#still have an actual plot point I need to draw up but gay little teen before I inevitably start killing people

[curi0uscreature]

* Actual finished piece jumpscare‼️ ( First is a remake of this + comparison undercut )

( 2024 - 2023 )

[turtlegirlave]

So this has a ton of opinions which I usually stray away from but i really let all my opinions out here. Also there is definitely fact mistakes, probably name mistakes and some incorrect singing terms in here, I wrote this at 2 A.M. with a limited knowledge of theater I’m just trying to get a point across.

Why s2 of hsm the series should have been newsies instead of beauty and the beast:

They say straight up in the show “we need a real Alan Menkhen musical” and they pick beauty and the beast instead of newsies, a literal Broadway stage production???

At first I assumed it was because the cast was primarily male, but that isn’t even a reasonable argument. 1)as shown by s1 when a boy played sharpay, gender doesn’t matter when being considered for a role. 2), a cast with multiple male leads would give the gay men in the show a chance to shine, instead of shoving them to background roles like Chip. Not to mention Carlos is a dancer, and newsies is a musical driven by choreography. 3), since nini moved there are only like 2 lead females anyway, which works for the 2 female roles in newsies.

Casting Wise, the play works SO MUCH better!

Ricky: jack kelley is a much better role for him than the beast for many reasons. First, their personalities are very similar with the mischievous main teen vibe, so the role would be like Troy where Ricky can slip into it easier. Second, it fits him better vocally. It is very clear from listening to Joshua basset sing that he has a relatively high vocal range, and singing low notes or in a deep voice doesn’t come as naturally to him. Jeremy Jordan has a similar vocal range, where he stays in higher octaves and more rarely uses a deep, monotone voice (at least never to the beast’s extent). Ricky would sound perfect singing in Jack’s vocal range. The beast, however, sings almost exclusively in an extremely deep, monotone voice that Joshua cannot easily perform.

Ashlyn: not only does she look quite similar to Katherine, but they have similar personalities as well. Also, katherine’s high and bubbly singing voice would sound lovely with Ash’s, which is also high and bubbly but often softer. This would allow her to push herself to sing louder and more confidently. And she still gets to play a smart bookworm lead female role.

Kourtney: she was born to play miss medda larken. Mrs. Potts’ debut song “beauty and the beast” is a soft romance ballad, which does not match kourt’s stadium reach, strong, powerful voice. “That’s rich” not only shows off her vocals better, but matches her personality and voice much better with the grit and power behind it. Also, Mrs Potts as a character is the soft, motherly type. Miss medda is a rambunctious, empowered, “I got men if I want em but I don’t need em” kinda woman. Which role better fits the girl power, loud, activist, personal cheer squad type person that Kourtney is?

Carlos and Sebastian: not only would this stop shoving the gays and only interesting men other than Ricky to background roles (sorry big red), but it would show off their talents. Seb would make a wonderful crutchy, with his innocent nature and likeness to the character. It would also give him a chance to flex his vocals and sing a duet with Ricky in Santa Fe, further developing the friendships in the show. Carlos could play really any of the main boys, I mostly think he would kill in this due to his dance and choreography skills, which newsies really emphasizes.

Big red: PLEASE this boy would be perfect as Ben Cook’s role (can’t remember the newsie’s name). They’re both the kinda dumb but endearing friend type, and he leads “king of New York”, a song with a killer tap dancing break, which is the whole reason big red wanted to try out! His chemistry with Ricky as crutchy would make that a fine role for him too, but since Sebastian has stronger vocals I think it’s better for him to take a more prominent role while big red relies on his dancing skills over singing.

Gina: though there’s no more lead girl roles, I think she would kill it as mr. Pulitzer. They could add some spice to the character through her insane dance skills, and she would play a great “cunning yet intelligent buisinesswoman” type. This dude also gets 2 or 3 songs, and honestly I don’t remember who she plays in Beauty and the beast so idk.

EJ: I admit Gaston is a perfect role for him and I can’t fit him into newsies well. He would play a good spot conlin, though it is a significantly smaller role. No one really cares about ej though so small loss.

Plot valuability:

doing newsies makes literally way more sense. Firstly, they are kinda planning entering this show last-minute compared to the competition, so to pick a show already written and choreographed for stage production would really save time. (Even though it would still need work to be condensed for a high school production). Second, miss Jen is so determined to stand out from the crowd and win the contest so she picks... beauty and the beast? One of the most popular Disney movies (and honestly with one of Alan’s weaker soundtracks compared to tangled, Aladdin, and the little mermaid imo). Having them do newsies, especially when switching up gender roles like casting Gina as Pulitzer, would actually make them stand apart from the dozens of schools performing Disney movies. It would also give a significantly more impressive vocal and dance performance, since the songs were written for Broadway singers rather than actors. The set is also more cheap and condensed, while still looking professional, which would help with their “we’re too poor and late to afford a straight-up aquarium so let’s do the most with what we’ve got.” Putting the characters in these roles would also not alter their development or main story plots much, besides strengthening certain friendships and pushing aside less popular characters (ej). It would also give more rep for the gays as well as switching up gender roles. Imagine, the gay guys get actual things to do in the show and aren’t defined by the sole plot of “my boyfriend rich” relationship drama! (I love these two but I am a tired ace). Also jerjor performs in both this and tangled the series, so it’s a double whammy for Alan menkhen representation.

Marketability: I know the musical has to be widely known and appealing to viewers. People watched s1 because they love hsm. People also love beauty and the beast, so viewership may raise with fans of the movie. Newsies doesn’t die here, though. It is a very widely popular play among theatre people, and existed first as a movie musical so it isn’t exclusive to theater kids. Also, fans of Newsies are generally between their tweens and early twenties, the exact age demographic for the show. Beauty and the beast is a classic and more widely known, but also doesn’t draw in large numbers of the exact age group you want. Also, the fact that newsies is a little less mainstream only helps the plot point of them choosing it to still have something well known while also standing out from the competition. Doing beauty and the beast is not only an awful choice for casting that limits the actors vocals or is completely out of their range, but it also makes them blend in with the crowd.

Final notes: beauty and the beast was IMO the worst choice for the play this season. Movies like Aladdin and tangled both have very energetic and loud soundtracks that allow these characters to belt their hearts out. Beauty and the beast has a very folksy, quiet, ballad type of track that limits the actors. The only actor that I think sings ballads better than big booming tracks is Nini, who isn’t even in the play this year. Ricky also sings great ballads, which is why ballads that are still slow but also emotional and powerful like “Santa fe” or “something to believe in” (which would sound AMAZING in his and Ashlyn’s voices) fit much better than the deep voice of the beast that he can not comfortably sing in. Also, the beast has very few songs whereas newsies would allow him to belt his heart out in nearly every song with that lovely voice he has. The age range of the newsies cast (that characters are supposed to be 17) fits better with these very teen actors than a movie about old fashioned French young adults. Really newsies was the best musical choice for this season, but I also believe beauty and the beast was the last one they should have chosen.

(After reading comments I rescind my statement that beauty and the beast was the worst choice, but it’s still second to newsies imo)

Feel free to debate me in the comments or point out my mistakes, I’m very open to other points of view

[popculturebuffet]

One Year Anniversary: Top 12 Ducktales Episodes!

Happy anniversary all you happy people! Yes it was one year ago today I started reviewing animation and it’s been a ride to be sure. I’d always WANTED to be a reviewer: I love going on and on about stuff I love, really digging into it and picking it apart... but I could never get started. I tried youtube but I didn’t have the money for the equipment nor a proper shooting space to record, so my efforts.. were not great. And while I TRIED text reviews, my own looming pile of self hatred meant every attempt I made was shot down when it got hard as me not being good enough. 

But one year ago I finally got past that. I’d already been reviewing a bit, doing invididual issues of comics... but got way in over my head trying to do the current line of X-Men comics as it came out, and wisely bowed out of that. But that left a gap: I had nothing to cover week to week and with a demanding new job, I drifted into just doing in charcter chats, little fan fictions script styles. Not bad work, I should do some more at some point and I even got a comissoin once in a while, but nothing I could really live on and not what I wanted to do with my life. 

Enter Ducktales. I’d always WANTED to review the show.. and when the double premire happened, I decided fuck it, and put up my thoughts. And then decided.. hey maybe I can do this every week.. and slowly.. my work evolved, getting better and better, getting more and more likes. I picked up Amphibia when that came by week to week.

And eventually.. this went from a hobby, if one I was passionate about to a career. Not a largely paying one, as only one person was really intrested in paying me for it, friend of the blog and our fincial backer @weirdkev27, but .. it’s money and i’m now making about 30 dollars a month due to a comination of comissions and patreon. Other contributers are always welcome mind you, my patreon is here if your curious and comissions are 5 dollars an episode, but i’ts just nice to have money coming in. To have gone from simply WANTING to review things and make a living off it.. to simply doing it. 

And it’s been one hell of a year.. and not just because 2020 felt like hell or 2021 began with a full on insurrection. I feel like i’ve acomplished a lot in the year i’ve been doing this: I finished what I started with Ducktales season 3, getting better and better as I went. And I didn’t stop there with ducks: I started covering what brought me to Ducks in the first place, the Life and Times of Scrooge McDuck, and while that retrospective has slid a bit on the schedule, I intend to get it back on track this month. I reviewed a bunch of Darkwing Duck episodes leading up to the Just Us Justice Ducks.. chronologically anyway. The actual airing order reads like someone took 50 issues of a comic, made it rain with them, then just started reading whatever ones they picked up randomly. I also covered some of Duck Master Carl Barks work with the classics Night on Bear Mountain, A Christmas for Shacktown and Back to the Klondike, with more to come. 

And the Duck didn’t stop at just reviews I did on my own: Kev comissioned two MASSIVE retrospectives from me: My first for him was Ride of the Three Caballleros where in just a few short months I covered the boys entire televisied careers together from the movie, to house of mouse, to mickey and the roadster racers, to ducktales (again) and finishing with the wonderful Legend of the Three Caballeros. It has probably the worst Daisy imaginable, but otherwise is really excellent and i’m glad I finally watched it. I also covered Don Rosa’s two stories with the boys as part of it. It was a fun ride and I enjoyed every minute of it... okay most of them again Three Cabs Daisy is the worst. And once that finished Kev started up another idea: Shadow Into Light: a look at Lena’s character arc from start to finish that has gone on to be my most popular series on this blog, and that finishes next week. And there’s more to come as after that there’s a short breather with a look at Lilo and Stitch’s crossover episodes.. folllowed by me looking at all three of season 2′s ducktales arcs. And I fully intend to have covered every episode of the series by this time next year, so stay tuned. 

Outside of ducks though I didn’t slow down. I restarted my Tom Lucitor retrospective, covering what i feel to be one of Star Vs’ two best characters, tied with eclipsa, and my personal faviorite as he redeemeed himself, found love and I bitched a lot about the horrible directions the series took and probabably will more as that’s still not done yet. I did what I always wanted to do and started looks at some of my faviorite comics ever, starting with Life and Times and adding in New X-Men and Scott PIlgrim. I also threw in the awesome comic Blacksad. I did pride month for the first time and not only came out publicly, but also did two whole arcs i’m proud of with The Saluna episodes of Loud house and the rednid episodes of OK KO, and generally just had myself a good old fashioned time as an out bi man reviewing childrens cartoons. 

I started Season 2 of amphibia with it’s lows of an endlesss road trip and highs of adding Marcy to the cast and giving us more of the silky voiced keith david. And finally Patreon wise Kev’s taken me on a hell o fa journey: In addition to the restrospectives i’ve covered some additional darkwing duck, and a simpsons homage to the duck comics... but also got a bit weird and obscure with detours like the lost animnaics sucessor Histeria, the apocalyptic comedy where Santa dosen’t know how doors work Whoops! and the adventures of Santa’s bratty teen daughter jingle belle. In short.. it’s been a long year but damn has it been fun and there’s more to come. I’d like to thank all of you for reading, thank my Patreons Kev and Emma for supporting me, and thank my family for doing the same.  So with that out of the way, I figured the best way to celebrate was to do something i’ve been wanting to do for a long time, something honoring the show that gave me this calling in the first place. And with Season 3 sadly being the last, and enough weeks having passed for me to digest it between the finale and today, I could think of nothing better than my top 12 episodes of Ducktales.

Ducktales is one of the best cartoons of the 2010′s. Brilliantly taking EVERYTHING that had come before, the comics, the original cartoon and every bit of duck media period to craft a masterful, unique and wonderful reboot. It was funny, it was insane, and it had damn good character arcs. By the end every member of the main cast along with major supporting cast members like Fenton, Drake and especially Lena, had changed and signifigantly at that. The show was everything I could’ve dreamed of and more and I miss it terribly, hoping DIsney will do a revivial movie at some point. For now though, Frank and Matt’s run on ducktales, as they called it and I do too since i’m a massive comic book nerd, it’s time to look back on my favorite tales of ducks. So grab your sharks, your number one dimes and your friendship cakes with clear gay undertones and join me under the cut as I celebrate one of my faviorite shows and my anniversary in the best way possible. 

12. House of the Lucky Gander! 

 So as i’ve gone on about before and no doubt will again, Donald kinda got the short end of the stick in season 1. While Frank and Matt had good story intentions, keeping Donald away from adventure since he had no interest in it, in practice it meant a beloved Disney Icon who they and disney HEAVILY promoted as part of the series and whose being here this go round was a big draw for fans of the comics.... was only in a quarter of the season and only got TWO plots centered around him in 23 episodes, with only one being the main plot of the episode. The PIlot and Finale both centered around the family more as a whole if your curious how I counted those so while he got plenty of focus in both, it’s still not a day in the limelight sort of thing. 

But unusually for Donald, he lucked out as his one big starring role for Season 1 was both one of my faviorites and one of Season 1′s most inventive outings.  A lot of the episodes enegy comes from a one two punch of a great guest star and one of the series best settings. The guest star is of course everyone’s faviorite overly lucky himbo Gladstone Gander. The show adapted the prick perfectly: The original Gladstone from the comics.. was the worst asshole imaginable, utterly insufferable. And for a villian, and Donald’s rival, that’s all well and good.. but his super luck meant he RARELY , if ever, suffered any consequences for being just...

The 87 series simply made him nicer, while Going Quackers simply removed his luck. No adaptation really got how to make this fucker work.. until this one. Here Frank split the diffrence: Gladstone is still smug.. but he’s no longer actively malicious. While he is an insensitive prick to Donald in this one, unlike the comics he’s not constantly bragging about his luck or how great he is or actively BAITING Donald to fight with him or trying to ruin his relationship or a million other reasons he sucks and I hate him.

This version by contrast... is generous. He’s not the most empathetic, because he doesn’t get how life works, but he does share the riches of the casnio with everyone and in a cameo appearance in “Treasure of the Found Lamp” gladly offers his nephews some diamonds. He’s got a nice surface level charm to him that makes you understand why people like him.. but it’s also clear ther’es nothing UNDER that of value, making you equally understand why Scrooge and Donald hate him. Gladstone in this reboot is a perfect example of why we need reboots or new adaptations in the first place: Because sometimes the original got something wrong or something can be done much better by the new writers. 

He’s perfectly paired with the setting: The House of Lucky Fortune, a mystical casino with an East Asian astatic based in the country of Macaw and provides two great plots. Donald’s really highlights his character: His understandable jealousy at gladstone earning the boys love through nothing while he struggles to make a living for them, and how he feels like a looser and like Gladstone is simply showing that off instead of just not knowing what empathy is. Having Louie be the one to bond with Gladstone was also just pitch pefefct, as is showing some depth for the boy by having himr ealize his hero is an asshole and be the one to help donald in the end. 

The other plot is just pure joy though and is where the setting REALLY shines: Scrooge and the rest of the kids try to leave.. but can’t find the exit. This is where the creative part comes in: The Casino simply morphs to keep people trapped, and caters to them, giving them whatever they want to keep them trapped. In the cases of the kids it’s all hilarious and adorably in character: Huey becomes entranced by a fancy water show, in one of his best bits of the season, Dewey gets a pet tiger who sadly did not come home with him and Webby gets to live the dream we’ve all had of stuffing her face directly in a choclate fountain. Scrooge’s escape is likewise clever: He simply prepares to get a room.. then books it as the check in desk is ALWAYS near the front. 

We then find out Gladston’es trapped get the whole mystical contest with absolutely gorgeous animation, i’ll talk about it in full some time but this episode is just a treat to watch, has a great arc for donald and had some memorable gags. I can’t help but smile when I watch it. 

11. The Dangerous Chemistry of Gandra Dee!  As I mentioned before i’m a superhero nerd so naturally Fenton was one of my faviorite parts of the show. Frank and Matt were just damn good at crafting superhero stories, and like gladstone improved fenton turning him from an awkward donald stand in to an awkward peter parker-esque science nerd who just wants to be a good person and the best hero he can be. He got into science not just because he thinks it’s neat, but because he honestly wants to help people and you can’t help but foot for him whenever he pops up. Lin Manuel Miranda is a large reason for that, bringing his incomparable a-game to the character. While we sadly didn’t get a ton of gizmoduck focused episodes, the fatct we got AS MANY as we did and that Lin didn’t drop out for a minute even with his busy schedule was a miracle and I’m acknowledging that. 

As for why this one, I feel it builds brilliantly on the previous Fentoncentric episode Who Is Gizmoduck?! which just BARELY didn’t make this list and uses the fact we haven’t seen fenton in a while as both a plot point and to move some things forward without having to spend screentime they clearly didn’t have. By having Fenton be just burnt out on superheroics it finds a way to both explain where he’s been, he’s been busy with his new job, and give us an interesting angle to the old “superhero is tired of the life” thing. He never once complains about saving people or stuff... it’s just like any job it gets tiring after a while. As someone who has his dream job but has struggled with it from time to time, I vastly relate. 

Though while I love my boy and Lin is game as always, the episodes real MVP is my other boy Huey. The episode has moved Huey up from being simply Fenton’s fanboy to being his best friend, and adorable as hell relationship. The two clearly respect and appricate each other and Huey is looking out for his buddy the whole episode. His love of love is also just really cute. Added in the mix is Webby, who in one of my faviorite gags of the series, finds out Fenton is  Gizmoduck because Huey is incredibly and insanely blatant with his unecessary coverup. But she of course is game to help while Fenton is trying to play it casual. We also just get a waterfall of great gags as everyone overdoes it wingmanning for fenton: Huey sets up an itallian bistro and tries to purposfully create a lady and the tramp situation, and sings opera (With Manny on acordian), the wonderfully 80′s suit from Fenton’s dad his mom gives him to wear, and Launchpad, who gives us a tremendous list of his exes, and plays my favorite song of the series: It’s a Date, a micheal mcdonnel riff. 

