#stupid meta

[drarrargh]

long time no comic!! this one is just uh. what it says on the tin. sorry

[thebaronmunchausen]

photo: Andrea Genota

[biboomerangboi]

Hua Cheng essentially cockblocking himself for possibly all of eternity will literally never not be the funniest thing MXTX ever wrote.

Xie Lian was pretty much completely in love with him the second he saw those lanterns (and completely oblivious about it) and then we get the wonderful first kiss underwater moment and Xie Lian is basically drawing hearts around Hua Cheng every time he sees him. While like quietly dying cause he literally has no idea what to do with it. Like at this point he doesn’t even really understand that he is head over heels totally gone for this man.

Until Hua Cheng is like I have a beloved I just haven’t won them over yet. Which he thinks is perfectly reasonable because his self esteem is the worst and he doesn’t understand how he could have won Xie Lian over yet. (He’s only on step 22 of his Marrying Dianxia 3000 step Master Plan ((that he debates throwing out on a regular basis because he doesn’t deserve to even dream about wanting Xie Lian)). So course he’s like yeah I have this wonderful noble beautiful beloved I just haven’t won them over yet wink wink nudge nudge.

But Xie Lian is like oh of course obviously I don’t deserve nice things and fuck I actually wanted him so badly I’m actually in love with him and now I will resign myself to never being happy for his sake. (Their combined self esteem is truly a so low it’s a hole in the ground which is hilarious because they think the other person is to good for them and unattainable forever because they literally have the same neurosis.) So he starts boxing up his feelings forever constantly wanting Hua Cheng and feeling guilty about it and literally dying inside because he wants Hua Cheng like he’s never wanted anyone.

Like essentially books 3 and 5 only happen because Hua Cheng has now cursed them both by saying he has a beloved because Xie Lian believes he isn’t wanted and therefore any nice thing Hua Cheng does is just him being nice and not Hua Cheng pulling out steps 23-34 of his plan thinking he still hasn’t won Xie Lian over. (He has he so has but he shot himself in the foot so badly it’s painful to read).

Like thank the Gods Hua Cheng is so unhinged and created the cave of 10000 Gods cause Xie Lian would literally be at his own wedding to Hua Cheng still convinced he wanted someone else and this was in fact a thing they were doing to solve a case together otherwise.

Like he needed something that unhinged to put 2 and 2 together otherwise he never would have caught on he’s Hua Cheng’s beloved. Meanwhile Hua cheng is like 🥺 he’s going to think I’m a weirdo now and I’m only on step 50 of the plan 🥺 like the two of them wouldn’t have been fucking nasty 2 books ago if he just kept his mouth shut and didn’t cockblock himself so violently.

[ladystoneboobs]

