#still written at 3 am

[redriotingfornoreason]

If Smoker One Piece Had a Wife (pt. 2, I just figured out how to use gifs (super fun ✨))

So I think that like maybe two people liked my last post on this (shoutout to you guys) so I'm making another part (Yippee!!). I will probably add one more part after this, but I don't know yet. As always, enjoy.

Absolutely expects him to be a gentleman

Expects small gifts even if he only goes to take the trash out

Also to hold doors for her even if she insists on walking in front of him.

Expects him to throw his coat down over puddles (puddle is super small does not matter)

Expects flowers every once in a while.

Wears the pants in the relationship when it comes to the relationship (Smoker gets to be unofficial/official breadwinner)

Smoker does not remember anything about proposing, mainly because she told him to in the most indirect way possible.

Made him go ring shopping with her and told him to put it on her that night

“We’re engaged now. :3” “Huh???”

Plans wedding herself, doesn’t tell him shit about it.

Literally just saws “When you get home, put on the outfit I have upstairs and go to the dock.”

She had everything set up already

He was still late

Contrary to popular belief, Smoker does love his wife.

Keeps a picture of her in his jacket next to his heart

Probably has some dumb shit she said wrote on the back

“If you die, I’ll bring you back to life just to kill you again so you better not you fucker <3 – your favorite ankle biter”

Shows love through playing with her hair

Braiding it, but also just ruffling her hair when he’s thinking

When in bed, likes to pet her hair to sleep (helps both of them)

Keeps his wedding ring locked away when he’s at war so he never loses it. (His one real treasure when he isn’t with his wife.)

Takes pictures of things he think she would like just to show to her (could be a pretty waterfall, could be a rock just depends)

Weekly transponder snail calls because he does miss his wife a lot.

Tells her about the different things going on at the base, mentions the straw hats every once in a while (she does not know them nor does she care)

She just likes listening to his voice

Always falls asleep on call

Smoker knows this, but does it anyway. When he knows she is asleep, he says “I love you” before hanging up.

[obsob]

oooooooooough i love you i love you i love you!!!! hand in loving hand !!!!!!

[writeouswriter]

My followers: And is this “writing” you’ve been “working on” in the room with us right now?

[beetle-beep]

picked up a stim recently where I just like scratch at the top of my sun plush's head while I'm at my computer and this image slammed into my head like a baseball bat

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[musicalmoritz]

I do not understand why HanaKou, Aoinene, and Terukane shippers always act like their ships are so unpopular when they’re some of the most popular in the fandom😭 This isn’t a callout to any single person btw bcuz I’ve seen like half the fandom do it atp, it happens every day. I know it’s harmless but like c’mon guys. Ya’ll would not survive being a Terunene or MeiAoi shipper

I’m not even joking to me it sounds exactly like if someone called SatoSugu a rarepair

[ryssbelle]

Poppy for N2 au, it took me so long to make her design cuz I didn't really know what I wanted to do only because I feel like her design is pretty perfect.

But then I just thought about fun outfits to give her or outfits that I would find comfortable if I was wearing them and it all came together.

Poppy here is pretty much the same as here movie counterpart, as nothing really changes on her end of things other than having more insight on Branch through his brothers, and through Lief. Shes also a bit more understanding a bit earlier on because of it but it doesnt do much to change her own character arc I would say.

Bonus

Part of Poppys design was based off a design I had made for previous rulers of Troll Village/Tree

Namely Queen Protea who I designed as Poppys grandmother

Named after the Protea flower which part of her design is based off :D

In the context of this Au Protea was the one who conceptualized the tunnels while her son, King Peppy, was the one to follow through after her death

[fearandhatred]

i was thinking about this line from my fic:

But the fall had hurt, too. Because the wind had cut into his useless wings like knives, his skin and grace peeling away under the friction, and he had been looking right up at the multicoloured and unreachable expanse of sky just to see it fade from his eyes into dull greys.

and i came up with this. i hope the vision came through

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[kafekofi]

Okay. I know i went into that theater saying “if they dont fuck nasty ill literally die” but i knew that wasnt going to happen. Cause it kinda never does? But also because i knew (mostly hoped) that it would have so much queerness in it that i would be happy. Yes, i left that theater in tears and angry, BUT. My heart was still soaring because i was just genuinely happy to see those two together again, and it really seemed like their relationship had grown to me. The movie was funny, heart wrenching, and overall incredibly enjoyable for me and my sibling.

