#subtle rhyme

[asterlune]

unwritten muse — aster lune

[carnivalcarriondiscarded]

Hey you know that one convo where Barnaby and Howdy are talking and Howdy is talking about his family? Yeah apparently that took the voice actor 20 times to get it right bec of all the rhyming in it

GOD I KNOW i saw their post and just. ohhhh man they're an absolute Beast for nailing it like that at all! what a fucking script! what a talented individual!

[mail-posting]

still thinking abt the wreck that is train!andrew's office once he falls asleep at the desk tbh because godd i love imagining messy workaholic offices

conductors also kind of do everything on the train, like they oversee the other train employees, take payments for boarding, check the tickets, make sure passengers are safe and comfortable, etc etc so he is. SO exhausted probably

i think bc to me this andrew is kind of. stoic and polite (he would still melt if you were nice to him i think) he doesn't have many signs other than getting slightly more unkempt and i think his hands shake REALLY bad w sleep deprivation, or he seems like he's focusing on not literally just crinkling to the ground and fifudhf anywaybi really like traindrew

i watched about 22 mins of the first murder on the nord express gameplay vid btw and i'm gonna cry both victor and andrew are so djfjfj

Exactly!!

[persefoneshalott]

"Tholomyes is something of a Spaniard" bc 'Tolouse and Tolosa are cousins' (Tolosa is on the Basque Country, north of Spain) but then says it's a Gallega song (from galicia, another autonomous community from the North) and the song says "I'm from badajoz" which is in Extremadura, west & south of Spain.

[musclesandhammering]

It makes me crazy when people argue that he’s not the god of stories in the mcu. There couldn’t possibly be a more direct parallel between the series’s plot metaphor and the comic’s plot metaphor. They’re telling the same story.

"I'm the God of Lies. What's a lie, Verity? A lie is a story told. That's all. And we can rewrite our stories. All of us. Write our own happy endings. Our own redefinitions. We don't have to be what we're told to be. Even by ourselves. I'M THE GOD OF STORIES"

– Agent of Asgard, Issue #13

[pinescrow]

Day five of #30dhs: 174/100

This is an old fashion Castle piece because Castle is always a comfort muse for me : ) Sometimes Castle pieces are about me (the author) but sometimes they are actually about Castle (the character) and this is one is the latter.

Interested in doing the challenge with me? Check out this post here!

[heyyallitssatan]

Tickety tickety tock

The mouse ran up the clock

The clock struck one

Your time is done

Tickety tickety tock

Tickety tickety tock

The snake ran up the clock

The clock struck two

It’s time you knew

Tickety tickety tock

Tickety tickety tock

The hawk ran up the clock

The clock struck three

You’re dead indeed

Tickety tickety tock

Tickety tickety tock

The cat ran up the clock

The clock struck four

You’re nothing more

Tickety tickety tock

Tickety tickety tock

The dog ran up the clock

The clock struck five

You’ve finally died

Tickety tickety tock

Tickety tickety tock

The man ran up the clock

There was no time

It did not chime

Tickety tickety tock

[lyralit]

subtle ways to include foreshadowing

one character knowing something offhandedly that they shouldn't, isn't addressed until later

the crow rhyme

colours!! esp if like, blue is evil in your world and the mc's best friend is always noted to wear blue...betrayal?

write with the ending in mind

use patterns from tragic past events to warn of the future

keep the characters distracted! run it in the background until the grand reveal

WEATHER.

do some research into Chekhov's gun

mention something that the mc dismisses over and over

KEEP TRACK OF WHAT YOU PUT. don't leave things hanging.

unreliable characters giving information that turn out to be true

flowers and names with meanings

anything with meanings actually

metaphors. if one character describes another as "a real demon" and the other turns out to be the bad guy, you're kind of like...ohhh yeahhh

anyways add anything else in the tags

[transgenderer]

if you only spoke in rhyme under oath do you think the judge would like. get mad at you. imagine that youre being like, 100% truthful and serious about it. but your sentences just happen to rhyme. maybe also have a subtle but consistent meter.

