#stolen motorcycle

[insanethrottlebikernews]

MY MOTORCYCLE WAS JUST STOLEN

#HARLEYDAVIDSON #STOLEN #MOTORCYCLES The top 10 motorcycle manufactures most frequently stolen in 2021 accounted for 78% of all stolen motorcycles in 2021. Leading the pack was Honda (10,282), Yamaha (8,185), Kawasaki (5,904), Harley-Davidson (5,811), and Suzuki (4,890). Of those almost 52,000 motorcycles stolen, less than half have been recovered with the NICB study indicating that only 42%…

[if-you-fan-a-fire]

"Chase Starts On Wheels but Ends on Foot," Montreal Star. June 1, 1933. Page 3. ---- Police Triumph After Exhaustive Dash Through Highways and Byways ---- TWAS in the neighborhood of 3 o'clock yesterday afternoon when Detective Scallon and Special Constable Lamoureux saw a motorcycle which was listed as stolen at Metcalfe and Burnside streets. Two men were astride it, so that the respective forces of law and disorder were evenly matched, at least in point of numbers. Swinging their car about. the officers turned to follow the men on the motorcycle. The latter apparently smelled danger and started to go elsewhere. Backward and forward. between Burnside and St. Catherine streets, up and down between Metcalfe and University streets. they doubled. What the car gained on the straigt-away, it lost on the turns. Neither side could hold any advantage. It looked as if the thing would go on indefinitely. SUDDENLY "the motorcycle "pilot" darted into an alley. Constable Lamoureux swung his helm hard over, and followed. The trail now led through the lanes and alleys, instead of the streets. The scent was perhaps a little heavier. but the quarry still managed to elude capture, dodging back and forth like a rabbit in tall grass. Suddenly. as the motorcycle turned from a lane into University street. it slipped. and spilled its riders. But the chase was not ended… The quarry was, as it were, crippled, but he had not gone to earth. The two motorcyclists leaped to their feet before the officers could come up to them and took to their heels. UP and down the lanes and alleys they coursed again, seemingly making better time on foot. than they had before, but it could. not go on forever. Human en- durance has its limit, and soon the chase ended, with two exhausted" captives on the way to the cells with two captors in little better state than themselves. At police headquarters, the men gave their names as John Brown. 22, and Thomas White, 20, both of 574 Inspector street. They were charged with theft of the motorcycle and possession of stolen property. They pleaded guilty before Judge Tetreau and will be sentenced on June 7.

[breaddo]

one of the best tv movie scenes of all time truly. i love that they took the american setting they were working with and really knew how to use it ❤️

more silly dr who screencap/meme redraws:

first doctor

third doctor

original photo below:

[low-quality-comic-characters]

X-Men 2 Prequel: Wolverine

Tom Mandrake

[kylejsugarman]

enough trauma talk for now: jesse and demi sleeping peacefully in bed together with his dream bubble showing him successfully jumping over ten school buses on a tricked out motorcycle and her dream bubble showing her successfully bringing dinosaurs back to life

[ponycycle]

question for artists: which of the below motorcycles do you think would be easier for you to draw

Fine print: -Comments/replies are welcome -I'm not planning on asking anybody to draw either, this isn't a trap it's just for science -Answer as if YOU personally were going to make a reasonable* effort to draw either -I want to leave "reasonable" up to the reader, but I guess at minimum I want to say a non-agonizing amount of work. We're definitely not talking about a photorealistic painting

[woodcutchimera]

i want the electric motorcycle sooooo bad. need walkup or apartment with garage of course. so many vespas parked on the street in my neighborhood this summer i wonder how many actually make it until fall

[townpostin]

Bike Theft Ring Busted in Jamshedpur, Five Arrested

Police recover stolen motorcycles; two minors among those apprehended A coordinated police operation has dismantled a motorcycle theft gang operating in Jamshedpur’s Parsudih area. JAMSHEDPUR – Parsudih police have arrested five individuals involved in a motorcycle theft ring, recovering five stolen bikes in the process. The arrested adults include Mohd. Rehmad and Saddam Hussain from Kapali, and…

[transhuman-priestess]

anybody wanna buy an extremely not-stolen motorcycle

[insanethrottlebikernews]

 Harley Davidson damaged and keys stolen by youths 

A motorbike enthusiast was left devastated after a group of children pushed over his Harley Davidson bike causing £600 worth of damage and stole the keys. Ian Maggs has had to cancel a visit to the Kent Family Yard party in Hoo on the Isle of Grain this weekend and an appearance at The Drive and Jive show in Whitstable last weekend after the children got onto his property and damaged his…

[watford-herts-london]

Motorcycle Stolen Twice in Two Months, International Student Fears for Safety

Ghayour Hussain, an international student from Pakistan who moved to the UK, has had his motorcycle stolen twice in the past two months. The first time, he found it a few days later in someone’s backyard, but the lock had been broken and the battery was dead. The second time, the motorcycle has not been found. Hussain is concerned about his safety and the safety of his property in Hemel…

[sugugasm]

BET | love and deepspace

⟡ tags : underground boxer! sylus + reader — sylus isn’t afraid of going all in when it comes to you.

ミ★ content warning : fem! reader uses she/her prns, mentions of blood & injuries, mentions of female anatomy as well as male anatomy, oral fem! receive, gentle to rough sex, pet names like bby, dove, kitten, honey, 5.0K WORD COUNT

you step into the dimly lit underground boxing gym, the air thick with the scent of sweat, cigarette smoke, and leather. it’s a seedy place, hidden in the heart of the city’s most notorious neighborhood, where the law doesn’t dare to tread. the crowd tonight is a mix of rough characters - bikers with gang patches on their jackets, local gangsters with glares and expensive watches, shady high-rollers in suits looking to place big bets on the illegal fights.

as you navigate through the throng of people, you spot him in the corner, preparing for his match. sylus - the man who happened to be your ex-boyfriend . . oh, and only the most feared bare-knuckled boxer in the underground circuit. he was a sight to behold, all rippling muscles and newfound tattoos, with messy silver hair that gleamed under the fluorescent lights. you watch as he methodically wraps his hands, his intense red eyes focused on the task.

your history with sylus is complicated, to say the least. you met him two years ago at a biker rally, drawn to his bad-boy charm and undeniable charisma. he swept you off your feet with his daredevil antics on his custom harley and his smooth talking ways. but sylus’s world was always filled with danger, violence, and illegal activities. as the leader of onychinus, the city’s most notorious motorcycle club, he ran an empire built on illicit evol weapons, protocore deals, and underground fighting.

at first, the thrill of it all was intoxicating - the adrenaline rush of riding on the back of his bike, the wild parties at the onychinus clubhouse, watching him dominate in the ring. but as time went on, you grew tired of the constant chaos and the fear that one day, sylus’s risky lifestyle would catch up to him. you wanted stability, a future - things that sylus scoffed at. ‘i live in the moment, babe,’ he would say with that infuriating smirk. ‘and right now, all i want is you.’

but it wasn’t enough. six months ago, after a particularly brutal fight that left sylus battered and bleeding, you reached your breaking point. you told him you couldn’t watch him destroy himself anymore, that you needed more than he could give you. sylus, stubborn and proud as ever, refused to change. ‘this is who i am,’ he growled. ‘so take it or leave it.’ so you left, walking away from the man you loved, determined to build a life free from the violence and uncertainty.

now, seeing him again after all this time, you feel a mix of emotions stirring within you. anger, hurt, frustration . . . but also a undeniable pull of attraction and longing. as if sensing your presence, sylus glances up, his red eyes locking with yours. a slow, confident smirk spreads across his handsome face as he saunters over to you, the crowd parting before him.

