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India Faces Suicide Crisis: How Collective Action and Awareness Can Save Lives
As World Suicide Prevention Day approaches, it is crucial to tackle the stigma and promote proactive strategies to address Indiaâs rising suicide crisis. India reports over 150,000 suicides annually, with Jharkhandâs rate of 5.6 per lakh lower than the national average. Despite this, the number of suicide attempts far exceeds reported deaths. On World Suicide Prevention Day, we must shift theâŚ
#ऍŕĽŕ¤ŕ¤¸#economic stress and suicide#family support and suicide#focus#Jharkhand suicide rate#Mental Health Awareness#reducing suicide attempts#stigma around suicide#suicide prevention in India#suicide prevention strategies#suicide risk factors#World Suicide Prevention Day
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Is Suicide Cowardly? Exploring the Stigma around Suicide | Solh Wellness
The topic of suicide is delicate and difficult, and it is sometimes cloaked in taboos. The notion that those who commit suicide are cowards is one of the numerous urban myths. This blog will examine suicide in detail, clarify why this assumption is false, and discuss the nuanced relationship between mental health and suicide.
Understanding the Stigma:
1. What is Stigma?
The negative views that society holds about a certain group or topic are referred to as "stigma" in social contexts.
Criticism, blame, and misunderstanding are a few examples of the stigma linked with suicide.
2. The Cowardice Stereotype:
One erroneous belief is that suicide is committed by cowards or those who choose the easy way out.
This point of view minimizes the severe mental suffering some individuals may be going through and the intricate causes of suicide.
The Reality of Mental Health:
1. Invisible Battles:
Others' mental health problems are frequently invisible to them. Even if someone appears to be in good condition, they could be suffering from inside pain.
People who struggle with their mental health frequently demonstrate amazing fortitude as they fight these constant, invisible fights.
2. Pain and Desperation:
People who are thinking of taking their own lives are frequently in excruciating emotional distress and feel helpless and trapped by their situation.
People in extreme need may consider suicide as a way to stop their suffering, but they do not make this decision lightly.
The Role of Stigmatization:
 1. Barriers to Help:
People may be less likely to seek treatment for mental health issues if they are stigmatized.
Because they are worried about coming across as weak or receiving criticism, a person could find it difficult to reach out to friends, family, or experts.
2. Isolation and Shame:
Those who are already struggling may feel alone and ashamed as a result of stigma.
Due to their solitude, they may experience greater emotional anguish and have a lower propensity to seek assistance.
A Compassionate Perspective:
 1. A Call for Empathy:
People with mental health concerns should be treated with respect and tolerance rather than being judged.
Realizing how much they are hurting and providing support could be a lifeline.
2. Complexity of Suicide:
Suicide is a complicated interplay of events combining mental illness, outside stressors, and personal history rather than being a single, cowardly act.
Being aware of this complexity promotes open dialogue about mental health and helps in the fight against stigma.
Conclusion
Last but not least, characterizing suicide as cowardly oversimplifies the complex web of causes that go into it. Real, unpleasant, and frequently invisible by others are mental health concerns. If those who are already having problems are stigmatized, it may be more difficult to provide assistance and to maintain a culture of silence.
We need to promote empathy, open communication, and a greater comprehension of the complexity of mental health in order to fight the stigma associated with suicide. By doing this, we can build a society where people are comfortable asking for the help they deserve and need. It's important to keep in mind that kindness and support literally save lives, but stigma and criticism only serve to further isolate individuals who are already struggling.
Since we think that mental health is important, Solh Wellness has selected a variety of effective self-help techniques to improve your mental wellbeing. We provide a variety of services, including goal-setting, mood analysis, self-assessment tests, journaling, and access to a sizable collection of educational materials. Utilize our wide range of self-help resources to take control of your path to improved mental health and personal growth.