[crocsandbitches]

Not to get overly sentimental but rap beef is honestly such a creative form of expression. Like we’re going to hold off on kicking the shit out of each other and calling up shooters to make clever rhymes about each other and get the common man saying words like ‘double entendre.’

Here’s a couple of suggestions of other diss tracks to listen to if you’ve found you’ve liked bitchy poetry:

Ether - Nas (2001) - diss track vs Jay Z & widely considered to be one of the best diss tracks ever released. It’s a response to Jay Z’s diss ‘Takeover’ which at the time of its release left people thinking Nas’ career was over and then Nas uno reversed that shit with Ether and it’s still considered to be a miracle that Jay Z managed to maintain his fame.

Hit ‘em up - 2Pac (1996) -diss track vs Biggie & Bad Boy records. Part of the East Coast / West Coast beef. 2Pac was shot 5 times and survived and Biggie released a song called ‘Who Shot Ya.’ Hit em up is Pac’s response and it’s iconic. Plus the tune is groovy as shit.

Real Muthaphuckkin’ G’s - Eazy E (1993) - Dr Dre left his group NWA over a dispute about contracts/pay. He later released a song called ‘Fuck with Dre Day’ where he had a go at Eazy E (the lead rapper of NWA). Eazy released this in response and it’s another groovy, west coast banger.

Story of Adidon- Pusha T (2018) - Pusha T walked so Kendrick Lamar could run. Need I say more.

No Vaseline - Ice Cube (1991) - vs remaining members of NWA. Cube was the first to leave NWA over contracts/pay disputes. The remaining members released an album, with subtle disses against him. Ice Cube, as Ice Cube does, got pissed.

Life’s on the Line - 50 Cent (2003) - adding this because 50 Cent hates as easily as he breathes and it’s something to marvel at. His beef with Ja Rule started in ‘99 when Ja Rule was robbed by 50’s people and then one thing lead to another and 50 was stabbed and then he was shot 9 times. ‘Time is the best medicine-‘ no. no it’s not. If anything 50 gets angrier through the years. 19 years later 50 bought 200 tickets to Ja Rule’s concert so the front rows were completely empty.

[wavesoutbeingtossed]

I meant to post about this back when TTPD was released and never got around to it, but it's so touching to me that Taylor has peppered so many British-isms into the album, and not just in a jokey kind of way like in "London Boy" back in the Lover days.

It's such a beautiful, subtle nod to how much that was her life for years, and to the marks the city and the muse(s) left on her. Because isn't that true of any of us when we've been around a person for so long, or live in a place we've made into our home? You start picking up their speech patterns until they become second nature. (For instance, one of my best friends moved abroad for university, and before long she started dropping in words like "fortnight," "lorry,""shops" (vs. stores) into conversation when we'd speak, which only got stronger along with her accent shifting as the years went by and she stayed there.) Kind of a love language code switching.

It’s sprinkled throughout the album. “For a fortnight” in “Fortnight,” “blokes” on “The Alchemy,” “the shops,”* in “How Did It End?” I think my favourite use of it is in “The Bolter,” because it’s such a classic twangy yeehaw Taylor song, but she’s got these tiny turns of phrase that point to where she spent a large portion of her adult life. (E.g. “best mates,” “out the drive,”* “wish he wouldn’t be sore,”*)(*yes I know these aren’t like, specifically not-American, but as someone who has grown up with North American English in the same generation as Taylor, these definitely feel anachronistic/foreign. Like if I hear someone say “the shops” instead of “the store,” “drive” instead of driveway or “sore” meaning upset, I’m thinking they either watch a lot of 1950s movies or they’re from the UK. And yes I know it’s to make everything rhyme BUT THAT’S THE POINT SHE IS MAKING THEM RHYME ON PURPOSE ok I’m stopping now before the linguistics nerd in me jumps out) It’s such a cool merging of influences, much like the album as a whole fuses together experiences and muses and sounds.