“well, well. look who it is,” he drawls, looking you up and down appreciatively. ���didn’t expect to see you here tonight, [★]. come to watch me dominate the ring as usual?”

you scoff and cross your arms, determined not to let him see how much his presence affects you. “i’m not here for you, sylus. i’m just here to collect on some bets.”

he chuckles, a deep, rich sound that sends shivers down your spine. “sure you are, sweetheart. keep telling yourself that.”

sylus takes a step closer, invading your personal space. he smells like musk and sandalwood, a scent that brings back memories of stolen moments and passionate nights. “i miss you, you know,” he murmurs, his voice low and intimate. “everything’s been so boring without you around to keep me on my toes.”

you try to stay strong, but you can feel your resolve wavering. damn him and his charm. “i’m not here to rehash the past, sylus. what do you want?”

his eyes glint with a challenge. “make a bet with me - when i win the championship belt tonight, you give me another shot. a chance to prove that we’re meant to be together.”

you laugh in disbelief. “you can’t be serious. we’re done, sy. i’m not falling for your games again.”

“who says it’s a game?” he counters, his expression turning serious. “i know i messed up, [★]. i wasn’t ready before, but i am now. i want you back in my life. i need you.”

you hesitate, torn between your lingering feelings and your better judgment. sylus is a force of nature, wild and untamed. being with him is like dancing on the edge of a razor - thrilling but dangerous. can you really risk your heart again?

“and what do i get if you lose?” you ask, buying yourself time to think.

sylus flashes you a cocky grin. “you know i never lose, kitten. but if by some miracle i do . . i’ll leave you alone. for good. unless you decide you can’t resist me and come crawling back.”

you snort at his arrogance, even as a part of you wonders if he might be right. sylus has always had a hold on you, an undeniable magnetism that draws you in against your will, “fine,” you hear yourself saying, almost as if from a distance. “you’ve got a deal.”

his grin widens, triumphant. “get ready to come back to where you belong, [★] - with me.”

the crowd starts to get louder, chanting and cheering as the lights flicker and dim. it’s almost time for the main event - sylus’s championship fight. he starts to walk towards the ring, but pauses and turns back to face you.

“watch closely now, honey,” he says with a wink. “i’m about to show you what you’ve been missing.”

with that, he strides away, his movements graceful and predatory. you watch him go, your heart pounding in your chest.

what had you gotten yourself into?

as the crowd’s chanting reaches a fevered pitch, sylus steps into the ring, the picture of coiled power and raw aggression. his opponent, a hulking brute known as ‘the mauler���, glares at him from across the mat, pounding his meaty fists together in a show of intimidation. but sylus just smirks, unfazed. he’s taken down bigger, badder fighters than this guy.

the referee calls them to the center, going over the rules - not that there are many in the underground circuit. “no biting, no eye gouging, fight ends with a knockout or tapout. keep it clean . . ish. touch gloves and come out swinging!”

sylus bumps his taped fists against the mauler’s, staring him down with those intense red eyes. then they’re backing away, the air crackling with tension as the crowd falls silent in anticipation.

the bell sounds and the mauler charges forward with a roar, swinging wildly. but sylus is too quick, too skilled. he slips and weaves, dodging the heavy blows, letting his opponent overextend himself. sylus fires off a rapid jab - cross combo, snapping the mauler’s head back and drawing first blood from his nose.

the big man snarls and redoubles his efforts, trying to use his size to his advantage, to trap sylus against the ropes and pummel him. but sylus is like smoke, always just out of reach. he targets the mauler’s weak spots with surgical precision - a knife-hand to the solar plexus to crush his wind, a heel kick to the floating rib, an elbow smash to the jaw.

each blow lands with devastating impact, chipping away at the mauler’s formidable stamina and sending the crowd into a frenzy. they chant sylus’s name like a war cry, thrilling at the sight of the chiseled, tattooed demigod of the ring in his element.

you watch in breathless awe, pulse racing, body heating. damn him. he’s magnificent like this - a perfect fighting machine, all fluid grace and controlled violence. it’s enough to make you forget why you walked away, to let yourself imagine those powerful hands on your body once more . .

a pained grunt snaps you back to the moment as the mauler finally lands a solid hit, a haymaker to sylus’s ribs that sends him staggering. your heart leaps into your throat. but sylus just shakes it off with a feral grin, spitting blood and bouncing on his toes as he beckons for more.

they trade blows in a brutal, lightning-fast exchange, neither giving quarter. the mauler is flagging but still dangerous, pure grit keeping him on his feet. sylus bleeds from a cut over his eye but barely seems to feel it, an unholy light in his gaze as he scents victory.

he presses his advantage with a dizzying flurry of strikes, driving the mauler back . . back . . until he’s pinned against the turnbuckle. sylus hammers his torso without mercy - left hook to the liver, right uppercut to the chin, again, again. the mauler’s knees buckle and sylus steps back, letting him crumple to the canvas.

the crowd erupts as the ref counts it out. at “ten,” sylus throws his hands up in triumph, basking in the adulation. his eyes find yours across the room and the heat in them makes your breath stop. in three long strides he’s out of the ring and hauling you into his arms, crushing his mouth to yours in a searing kiss.

for a moment, you forget where you are. forget the mob of rowdy spectators whistling and catcalling. forget every reason you swore you'd never let him back into your heart. all you know is the demanding press of his lips, the steel - cable strength of his blood-slicked body, the intoxicating rush of his victory and your surrender . . .