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facts about pedophilia:
-up to 5% of males are attracted to minors
-up to 4% of females are attracted to minors
-up to 5% of all people are estimated to have pedophilia
-66% are minors when they discover their attractions
-most know between the ages of 12 & 16 so the average age is 14
-over 1 in 3 experience suicidal thoughts
-the most common age they first attempt suicide is 14
-"map" (minor-attracted person) is an umbrella term that was popularized by mental health experts
-36% have never told any non-map in their personal life about their attractions
-35% of primary care providers get at least 1 disclosure of minor attractions
-thought suppression is counterproductive
-stigma causes increased isolation & mental disorders
-pedophilia is not a mental disorder
-minor attractions are not illegal
-peer support for maps is promoted by experts
-up to 85% of maps never offend
-maps can have long-term romantic & sexual relationships with adults
-estimates suggest that as low as 25% of all child sexual abusers are maps, while the other 75% abuse for power & control
-experts warn that conflating maps with abusers could increase rates of sexual abuse
-anti-predator vigilantes cause increased abuse
-predator hunters cause suicides & make prosecuting abusers harder
-law enforcement agencies oppose anti-predator vigilantism
-false reports of csam make it harder for real abusive content to be identified
-minor attractions function like peer attractions
-experts consider pedophilia an age-based sexual orientation
-experts consider minor attractions to be queer identities
-there is no mainstream effort to include minor attractions in the lgbtq community
-conversion therapy for maps is harmful & ineffective
-treatment programs that imply maps need help to not offend are counterproductive
-anti-map stigma enables abuse
-stigma can increase a map's risk of offending
-therapy for maps should be centered around self-acceptance
-most maps are interested in seeking professional support
-maps face numerous barriers when seeking professional support
-stigma prevents maps from seeking therapy
-24% of mental health professionals would report a map who had never offended & did not want to
-some maps seek professional support for reasons unrelated to their attractions
-maps are as capable of self-control as non-maps
-non-offending maps have a higher level of empathy for children than non-maps
-maps who interact with children are less likely to view sex with children as acceptable
-maps tend to talk about consent more than non-maps
-child protection & mental health experts support map activism
-the map community has led the effort to make support for maps more widely available
thatâs probably enough. let me know if thereâs another paraphilia or any other thing i should do this for! :)
#pro para#pro paraphile#pro paraphilia#anti contact paraphile#paraphile#paraphile community#paraphile safe#paraphiles please interact#paraphilia#paraphilia education#paraphilia positivity#paraphilia safe#paraphilias#paraphilic disorder#paraphile positivity#actually paraphilic#paraphile flag#big 3 safe#big three safe#anti c zoophile#anti anti#anti c#anti c para#anti contact#anti contact para#anti contact zoophile#map#maps#zoophilic disorder#actually necro
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As I sit here at my two hour Spravato treatment, Iâm thinking about how we talk about depression and whose job it is to do scicomm and health comm about depression.
Iâve had clinical suicidal depression for 24 years, Iâve been in therapy, done inpatient, taken meds, done treatments. I know a lot about it and can help people with the process. I love being a resource for friends new to navigating the options.
But I donât want to be The Depression Person. Depression is just some background noise that gets in the way of who I actually am. I wanna talk prairie and plants and history!
I hate talking about my depression and suicidiality. I donât care about receptors and inhibitors and brain chemistry. I donât want to make work about it. I get rip-roaring furious talking about anti-medication activism, discourse and stigmas around getting help. I have zero interest in getting into it about The Psychiatry Industry, pharmaceuticals, or insurance.
So what action should I take? As a beneficiary of this complex and nuanced field of depression treatment, as a person who uses images to communicate, what am I morally obliged to do? Should I use my experience to educate people? Wouldnât that make me a corpo shill? A pharma shill? A psychiatry apologist?
I hate that objective, concrete quality of life improvements I have had will be met with hostility and bad faith responses. Iâm afraid of the inevitable backlash any depression treatment educational material I make will have. This seems especially pertinent as we in the US are going to have RFK, a man who has explicitly targeted antidepressants, as part of our government. What is my obligation here? What is the right thing to do?
Idk man. I just want to draw and talk about plants. But it sure would have been nice if I had known any of this depression stuff like, a decade earlier.
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I think if I hear one more YT channel call that Colleen girl that abused and groomed kids "narcissistic", I'll implode.
Here are some basics:
NPD is a stigmatized disorder.
"Narcissistic" describes a person who has NPD.
I thought people learned this lesson when we removed "psychotic" from the list of insults you can throw around. Guess not.
The words you're looking for are "self-centric", "self-absorbed", "egomaniac", "egotistical".
Being any of the aforementioned does not make you narcissistic.
You can't armchair diagnose people. Yes, not even the shitty ones.
You can't claim that abusive behavior is connected to the person's disorder(s). Abuse is a choice.
By armchair assigning narcissism to shitty people, you are furthering the stigma against narcissistic individuals.
The risks of completing suicide in pwNPD are very high.
Narcissists are not inherently abusive.
Narcissistic abuse does not exist.
Colleen Ballinger is not a person with NPD.
Her actions are her conscious choice; her inability to apologize and make amends has nothing to do with pwNPD.
Leave the term "narcissistic" out of your mouth if you don't know how to use it.
And kindly, shut up about narcissistic traits unless you're narcissistic.
#đĽ#mental health#npd#narcissistic personality disorder#personality disorder#actually npd#actually narcissistic#colleen ballinger#tw abuse mention
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love letters and second sons | part 4.