This episode also wisely ups Mark’s Beaks game as Fenton’s arch enemy, still keeping him hilaroius, with the guy acting like a bored teenager and guzzling so much nanite jucie he turns into a hulk, as well as said hulk mode leading to a ton of great gags from kidnapping the children (”I got your kids.. are they your kids? I don’t know how this family works), to “take that coach dad” to eating a pie with tins and all and wondering about said tins. But he’s an actual threat now, taking on fenton in one hell of a fight, and having an utterly transcendent scene where he hacks his way past gyro’s security while dancing.. and dabbing because of course he does. It’s a fun, well done character piece that’s mostly here for i’ts laugh but Fenton’s struggle with Gizmo overtaking his life, and finding out someone he truly hit it off iwth only wanted him for that.. it’s really good stuff and Lin’s delivery after Fenton finds out, the pure pain and betryal in his voice, is just excellent. Also that opera scene is poetry. 

10. Quack Pack!

One of the episodes that started my career naturally landed here. Not for that reason though: Quack Pack is a fun riff on sitcoms, specifically the tgif ones of the 90′s that Disney Afternoon Kids no doubt also watched, the kinds Disney Channel still makes today, and most importanly the kind the Disney Afternoon itself made like Goof Troop and well... Quack Pack. 

Riffs on sitcoms are nothing new and the last year has been FULL of them. 2020 gave us this episode, Beef House and the wonderful “The Perfect House” episode of Close Enough, and this year gave us WandaVision, my second favorite MCU project so far, right behind Black Panther, which used the sitcom deconstruction to create one hell of a character study. 

So you’d think with a year having passed and this concept happening as an entire mini series would dull this one.. but no. it’s still damn funny, having fun at the cliches while, again like WandaVision, having one of the main cast be responsible by accident but go along with it. The episode pivots from glorious affectionate parody of cheesy sitcoms, to that plus horrifying “Humans”, and a character piece for Donald. This brings Donald’s hatred and fed up ness with adventure to a head revealing his fondest wish is just to have a normal life and not loose anyone again. 

It takes one of his best friends to snap him out of it. Look Goofy is my second faviorite of the sensational seven, an episode with him was already an easy sell for me.. but the episode uses him really well. First for laughs as he’s gentically dispositioned to be a perfect sitcom neighbor.. but also for heart. With his family preoccupied and a bit hurt, i’ts Goofy who cuts to the heart of the issue, pointing out NO ONE is normal and even his normal domestic life raising Max, who we see go to prom with roxanne eeeeee, has all sorts of chaos. Normal is what you make of it and pining for some ideal that will never happen was just tearing donald apart piece by piece and by letting go of that.. he finally begins to grow as a person throughout the season. It’s also a great thematic tie in to the season’s overall plot with Bradford and what Makes donald, despite also disliking the chaos his family gets into, different. Donald accepted it and grew as a person.. Bradford clung to his hate and it ate him alive. Or turned him into a non-sapient kind of vulture. Before I close this part out Jaleel White is also excellent and I wish eh’d get back into voice acting. He’s so freaking good at it. Seriously man i’d love to see him and ben in a sonic property together as a mythology gag. Same with Jims cummings and carey. Just think about it whoever owns the sonic movies.. think about it. 

9. The Last Adventure!

Look I knew this was coming, you knew this was coming. But it had to be on here. The Last Adventure is not perfect: The lack of a build up episode like the previous two finales had really hurt this one: even at about 70 minutes, it still feels rushed in places and Huey, one of hte main characters of the season, dosen’t feel like he has a full payoff to his character like Dewey and Louie got. 

But despite those flaws.. this episode is just a damn good ending. Almost everyone gets a big moment paying off their character arc, everyone in the party that comes to rescue webby and huey, along with the two themselves, gets a moment to show off, and everything comes together to give us one last epic sendoff. There’s just moment stacked on moment stacked on moment from Launchpads heroic second wind and donning of the gizmoduck armor, to Webby’s tearful confrontation with Beakley, to Huey using the greatest adventure of all line to foil bradford in one of the most deligfhully nuts moments of the series, I could go on for days with just how triumphant this finale felt. While it left a lot of doors open.. that feels like part of the design. It’s the end of the fight with FOWL.. but our heroes will never stop adventuring, never stop going and never stop being in our hearts and the curtain call at the end is now my faviorite bit of end credits ever, perfectly giving the main cast and friends one last chance to take a bow in their own unique ways. I will always miss this show but I will never be disapointed by the note it went out on. 

8. The 87 Cent Solution!

Look some episodes are show stoppers, some are heartfelt tearjerkers, some are all this and more.. and some episodes are just clever and hilarious. The 87 Solution is the second funniest episode of Ducktales with me and my go to episode when watching the show. It’s just pure fun and with a clever premise: Scrooge notices 87 cents have gone missing, and already coming down with a cold, goes mad with paranoia as the kids slowly don face masks, something that has become even eeerier given everything, one by one realizing he needs to stop. 

While David Tennant is an EXCELLENT dramatic actor, his comedy timing is really something that shoudln’t be ignored and i’ts on full display here as his performance gets more and more deranged, to thep oint he thinks an 8th dimensional imp is repsonsible. He nicely balances the disturbing side of Scrooge’s paranoia, his distancing from his family, with plenty of great gags about it too, the standout being when he offers 2 million dollars to whoever took the money like he’s publicly appeasing kidnappers. It’s fucking brilliant. 

But while David is awesome as ever what really, truly makes the episode is my boy, one of my faviorite characters on the show if not my single faviriote FLINTHEART GLOMGOLD. Keith Ferguson is ALWAYS a dream as the character but this is his best performance by far. Part of this is the addition of Zan Owlson, Kev who I mentioned earlier’s faviorite Ducktales character. She’s not only throughly likeable in her own right, but provides the one thing Flinty was missing; a straight man.. or woman in this case. Scrooge wasn’t TERRIBLE in the roll, but can easily step away from his shit or foil it. Owlson has to put up with Glomgold’s nonsense while desperatly trying to stop him from undoing all her hard work with sheer force of jackass. The two jut play off each other brilliantly, Glomgold not getting sh’es not his employee but his equal and Owlson constnatly snarking at him. 

And of course both things hit their peak in the climax with the family staging a fake funeral (Though no one told donald it was fake), and we get the funniest scene in the entire fucking show as Glomgold burts in in a white suit, money shades and full dance number to “All I Do Is Win’, which when first watching this I was convinced the song was somehow accidnetly on in the background but nope. They got it after using it in the test phase and the scene is better for it. Glomgold twerking on Scrooge’s casket, trying to get on it to dance, and having to be placated like ac hild is the icing on this very rich cake

And the reveal scene is also gold as Glomgold gets into a YEARLONG staring contest with a baby, fails to steal more than the 87 cents and, in my faviorite touch, put on an imp costume just to make scrooge seem crazier... then keeps the damn thing on the rest of the time for no explicable reason. The episode is the show at it’s comedic peak while giving Glomgold a chance to be a genuine threat and that’s Glomgood. 

7. Let’s Get Dangerous!

Frank’s Rebooted Version of Darkwing Duck is probably his greatest achivment with the show. While this show is a team effort, something I slowly realized as I reviewed the show, it’s very clear from the way he talks, how well he knows the show and how much effort was put into porting Darkwing into the reboot that this was his baby. While redefining ducktales for the 2010′s was clearly a huge dream of his... doing the same for the master of suprise was an even bigger goal. And as a huge fan of superheroes i’ve seen my fair share of half assed takes on laired and complex characters. The XCU alone is one giant grab bag of missed opportunities for me. 

So i’ts no exageration when I tell you Frank.. nailed it. In one of the most brilliant moves i’ve seen for a superhero work Frank worked his love of the show into the reboot.. by having Darkwing have been a show, one Launchpad loved.. and so did Drake, who was inspried by the show to become an inspriation himself and while his attempt to do that through a zack snydery reboot failed, Launchpad encouraged him to do it for real. Drake was still himself, but the meta aspect and the toning down of some of darkwing’s more obnoxious traits that didn’t work in a universe that, while patently rediciulous still took it’s characters seriously, he made a BETTER version of the character.

This is where all that comes to it’s peak, and hoppefully convinced Disney to let Frank , and possibly matt, run the reboot. And no, even if Point Grey is producing that dosen’t stop that: Thanks to Invincible i’ve now realized that Seth and his friend Evan producing the show dosen’t mean it’ll be RAN by them, nor unrelated to this. It just means their helping make it and if anything given how lush and gorgeous invincible’s animation is, it’s a VERY good sign their helping out with it if it’s true. 

But wether this versoin continues or not, Frank gave it his best shot. Part of his diffrent angle is having Drake as a rookie here and as such here we see him truly struggle: he’s had his origin, he ahs the cape, he has the gadgets (in a brilliant turn thanks to fenton, who he actually likes... but is so far the ONLY person to not get he’s Gizmoduck), and the city.. but no crime to fight and no real idea how to go about his lifelong dream. The events of the episode slowly shape him: WHile he already had the spirit for darkwing, never giving up, looking good in a cape etc, this episode gives him the heart the same way it gave his original it: With Gosalyn. Dimantopolis and Beatriz just play off each other perfectly, as the two go from neimies to slowly bonding as Drake realizes this kid needs him and that he needs to fight for more than just filing the ohle inside, and goes to hell and back to help her get her grandpa back, with one of the best moments of the episode to me being when Launchpad helps her realize how hard he’s been working at it, an exausted drake refusing to acccept that he can’t get her grandpa back because he promised. He grows from simply trying to live the dream.. to surpassing the original. We also see more from Launchpad, who grows into his new family and helps push his boyfriend and newa dopted daughter in the right directions. The episode really evolves these characters from the simple disney afternoon versions, who while awesome were made into fully fleshed out characters. Gosalyn still has her edge but now has a hard lesson to learn about doing the right thing, forced to give up someone she loves for the greater good but finding a new family in the process. 

Part of what makes the episode work though as while it is funcitonally one big darkwing duck reboot pilot that’s awesome, heartrending and a joy to watch... it’s still a ducktales episode in parts without either part hurting each other. Huey plays a vital role, figuring the ramrod is too good to be true.. and discovering just how it is, then when captured, slowly unravling why Bradford’s there and being at least in part responsible for outing him as a FOWL agent. While this is largely Drakes story the rest of the cast is still vital to it: Scrooge trusting in huey, Louie serving as his logical counter and Dewey meanwhile bonding with team darkwing and helping Gosalyn, knowing exactly where she’s been and providing a nice foil. The episode is just one long and impressive love letter to the original show while creating it’s own thing and that’s really this reboot in a nutshell. It also has some of the best fights of the series, with the first fight between darkwing and bulba, where our hero, unlike his original counterpart, easily troucnes bulba using his speed and skill, is the standout. 

6. Woo-Ooo!

I covered this one recently so I won’t go on for too long.. but I will say I hold this one up as the gold standard for first episodes. In one hour, hell even in jus the first half we get a sense of the whole cast, the tone of the show, and the world we’ve been thrust into. It gets all the table setting out of the way by weaving it into a compelling story of Scrooge getting back in the game, finding a reason to get back to what he does best in those he loves most and setting up the season long arc effortlessly in the process. The worst I can say about the episode is it sets the bar a bit high for Season 1 and a lot of the first half really struggled to reach these heights. This episode is a masterwork and the perfect showcase for what the series would be at it’s height. 

5. Moonvasion!

Speaking of Golden Standards, Moonvasion is one of the best season finale’s i’ve seen. it’s not THE best.. but that’s a really high bar to clear and that spots currently taken in my heart by “The Crossroads of Destiny” from Avatar the Last Airbender. But while not the best of it’s kind, it’s sitll the best the series put out and is an utterly satisfying epic that ties up season 2. 

While I love the Last Adventure, it had a LOT to tie up and was really hampered by having to do all of that with no direct lead in. Moonvasion by contrast hits the ground running with the Moonlanders arriving on earth and all hell breaking loose, and the episode itself breaking into two stellar plots. Scrooge leading an army of every ally he has against the invaders, and Della seemingly going for reinforcements.. but really just trying to keep the kids safe from it, to their anger once they find out. 

Both sides end up going badly: Scrooge looses most of his army as Lunaris was one step ahead of him and is left iwth Beakly and Launchpad, while Della ends up marooned.. and finds Donald. The reunion between the two is the highlight of the special, as the two argue as you’d expect (And Dewey cutting in seemingly to stop it.. only to rant at Donald for costing him “ten years of turbo” is the best gag of the episode), before embracing. 

Our heroes naturally find ways to bounce back though. Louie, capping off his growth for the season, convinces his mom they can’t just hide.. and in the second best scene of the episode sings the lullabye she wrote.. one Donald sung them every night

And no sooner than Della gets her step back and realizes that dangerous or not she and her newly reunited family have to get back in there, do the cousins show up on Fethry’s giant shrimp/girlfriend Mitzi, and our heroes head back. 

Scrooge’s plot hits i’ts peak though as he’s forced to accept the help of an unlikely and unwelcome ally: Glomgold, who turns out to be exactly what they need: While his plan is as stupid, short sighted and insane as you’d expect, complete with forcing Scrooge to dress up as santa just to piss him off and dressing his sharks in parkas (”I call them sharkas”), the sheer lonacy throws Lunaris off as he dosen’t know how to deal with this and Glomgold not only gets the better of him but gets his company back as part of his scheme.  “You were prepared for our best but not our dumbest!” “And i’m the dumbest theirs ever been! Muahahahaha! Wait...”

And of course our other heroes arrive just in time to save things.. and the episode still manages to pull off what many works struggle to, something tha’ts very hard to: a SECOND climax. Lunaris decides to just say fuck it and blow up the earth and i’ts up to our core family to kick his ass in space. Epic space battles, Della’s girlfriend meeting the family and more insues and an emotoinal, action packed and fully satisfying finale is had by all... and it’s all topped with one of the best sequel hooks i’ve ever seen as FOWL makes themselves known to us.. and prepares to strike. 

4. How Santa Stole Christmas! This one will also be short as i’ve talked about this one.. a lottttt. The initial review, my best christmas specials list and my best of 2020 list. I stand by all of that: this is a unique and wonderful christmas special, i’ll be watching it every year, and i’ts full of charm, humor and gay subtext. In short it’s this series but on christmas footing. 

3. Last Crash of the Sunchaser! 

Another one I covered very recently, this episode is a master piece of suspense, slowly building tension as our heroes get closer and closer to the truth about Della.. and to death, the simple but deadly stakes making this an absolute nailbiter from start to finish. This is some of the series best pacing bar none... but what seals it is the ending: the masterful flashback finally explaning whatever happened to Della duck, our heroes lashing out at each other.. all cumilating in the best Scene of the show. I said it might be in the review but no I can confirm: Scrooge bitterly ruminating over things while we find out just how much he’s lost... ending with him tearfully and angrily sitting once again alone in one hell of a powerful shot echoing Scrooge’s first apperance. Damn fine stuff. 

2. Escape from The Impossbin Only one episode not only matches Last Crash in mounting tension and atmosphere but suprasses it. With FOWL and Bradford’s true nature now out in the wind, this episode uses that to create tension and rattles it’s two most unshakable characters: SCrooge’s normal boundless confidence is shot, not sure he can win this time against an opponent who knows him as well as he knows himself while Beakly slowly unravels, pitting Webby against the boys.. and pitting herself against Webby when Webby sees her terroizing them is only dividing them. Both plots start out funny enough but slowly escalate in tension and stakes until by the end your on the edge of your seat. The Beakly plot is the standout of the two, giving Bentina the starring role she badly needed, having gotten even better in light of the finale. Everyone is at the top of their game and everything builds up to one hell of a twist ending and one hell of a badass boast from our heroes: Their down.. but their far from out and this is far from over. 

1. Nightmare On Kimotor Hill!

I”ll be reviewing this episode in full later this week as part of my Lena retrospective, but I stand by putting it up top. This episode is ducktales in it’s purest form and focuses on it’s best original character as Lena grapples with her self hatred and her past. That core helps anchor an amazing concept: going into the Kid’s dreams and finding out their greatest desires. The results.. are all gloriously rediclous and are easily the best gags of hte series as a whole: Dewey’s high school musical santa claus is going ot high school nonsense from getting a’s in Dewology to running away from the abstract concept of a love intrest, to not getting the sybolism of himself crying a moon made of his own tears. Louie quite literally becoming garfield, and my faviorite scene of the show: Huey, wanting to be the tall older brother..g iving himself horrifcly long leg. While everyone else is just understandably baffled, what makes the scene is the banter between Dewey and Huey, with Schwartz and Pudi at their best as Dewey first freaks out and then asks what the hell man, while Huey defends his weird decision (”I”m not good at imagination stuff okay!”), and then tries to get a jar of pickles. Each dream is just so oddly and wonderfully specific to each kid and each one of the triplests dreams, as well as violets being color coded down tot he backgrounds is a very nice touch. The visuals here are just peak ducktales, using the setting for all it’s worth and the climax is utterly emotoinal and heartbreaking... and Lena’s break from her abuser, finally realizing she has the power now is not only a wonderful metaphor... but also just so damn cathartic. And that’s why this one’s the best to me personally: it just packs so much into 20 minutes: some of the series best and most creative jokes, a gripping emtoinal arc, and so much more. It’s just that damn good and tha’ts why it’s the best... that and starting Huelet for me. Seriously that LIbrary scene is so fucking cute. 

Thank you all for reading. If you liked this artcle, join my patreon and help me get to my stretch goal for monthly darkwing duck reviews, a review of super ducktales and more after! Until the next rainbow... it’s been a pleasure. 

[lightns881]

DTeam Tumblr Demographics Survey Results (Part 2):

What does DTeamblr look like, what does it have to do with MCYT history, and why does it look like a rainbow?

I’ll make an educated guess here and say y'all enjoyed my last post (totally unrelated to the way I gained almost 50 followers overnight). Anyhow, thank you so much for the overwhelming support! I’m so glad a lot of you felt you could relate to my deep-dive into the leading personality type on DTeam Tumblr. It took me so many hours to write and research, and as a math major and honors student, it’s no easy feat, so I’m so grateful for the attention it got!

Today we’re discussing the general demographics of DTeam Tumblr and why they might look the way they do. Number 8 will blow your mind! So make sure to keep reading and hit that little grey heart and arrow at the bottom if you like it, so more people get to see it! Thanks for your support! Now, let’s jump straight into the post!

Your Daily Dose of Data

From the 449 responses we received, these are some pie charts displaying the gender, age, and sexuality of all respondents.