so, one aspect of catelyn which i think is underrated (certainly the biggest adaptation loss which nobody talks about) is her, let's say superstitiousness, or better yet, let's call it genre-savviness, being one of the few adult characters open to magic and the supernatural in this fantasy world. we first meet her in the godswood, home of gods which are not truly hers, yet she is still very aware of their power. when she and ned talk of the deserter he killed, he hopes he won't have to go with the nw to deal with mance rayder, but she has even more fear of that idea bc there are worse things beyond the wall than just wildlings. ned scoffs and says she's been listening to old nan too much, but she's right. we already know from the prologue that she's right! and here she is, understanding the genre of their world better than her husband, who was actually born and spent his earliest years in this northern land of deep magic, listening to old nan's stories. same with the direwolves, where she was uncomfortable with them at first, but later believed in them as guardians from the old gods even after robb had lost his own faith. and once again, we know she's right even if she doesn't know the evidence to back up her instincts, bc summer and shaggydog did not fail bran and rickon and robb was almost certainly a warg like his brothers. (perhaps making it more fitting that she's the one brought back as a fantasy vengeance monster, not ned and robb, the most unbelieving dead starks.) and in her 2nd agot chapter, everyone focuses on her ambition in wanting ned to agree to the hand job (pun intended) and sansa's betrothal, and while she does recognize the value of their daughter being a future queen more than ned does, that's only her stated argument bc she thinks it's rational enough for ned to listen to. (if ambitious matchmaking were as important to her as to her father she never would have made those frey betrothals fandom loves to blame her for.) in her own head there's a deeper urge driving her. she keeps thinking of the dead direwolf with antlers in its throat, an omen which filled her with dread from the first she heard of it, before robert's arrival, and thinking of it again is what makes her desperate to convince ned not to refuse robert. she had to make him see. and really, she's not wrong, as jon snow would say. the dead direwolf was an omen of ned and robert getting each other killed. it's just one of those misread portents, with no way of knowing the danger to ned was in his loyalty to robert, not conflict with him. BUT the next time she's dealing with baratheons, she knows exactly what she's talking about. it's catelyn, not brienne, who sees the shadow slaying renly, and explains that it was stannis who did that through some dark magic. with no way of knowing how it was achieved and no prior expectation that such a thing were ever possible, she realizes with no hestitation that stannis was guilty and that his red witch was capable of pulling this off somehow. really, the only instinct of the supernatural she's wholly wrong about is her insistence that varys gathered his knowledge through some dark enchantment. however, though that might offend varys, given his own personal experience with a sorcerer, i'd say it's a reasonable assumption without knowing the dude had children moving through walls everywhere like oversized rodents. and imo it just shows she had a healthy respect and awe for varys's power which most other characters lack.

oh, oh, and let's not forget that she also believed in the curse of harrenhal, from her own childhood and the stories old nan told her kids. "and every house that held Harrenhal since had come to misfortune. Strong it might be, but it was a dark place, and cursed. 'I would not have Robb fight a battle in the shadow of that keep,' Catelyn admitted." sure, that wasn't enough to save robb, but he did not die from the curse of harrenhal. that doom was meant for his enemies from tywin lannister to roose bolton.

[medusaesque]

Kim Kitsuragi and the pale-

Kim has a unique relationship to the pale, I tried dissecting it and making sense of it. Reposting with more thoughts after some good conversations with @binomech.

Warning- it's insanely long.

1. After life, death

One of the first thing you can learn about Kim is that he would hurl himself in death's way to save you. From the very first moment, Kim is related to sacrifice and death, it follows him wherever he goes-

The slaughterhouse.

He lost his parents at two years old. He worked a year in Processing (here's good post about that by @renmorris and @spilledkaleidoscope). He lost his partner, Eyes. People have taken a bullet that was meant for his more than once. His survivor's guilt is insane. He's killed six people. He's afraid of killing recklessly, and has a deeply unhealthy relationship with his gun (made another embarrassingly long post about that).

Kim also hears pale 'ghosts' on the police radio all the time, talks about it like it's normal, and says he doesn't believe in ghosts.

If harry is with Noid during the Moralist dream quest (more on it later), Harry can even wonder if Kim himself is a ghost, prompting this beautiful exchange-

And he's not entirely wrong. When Harry gets shot, after Kim fulfills Espirit's promise and stands in death's way for him, you can ask as you fall into darkness what will happen to you-

It's the living who are ghosts. You can leave them behind and rest. Go into the wild pale yonder, along with everyone else Kim has ever cared about. Or at least you can try to.

When death is at the door, you have two options-

2. After death, life again

Kim might associate himself with death, but Harry associates him with life again and again- Death is darkness, Kim has a light bulb halo. Death is a sunset, Kim is a sunrise. Death is where you are when the game start, it's ready to take you, and then- a clarion call, the sound of a motor carriage, a detective arriving on the scene, and you open your eyes.

Of course Kim is no actual saint, no guardian angel, but it's really telling that even in harry's deification the symbols of Kim's holiness are worldly, almost mundane, the matters of every day life- a celling's fan lightbulb, the engine of a car..