“looks like i won our bet, babe,” he says smugly, smirking down at you. “hope you’re ready to pay up.”

you scowl, hating how easily he affected you. “one. drink. that was the deal.”

sylus touches his tongue to the seam of his split lip, gaze roving hungrily over you. “oh, i’m just getting started.”

he drags you through the throng of well-wishers and sycophants, his grip on your hand unbreakable. outside, the night air is cool against your overheated skin, charged with tension and the distant growl of engines.

sylus leads you to his pride and joy - that sleek demon of a harley crouched by the curb. the way he straddles the throbbing machine is blatantly sexual, all hard muscles and black leather. he jerks his head at the space behind him.

“c’mon - you know the drill, hop on.”

your hesitation lasts a mere heartbeat before you throw a leg over the bike and wrap your arms around his waist, molding yourself to his back. the rumble of the engine between your thighs and the furnace heat of his body shreds the last of your resistance.

your hesitation lasts a mere heartbeat before you throw a leg over the bike and wrap your arms around his waist, molding yourself to his back. the rumble of the engine between your thighs and the furnace heat of his body shreds the last of your resistance.

then, sylus kicks off and you’re flying, the city lights a neon blur as he opens the throttle. your pulse pounds in time with the roar of the pipes, excitement and desire a heady drug in your veins. by the time he screeches to a stop outside a dingy saloon on the outskirts of town, you’re dizzy with need.

inside, the bar is a den of sin and swagger, all scuffed leather and polished chrome and clinking bottles. eyes follow sylus with a mix of fear and reverence as he stalks to a booth in the back, one possessive hand at the small of your back.

he orders a whiskey, neat, and your favorite poison, not bothering to ask what you want. at your raised eyebrow, he shrugs.

“i remember.”

two words. but the weight of history and unspoken emotion behind them squeezes your heart. your fingers tremble slightly as you raise your glass in a mock toast.

“to your victory. and my reckless wager.”

sylus’ gaze is molten as he clinks his tumbler against yours, gaze holding you captive over the rim as he tosses back the smooth liquid. the slight burn of the alcohol is nothing compared to the smolder of his stare.

“what are we doing, sy?” you ask into the charged quiet, liquid courage loosening your tongue. “why now, after all this time?”

a muscle ticks in his jaw. he looks down, spinning his empty glass, broad shoulders rigid with tension.

“i fucked up.”

his voice is low, raw with a vulnerability you've never heard from him. your breath snags.

“i thought i needed the rush, the rep, the respect. and yeah, maybe i did, for a while. but none of it meant shit without you.” slowly, giving you every chance to pull away, he reaches for your hand — lacing his scarred, tape-wrapped fingers with yours, “i was a coward. i pushed you away because i was scared shitless of how bad i wanted you - needed you. needed your strength, your goodness. you made me want to be better. and it truly fucking terrified me.”

his grip tightens, almost painfully. anchoring you to him.

“losing you . . it broke me, [★]. made me realize that the only thing i’m actually afraid of is living without you.”

sylus swallows hard, his throat working. when he looks up at you, his eyes are blazing with fierce intent.

“i know i don’t deserve another shot. i know i need to earn back your trust. but i swear to whoever may hold my fate, if you give me a chance, i will spend every waking day proving that you’re my whole damn world.”

your heart is a wild bird in your chest, frantic and yearning. you search his face, finding only sincerity and aching tenderness beneath the bruises and blood.

“i never stopped loving you,” you confess, voice breaking. “no matter how hard i tried to hate you . . i couldn’t let you go.”

sylus makes a rough sound, halfway between a growl and a groan. then he’s kissing you, deep and urgent and saying everything he can't put into words. you fall into him, all hunger and desperation, the levee finally breaking on the flood of your need.

“take me home,” you gasp into his mouth, fingers curling in the sweat-damp silk of his hair.

“i thought you’d never ask, dove.”

the anticipation is a living thing as sylus speeds through the lamp-lit streets, the throaty growl of his harley between your thighs a heady reminder of the man commanding the machine. by the time he pulls into the cavernous garage beneath his loft, your body is humming, every nerve ending alight with need.

sylus is on you the moment you dismount, crowding you back against the rough brick wall, his large frame enveloping yours. his kiss is searing, possession and passion, strong hands gripping your hips as he grinds into you. you moan into his mouth, fingers scrabbling for purchase on his leather-clad shoulders, craving more.

“been dreaming about this,” he rasps against your lips, his voice like gravel and whiskey, igniting heat in your veins. “having you back in my arms, in my bed. fuck, [★], need you so bad it's like a sickness.”

“then take me,” you breathe, emboldened by the blatant hunger shining in those crimson eyes. “i’m here, sylus. i’m yours.”

something animalistic unfurls behind his gaze, a primal sort of satisfaction that has you clenching with want. in a burst of movement, he hoists you up, your legs instinctively wrapping around his lean hips as he strides purposefully to the industrial elevator that will carry you to his domain.

the short ride up is a haze of frantic kisses and roving hands, two years’ worth of pent-up longing seeking outlet. by the time sylus kicks open the door to his loft, you’re both panting, clothes askew and lips kiss-bruised. he carries you straight to the bedroom, a cavern of shadows and silver moonlight spilling across rumpled black silk sheets. when he lays you down in the center of that decadent expanse, the reverence in his touch steals your breath. his battle-scarred fingers shake slightly as they skim over your curves, learning you anew.

“so fucking beautiful,” he murmurs, crimson gaze tracking hungrily over your body like he's committing every detail to memory. “can’t believe i almost lost this . . lost you . .”

“never,” you whisper fiercely, reaching up to cup his angular jaw. “i’m here, sylus. right where i belong. and i’m not going anywhere.”

he turns his head to press a fervent kiss to your palm, the heat of his breath making you shiver as his lips graze your fingers — and ever so gently, he bites. then slowly, deliberately, he divests you of your clothes, unwrapping you like a gift. you echo his actions, baring him inch by glorious inch to your avid gaze.

sylus’s body is a work of art, all chiseled muscle and inked skin, a roadmap of violence and survival. you take your time tracing the ridges and hollows, the scars and scrolling tattoos, familiarizing yourself with this new landscape of him. he shudders beneath your questing touch, eyes fluttering shut, a low rumble building in his chest.

“[★],” he grits out, and fuck, how you’ve missed the way he says your name, guttural and raw, like a prayer and a plea. “please, baby . . need to taste you.”

“yes,” you hiss, already aching, empty. “please, sylus.”

granted, he descends on you like a man starved, that talented mouth charting a path of fire over your sensitized flesh. he maps every curve and valley with lips and teeth and tongue, each nip and suck and lap stoking the inferno building in your core.

when he finally settles between your trembling thighs, the first bold stroke of his tongue punches the air from your lungs, your spine arching involuntarily. he groans in appreciation, strong hands splaying your thighs wider, opening you fully to his voracious appetite.