And that gets back to the “I love this place for so long,”of it all. The place is the city, the place is her home, the place is the person, and they are all part of her. To me, these are part of the subtext of the album, of the big love she once felt for all of it, and how it changed her. And, why it hurt so much to leave it all behind. So she’s starting over back home in America, but she’s taking a little bit of London with her for its curtain call on TTPD.

[why-ai]

[livingthedragonlife]

i do love contradictory labels as a concept, but to me being a man/woman bigender never felt like a contradiction. to me they like... rhyme. man and woman are rhyming genders to me, different in subtle ways but similar enough to create a beautiful harmony together. they compliment each other and are fun to say out loud really fast a bunch of times

[foli-vora]

without you, part 2

matt murdock x f!reader

A/N: hey the title rhymes. Hi angels! Part 2 is finally here, by heavy demand! And uh... for those who thought I was gonna fix everything with this part?? No, I'm here to make it worse! Woo! (Don't hate me, I did warn you lmao). So, enjoy the angst! Hope it's worth the wait x

Summary: continuing on from Part 1 - You return after the ‘blip’. Five years is a long time, and a lot of things can happen in that time. Where does that leave you now?

Word count: somewhere in the 2.7k zone idk

Warnings: ANGST. Angst squared, if you will. Broken hearts everywhere. Broken hearted reader. Broken hearted Matty. A brief broken hearted Frank coming in for the rescue. Not a happy ending. Mentions of divorce and the religious thoughts surrounding that, the Blip and the devastation it would've caused, break ups, brief jealousy, heavy denial, anxiety, lots of crying and I just want to hold onto him forever & ever. This is unedited coz I'm lazy and like to just throw things out into the void and die like a warrior.

There’s a vicious, relentless pounding behind your temples when you finally begin to feel the darkness pulling at your mind recede. With the constant stab of pain, everything returns—the apparent lost time, the strange new world that had grown during your absence, the relationships that had also changed during those five years.

Five whole years.

It might as well have been an eternity.

Your whole life, everything you knew—gone. It doesn’t seem real, it’s just not possible, and yet here you are. Here you are in a world that still feels so familiar, and sickeningly not. Your thoughts are a vicious storm in your mind, merely intensifying the throb running along your forehead. Your system flutters between confusion, denial, mourning.

It’s enough to make you want to simply fall back into the blissful void of unconsciousness, until—

“Sweetheart?”

Matt. 

Your heart still jumps at his gentle rasp, a part of you longing to just soften into his hold and cling to him like you’d done so many times before, but you can’t. He’s not—he’s not your Matt. Not anymore. 

It’s hard to pull away from the fingers tracing your cheek, and when you open your eyes, they wince from the light shining through the large windows. He’s knelt on the floor beside you, a frown of concern creasing his brows as you slowly shift on weak limbs until you’re sitting upright on the leather.

You study his features through raw, hazy eyes, and it’s only now you notice the subtle changes you had missed upon your return to the apartment—the few more creases lining his face, the extra spatterings of grey strands amongst his dark tresses. His hair… it’s shorter too, now that you’re really looking. How had you not seen that? Not noticed?

Maybe it was the panic. It had to have been. You didn’t notice anything else when you ran in. Your surroundings had changed within a second, everything was all just so confusing and mad—you had just wanted him, you wanted home. Turns out, you had no home to return to. No one to return to. 

There must be so many others. The pain must be immense throughout the world. Lovers returning to mere memories. Parents returning to kids left behind, now years older and practically strangers. Children returning to homes that were no longer there, lost amongst the new world and without anyone familiar around them to find comfort in. God, they must be so scared.

Matt’s hand returns to your face, the backs of his fingers testing the feel of your forehead before ever so slowly trailing away until they rest where your pulse thrums through the skin of your throat. It’s not necessary—he’d hear it across town. Maybe he’s seeking physical reassurance that you’re really here, right in front of him.