Image Description: Female (52.8%), Non-Binary (37.4%), Male (9.8%)

Image Description: 16-17 (37%), 13-15 (31.4%), 18 and over (29.4%), 12 and under (2.2%)

Image Description: Bisexual/Pansexual (54.1%), Homosexual (16%), Asexual (14.7%), Other (7.8%), Heterosexual (7.3%)

Mmhm, delicious! Y'all ready to dig into these stats? Because I don’t know about you, but they certainly don’t strike me as what the general population looks like!

Welcome to Tumblr, the Only Community Where Straight Men are the Minority

So these statistics certainly didn’t take me by surprise. Mostly because the DNF Shipper Survey I took some time ago revealed a similar trend. Not to mention, Tumblr is probably the QUEEREST internet community on the planet. 

Funny enough, the survey revealed a shocking number of ZERO heterosexual males respondents. I’ll say it louder for the people in the back. ZERO straight males were recorded out of 449 respondents for this survey!

Now, this isn’t surprising for the Tumblr community by itself, but I can say I’m somewhat surprised in terms of the MCYT Tumblr community. (Obviously, the survey specified DTeam Tumblr, but there is a big overlap between both communities, so I will be using them interchengably when it seems relevant.)

Let’s break this down. The survey reveals the largest age population is 16-17, though it’s not by a great margin in comparison to 13-15 and 18 and older, which doesn’t surprise me either. Some of the major critics of the DTeam Fandom and other MCYT Fandoms love to claim the fanbase’s majority age range lies with children and pre-teens. While it’s an undeniable fact children are drawn to Minecraft, it’s also a misconception to paint it as solely a community for younger viewers.

In the MCYT Tumblr and DTeam Tumblr communities, specifically, we see this is not the case. Only 1/3 of the respondents of this survey are under the age of 16 (you could attribute part of it to the fact younger people might be less inclined to participate in this survey, but it is still a notable difference). I can’t say these age ranges are similar in other parts of the community like DTeam Twitter, Tik Tok, or Reddit, but if I had to make a guess, I’d say Tumblr lies toward the older of the bunch, with Reddit being the oldest and Tik Tok being the youngest (I do hope to perform this survey on some of the other communities, so please stay until the end if you want to help with that).

One of the likely explanations to why the ages for DTeam Tumblr look this way is the fact a big chunk of the community has likely been watching MCYT for a long time (even with breaks in between). I, myself, used to watch channels like PopularMMOs, Aphmau, and PrestonPlayz as a kid, and I presume many of you are familiar with them as well. With the resurgence of MCYT in the past year, it likely drew a lot of the older viewers in addition to the new ones.

But enough about age. What I really want to highlight on this post is the attraction of queer individuals to DTeam Tumblr and MCYT as a whole.

Why is the current MCYT Fandom so queer in comparison to the previous generations?

This is a huge open-ended question and considering I can only capture so much of the DTeam and MCYT community, the rest of this post should be taken solely as a theoretical analysis as opposed to fact.

With that out of the way, let’s start by discussing the shift MCYT has undergone over the years (I promise this will circle back to the question of queerness in the MCYT fandom, but we need some background before we can come up with a decent theory).

When Minecraft was first released, it proved to be a monumental change in the gaming industry. This simple little indie game took the world by storm. It was so vastly different from what the general population generally viewed gaming as (first-person shooters, story-driven games, action games, etc.) Not to mention, it didn’t exactly solely appeal to only a small margin of gamers, those being white cis males.

The gaming industry has notoriously been known in the past for its heteronormative community and general prejudice toward minorities. Though it has gone through a significant change over the decades, we certainly can’t say it’s fully gone.

Yet for whatever reason, the recent MCYT has taken the interest of so many queer people in comparison to other gaming YouTube communities. Why? Why are queer people so drawn to this community? And, more precisely, why does it feel so different than the old MCYT? Lastly, how does this relate to the conclusion about the leading personalities of this fandom we made in the last post?

The Niche Communities of MCYT Over the Years

MCYT has always been a huge, over-saturated genre of YouTube with content appealing to a variety of audiences. It’s dominated gaming content for years, and I think we can all safely say it’s never been bigger than it is today.

So why is it that just now it feels like the queerness of the fandom is popping off? Why now as opposed to say five years ago when MCYT was at another one of it’s strongest stages?

It seems like the community has made a tremendous shift in relation to breaking gender norms and LGBTQ+ subjects, not only in the fans but within the creators themselves. Was flirting and calling a pretty-boy streamer pet names as normal in the past as it is today? Were straight gamer guys putting on dresses and a full-face of make-up as supported back then? Were “marriages” and “pregnancies” within Minecraft boys an everyday occurrence like they are now? How is it that MCYT has dominated a Twitch dating show where flirting with the gay host and among straight contestants themselves is just another bit of entertainment? Where is this all coming from?

Recently, I watched a 2 hour documentary depicting all of the stages of Minecraft YouTube and how it has changed over the years. If you haven’t seen it and you have some time to spare, I HIGHLY recommend it! It’s very informative, and it honestly gave me such a strong sense of nostalgia that makes me choke up every time I think about it. I’ll link it below.

The documentary does a great job at exploring the different niche communities that dominated MCYT since it first took off. Some of such communities include the basic Let’s Players, the team-based Let’s Play channels like How2Minecraft, the roleplay story-centric ones like Aphmau and Samgladiator, the tutorial, building and technical side like Mumbo and Grian, the PVP-centric Bedwars or Hypixel channels, the Machinima community, the comedy side like ExplosiveTNT, the parody music videos, and so many more. All of the mentioned communities have dominated Minecraft at one point or another, many of them still having a rippling effect and/or a loyal community today. All of these communities have certain aspects that define them, some of which parallel the current overtaking content in the present.

How can we compare MyStreet to the Dream SMP?

Taking Aphmau as an example, her MyStreet series had a TREMENDOUS success a few years ago, racking in millions of views and bringing in a lot of money that eventually allowed her to hire voice actors and increase the production of mentioned episodes. The roleplay series was so successful it ran for six seasons!

Now, let’s compare that to the Dream SMP. It seems like a big comparison to be making considering they appear so different at first glance. For once, Aphmau is just one channel whose audience caters toward girls and younger people who enjoy romance. The series is set-up in an episodic-format that resembles more of a TV series than actual Minecraft videos.

Meanwhile, the Dream SMP is a collection of content creators with a mix of improvised storylines and the occasional regular video that resembles more of a Let’s Play series than a RP series.

You could say the only true comparisons to draw out of these two are the popularity they had/have and the profit they brought to their respective creators. 

However, there’s two other key similarities that you’ll find not only within these two specific examples, but many other channels and communities as well. Story and characters.

MyStreet’s story aspect is fairly obvious seeing as it’s a episodic series that focuses on a fictional story. The Dream SMP’s story aspect isn’t as clear, but it’s evident there is a story playing out in the foreground and background, whether intentional or unintentional, or improvised or not.

Character is where some of you might start to question me. It’s obvious MyStreet has characters. I mean, it is a fictional story, after all. But the Dream SMP? Light, they’re obviously people!

Well, my answer to that is yes and no--sort of. The Dream SMP’s story heavily relies on roleplay, bits as you might call them. Events that aren’t necessarily planned out as a fictional plot like the typical MyStreet episode is, but they aren’t exactly real. Schlatt is obviously not a villain in real life, he just likes to impersonate as one for the narrative. Wilbur isn’t crazy, but it’s a way to spice up the heroic story surrounding Tommy and him.

It’s video-game improv. Except the actors behind the content just so happen to be real people playing off the personalities and “brands” they have obtained. 

Brands. It all boils down to this. In the entertainment business, without a clear vision of your project and a clear way to brand what your consumer intakes, your project will likely not find a lot of success.

There’s a reason why Tommy plays off his loudness, using an overexaggerated laugh that although may not be completely fake, it is likely not the laugh he uses everyday. Or why BadBoyHalo is this supposed innocent muffin who doesn’t understand the crafting table meme and other references that are fairly easy to google and find the meaning of. Or why Sapnap is this chaotic being who loves starting pet wars and we love to paint as an arsonist in the Dream SMP. While all of these personality traits may be a part of their true selves, they’re played up for the camera--for the story. They act as the personas that define their characters in the narrative.

They have a clear brand and vision that appeals to the audience and makes them tune in on the daily to see how they all come together. It’s like roleplaying a more extreme version of yourself, one that brings home the money.

Story and characters run across every entertainment outlet. They define their brand. Aphmau has her characters and series. Hermitcraft has a set of memorable personalities and episodic videos that formulate its own story that is less like a narrative and more of a history of the server. ExplodingTNT has his recurring cast and comedic sketches. Most of these niche communities have a form of story and character defining them. It’s how they achieve a clear sense of branding and cater to a specific audience.

Queer Theory in MCYT

Having said all that, why does the MCYT of today draw in so many queer viewers?

Let’s think about this. In my last post, I ended by mentioning DTeam Tumblr is a sort of safe haven for INFP and INxx types who might be placed in the “other” category by society. INFPs, specially, are predisposed for escapism--one common form of it being fiction and entertainment. Not to mention, INFPs are feeling types who, as introverts, seek a personable connection. It’s why it’s so easy for them to obsess over book characters or fall in love with content creators.

Now, let’s imagine a whole community of LGBTQ+ INFP and INxx types. Actually, scratch that, we don’t even have to imagine it.

It’s what our community looks like today.

And why are so many so drawn to the DTeam and Dream SMP of all things? It’s a personable storyline that essentially forms a direct tie to the viewer. Unlike pre-recorded fictional TV series you tune into on your device, the Dream SMP is a whole load of chaos that blurs the lines between reality and fiction where fans can directly connect to creators and get to know them as people through a storyline that features sub-textual queer themes and non-conforming behaviors.

The MCYT content creator community of today is more non-conforming than ever before, and knowing this whole fact, knowing that many of them might place themselves in the “other” category or at the very least aren’t afraid to break the norms and be seen in that light, is a comfort in itself for LGBTQ+ INFP types. Once again, it’s a safe space that helps you escape from the troubles of real life, one you relate to.

Okay. So although this does answer why the fans look like they do, what about the creators themselves? Are we really supposed to believe this all came through naturally? That a bunch of straight guys suddenly decided wearing dresses was something they wanted to do?

I don’t mean to sound cynical here, and I’m in no way trying to insinuate creators have solely some sort of corrupt ulterior motive. Things are never as simple as they look. However, the truth is, a part of it lies on the attention it’s gotten.

I’ve talked a lot about DreamNotFound and the way Dream uses it as a marketing ploy. I stand by my point. However, he’s not the only one who does this in the MCYT community. Why did Finn suddenly go from wearing a dress to cross-dressing as a girl for a whole week? Why are so many creators suddenly deciding wearing dresses is fun? Why does every freaking straight MCYT actively want to flirt with George nowadays?

Let’s just let Techno’s favorite word answer this for us: clout.

It gets attention from one of the largest historically underserved minority community in the entertainment business. We might not be able to see gay flirting in every Netflix TV show or guys not minding dresses and getting fake marriages, but you are certainly going to get at least one of those in every Dream SMP stream and video you tune into. It gets attention. It brings home the money. And do I blame them? Not really.

Interestingly enough, there’s a lot of analytical posts on the MCYT Tumblr community that discuss the dangers of these tactics and why gay jokes and the way queer subtext is treated by MCYT creators is harmful. Despite this, it still attracts such a huge community of queers. So why exactly would queer people actively watch something that’s offensive or harmful to us?

I have a lot more to say about this topic and the morality behind Dream’s tactics, but I’m out of breath for today, so I’ll talk about it in my next post. What better way to start the conversation about the DNF and Karlnap questions of the survey than a good ol’ discussion on the morality of queerbaiting and the likes?

If you got this far, I’d appreciate it if you liked and reblogged this post if you enjoyed it and/or learned something new! Also, important news, I would really like to perform a similar study on the DTeam Twitter Community to measure the differences in demographics across platforms. I would REALLY appreciate it if you guys could go like, retweet and share the link I posted on my Twitter about it (tweet will be linked in the reblog below) so it reaches more of the DTeam Twitter community!

However, if you filled out the survey yourself here or you associate more with DTeam Tumblr than DTeam Twitter please DO NOT fill out the survey again! I’m trying to make sure it reaches the audience that mains on Twitter, but I need a little help with that since I don’t have as big of an influence on Twitter than on here for obvious reasons.

Anyhow, thank you so much for all your support! I really appreciate y’all and make sure to hit the follow if you want to lookout for the next demographics post! <3

(Pssst, I’m releasing a MCYT DNF superpower AU longfic next month... You should totally go check out the post on that if you’re interested in it...)

[starrlikesbooks]

Let’s talk about upcoming books!

It’s hard to believe the year is nearly over, but it’s equally hard to believe that it’s somehow still 2020  ¯\_(ツ)_/¯ Either way, the new year means at least one good thing- cool new books!

Click the read more for a little on each and why I’m excited! And have a great new year! 💓🎉

The Echo Wife by Sarah Gailey is Gailey’s third full-length novel, and their second Adult novel. It’s an SFF story about a woman whose husband is cheating on her… with a clone of herself… which he made by stealing her research. The layers of betrayal! Obviously her and the clone have to kill him, what other choice do they have? I’m super excited for another one of Gailey’s fun, complex characters and the concept alone sounds so, so cool.

The Valley and the Flood by Rebecca Mahoney I’ve already had the pleasure over reading and I am PUMPED to get other people to read it! This is a magical realism story about grief and baggage mixed with a southern (western?) gothic vibe with the town in the desert full of otherwordly “neighbors”. This is a beautiful story of PTSD and healing and as well as a lushly magic one.

The Mirror Season by Anna-Marie McLemore is another one I’ve already been lucky enough to get an advanced copy of. This is a magical realism story about the trauma of two characters’ unfortunately closely connected sexual assault. This one is heavy, and if you’re sensitive to stories involving rape and/or blackmail you may want to avoid it, but it’s well written and honestly an excellent story of healing and reflection.

Lycanthropy & Other Chronic Illnesses by Kristen O’Neal I…. have also already read! Sorry- I am just a very lucky reader of books! This is a really modern online friendship based story of a girl and her community of people with chronic illnesses, like the one that forced her to come back home from college. But it turns out her best friend’s chronic illness is a little… weird. I love the humor in this book, I love the characters, I love the representation of these illnesses and the online communities they form, and I honestly think that anyone who 1) like werewolves and 2) is still on tumblr will love this book.

Blade of Secrets by Tricia Levenseller combines three of my favorite things- bladesmiths, magical quests, and the author of The Shadows Between Us. A magical bladesmith takes a commission from someone far more dangerous than she knows, and winds up with an uber powerful sword able to steal secrets, on the run, and with some surprising friends. I can’t think of anything I don’t like from that, and I know I already love Levenseller’s characters, so!

Mister Impossible by Maggie Stiefvater has… that title, but is also the sequel to Call Down the Hawk, Stiefvater’s Ronan Lynch centric TRC spin off. CDTH was incredible and ended with a massive cliff hanger, so I’m chompin at the bit for this book. More magical dreams! More disembodied voices! More murder and art theft and Declan Lynch failing at pretending not to be weird af!

May the Best Man Win by ZR Ellor has the potential to make me cry right from the get go. This is a MLM trans lovers-to-enemies-to-friends-to-lovers story and my God I’m vibrating. Basically it’s a battle for prom king between exes who had a messy break up because one of them ended their relationship in order to come out & transition. The cover is so cute and I’m ready for this to be fluffy and fun.

One Last Stop by Casey McQuiston is McQuistion’s sophomore novel after Red, White & Royal Blue, so… obviously? This one is sapphic and involves falling for someone who is literally in the past. I trust McQuiston so much I’d need this book immediately even if the concept didn’t sound amazing, but I’m feeling blessed that it does!

Violet Ghosts by Leah Thomas is about being best friends with (and crushing on) a ghost while also coming out to yourself as trans. As an enby who likes ghost books- may I just say trans rights? This book also involved parental abuse, so beware if you find that distressing or triggering!

Blood Like Magic by Liselle Sambury not only has a stunning cover and a main character who looks like she means serious business, but it’s a dark urabn fantasy about witches. The main character fails her ritual to come into her magic, she’s forced to kill her true love or strip her whole blood line. Ah, I love difficult choices, gray morality, and magic, so I’m already in love with this.

The Box in the Woods by Maureen Johnson I’m astounded and super excited to know is going to exist at all. I loved the Truly, Devious trilogy, and while this isn’t exactly a part of that it is the same main character and it is still a mystery about an unsolved murder! Plus, I love summer camps, so a summer camp murder mystery makes me happy.

Gearbreakers by Zoe Hana Mikuta is a sappic enemies-to-lovers about two girls on opposite sides of a war fought by giant Windups. This is a cyberpunk book of spies and pilots and gay love, and it’s also the first in a series!

Any Way the Wind Blows by Rainbow Rowell is the third and (most likely) final book of the Simon Snow series and it’s gonna be GOOD. My only wish is for it to be about 500 pages longer because I want a full out door stopper of tying up loose ends.

The River Has Teeth by Erica Waters is the second book by the Ghost Wood Song author- which was on my most anticipated list for 2020 last year! That one was creepy and folky and queer, and this one looks to be the same. This one has a sister disappear and some strong magic to find out what happened to her, and if their mother was the one who did it.

Mark of the Wicked by Georgia Bowers is a dark fantasy about a girl who comes into her powers but has some different ideas about how she should be using them. I love morally gray or just plain dark main characters, so I’m ready to jump right on this one. This one also involves memory loss/blacking out and being framed, which always adds a cool mysterious layer!

Among Thieves by M.J. Kuhn involves queer, selfish thieves forced to band together. I have a soft spot for characters who are really flawed and don’t want to work together (especially if it leads into found family!) and this also has a slow burn sapphic relationship and a lot of possible betrayal in it, so I’ll probably go crazy from reading it.

Beyond the Ruby Veil #2 by Mara Fitzgerald doesn’t have a title yet but it does have a great plot to work off of. I loved the first book- which was creepy, had a completely awful, villainous main character, and full (I mean full) of murder- and it ended in a way that point to the sequel being just as good if not better. The first one had the quality of just watching the world burn, and I have a feeling this one’s going to be the same thing with maybe more flames. If you plan on picking up either of them, consider checking out the CWs, though!

Little Thieves by Margaret Owen got added to this immediately because Owen definitely gained my love and trust via The Merciful Crow duology, and I’m certain it’s going to be incredible solely because she’s a wonderful writer and her characters are a lot of fun- and speaking of characters, she’s already shared some drawings and info on them and they’re GREAT I cannot wait to meet them. This is a retelling of The Goose Girl story, from the maid’s POV!