“fuck, i missed this,” he rasps against your slick folds, the vibration of his words making you keen. “missed the way you taste, the sounds you make when i devour this sweet cunt. could feast on you for hours, little one . .”

you whimper breathlessly, one hand fisting in the sheets, the other tangling in his silver hair, holding him to you. sylus takes the encouragement for what it is, sealing his mouth over your aching flesh and suckling greedily. stars erupt in your eyes, pleasure rioting through your veins as he works you ruthlessly, adding clever fingers to his oral assault. he curls them just right, rubbing that secret spot that has you seeing god, all while his wicked tongue paints obscene promises on your clit.

“s-sy, fuck!” you wail, back bowing, thighs clamping around his ears as he drives you higher and higher. “oh god, yes, just like that! don’t stop, please, i’m gonna’ cum . . fuck, baby-”

he doubles his efforts, a man possessed, growling his own pleasure into your core. “that’s it, my love,” he urges gutturally between long, lewd licks. “go ahead and give it to me, wanna’ feel you drench my face, want you gushing on my tongue . .”

his filthy encouragement hurls you over the edge with a strangled scream, release slamming into you like a freight train. you shatter spectacularly, pulsing and clenching around his thrusting fingers, slick gushing into his eager mouth as he works you through the most intense orgasm of your life.

when you finally drift back down to earth, aftershocks still rippling through you, sylus is grinning up at you wolfishly from between your thighs, his beard glistening obscenely with your essence. “fucking incredible,” he rumbles, pressing a soft kiss to your still-twitching center. “could watch you fall apart on my tongue forever and never get tired of it.”

“get up here,” you demand breathlessly, tugging him to you. he comes willingly, settling his considerable bulk over you, caging you beneath miles of warm, hard muscle.

you claim his mouth in a filthy kiss, moaning at the taste of yourself on his lips and tongue. he responds with matching hunger, hips rocking into the cradle of your thighs, the thick ridge of his erection a brand against your sensitive flesh.

“please,” you whimper into his mouth, nipping at his bottom lip. “need you inside me, sylus. been too long, i want it . .”

“fuck,” he snarls, the words seeming to snap his restraint. “far too long, honey. be patient, you know i will.” slowly, giving you time to adjust, he notches himself at your entrance and pushes forward, gasping harshly at the tight, wet heat of you enveloping him. “goddamn,” he grits out through clenched teeth, forehead pressed to yours. “silly me. i almost forgot how fucking perfect you feel. like coming home.”

“yes,” you moan, reveling in the familiar stretch and burn of his thick length entering your body. “missed this so much . . missed you . . love you, sylus, so fucking much.”

“i love you too,” he rasps, pulling nearly all the way out before surging back in, starting a deep, rolling rhythm that has your toes curling. “i never stopped, never will. you’re only for me, [★]. only me.”

you lose yourselves to the timeless dance, bodies moving in perfect synchronicity, rediscovering every perfect angle and hidden sweet spot. sylus takes his time, building you back up with long, measured strokes, whispering words of worship into your skin, branding you with his love.

“so good,” he groans, hitching your leg higher on his hip, sinking impossibly deeper. “could stay buried in this tight little pussy forever. never wanna leave.”

“don’t.” you gasp, fingers clawing at his flexing back, desperate for more. “stay — harder, sylus, fuck me harder. wanna’ be able to feel it tomorrow.”

with a low, approving growl, sylus complies, snapping his hips faster, driving into your yielding body with the piston precision of the machine he rides. the wet, obscene slap of flesh fills the room, punctuated by your escalating moans and cries.

“i’m not gonna last,” he warns, rhythm faltering. “too good, too fucking good. tell me you’re close, baby . .”

“s-so close,” you pant, the coil in your belly wound to the breaking point. “just a little more - fuck, right there, sy . . o-oh my —”

sylus hammers into you, grunting with the effort, sweat sheening his skin. he wedges a hand between your straining bodies, finding your swollen clit and rubbing tight circles. “cum on my cock,” he demands, voice strained. “let me feel that pussy grip me, milk me . .” his words are your undoing, hurling you into oblivion with a keening wail. your inner muscles seize around him, rippling and fluttering, trying to pull him deeper as you drench his driving length in release.

“fuck, yes!” sylus roars, pistoning wildly, chasing his own end. “gonna’ - ah, shit, kitty, i’m cumming!” his climax overtakes him with a force that borders on violence, his cock jerking and pulsing as he spills himself deep in your still-spasming core, painting your inner walls with thick ropes of his seed. you mewl weakly in blissed-out overstimulation, aftershocks rolling through you as he fills you to the brim.

finally spent, sylus collapses onto you, taking care not to crush you with his bulk. you cuddle as sweat and other fluids cool on your skin, hearts gradually slowing in tandem. he’s still stuffed deep inside you and you clench involuntarily around his now-softening length, loving the way he groans, overused nerves sparking. “keep that up and we’ll be going again real soon,” he warns playfully, nuzzling into your neck.

you huff a laugh, carding your fingers through his damp hair. “yeah, yeah,” you tease. “we’ve got time now, sylus. all the time in the world. i’m not going anywhere.”

he raises his head to look at you, crimson eyes soft and full of wonder. “damn right you’re not,” he rumbles, pressing a tender kiss to your lips. “i’m never letting you out of my sight again. you’re stuck with me now, sweetheart.”

“eh, could be worse,” you quip, grinning up at him. “i think i can handle being stuck with you. it’s only forever, after all.”

“forever,” sylus echoes solemnly, like an oath. “i like the sound of that. you and me. binded as one.”

“ . . . and loving each other stupid every chance we get,” you finish impishly, wiggling your eyebrows.

he barks a laugh, the joyful, uninhibited sound making your heart soar. “oh, that is definitely part of the plan,” he assures you, a wicked gleam in his eye. “gotta’ make up for lost time, don’t we?”

“mmhm, that we do,” you agree readily, warmth suffusing you. “better get started on that. forever’s not getting any longer.”

“as my lady commands,” sylus murmurs, capturing your mouth again as he begins to stir inside you once more.

and as passion ignites anew, the promise of countless tomorrows enfolding you like a benediction, you know this is just the beginning of the ups and downs.

because this love, tempered by loss and longing, by time and truth . . it’s unbreakable. a bond that even the harshest trials will only serve to strengthen.

and with sylus by your side, his heart in your keeping as surely as yours rests in his scarred and steady hands . .

. . you know you can weather any storm.

forever, and then some.

★ SUGUGASM 2024 | please don’t copy, translate or share my work on other platforms without my consent. tagging @ramonathinks <3

[dahliakbs]

Overprotective Batfam making sure you get home safely in their patrol route! (Part 2)

Includes: Jason Todd and Tim Drake

Part 1

Masterlist

Jason Todd

Unlike the others Jason wouldn't walk alongside you or keep to the shadows, instead when he first saw you on his route he slowed down his motorcycle and offered you a quick ride home.

