexual harrassment, dare i say men(?)
Word Count â 4.0k
Rating â PG-13 â [may change for part 2]
Disclaimer: this fic is written and copyrighted by ©soo0hee on tumblr. do not rewrite or repost on any other plattforms without my permission.
ALL RIGHTS RESERVED!
This work is part of the Carat Bay Collab by @camandemstudios ! Please check them out!
When one was working at a waterpark, they usually expected to get wet or hit by water at certain points of their job. Someone splashing around, a waterball that came rolling or straight up just jumping in to get someone out of it.
And yet, somehow when small drops hit you, you still flinched in surprise at the sudden contact.
It wasnât on purpose, more like an instinct when the cold of it hit your skin that had you shuddering and flinch away from the offending liquid. Somethibg you should be, in theory, used to after 2 years of working at CaratBay. Or at least one would think so.
But somehow you still reacted the exact same way then when you had first started.
You still remembered your first day and how hard your new coworker and future best friend had laughed when he saw the mortification on your face , drops of water sliding down and dripping from your chin after having been drenched unexpectedly by a kid jumping in close by.
What you would give to have him laugh at you again if that meant to have him back as your shift partner instead of the new guy you had been presented with by the higher ups just 3 weeks ago.
Wooyoung, even if the biggest menace you had ever gotten to meet in your entire life, was who had gotten you out of your personal bubbleand build up the confidence you needed not to let guests talk over you and stand up for yourself and the decicisons that needed to be made to keep them and yourself safe.
And now he was gone. Not gone gone but moved far enough away to have him search for a job that wasnât on the other side of seoul.
You wanted him back and the new guy gone. Hong Jisoo or Joshua as he introduced himself to you.
He seemed nice enough at first glance. His friendly smile and the way the rest of the staff kind of flogged to him instantly. And you had to admit he did look good.
Joshua was a good guy, that much you could tell but somehow you didnât find yourself inclined to make an effort and get to know him on a personal level.
He was a coworker and that was it. No friendship â no getting close. A coworker.
It was easy to stick to that principle at first. Only talking to each other when it was about guests or the Bay in total, not giving to many details about your privat life instead keeping a polite distance that left you room to breath and that was it. Joshua accepted it.
Until he didnât.
You had the feeling that it wasnât because he didnât accept the boundary you put in place but more because he genuinely tried to be on good terms with you. Simple things really like sitting at the same table at the parks restaurant during break time while you ate your fries, bringing you some water when he got himself one to stay hydrated or when offered to take your pool bar shift in the evening because he noticed you being uncomfortable when some idiots got a bit to tipsy and started flirting outrageously cause he was just sweet like that. And so you couldnât be mad even if you wanted to be.
Snacking on your food you quietly watched Yuna, one of the other Lifeguards console a crying girl after she had fallen while running after an older boy. It was rare that you actually worked together with her as she was assigned a different are of the park, but every now and then there moments when you saw each other in passing. Like now where she took over while you were on break.
Joshua sat opposite you, scrolling on his phone while neither disturbed the hanging silence between you both. Not uncomfortable but definitely noticeable.
Mindlessly you reached for the next fry.
âSooââ your eyes flickered to the man as he suddenly spoke up, leaned back and gaze fixed on you while you pushed the fry into your mouth only to promptlyâ
â-why donât you like me?â
â choke on it.
Coughing you stared at him in surprise before taking the offered water to flush down the part of the fry that left you gasping.
âI mean⊠I never said I didnât like youâŠâ you choked out and cleared your throat to get your voice back to normal.
âYou also never acted like you donât. Donât get me wrong, youâre never rude justâ distant?â not once did his friendly smile drop from his face. He seemed almost curious.
âDistant?â you asked.
âDistant.â He answered. âIn 3 weeks, this is our first conversation thatâs not about the park. At least not directly. So yeah, distant.â
Now that he said it, distant wasnât wrong.
âIâm not- I mean I wasnâtââ
âBut you are. And itâs okay, I donât judge. You donât know me and from what I gathered from the others, you were pretty close with the lifeguard before me.â
A little disarmed by his friendliness you needed a moment to gather yourself. You leaned forward to catch his eyes and gave him a much to sweet looking smile.
âYouâre right, I donât know you.â
âBut you also donât want to know me.â A statement more then it was a question the man accepted your answer with a nod.
âI donât know you.â You repeated yourself.
âWeâve established that.â With one last look on his phone he put it back into the pocket of his shorts and got up. âBut if you want to, you know where to find meâ
Gone before you could answer you leaned back, baffled and nut hungry anymore you huffed.
The rest of the shift had been no different then before you went on break, the only difference being that Joshua was a lot more smiley then before.
You ignored it for the time being and when you fell in bed that night his words came to catch up, never leaving your mind and not letting you rest before you admitted to yourself that you had been a bit of an asshole to the man. You had told yourself that it wasnât that you disliked him and that you had only been distant, yet somehow you found yourself not even willing to give him a chance.
âYou also donât want to know me.â
Joshua was right. So far you hadnât even entertained the idea of it and that had been an A class asshole move.
The blanket shifted beside you, the added weight and the almost inaudible purring announcing the arrival of one of your kittens.
Nelli the blue ragdoll baby you had adopted from a shelter after your friend had take you to join her to walk a 2 of the dogs she regularly went out with was the by far cuddlier one of the two while, Sua, a white British shorthair, would rather liked to stay close but never wanted any pats unless she asked for them first.
The little kitten nudged your face with her nose and curled together next to your head, sounding like an engine running without itâs energy draining and soothing you to sleep.