Or the way @binomech said it when discussing Kim's portrait: this is the only thing keeping you from the full brunt of the world in your mind #but truly you are already in the world #and he is just a man #and that's just a car and that's just a ceiling fan

The game is very clear about Harry being a ceaseless agent of the world, but he's not the only one. Harry stands at death's door twice, and Kim is his way back to the world both times.

3. After the world, the pale

So what is Kim's relationship with the pale?

As casual as he might try to appear, Kim is clearly uncomfortable with the pale, afraid of it even. When Harry brings up the pale, he intervenes, genuinely worried for the fragile stability of his mind, trying to protect him-

It's no more terrifying than water or death or that we're stuck behind our eyes for all eternity?? Sounds pretty terrifying Kim...

I think the key is in the moralist vision quest, When Harry attempts to reach the Committee of Responsibility, and he hears the pale crosstalk coming through the radio, when suddenly-

"Pale is a shroud of memories and it doesn't really distinguish to whom those memories belong to. You could hear anything." You could hear anything, but you hear Kim. Soona even says that the odds of us hearing him, out of all the voices in the pale, are astronomically low.

We know the past has not been harmless to Kim, we know it's full of ghosts and cold winters, but that's not the thing that's eating at him-

Kim is afraid of forgetting. He's constantly writing, he thinks through his notebook, always recording, so he wouldn't lose anything. That's why the pale is so terrifying to him.

4. After the pale. the world again

The world is what it is. God is in his heaven. Everything is normal on Earth.

That leads me to the expeditions through the pale-

Volta do Mar is a skill unique to Kim, according to the stats of this pilot jackets, and it's a Physique skill.

It's driving me crazy to think how Kim wanted to be revolutionary pilot as a kid, and is walking around dressed like a pilot as an adult, to give himself the ability to navigate the pale. To return from the sea-

DISTANT ENEMY OF HIMSELF?? kim....

Seeing how Volta do Mar is strengthened by his jackets, and the items' descriptions point out that most of the people who used to wear this jacket are long gone (alongside what they represented) and considering that the only real advance in pale transit is the speed with which an aerostatic craft can pierce it, is seems fitting that returning from the 'sea' requires the kind of armor that ghosts wear- the ghost of who you wanted to be but never could, of a home that was never yours. Glory to them.

@binomech said it best in this conversation we had about Kim's skills: "your traitorous race. your traitorous job. your traitorous parents. your traitorous senses. distant enemy of yourself: seolite, communist, cripple, faggot. and you wear it as armor"

Kim is equipped for Volta do Mar, he armors himself for it every day, for the thing that makes it possible to return sane, and discover a new world-

This is one of the most touching Kim moments in the game to me- putting his hand in the rain, looking up to the sky, mouth open, welcoming the spring rain, even knowing it'll bring death and destruction with it. He is devoted to this world and the role he has to play in it, or at least the role he thinks he has to play-

But we know Kim has a bigger role to play, he's trying to do his part right there, getting Harry to stay-

His connection to Harry can keep him on this world once again- keeping the two of them together. Their real work is down here, him and Harry are Revachol's only hope. If they stick together they might be able to keep her on this earth.

UNITY AMONG THE RANKS IS PARAMOUNT.

I NEED YOU. YOU CAN KEEP ME ON THIS EARTH. BE VIGILANT.

I LOVE YOU.

[dukeofthomas]

I find the fact that the confrontation at the end of UTRH is often summarized as Jason asking Bruce to kill the Joker for him fascinating.

Because that's not what happened.

Jason holds a gun up to Joker's head, gives Bruce another, and tells him that if Bruce doesn't do something (shoot Jason), he will kill Joker.

Jason doesn't give the gun to Bruce so that he would shoot Joker. He isn't expecting Bruce to pull the trigger on the clown. He's asking Bruce to do nothing. To be inactive. Because that will still be a choice, and despite having done nothing, everybody clearly agrees that Bruce would still, at least in part, be responsible for Joker's death.