But what you thought would be a quick ride home was instead turned into a wild night you'd never forget.

You could feel the wind hit your face like a bag bricks as Jason continuously revved the engine.

The goons you'd been chasing had mistakenly crossed your path on your ride home, coming out of nowhere with a bag of money strapped to the back of the vehicle and a goon stood to the left of it. Probably protecting what you assumed to be stolen money.

"Um Mr.Redhoid you can put me off here" you'd taoped his shoulder to let him know but he simply ignored your statement and handed you a bloody crowbar.

"Since your here you might as well help me" he said and as soon as you heard those words you felt your soul attempt to leave your body.

Not out of fear of course, was this vigilante really allowing you to attack someone without receiving any repercussions?

You were starting to like this.

"Get the tires" he instructed to which you gladly got in position for.

When you noticed the distance between you and the vehicle closing in you wrapped your legs tightly around his waist and lowered yourself towards the the concrete of the road.

Anchoring yourself to his waist before swinging the crowbar above your head and striking the back tire of the vehicle, causing the vehicle to violently swerve off the road and crash into a nearby street light.

You could hear yourself let out a loud scream before an arm wrapped around your waist and pulled you back onto the seat of the motorcycle.

"Was that a scream of joy or fear?" He quickly came to a stop before turning to face you.

When his eyes landed in your face it was safe to say that he was quite amused. Your pupils were blown wide while your hair was shifted wildly all over you face.

You'd seemed to be in some sort of daze which lasted for the rest of the night. Not even noticing when he dropped you off to your house and left you dazed on your doorstep.

Tim Drake

Honestly he didn't mean to follow you around like that. For some reason he'd found himself getting into the habit of walking you home every evening.

Even when there was something else he was supposed to be doing he still found a way to walk you home every evening and after a while it seems like you found out about his sleep deprivation.

You weren't blind, you could see how the large eyecbags that peeked out from underneath the vigilantes mask. You noticed how he slurred his words when talking or how he'd trip over his own feet when walking beside you.

He was very good at hiding it but after while you started noticing how tired he truly was and even though you wanted to help out in some way you just knew there wasn't anything you could really do.

You tried thinking of ways to help but they'd always lead you back to square one.

You of course picked up on the strong hint of caffeine that always stuck to him like white on rice but you weren't gonna gift him coffee. That would just feed into his problem do instead you came up with a better idea.

You'd start taking short breaks on your way home.

You'd take a seat on any bench you'd see in your way home, the vigilante following closely behind you and seating himself next to you.

Then you'd try and coax him into using your shoulder as a little pillow to try to get some sleep and without much resistance he'd give in and rest his head onto your shoulder.

And even though Tim never actually fell asleep during your little breaks he'd still sit still and allow himself to relax.

At least during those few seconds of peace he could finally relax for the first time in a while.

[indulgentdaydream]

Can you write something where the reader is badly injured in some way and jason rushes her to the manor for help and everybody is confused on who she is bc they didnt even know he was in a relationship (despite them being together for awhile) but they see how soft and cute he is with her. (I’ve never made a request so sorry if it got kinda rambley)

anon you’ve got me TEEMING with ideas I LOVE the trope of nobody knowing jason has a girlfriend and they find out but it is NOT by Jason’s choice nor reader’s.

Also omg? Your first ask is to lil ol me?? That means this is a special occassion. And you’re doing great I’ve def sent worse asks.

Out of the Bag

Jason Todd x Fem!Reader || Hurt and Comfort.

Word Count: 1,862

Warnings: Injuries, swearing, near death experience, blood, knife mention, stabbing, canon-typical violence, use of pet names (princess, baby), drug (pain med) use

You were sat in an alleyway, vision going in and out.

“Tell me something, princess. Anything.” Jason’s voice rang out in your ear.

That’s right. In your right hand, you held your phone, to your ear. Your other hand was pressing the fabric of your coat to the side of your stomach. The blood had soaked through, becoming sticking on your palm and fingers.

You should’ve listened to Jason. You shouldn’t have walked home alone, at night. Luckily your phone had been in your pocket and not your purse, which had been stolen from you by the same guy who decided to stab you.

“Princess,” he sounded panicked.

Right. “Wish I had kicked him harder.”

You heard a sigh of relief leave him, “That’s my girl.”

The phone slipped from your grip a little as your head swam. The sight of blood coming from your own abdomen made no help in quelling your nausea.

You fixed the phone. You had called Jason the second the guy ran off, leaving you to bleed out. He was driving, you think. Tracking your phone to try and get to you. “How far?”

He said something you didn’t hear. Your vision was swimming, your side was aching, and you couldn’t help but keep this funny understanding out of your mind that you were dying.

That this is something Jason had come back to your apartment with a few times, claiming it was nothing. It was something.

You heard him call your name, “What’s around you?”

“I’m tired,” you mumbled.

It seemed to happen in a blink of an eye. Jason was trying to tell you to stay awake, to look at the alley around you. To look out towards the street and tell him what you saw. Then he was there, standing in front of you, his helmet hiding his face.

“I’m here. I’m here, baby.” He cupped your face, tapping your cheek to get you to open up your eyes. He crouched down, pulling your hand from your side to assess the damage.

You smiled lazily and leaned forward, resting your forehead against his shoulder.

Jason muttered a slew of swears as he pressed something soft yet hard against your agonizing wound. You let out a yelp before Jason was picking you up, placing you on his bike.

He’s talking fast, “Fuck. Okay, listen to me. We’re going to go somewhere new, okay? There’s nowhere around here except there for me to get you safe.”

You passed out nearly as soon as he started the bike.

Jason’s freaking. He had tried to keep you safe from anything like this. From everything less than this. And here you were, bleeding out in his arms as he carried you through the batcave. He beelined for the cots and the medical supplies off to the side. He knows his motorcycle couldn’t have been the smoothest of rides for someone in your condition, but it’s all he had in such a short time span.

He’ll apologize when you wake up.

When. He repeats. When she wakes up and when we can get the hell out of this place again and when I can remind her I love her.

No one was back from patrol yet. He set you down on the cot before tearing off his helmet. He tossed it aside, pulling out a med bag and ripping it open. He pushed up your shirt, examining your side and where he had placed the military-grade gauze pad. He curses at the amount of blood.

His hands are shaking. Jason’s hands don’t shake, but you’ve proven to him a lot of things you could make him do that he hadn’t known he was capable of in the last year and (almost) a half of your relationship.

Jason nearly drops the suture thread before another hand is reaching out from just behind him. It catches the thread and Jason looks back over his shoulder. Alfred’s there, moving up to you.

“Allow me. You keep checking her vitals.”