--------
The coffee cup on Joshuaâs locker in the changing room the next morning was a surprising but not unwelcome development the man certainly didnât reject. He hadnât slept a lot, not yet used to the silence his new apartment brought and how lonely he would be after moving halfway across the country.
Honestly it should have been something to expect after knowing only few people. The guys working at Carat Bay were amazing, taking to him like he had been with them for years and inviting him wherever they could. However the silence once the apartment door fell shut behind him was deafening.
So yes, the coffee was like a godsend gift this morning. The note attached to it however had him not just reeling but send his mind down an actual rollercoaster of emotions.
*Noticed you didnât catch much sleep*
Simple and without a name he read the note obviously meant to stay anonymous.
And if he wasnât able to recognize the handwriting, unique with its own little quirks, it might have even worked.
The tâs looking a little like dâs made it more then obvious who the author if it had been.
For a moment Joshua thought heâd gone entirely crazy from lack of sleep.
And then he found the this time slightly bigger portion of fries you ate in your break pushed slightly more to the middle of the table, a second plastic fork placed right next to it.
He tried catching your eyes to confirm that he wasnât overstepping in anyway but you just stared at the giant palm tree behind him, seemingly lost in thought. Or simply avoiding his eyes like you usually did. He wasnât sure which was the case.
Only for a small moment did Joshua think he had seen your eye twitch before it was gone again, yet you stayed silent and kept munching.
Well okay then, he thought and took a second fry to dip it into the ketchup.
A bit later after he had pulled a struggling and quite out of breath 7 year old out of the water who was trying to prove that he indeed was able to keep up with his older brother and his friend, the male was almost hit in the face with one of the waterparks provided towels meant for its staff and again a bit after that he thought he saw the beginning of a hesitant smile thrown in his direction.
He was ashamed to admit that his very first instinct had been to turn around and check if there was someone standing behind him only to promptly want to smack his head against the pool tiles when realizing that you had actually meant to look at him.
Thinking that day would be a one time occurrence had apparently also been a mistake as the days to come were much the same. Small moments in which it seemed like you were actively trying to bridge the gap between them without being to obvious in your attempts.
Joshua couldnât help but think it was adorable how you worked yourself up to walk over to him and do the simplest of things like he was going to eat you if you so much as looked at him now. He knew you would do that with him should he ever dare voice those thoughts out loud.
âIâm getting a new crate pineapple juice.â He muttered in passing just as you handed a young woman her Piña Colada and scanned her wrist banned to add the drink to her tab.
âCan you bring a cherry one too? Iâm almost out.â
The question was simple in itself and with everyone else he wouldnât have thought twice about it.
With a wink and teasing, âYou got it!â he disappeared behind a palm tree, leaving you to tend the pool bar alone for the time being.
It was a week day, so things were slow as most people were either working or at school at this time. Most were couples or small groups of friends seeking to get away from the daily stress of life.
The group of boys splashing each other not to far from where you were serving and had up until now annoyed more then half of the visitors you had currently spending their time in your area was laughing loudly while flicking water at eachother.
You rounded the bar walked to the edge of the pool, sharply blowing the whistle hanging from around your neck. The noise echoed from the walls and had multiple people look at you as you crouched down fixing them with a look that meant business.
âKeep it down, youâre not the only ones here and others would appreciate it if they got the same chance to unwind here like you do.â
One of the 3 mock saluted and dove right under water. His friend following right behind while the third ran his hand through his wet hair; eyes never leaving you even when you got up and checked with a quick look if the bar needed attention again. The look he had sent chills down your back even in the tropical heat inside the dome in which the regular pool was placed.
âCome one baby, we were just having fun! No need to be a buzzkill.â
His tone was obviously meant to be flirty but the way he said it gave you the heebie jibbies.
âDoesnât change the fact that you arenât alone in this pool. Please keep it down.â
You stepped back and left him with one last look.
Joshua came back carrying the crates and went back behind the bar. Having already seen that you were busy at the pool he didnât worry that you werenât where he had left you and when you joined him again he simply asked if everything was okay.
âJust some rowdy boys who canât keep it down.â
âSo nothing new?â
âNo not really.â You chuckled and opened the industrial dishwasher below the counter. Steam surrounded you , causing you to wave your hands through the warm cloud to make it go away.
He looked past you to eye them like you had done before leaving your post earlier.
âThink theyâre gonna cause trouble?â
âNot sure. Maybe just a bit excited but I didnât get the vibe that theyâd actually out for it.â
You grabbed the warm plastic cups and dried them over before stacking them back up. Joshua pushed the cherry and pineapple juice crates into their stack system.
Nodding you looked at the couple swimming up to you.
âWhat can I get for you?â
âJust a Fanta and some beer, please.â
You got the order started, scanning the chip the man held out to you and handed them over.
âHere you go.â You said with your customer service smile.
The two sat down at the build into the water seats to enjoy their drinks.
Not long after you recognized the 3 boys from before approach the bar. They had actually kept it down a bit much to the other visitors delight but somehow you felt the air shift.
âWhat can I get for you 3?â you asked, keeping your tone neutral with Joshua watching carefully.
â2 beers for these idiots and you for me baby.â His words had you halt, eyebrows jumping almost all the way up into your hair line.
The line was uncalled for and youâd rather heâd swim away again but went over to the cooler for said beers. Joshua having heard what had been said too, kept quiet and caught your eyes, waiting for you to signal to have him take over. You shook your head, telling him you were good.
âHere, your chips please?â
âOr instead I could have your number instead of a tab?â
You stared unimpressed with the scanner in your hand.