“Talk to me,” he pleads quietly, “say something, anything.”

You find nothing worth speaking. You doubt you’d even have the strength to speak with how dry and heavy your tongue feels in your mouth. His hand moves, fingers hot on your skin as he cups the underside of your jaw and this time, you don’t quite have the strength to pull away.

All you want is this.

His touch, his presence—him.

“Sweetheart, I—” he stops, head tilting ever so slightly towards the door.

You watch him stiffen, tension rolling through his shoulders as he rises from his knelt position before turning towards the door to the apartment expectantly. It takes longer for your senses to catch up, but eventually the dull thud of boots hitting the flooring outside of the apartment hits your ears—

Frank.

Where was he through all of this? Had he been left to carry on with life, trying to make sense of a world left in ruin? Or had he been washed away with the breeze, just like half the planet? Universe? You want to ask Matt, but words seem to fade away on your tongue. 

He doesn’t bother knocking—he never has.

While there had been some stirrings of indifference between him and Matt after everything that happened, there was still a solid foundation of respect, which quickly extended to you the more you attempted to coax the beaten and bloodied man into your clutches for some much needed medical treatment. You were more than acquaintances, a little less than friends—just close enough for him to feel comfortable coming and going from the apartment should he have ever needed patching up.

“Apparently it’s been a while,” Frank mutters gruffly as a somewhat greeting once he’s stepped into the apartment, and you feel the same air of confusion and denial radiating from him.

He had been gone then, like you. How is he handling this? Does he feel as lost as you? As scared? You’d always thought him to be someone not exactly immune to the feeling, but at least stronger than others. As much as you feel for him, hurt for him, knowing exactly the type of thoughts and feelings that plague him, you find comfort in the fact that you weren’t alone in this.

Matt doesn’t respond, and Frank sighs tiredly, eyes flashing briefly to the side under his heavily bruised and swollen brow.

“I ain’t here to fight, Red.”

Matt’s tongue flicks over his lips and he gives a humourless huff, still not relaxing from his defensive stance. Maybe he was expecting Frank to be pissed and burst in like a raging bull with red in his vision, seeing as he and Karen had something brewing slowly between them all those years ago, but Frank doesn’t seem to be interested in any violence whatsoever.

You’re not even entirely sure what he’s here for.

“Well, Karen’s not here—”

“I know, she was with me,” Frank rumbles deeply, head tilting as he appraises Matt, “told me the happy news—congrats.”

It’s not insincere, but it’s damn near close. 

His gaze moves to you.

He studies the way you sit, drawn in on yourself and cuddling your chest in an effort to hold yourself together. You can feel how raw and swollen your eyes are, and when you finally manage to tiredly lift them to meet his, Frank seems to soften.

It’s only slight, imperceptible to anyone who didn’t know his mannerisms well, but you see it.

“I was thinkin’ you might need a place, after hearin’ about—” he swallows, jaw rolling ever so slightly. He exhales sharply and shifts on his feet, “You got anywhere to go?” 

He’s here for you?

Matt intervenes immediately. “She’s staying here, Frank—”

Staying here? In the apartment you used to live in? That he now lives in with another woman? Was his idea to leave you sleeping on the couch alone, while they sleep in your bed together? No, it’s not your bed anymore. It’s their bed. Their apartment.

Five years of Daredevil and regular concussions must’ve really killed some of his brain cells. Is he even still Daredevil? Maybe married life changed his perspective on his dangerous nightly habits. Maybe his perspective changed on a lot of things. Is he even the same Matt you had left behind?

Frank’s head tilts, his eyes narrowing into a scowl as they flick back to Matt. “Yeah, well, I wasn’t askin’ you—was I, Red?”

“No,” you finally rasp in reply to his earlier question before Matt could retort, voice rough and weak in your throat, “no, I don’t.”

He nods, expecting your answer. “You got a bag?”