Summary: The princess is finally ready to debut in society. But before she does, she decides to disguise herself and see the true faces of the ton.
Warnings for the Series: light sexism in line with the times, light classism in line with the times, mental health stigma, shitty doctor care, smut, suicide attempt (will get it's own warning when the time comes)
Warnings for this part: smut
Pairing: Benedict Bridgerton x princess!reader
Word Count: 4.7k
Previous Part | Series Masterlist
The cloak wrapped around you felt like velvet. The softness between your fingers calmed you down significantly. Reynolds grabbed your hand after the fifth time you balled it up in your skirts. You looked up to see your three valets trying to hide the concern on their faces. You could have an incident or get caught or both. None of those three options were ideal or even good.Â
âDo I look decent?â you asked as the carriage got closer and closer to the party.Â
âYou look perfect.âÂ
âMaybe I shouldnât wear the mask?âÂ
âYou donât have to but keep it on you.âÂ
You agreed, exiting the carriage with a letter from the princess version of you ��� complete with a wax seal â that was basically a pass to enter any establishment no matter what. Spotting Penelope and Colin out of the corner of your eye, you breathed out a sigh of relief and ran over to them. Both of them wore wide smiles at your surprise arrival. They had been expecting a letter or something to signal your arrival back from Ireland.Â
You were sad to hear about Marina not joining you all for this evening. It would have been nice to know her more than a little bit in between the courting of suitors. But there would be more times to meet and catch up later. Plus, hearing your friendsâ stories of their daily lives proved to be a good enough distraction. You let them go after a while so Colin could escort Penelope to the dance floor like he promised to do after a run in with Cressida Cowper.Â
Looking around, you failed to immediately locate the rest of the Bridgerton children. You grabbed a drink from the lemonade table and began to wander. The alcohol had looked appealing but you had never drank, afraid of the consequences if drink mixed with your illness. Someday youâd try some but not after an episode. Never right after one.Â
On the outskirts of the party, still close enough to hear the music, you ran into Benedict. He gave you a smile and the same surprised look on his face as Penelope and Colin. You leaned in closer to hear him over the deafening melodies of the orchestra. Small talk that was mainly about your fictitious trip made up the first half of your conversation. After a while, you grew comfortable with each other as if you never left.Â
âThe lights are beautiful,â he commented, staring at the small lantern display that a scientist presented.Â
You nodded. âWe have some at the palace. They add more day by day but it would be nice if all of London, maybe all of the world, had these little lights. How has your art been?âÂ
âNot terribly well. Nothing seems to be good enough.âÂ
âWell, what are you drawing?âÂ
âStill life. I canât expect my free drawings to be good if I canât depict what is right in front of me.âÂ
âYou are too hard on yourself, Benedict seriously,â you argued when he scoffed. âSometimes we have a problem seeing our own greatness. You juââÂ
âWould you ever consider marriage to someone, me, perhaps?âÂ
You choked on your lemonade. âPardon?âÂ
âApologies.â He finally turned to look at you. âWith Daphne out in society, people have started looking at Anthony and because my dear brother does not care to at least pretend to be a proper viscount, they have started to look at me. Ravenous mamas are eyeing me and it must be a matter of time before they talk to me.âÂ
You laughed. âYou still call me Miss Beckett yet you want me to help you through a marriage?âÂ
âWait, what is your name, actually? If you are to continue being a friend of the family then I am at liberty to refer to you by first name.âÂ
âBergamot. My parents were a bit too keen on gardens. My second name is Sophie.âÂ
âBergamot Sophie Beckett. That is a lovely name.âÂ
âThank you⌠I still wonât marry you.â
Benedict scrunched up his face as he bent over to try and plead with you. âPlease! I canât be out here with the wolves.âÂ
You patted him on the shoulder. âYour whining, no matter how pathetic and cute, will not work. I will see you tomorrow, alright.âÂ
He muttered something that you didnât hear while you took off into the gardens for a stroll. Youâd have to leave soon, pressing your luck wasnât the way to go. You put your cloak back on and closed it to hide your dress completely as you finally put your mask on. The gardens at night were very beautiful. Perhaps because you were alone.Â
You chuckled at the thought of your interaction with Benedict. Even if it happened only a few moments ago, it was hysterical. It was only funnier because you were sure that when you finally introduced yourself to society, youâd get even stranger proposals. Only they wouldnât be to avoid hungry mamas. And they wouldnât be coming from one of your friends.Â