âJust the chips are fine.â
The two beside him let out a dramatic âOhhhhhhh!â and âDamn girl, why so mean!â and you really had to hold yourself together to not roll your eyes right into your skull at their behavior.
âPay your drinks or weâll have to ask you to leave the premises.â Joshua called over, hovering behind you and waiting for them to react.
The held their hands up in surrender and gave you the chip. Quickly you scanned it down and watched them leave. The displeased frown on mr-number-instead did not go unnoticed.
And that was it.
The vanished a bit later, plastic cups carelessly left behind and not a trace of them in sight. You were glad, guessing that the 3 must have gone to a different part of the park just as Yuna came to take over.
"You good?" you heard Joshua ask as you made your way around the pool.
"Sure. Just an idiot thinking he's god's gift to mankind. Nothing new and nothing that hasn't happened before at some point. Youngie hated when I told him off for taking over without me asking for help, so thank you for letting me handle it. A least somewhat."
Joshua nodded. He understood why this Youngie wanted to help, the disgust he felt for the guy was still causing his stomach to churn when he thought back.
"It's all good. He was out of line and he should have backed off when you told him to."
Time went by without a hitch. Nothing happened beside the normal occurrences. A scraped knee from falling on the wet tiles and a busted lip and bleeding nose after collision underwater by 2 girls and the clock already struck 7pm. A loud gong went of telling everyone that it was time to make their way home soon.
The regular pool was one of the last parts of Carat Bay to close. The kids area and Waterslide already closed along with the Merchstand and Restaurants so it was only a matter of time until people were showered and on the way to the parking lot.
You stretched your arms and back and suppressed a yawn, feeling tired and more then ready to go home soon.
âWhere is Joshua?â
Seungkwan, usually stationed at the Flow Rider stood by the swing door separating the main area and the visitor changing rooms, waiting for Vernon who came from the wave pool and looked up from his phone.
âShua-hyung? Wanted to check the pool one last time before changing. Isnât he back yet?â
You shock your head.
âWell heâs probably done soon. Anyways Iâm heading out now. You coming?â the last part directed at Vernon he saluted quickly and was gone. The slightly younger right behind him.
You tried to oversee the pool, hoping to see your coworker coming back already but with a defeated sigh you gave up. It wasnât that you didnât trust Joshua to do his job, you knew he was more then capable to do so, but it didnât stop you from checking again yourself.
You found him further in the back behind a shut of waterfall and you froze.
Oh boy.
Joshua stood shoulder deep in the water, hair wet, water running down his face and falling into the pool. His black shirt clinging tightly onto his way to defined chest and arms, mocking in a way.
Of course you knew that he was attractive. You had tried to avoid him but you werenât blind. You had seen that he hid well defined muscles underneath the fabric of his shirt but right now, it wasnât just obvious. It was like a punch to the face, begging to be stared at.
What was even worse was that in the clear water you could see very well the shorts of his showcasing his thighs even if it was a little shaky.
âUhmmâŠâ you said a little dumb sounding even to your own ears. Joshua having noticed you standing at the edge lit up further then he should have in your opinion and triumphantly held up a pair of pink glasses.
âFound it!â
âF-found what?â
He held the glasses up higher.
âThese! A woman called a said that their daughter probably left their glasses at the island, so I went and checked and voila! I got em.â
âI can see that.â Among other things. âThat doesnât explain why you are in the water?â
With raised eyebrows and a picked up jaw you clearly didnât care to hide the amusement you felt as you stared him down with crossed arms. Eyes quickly flicking up from his broad shoulders to his face.
Joshua looked like you had grown a second head. âTo get the glasses? Didnât you hear me?â
You nodded slowly.
âYeah, no I got that part. What I donât get is why you didnât use the bridge to get thereâŠâ
It was almost comical how his face changed from Duh! to Huh? to Ohhh. As he looked back at the island and saw the bridge leading over to the little island where he came from.
Snorting you tried to hide your laugh and failed epically.
The man in the pool splashed you with water in retaliation.
âDonât laugh, woman!â he fake whined, pout clearly there on hips.
Staggering back a bit to avoid the water you laughed again and Joshua couldnât help but relish in the sound.
âIâm sorry!â
âNo you arenât.â
âNo Iâm not.â
âAt least help me out of here!â
You sat down, smile not even attempted to be hidden from him as you stared at his hand reaching out for you to take.
âJust take the stairs over there.â You hummed.
âY/nn!â
âOkay, jesus fine you big baby!â
The playful banter did not get lost on either of you and you hated to admit that you enjoyed the moment a lot more then you thought. It felt as easy as breathing.
Maybe you should have been a bit more hesitant and maybe you should have seen it coming when you took his hand ready to pull him out but instead of him actually coming up and out of the water, you suddenly found yourself in it with him.
âHONG JOSHUA?!â You shrieked loudly as soon as you came back up for air, blindly splashing water into the direction you heard him cackle loudly before rubbing the water out of your eyes.
You had still been wearing your red bathing suit and the standard black shorts so at least you didnât get drenched in your normal clothes but you hadnât expected to have to dry yourself completely before going home either.
Again you splashed him when he could stop laughing at your predicament, now purposefully going after him. Joshua immediately reacted, the glasses he had saved quickly placed on the edge to not damage them before retaliating with just as much enthusiasm and coming closer.
You felt his arms suddenly wrapping around your midsection, barely having time to hold your breath as you suddenly found yourself dunked under. Your fingers held tightly onto him, hoping to avoid your impending doom.
âNo, please! Iâm sorry I shouldnât have laughed!â you spluttered quickly.
âBut are you really?â
You froze.
