#storytelling etc

[vardasvapors]

petition to rename all of the ‘x of y and z’ snowclone fantasy book titles to ‘she x on my y til i z’

[anne-is-confused]

Captain Francis Crozier, at Furthest North.

[giantkillerjack]

Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!

Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*

Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!

[chompe-diem]

hey. don't cry. audible smile in brian murphy's voice when he says "...but it's good when your friends look out for you" ok?

[stellaluna33]

The Jess episodes in Season 6 are SO gratifying (for those of us who, like Rory, would say, "I KNEW you could do something like this! I KNEW it, I knew it!") but at the same time SO FRUSTRATING, because everything about the way they were written suggests that they were making deliberate comparisons between Jess and Logan- comparisons in which Logan doesn't come off particularly well. Like they went to great pains to imply that: Jess knew Rory better than Logan (the birthday subplot), was better FOR her, was more mature, loyal, freaking noble, etc. etc... And then they just... never went anywhere with it! Logan jumps off a cliff and Rory feels guilty, and... The whole plotline gets dropped and they never talk about it again! It really freaking seemed like they were making a point, but WHAT WAS THE FREAKING POINT??? *flips a table!*

[14dayswithyou]

Hello again! Sorry if u already answered something similar to this, but I was wondering: on a scale of 1-10, (1 being none at all, and 19 being something like Boyfriend to Death or Killing Stalking), how prominent will horror yandere aspects of the genre be in the game? Hopefully this makes sense haha ;;

✦゜ANSWERED: aaaa unfortunately I'm not familiar with either of those titles (both have extremely triggering themes that I'm not comfortable with/enjoy even from a fictional standpoint), so I can't really give you an accurate answer T_T

Without spoiling too much, 14DWY will eventually change from being cutesy and pastely to dark and eerie the more "unhinged" Ren gets.

You have the ability to shape Ren's actions and the outcome of the other cast members as well — and depending on those choices — it will be reflected within the game. If you continuously get Ren's Dead Ends, things will become more glitchy and Ren will become more self-aware. If you manage to convince Ren to fall further into the deep end, the themes will become more "darker" and it will be visually depicted through the UI change. If you keep Ren as "Ren", certain assets will change to show that he's trying to make his world perfect for you.

The "horror" aspect will always be lingering within the text and overall vibe of the game as it progresses and adapts to your play-style — as well as portraying the morality of the cast and the impact your choices make.

The jumpscares in the Dead Ends are just a red herring :)

[ragesingoddess]

Odysseus, on his journey home to Ithaca, was visited by a ghost.

[leonardcohenofficial]

asking the trusted friends and mutuals to help me out here; i swear there's an interview with joni mitchell out there where (i'm totally paraphrasing) she talks about how not every song she's written is reflective of something that's actually happened to her and she knows how to tell stories well—does anyone happen to know what quote i am thinking of and/or if i've just made this up in my head LOL

[island-in-the-shadows]

Truly, my sympathies to people watching IWTV and are getting tired/bored of different perspectives. I'm not bored or even remotely tired.

Interviews by their very nature are perspective based. The story has this specific framing. As did the first book. They added to it with Armand now being an active participant and Daniel being more seasoned at interviewing. I understand how Armand's very edited and hyperbolic take on events that Book Lestat describes in The Vampire Lestat rubs people the wrong way. I do think that one could argue the way Lestat writes his own autobiography is the objective truth (note Armand in his book does not contradict Lestat). However, sorry to say, there is never an objective truth. The truth is always subjective.

I was raised by a whole family of lawyers and if I learned anything is that you can spin things in any way, but an objective truth will never exist. Not in crime, not in person to person storytelling, not in fictional storytelling. Hell, viewers seeing the SAME show CANNOT come to a consensus. Why? Because we all put our thoughts, experiences, and feelings to it. That's all perspective.

We see Louis give Armand a kiss in bed. Some think aw domestic and cute. Some think Louis is deliberately withholding and rewarding Armand for good behaviour. Some saw the act they put on in E2 as some version of truth and domesticity and some think it's only an act. Some think Dreamstat is actual Lestat out there somewhere and some think it's Louis' conscience.

Yes, the narrative will confirm one thought or another on some things but not all of them. They're deliberately left up to interpretation. Something btw, Lestat urges the reader to do in TVL when he does not go into details about his time with Louis and Claudia. And part of that has to do with perspective.

We could have a straightforward narrative with no corrections and no perspectives. But would that be as interesting as seeing how minds that far exceed our own twist and bend and interpret events? Would it be as interesting as seeing a vampire who tells himself a story so that he can carry on living despite being miserable? Would it be as interesting as this vampire who tells himself a story get pushback on what he's saying by someone who notices errors and inconsistencies? Would it be an interview at all? Or would it be, as Daniel put it in the very first episode, "a fever dream told to an idiot."