...And to me, this moment is a kind of- microcosm, of the rest of Jason's point. Because after being captured and carted off to Arkham, the villain will escape again, and will kill more people. The only way to truly prevent that from happening would be to kill them; Bruce refuses to do so, and I respect his right to choose such a thing for himself, but it is still a choice, and if we agree that Bruce's inaction during the confrontation would leave him at least partly responsible for the Joker's death, then we must also agree that his inaction in permanently preventing the Rogues from killing more people means he is also, partly, responsible for all of those deaths.

[toomanyf4ndoms7]

Barbara Gordon did not claw herself back into the narrative, becoming a brief member of the Suicide Squad and the leader of the Birds of Prey with a complicated and kind of manipulative but still loving relationship to her team for her to be put into the role of Sane Mom Friend by the fandom. She has layers. She cares, by the Bat-Signal in the sky she cares, but she can also be messy and complicated.

[afreakingmilkshake]

chat i have NOT forgotten about you. a few self indulgent gijinka doodles

[deefighter2739]

The'll show you who's boss and then laugh at you 💙❤️

[fiovske]

can I just say. coffee theory is stupid and completely cheapens the choice Aziraphale makes.

Aziraphale continues to say no to Metatron's offer until Metatron uses the real bait: if you take over Heaven, you can reinstate Crowley to his Angelic status. And that is what gets Aziraphale to say yes hook line and sinker — he can take Crowley with him so Crowey doesn't have to be afraid of Hell and Aziraphale can run things Do It Right as the Head of Heaven and no one would say anything to Crowley ever again if Aziraphale was on his side. Aziraphale doesn't know about the trial and the fact that Gabriel was fired for disagreeing w Heaven on the Second Armageddon front. He just thinks Gabriel was fired bc he fell in love w a demon (and Aziraphale's in love w a demon). Aziraphale strongly believes that if he can reinstate Crowley as an angel again then there would be no such objections from Heaven at all, because they would both be on the same side and they can be together and if anything ever goes wrong, both Crowley and he would be protected under Aziraphale's position as the new boss of Heaven. Plus, the way he remembers it, Crowley enjoyed making things creating things and still likes to do good deeds which he gets in trouble for if Hell finds out, but he won't if he's an angel, in Aziraphale's eyes then Crowley would be free to do all the good he liked. And because Aziraphale would be the boss, Crowley would be able to ask questions and work with him and make things better w his inquisitive perspective, something Crowley always wanted to do and Aziraphale wants to give him that also.

He doesn't know the full depth of things that Crowley knows, which is why when Crowley hears Aziraphale's offer, all he hears is that Aziraphale is choosing Heaven, after everything they have done to him, Aziraphale is leaving Crowley FOR Heaven. The way he sees it, Aziraphale wants him to change and be Heaven's definition of "Good" so they can both be in Heaven, conforming to a life Crowley left behind long ago, a life he knows Aziraphale wouldn't be happy in either. Which is the killing blow to Crowley's heart bc Aziraphale would choose THAT instead of coming away with Crowley? Devastating. But he doesn't know that Metatron's offer WAS Crowley's Angelification and hence forth security that got Aziraphale to say yes. Crowley hasn't communicated a lot to Aziraphale but Aziraphale also hasn't communicated a lot to him either and they're both on very different pages w the information they've got and what they feel they need to do to be together and be safe and happy.

Does Aziraphale make the naive choice? Yes. Does he make so in full control of his mind and senses? Also yes. Having his coffee poisoned is an incredibly cheap tactic because as a writer it's a cop out. It robs Aziraphale of not only his agency but also the reasonings behind his choice. It absolves him from the struggles and consequences of his actions and robs him of the growth and realization and epiphany he will have in the third act. It cheapens their inevitable reconciliation.

Metatron didn't hand him the coffee to poison him. He handed it to him so he can use the manipulative familiarity of "oh look i brought ur coffee order, isn't it cool how I know your coffee order isn't it nice how we are close like that?" that was the tactic. to get him to listen. Not some elaborate coffee poison.

[drarrargh]

[mikuyuuss]

I love that Mitsuri is a little silly and stupid at times, shes a girlboss AND a girlfailure to me <3 but apparently there are some people that genuinely dislike her for those things? I understand Mitsuri's character isn't for everyone, BUT WAIT, HEAR ME OUT.