His voice was suddenly much closer then you had anticipated and when you looked up you found yourself almost nose to nose with his own. The tone he had used indicating something much darker hidden behind all those soft eyes that seemed to hold something wild and ready to attack given the chance.
âWell, are youâŠâ he hummed into to space between you, making your ears ring as you fidgeted nervously. You could feel the heat of his skin in contrast to the cool of the water. It left you feeling breathless in a way you hadnât been since your last boyfriend had first asked you out.
You choked out something that sounded a lot like âIâ , youââ
when suddenlyâŠ
âWhat the fuck are you two doing?â
Seungkwan.
#caratbaycollab#k-labels#the diamond life network#svthub#k-vanity#keopihausnet#seventeen#hong jisoo#hong joshua#seventeen x reader#seventeen x y/n#seventeen x you#hong joshua x reader#hong joshua x you#hong joshua x y/n#hong jisoo x reader#hong jisoo x you#hong jisoo x y/n#seventeen imagines#hong joshua imagine#hong jisoo imagines
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When You Touch Me - Wolverine x male reader x Deadpool 1/?
God I'm a sucker for a soulmate au. (AO3) (Part 2) (Part 3) (Part 4) (Part 5) (Part 6) (Part 7) (Part 8) (Part 9) (Part 10)
Warnings/tags: male reader, canon-typical violence, enemies to friends to lovers, eventual smut, slow burn
Wordcount: 2383
Summary: Youâve heard many stories about how people met their soulmates. Everyone crazier than the last, ranging from typical meet cutes, meeting with one of them at death's door, in war, meeting at your soulmate's wedding to another, and everything in between and outside of that. You had just never expected to add yours to the crazy list, meeting yours in a fight, only realizing after trying to kill each other for at least half an hour. And you certainly donât expect to have another.
Other info: About this au - Soulmates find each other through touch, which establishes a mental link that lets feelings through, and if solid and built up enough over time, simple thoughts/words can also come through. Some bonds are purely platonic, about â
in total. Multiple soulmates are not unheard of, but rare, more common with platonic soulmates.Â
Quickly about the reader - mercenary/gunman/thug for hire. Great shot with pretty much any gun, has two knives as backup weapons, has fought with swords before. Looks wise he has hair and is shorter than Wade and Logan, but I try to keep no specific height in mind while writing. Has a few scars scattered over his body, but nothing specific as of yet. Wears gloves almost everyday. Does not want a soulmate, thinks it just leaves people vulnerable. Lives on his own in an apartment he owns and is content with his life.
All you were, really, was hired help.
All you were supposed to do was stand around and look scary, dressed in all black down to your gloves (an item you forgot even though you wore them almost everyday), with a few other tugs in a warehouse with high shelves stacked with crates, while your employer (a generous word for the drug dealer that hired you) met with another drug dealer.
It had gone tits up the second a man wearing a red and black spandex suit and katanas on his back of all things came crashing through a window.
You had dived for cover, because there are gunshots ringing out in the milliseconds after the glass shatters. You curse, reaching for your gun, with just one single 10 bullet magazine, because your stupid employer had insisted you only needed one when you asked for more. So to have something more you had your adamantium knives strapped to each thigh, hidden enough under your black joggers.
You curse under your breath, cause this is fucking awful. You hear gunshots over and over again, people are dying, wood from shipping crates are splintering, metal is hitting the floor.Â
And thereâs talking.Â
Fucking talking.
âCome one guys, your aim is all off! Did none of you ever train on the neighborhood cats?â
Well, more like yelling. Because even though the warehouse wasnât empty, it still had an echo. You are used to the loud sounds, it fuels your adrenaline as you peek out from behind the crate you are using as a shield.
The man, you are just going to call him Red for now, is flipping and bouncing between crates, avoiding any big hits. A few bullets graze an arm, but he doesnât seem to take notice as his own bullets find their marks, bodies dropping around him. Heâs nimble and quick about it, taking down guys from both sides with equal gusto, and you find yourself just watching him carefully. Heâs almost elegant, light on his feet, and a jab or taunt spewing out of his mouth every few bullets.Â
Careful not to alert Red or anyone else about your position, you shift, gun in hand watching him saunter over to your employer, the last man standing. Well, not really, since heâs down on his knees, begging for something incoherent while fat tears and snot roll down his face.Â
âNewsflash asshole, I donât care for your tragic backstory that the writer wonât let you talk about.â Red raises his gun, one last loud bang filling the warehouse before itâs quiet once again.
âLast fucking one, my amazing math skills once again making me winnerrrrr.â Red claps his hands together, before moving his hands to his hips, looking around the warehouse. âWhat a fucking mess.â He shakes his head, and you see your opportunity now that he thinks itâs all over.
You move up, pulling the trigger as soon as your gun is aimed right. Red doesnât even get to turn before six bullets go through his chest, two through his throat, and the last two finding their mark in his skull. You shouldnât use all your bullets on one target like that, but still, you do, too full of adrenaline to be fully rational. Red drops like a sack of potatoes, and you draw a sigh of relief, lowering your gun as you too look around the warehouse. Youâre glad itâs far away from anything else, because it should take at least a few hours before the cops are alerted, and by that time you would be far away from this warehouse that is by now covered in blood, bullet casings, and dead men.
Your earlier relief turns into utter confusion as you hear shuffling, and when you turn back towards where Redâs body is, you see him shake his head where he lays crumpled on the floor, and seconds later heâs on his feet with a groan.
âOkay, good shot whoever that was.â You gape, words slipping out of your mouth without meaning to.