Jason hadn’t even heard him come up. He’s nodding, stepping back to let Alfred take over the stitching. He moves to the other side of the bed.

That’s when he catches sight of the dark figure moving closer from behind Alfred. Jason immediately fixes him with a deadly glare, pointing at Bruce, “Do not come closer!”

Bruce stills. He’s in his bat suit, his cowl hanging behind his head, exposing his face. He looks down to your body, “Who is she?”

Jason doesn’t want him here. Rather, he doesn’t want to be here. You should’ve been home by now. Getting ready for bed and sending him a goodnight text. He turns his gaze back to you.

There’s some hair across your face that he hadn’t noticed. He moves it out of your way without a second thought, “My girlfriend.”

“Finally feel some remorse for sending someone to their grave, Todd?” Damian’s voice spoke up, walking up and stopping beside Bruce, “He’s probably trying to just reverse what he did.”

Jason ignores him. He wants to yell, scream, and maybe shoot the little bastard, but he was right. In a way, this was his fault. He didn’t look after you. He should’ve offered you a ride. Called you a taxi. An uber. Anything.

Jason grips your hand into his. It’s a way to count your heartbeat, and another way to ground himself. To reassure that you’ll be okay. His other hand stays on your cheek. His thumb gently moves back and forth, stroking your skin.

He barely registers Bruce telling Damian to go wash up. When the brat is gone, Bruce speaks up again, “What happened?”

Jason doesn’t take his eyes off of you, “She was walking home from her friend’s. A mugger got her purse, she fought back. He stabbed her.” Jason takes a deep breath, “She still had her phone. She called me. I brought her here because it was closest.”

A beat of silence. Still stitching you up, Alfred speaks, “How come we’ve never been introduced?”

Jason shakes his head, “I didn’t want her near any of this. She’s bad off enough sticking with me.”

Once you stabilize, Jason brings you up to his room in the manor. He walks past Dick, Tim, Duke, Cass, and Steph without looking at them. They sit around the batcomputer, watching Jason gently carry you out ot the cave.

He changes you out of your dirty clothes once he makes a run back to your apartment to grab you some of your own spare clothes.

Asides from that, he doesn’t leave your side.

He lets you have the bed to yourself. He pulls up a chair beside it, waiting for you to wake up. He didn’t want you to be alone when you did, in a strange place after a traumatic event. It was a recipe for disaster.

The sun’s been up for a long while and Jason hasn’t budged. He sits there, your hand gripped in both of his, held up and pressed against his mouth. His lips brush over your knuckles whenever he speaks up. Uttering a “I’m sorry.” every now and then.

There’s a light knock at the door before it’s cracking open. Jason turns his head to find Dick poking his head in. Jason glares at him.

Dick steps further in, presenting the tray he was holding. There were two glasses of water, some solid foods, and lighter ones, probably for you. Jason looked back down at you, letting his older brother enter.

“Just… figured since you’ve been cooped up in here all day,” Dick begins, setting the tray down on the beside table beside Jason.

Dick moves back around. He stands at the end of the bed, leaning against the tall bed post that was meant to hold up a canopy. “I heard…” he trails off, before nodding and your body in the bed, still unconscious, “Who is she?”

Jason looks up at his brother, not letting go of your hand, “So you haven’t heard.”

Dick rolls his eyes, “You know what I mean.”

Jason raises his brows a little. He looks back down at you. His hand reaches out to brush along your forehead, moving away imaginary stray hairs, “My girl.”

Dick nods in understanding, “How long you two been together.”

Jason pauses in thought, “Over a year. Our anniversary was in December.”

A small, choked sound comes from outside the door, in the hallway. “A year?”

Jason looks up at Dick, who makes a face that shows he’s knows he’s been caught.

“Are they seriously listening right now?”

Steph poked her head in first, an apologetic smile on her face, “We wanted to know!”

Duke pokes his head in next, just above Steph’s, “And we wanted to meet her.”

Tim’s head in next, above Duke’s, “You can’t carry a random bleeding woman into the cave and expect the family of detectives to not be curious.”

Cass’ head appears below Steph’s. She nods in agreement.

Jason let’s one hand go of yours to wave his hand through the air, “What the fuck? She’s not even awake!”

“Well that’s why we sent Dick as bait.”

“For the record,” Dick held up a finger, “They built off of my original, innocent idea of bringing you snacks.”

“Jesus Christ,” Jason stands up, taking a few steps forward. He points them all back towards the door as they start to filter into the room, “Get—“

“What’s going on…?”

Jason’s whole body whipped back around at the sound of your groggy, rough voice. The others watch as he’s back at your side in a millisecond, his whole demeanour changed. “Hey, you’re okay. Everything’s okay. Remember how I said we were going somewhere new? You thirsty, baby? Here, I got you some water.”

“Oh, you certainly did not get the water,” Dick piped up.

Jason glared back over his shoulder as he held the glass of water for you, keeping the straw Dick had added placed in your mouth.

You stopped drinking, your eyes now on the other people in the room. You turned your head, propped up against pillows Jason had put there for you. You weakly raised your left hand to wave, “Hi… oh?” your gaze turned down to your hand. A heart monitor clip sitting on your finger grabbed your attention. You gave a confused pout at it, “I feel funny.”

Jason set the water aside again. His glare was gone. He leaned in, kissing your forehead, “You’re hopped up on pain meds. That’s why, princess.”

“Damn,” Steph spoke up, “I wish I got the literal princess treatment.”

Jason turned back around, pointing out the door, “Get. Out. Leave my girlfriend alone until she’s better.”

You looked at the strangers, pointing at Jason with your left hand, “I’m his girlfriend.” Your head tilted back against the pillows as you stared up at Jason, pursing your lips, "I’m tired.”

“I know,” Jason said softly. The others began to filter out of the room as he leaned down and gave you a soft kiss, this time on the lips.

From the exit, a collective, “Awwww,” sounded out.

“Out!”

Your drugged up voice came after his, once they were all back in the hall, “Nice to meet you!”

[wolfofcelestia]

Sylus acted like he didn't care very much when his motorcycle got stolen but I have a feeling that he mobilized the entire organization to hunt it down the moment he realized it was gone

Because he has a picture of MC taped to his dash or a small trinket she gave him that dangles from one of his handles or something

The motorcycle doesn't really matter to him. He could always buy another one

But the gifts MC gave him? He wants those back no matter what

[damienkarras73]

An essay on Furiosa, the politics of the Wasteland, Arthurian literature and realistic vs. formalistic CGI

Mad Max: Fury Road absolutely enraptured me when it came out nearly a decade ago, and I will cop to seeing it four times at the theatre. For me (and many others who saw the light of George Miller) it set new standards for action filmmaking, storytelling and worldbuilding, and I could pop in its Blu Ray at any time and never get tired of it. Perhaps not surprisingly, I was deeply apprehensive about the announced prequel for Fury Road's actual main character, Furiosa, even if Miller was still writing and directing. We didn't need backstory for Furiosa—hell, Fury Road is told in such a way that NOTHING in it requires explicit backstory. And since it focuses on the Yung Furiosa, it meant Charlize Theron couldn't return with another career-defining performance. Plus, look at all that CGI in the trailer, it can't be as good as Fury Road.