Hopefully, they wouldnât be too upset with you. Hyacinth would never but she was more like a little sister than a friend. Benedict would think the whole situation is funny, hopefully. Daphne might as well. Eloise and Penelope could go either way. Anthony would probably be mad that you let him attempt to woo the princess when you knew the truth which would make Colin and Gregory and Francesca mad at you as well. But maybe it would be fine after you explained everything.Â
The sound of voices caught your attention. Spying was wrong but you couldnât help yourself. You started to walk into the hedges, ignoring the twigs catching everywhere. The view wasnât the best but you could see well enough. What could be a scandal between Daphne Bridgerton and Nigel Berbrooke seemed to be a very different scene to you because you knew the man from her letters. You tightened the mask around you just in case you needed to leave the bushes.Â
Nigel kept coming close to Daphne. You began to run when he grabbed her, thinking of how to protect your friend. Youâd have to hit him. That was the only option. There was nothing else you could do about it⌠You paused as Daphne pulled her hand back. There was Nigel Berbrooke on the ground. After being punched.Â
You and Daphne looked up from Nigel to see the Duke of Hastings running into the garden clearing as well. The two of them seemed to realize that you were the princess and you were in the garden with them having witnessed everything. They bowed to you deeply, something you returned.Â
âI will survey the area. If I do not return then you two may safely leave the garden.âÂ
âThank you, Your Highness.âÂ
âIt is no trouble really. I am so sorry for your distress, Miss Bridgerton, and I do hope your hand feels better in the morning.â Â
You did a thorough check of the area to make sure that Daphne wasnât compromised before fleeing to your carriage before anyone could spot the mask. Assuring your valets nothing went wrong, you closed the carriage door and let it drive back to Kew.Â
âThank you,â you said as you took off your mask and cloak and opened the carriage window since it was night.Â
âFor what?âÂ
âFor making me go out tonight. I did need it. I feel better, immensely.âÂ
âThat is good. We are glad to hear it. Will you be going out again tomorrow?âÂ
âJust to the Bridgertons.âÂ
âOh, to home then.âÂ
You rolled your eyes but didnât argue because they were right. Being at the Bridgertons felt like home more than your own at times. Maybe because your mother and father were the only ones who even tried to be a proper family. But there was no trying with the Bridgertons. They just were family.Â
That much was true when you walked into the house a lot later than the early morning to see everyone but Eloise in the drawing room, talking about Daphne and the Duke. You said hello, greeted by hugs from everyone who didnât see you yesterday. You took the plate of toast from Violet, who was trying to get her daughter to eat, and shoved the bread under Daphneâs nose. She took a bite before actually grabbing it from you. Relieved of your mother bird duties, you plopped down on the couch in between Benedict and Colin.Â
âWhat are your plans for today?âÂ
âFencing and then a gentlemenâs club and then preparing for a party tomorrow and, dreadfully, a picnic the next day,â Colin said as he handed you a chocolate from the box on the side table.Â
âMay I watch?âÂ
âOf course, Sophie. A beautiful lady will only encourage us.âÂ
âSince when did you learn to be a flirt?âÂ
He just shrugged, sitting back to listen to Daphne play the pianoforte and tease her about the duke. You clapped at the end of her piece and requested a second one that she obliged. Daphne would have to play at the palace some time or at least at Kew. She sounded lovely. Closing your eyes, you just listened for a moment.Â
âHow does a lady come to be with child?âÂ
Your eyes flew open to see Eloise standing in front of everyone. Violet jumped up from her brief moment of sitting on the couch across from you.Â
âEloise, what a question!âÂ
âI thought marriage was a requirement.âÂ
Daphne tilted her head. âWhat?âÂ
âApparently, itâs not even a requirement.âÂ
âEloise.âÂ
âMama, the princess did say all young women nearing their debut should learn.âÂ
Violet stuttered as she took the tray of food out of the room, forcing Hyacinth and Gregory to go with her, stating sheâd be back in a moment she just needed some water. She turned back for a moment.Â
âDaphne, dear, do go on. Iâd like to hear some calming music when we return.âÂ
Eloise trudged over to the couch, sitting on the other side of Benedict. She smacked her brothersâ knees but neither one of them wanted to answer her directly. Colin turned his head.Â
âHave you ever visited a farm, El?âÂ
You laughed as Benedict smacked the back of Colinâs head but stopped when Eloise slumped down in her seat. You tapped her on the shoulder, making her perk up again. Your hand rested on Benedictâs thigh so you could prop yourself up as you leaned over him.