âWhat the fuck.â Redâs head snaps towards you.
âOh, there you are.â His voice is light, almost like heâs halfway into song. âI would return the favor, but Iâm fresh out of bullets so this will have to do.â He pulls out the katanas strapped to his back. You grab your knives, managing, somehow by the grace of whatever runs this universe, to bring it out just in time to block both katanas that were coming at you in tight formation.
âOh so you werenât just happy to see me.â Red jokes, and though you canât see his face under the mask, you are pretty sure he is grinning. You grunt, because there is no way for your brain to form words as you parry another attack from him, retreating.
You are in no position to attack, , so all you do is stop his attacks and try to escape, backing off. Or rather, you try to, but Red is not letting up, so all you end up doing is walking backwards through the warehouse in a vague path between boxes and shelves as he attacks.Â
He manages to get a few slashes here and there to connect, but they are shallow, just enough to draw blood and sting. One on your left arm, two on your right arm, three on your left leg. You wonder if amounts are on purpose. He seems to take it all as encouragement, laughing, keeping up his quick attacks.Â
You donât know you hold out, breathing heavy, arms and hands hurting with how you are clutching and shielding with your knives like your life depends on it.Â
Because it 1000% fucking does, thatâs why you manage.
Red finally lets up, just enough that you can create some space between the two of you. You donât dare to actually turn and run, certain he has no moral code of cutting down someone from behind. So you just try to slowly create even more room between the two of you as you watch for his next attack.
âOh I am having fun!â Red tries to clap, but he just knocks the hilts of his katanas together. âThough we are just a little unevenly matched here.â He sounds like heâs breathing just a little bit harder at least, even though there are no cuts next to the bullet holes riddling his suit. He tilts his head for a moment, then bends down, and then thereâs a katana sliding over the floor, bumping into your boot. You look down at it, before looking back up at him.
âCome on, pick it up.â Shifting your knives into one hand, you keep your eyes on the white eyes of his mask as you bend down and pick up the sword.Â
âOh yeah, look at me during.â You ignore his comment, feeling the weight of the katana in your hand. Itâs heavy, but perfectly balanced, feeling perfect as you spin it in your hand a few times, the hilt still warm from Redâs earlier hold.Â
âHot.â Red says as he twirls his second katana, mimicking you. Once more ignoring him, you put your knives back in their sheats. âDo you have them there to distract your enemies by making them think you are going to jerk off mid-battle?â You snort.
âNo, they are there so they are more hidden, and more difficult to grab.â
âIf you wanted my hands in your pants all you had to do was ask, baby.â You think Red is winking at you through the mask. You roll your eyes, taking a deep breath.
âShut the fuck up.â With both of your hands on the hilt of the katana, you are ready to defend yourself from his first attack.
âOhhh, you remind me of someone. I think the two of you would get along, heâs also a man of few words. Maybe Iâll let you live so you can meet him and fight him too, more material for my spank bank.â He definitely winks this time, then you are defending yourself from another attack from him. It pushes you backwards, again, but this time, you are able to attack back.
Though you canât help but wonder if heâs letting you, just indulging you. Because you can feel how strong he is when you parry his strikes, you felt how strong he was when all you had was your knives.
Itâs a dance, a dance he lets you participate in as you block, attack, block, attack, block. Redirecting his sword coming for your throat so it splinters wood instead of flesh.
âHow did you learn to fight like this?â Wade asks, almost spinning as his energy is redirected away from your body. He is at least breathing a little heavier, and for some reason, you find yourself having a little fun, even though you think you know how this is going to end.
âI was a loser in high school. What about you?â You speak through gritted teeth, the sound of metal on metal filling the warehouse as you block another attack. You donât even know why you ask him back, but it feels right.
âSomething similar.â Itâs still kinda hard to tell, but you think he grins under his mask as you attack back.
You do get a few cuts in, deep enough that it slices through his suit and the skin underneath, but it leaves you with little satisfaction as you see the cuts heal in seconds. Though at least his suit canât fix itself, growing more tattered by the minute as new slashes and old bullet holes make a mess of it.
âSo you are not just a pretty face, thereâs some skills there.â You frown, anger flaring, and you are about to say something, but with a quick move that you have no opportunity to block, and that truly demonstrates the difference between the two of you, he nicks you with just the tip of the katana, just on the left corner of your mouth. You startle, but on instinct your tongue goes out to lick at the blood now sliding down to your skin. It just gives you more motivation to strike back, a big one that leaves behind what could almost be called a titty window on his chest, showing textured skin underneath.
âOhhhh, freaky.â Red taunts, slicing your chest too, though your skin doesnât heal when metal connects after slicing through your shirt like it was made of nothing. You curse, adrenaline causing your ears to roar, and the world to go a little fuzzy at the edges. You touch your chest, fingers coming back bloody, watching Red. Your own katana pointing towards the floor, ready, but down as you breathe heavily.
âLeaving yourself all open for me? You shouldnât have.â Red coos, and that is what you are counting on. Letting him attack you straight on, thinking you have given up, so you can shove the katana through his skull, killing him again, and leaving you at least a few moments to high tail it out of there.
Itâs what the plan is.
It does not work out like you intend it to.
It goes in a whole new direction.
Because when he comes close enough, you manage to get a hold on his shoulder, which gets you a hopefully not deadly slice over your abdomen for your efforts. You are moving quickly, seconds away from stabbing the katana through the bottom of his jaw. But then your for once gloveless fingers touch a bare spot on his shoulder where his suit had gotten torn, and thereâs a sparkler going off in your brain, a sizzling sensation that settles in the back of your head as feelings of excitement, adrenaline, and happiness that are not your own speeds through your mind.