If you want a straightforward non-challenging version of the story, the 1994 movie exists. It's not perfect and a lot of details are missing, but there's only one, unchallenged perspective to it. And even then...how many people didn't (want to) see the queerness in it?

TL;DR I get being frustrated or tired or bored by the way the show is trying to tell the story, but at least it's doing something a little different and not word for word.

[qwertycake]

thinking about that one comment under rt's Minecraft video where they say they haven't felt this comforted since stampylongnose and god you're so right. god you're so right.

[emile-hides]

I was watching a Youtube video of all the Cinematic from the new Overwatch Invasion update (cause heaven knows I ain't buying it) and I noticed at the end Ramattra has this like.. Burn? Mark?? On his chest that goes through his cape

So I downloaded Overwatch on my PC to get a look at the Wandering/Traveling Monk skins this scene is using and I noticed..

Traveling and Wandering have a lot of visual differences, most notably in the burn the originally got my attention.

Wandering has been used canonically to show Ramattra's monk days previously, in his origin story and in the Developer commentary, but interestingly the artwork in those videos is lacking that very burn

Overwatch character designers are very good at visual storytelling, especially with Omnics (I could write an essay on what they've done with Zenyatta), so I believe this burn may very well be what became the Last Straw for Ramattra, what pushed him to leave the Shambali, what caused his fall into violence and eventually Talon.

Was he attacked? Or was he attempting to protect someone else? Despite his best efforts to shield them, the shot fired right past him, scorching his metal, cutting through his cape, and taking their life...

I hope we learn more about it.

[therentyoupay]

im completely feral over all your jelsa stories!!!!!! do you ever write established relationship jelsa or have any headcanons about what they would be like together in a serious relationship or marriage????

THANK YOU SO MUCH. 😭😭😭😭😭😭💕💕💕💕🙏 thank you thank you nonny for this super sweet ask and this really lovely question and all of your love and support!! 💕💕💕💕💕

i have... never actually written established!relationship (in any fandom), now that i'm thinking about it? that said, i guess i can come up with a quick list of some headcanons, maybe? 😂 i will have to think about this more, but for now, here's a quick drop:

elsa is an early riser; elsa helps jack create more sustainable sleeping patterns and habit formations 😂

when jack gets Impetuous Urges to Do Something Rash and Impractically Spontaneous, elsa will ground jack, reminding him to think before acting. (he occasionally Still Does It, anyway.) elsa knows what she signed up for, lol.

jack loves to play Harmless(!) Pranks, just to watch elsa’s reaction. (he is no longer allowed to sneak up on her after The Incident).

they also quibble over the definition of "harmless" and the specific logistical implications of that; for a while, jack was banned from further pranking, but then he got more creative at showing elsa that pranks could be wholesome and genuine, in which they could both be in on the joke. however, due to elsa's deeply-rooted Need to Excel and her (Not-so)Secret Competitive AF Streak, her retaliation in escalating the Cleverness Prank War quickly resulted in jack's prompt implementation of the Prank-Free Zones and Time Periods. (no, he was not scared.)

elsa, usually reserved, has learned to let her playful side show more often with jack. she might still pretend to be exasperated by his antics, but sometimes it's part of the game (or habit).

elsa sill struggles with opening up emotionally sometimes, but she progressively feels safe enough to share her innermost thoughts and fears. with time, she confides in him more about her worries. she still never likes the idea that jack sees her Imperfect Parts, but at least she can tolerate the discomfort (and, yes, take comfort in it) now

(jack loves elsa's Imperfect Parts, and jack admits that he is Weirdly Proud and Competitively Honored to be one of the only people, even including anna, who gets to see them. he also is strangely Comforted and Validated that elsa is, in fact, not perfect because for a while there, he was pretty freaked out and intimidated by how fancy she is.)

until he realized that no one ever let her actually be a Weirdo before, and once he realizes the Truth of Elsa Also Being a Secret (albeit perhaps more Subdued) Weirdo, the Universe Aligns.

jack listens to elsa's Big Conversations intently, activating varying levels of Serious Mode.

jack is getting better at recognizing the moments when elsa needs him to play and needs him to listen or Give His Opinion or any combination of those things.

jack learns that it's not always about Saying the Right Thing (which he is not very good at, anyway, or so our Serially Unreliable Narrator thinks), but rather being able to read elsa's mood and anticipate what she might need (even if she is not aware of it herself yet).

elsa is meticulous about planning and preparing for special occasions.

elsa likes traditions! jack likes tradition only because elsa likes them, lol, and hey, okay, these are more fun than he thought?? (who knew fun could be organized??!!?)

so he really wants to show (off to) her by pulling off Incredible Planning Feats in her honor, too (they do not go as smoothly, lol).

jack will often go out of his way to spontaneously create something meaningful, a moment or a gift or a gesture, that reminds elsa that he cares. he is big on words of affirmation, gift giving (but like, souvenirs that he collects on adventures like, "i saw this rock and it reminded me of your cousin olaf, we should put it on the window after we paint his face on it"), and acts of service, as well as physical touch and quality time. HE WANTS LOVE. he wants TO BE LOVED. he wants to prove that he is worthy of being loved.