Covering your mouth and Eloiseâs ear, you began whispering to your friend everything you thought she needed to know about sex. Unable to help himself, Benedict leaned in to spy, surprised that your information was actually correct. You werenât lying, the Princessâ court really taught all the valets everything. Eloise sat back, finally satisfied and a lot less worried about a spontaneous pregnancy. Until she became curious again.Â
âBut why would anyone want to initiate it? Who wants to be with child?âÂ
You leaned over once again. âNo one wants to be with child. Even those who want children. Itâs about the pleasure. Sometimes the pleasure of actually liking someone and other times the pleasure being about nothing but you.âÂ
âWhat?âÂ
âThe⌠think about when you start breathing a bit heavier, feeling warm when you touch each other, a⌠Iâll tell you the rest when your brothers arenât here. It is a bit awkward. Oh, Iâll even draw you pictures. Only a certain amount of positâ movâ steps are important. The rest you should figure out with your husband.âÂ
âSo you do truly know what youâre talking about?â Benedict interrupted the nearly finished meeting.Â
âDid you doubt me?âÂ
âA bit,â he admitted.Â
You sat back down. âMen arenât the only ones that know what they are talking about.âÂ
âSorry to offend.âÂ
âNo offense. None at all. I expect even the kindest and smartest and prudest of men to think such things.âÂ
âWell, I am still sorry. If not because of offense then because of my ignorance.â
You squeezed his thigh in appreciation. Benedict laid his hand on top of yours. The two of you stayed like that for a moment until his hand held onto yours a bit tighter. He turned to look at you. There was an understanding shared between your eyes. There was no breathing heavy or loving eyes. It was for both of you but in purely selfish pleasurable ways.Â
âSophie, are you coming to watch our fencing match?â Benedict asked.
âYes.â At that he moved your hand closer to his private. âA bit after the calling hour starts. I like to watch the men make fools of themselves.âÂ
âI am not surprised by that at all. Shall we wait for you?âÂ
You closed the gap and placed your hand over the top of Benedictâs pants. âNo. You may start without me and Iâll just come when I find the time.âÂ
âOkay. Weâll play again soon, maybe even another game today. So donât be too bothered if you miss us playing for your calling hour.âÂ
Giving an experimental squeeze, you watched the man next to you nod ever so slightly and swallow his spit before moving your hand himself. You both relaxed into the couch completely, satisfied with your understanding. The two men left when Violet came back â it was fairly obvious that calling hour was about to start. The calling hour was several hours but at some point you had just dropped the s and you werenât sure why.Â
You thought it would be only one or two men but the duke seemed to have lit a fire under the other menâs feet. The line became rather long rather quickly. You were happy for Daphne. The more men the better. Maybe she could get a love match.
You took the last bouquet of flowers for Daphne, thanked Lord Colfield, and went to go put the flowers in a vase on the fireplace mantle. You were about to tell Daphne that you were leaving to see her brothersâ fencing match when Anthony came storming in. A gasp escaped you when Nigel Berbrooke came up behind. You were completely over this little man and his obsession.Â
Without thinking, you approached Anthony. âWhat do you think you arâ Anthony, you and Nigel need to either leave the drawing room as this is your sisterâs calling hour or wait in line if he is here to call? These lords and gentlemen have waited a great deal to talk to her and they are very patient. It is not right nor just nor of any class to disrespect the patience they have shown.âÂ
âNigel?â Berbrooke scoffed. âWho do think yoââÂ
âThe Young Princessâ valet. Sheâs become a family friend,â Anthony cut Nigel off.Â
At least Berbrooke had the decency to be surprised and then give you a bow. Their tunes towards you changed completely as they almost looked like they were going to wait their turn or just leave. Nigel smiled.Â
âCallers were unexpected as we have already been talking extensively.âÂ
âLord Berbrooke is the only man who proposed and therefore the only person I consider.âÂ
âIâm sorry, what?â You looked at Anthony.
âHe is the onââÂ
âEveryone! I am very sorry but you must leave. Miss Bridgertonâs calling hour is currently closed. Please leave your name with Heroldt, starting with the order you have been waiting, and two days from now we will continue.â You turned to Anthony as everyone filed out without complaint since they thought the princess was the reason for calling hour being over. âThere. Now, Lord Berbrooke, I must speak with the Bridgertons alone. I hope that speech staved off the wolves for you if only for two days while matters are discussed.âÂ
âThank you, LadyâŚâÂ
âMiss Beckett,â Anthony answered. âThank you, Sophie. Lord Berbrooke, do you need me to escort you?âÂ
âNo, no. You have business. I can find the front door on my own.âÂ
The moment he left, you, Daphne, and Violet descended on Anthony. Every word that came out of Anthonyâs mouth made you scoff. Violet looked between all three of you, very upset. Anthony was ruining both Daphneâs prospects as well as his own prospects with the princess. And you were there to witness it all.