You gasp out loud.
You canât help yourself.
Because you know what that was.
And there is no fucking way.
WHAT. THE. ABSOLUTE.Â
FUCK.
Fucking no.
A soulmate.
You have a fucking soulmate??????
And this is how you fucking meet him????
In all of your turmoil, you have dropped the katana that was destined to go through Redâs skull. He is a few paces behind you, not immediately attacking, just watching you as you turn around in your now mostly frozen state.
âWh-â
âTouch me.â Red blinks, owlishly even with the white eyes of his mask.
âWow, so forward. You know, con-âÂ
âShut the fuck up.â You march over to him, and in what seems to be confusion he lets you tug the glove of his hand that is not holding his katana. You interlace your fingers, the motion absurdly tender for the moment that is currently playing out. You see his eyes widen behind the mask, and you are sure his mouth opens and closes several times even hidden as it is.
âWhat the fuck.â The words are so soft out his mouth that you are not even sure he said them. Not that it matters, because a second later he is wrenching his hand back like you burned him. He runs past you, and you watch as he picks up his katana where you dropped it, and then keeps running after that brief slowdown, heading towards a door you hadnât noticed while you were fighting. You startle yourself into action finally, following him, but heâs out the door before you can reach him.
On the other side thereâs a hallway, and his back is quickly retreating, and all you feel is panic. You are not sure which of you it is coming from.
You try to keep up with him through multiple hallways, but heâs fast, getting out of the building before you do. Itâs enough of a headstart that you only see backlights and hear the roar of a motorcycle speeding away.
You run over to where the cars you all arrived in earlier are parked, but of fucking course all tires are slashed. Not like you had any of the keys anyway, but they would have been easy enough to find in some dead man's pockets.
âFucking MOTHERFUCKER!â You know he canât hear you, but you hope Red feels your frustration through your bond as you punch the hood of a car, denting the metal.
(Part 2)
#wolverine x reader x deadpool#logan howlett x male reader#wolverine x male reader#logan howlett x reader#wade wilson x male reader#wade wilson x reader#wolverine x reader#deadpool x male reader#logan howlett#wolverine#deadpool#deadpool and wolverine#deadpool & wolverine#wolverine fic#deadpool fic#marvel fic#deadpool and wolverine fic#male!reader#written#male reader#wolverine x deadpool x reader#when you touch me#wytm
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Hello đ could I please request headcanons for leona's fem s/o defending him everytime one of the other characters start making backhanded comments to his face (if you've seen some of the vignettes you'll know what I mean) she doesn't reveal things like he's depressed or anything (tho he is) she just tells them it's shitty of them calling him lazy/selfish constantly without even knowing him personally
[Everyone treats leona like crap and I take personal offense to it >:( ]
You know i make fun of him on a regular basis. but theres a line thats gotta be drawn when it comes to leona bullying. cause damn this guy needs a real Break he cant even have issues in peace
đ Leona Kingscholar
Before you got closer to him, thereâs a fair chance the comments didnât even stand out to you at all. It always felt a little unfair, yes, but not in a way that was particularly shocking, they were all just rude comments like any other. Back when you werenât quite friends yet, and maybe even at the start of your friendship, you might have interjected with a simple âhey, heâs not that badâ or "you donât need to be rude about itâ. It was just a gesture of basic politeness then, something the people around you seemed to lack.
But obviously, your perception of those interactions, and the way you see Leonaâs situation itself, soon went through a rather radical change. Possibly even before you two started dating, or even before he âtold you too muchâ â His own words, mumbled dismissively but bitterly, the day he came back after spending a weekend with his family and then proceeded to complain for a little longer than usual â As he warmed up to you, you started to notice things about him more. You started to see the spark of actual passion he has in his eyes during his club activities, the level of detail he gets into when analyzing things, the precise way he moved his chess pieces when you two played...
Above all, though, you started to notice how he often looked actually tired when he took part in any of the âslackingâ heâs so infamous for. Learning the littlest bit more about his family life just worked as the final piece of the puzzle youâd been putting together without even noticing â And then, other peopleâs ârudenessâ started to sound like something much more cruel. It didnât help that he never seemed to react to it whenever he overheard others gossiping, or whenever you told him about the things you heard. âWhy doesnât he care?â The thought would echo in your mind for ages, trying to understand him through the tiny slivers of vulnerability he didnât mean to show.
Now, as his girlfriend, you feel you just canât let people say whatever they want, and you feel it more strongly than you ever have. âWhy donât you mind your own business instead of talking about someone you donât really know?â You snap back on instinct when one of your classmates, who was in Savanaclaw, comments on how lazy their dorm leader is. Their mouth closes instantly, regardless if youâve made your relationship public or not â You realize that, on top of all the negative treatment Leona got, it was also extremely rare for others to defend him in any way at all. Enough that even a response that simple elicits shock from others.
âYou know, itâs crazy to see you hanging out with Leona like that. I never thought I'd see anyone get so excited to spend time with him.â You hear some other day, while spending time in Savanaclawâs common area, sat right next to Leona, and it just makes your blood boil. Heâs just half-glaring at your particularly cocky acquaintance, sighing like heâs heard it a million times before, which you know he probably has. âHey, make sure you donât get too influenced, we donât need another person who just sleeps all dayââ
âYeah, youâre right. This type of person can be such a pain. Iâm so glad I donât know anyone whoâs, you know, actually like that.â You say through grit teeth, just barely holding back aggression, and in the corner of your vision, the subtle flash of surprise in Leonaâs face only encourages you to continue. âImagine if like, the Magift team had this sort of player in it⊠the club would be done for.â
They stare at you with wide eyes, having very much picked up on the aggression. The entire room is silent, you refuse to break eye contact, arms firmly crossed. âWell, I meanâŠâ The student stammers, but then, Leona himself speaks up for once. âDid you not get her message? You need me to tell you to shut up instead?â He snaps, and they frantically shake their head, eyes fixed on the ground. You feel pride swelling in your chest, almost unable to hold back your smile.