“I don’t know if I have any things left,” you mutter, bitterly wondering where your belongings went. Storage? Donated? The trash? How long did they leave it, did Matt leave it before tossing it all away? Like you’d never even existed, like you’d never even mattered. “Do I have anything here, Matt?”

Matt baulks at the ice coating your tone, and it’s unfair. You know that. Deep down you know you’re being unfair, a part of your mind gently reminding you that you probably would’ve thought and done the same in his position should it have been reversed, but you don’t care.

The familiar bite of anger, pain, still stirs relentlessly in your system and it trumps all reason and logic.

You had a life, and now it’s in complete ruins.

What are you supposed to do with that?

Frank nods sagely, “We’ll get you some things, ain’t gotta worry about that. You comin’?”

As much as you want to reject the idea of leaving, as much as your heart screams at you to stay with Matt because he’s all you know, he’s all you have, and he was telling you how much he loved you only mere hours ago… you give a minimal nod, and shift to stand from the couch.

It wasn’t hours ago—it was five years.

Five years.

Matt instinctively steps in front of you to keep you from moving any further, his tongue darting across his lips in an apparent panic, “You’re going with him?”

“Can you give us a minute? I won’t be long,” you ask Frank quietly, aching at the way Matt’s anxiety seems to heighten at your words.

Frank gives a single nod, and then slips out, the door clicking quietly shut behind him. Matt ignores it, every sense focused in on you and the way your heart beats a broken rhythm in your chest, the way your nails pick at the cotton of your sleeves, the way fresh tears smell building on your lash line—

“I have nowhere else to go,” you mutter, body now numb to feeling and just utterly exhausted from the onslaught of emotions the day had thrust upon you. “I can’t stay here, Matt. I can’t. Seeing you two—God, it’ll kill me. I can’t do it.”

Why you? Why did it have to be you? 

A part of you wishes it would’ve been Karen in your place, uncaringly and unknowingly torn from her life to leave everything she ever loved behind, only to return to a world that had survived, that had moved on without her… and you don’t even have the energy to feel guilty for such a thought yet.

It wasn’t her fault. It wasn’t even Matt’s.

“Sweetheart,” Matt pleads softly, hands seeking and taking your hands tightly, “just—just tell me what to do. Tell me what to do, and I’ll do it.”

The thought is immediate—would he leave her? Could you ask that of him? Could you expect him to just drop and abandon everything he’s built during your absence?

You want to.

You want to tell him to break it off with her as soon as physically possible, to kick her out so you could be at home where you’re comfortable and with him and just act like nothing happened—

—but you can’t.

You can’t bring yourself to say the words.

What would he think of you asking a question like that? Would he even do it? You know how he feels about divorce, what his religion thinks of divorce. His whole belief system, his life, his God… would he abandon it all for you?

Looking at him now, how he physically pleads with you with those soft, lost eyes looking for guidance, you believe that maybe, just maybe, he would. 

But you can’t ask that of him.

You could never, and would never, ask that of him.

Unless—

“Were you happy?” You ask softly, eyes bouncing between his where they rest just left of your face. 

He blinks, a slight frown forming between his eyes in an effort to make sense of your unexpected words, “What?”

“Before I—” you take a breath, tongue rolling along your lips to moisten the sudden dry skin, “—before I just materialised back onto the street… were you happy? With your life? With her?”

Without me?

Say no.

God, please say no.

You begin to wonder why you asked. Maybe you’re a glutton for punishment, maybe you think nothing could possibly hurt any more than it already does, but when his expression falters, when his mouth opens and nothing seems to make it past his lips, you know that’s not possible.

This… this seems to hit the hardest.

He was happy.

He was happy before you came back.

He was happy without you. 

And it’s… good.

It is.

Of course you don’t want him to be anything but that. He had found what he wanted from life—some normality, some peace, and it’s with that understanding that you realise you have no place here anymore. At least not with him. You have no part in his life now, and it shreds that last little untouched piece of your hopeful heart to absolute ruins.