Jade Fire Gold by June C.L. Tan was originally on my 2020 most anticipated but then 2020 happened so… yeah. But it is actually coming out in 2021, as long as the world doesn’t end again (fingers crossed). Inspired by East Asian mythology, this one is about a dangerous cult, a peasant cursed to steal souls, and an exiled prince!

The Heartbreak Bakery by A.R. Capetta is going to be one of those cute, fluffy, feel good reads, which I think we probably all need about now. I love Capetta’s work and their very queer characters, and I love the idea of a magical baker both breaking up and then getting couples back together. Also, the MC is agender- we love to see it.

The Second Coming by André-Naquian Wheeler follows a teen with a traumatic past falling for a boy who might be the second coming of Jesus Christ. Honestly, I’m a little nervous about this one- but also I almost wrote my own queer second coming story, so who am I to talk? I don’t know much more about this book, but I’m excited to see what it turns out like!

[aion-rsa]

Why The Great North Isn’t Just Another Bob’s Burgers

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It’s easy to take one look at FOX’s newest animated comedy, The Great North, and assume it’s exactly like the long running and beloved Bob’s Burgers. Two of The Great North’s creators wrote a good chunk of Bob’s Burgers episodes and the shows share a near-identical art style after all. At first glance some of the Bob’s Burgers character archetypes seem to be involved as well: awkward daughter, an odd sarcastic youngest child, and a loving, if somewhat offbeat, father.  So why bother with something like Bob’s Burgers when you could just watch Bob’s Burgers?

While there are a few surface similarities, by the end of the first episode of The Great North you’ll realize there’s so much more to it than just an Alaskan set version of the Belcher family. It’s got humor all its own, unique characters, and the potential to be something that isn’t merely a rival to Bob’s Burgers but a truly unique experience.

So let’s head up north to discover all the reasons why The Great North is so wonderful. As a brief primer, the show is set in Alaska and follows the Tobin family with fisherman dad Beef, artistic daughter Judy, loveably dumb son Ham, bear-suit wearing son Moon, oldest and eager to please son Wolf, his always chipper and new to Alaska fiancé Honeybee, and Judy’s best imaginary friend Alanis Morissette…played by Alanis Morssette.

The Family’s Lack of a Mom is Refreshingly Handled

A lack of a mom is a huge trope in animation at this point (look at damn near every ‘90s Disney movie) and if there is a mom, especially in a comedy, she tends to be wacky or overly loving. The Great North puts a new twist on both of these in its very first episode.

The plot of the premiere deals with Beef struggling to get over his ex-wife years after she abandoned the family. An ex-wife isn’t anything to write home about, a single dad taking care of a family is a comedy trope in of itself, but it’s what we learn about Beef’s ex that makes this element so refreshing.

Instead of the mom just not being present or having died off screen, Beef only acts like she’s dead, a fabrication everyone goes along with to keep him sane. When he isn’t around though Judy is quick to point out the rest of the family doesn’t buy this and they never liked her much anyway. She even flat out states,

“She was a really bad mom, okay? And it was actually better when she left.”

The other kids then list off horrible things she did, like name their dog Grandma solely so, “she wouldn’t be lying when she said we were with Grandma when people asked.” She runs a blog with her “new lover” about stores that wont chase you if you shoplift. Even in her goodbye letter to Ham she just wrote, “smell you later.”

I love this so much because it replaces all the easy sentimentality of a dead or simply absent mom that comedies love and instead opens up some fantastic new storytelling opportunities. In the pilot alone it gives us deep insight into Beef, that despite how awful she was he refuses to think anything but the best of her. Why is he like that? Is it his way of not thinking about all the terrible things she did? She’s left him so broken he has to concoct an elaborate fantasy to keep himself sane. It makes you instantly love the character and while he does seemingly get over this denial in the pilot I can foresee it impacting him for the rest of the series.

It’s also so refreshing because the kids aren’t all that broken up about it. Knowing their mom was terrible helps reflect a lot of what kids go through in real life. Sometimes they just have a bad parent and there’s no deep explanation of why, they just are and it’s not great. Maybe Judy and the others are hurt by this and I’d love to see the show tackle that in the future but even if it strictly keeps this part of their characters on the comedic side of things? It’s empowering. These kids aren’t broken up by their awful mom and want her back; they’re thriving BECAUSE she isn’t around. 

Nick Offerman Being Nick Offerman

Over the years Nick Offerman has perfected the deadpan and loveable character that brought him to fame in Parks and Recreation. His role as Beef isn’t a major departure from that mold but it does allow Offerman to be even warmer than his most famous character. 

As Beef he’s a capable man who gets up to see the sun rise and chop wood. He loves nature so much he steals a potted plant from a mall to take better care of it. His love for his family is on full display and he often goes to absurd lengths to keep them together. Offerman brings a great charm to the role and all of the jokes he delivers are winners. 

The Rural Location

Bob’s Burgers draws much inspiration from its city setting, while The Great North is set in rural Alaska. This may seem like a surface level change but once again opens up all kinds of new opportunities for stories and characters. Where the Belcher family was somewhat cynical to city life (you would be to with a landlord breathing down your neck) the Tobin family openly embraces the chilly north.

Judy sits out on the roof and talks with her imaginary best friend, Moon takes great pride in his ability to mimic a soon to be eaten cadaver laying out in the snow, and Beef specifically gets up every morning to stare in wild wonder at Alaska’s majesty while whispering “hot dog.” The whole family even delights in going to the mall, which is the kind of joy only someone living out in the middle of nowhere can truly appreciate.

The Different Character Dynamics

Even after eleven truly fantastic seasons Bob’s Burgers characters still manage to never feel stale and the team behind the show always finds new ways to play around with them. With such a rock solid cast of characters you’d think they could tackle any story imaginable but The Great North is already proving to be a home for stories that just wouldn’t work for Bob’s Burgers.

The most noticeable change is that most of the kids are older. Judy and Ham are both sixteen which opens up a lot of possibilities that couldn’t be done with the Belcher kids. They can get involved in more serious relationships, have jobs (as Judy gets in the first episode), and are able to be more autonomous from the family. Wolf, the oldest of all of them, is engaged! Imagine what could be done with a soon-to-be married couple? Honeybee herself also functions as a delighted fish out of water to Alaska, her thoughts on the Tobins’ life a needed commentary. Her outgoing personality also clashes well with Moon’s stoic nature.

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Judy and Ham also share a more loving sibling dynamic than any of the Belcher kids ever have. In Bob’s Burgers the kids don’t wear their hearts on their sleeves, they’re more likely to make sarcastic quips about one other. The Great North though has Judy and Ham share a special bond, the two have a secret handshake that goes for an indeterminable amount of time. It’s really sweet and it makes me excited to see what kind of comedy can be mined from this more openly affectionate family.

Ham Is Gay And I Love Him

Ham is my favorite character so far in this show. He’s a little slow on the uptake but loves everyone in his family a lot and can even make a perfect replica of a cadaver… in the form of a cake. He also happens to be gay, a fact that is wonderfully confirmed in the first episode when he blurts out, “I AM GAY!

To which Moon responds, “we know. You’ve come out to us a bunch of times.”

Beef then adds, “we love you just the way you are, damn it!”

Ham, clearly not remembering his past comings-out, yells, “WELL, THANK YOU FOR BEING AN ALLY!”

It’s a great scene and kicks any subtext out the door. Queer audiences don’t have to sit around guessing who COULD be queer in the show (as they’re so often forced to do with so little representation in media) there’s a character who said OUT LOUD he’s gay. He’s one of us!

Bob’s Burgers has had several one-time gay characters (Bob did refer to himself as “mostly straight” once but that was more of a gag) but getting a gay teen in the main cast is sublime. He’s also a different sort of gay teen then we’re used to in television, with a tiny “probably thinks it’s cooler than it actually is” mustache and his “not quite all there” personality. He’s not a stereotype, he’s got some obvious flaws, but he’s loveable! Sure enough, his family loves him and accepts him.

Having a gay character in the cast opens up so many story possibilities. Are there any other gay kids in this rural town? What if there’s only one and he’s forced to date him? Does he know what kind of guys he likes yet? Where do the gay kids hang out in this town? 

It also must be reiterated that his family loves him and accepts him. While drama over coming out and acceptance is totally valid, I’m glad that Ham will get the chance to just be gay and his family will support him all the way. We can just see him happily (if somewhat absent-mindedly) live his life and that’s needed in a world with so little queer representation. As a pansexual man myself it’s heartwarming. I wish I had a character like Ham when I was growing up. 

Alanis Morissette Is A Main Character

Yes, Alanis Morissette is in The Great North (played by the actual Alanis Morissette) but in an absolutely perfect choice she’s not the REAL Alanis Morissette, she’s Judy’s best imaginary friend who just happens to be Alanis Morissette. Judy’s artistic so it makes sense she’d look up to someone as incredible as the Canadian musical genius. As an imaginary best friend she tends to serve as a sounding board for Judy’s thoughts and gives absolutely flawless advice.

Even better though? The imaginary Alanis Morissette also only appears in the Aurora Borealis. That’s… incredible. What a way to take advantage of the show’s location!

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 The Great North is a delight. It’s only been two episodes (the third one premieres February 14 and the first two are available on Hulu) but it’s already shown a lot of promise. Not in the “oh it’ll get good eventually” sense but in the “no it’s already great and I want to see more of it!” Don’t think of it as another Bob’s Burgers, just think of it as its own wonderful moose-filled show (it’s Alaska, what did you expect) and you’ll have a fantastic time. Truly, in these dark times we could all use a little help from imaginary best friend Alanis Morissette.

The post Why The Great North Isn’t Just Another Bob’s Burgers appeared first on Den of Geek.

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[floralkittygambler]

Reposting for reasons

Response to Honest’s post here: Doing this to spread this awareness more as I know theres a bit of a rift in the critical community - plus I really fucking go on. Im PISSED and I do apologise however it NEEDS urgent addressing. I know people will hate me for it but Im used to hate and honestly? Hating rather than helping to solve the issue only furthers my fucking point here. So yeah this is so more people are aware (no offense to any of those involved in said rift either, but this is an important message. Thank you for understanding and if I can do anything to make all sides comfortable, then please message me and I’ll do my upmost.) “ More awareness of this is needed. Even if it’s your favourite, you can’t justify their shit but rally against another’s shit. Have people tell you you’re experiences arent real or invalid because, like Husk, people have - in real life - shipped you with someone you are far from comfortable with but you still treat them like a person. Because you have basic respect. And people force you to accept harassment, touching, stalking, advances for THEIR satisfaction. People use you for their fantasies. But you’re just a ‘tsundere’ for it. Or you have addiction issues but people think being with another addict will ‘save’ you because you’re apparently too incompetent to save yourself. Love isnt some magic fuckin cure so stop romanticising it as a fuckin saviour. It’s gross and fuckin creepy. Get stalked and have someone NEVER accept your no just because you show youre still decent enough to not treat them shitty or any different from anyone else. Try having someone way older or way younger (both in morally fucked up ways) advance on you and people encourage that. People you’re supposed to feel safe around.

People touch you when you pull away or show discomfort. Follow you home. Have pictures of you and wont accept you dont like them like that and it’s not ‘playing hard to get’ or ‘the thrill of the chase’. Fuck. OFF. In fact, Im not only disappointed in the fandom. Im disappointed in the entire team who some should know better from their OWN personal experiences - or at least the bare minimal of being a fucking adult. Im disappointed in especially females (sorry idk whether girl or woman is more appropriate here-) who statistically are more likely to have experienced something similar at some point in their lives think this is a cute gay moment. No. Angel is made out as a fucking predator - Im not saying he is, Im saying that his persistence is very fucking unwelcome like one. People like Husk dont need that fucking invasiveness. They/We need patience and someone on our level. Angel’s I know are the fuckin polar opposite - and some of them I know are very sexually harassing, including unwanted touching. It’s a shitty way to present gay people. Gays are fuckin people. Some are cunts and some arent. It’s a HUMAN thing. But considering the shit theyve been subjected to, presenting a gay as a victim only to also show them as a perpetrator is insulting! And for those Ive seen argue this about how people like AD wouldnt know how to express their love normally and whatnot? His pig. His best friend. He’s in his fucking 30s. There are literal real life criminals who get molested as kids and then go on to molest kids. Not all who grow up like that turn into nonces. Stop just fucking STOP justifying and romanticising this bullshit! I used to see the good in AD but now he makes me fucking sick. Especially with my verrrrrry fucking real traumas and connections. But fuck me, eh? Because this fictional guy matters so much more. Fuck real victims. And whilst we’re at it, fuck AD too when it suits your fetishes! Sarcasm aside, the fans and the team need to straighten up their abhorrent behaviour. Stolas. Fucking clearly having an affair, knowingly fucking up his daughter’s mental health and bribing a guy into sex who only wants the book and nothing more. He even has a fucking warning button over Stolas- Guys, how do you think any of this is cute? Even the team gross me out- I genuinely see potential and talent and it’s all gone to shit to satisfy horny teens, horny adults, and literally everyone who doesnt for the life of them understand being an adult is more than sex, drugs, violence and swears! I REALLY want to keep enjoying HB/HH but it’s getting harder and harder with such ignorant and bordering lazy creators (note: lazy as in wont do the fucking research or actually listen to real criticism and victims), such despicable fans (yeah, some HDers fuckin mocked that they triggered my ED, yet they had the fucking NERVE to support Angel’s potential ED AND laugh and blame me for me getting treated so badly for actually having the balls to call Angel and the teams hypocrisy. I got told to kill myself, that my problems arent real - oh but Angels apparently is! Which... They *are* but AD isnt real so technically only onlookers will suffer and not a drawing  - and they just excused their toxic behaviours. These people are like “aww poor angie babey!” yet fuckin INSULT sex workers. All this red in Hazbin yet it feels everyone and they mama colour blind. The issues are getting worse and fans are outright becoming EVIL, VILE, Vindictive little bullies - from kids to adults. You SHOULD be ashamed of yourself if you conduct yourself in such a manner. And you need to readjust your attitudes and behaviours because the only fuckers getting hurt are actual fucking victims. Ever been violated and been gaslit so much you STILL fucking question it’s reality? So you drown that shit out yet somehow it’s effects still hit you? Fetishise it. Make it your uwu gae couple goals, you’re no better than people believing Harley and the Joker werent toxic af. If this shit happened to you, most of you would actually SEE where we’re all coming from. Also, stop making gay a fetish - you’re like those creepy old men in the alley heckling lesbians to make out so they can wank off. Gays, no ALL the LGBT+ are fucking people too. So dont give me that bullshit then start turning everything just gay or just straight to mentally wank off to. It’s degrading and dehumanising. And yes, fiction does effect reality. You crush on a fictional character? Mourn one? Support one? Hell, fuckin jerk off to one - that’s affecting reality. Remember how in fiction all blacks were treated as villians? Look how theyre treated IRL. JAWS, great classic unfortunately their was a spike in shark killings over a fucking movie - the shark in the movie wasnt even real for the most part because they dont behave like that! (Also the animatronic was so shit they genuinely had so many issues - I think they even took to naming each one! Some fun trivia there!). Tiger sharks are more nasty than great whites as tiger sharks will hunt and eat a human. Great whites prefer seals and dislike human flesh, they just mistake us for seals. Hell, theres the toothless basking shark - theyre often SWAM WITH by divers for being so friendly. Yet Jaws made people think all sharks are bloodlusting over humans. Slenderman was created for a fucking contest and that influenced a stabbing (NOT Victor’s fault). Watch a horror movie that isnt based on a real life event and tell me that at least ONE has left you peaking over your shoulder. Stella may be a bitch - we dont know for certain - but try getting cheated on. Y’know what? Try growing up in such a broken home like Octavia. Yeah reaaaaaal fucking cute now, huh? Funny how as well y’all petition for male victims to be taken seriously then laugh when fictional males experience this abuse, further adding to stigma. You can be hit on by the hottest mf on the planet but if you arent interested, that should be respected! Also we’ve all been inspired by at least one fictional character so yeah. Yknow, since I was little Ive been fighting for sex worker and homeless rights. But HH/HB treatment of both leave a bitter taste in my mouth. I’ll still fully support sex workers and the homeless, but that’s the fucking effect this show is having. Bearing in mind I wont ever share everything Ive been through - and I shouldnt fucking have to in order to be believed and validated (obvs proof is required in a legal case but that’s a whole other topic). Why should I share MY fucking pain especially when you fuckers have belittled and triggered it more so? We have our rights to our secrets but fuck ME you lot NEED to start acting appropriately and like decent fucking humans. ‘iTs HeLl’ yeah and welcome to Earth- the team and yourselves live HERE. You obide by THESE rules. And as someone with beliefs (and a LOT of ancient fucking texts and studies on this shit) their Hell isnt even a proper Hell! It’s closer to purgatory and even then it’s not. Regardless, it’s a poorly built world with the lore consistently changing per episode and tweet, with many plot holes, and is apparently easy to get into - even via accidentally watching porn according to a stream. If youre gonna parade youre a fucking expert and research into demonology and use real believed figures, at least get THAT right. In fact, Lucifer and Lilith (and Stolas tbf) are ESPECIALLY risky as theyre a lot more complex than most easy access texts will tell you. Likewise, Stolas’s first introduction and main focus is sex. He’s one of the FEW Goetia demons that dont have some involvement in relationship issues at ALL. He’s known for astrology, crystals and herbs but hes also known to aid MONEY troubles (it’s lesser known but it’s true! HB Stolas is an insult to the Prince). Turning Vodou into something evil is vile considering it’s powerful and liberated slaves. Pentagrams are nothing to do with Satan, they’re magic based sigils. Upside down cross is the symbol of a SAINT. It’s just some edgy attempt to trick people into believing they know more than they do. Also you should NEVER dabble and doodle sigils without knowing the meanings or respecting what they behold. Vox and Val, real fuckin cute way to make them look like a stupid fucking highschool drama instead of a fucking SEX TRAFFICKER (note: real pimps often target YOUNG folks too - aka minors - and groom them into sex work. Theres different types of pimp. Viv has shown barely any understanding of ‘the game’ and its a fucking insult to injury. Yes we KNOW what a fucking pimp and prozzie are! We dont need to see it. We need REAL AWARENESS.) and a fucking scheming bastard of a CEO salesman botman. And yet even THEN lets go a step further and make some yandere wuv on boyfweind aboose! Fuck off- Now I love a good anime but these tropes are getting fucking dangerous now. And unrealistic to real love and relationships. Kids nowadays know fuck all on a healthy relationship (neither did the fuckin 50s tbf) and Im seeing more romaticism and glorifying abusive situations. Like the show ‘You’. Ok, there’s a fuckin bloke online who slaughtered innocents and kidnapped yet people commented how cute he is on his IG and that they want to be kidnapped or killed by him next. Dont believe me? Look up Peter Manfredonia Connecticut and the comments people left him and then tell me why shit like whats being presented in HH/HB ISNT fucking concerning - because it is. For a series about redemption, it’s brilliant at the opposite (Quote from the creator herself, Viv has posted that it’s influencing her bad choices. Even as a joke, proof’s in the pudding). And the overall focus on sex in the way Viv does is so immature and really creepy, and this is from an ADULTS perspective. From one adult to another, Im concerned as to why any of them think this is a normal fixation. Then again they’ve hired quite a large amount of dodgy folks and even a child. Most of this shit gets avoided with a basic background check like most companies run. I DO like Hazbin. Or the premise. I love some of the cast and spite the others. In Helluva, I just like a tiny portion of the cast. And I critique it so harshly because Viv DOES need a wakeup slap, grounding to reality, people who arent going to big her up or kiss her arse for once and shape her up to be the best she can be. The actually reach and even surpass her potential. And to reach where you need to be, there’s a lot of harsh lessons youll face. That’s life. Shes chosen one of the most HEARTLESS industries and if she blocks out critique as ‘hate’ then she’s not strong enough and wont last. It’s just another unprepped YanDev again (except I dont believe Viv to be a nonce. Even with her dodgy past and dodgy present, I think her perspective on sex and relationship with sexuality is FAR from healthy BUT I dont believe she’s a pedophile. Ive bled my fair share and so far, I just think her sex perspective isnt healthy or mature for her age. But there’s little to nothing to suggest actual noncery - dont worry about accusations there. But YanDev is totally a dirty predator. Just clearing that up). Viv NEEDS some harshness and stability if she wants to do things right. And it’ll make her fucking cry but if she loves these projects as much as she claims to, then you’ll sacrifice blood, sweat and tears for that shit. Even the strongest points are mediocre at best when properly observed. She CAN do more, but she’ll have to face the harsh music. Viv wont see this, but if she does, I dont care if it upsets her. Why? Because this is that much of an issue - something she’s cultivated - that she needs to take action and not ignore it or be secretive about it. She needs to grow up and get tougher skin. Im not saying this to cause her pain. In fact, I wouldnt waste my fucking limited time if I DIDNT care. Trust me, I have duties to be met at a certain quota every single day. I say this shit only because I give a shit and care. If we met, she’d fucking hate me. But people like me are good for shaping people up to their potential. And we arent always this ‘tough love’ either. But when someone needs that level of harshness to help themselves, we’re not afraid to lose people or cause upset if the results end up being the best for them. If she ever saw this, she needs to re fucking evaluate her message, her story, and those she’s choosing to welcome into her circle. And all Im seeing is one rookie mistake after the other. Her paid patreon discord. Just like the messages Honest has posted on her side of being harassed (not in Vivs fyi), Ive experienced shit and bullying and even stay silent on their for being attacked for a group I fuckin paid to be in and yet I feel isolated. It’s all arsekissing and ‘thank you viv’ (thats an actual channel-) and it feels like a place of borderline worship and people trying to appease her 24/7 whilst kicking others with different opinions down. There’s so many I love but I aint kissin yer fuckin arse. Ask the closest friend I have - we’re fucking raw and wont just side with each other just because. We’ll call each other out if we think they’ve fucked up and then help each other build themselves up better. Because real fuckin people who actually care wont just want to be adored by you. They’ll care enough to point out your bullshit and help you, even if they upset you at the time. They’re real and upfront with you. People like us arent always the easiest to be close to either because we arent afraid of upsetting someone if it’s in their best interest and to help them. Likewise, we dont go out looking for fights either. Most times, we’re fuckin soft bastards- All this shit listed is the fuckin surface level of the real life hell of this fandom. And unsurprisingly, those who experience little to no toxicity have always been higher on that popularity ‘food chain’ - enough admirers and shared opinions that people wanna arse kiss regardless of their OWN feelings as well as neutral perspectives. I’d say you’re the lucky fans, but you’re not. You’re sheltered, and that isnt always the best way to be sadly. As for the fans. If Ive upset you. Well... I dont care. Because many of you have actively sought me out and weaponised my traumas against me. You never cared about my feelings then. Why should I care about yours? Im not doing this out of malice. Im fed up of humans behaving so pathetically yet claiming to be high and mighty. Most of you have been arseholes to those in and out of the community. The victims and non-victims alike. Hardly any of you considered once my real suffering. You put a drawing over a life. Many lives. You had the audacity to tell me Im full of shit. Some even using my real traumas to make a mockery of me and those Im around with a very similar history. Some with traumatic histories that differ from my own. You hardly ever considered the real lives of those effected. So no, Im not sorry for having the fucking balls to this day to still stand up for our rights and give us a voice that’s long been stolen. Im not sorry for being a fucking victim. Im not sorry for saying what desperately NEEDS voicing. And Im not sorry for not conforming to you or any fandom just to belong. We deserve better than to constantly be your fuckin arse monkeys (well... the trope is butt monkey but yknow-) and to be mistreated, misrepresented and harmed by you. You’re no different to the school bullies who give speeches on anti-bullying day. And I hope every single one of you starts looking into yourselves and improving. PS: Depending on the texts you read, Lucifer is said to have been redeemed or to be redeemed. Fun fact to haunt yalls with~ “