âYou know, Herbivore, if I needed a bodyguard Iâd already have one.â He tells you later, in that same day. His tone has that snarky edge that feels like his default, but itâs much less pronounced than usual. You can even see a sort of softness in his eyes while he tries to play it cool. But needing and deserving are two different things, you think. As interactions like these repeat, with you defending him every time, you hope your message fully gets through to him, one day.
if you like my work you can support me by commissioning me or tipping me on ko-fi ââ á”á” âŠ
#twst#twisted wonderland#twst x reader#twisted wonderland x reader#leona kingscholar#leona kingscholar x reader#twst imagines#twst headcanons#lis writing
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Hello I have a request, if you aren't doing requests please ignore this! But anyways the request is that may I have the TWST characters (especially the housewardens) and how would they react see their s/o in like traditional clothing from their world (example: Chinese traditional clothing is like qipao) Thank you so much! Have a fabulous day đ
Qipao (Traditional & Modern) Reactions
Housewardens x Reader
Riddle
Traditional
Thinks the dress is beautiful. Even though it's loose, it still carries an air of professionalism. A perfect garment for his lovely rose. Really likes the modest nature of them.
Asks you lots of questions on the history of the garment if you know it. Ask if he could wear one as well. Just so many questions, he's pulled out a notebook to take notes.
Matching rose patterned qipao/tang suit for walks in the garden together!
Modern
WHY IS THE SLIT SO HIGH!?
Still thinks it's a very pretty dress, but he can not stop looking at the thigh slit. It compels him. Good lord, you're not even wearing tights!
Struggling to remain polite, but the dress is form fitting and you have a very lovely ass- excuse him, he needs to...be...out of the public eye.
Leona
Traditional
Jokingly calls it your fancy potato sack. Apologizes if you get actually mad at him calling it that.
Lowkey, he really likes it and does enjoy that it's still comfortable enough for you to nap with him. Half serious asks if they're pajamas.
Will start wearing Dashikis when you wear your qipao. Cultural matching â€ïž
Modern
AYO-
Goes dead silent, his eyes are watching your every move. The dress is tight, the slit is mid thigh. You look good and he's pissed you're not in grabbing distance.
Tells you you can't wear that qipao outside of his room. Not even Ramshackle. Now walk closer, he's gonna...grab ya.
Azul
Traditional
Fascinated and asking questions. Both about the cultural history and the manufacturing side.
Thinks it's a very lovely dress with high marketing potential; simple yet perfect for all class levels due to the fabric and embroidery you can make with it.
Lowkey wants to gift you some more because he just likes them so much and he thinks you look elegant in them (Be his spouse please).
Modern
Honestly, it took him a hot minute to really notice. Since modern qipaos are made to be so fancy, he first started picking it apart to discern value like he does all new things.
Really noticed the silhouette and how revealing it was once he looked at the chest area and saw how tight it was.
Compliments the dress but then says he has important business to do. No, he will NOT stand up-
Kalim
Traditional
OH! You look so pretty! You always look pretty, but the qipao just makes you look EXTRA pretty like every other thing you wear.
He's breaking down the outfit by the quality of fabric alone. He pouts it's not 100% some super rare silk that only grows in 4 parts of the world in Spring during the rain on a full moon.
Whining at you and Jamil to let him make so many qipaos. He will have a literal factory up and running by mid day just to make you more of these gorgeous slips so that you're always cozy.
Modern
Nearly ruins it doing a spit take at seeing you. The boy is too stunned to speak, mouth open and getting coconut juice all over his front.
Once he snaps out of it he's all smiles again and asking you to show it off. Do a spin! The fabic is so pretty when you twirl, can you dance in it!? Come dance with him!
Lowkey just way too excited about you being in them. Fills him with some kind of energy where he just wants to hold you and spin around with you. Keeps fighting himself to not get down on one knee.
Vil
Traditional
'Oh?'
Interested in them but has his complaints (as always). He doesn't like how they hang shapeless, but the positives manage to outweigh the negatives in its function and appearance. Over all thinks its a cute house dress design and that you look nice in them.
Ends up commissioning some silk qipaos to have as lounge wear. Being comfortable, yet ready to host is an amazing new option he's gained.
Modern
'OH!?'
More complaints but it's because the dress is so sexy. It's too tight, the slit shows too much thigh, the boob window is unnecessary. He won't stop complaining but lowkey is so FLUSTERED.
He keeps tugging and picking at the outfit like he isn't pulling you into his lap to mutter into your neck all his frustrations on having such an attractive partner.
Idia
Traditional
Almost didn't really notice because he was showing you something in his game. Once he does notice he remarks on how nice you look.
Honestly, doesn't say much about it but will take notice if you wear them a lot when you go see him. He'll ask about them, asks if you really like them. He can and will buy you a bunch of them in various colors and patterns.
He does get you matching ones of your mains in the current MMO he's dragged you into. Lazy cosplaying for the win.
Modern
He took one look and froze, only unfroze because he started dying in game.
How could you do this? Why have you come into his room looking SEXY and forced him to look at you? What do you think hes gonna do???? Rip your clothes off and throw you on the bed????