Denial still pulls at your mind, still blatantly refuses to accept that five years had actually passed. You’d been nothing but a distant memory to him, to your friends, to the world, and yet, everything is still so vividly fresh for you. You only got out of bed, held him, kissed him, a few hours ago—a few fucking hours!

Five years.

“It’s okay,” you mutter, as his saddened eyes flutter in a panic, “I want that for you, Matt. I’ve always wanted that for you, even if that means I’m not—that we’re not—”

You ache at the thought of being apart from him, a feeling he had already experienced and endured. 

“Three years,” he says quietly, brokenly, a slow gathering of tears building along his lash line, “three years I searched, I waited, I prayed… if I had known—if I had known you… I wouldn’t have—”

—moved on. 

You envision Matt lost in the organised pews with dozens of other faceless mourners, on his knees and weeping into his closed hands, begging for the strength to finally let you go. He was granted it, after enduring agony for such a stretch of time, and now it’s all fallen to pieces at your return.

“It’s okay,” you repeat softly, the feeling of your heart beating in your throat choking the words, “it’s okay.”

“No,” he shakes his head, face creasing as the tears begin to make their way down his cheeks, “no, it’s not. I’ve only just gotten you back. You’re back, and now—now I—God. I can’t say goodbye. Not again. I can’t.”

“So don’t,” you say simply, a fresh build of your own tears streaking your cheeks, “we won’t say goodbye. Just… just forget. Forget I ever came back, Matt. Everything will be as it was.”

He recoils sharply, as if you physically struck him. “I can’t do that—”

“Yes, you can. You have to, we all have to.”

“No, I won’t—”

“You told me to tell you,” you croak weakly, the feel of his coarse stubble piercing the soft skin of your palm as you cradle his cheek, “you told me to tell you what to do, and that you’ll do it. Well, this is it, Matt. This is what I’m telling you to do—forget I ever came back. It’ll be easier for everyone. You can keep what you had—what you have, and I—”

And you?

What will you do?

Where will you go?

Your hand falls from his face, only for it to be snatched up and returned to its previous spot with his own pressed tightly against it to keep it there. His tears smear against your skin, the evidence of his heartbreak an obvious reminder that he never let go completely.

There’s something still held for you within him, it just wasn’t the same as when you left.

His forehead comes to rest against your own, and you weaken into the familiar comfort of his touch, just for a moment. You don’t want to let go, don’t even know if you can. There's nothing left to be said, nothing left to be worked out. This is just it.

Why does it have to be this way? Your stomach churns at the idea of walking out for good. How can you? Nothing has changed for you—everything you feel for him is right there, right there where it’s always been, and you can’t do anything with it.

You indulge in the moment a little longer, stretching out to softly press your lips to his with the bittersweet taste of a loving goodbye—one last time. You savour the feel of him, his lips, so warm, so soft and sweet and familiar—

—and then pull away, the air filling the space between you lingering with the memory of what could have been.

He lets your hand fall away this time, pained haunted eyes scrunching closed as you further the distance between you until you’re at the door to the apartment. The quiet exhale of a sob reaches your ears as you open the door, and you dare not look back at Matt falling apart as you close it softly behind you.

[aina-otsuki]

I’ve gotten my supplies…

If I was in camp half-blood. Honestly I would call Hazel, Nico, and Reyna into my Cabin (13) anyways we would be having so much fun being witches. Let’s see how well this goes…

Does anyone know the nursery rhyme that goes like

One for sorrow

Two for joy

Three for a girl

Four for a boy

Five for silver 

Six for gold

Seven for a secret never to be told

This nursery rhyme is usually associated with crows when it's actually about Magpies. Magpies are so pretty like geywhgfiweusygurkeswtyufes

Anyways, did you know the ancient Romans believed these birds had an association with magic and fortune-telling. The meaning nowadays has changed though. Now they are related to things like ill tidings, bad omens, and Witchcraft. Which I would totally try when I live alone in the house of my dreams. I might even get two magpies to complete the dream.