#studio: david production

[demifiendrsa]

Alien: Romulus | Teaser Trailer

Poster

Synopsis

The sci-fi/horror-thriller takes the phenomenally successful “Alien” franchise back to its roots: While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.

[disneytva]

‘Inside Out’ Spinoff Series ‘Dream Productions’ & ‘Win Or Lose’ Switch Disney+ Release Dates

Pixar has revealed that Disney+ has switched the premiere dates for its upcoming Inside Out spinoff series Dream Productions and original series Win or Lose.

All four episodes of Dream Productions, which explores the innerworkings of the studio behind Riley’s dreams, will be released on Dec. 11, 2024.

Director Paula Persimmon (voice of Paula Pell) faces a nightmare of her own: Trying to create the next hit dream after being paired up with Xeni (voice of Richard Ayoade), a smug daydream director looking to step up into the big leagues of night dreams.”

The series also features the voices of Amy Poehler, Maya Rudolph, Ally Maki, Kensington Tallman, Liza Lapira, Tony Hale, Lewis Black and Phyllis Smith, the hilarious, mockumentary-style series is written and directed by Mike Jones and produced by Jaclyn Simon.

 Win or Lose originally set to release on December 2024, which features Will Forte as the voice of softball Coach Dan, will begin to roll out on Disney+ beginning Feb. 19, 2025, with each episode following a new character.

“Win or Lose reveals what it actually feels like to be in the shoes of eight different characters in the week leading up to the big game—the insecure kids, their helicopter parents, even a lovesick umpire—with incredibly funny, very emotional and uniquely animated perspectives,” per the description. 

Win or Lose is directed, written and executive produced by Carrie Hobson and Michael Yates, and produced by David Lally.

[tv-moments]

Presumed Innocent

Season 1, “The Burden”

Director: Greg Yaitanes

DoP: Doug Emmett

[mariocki]

The Nesting (Massacre Mansion, 1981)

"It may come as a surprise to you that a physicist could even contemplate the existence of paranormal phenomena."

"But you admit to the possibility."

"I admit the possibility of the unknown. I admit that science is only beginning to understand its own discoveries. But I do not believe in evil spirits or painted phantoms in windows."

[cyphyree]

if you could watch Jojo in an another animation style, what would it be?

I'd love to see a Studio Trigger version personally like

yknow?

[sherlockianscholar]

okay so i really, really want granada to release the official shooting scripts to the public (à la bryan fuller having all the hannibal scripts on his website). so now i'm gonna comb through linkedin to see if i can find the right low-level writer/editior/producer/what have you (not specifically from the show, but just with the company) and hope for the long shot that they will answer my emails or whatever messaging thing i can use.

[konvoluted]

The Boy and the Heron booklet insert with Hayao Miyazaki’s 2016 Project Proposal

[rickchung]

Alien: Romulus (dir. Fede Álvarez).

The Uruguayan genre filmmaker ably takes over the storied action franchise in a fresh but familiar interquel set between the first Alien film and its direct sequel Aliens. Produced by original director Ridley Scott, it stars Cailee Spaeny and David Jonsson as an ophan and her android companion. They represent a new contemporary generation of characters despite existing during the previous films' timeline. It very much throws back to a more retro sense of handmade, practical sci-fi horror thrills while also including some truly obnoxious callbacks to the 1979 original. Also, Bjorn (Spike Fearn) absolutely sucks as a character.

[dougielombax]

This one is gonna be nasty.

(TW Body horror)

Be warned.

(I am SO sorry)

Parallels

Or

Seeing Patterns in Things that Aren’t There.

Part 33.

Oh, You are Sick!

1. Eraserhead (1978. Directed by David Lynch)

2. Silent Hills PT. (2014. Kojima Productions/7780s Studio)

Yeah…

Kind of speaks for itself.

…

Fucking hell.

[graphicpolicy]

ThunderCats #2 Debuts a New Character Calica!