I've always had this headcanon that Mitsuri had a somewhat sheltered childhood growing up, since In the Rengoku Gaiden, she randomly got discriminated by a stranger for her hair color, so I can only imagine that she probably got that on a daily basis.

I'm sure Mitsuri's parents don't enjoy seeing their eldest daughter bring harassed, so perhaps they might have coddled her a bit. Maybe that could explain why Mitsuri comes off as childish, innocent or """"stupid"""" as many people would say. For me, it's more like her personality just screams "sheltered kid", through no fault of her own tho.

(this is taken from the second fanbook, translated by @/violetheart08)

The fact that she's happy to have friends at the corps, suggests to me that she probably didn't have many friends growing up, she most likely got bullied too, and if that's the case, it's understandable that she can come across as overly friendly and excitable whenever she's befriending new people.

She's actually socially awkward like Giyuu, but just on the opposite end of the spectrum lol, that's why I love them both.

But still, it's not that Mitsuri is straight up incompetent. She's very creative and thinks outside of the box with her breathing style. She also adapts pretty well in high stress situations, we saw this in swordsmith arc, but also we see this very clearly in the Rengoku Gaiden too.

The fact that it only took her two years to become a hashira shows that she has a level of discipline to attain that title. Not only did Rengoku trained her well, this is also no feat that a truly "stupid" person can achieve.

The reason why I have this particular headcanon about Mitsuri is because some families do put A LOT of importance on reputation, especially asian families, when their kids start showing traits that would make them "different" they tend to "hide" the kids in order to protect their reputation so they won't lose their chances at marriage.

(Though I'm not saying all asian families are like this. This is mostly just based on my personal experience that I won't elaborate further)

It reminded me of this scene, when Mitsuri's family suggested that she can just stay with them forever when she was worried that she won't be able to find someone. I love Mitsuri's parents and they are VERY GREAT for their time, but also this is really relatable to me personally :(

And given how marriage was such a big deal in Taisho era, I imagine that it was a mixture of that and the pressure to conform and protect their daughter at the same time that led me to imagine that Mitsuri probably had a sheltered lifestyle.

And you know it's possible that I'm wrong about all of these lmao, but just the fact that she has a comparably normal childhood is a good enough reason as to why she's more positive and naive compared to her peers. I know this is all just a headcanon, but I do wish people can be a bit more considerate towards Mitsuri before hating on her for being "loud" "stupid" and "annoying"

[ecoterrorist-katara]

Nothing about Ka/taang precludes Katara being Chief of the SWT…

which is why it pisses me off even more that Katara didn’t get to have a role of any political importance whatsoever. It wouldn’t change anything about LOK’s storyline, and it would be fully in line with her character.

There’s a common anti-Zutara argument that Katara wouldn’t want to be Fire Lady, because she would want to rebuild and lead her own culture. I am sympathetic to that. Based on her canon characteristics, she might want to be a United Republic Councilwoman, Chief of the SWT, or just generally the Waterbending Master / Matriarch of the her tribe, which would be easier (though not impossible) if she weren’t married to the sovereign of another nation — I get that.

but the thing is…she didn’t get to do any of that, even though “wife of the Avatar” doesn’t contradict those roles. All the things that would be difficult for her to do if she were married to Zuko, she still didn’t get to do as Aang’s wife. She didn’t get to have a career the way her husband, or her brother, or her friends did.

so it’s extra hypocritical when Ka/taang shippers are like “but being Fire Lady would disempower Katara!” when Ka/taang canonically disempowered her! And KA fans are fine with that: they bend over backwards to justify why Katara doesn’t have a statue, or why she wasn’t there to protect Korra from the Red Lotus, or why she wasn’t at Yakone’s bloodbending trial. Yeah she got to live in the SWT — eventually, I assume, because in the comics she just follows Aang around — but what else did she get to do? Fucking nothing, apparently. Because to some people, the greatest honour for a woman is to be the hero’s wife.