Turns out I was silly to doubt George Miller, M.D., A.O., writer and director of Babe: Pig in the City and Happy Feet One & Two.

Furiosa: A Mad Max Saga is excellent, and I needn't have worried about it not being as good as Fury Road because it is not remotely trying to be Fury Road. Fury Road is a lean, mean machine with no fat on it, nothing extraneous, operating with constant forward momentum and only occasionally letting up to let you breathe a little; Furiosa is a classical epic, sprawling in scope, scale and structure, and more than happy to let the audience simmer in a quiet, almost painfully still moment. If its opening spoken word sequence by that Gandalf of the Wastes himself, the First History Man, didn't already clue you in, it unfolds like something out of myth, a tale told over and over again and whose possible embellishments are called attention to in the dialogue itself. Where Fury Road scratched the action nerd itch in my head like you wouldn't believe, Furiosa was the equivalent of Miller giving the undulating folds of my English major brain a deep tissue massage. That's great! I, for one, love when sequels/prequels endeavour to be fundamentally different movies from what they're succeeding/preceding, operating in different modes, formats and even genres, and more filmmakers should aim for it when building on an existing series.

This movie has been on my mind so much in the past week that I've ended up dedicating several cognitive processes to keeping track of all of the different ponderings it's spawned. Thankfully, Furiosa is divided into chapters (fun fact: putting chapter cards in your movie is a quick way to my heart), so it only seems fitting that I break up all of these cascading thoughts accordingly.

1. The Pole of Inaccessibility

Furiosa herself actually isn't the protagonist for the first chapter of her own movie, instead occupying the role of a (very crafty and resourceful) damsel in distress for those initial 30-40 minutes. The real hero of the opening act, which plays out like a game of cat and mouse, is Furiosa's mother Mary Jabassa, who rides out into the wasteland first on horseback and then astride a motorcycle to track down the band of raiders that has stolen away her daughter. Mary's brought to life by Miller and Nico Lathouris' economical writing and a magnetic performance by newcomer Charlee Fraser, who radiates so much screen presence in such relatively little time and with one of those instant "who is SHE??" faces. She doesn't have many lines, but who needs them when Fraser can convey volumes about Mary with just a flash of her eyes or the effortless way she swaps out one of her motorcycle's wheels for another. To be quite candid, I'm not sure of the last time I fell in love with a character so quickly.

You notice a neat aesthetic contrast between mother and daughter in retrospect: Mary Jabassa darts into the desert barefoot, clad in a simple yet elegant dress, her wolf cut immaculate, only briefly disguising herself with the ugly armour of a raider she just sniped, and when she attacks it's almost with grace, like some Greek goddess set loose in the post-apocalyptic Aussie outback with just her wits and a bolt-action rifle; we track Furiosa's growth over the years by how much of her initially conventional beauty she has shed, quite literally in one case (hair buzzed, severed arm augmented with a chunky mechanical prosthesis, smeared in grease and dirt from head to toe, growling her lines at a lower octave), and by how she loses her mother's graceful approach to movement and violence, eventually carrying herself like a blunt instrument. Yet I have zero doubt the former raised the latter, both angels of different feathers but with the same steel and resolve. Of fucking course this woman is Furiosa's mother, and in the short time we know her we quickly understand exactly why Furiosa has the drive and morals she does without needing to resort to didactic exposition.

Anyway, I was tearing up by the end of the first chapter. Great start!

2. Lessons from the Wasteland

Most movies—most stories, really—don't actually tell the entire narrative from A to Z. Perhaps the real meat of the thing is found from H to T, and A-G or U-Z are unnecessary for conveying the key narrative and themes. So many prequels fail by insisting on telling the A-G part of the story, explaining how the hero earned a certain nickname or met their memorable sidekick—but if that stuff was actually interesting, they likely would have included it in the original work. The greatest thing a prequel can actually do is recontextualize, putting iconic characters or moments in a new light, allowing you to appreciate them from a different angle. All of season 2 of Fargo serves to explain why Molly Solverson's dad is appropriately wary when Lorne Malvo enters his diner for a SINGLE SCENE in the show's first season. David's arc from the Alien prequels Prometheus and Covenant—polarizing as those entries are—adds another layer to why Ash is so protective of the creature in the first movie. Andor gives you a sense of what it's like for a normal, non-Jedi person to live under the boot of the Empire and why so many of them would join up with the Rebel Alliance—or why they would desire to wear that boot, or even just crave the chance to lick it.

Furiosa is one of those rare great prequels because it makes us take a step back and consider the established world with a little more nuance, even if it's still all so absurd. In Fury Road, Immortan Joe is an awesome, endlessly quotable villain, completely irredeemable, and basically a cartoon. He works perfectly as the antagonist of that breakneck, Road Runner and Wile E. Coyote-ass movie, but if you step outside of its adrenaline-pumping narrative for even a moment you risk questioning why nobody in the Citadel or its surrounding settlements has risen up against him before. Hell, why would Furiosa even work for him to begin with? But then you see Dementus and company tear-assing around the wasteland, seizing settlements and running them into the ground, and you realize Joe and his consortium offer something that Dementus reasonably can't: stability—granted, an unwavering, unchangeable stability weighted in favour of Joe's own brutal caste system, but stability nonetheless. It really makes you wonder, how badly does a guy have to suck to make IMMORTAN JOE of all people look like a sane, competent and reasonable ruler by comparison?!?

…and then they open the door to the vault where he keeps his wives, and in a flash you're reminded just how awful Joe is and why Furiosa will risk her life to help some of these women flee from him years later. This new context enriches Joe and makes it more believable that he could maintain power for so long, but it doesn't make him any less of a monster, and it says a lot about Furiosa's hate for Dementus that she could grit her teeth and work for this sick old tyrant.

3. The Stowaway

Here's another wild bit of trivia about this movie: you don't actually see top-billed actress Anya Taylor-Joy pop up on screen until roughly halfway through, once Furiosa is in her late teens/early twenties. Up until this point she's been played by Alyla Browne, who through the use of some seamless and honestly really impressive CGI has been given Anya's distinctive bug eyes [complimentary]. It's one of those bold choices that really works because Miller commits to it so hard, though it does make me wish Browne's name was up on the poster next to Taylor-Joy's.