You backed Daphne on everything. Even if she was wrong, Nigel was a foul man that you would never allow to marry. You approached Anthony, speaking lowly although your friend and her mother could still hear it.Â
âI hope you survive whatever poison you are drinking. Whether the Duke is a serious man or not, there are plenty of serious men here. You will not sign away your sister to such a foul man that you barely know as well and pretend it is in her best interest. And you will not expect her to be understanding or appreciative when you donât care an ounce for your sisterâs happiness. And you still wish to draw up a marriage contract? Please, just think for a moment⌠Good day, Viscount Bridgerton.âÂ
You stormed out of the drawing room and straight into the backyard where Colin and Benedict were handing their fencing gear back to a servant. They noticed the furrow in your brow. Benedict clicked his tongue.Â
âI will find out what is wrong. You, brother, instruct the kitchen to leave something out for us. If there is crying then we will be long.âÂ
Benedict practically dragged you to the far side of the backyard. He knew no one would think anything of it when you were very angry about something Anthony did â that part was loud enough for everyone to hear. He looked at you when the two of you finally stopped.Â
âWas that a ploy to get away? Or are you genuinely mad at my brother?âÂ
âI donât want to talk about why Iâm mad at Anthony. Thereâs nothing you can do anyway. Not without a good scandal⌠Sorry, I came out here for a fencing match. Let us focus on it. On you.âÂ
He took your hand again, placing it over his trousers. You began to rub it back and forth, the fabric between you guys creating friction. You reached into his pants and pulled out his cock, stroking it a bit more freely. Benedict pulled you closer. His hand reached around your ass to squeeze it.
Every time you stroked him closer to finishing he would squeeze harder than before. You watched his face the entire time. If you got back exactly what you were giving him then you would be a very happy woman. It was truly going to be about selfish pleasure for both of you.Â
You gasped when he all but ripped the top part of the dress as he tried to push it all down to expose your breasts. He wanted something else to stare at that would get him off even quicker. You tried to stifle any moans threatening to escape your lips as he groped you â some of the marks so hard you were sure they would be a bit red until tomorrow. This was his turn. Yours would be later. If you both tried to get pleasure at the same time... Well, that's how people fall in love. The two of you weren't stupid to test that.
Benedict moaned and for a moment both of you were worried someone would come see what was the matter. He laughed underneath your hand covering his mouth.Â
A shudder went through him and he grabbed your wrist. âIâm going to come. I-if you let g-go⌠just in m-my britches.âÂ
You dropped to your knees, shocking your friend. He grabbed your head with one hand while he bit down on the other until he finished. A very gentle touch lifted you up. He wiped stray bits of lipstick from around your mouth, wiping the evidence away on the inside of his vest.Â
âI have to say I did not expect you to sit down for the last round of fencing. We were done anyway.âÂ
âWell, I wanted to help put up the equipment so we could all relax later. Plus, if the princess does choose to invite you all to Kew then I would like you to help put up the equipment there too.âÂ
Benedict laughed.Â
âI promise whether I win or lose. The next time we have a round of fencing, I will put up the equipment. All of it.â
He leaned down to whisper.
âEven if you are not a lover, I would never have you on the ground, sullying your pretty gowns and body..." He squeezed your breasts one last time before helping pull your dress back up. "with grass and dirt stains. I promise Iâll bring you your pleasure next time we are inside and alone. I will leave first and retire to my room. You stay out here and eat the sandwiches the cook left. I wonât be able to return for at least an hour.âÂ
âOkay. I have to go see the Featheringtons and Miss Thompson anyway.âÂ
You did just as Benedict suggested and no one even gave you a suspicious look. You took your own sweet time going across the street. You had moved the physician and all of Wednesdays special tutors to Tuesdays so you would have more time in the city. Despite not wanting any visitors, you were the obvious exception and could go upstairs to see Marina. She looked up from her writing desk when Penelope announced she was coming with a visitor.Â
The three of you gathered on the bed to share a plate of sweets. You mainly listened to Marina and Penelope, not having much to add. You wanted to figure out a way to help her. Trying to meddle in daily affairs and save the lives of one subject at a time seemed almost ridiculous. But, that was what you should do as a royal.Â
âDid you say Spain?âÂ
âYes. Thatâs where all of Georgeâs letters are coming from at the moment. They all say Spain.â
âIf you ever need a letter to Spain or to anywhere else they send Sir George, just let me know. The princess wants to help her subjects, especially women, so give me a letter and Iâll give it to her. Whenever you need.âÂ