[seven-oomen]

Happy Halloween, Ben!  I hope you are continuing to feel better!  Do you expect any trick-or-treaters tonight?  (Is that a thing in the Netherlands?)  I hope you find lots of good candy at the grocery store!  I myself have two bags of dark chocolate Kit Kats to hand out to all the kids I foresee coming by (*wink wink*)  Your pumpkin is adorable, by the way.  I wanted to do some cool faces with mine, but my friends that normally host a Halloween party decided to just hold their Costume and Pumpkin Decorating Contests online, and the theme was “2020”.  I thought “well, I’ll just get two pumpkins, and use one for the contest and one for whatever."  Then one of them started molding, which seemed very on brand for this year, so I just went with it, and ended up with meme pumpkins.  I included a color pic, so you can see just how gross the one got.  Fun fact: the top of it is held on by being skewered with a dowel rod and set in place along the rim.  In case you were curious (you probably weren’t, but oh well), trying to scoop out a moldy pumpkin is indeed deeply gross.  Imagine a physical manifestation of the sensation most people seem to feel when you say the word "moist”.  Just…so gross and squishy…  *shudders in remembrance*

My costume attempt turned out okay given that I managed to pull it together entirely out of things I already had.  In case you don’t recognize the symbol, I was one of the more recent comic versions of Black Canary (this one at least had proper shorts).  Let me tell you, trying to free hand draw that goddamn bird outline with no printer or projector was an adventure.  I had to do it backwards, essentially, too, because I realized that pencil marks are extremely difficult to erase off of craft foam.

And I just wanted to show off that I’m the kind of classy bitch who drinks wine out of a can (also, it’s an awesome can.)  To be fair, it was actually surprisingly decent (I say, as though I know shit about wine).  I sent a picture to a friend, and she started teasing me, and I said “it’s a rainbow can, how was I supposed to pass it up?”, and she was like “you know what, fair, I would have done the same thing."  I also got some kind of sparkling red wine to drink tonight for proper spooky effect.  The cashier commented on it being good as I was checking out, so here’s hoping.

I know what you mean about endless plot ideas, too.  I started a couple of smaller pieces to work on when my longer WIP gets overwhelming, got on a roll, and have almost finished one.  I got super excited when I finally got to a few of the lines that were among the first I thought of for it months ago, then realized "fuck, now I have to write the smut, don’t I?"  So, hopefully the wine will offer some inspiration there, too. XD

By the way, I totally wasn’t kidding about the Chris Evans/Henry Cavill rom com idea.  I totally went and found it in my FB messages and screen-shot it so that I can now inflict share it.  Buckle up, here we go:  So, Chris’s character’s great-aunt (played by Angela Landsbury) talks him into coming to stay with her along the English coast after his divorce, and help her run her mystery book shop.  Only, less than a week in, she runs off to go on vacation with her boy toy (Christopher Walken).  By this point, he’s already ended up in an unexpected rivalry with the co-owner of the comic shop next door (Henry), who’s been trying to get the great-aunt to sell him part of the bookstore’s storage space to build a table-top gaming area.  The woman (Natalie Dormer) who runs the little bakery/tea shop attached to the other side of the bookstore has a running bet with the other co-owner of the comic shop (John Boyega) on how long it will take for the two men to realize just what type of tension there actually is between them.  Chris could wear hipster glasses, and skinny jeans, and cozy sweaters/cardigans, that he could remove at strategic moments to reveal the ridiculousness that is his arms and chest.  Henry could wear tight jeans and fitted nerdy t-shirts and SET THE CURLS FREE GODDAMMIT.  And of course at least one encounter would have to happen at a dog park, because both their RL dogs are absolutely adorable and deserve a moment in the spotlight.  Please, Netflix, I’m begging you.  Make it happen.  (If you curious, this particular moment of inspiration struck during a discussion over "if Evans is America’s Ass, is Cavill Britain’s?"  My friends are also classy like me.  XD ) 

Well, on that note, I’m gonna shut up for a while, and go wash the color out of my hair, because I think it’s been on at least half an hour longer than it should be, technically.  Enjoy your sugary findings, and I hope they and your coffee give plenty of energy for writing your various projects! :D  I hope you continue to feel better, and that things keep looking up!  Take care!  *Properly socially distanced and seasonally spoopy hugs to you both!*

Okay 1: omg I need that gay wine. (Rainbow wine, whatever.) That is amazing, I love it. And I totally get why you needed that. I don’t have any wine for myself tonight. But I have some Budweiser (Or well “Bud” as it is called here), cans of coke and Jack Daniels, so I should be good.

 And I think your jacket turned out pretty well! Looks awesome. (Though I get what you mean about craftfoam. It is a bitch to work with when you only have pencils and no stencils.)

Halloween isn’t much of a thing here I’m afraid, aside from some witches who celebrate samhain and the uprising of general pop culture there aren’t many people who really celebrate Halloween like in the US. So no, I don’t expect any trick or treaters tonight (also because COVID has us on a 8 pm curfew). 

I think the Netherlands celebrates Saint Martin far more which Wikipedia explains pretty well as: Saint Martin's day, also known as the Funeral of Saint Martin, Martinstag or Martinmas, as well as Old Halloween and Old Hallowmas Eve is the Funeral day of Saint Martin of Tours (else Martin le Miséricordieux) and is celebrated on 11 November each year.

The day is celebrated on the evening of 11 November (the day Saint Martin was buried) in the Netherlands, where he is known as Sint-Maarten. As soon it gets dark, children up to the age of 11 or 12 (primary school age) go door to door with hand-crafted lanterns made of hollowed-out sugar beet or, more recently, paper, singing songs such as "Sinte Sinte Maarten", to receive candy or fruit in return. In the past, poor people would visit farms on the 11th of November to get food for the winter. In the 1600s, the city of Amsterdam held boat races on the lake IJ. 400 to 500 light craft, both rowing boats and sailboats, took part with a vast crowd on the banks.

But other than that we don’t really have a holiday where children go door to door to ask for candy.

It’s getting more popular now in recent years to do so on Halloween, as well as Halloween parties, but it’s not very widespread.

I know what you mean about endless plot ideas, too.  I started a couple of smaller pieces to work on when my longer WIP gets overwhelming, got on a roll, and have almost finished one.  I got super excited when I finally got to a few of the lines that were among the first I thought of for it months ago, then realized "fuck, now I have to write the smut, don’t I?"  So, hopefully the wine will offer some inspiration there, too. XD

Yeah I was really excited to write some fanfic for Love and Monsters and then today I started doubting that. And now I’m leaning towards writing more Petopher fic where Chris gets turned?

I blame @for-the-love-of-wolves​ for that one because I read their fic and now I’m like: that’s a good idea. I want to write that too. And now I can’t shake it.

I should really finish things but urgh... part of me just wants to write more teen wolf fanfic.

I’m really curious about your wip though, I hope that when you’re ready to share it, I get to read it too. ^^

Honestly, Netflix needs to make this idea happen. I insists. I wonder if my friend who works their customer service can pitch ideas but I don’t have much hope for that. Would be pretty awesome though to see this come alive because it’s GOOD! Holy moly I want that to happen now XD. Brittain’s ass is it, UK Vs US ass fight!

Wait is that too gay?

Ah who cares XD

I’m still snivelling with a cold but it’s only stuff coming out of my nose, for the most part, I’m doing pretty good and can focus somewhat on things again. And no real pain aside from the general ones.

So I’m gonna wish you Happy Halloween, have a good night and lots of socially distanced hugs from me and Mo.

[aforgottenballad]

Feelings on Sally Face Episode 5

Under a read more for obvious reasons, includes heavy spoilers and potentially triggering subjects. 

Disclaimer: I might miss-remember some parts of the story or have missed a piece of lore that would settle minor complaints. I am however disappointed in the ending as a whole and in some of the very harmful tropes included in it. But I’m also just some dude online with an opinion, and you can stop reading at any time. 

Rant under cut. 

Alright ya’ll. I’ve had a couple days to digest the ending to Sally Face.  While playing, I genuinely enjoyed some elements of the game. The chapter started on a dark but nearly hopeful note. Neil and Ash were still working to bring the cult down. It seemed likely Sal would be resurrected. Todd had apparently escaped the hospital, and that had potential to be either a very very good or very very bad thing. Maple was possessed by whatever fucked up the souls of the other apartment tenants, but hey! At least her and Neil weren’t in on the cult like so many fans predicted. Unfortunately, this series has a way of getting darker and darker as it progresses.  First thing that bugged me was the lore drop about how the cult was founded.  A Native American tribe. Right. Because why wouldn’t Indigenous peoples be in a story without being part of some mystical occult backstory, portrayed as mysterious historical props who worshiped something dark and evil instead of being portrayed as human beings. 

But I continued. I really enjoyed playing as Ashley and getting some insight into her character. I enjoyed the task of planting the C4 in the temple... catacomb... thing. We get to see Travis again! I was excited that a lot of us were right about him being indoctrinated but also working to fight the cult from the inside. We knew he had some good in him after all. 

When Ash tries to resurrect Sal, we get even more insight into her character, and unfortunately a lot of it is “Grieving, distraught, and full of self-blame”. I want to hug her.  Sal’s spirit is apparently revived by those pyramids, and he can dimension warp. We meet Jim, or what’s left of him, and he doesn’t give a fuck about anything anymore but agrees to help Sal anyway. This is, narratively speaking, weird as hell. His entire character arc for four episodes was “Loved his family so much he sacrificed himself to save them”, and suddenly he’s just some glowy dude attached to Magic Spirit Tubes who doesn’t give half a shit. I guess it makes sense as a way to wrap up why he’s been able to drift between worlds but... if he doesn’t care about any of that anymore why help Sal? And what about Rosenberg? Is she like Jim, or do we just have to assume she’s magical because her family helped found the cult? (Explained in an easter egg later on, because this game doesn’t just drop its lore. Not even the CRUCIAL lore. You have to achievement hunt for it.) Sal can enter various doors in the House In The Void to step into alternate realities, and this was my favorite aspect of the game. Each door has a different art style, and I really liked seeing these alternate realities. Steve probably worked the hardest and longest on drawing out and coding these scenes. I genuinely applaud the man for the work put into this endeavor I’m assuming all by himself. 

Meanwhile, Ash tries to unbind Larry’s soul from the tree house he died in, which doesn’t work. Did we ever find out why his body was never found? No? Ok that seems important.

After each puzzle, Sal’s body is restored a little bit at a time, but even after turning on all the pyramids and solving the mysteries behind all three doors, he can’t make it back to the “real” world. So Ashley kills herself. Or tries to. Because apparently that’s the only way to complete the ritual, and also because she feels really bad about not unbinding Larry’s soul and about not fixing Sal. Again, I want to hug her, but I have to watch her hurt herself instead, cause Steve doesn’t let us have nice things.

Okay, so this is a gorey game. We know. But one of the BIGGEST no-nos suicide prevention networks will tell you when consulting them about mental illness and suicide in media is NOT to show a graphic suicide in progress. Steve is aware a lot of his fans are A) Young teens to young adults B) Struggling with mental illness. 

His main character suffers from depression and anxiety and this fact has resonated with hundreds of fans. It’s irresponsible to purposefully include a graphic suicide attempt, but he did it last chapter, showing a gunshot suicide’s aftermath, then he did it again with Ashley. Call me a wiener if you like, point out the graphic scenes from earlier in the game and call me a hypocrite for not being upset by that, but you have to admit the Spongebob-close-up-shot look to those scenes have a totally different feel. Speaking as someone who actually has a pretty thick skin, but is concerned about the fans who might be in a worse place or who could be as young as 12, that was fucked up. 

Anyway, Ash’s attempt doesn’t take, because she’s struck by magic lightning, which infuses Sal’s soul into her. Now her arm is one of those stretchy sticky hands, but with bio luminescence and the ability to kick cultist ass. I actually thought this part was really cool, and was super ready to go on a cultist smacking spree. But again, we can’t have nice things and before we get to do anything badass we have to look at gruesome imagery again. 

You get to see Void Larry, who is now old and a wizard or something, but first...

Surprise! Maple and Neil are dead! Not just dead, but hung up from hooks covered in blood! And naked! 

Hey?? Hey Steve????? You know how they’re both POC?? And that lynching imagery is EXTREMELY NOT GOOD?!!????

“Two white people are hung up with them” YEAH? WELL WE’VE NEVER SEEN THOSE CHARACTERS BEFORE. THEY’RE JUST RANDOM PEOPLE.

I’ve seen people arguing “The white characters go through terrible things too” but it’s still really fucked up that by the end of the game, every. Single. Person of color. In the game. Has died. Gruesomely. It’s a gorey, dark, bleak game, and white characters die as well, gruesomely; but not all of them. None of them that are named are shown strung up, naked. That’s fucked up. That isn’t okay. 

There are also a total of three gay characters in this game. One is Todd, who goes through the standard “bad bad stuff” the game is used to, is the white one, and he survives. One is Neil, one of the aforementioned people of color who died horribly and who only really existed to be Todd’s boyfriend and therefore a source of angst for Todd when he dies. The third is Travis, another man of color, and an abuse victim, who dies to fulfill his character arc as an abuse victim, which is also really shitty to see over and over again as an abuse survivor. 