Speaking of CGI, I should talk about what seems to be a sticking point for quite a few people: if there's been one consistent criticism of Furiosa so far, it's that it doesn't look nearly as practical or grounded as Fury Road, with more obvious greenscreen and compositing, and what previously would've been physical stunt performers and pyrotechnics have been replaced with their digital equivalents for many shots. Simply put, it doesn't look as real! For a lot of people, that practicality was one of Fury Road's primary draws, so I won't try to quibble if they're let down by Furiosa's overt artificiality, but to be honest I'm actually quite fine with it. It helps that this visual discrepancy doesn't sneak up on you but is incredibly apparent right from the aerial zoom-down into Australia in the very first scene, so I didn't feel misled or duped.

Fury Road never asks you to suspend your disbelief because it all looks so believable; Furiosa jovially prods you to suspend that disbelief from the get-go and tune into it on a different wavelength. It's a classical epic, and like the classical epics of the 1950s and 60s it has a lot of actors standing in front of what clearly are matte paintings. It feels right! We're not watching fact, we're watching myth. I'm willing to concede there might be a little bit of post-hoc rationalization on my part because I simply love this movie so much, but I'm not holding the effects in Furiosa to the same standard as those in Fury Road because I simply don't believe Miller and his crew are attempting to replicate that approach. Without the extensive CGI, we don't get that impressive long, panning take where a stranded Furiosa scans the empty, dust-and-sun-scoured wasteland (75% Sergio Leone, 25% Andrei Tarkovsky), or the Octoboss and his parasailing goons. For the sake of intellectual exercise I did try imagining them filming the Octoboss/war rig sequence with the same immersive practical approach they used for Fury Road's stunts, however I just kept picturing dead stunt performers, so perhaps the tradeoff was worth it!

4. Homeward

Around the same time we meet the Taylor-Joy-pilled Furiosa in Chapter 3, we're introduced to Praetorian Jack, the chief driver for the convoys running between the Citadel and its allied settlements. Jack's played by Tom Burke, who pulled off a very good Orson Welles in Mank! and who I should really check out in The Souvenir one of these days. He's also a cool dude! Here are some facts about Praetorian Jack:

He's decked out in road leathers with a pauldron stitched to one shoulder

He's stoic and wary, but still more or less personable and can carry on a conversation

Professes to a certain cynicism, to quote Special Agent Albert Rosenfield, but ultimately has a capacity for kindness and will do the right thing

Shoots a gun real good

Can drive like nobody's business

So in other words, Jack is Mad Max. But also, no, he clearly isn't! He looks and dresses like Mad Max (particularly Mel Gibson's) and does a lot of the same things "Mad" Max Rockatansky does, but he's also very explicitly a distinct character. It's a choice that seems inexplicable and perhaps even lazy on its face, except this is a George Miller movie, so of course this parallel is extremely purposeful. Miller has gone on record saying he avoids any kind of strict chronology or continuity for his Mad Max movies, compared to the rigid canons for Star Trek and Star Wars, and bless him for doing so. It's more fun viewing each Mad Max entry as a new revision or elaboration on a story being told again and again generations after the fall, mutating in style, structure and focus with every iteration, becoming less grounded as its core narrative is passed from elder to youth, community to community, genre to genre, until it becomes myth. (At least, my English major brain thinks it's more fun.) In fact there's actually something Arthurian to it, where at first King Arthur was mentioned in several Welsh legends before Geoffrey of Monmouth crafted an actual narrative around him, then Chrétien de Troyes added elements like Lancelot and infused the stories with more romance, and then with Le Morte d'Arthur Thomas Malory whipped the whole cycle together into one volume, which T.H. White would chop and screw and deconstruct with The Once and Future King centuries later.

All this to say: maybe Praetorian Jack looks and sounds and acts like Max because he sorta kinda basically is, being just one of many men driving back and forth across the wasteland, lending a hand on occasion, who'll be conflated into a single, legendary "Mad Max" at some point down the line in a different History Man's retelling of Furiosa's odyssey. Sometimes that Max rips across the desert in his V8 Interceptor, other times driving a big rig. Perhaps there's a dog tagging along and/or a scraggly and at first aggravating ally played by Bruce Spence or Nicholas Hoult. Usually he has a shotgun. But so long as you aren't trying to kill him, he'll help you out.

5. Beyond Vengeance

The Mad Max movies have incredibly iconic villains—Immortan Joe! Toecutter! the Lord Humongous!—but they are exactly that, capital V Villains devoid of humanizing qualities who you can't wait to watch bad things happen to. Furiosa appears to continue this trend by giving us a villain who in fact has a mustache long enough that he could reasonably twirl it if he so wanted, but ironically Dementus ends up being the most layered antagonist in the entire series, even moreso than the late Tina Turner's comparatively benevolent Aunty Entity from Beyond Thunderdome. And because he's played by Chris Hemsworth, whose comedic delivery rivals his stupidly handsome looks, you lock in every time he's on screen.

Something so fascinating about Dementus is that, for a main antagonist, he's NOT all-powerful, and in fact quite the opposite: he's more conman than warlord, looking for the next hustle, the next gullible crowd he can preach to and dupe—though never for long. For all his bluster, at every turn he finds himself in way over his head and writing cheques he can't cash, and this self-induced Sisyphean torment makes him riveting to watch. You're tempted to pity Dementus but it's also quite difficult to spare sympathy for someone who's so quick to channel their rage and hurt and ego into thoughtless, burn-it-all-down destruction. When you're not laughing at him, you're hating his guts, and it's indisputably the best work of Chris Hemsworth's career.

It's in this final chapter that everything naturally comes to a head: Furiosa's final evolution into the character we meet at the start of Fury Road, the predictable toppling of Dementus' precariously built house of cards, and the mythmaking that has been teased since the very first scene becoming diagetic text, the last of which allows the movie to thoroughly explore the themes of vengeance it's been building to. A brief war begins, is summarized and is over in the span of roughly a minute, and on its face it's a baffling narrative choice that most other filmmakers would have botched. But our man Miller's smart enough to recognize that the result of this war is the most foregone of conclusions if you've been paying even the slightest bit of attention, so he effectively brushes past it to get to the emotional heart of the climax and an incredible "Oh shit!" payoff that cements Miller as one of mainstream cinema's greatest sickos.

Fury Road remains the greatest Mad Max film, but Furiosa might be the best thing George Miller has ever made. If not his magnum opus, it does at least feel like his dissertation, and it makes me wish Warner Bros. puts enough trust in him despite Furiosa's poor box office performance that he's able to make The Wasteland. Absolutely ridiculous that a man just short of his 80th birthday was able to pull this off, and with it I feel confident calling him one of my favourite directors.