Marina flung herself at you. âThank you. If there shall ever be a problem, I promise I will say such.âÂ
âOh, the princess is going back to the palace for a few weeks because of something important so I wonât be so available for a little bit.âÂ
âWhat will she be there for?âÂ
âYou will find out when it happens.âÂ
The two of them giggled. âYou are so mysterious.âÂ
~~
You were tired after an exhausting day but a letter you received from a footman that same day made you get up. Anthony had given you a key to the front and back garden gates as well as the back door that led into the kitchen. You entered through the backyard so you could actually get inside the house without waking the entire house with your knocking. You only needed Violet and Daphne. And you had a letter to leave just in case you couldnât wake a single person.Â
Voices made you pause. You recognized Eloise and Benedict talking. Instead of going any further, you just listened. Eloise â like so many other women â wanted better for herself. It had never been a question of something you would plead to your brother⌠You sighed. You knew your brother. It was time to stop thinking of him as the heir. There was a reason everyone was going to support Younger Charlotteâs claim over her father. And Young Charlotte listened to you. She planned on making you her advisor. There would be no pleading. You would make better laws for women.Â
You didnât want to disturb them too much so you flung the letter at Benedictâs head. Running as fast as you could, you ignored their confused calling out for you once they recognized the letter coming from the princess. Hopefully, Benedict or Eloise would get the letter to their mother before Nigel could come back.Â
Dear Dowager Viscountess,Â
I am nothing but my motherâs daughter and therefore it is, in fact, my job to meddle in the lives of our precious subjects for a better and more peaceful United Kingdom. Miss Beckett has told me much of your troubles in regards to a man called Lord Nigel Berbrooke. I donât have much information on him but I do have a request that I would ask you to aid your princess in.Â
I recall an acquaintance of his. A maid. She used to work at the palace but asked for a job in the ton so she could be closer to her aging parents. I believe she was employed by a neighbor of the Berbrookes? Or a friend? Or maybe them, who knows. She was supposed to come back two years after they died but has yet to return. Nigel or one of his neighbors must know. Or perhaps, his mother, sheâs very close to the maids. Knows every single one of them by name. I care terribly for this maid and would like her working back at the palace. Â
Please meet with his mother. She loves crumpets with any sort of preserves or a chocolate dipping sauce. It was all she wanted when she requested a meeting with my second brother.Â
That is all I have to say. I do look forward to seeing your family properly.Â
Yours Truly,Â
Princess Y/N KewÂ
P.S. Please tell Anthony that it took him long enough but I am proud he finally came to his senses. If only he can learn to listen to a woman first then he might have less problems.
You smiled to yourself as you sat in the kitchens. The staff couldnât stop talking about Nigel Berbrookeâs bastard that he doesnât take care of and the mother he sent away before she even gave birth. You would feel bad but you had a very personal and up-close view of the manâs real personality. The morning only got better when Brimsley and Reynolds came in with Lady Whistledownâs Society Papers. It was on the front page of the pamphlets. Absolutely worth paying the two pounds per pamphlet for everyone in the Kew household.Â
âDo you think heâll ever show his face again?âÂ
âNo,â the cook said as she handed you your breakfast. âYou did a good thing for Miss Bridgerton, Your Grace.âÂ
âYour Grace?âÂ
âIt is just a title we are trying out.âÂ
You hummed suspiciously. The cook ignored you.Â
âYou better pack if you donât want to be late for the carriage coming today.âÂ
You nearly forgot. The reason you couldnât hang out with the Featheringtons and the Bridgertons arrived. Your cousin Friedrich, the prince of Prussia, was coming for a visit. He agreed to marry a British girl to strengthen the alliances and prove that Prussia and Britain were still close family. It was neither a complete truth or a complete lie. The entire family was not close. But you, your cousin, your father, your mother, and your aunt were very close.Â
Sneaking out wasnât an option. You thought that much as the carriage neared Buckingham. It had been a while since you snuck out the palace â a completely different thing from simply leaving Kew. Pandora, Brimsley, or Reynolds would sneak you your letters and you would be satisfied. Besides, even though your family was coming for an indefinite amount of time, you only had to stay a week or two.Â
The carriage hadnât even stopped completely before you ran to hug your cousin. It had been years since you last saw each other. You could hear your mothers laughing in the background. They left to have tea inside while the two of you stayed out.Â
Friedrich took your hand in the crook of his arm. âCome, cousin, let us take a promenade. Have you been well?âÂ
âI have been better. However, I am doing well.âÂ