(and elsa has to get him to Chill Out sometimes, remind him that he doesn't have to Do Things For Her/Anyone in order to be deserving of care; he is more than what he provides for other people.)

(jack gets its, and appreciates it, but also, the Urge to Provide and Protect is still strong, even after so much time, and sometimes Old Habits Die Hard.)

i get the sense that he'd be the type to he wake elsa up in the middle of the night to take her on a surprise adventure, or convince her to Do a Fun Thing without any preparation (/warning).

and she would Be Alarmed at the Lack of Plan (especially if/when jack Did Not Think This Through), but he also took precautions to ward off Concerns by pacifying her with tea, or reassurances that yes, he did call ahead to make sure the restaurant was open before they left the house, of course he did, he would never just leave home without double-checking beforehand (and frantically googles it two minutes later when he thinks she's not looking; she is, naturally, and even occasionally pretends not to be).

elsa approaches conflict with a desire to resolve things Calmly and Logically. she tries to understand jack’s perspective, even when she disagrees, and she’s careful with her words, not wanting to escalate the situation.

however, she can sometimes withdraw emotionally, fearing that she might say something hurtful if she’s too overwhelmed.

jack was initially (and, honestly, still is, even though he understands more now) hurt by her tendency to shut down when she Feels Too Much, and understands (although it's still hard) that elsa needs time to process her feelings and organize her thoughts.

jack also helps elsa actually Feel her Feelings, instead of just trying to intellectualize and analyze them. (she hates it, BUT sees the value. jack lives for these moments in which he realizes that he's actually contributing positively to her life and helping her in some way, rather than just being a burden or a nuisance, as was/is his fear.)

his initial reaction might be to push for a resolution quickly, but he’s also deeply afraid of Creating Distance between them, so after the first few fights, he really makes an effort to find the right balance between Pushing Hard Enough and Not Pushing Too hard, so that he doesn't drive a wedge between them as they work things out.

jack FEELS intensely, and can be so stubborn. he does not always have the most precise vocabulary or tools to describe his thoughts and feelings, or identify the root causes of what is actually going on inside him; sometimes elsa asks a lot of insightful and guiding questions that help jack come to the conclusions himself, and other times, she Puts Into Words the very thing that he had been thinking or feeling, but could not name, and it is very reassuring to have someone who understands him well enough to be able to do that.

after conflicts or arguments, they take time to Decompress and reassure one another (especially if at least one of them, if not both, was Overthinking again).

when they argue (and healthy couples do, remember!), it’s a dance of patience and understanding: elsa might need a moment to Collect Herself, and jack learns to give her that Space while also making it clear that he’s ready to talk whenever she is, and that he is going to try very hard to be Rational and Patient About It.

in the end, they both prioritize their relationship over any disagreement, always finding a way back to each other.

[brother-emperors]

Did you used to like Mark Antony and dislike Cassius? What changed your mind ?

honestly the condensed version of events is that Antony and Brutus became uninteresting, extremely boring as POV characters to me at the same time for the same reasons, that prompted me to look closer at Cassius, and then I decided to spend two years trying to untangle Cassius from Brutus which completed my transformation into a part time Cassius apologist

like, both Antony and Brutus are still compelling figures, it’s honestly the versions of them in media and pop culture that I personally dislike and find boring because it’s not discussing anything I find interesting & frequently I feel like my time has been wasted, while their historical counterparts is more of a ‘wow I hate what you’re doing, keep it up!’

and ofc: the general passage of time. you get older. things that interest you change. being a hater as a recreational activity is fun. variety is the spice of life. people who write about Cassius are delivering poetry and I’m not immune to it. etc etc.

[doomspiral]

Reading ur religious texts (whichever) can also be fic research if ur totally insane

[daily-kagami]

Day #78: Movie-goers

[tokutaiseichan]

⚠️ HOTARUBI SPOILERS ⚠️

crazy how we went from "Haku and MC are the only one kind enough to humour Zenji" to "Zenji is a ghost and others can't actually see him" holy shit.....