[fearandhatred]

listen that good omens lockdown phone call is literally WHAT I HAVE BEEN SAYING everything they tell each other goes in one ear and straight out the other it's kind of incredible

aziraphale hints so many times that crowley could come over if he wanted and does crowley get the hint? no! and then afterwards crowley says outright that he could visit him, and does aziraphale accept? NO! I AM GOING TO THROTTLE THE LIFE OUT OF THEM WITH MY BARE HANDS

[chaotic-neutral-knitter]

listen I love stede a lot - I think he's the bravest character in the show. he changes everyone he meets for the better. he embodies what I think of as the thesis of the show. if he wasn't the way that he is, the show would not be very good, imo.

but in ep one he gives his pirate crew notes on the raid they just did as though they were a community theater troupe and his notes were 1) complimenting his own opening speech as "very inspiring" and 2) complaining that that the crew wasn't sufficiently enthusiastic about robbing two poor fisherman of a single plant.

during the raid his narration went "some men are born to be pirate captains, others learn on the job. me? well I'm a pretty solid mix of both" as though he has any idea what he's doing.

and AFTER the raid Olu has to gently point out to him that piracy isn't a game to the rest of the crew.

There's a reason that Rhys Darby was the only person capable of playing Stede without making him seem like a total dick. And I think that's bc Rhys was able to convey the idea that Stede's behavior in the first few eps is coming out of this deep sense of insecurity - he's doing some Stede-y things (flag making! paying the crew! bedtime stories!) that are great but he's also pretending to be this macho pirate captain who totally knows what he's doing. And it's the pretending that makes people cringe with second hand embarrassment. While also, often, seeing themselves in it and feeling a great deal of sympathy for Stede about it.

The reason Stede is like this is because HE thinks there's something deeply wrong with him, a belief that has been solidified by everyone around him his entire life, and therefore he needs to do everything he can to hide that deeply wrong thing about him. When he unpacks that and embraces the things about himself he originally thought were embarrassing (being weak, pathetic, soft, etc), he can stop pretending. And that's when other characters grow to love him! And so people will sometimes call him cringe because they aspire to be cringe like him, to embrace the parts of themselves that they were punished for and live more authentically.

because he changes! that's the point! he moves from cringe (pretending to be someone he's not) to cringe (being true to himself, always a deeply vulnerable thing to be) and it takes a lot of hard work. that's what makes me LIKE him as a character. that's what I think makes him the bravest character on the show. because he doesn't start out perfect. he's a puppet who grows into a real boy and that means that for a period of time he was a puppet, and that's okay.

[trianglesimpfordpines]

the book of bill all but spells out that ford's "ego" is a front he uses to overcompensate for a fucked-up smorgasbord of self-esteem issues and insecurities and people will still post shit like "ford is so inhumanly selfish he totally didn't even care about the apocalypse plot, he was only upset about bill's betrayal because it meant he wasn't as special and perfect as he thought"

but anyway to make a larger point here the problem with the interpretation that ford is just a horrible person is that it actually causes a lot of his actions to not make any sense.

like, why is he thinking "i'm sorry fiddleford" when he hasn't seen or heard from fiddleford in three decades? why does he invite stan to play d&d&md with him? in lost legends, why did he try so hard to help stan prove his innocence? in college, why did he immediately stand up for fiddleford, who was at this time a stranger to him? why did he try to make friends in gravity falls at first? why did he try to protect those kids from the krampus? why did he rage against the northwest family after finding out what they did?

multiple different interpretations of a story can be valid but like, the franchise canon has repeatedly shown that ford will be kind and principled in situations where he stands to gain absolutely nothing from it. if he really is so deeply selfish and egocentric that he would willingly and knowingly bring about an apocalypse just so he can be "special," WHY would he do that?

every "ford is a bad person" argument absolutely falls apart under scrutiny because of the sheer amount of cherry-picking and mental gymnastics you have to do to reach that conclusion.