Look, I know Steve pulled a lot of inspiration from old TV shows and horror series that probably weren’t all “politically correct”. I know it’s always been kind of an edgy and dark game. I know Steve probably didn’t think about the repercussions of all his narrative choices. But I also know he actively ignored some people offering to educate him on issues he has no experience with. I know he worked hard on this game, by himself, but we as fans have paid him and waited for years and it isn’t selfish or ungrateful to be hurt and disappointed. He knows his audience is diverse, he knows a lot of us were attracted to the game because of a gender nonconforming main character, a main character who struggles with mental illness, a cast that isn’t 100% white and conventionally attractive. Of course he didn’t need to change the plot for us! It’s his game, his vision, but the least he could have done is research how to not actively hurt and alienate a good portion of us.  I don’t think anyone is bad or racist for still finding solace in the characters and in what the story was before this, I’m not attacking you personally, whoever is reading this. I, personally, still have loads of Sally Face art in my queue, I still have active role plays going on, my Sal wig is sitting like 8 feet away waiting for the next time my friends want to take cosplay pictures. I still enjoyed playing the game for the most part. Without this game I wouldn’t even know most of my current friends. It’s just really shitty how it ended like this, and a lot of people I talk to daily either feel too sick to even talk about the game anymore after seeing people like them treated like trash by the narrative or try to focus on the good things they got out of just being part of the fandom but don’t feel comfortable supporting the developer anymore. 

Even if there wasn’t all these hurtful tropes packed into the game, and yes, even after unlocking the epilogue, the game just feels cold. It feels rushed, probably because of how much time went into the alternate dimension gimmick. I wish Steve had at least consulted people over the script. It felt like not only did he pour all his work into experimenting with the mixed media, he also just took whatever expectations the fans had and went somewhere completely different just to have his story be “unpredictable”. That isn’t always a good thing. Plot twists, downer endings, dark and scary imagery, all of these things can be done beautifully, but in this case it felt like he just wanted the series to end. The game didn’t subvert expectations, it fed into the harmful stereotypes and tropes all the fans were so hopeful it wouldn’t. 

...On top of not making any sense unless you’re able to 100% all the puzzles. And even when you do, it feels like all the bad stuff happened for no reason. The ending doesn’t conclude anything. Even when you unlock the epilogue, all it tells you is that a third of the world has died and that the main cast haven’t accomplished much besides “Trying to help”. Sal and Todd have powers now, but that isn’t elaborated on much. Larry’s spirit is missing, if he even exists in any plane at all anymore. It doesn’t even mention what’s going on with Ash.  It just feels like nothing mattered. 

[guylty]

My annual social media Lent is coming up. From Ash Wednesday I will abstain from Twitter for the next 6 and a half weeks (until Easter Sunday), allowing me to recalibrate a little and concentrate on other things. Such as my blog – or RAnet. That means I need blog fodder. Almost four weeks have passed since The Stranger launched on Netflix. Enough time to assume that most fans and readers have watched the show and will not be spoiled by the discussion of the show. Moreover, some more in-depth discussions have already started in the comments. Last weekend, for instance, we got into the intracacies of the “bar scene” in episode 4 of TS, talking about the casting, costuming and directing of that particular scene and how we, as women of a particular age reacted to that scene.

However, it would probably make more sense to start at the beginning. So anyone who’d like to discuss TS with me, you are welcome to write your observations, reactions and opinions in the comments. I know I am kind of launching into this without announcement. But by doing this episode by episode, I hope you can follow along and catch up with individual episode if need be. I’ll also try and summarise every episode at the beginning of each review post so we know what we are talking about. Hm, I may need to rewatch the show for that. The hardship!!! However, the discussion will probably focus on the plot… eh… Adam. Anyhow, I hope you’ll join me and share your thoughts either here – or your own blog, if you are blogging, too.

The Stranger – Episode 1 Recap

Prior to the trailer, TS starts with teenagers at a bonfire party, culminating in a naked boy escaping through the dark forest. The plot then begins with the Price boys driving in the car to the football club where younger son Ryan is trying out for the A team. While at the club, daddy Adam briefly speaks with his wife Corinne on the phone. She is away at a teachers’ conference while Adam looks after their sons. In the clubhouse, Adam is approached by “a stranger” who reveals a devastating secret to him: His wife faked her pregnancy a couple of years ago. He is shocked and disturbed.

Once back home after football training, Adam can’t resist checking the details the stranger passed on to him, and sure enough, his suspicions are confirmed – there is a credit card payment for a fishy website called Novelty Funsy, and the ultrasound scan of the miscarried baby does not quite match the ones of his two sons. Meanwhile, Adam’s elder son Thomas heads out to the bonfire party with his friends.

The next morning, police woman Johanna investigates a bizarre crime scene of a decapitated alpaca in the city centre. With her DS, she drives to a nearby alpaca farm to confirm where the animal came from. On their return trip their attention is attracted by some pieces of clothing in the forest. They follow the trail of clothes and find a naked body. The young man is still alive.

Adam meanwhile looks after his day job – he is the legal advisor to an obstinate tenant who refuses to move out of a house that has been earmarked for demolition. Upon his return, Corinne arrives back from her conference and Adam receives confirmation that the mysterious credit card payments are for a website that provides fake pregnancy products. He immediately confronts Corinne. She does neither deny nor explain why or what she did, only hinting that there is more to it than he thinks. The Prices spend the night in separate bedrooms.

The next morning Adam observes Corinne taking a phone call outside the house. She later suggests to Adam that they talk later that day after a school awards ceremony where she will explain all. However, Corinne never shows to the event. Adam receives a text message asking for some time apart.

The episode ends with Thomas revealing the decapitated alpaca head in his cupboard.

  Episode 1 – Discuss

So, first of all – I have watched the first episode about three and a half times. Twice on my own, once with hubster, and finally today a quick run-through for the sake of the recap where I fast forwarded through a lot of scenes, focussing on Adam mostly. I couldn’t help it… My first response to the show at the very first viewing was – WOW! I remember that I was fully engaged during every minute of it – even the scenes and story lines that Richard did not feature in. Granted, I was most interested  with the “grown-up” arcs, not least because anything involving drugs and other goings-on with teenagers makes *this* mama really worried. But having said that, I think the first episode was very effective in establishing the storylines and the characters. Hence the show spends most time following Adam (Richard Armitage) – as a father, as a lawyer and as a husband. Then there are the two police officers who also are presented as round characters – the middle-aged senior officer Johanna (Siobhan Finneran) approaching retirement who has just decided to split from her husband, and her much younger partner, a gay black man. Adam’s son Thomas also gets a good bit of screen time with his friends, making him more than just secondary. Other secondary characters include first and foremost Dervla Kirwan as Corinne, Stephen Rea as obstinate tenant Martin, and Jennifer Saunders as Johanna’s BFF Heidi.

So, the first watch was highly exciting and addictive, so much so that I basically binged the whole show. On second and subsequent views, I found the episode not quite as fast and exciting anymore – only natural, as a lot of time was actually spent setting up the characters and the various story lines: Johanna waking up in bed to her snoring husband; Johanna meeting Heidi in her café; observing the teenagers at their bonfire party; visiting Dante in hospital…

RA is the natural focal point from the get-go. Not only for fangirls, I might add. The show is really good at setting him up as the perfect family man who obviously has great rapport with his sons, both the “difficult” almost grown-up older son, but also the younger lad who needs a different kind of care than a young adult. I found the casting really great, with Thomas definitely matching the tall, dark, handsome vibes of TV-dad Richard, and younger boy Ryan more a mirror of his blond, curly-haired TV-mum. They all have great chemistry together, and found Misha Handley (Ryan) very natural and convincing. Jacob Dudman as Thomas was also great.

… really aged well… hehe

RA really shines in the confrontation scenes, both with the stranger and with his wife, when he has to convey both suppressed anger and outright fury at having been deceived. Both his major scenes with Corinne are very convincing, and I appreciated the decision to make Adam extremely angry, on the verge of volatile, when Corinne refuses to explain her actions. Adam’s anger is immediate, raw and confused and Armitage really draws the viewer on his side with his emotional outburst. So much so that I basically missed Dervla Kirwan’s nuanced acting in that scene. On second and subsequent viewings, once you know how the show ends and why she doesn’t want to talk immediately, you start to notice the little things: her refusal to talk has more to do with fear than with anger or denial. She is afraid of actually addressing the fact that the reason for her faked pregnancy will also bring another secret out in the open, and the subsequent discussion (which she had successfully avoided by faking the pregnancy in the first place) will now have to take place. What might have looked as callous or dismissive at first viewing, conveys much more detail the second time round: there is a sadness to Corinne that Kirwan expresses very subtly – in a slight pause, or the tiniest glance into the mid-distance. The same applies to their second and much calmer confrontation the next morning. What might have looked almost callous on first viewing, gains much more weight when you watch it with prior knowledge of the plot. When Adam says he has lost trust in her, Corinne replies “it hurts, doesn’t it?“. The question tag really stood out to me on first viewing. It confused me. Why is she phrasing it like that? It of course became clear in episode 4, but again, Kirwan really gave it a spin by loading it with subtle sadness that doesn’t only confuse the viewer but also Adam. Armitage here kept his response at just the right level of confusion without giving away how much Adam really recognises or understands what she was hinting at. RA reacts with great detail expressions. No words are needed. And in hindsight you can see how he begins to wonder whether she knows about his affair. Loved it.

Let’s talk a bit about Armitage’s look in this show. Such a spectacle!

Yes, I like details like that. The jury is still out on whether this is a prescription that Armitage wrote into the script himself 😂, or whether we just had a costume department that is on the ball. Yes, it’s time for the presbyopic lenses. Happens to most of us at around middle age. 🤓 I found it a lovely detail that makes Adam more relatable. Because – a dad bod he has not.

Even if he claims he does. I find this a rather attractive package for a middle aged family man. Also:

Bonus WRP. Needs no further elaboration

But to get back to the look and style – I enjoyed the casual style of Adam. Once again, it felt right – nothing too fancy, with windbreaker, jeans and shirts, and even a tracksuit at home, the perfect attire for a father of two (pre-) teen sons. I was surprised how good RA looked in other colours than just black and blue. The red polo shirt was very nice on him.

I can’t say I am as convinced of the costumes provided for Corinne. In fact, I think there were some rather sledge-hammer style decisions going on there, putting the wife and mother into rather dowdy, pale pink mom trousers and giving her a hole-pattern, fluffy knit jumper. Then there was that turquoise dress that went slightly longer than her knees – apparently the work wear for female teachers in English private schools, judging by an equally frumpy outfit for Corinne’s colleague and friend Vicky? (This observation I will come back to in a later post once we get to episode 4.) It just kind of made me think that Corinne was made to look older and less casual than her husband who even attends to his client in jeans and shirt…

Police officer Johanna Griffin OTOH looked *real* and great. (I kept double-taking because O’Brien’s severe look kept coming back to me.) And I loved Heidi’s funky style – very much the slightly crazy café-owner with a café as stylish as herself… And can we also mention the Price’s residence here? There were only quick first glimpses of their house – but oh, that stylist made it a gorgeous family home. The garden was beautiful but I can take it or leave it. Too much work – I don’t like to get my fingers dirty. But the dining area with the floor-to-ceiling windows and the sleek white kitchen? Big win, especially because it doesn’t look like a showroom but has photos on the fridge and a mess on the counters.

So episode 1 gets a big thumbs up from me – for introducing us to almost all the characters (some held back for more surprise later on) and establishing the plot. Yes, there is a lot going on here, which I haven’t even all mentioned in the recap: the stranger dropping her first bomb, the Price family life, the secret in Corinne’s past, the tenant who refuses to move out of his home, the colleague who has trouble with her pre-teen daughter, the teenagers who are partying under the influence of drugs, the mystery of the boy who was hunted through the forest, the curious story of the decapitated alpaca, an almost-comic police duo, a police officer who is splitting up with her hubby, her friend, the funky café owner, the gregarious neighbour, the busybody football trainer… Too much? I’d say a lot of it is deliberate overload to distract us, yet give us some extra info about the characters, their work, their life and their environment.

The strategy definitely works when you watch the show for the first time. You are busy dealing with Richard Armitage’s overwhelming handsomeness taking it all in. The questions only really pop up when you watch again.  Such as: When stoned Mike takes the alpaca for a walk into the city centre, why is there no CCTV footage? I mean, nowadays there is hardly *any* urban area that does *not* have CCTV on shops and banks or traffic spots. How come no one saw him decapitating the alpaca, in a city centre? And how did he manage to decapitate it anyway`- it’s hardly a one-chop job?Likewise and with hindsight we know now that Corinne’s text message was not sent by her at all: But how did the sender actually know the password to Corinne’s phone to send that message? I mean, don’t all people lock their phone with a password these days? Possibly nit-picking questions, but that’s the fun of it, isn’t it? You can enjoy a show immensely – and still want to pick a few holes into the plot just to see whether you are cleverer than the writer 😉.

There is probably so much more to discuss, but for the sake of getting the discussion started, here is the post. What is your take on the first episode of TS? Any agreements with me, or disagree? Other points of interest? Let me know in the comments!

Let’s Talk About… #TheStranger – Episode 1 My annual social media Lent is coming up. From Ash Wednesday I will abstain from Twitter for the next 6 and a half weeks (until Easter Sunday), allowing me to recalibrate a little and concentrate on other things.

[justlikeeddie]

otp meme

List your Top 5 Canon and Top 5 Non-Canon OTPs. Then, tag 10 people to spread the love, and so on and so on…

I was tagged by @rcmclachlan! It’s fun to excavate your fandom history!

This is a GOOD QUESTION in that, y’know. What is a canon OTP? (What is a pairing? What is canon? What is ‘is’?) The answer, for this post, is “whatever made it easiest for me to split these into two sets of five”.

CANON OTPs

Aziraphale/Crowley, Good Omens

This is canon. “Fight me”? No need. Fight Michael Sheen.

Do say: “And when I’m off in the stars, I won’t even think about you!”

Don’t say: Hey, have you thought recently about the fact that Crowley’s snakeskin shoes might actually just be his feet?

Look at an art: A little ancient Grecian collusion by @seraph5

Read a fic: nothing but the wild rain by @singlecrow

Have I written it? In a desperate exercise in exorcism immediately after watching the show, yes: Going Native and Riding in Cars With Demons. And I have about five WIPs in charliekellypepesilvia.jpg frantically plotted notes stages. Watch this space. (For some time. I’m a bizarrely slow writer.)

Flint/Thomas, Black Sails

Do say: “People can say what they like about you, but you're a good man. More people should say that. And someone should be willing to defend it."

Don’t say: I was enjoying the show so much that I ignored the fact they made captain flint gay but to wrap up the series on the notion he would put his sword down to pick daisies with his male lover is just too much to bear. I miss the 90’s

Look at an art: Journey into the Dark by @riisinaakka-draws

Read a fic: Unaccommodated Man by @septembriseur

Have I written it? Yes, although astonishingly, I only ever finished one fic: Some Affair.

Strange/Arabella, Jonathan Strange and Mr Norrell

Do say: “The excitement of it was very much to see how you would look at me. The excitement of life was very much to see how you would look at me.”

Don’t say: HE WAS A MUCH WORSE HUSBAND IN THE BOOK AND HE LET HER DIE AS A TREE (I know. I know)

Look at an art: Padua by @cobbledstories

Have I written it? Not as a foreground pairing, although I do have a very detailed Strange/Arabella/Grant fic that lives eternally in my head in the hope it will one day fit a Yuletide request.

Morse/Joan, Endeavour

Do say: “You mean the world to them. You mean the world…” [trailing off in tears]

Don’t say: You do realise he’d make her miserable and she deserves better? (I KNOW)

Cry at a simple gifset: :′′(

Have I written it? No, happy to let the show itself continue to take anything that Morse might hold dear and crush it into the dirt, no need for me to help.

Jake/Amy, Brooklyn 99

Truly the opposite to Morse/Joan in every possible way, aside from the involvement of law enforcement personnel

Do say: “There’s a typo in this crossword puzzle.”

Don’t say: …Title of your sex tape. (Or anything about Season 6, which I haven’t seen yet.)

Look at an art: Jake & Amy by @ivy6am

Have I written it? No, because Brooklyn 99 is an example of that rare and complete joy, Show That Textually Contains Literally Everything I Want From It And Then Some.

NON-CANON OTPs

Sam/Gene, Life on Mars

My “formative” tag on Tumblr is probably overused, but, like. Extremely. Formative. Truly the ur-fandom in terms of my future trope and fic interests. God bless you, weird mid-00s genre experiment broadcast at a particularly impressionable point in my teens.

Do say: Gene Hunt constructs intricate rituals that allow him to touch the skin of other men.

Don’t say: The ending of Ashes to Ashes is canon.

Watch a vid: There Is Too Much Light In This Bar by AbsoluteDestiny

Read a fic: Tangible/Intangible by @lozenger8

Have I written it? I went back to this fandom for Bent for Yuletide a few years ago, but everything else was written when I was literally 17, so caveat lector.

Merlin/Arthur, Merlin

Genuinely wondered whether I should have included this in the canon list. Two sides of the same coin? Merlin's mum desperately trying to get them together about halfway through the first series? “I was born to serve you, Arthur”? As ever, in thinking about this, I’ve just made myself furious again that this objectively fucking stupid children’s TV show remains one of the most emotionally and erotically resonant pieces of media I’ve had the misfortune to consume.

Do say: “I could take you apart with one blow.”

Don’t say: “I could take you apart with less than that.” (It’s been nearly eleven years since this exchange aired on children’s TV and I’m still reeling)

Watch a vid: Alone by sisabet

Read a fic: Past Imperfect by @thehoyden

Have I written it? Yes, although, again, I was a teenager and didn’t really know how to words: Cross You Off My List. I also have a passionately-planned and half-written epic about the ten years of their evolving relationship from boys 2 men (not the band), and its delicate balance between private interaction and public performance, which I thought I was finally going to finish for the ten-year anniversary of the show last year, but at this rate, might be done in time for the twentieth.

Fraser/Kowalski, due South

Do say: “Partnership is like a marriage, son.”

Don’t say: Anything that will wake the Vecchio anon.

Watch a vid: Goody Two Shoes by @laurashapiro-noreally and pipsqueak

Read a fic: Kowalski is Bleeding by @cesperanza

Have I written it? Weirdly way less of it than makes sense for the amount of time that this was my primary fandom, but yes, published some time after the fact: Homecoming and Poles.

Strange/Grant, Jonathan Strange and Mr Norrell

Surprise double-entry for JSMN! Except not at all a surprise, because I am into so many aspects of this book and show that I could probably have filled most of the ten entries with JSMN rarepairs. (Please, talk to me about the criminally underexplored sexy class politics of Strange/Childermass.) But anyway, Strange/Grant was, somewhat to my surprise, my takeaway pairing from the TV adaptation.