He keeps peeking at you then turning away with his hair giving away just how flustered he is. Still manages to stutter out how nice you look.
Malleus
Traditional
Oh look at this. His lovely child of man is in new clothing. Please give him the entire history on the garment.
Lowkey, I think he'd really like them. It's very simple but with the potential of being super fancy just with easy fabric choices and embroidery.
Compliments you all the time when he sees you wearing one. Asks if only certain people can wear them. Do you think he'd look good in one? Just really likes them.
Modern
"...So, would you like a Summer wedding?"
This a dangerous game. He loves you so much already, but now you show him how attractive you are in tight clothing that shows off your skin? He will marry you, he will marry you so fast.
Lowkey rips it on accident, and apologies for hours. God forbid if you got one with a dragon winding around you. He honeslty got a little territorial and that's why his claws got caught on the stitching...
#twisted wonderland#twst#disney twst#twst wonderland#riddle rosehearts#riddle x reader#leona kingscholar#leona x reader#azul ashengrotto#azul x reader#kalim al asim#kalim x reader#vil schoenheit#vil x reader#idia shroud#idia x reader#malleus draconia#malleus x reader#requests
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connect (with you)
synopsis â kurooâs walls come down after the game with karasuno.
content info â some hurt/comfort with our beloved nekoma captain because he deserves all the love in the world đ SPOILERS for the dumpster battle movie so beware. reader is mentioned to be kenmaâs sister a few times.
authorâs note â just wanna say hi to the haikyuu fandom :) hope u enjoy this short drabble i wrote, iâll probably make it look pretty later. lmk if you wanna see more kuroo x kozume!reader in the future.

your lips are on kurooâs before the locker room door even has a chance to close. his skin is soft and familiar, his kiss eager yet vulnerable. something compels you to reach up, circling your arms around his neck as you pull him closer, tighter, until youâre sure that his warmth has become your own. the sound of his breathing is the only thing keeping you tethered to the ground as your mouths meet again and again. no words need to be spoken.
after years of being together, and even more years of being friends, you know tetsurou like the back of your hand. as if heâs perpetually been woven into your spirit, etched into your heart since the day he moved into the house next to you and your brotherâs.
you know that the cheery grin he shot his teammates, the reverent bow he gave to the crowd, and the meaningful hug he shared with daichi at the end of the match were all borne out of three thingsâhis sworn responsibilities as the captain, his earnest respect for karasuno, and the addictive rush of adrenaline.
the moment he left behind the arenaâs blinding lights, though, the high seemed to wear off.
yet an aching feeling stayed with him.
when you pour your heart out on the court and play until your muscles feel like theyâre on fire, when you devote hours of your precious time towards practicingâtowards smoothening out every crack within your blocks, every blemish within your serves, every falter within your receivesâand when you imagine the game countless numbers of times in your head until it feels like a memory, thereâs a certain type of pain you feel when itâs all over. itâs a sadness thatâs inevitable, and yet one that stings so profoundly and uniquely that it becomes a bittersweet moment youâre bound to remember for the rest of your life.
just one more second, one more chanceâ you think to yourself in a flurry of desperation. because as foolishly selfish as it sounds, nobody ever truly wants the game to end.
that feeling of wanting to remain frozen in the experience is something you yourself are all too familiar with. volleyball, after all, was what gave birth to the connection you now so deeply share with tetsurou.
you suppose thatâs why youâre able to pinpoint the exact moment his shoulders start to shake.
pulling away from the kiss, you feel your heart plummet into your stomach before you can even see the tears trickling down his face. something youâve come to learn about tetsurou is that he rarely ever cries, so when he does, it only makes the sight that much more impactful. wordlessly, you pull him into you once more.
the way your arms firmly, comfortingly wrap around his tall figure conveys a simple but invaluable message that resonates throughout the empty roomâ âiâm not letting you go.â
quietly, he sobs. you let him.
you barely notice your nekoma jacket becoming damp with his tears. when his crying slowly starts to recede, you break the silence, voice soft and tender. âyou were amazing out there, tetsurou,â you whisper. âand thereâs three things i want to thank you for.â
withdrawing by the tiniest sliver, just enough so he can meet your patient gaze, your boyfriend tilts his head slightly in the way he always does. his fingers subconsciously trace patterns across the small of your back. âwhat are they, baby?â his voice is quiet and a little hoarse. really, itâs a miracle that you manage to block out your own shadows of sadness.
âone,â you whisper, fingers reaching out to gently wipe away his tears, âthank you for being the best captain this team could ever ask for.â
âtwo,â you continue, leaning in to kiss away the tears that remain, before a small smile pulls at the corners of your lips, âthank you for helping my brother fall in love with volleyball.â
âand three,â you breathe out, your vulnerable gaze meeting his own, lips inching towards his once more, âthank you for being as strong as youâve been, and for carrying the worldâs burden on your shoulders when none of us could.â
when you finish your heartfelt confession, tetsurouâs hazel eyes glaze over with a fresh wave of tearsâthis time, however, itâs for an entirely different reason.
and this time, heâs the one that kisses you first.
#haikyuu!!#haikyuu the dumpster battle#haikyuu movie#haikyuu kuroo#kuroo tetsurou#kuroo x reader#haikyuu fanfiction#haikyuu#hq kuroo#kuroo tetsuro x reader#kuroo x you#kuroo angst#kuroo fluff#kuroo tetsurĆ#kozume kenma#haikyu x reader#haikyu angst#haikyu fluff#hurt/comfort#he has my heart#ââ âdevon writesâ#haikyuu.writing đ
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