ThunderCats #2 Debuts a New Character Calica! #comics #comicbooks #thundercats

Dynamite and Warner Bros. Discovery Global Consumer Products have announced a huge new addition to the ThunderCats mythos, with the introduction of a brand new character in issue #2!A brand-new member is being added to the core cast by the creative team of Declan Shalvey and Drew Moss. Fans will get the chance to meet Calica early into the second issue, which arrives in stores March 13. A…

[bkenber]

First Trailer For 'Alien: Romulus' Has Been Unleashed

For my money, both Sir Ridley Scott’s “Prometheus” and “Alien: Covenant” were worth the price of admission as the famed director dared to take this franchise he began back in 1979 in a different direction as they both dealt what happened before the events of the original. But regardless of Scott’s intentions, audiences were very critical of both films as many were expecting something along the…

[demifiendrsa]

Mufasa: The Lion King | Official Trailer

Poster

Synopsis

“Mufasa: The Lion King” enlists Rafiki to relay the legend of Mufasa to young lion cub Kiara, daughter of Simba and Nala, with Timon and Pumbaa lending their signature schtick. Told in flashbacks, the story introduces Mufasa as an orphaned cub, lost and alone until he meets a sympathetic lion named Taka—the heir to a royal bloodline. The chance meeting sets in motion an expansive journey of an extraordinary group of misfits searching for their destiny—their bonds will be tested as they work together to evade a threatening and deadly foe.

[maguro13-2]

Tekken 4 Prologue : Return of the Knight King.

Back in the Real World city of Tokyo, Arthur Boyle's reincarnation was drafted into the Fate Universe and resurrected himself as the female servant named Saber. Although his success as a newly developed warrior for Excalibur was highly regarded for many occasion in Japan. His penchants as Saber for both manly and womanly personalities gave everyone and their creators more than a few headaches.

While being inside the body of a strong female warrior, Arthur felt a strange emptiness within him from the destroyed Ohkuboverse.

He Recalled longingly of the days hustling money for jousting. The life of swordsmanship with Excalibur, and his partnership and rivalry with Shinra Kusakabe, the inhabitants of the Fate Universe cannot quell for these yearnings for him.

One day, he received a call that the newly resurrected Shinra Kusakabe wants him back for his partnership. For the first time in the Real World, both his and Saber's blood began to mix and stir. He would able to help Shinra, defeat the forces of evil and any threats that endangers Real World AU, claiming that the real world would be his to protect as Knight of the Real World.

Bursting with anticipation, Arthur slipped out of the Fate Universe and headed for the reunion of his companion.

[tv-moments]

Presumed Innocent

Season 1, “Pregame”

Director: Greg Yaitanes

DoP: Doug Emmett

[james-stark-the-writer]

the difference between the fourth wall breaks of something like the Deadpool movies compared to something like Birds of Prey and the Fantabulous Emancipation of One Harley Quinn and She-Hulk: Attorney At Law is that every joke in Deadpool feels masturbatory like the writers think they're so hilarious for doing a fourth wall break like that's never been done before whereas both of the other two not only feel right at home with the characters' personalities but are much more natural and much more well done compared to the jokes in Deadpool or its sequel. (do not get me started on Deadpool 2, the movie sucks ass in basically every way except for the characters of Domino and Yukio. every single joke in it was outdated before it was even written. they were making fucking dubstep jokes in 2018. it was a 2012-ass script made way too late and riding on the coattails of the first with even less effort into being actually good.)

but the difference between those properties is that Deadpool wants to be congratulated for being some insanely crazy shocking movie that's pissing off the studio system or whatever but every single joke in it was approved by those people because it makes them money like it's so antithetical to the entire point they're trying to make and it makes for a very infuriating watching experience sometimes. the cognitive dissonance is hard to swallow with that one. but the way BOPATFEOOHQ and She-Hulk do their bits feels so much more authentic and less self-congratulatory and also just like they're clearly done with so much more passion and effort and care? when I watch either of the Deadpool movies, I feel like I'm watching a bunch of executives jerking themselves off. when I watch the other two, I feel like I'm watching a passion project that the executives clearly didn't give a shit about and thus the creative team were actually allowed genuine creative freedom with not a lot of oversight. that's a little less true with She-Hulk (especially in terms of that glorious finale although even that feels more authentic and artist-driven than most things in either Deadpool movie. Kevin Feige's boring, sanitized ass does not have the range to do that finale) being a MCU property although Phase 4 was so fucking experimental and it was a joy to behold even if not everything hit but it's still true and more authentic for the most part. with Deadpool it feels like the only person who really really cared about it was Ryan and like maybe a few of the other actors who actually did do commendable work with what they were given but with the other two projects, it feels way more collaborative because every single person showed up and cared deeply about what they were making.

(this is an addition to the tags bc I ran out [apparently i forgot there was a 30 tag limit] but. anyway the point is. Birds of Prey and the Fantabulous Emancipation of One Harley Quinn is a phenomenal movie in basically every single way and you should watch it.)

[muchemovies]

Lady Gaga to write, perform & sing as the Goblin Princess - Jareth's daughter - stealing Toby's child(ren) to avenge her father in LABYRINTH 2