Do say: “There are any number of magical things my friend could do to prove it,” while looking like you’re about to combust from how excited you are by the prospect.

Don’t say: HE WENT TO VENICE IN A PUDDLE WITH NO GOODBYE (I know)

Look at an art: Major Grant by erebusodora (technically only one half of the pairing, but it’s just a very nice painting)

Read a fic: Wilderness by @the-omnishambles, ie The First Strange/Grant Fic On The Internet

Have I written it? Yes, went a bit mad in 2015. A peculiarity of the Iberian Peninsula (long, slightly sad); An England that is dead (shorter, sadder); and Sound and Vision (no redeeming features).

Charles/Erik, X-Men

Again… IS THIS CANON. Explain any single thing that happens in any of the X-Men timelines if this pairing isn’t at LEAST unconsummated canon

Do say: “I couldn’t disobey you even if I wanted to.”

Don’t say: Sorry, what exactly was the plot of X-Men: Apocalypse?

Look at an art: A sketch by loobeeinthesky (the watch!!!)

Read a fic: Wisteria by by @columbinepurples

Have I written it? Yes: The Width of a Circle.

In turn, but only if you’re bored and like making a list as much as I do, tags for:

@confusinglyamusingly

@butteronmyroll

@johnnyvod

@the-omnishambles

@sixohsixoheightfourtwo

@cribins

@septembriseur

@itsmapes

@deputychairman

@drawsaurus

(You don’t… have to go into as much detail as this… I think you’re just supposed to say who the pairings are, but listen I’m staying with my parents this week and I have a LOT of tumblr downtime)

[itsswimmingtragedycollection]

The Dumpster Fire that is ‘The Order’

First of all, why is his show labeled as a horror? My humble guess is that it was intended for younger audiences?? I genuinely wanna know. Because, even if it was for teens, some blood and a few dead bodies does not a horror make.  Secondly, what the fuck? And I truly mean that.  I mean, the idea itself doesn’t sound bad at all. A college student joins a secret society and finds out his supposedly evil dad is the head of it? He’s also in a werewolf club that fights that same secret society? Sign me tf up. But the execution just takes a really weird turn.  From the get go, you kinda aren’t sure if the show wants to be takes seriously or not. And that question is never answered. Literally in the opening scene the letter changes from ‘we regret to inform you’ to ‘congratulations’ in front of Jack’s eyes and he has absolutely no reaction whatsoever to that peculiar development, which kind of screams ‘not to be taken seriously’ similarly to the whole ‘My evil dad killed my mom so naturally I’m gonna join a secret society, become someone important and powerful and eventually use that power to fight him.’ Who on earth plots a revenge along those lines? But then a second later, the plot falls back in the supernatural drama category.  To top it all off there’s a whole lot of ‘woke humor’ which most of the time comes across as cringe worthy edginess we’re all happy we outgrew after HS.  But, even if you could somehow get pas the not-so-subtle jumps from complete absurdity to realism, there’s nothing else to hold on to. No character, no relationship, no plot line we’re offered is strong enough to pull us in.  In fact. one of the most annoying things about The Order is that basically no character has a personality. I am 8 episodes deep (and I don’t intend to finish it because that’s how boring it is) and I still don’t know anything substantial about anyone. And can we take a second to just look at Jake’s relationship with Alyssa? What even is that? Are they flirting are they not, does he really like her or is she a means to an end, is she into him or his dad, why are they kissing and why does it look so uncomfortable, did they just cast two people with the least chemistry on purpose or is bad writing/directing? So many questions. If we draw a parallel between Jack’s progress with her and him being on board with the wolves, it makes even less sense. He needs how many episodes to decide to try and kiss her, but when it comes to dedicating your whole life to fighting bad magic, you go from ‘no way, you’re all insane, you made me kill an innocent man’ to ‘I pledge my life to the cause’ within two seconds.   Speaking of things that make no sense, I have to mention Jack’s ‘friendship’ with Amir. Don’t get me wrong, I get that we meet people and think to ourselves how that could grow into a beautiful friendship, but acting as if someone you just met is really your friend, and that odd flashback to like one beer they shared, when Amir was found dead, is just... I don’t even know what to say.  The Order as an organization is equally puzzling. Who are they? Why are they? What’s the purpose, what’s the goal, the mission? I can’t settle for just a group of magic users who follow strict hierarchies but kinda all look out for themselves and don’t really like each other that much. And occasionally sacrifice goats. And change people’s memories.(And they can revive a golem and ask it who made it, but the fact that Jack, who found out about magic like yesterday, sabotaged their spell somehow goes right over their magical heads. ) But essentially it’s for the good of the whole wide world.????????????? And the masks are what makes me think an 8yo came up with the whole concept.  If you thought the werewolf knights are any less confusing, think again. They hear noises when ‘bad magic’ happens and solve it by killing anything that moves. Heroes. Also, how do they know what they are supposed to do if they refuse to read anything? I mean, that’s not how a secret society, since that’s more or less what they are, works. Someone has to tell you, show you, teach you. Sure, you have the wolves inside you, but if you don’t know they speak a certain language, it’s fairly certain you don’t know a whole lot. And why is there only four of you? How can four knights take down an organization as big as The Order? Especially since their preferred method is violent murder, something that is not very subtle and does not go unnoticed for long, which basically ensures the rage of the entire Order falling on their heads before they even begin their so called mission. Once again: ????????????????? And what even does ‘bad magic’ mean? The term is so vague and abstract that I have a hard time understanding how can you form an organization that fights something barely defined. All magic can potentially be bad magic. What are the guidelines here? Help me comprehend.  The show also has a very odd relationship towards death. One can sort of ‘forgive’ the wizards and the wolves for being chill about it, but if someone was targeting and butchering people on your campus, wouldn’t you be at least a bit worried? We don’t see any students panicking, we saw one police officer, there were no measures taken by the college, unless you count turning Amir’s death into a bike accident. And just when you start getting used to being casual about it, Jack has a whole meltdown over killing someone the first time he turned. And then also his professor. But even that meltdown is not very convincing, since most of what he does is just screaming ‘I KILLED AN INNOCENT MAN!!!’ into the void, without a much deeper attempt to deal with that. Which is why I don’t get why the show even made an issue out of it.  I also don’t get Jack’s grandpa. Like not even a little bit. Because if you think about it, it’s not * that * unimaginable that a little boy would come up with the idea of joining a secret society to avenge his mother’s death, but it is * very * odd to imagine an old ass grown up who not only thinks it’s a good idea to direct your whole young life towards revenge, but encourages it to a point of making a detailed plan on how to do that, and basically spends your entire childhood grooming you to become a little rage fueled bundle of psychological damage. All of this is only scratching the surface of the mess that is The fucking Order, because the show is a giant entangled coil of nonsense and I barely knew where to start. It’s fair to say that the biggest buzzkill is failure to pick a direction and stick with it. You don’t have to look that close to see some of the influences. The biggest one being, obviously, The Magicians, followed by some Teen Wolf, there’s even elements from Scream Queens, a bit of Buffy, a pinch of the Craft, etc. Almost like someone decided to look up successful shows in the supernatural/fantasy/horror genre and just smash them all up together in hopes of making something appealing to the largest audience possible. Personally, as a * very big * fan of before mentioned The Magicians, I get the feeling that Netflix wanted to make something that could rival it, but better. Because TM is, dare I say so, one of the best, if not the best, shows of the decade. I honestly have not seen anything like it, that has the same platform, in literally a decade. If you have, please let me know. 

Whit the BDE, edgy, but in a good way, humor, strong political views, strong female characters, fun twist and turns that actually do manage to mix absurd with normal life in a magical, no pun intended, way, sexuality representation, but not in a ‘we just want to please the gays so they give us the views’ way, great male characters we wish we saw more of, compelling character development and so on. Tho the most likable aspect of the series is probably the take on overdone story lines, where they twist the narrative just enough for it to become actually relatable. We all are tired of super special chosen ones who save the world because they are soo special and specially chosen by gods to save the world and all the dumb boring unspecial people with their pure hearts and strong characters. And also find true love.  You see attempts at this within The Order on every turn, except that it doesn’t work nearly as well for them, precisely because they went for that AND MORE. More wouldn’t even be a bad thing if it was’t so all over the place that it just comes off as ‘WE WANT EVERYONE TO LIKE THIS, GIVE US ALL THE VIEWS, ALL OF THEM.’ I am very much inclined to think this is what happened, considering other stuff Netflix has put out there. (Mostly referring to endlessly stupid shit like YOU, which only has the intention of being controversial and attention grabbing, for the views. Tho they do have some fun shit too, don’t get me wrong.) So I guess what I’m trying to say is,  the though of making something like TM, is not a bad one,  I’m all for it, but you actually have to put a shit ton more imagination into it if you want it to work out. But that’s just my opinion.   

[stowawayproductions-blog]

Boy Erased vs Cameron Post — The Dos and Don’ts of Youth Drama

Trigger Warning: Rape

I would not like to be Joel Edgerton this year. It’s the stuff of nightmares for a writer/director, to see a movie with a very similar plot to yours be released when you’re already far into production, and I imagine Joel Edgerton was less than happy when The Miseducation of Cameron Post hit the screens. It must be even worse to watch your movie not only be constantly compared to someone else’s work, but also fall short in most comparisons. This comparison will be no different: while I recognize the effort made by Edgerton, if you’re in the mood for a conversion therapy drama, I direct you to Cameron Post.

I saw The Miseducation of Cameron Post a couple months back and wasn’t completely blown away, but my opinion of it has significantly improved now that I have Boy Erased to compare it to. I adore Chloe Grace Moretz and her character was flawless — depicting the detachment of teenage years, she proves that she has a mature handle on how to move through a character development arc. Her supporting cast is colorful and unique, employing Sasha Lane as a one-legged rebel, Forest Goodluck as a Native American two-spirit, Emily Skeggs as a type-A tattle tale, and John Gallagher Jr. as a harmless and relatable closeted Christian punchline. It might be a little too colorful to be completely believable, but it knows its audience. I would have been OBSESSED with this movie when I was seventeen. It’s fun but emotional, with a clear story and message and more than just one character to love, which is essential when you’re trying to please kids who like to be different. The lack of strong conclusion is an excellent choice, reminding us that the rolling credits don’t mean that Cameron’s troubles are over, that she will face a very hard life. It still manages to end on a note of hope, even with this chilly wrap-up, because she’s facing the world with supportive friends by her side and a knowledge of who she is. The fiery energy of the teen cast is incredibly relatable this year, as we all rail against any injustice we’re faced with in a vain hope that it will trickle up to the horrors in Washington. A couple queer kids stickin’ it to the man is a needed catharsis.

Boy Erased, while not even close to the worst movie this year, was unfocused and bland. I admit that the conversion camp was more believable in Edgerton’s version, but they sacrificed character in a search of that believability. Lucas Hedges’ Gerrard is equally as subdued as Cameron, and they share a similar arc of finding their voices, but the lack of three dimensional characters in Boy Erased forces us to only root for the protagonist, and he isn’t an interesting enough person to truly draw me in. I understand wanting to show a normal guy being gay, it is very important for society to realize that anyone can be gay, but “normal” is not synonymous to “boring”. Nicole Kidman and Russell Crowe are both brilliant performers who are completely wasted, given paper doll cutout roles of “caring mother” and “ignorant father”. They play them perfectly of course, but they could have handled so much more. Edgerton gives himself the most interesting character, and even he falls short of true depth.

Both Boy Erased and Cameron Post have almost identical conversations about “playing the part” to get out of therapy, but again Cameron Post pulls ahead by the clever use of the infamous “ice berg”. The ice berg is introduced early on and is a continued plot point through the entire film, illustrating various pieces of character, story, and theme, while also allowing for cheeky and sarcastic humor delivered effortlessly by Lane, so when the “playing the part” conversation comes up, they’re able to use a plot point that we are all very familiar with to illustrate the idea with depth.

Another similarity is the suicides. In both films a boy commits suicide because of the methods used in the camps. In this instance I actually think that Boy Erased wore it better. Edgerton chooses not to show the event or the aftermath, but focuses heavily on the boy’s experiences leading up to his death. In both stories the suicide acts as a final straw, pushing our heroes to speak out, but in Boy Erased the focus is more on the cause for the suicide and the abuse of the program, rather than the trauma it causes the other kids. However, because I had seen Cameron Post first, the suicide in Boy Erased was less shocking because I spent half the movie thinking “I wonder if this one will have a suicide too…”

One thing that I do love in Boy Erased that is not mirrored in Cameron Post is a surprisingly well-done rape scene. I am usually not one for rape scenes, but this one is important and could not have been used in the same way had it happened off screen (which is usually how I wish rape scenes were done). This man-on-man assault, which happens early in the film, helps us understand Gerrard’s motivations, his conflict, and his pain. It doesn’t enhance his character (take notes here writers, believe it or not having a character raped doesn’t automatically make them interesting, stop raping your female protagonists for an easy way out), but it does enhance the story.

On the whole, Boy Erased suffers from a very common mistake: it relies on its troubling subject matter and “true story” status to carry it into Oscar season. Lucas Hedges’ reputation is in tact and Joel Edgerton could still learn to be a wonderful director, but for now I congratulate Desiree Akhavan on her lovely achievement and I thank her for the excellent example of satisfying youth drama.

Cameron Post Rating: Good. In my top 30 of 2018

Boy Erased Rating: Some Issues. In my bottom 10 of 2018.

Good 20) BlackkKlansman 21) First Reformed 22) A Quiet Place 23) Annihilation 24) Tag 25) Overlord 26) Can You Ever Forgive Me? 27) First Man 28) Blaze 29) The Miseducation of Cameron Post 30) The Hate U Give 31) Hereditary 32) Avengers: Infinity War 33) Black Panther 34) Tully 35) Searching 36) Mandy

Some Issues 37) Halloween 38) The Spy Who Dumped Me 39) Disobedience 40) Boy Erased 41) Bohemian Rhapsody 42) A Star Is Born 43) Pick of the Litter 44) A Simple Favor

[go-diane-winchester]

Is Misha the professor of slash fiction?

I feel very sad for the teens in fandom, who have fledgling sexualities and instead of letting them explore these things organically and healthily, via slash fiction, Misha wants to school them on slash, a subject he has piss poor knowledge of.  Because he is a well known figure, in SPN circles, they assume that he knows what he is talking about.  Slash fiction has nothing to do with the actors or the characters they portray.  In fact, validation is not needed.  Slash is not about an actor or show or character or other external parties.  It is internal.  It has everything to do with the girl writing the story, and is a reflection of her sexual expression.  Actors and characters are merely muses, not the foundations blocks for your happiness mansion.  You don't need their permission or blessing.  A slasher's sexuality is being exhibited through the stories she writes. 

Once upon a time, women wrote only what they like.  If they didn't like something, they steered clear of it, because that is what people with common sense do.  I, for example, can't read fellatio because it doesn't do anything for me.  I guess its because I am not a man, don't have a penis and therefore don't know what it feels like, so I don't appreciate it.  In my stories, my characters don't fellate each other.  If I read a story that is really enjoyable and fellatio makes an appearance, I skip that paragraph.  However, I don't berate the person for writing something I personally don't like.  She wrote it perhaps because she finds it enjoyable. 

Its a big world.  Tolerance is key.  There is enough space for everyone.....well except for satanists and pedophiles.  I draw the line there. 

Today, women are not really writing for themselves.  They are writing homosexually appropriate sex scenes, just so that their gay male readers, that are not the majority, don't scoff at them and go ''that's not how we do it''.  Yes, the gay friends in this bubble are happy, but the majority of the slash fans that are mostly heterosexual women are left feeling lackluster.  Perhaps that is why there is a general trend for women to ''grow out of slash fiction'' and even mass media is seeing slash fiction as a teenage girl's pass time.  Women, who are fully grown, and fully aware of their sexuality can't pretend to like the stories because the stories are no longer appealing.  Of course, some Misha fans are A-OK with that artistic injustice because ''Misha would love it because he is not a bigot''.  It has nothing to do with bigotry.  Sometimes, it is best to leave out the sex scene rather than make a select few happy.  Slash sex was never meant to be realistic sex.  It is, after all, generally written by straight females for straight females.  Its fantastical, as it should be. 

In early slash stories that I read, back in the lord of the ring days, ukes came the way women do, without a hand on them.  Why?  Because that is how women usually orgasm.  They write what they know.  However, young sexually inactive girls, listening to Misha and his LGBT slash tirades, endeavor to make stories ''accurate''.  So now we have lots of young girls, growing up with a better understanding of gay sex than of straight sex.  Proper slash or classic slash is an artistic manifestation of straight sex.  The drivel that we have now is political correct, inclusive nonsense that gay men didn't ask for and women don't feel overwhelming enthusiastic about.  I don't know what the ramifications of that is going to be other than women deserting slash fiction. 

I would like to point out at this juncture, that as far as SPN is concerned, Misha is a culprit.  But there were one more culprit.  There was one who communicated with general slash fans around the early 2000s.  His name was minotaur.  And he tried to school slashers on how to write gay sex correctly because they weren't doing a good enough job for his liking.  He had no business doing that.  It has nothing to do with him.  Slash fiction is for woman.  Gay fiction or bara is for men. 

I like J2 alternate universe.  If I write a story, Jensen is always the baby.  Baby is the word I used to use during my Lord of the Rings days, before I realized that the word uke existed.  Does it mean that anyone who makes Jared the baby in their story is wrong?  No, they may see more vulnerability is Jared than I do.  I like Jensen as the baby because he is smaller and has the eyelashes and the mouth and the really beautiful face.  Do I think he is effeminate?  Of course not.  But when I write a story where I need the baby to be a kidnap victim or abused stepchild or ethereal unattainable prince, I like to see Jensen in that role.  It has nothing to do with him.  It is how I like to write.  Its about my perception.  He is just a muse.

I like seeing Jared as the daddy.  Go ahead and laugh.  I still smirk about this embarrassing word that I used before I know seme existed.  I like when Jared kicks down the door to save Jensen, or pins Jensen's abusive step father to a wall with his elbow in the man's throat or falling clumsily all over himself to woo the Prince Jensen.  I cant see him as a baby because he is so fricking huge and tall, with the rippling muscles, expansive torso and broad shoulders.  Its is, for me at least, too easy to write him as a knight in shining armor, then as an abused baby locked away in a dungeon. 