I agree with the people who say it didn’t need an explicit scene

[pineapplefulfillseveryneed]

Sparkstember day 23: Two Hands One Mouth✨

[countlessofvoids]

I think THW's epilogue would work slightly better if Hiccup was a bit older, maybe around Stoick's age. I know the movie pushed the idea of dragons being just instictual animals (as contradictory as it is towards not only the franchise as a whole, but also the film itself), but to me it feels more plausible for Toothless to start forgetting his life with Hiccup after 20+ years rather than 10, if I'm being led to believe they were such an unbreakable bond.

More importantly though, I would've prefered if instead of only Hiccup's family having one last flight; the whole 'gang' was there. While them being an actual friendgroup is more of a RTTE thing (unfortunately), I don't see why everyone else should be excluded, especially Valka. I mean, Astrid got to see her own dragon again. Why couldn't others? Are Hiccup, Astrid and their children the only ones allowed to break the rule? Was Hiccup really the only one to have actual friendship with a dragon?

On an unrelated note, the detail of people forgetting dragons and even claiming they never existed can work - as long as it's meant to interpreted as their existence being forgotten over the course of history, instead of when Hiccup was still alive. Maybe even Berkians and their allies themselves wrote them out to keep the secret safe.

[mattpearson]

@pscentral​ event 26: minimalism

SILICON VALLEY (2014 - 2019) TOP 10 RATED EPISODES ON IMDB insp (1, 2)

[lavenoon]

Building a Nest (~9.2K Words) Canon, Companion Piece to Taking Flight

Summary: A Companion Piece to Taking Flight, looking at some parallel development and then further, focusing on the dear oblivious neighbors.

Notes: So I could do the whole crazy author's note thing, but this is supposed to be a happy chapter. Honestly, just. Shoutout to the Sleepy Cove for your continued support, both for my AU and as friends. And a shoutout to tumblr user @eggcromancer for reminding me that people still care for AU on [here], too. And all the people who still commented despite the last update being months ago. This one goes out to all of you <3

[evilrobot-bill]

I don't even know how to start this but oh my god.

Watching Blade Trinity with the fam, as one does, and in the opening scene (which you can watch here if you want. Little warning for screaming but it's vamp slaying goodness) I see for literally a second... A SECOND... or less before the guy gets garlic powdered, his jacket opens.

Anyway I'm not crazy right..? This is the boys n Star???

Ignore the subtitles ... and the horrible quality but I couldn't stop thinking about it so this is a late night escapade. Comparison pic for your viewing pleasure (just crop Mikey out... that's what I do)

[cherryflavoredbutch]

you know i just typed a paragraph about it and then deleted it but in far fewer words I fucking hate the trope of women characters in traditional fantasy who are clearly intended to be empowering to SOME members of the audience by merit of the fact that they wield some secondhand power over like magic or dragons or a politician or something all while still embodying this sexy nonthreatening mystically-beautiful divine femininity. so the writer has fulfilled their feminism quota by inventing a woman whose entire character could easily be eclipsed in artistic merit by rachel platten's hit single fight song to the exact same emotional effect, and much of their audience is satisfied by this, so we as the dissatisfied reader have no hope in hell of getting to take in a woman character who can heft a sword or be big and muscular or god forbid do anything interesting with her gender. and trans characters of any kind? FORGET about it. not gonna happen. this fantasy is someone else's fantasy and it won't let you forget it.