The Jensen and Jared in my stories are mere avatar of the real actors.  They are manifestations of my sexuality and what I like sexually.  If people don't write a story that you like, then write it yourself.  But don't make people change their perception to suit you.  And don't change your perception to suit them.  Slash stories are more about personal sexual exploration than about satisfying every reader out there.  Slash fiction has never been about winning popularity contests.  Only the destiel fans do that now.  Reader opinions matter but not about who should be the seme and who should be the uke.  You cant tell others how to navigate their sexual expression.  

Of course, I have read stories, where Jared was the baby and Jensen was the daddy and the story was enjoyable.  So no harm, no foul.   Mpreg is proof that slash is a female art form.  The first mpreg story was written in the early 1990s.  The only other people who write mpreg now, write it as a creative exercise.  I used to feel embarrassed by mpreg especially if men found out about it.  But now I am fiercely protective of it.  Because its one of the last remnants of female sexuality in slash fiction.  Female sexuality is [most of the time] synonymous with child birth.  As soon as girls become sexually mature, generally, a desire awaken in them to be mothers.  Why do you think there are so many teen writing mpreg.  Its because their minds and bodies are becoming ready for motherhood in the future.  Slashers consider child birth to be a very big deal.  So they reserve it for their darling and not the other guy in the pairing.  You don't see mpreg popping up as frequently in bara because gay men don't fall pregnant and therefore don't have a natural maternal desire.  Mpreg is big in SPN.  The brothers, Cas, even Kevin have gotten knocked up.  SPN is like a regular maternity ward.  But if you don't like, don't whine about it.  Slashers, like any other writer, only write what they like.  Forcing them to do otherwise is rather arrogant.

I realize that Misha might not know anything about mpreg because he hasn't spoken about it in his panels.  If this is true, then I hope it stays that way.  Unless he spoke about it.  I don't watch Misha panels unless I need to.  For example when I heard that he had actually spoken about Cockles, the rps pairing of him and Jensen, I had to check it out for myself.  No way was he going to be so reckless.  I watched it and yep.  He did do it.  He thinks Cockles is just rps.  It isn't.  It is also a tinhat pairing.  I personally, have no issue with tinhatting.  Dream up whatever scenario you want but don't bring it to the actors.  That is invasive, intrusive and just plain wrong.  I don't care what your tinhat pairing is. 

That is why, I wish Misha will stop talking about slash fiction.  He is going into areas that he knows nothing about and he paints slash fiction as something that it isn't.  Even having a civil discussion about slash fiction is hampered because the answer to anything from that camp is usually ''Well, Misha doesn't have a problem with it''.  Misha is not your father.  You don't have to see slash fiction or anything else through the Misha Collins lens.  Use your own common sense.  Normal destiel fans understand this.  Hellers are another story.

Slash fiction is not about the show or the actors, so there is absolutely no need to seek their approval.  They are only a part of your sexual fantasy due to aesthetics.  The proper definition of slash fiction should be:  Slash fiction is an escapist fantasy platform showcasing stories and artwork, by women for women, about male subjects in a romantic setting.  Leaving out the words ''homoerotic'' does away with multiple confusions, because slash is not gay porn.  I have read stories that don't even feature a sex scene but only allude to it, because the story is plot heavy.  I have also noticed how seldom a subject is a one shot actually indulge in an anonymous one night stand.  They don't cruise either.  That is because straight [and sometimes bi] women, generally, don't like that.  If you read a story like that, I don't think a woman wrote it. 

Misha Collins is singlehandedly ruining one of the few things that genuinely made me smile through my terrible day.  I don't care what minotaur did to other slash fans, because originally it didn't disturb my little corner of the internet.  When slash was true to itself, is the classical sense, women were still honest with themselves about their sexuality.  Bullying was infrequent and slash fiction was not ruined beyond repair.  Now his more problematic fans are bleeding onto other fandoms and influencing their thought process.  I really wish he would read this and stop.

Errata:  James Franco wrote a fanfiction book about Lana Del Ret, and not slash fiction.  He has been accused of queer baiting, because of teasing the gay lifestyle, but he doesn't seem to interfere with slash fiction.  The post has been amended.

[preppymayhem]

5, 8, 21, 36, 40, 46, 51!

5. Which fandoms have your written fanfiction for?

I have never been a superly monofannish person, and I have written for a fair number of fandoms, but discounting fandoms that I was assigned for fic exchanges I have written for Gundam Wing, Fullmetal Alchemist, Escaflowne, Mighty Ducks, Inuyasha, City Hunter, Dawson’s Creek, Avatar the Last Airbender, Sailor Moon, Ouran High School Host Club, Eureka Seven, Steven King’s IT/IT (2017), V (2009) and due to my one lone Beronica Fic, I guess you can say I have technically written for Riverdale. About a month ago I orphaned a lot of my older works because they had become a bit incongruous with what I want attached to my name, so not all of those fandoms are still present on my AO3.

Fandoms that I’ve written exclusively for Yuletide as my main assignment are:  Soul Eater, Diana Wynne Jones’ Archer’s Goon, The Girl Who Leapt Through Time, Claymore, Drive Me Crazy, and Notting Hill.

8. How did you get involved in your latest fandom?

Well this is a fun story, but it is sort of a set of factors that brought me to watch an old 90s teen soap opera in this the year of 2018/2019. I should start by saying back when I was a part of the actual target demo for teen shows I only watch Buffy and didn’t deign to watch any of those other inferior teen shows and actually counted not being a weekly viewer of Dawson’s Creek as a point of pride. (It was very much one of those “I’m not like those other girls” nonsense attitudes, oh bb!Kristen you stupid, stupid girl). I did however osmose certain things about the show because at that time, you just sort of did. So how did I go back and actually watch this show well….

The first factor was that in the back half of 2017 I had the weirdest dream, where I literally dreamed the plot of my current WIP Boy Problems for Disney’s The Mighty Ducks which I had not seen or thought of in years (God told Joan of Arc to save France, God tells me to write steamy obscure dudeslash fic, Thanks God!). 

The 2nd Factor was that in like October of 2017, I watched Riverdale which I binged and then kept through to the winter finale of season 2 and then 5 months later thinking I was free (spoiler: I was not in fact free) and I started sort of following it and now I am here sort of following it week to week, but mostly mocking it while dreaming of my super gay alternative, and being increasingly annoyed with the fandom’s tendencies to make superficial comparisons to other show, a fandom trend I have always hated and that harkens back to Zutara fandom in ATLA (Zutara is not 1xr or Van/Hitomi, thanks). 

And the third factor was that way back in like July or August or some time there was a clickbait article that was basically TV shows characters that should have ended up with someone else/wrong endgame pairings which I clicked mostly because I wanted to see what they wrote about the How I Met Your Mother finale (I love reading takes on the HIMYM finale, I find it fascinating) and well the clickbait article stated that Dawson/Joey should have been endgame. This intrigued me because it contradicted everything I had ever heard/osmosed about the show.

So I decided that I would watch it to draw my conclusions and to see if what I had heard was wrong (which I thought was a possibility because I don’t by my nature trust giant ship fandoms like PJo was back in the day, it’s something I still sort of keep to this day), and I was like I will mock it and at the very least I will be able to have ammo against stupid fandom comparisons and due to a shared actor, maybe pick up good screen caps for like a moodboard for The Fic that had now progressed from being a dream to a thing that actually exists. 

And so I started it and as God would have it, I got invested, and now find that the Clickbait article was wrong, fandom needs to shut up Bughead/Barchie/Jeronica is not like Pacey/Joey thankyouverymuch, and I can’t use caps for a mood board because I would just cry and can’t associate anything from the show with anything else. 

So that’s story about how this dumb binch got invested in Dawson’s Creek years after everyone has moved on!

21. What was the first fanfic you ever wrote?

No Joke, the first fanfic that I wrote down and then posted was a Sailor Moon/Gundam Wing crossover that was basically just a retelling of the story of Sailor Moon with added giant robots. If you are like “Please tell me it wasn’t Senshi/Pilots” I am afraid I can tell you that (The pairings were if I recall Heero/Serena, Duo/Amy (What?!), Wufei/Raye, Trowa/Lita (cause they were both tall) and Quatre/Mina (Oh Quatre sweetie, I’m so sorry)) I killed Mamoru, and Relena just didn’t exist because this was set more in the SM universe than the GW one so I just brought over the pilots. It was multi-chaptered and I wrote a chapter a day. I wrote five parts of it covering all 5 arcs of Sailor Moon. 

Yes, I was totally better than those other girls as you can see. And no, those fics no longer exist online. In my defense I was 15 years old, I had not yet realized I was a lesbian and if I were to write that story now it would be Usagi/Relena because that story would be effing amazing.

36. What’s your favourite genre to write?

I enjoy a long slice of life romcom if I’m honest. The plotting of both my longest fics (Boy Problems and Living Arrangements) are the sort of stories that i love to write and come the easiest to me. I am also partial to quiet thematic characters beats and fics that explore characters putting things back together which if I can ever get back to 1xR as a ship that inspires me, I would love to do just a slice of life romance of them paralleling and finding their way back to each other. Also just cute romcom premises are always fun.

40. What do you struggle the most with in your writing?

I am so off and on when it comes to prose. Like there are times where I can do it and I love it, and other times it’s a struggle and I have to fight from just making everything dialogue (I maintain confidence in my dialogue.)

46. If someone was to read one of your fanfics, which fic would you recommend to them and why?

I think both Boy Problems (Mighty Ducks) and Living Arrangements (Dawson’s Creek) are the most apparent clear examples of where I am right now as a writer, but they are longer and the fandoms aren’t super in anyone’s face. I would say of my shorter one-shots, Save the Last Dance (Gundam Wing) and Once Lost, Now Found (City Hunter) are the most emblematic of me as a writer and my approach to characterisation. I also every once again get into to hugely stylistic gen pieces that I generally feel very proud of like Creation in Nine Acts (Avatar the Last Airbender, a mock creation myth for the Avatarverse, written before Korra was a thing but was not meant as the literal creation myth anyways) and State of IT (IT a short vignette from IT’s point of view.

51. Rant or Gush about one thing you love or hate in the world of fanfiction! Go!

I don’t know if this a thing I love or hate, but I am tired of fandom’s missives of you MUST COMMENT/KUDOS on everything you read. Comments/kudos/likes/reblogs on fanworks (not just fic) are great, but I don’t think that anyone is obligated to do any of those things. I think what I would rather do than rant or gush is to say that I think if you are a creator try to at least find comfort in validation of respecting and loving your own work. Write for yourself first and foremost. I think when I let go of the need for validation was when I really allowed myself to grow and appreciate myself as a writer. I wasn’t worried about what other people would think but just if I can read this and enjoy it and allows me a little more time thinking and writing about characters that I love than I am good, and I post it as a sort of second thought for if I enjoy it there may be others (even if it is one other person). So I guess I would leave it at that. If you’re a reader, don’t worry if you don’t leave feedback, no one is owed it and you don’t have to give any if you don’t feel that you can. And if you are writer, I would urge you to focus and write for you first and foremost and treat any feedback as a sort of treat on top of the pride of knowing you saw something through.

[alarawriting]

April’s Dream House

Back when Aqua Teen Hunger Force was on the air, I thought about how to create a sardonic animated comedy for adults that centered around female characters, possibly even having no male characters, the way that ATHF had no female characters. My high concept was a Barbie doll who has to open up her home to an assortment of other toys, where behind the scenes presumably a little girl with a very dark sense of humor was telling these stories.

Eventually I added male characters, and gave up on the dream of making it an animation, since I can’t draw and I don’t really have access to people who can who have time to do something like this. I still kind of hope to make it a comic book or something like that, though, because this would be funnier if it’s visual.

Anyway, I’ve decided to post what I have of the concept because I think it’s funny.

Cast:

April (April and Friends) (Based on Barbie)

Sheonte (Divazz) (based on Bratz)

Catrina (Weargirls) (Based on Monster High)

Kerry Kitty/Kelly Kitty (Japanese mascot character, Kerry/Kelly Kitty and Friends) (Based on Hello Kitty)

Cherry Blossom (Best Pony Friends) (Based on My Little Pony)

Doktor Zapp (Playstuf mad scientist lab set) (based on Playmobil)

Lovey (an elderly, non-franchised, stuffed puppy)

Emily Egg (Emily Egg, line of small baby dolls with furniture) (based on Penelope Peapod)

Chad (April and Friends) (Based on Ken from Barbie)

Steve (Real American Heroes) (based on GI Joe)

Meet April. One of America’s most beloved celebrities, April has been, over the course of her lengthy career, a nurse, a neurosurgeon, an astronaut, a firefighter, a rocket scientist, CEO of a company, owner of a restaurant, a police detective, a model, a rock star, and an actress. Also, a mother figure to her three younger sisters, Betty, Courtney and Madison. (One wonders where her mom is.) But the sad secret to April’s incredibly varied career is that she is too big of an asshole to keep a job. She’s incredibly smart, sarcastic, and cruel to anyone she thinks is intellectually or socially beneath her, which is everyone. She’s also addicted to uppers, and doesn’t sleep, like, ever.

Though she’s remarkably talented, her equal talent for pissing people off has gotten her blacklisted from several industries lately, and so, facing foreclosure on her magnificent Dream House mansion, April is forced to… ugh… take in housemates.  Thus, the plot of April’s Dream House begins with April reluctantly inviting others into her home to help her pay the mortgage.

Appearance: White, tall, long blonde hair, blue eyes. Wears a lot of classic fashion, rich white lady from old money type stuff. Also a lot of things like sparkling white tennis outfits and the like. Huge boobs, tiny waist.

Housemates at April’s Dream House include:

Sheonte: Part of the Divazz team of fashion designers, journalists and adventurers, but the Divazz have broken up recently, the result of internal lawsuits and sexual shenanigans involving each other’s husbands. The Divazz and April’s entourage considered each other top competitors ten years ago, to the point of being at “war”, so Sheonte and April kind of low-key hate each other, but Sheonte needs a place to live ever since she caught her husband Jax having sex with her best friend Vivi, attacked them both brutally with her shoes and then ran into the night screaming. Jax has chosen not to press charges but has a restraining order against Sheonte, so she’s sort of stuck looking for a place to live, and all her other friends have taken Vivi’s side.

Appearance: Black, shorter than April, has a big beautiful fro that she occasionally does up in dreads. Very urban style, hip-hop look, also wears shoes with absolutely ridiculous spiked heels. Does not have as exaggerated a figure as April. When she is first introduced, she has no feet, since she attacked her friend and her husband with her shoes and Divazz’s shoes are part of their feet, but she acquires a wide assortment of feet very quickly.

Catrina: The Weargirls were top fashion models who all happened to be animal shapeshifters. Catrina, to no one’s surprise, is a cat. She thinks she’s supposed to live up to this, frequently making cat puns and throwing random meows into her conversation. Catrina thinks she’s tough, but really isn’t. Tries to start shit with her housemates. April and Sheonte bond over how immature she is and how the Weargirls are total ripoffs of their own thing. Catrina decided to move in because none of the Weargirls have a dream house; the best they’ve got is Batrice’s creepy mansion (Batrice being a bat shapeshifter, and also a vampire. With vampire parents.)

Appearance: Long, straight black hair. Body and face design is “race-coded” to look Latina, but she has tabby markings on her skin and cat eyes and ears.

Kerry/Kelly Kitty: Kelly herself refers to herself as Kerry and Kelly interchangeably. Kerry is a Japanese mascot character who is a cat. She is a white cat with a smile who is often seen doing the maneki neko beckon thing with her paw; is only vaguely anthro in that she is bipedal and has a much bigger head in comparison to body than a cat (or than a human, or a human doll). Kelly is very amiable and friendly, but is tired of having her life micromanaged by her agents. She is a huge celebrity in Japan, but less well known in the US, and is thrilled that sometimes people don’t know who she is. Has a pet named Chibineko, which she freely admits is a ridiculous name (it means “little cat”; apparently her American agents stuck her with the name. She wanted to name it Unagi, because it squirms out of her vaguely anthro arms like a little eel.) Catrina often tries to pick fights with her because “catfight”, but Kerry just laughs.

Appearance: Is a bipedal white cat with a really big head. Mostly dresses in a very casual style but has a bunch of kimonos from home she likes to wear around the house when she feels like being comfy. Never wears shoes. Has cat feet and paws, but somehow manages opposable thumb tasks. Unlike the real Hello Kitty, Kelly does in fact have a mouth.

Cherry Blossom: Is a pony. Pink, with a white mane that’s tied up with a big pink flower hair clip. Cherry Blossom comes from a land of friendship and sharing, and is a bit miffed that in this new world she has to give pony rides and act in stupid Disney movies to make a living. She’s kind of bitter because she was flung into another dimension years ago and none of her so called friends have come to rescue her. And by kind of bitter, I mean she’s a giant bitch.

Doktor Zapp: Rents the basement, which he’s converted into his new lab. Doktor Zapp is rather resentful that he’s been cast as some sort of malevolent mad scientist, performing horrible experiments on the human body, when all he wants to do is create the perfect cyborg. His previous lab got trashed by a twenty-foot-tall dog that chewed on most of the lab equipment; he barely got away with his life by hiding under a gigantic couch. Now he’s trying to rebuild his life. He does government contracting for a living.

Appearance: Smaller than all the others because he’s a playset action figure. White hair in a bowl cut, pale skin, dark glasses he never takes off. Always seen in a lab coat, green shirt and black pants.

Lovey: Is a hound dog. A stuffed puppy that was adorable once, but now she’s elderly, her coat patchy and fraying, stuffing leaking, one eye pointing in a different direction than the other. Lovey’s kind of perpetually sad because her owner went to high school and started ignoring her, and then went away to college and never came back.

Emily Egg: Is a baby doll, but close to the same size as the fashion dolls, just proportioned like a baby. Emily doesn’t talk much, and when she does, it’s kind of baby babble, but she is friendly and cheerful. Has sort of latched onto April as a quasi mother figure. Is also great friends with Lovey. Emily sleeps in an egg-shaped basket.

Chad: Is April’s “boyfriend”. He’s handsome, stylish and romantic, and very gentlemanly; he’s never pushed her to have sex. He’s a model, an actor, and the lead singer of a teen-beloved boyband. He’s also completely and totally gay, and April is the only one who doesn’t know it, but he is afraid of ruining his career if he comes out because he works for Disney-esque child-friendly networks.

Steve: Is April’s other boyfriend, the one she is cheating on Chad with. Steve is an ex-Marine, smart, tough and rugged. He’s also bi. He knows of Chad’s existence but thinks Chad is a jerk for not coming out to April and breaking up with her, because he, like everyone on the planet but April, knows that Chad is gay. When he actually meets Chad, he finds to his shock that he actually likes the guy. Steve and Chad both end up breaking up with April and marrying each other; she gets to be Best Woman. April remains friends with them both but cries a lot about the whole thing.