âAnd your illness?âÂ
âNot better. But I havenât had an episode that I couldn't recover from on my own.âÂ
âThat is good. I suppose that is the best we can ask for. Especially since I have a surprise for you.âÂ
âA surprise?âÂ
âI asked Aunt Charlotte and she agreed to let the princess accompany me to events as she knows the ton better than the both of us. You have to wear your mask but it is still a good deal.âÂ
âIt is a wonderful deal.â
âGood. The first event is a ball tonight.âÂ
âTonight?! But Iâm not prepared.âÂ
âIâve already had everything arranged.âÂ
âYou planned this?âÂ
âI figured it would do you good to get some fresh air and get out of the palace⌠or Kew, now.âÂ
âThank you, Friedrich. Seriously, thank you.â
(part 5)
THIS FIC TAGLIST:
@fredsbetch @cherrylovers-world @chrystinaamanda @grassclippers @flyestvenustrap @spookystitchery @lovelyygirl8 @ben-has-arrived @tragically-hipp @cherrysxuya @alowint @jackierose902109 @boojaynaqueen @thesparkling-diamond27 @intothesoul
PERMANENT TAGLIST:
@venomsvl @peaches-n-sunscreen @summerellaz @supernaturallover2002 @sambucky8 @9daykrisr @thebitchinleo @23victoria @scarlets-widow @pagetpagetpagetpaget @lovexnatasha @awesomebooklover17 @1234-angelika @imatrisk @blackreaderatrisk @princess-jules47 @alexloveskili @a-marie-a @siriuslysirius1107â @i-have-no-life-charlie
#benedict x reader#benedict fluff#benedict bridgerton#benedict bridgerton x reader#benedict bridgerton#benedict bridgerton smut#bridgerton x reader#bridgerton smut
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Miscellaneous Naruto Headcanons
Hanabi is next in line as clan head and Hinata completely cut off her family because she decided she doesnât want anything to do with the people who wanted nothing to do with her.
Hashirama and Tobirama actually have a really complicated relationship with a lot of mutual resentment. They love each other as family and respect each other as shinobi, but still. Hashirama holds a grudge from the river incident, resents how he was the favorite child of their father, and is frustrated by how he prioritizes utilitarianism over kindness/morality a lot of the time. Tobirama resents how he grew up in his shadow, is jealous of how easily he interacts with others and gets them on his side, and commonly thinks that he makes their lives significantly harder. Do they talk about any of this? Of course not! Hashirama is deeply ashamed of these feelings and Tobirama approaches all of his emotions with an âif I donât look at it, it doesnât existâ mentality.
The three shinobi vices come from the sage of six paths, but Tobirama was the one who introduced the shinobi rules.
The fear of aging is incredibly common amongst shinobi. However, itâs less about dying and more about deteriorating; like a weapon rusting or dulling in a way thatâs unpreventable and irreversible. Orochimaruâs fear is pretty obvious, part of the reason Sasori both values eternity so much and turned himself into a puppet is this, and Guy goes on about YOUTH!!! all the time because heâs in denial about his own fear, especially since taijutsu specialists are on a shorter clock than most due to muscle deteriorating faster than chakra.
Deidara values ephemeralism so much because he was forced to become a suicide bomber and he used this life philosophy to find value within himself even when he could be ordered to kill himself at a moments notice.
While the three shinobi vices are only taken very seriously amongst groups like the guardian shinobi twelve, itâs still baked into a lot of shinobi life. For example, you can be discharged from anbu for things like drinking, gambling, and paying for prostitutes even if it doesnât impact your work-life. Some people, like Tsunade and Kurenai, are very against this, arguing âif Iâm allowed to kill and die on a battlefield, I should be allowed to cope with that however I want!â
Kurenai is an alcoholic btw.
Tsunade got her gambling habit from Hashirama, but her drinking came from Tobirama.
Yamato is transgender.
While there isnât much or any stigma against queer relationships, there is a lot of pressure around people having kids. This came from the warring states era when they needed those kids to become soldiers and replace their armies (also child death was very common and having more kids rose the chances of one of them surviving to adulthood).
The first thing Hashirama did as Hokage was outlaw child hunters and give the order that any child hunters encountered on missions should be dealt with with extreme prejudice.
Kekkei genkai hunting and trafficking is disturbingly common.
Sakura, Rock Lee, and TenTen come from civilian clans and started bonding over that during their sparring matches.
Ableism is pretty common within shinobi villages and especially in the Hyuga clan, so Neji went through a period of having to unlearn a lot of his biases while working with Rock Lee.
Rock Lee is considered disabled btw.
Also ableism is one of the reasons why Nagato doesnât show his body. Because heâs also disabled (canât walk because of paper bombs, and has severe chronic chakra exhaustion).
The noble clans (Uchiha, Hyuga, Aburame, Akimichi) were the first/founding clans of Konoha. The Senju used to be included, but because they mixed themselves into other clans to the point of dying out, they arenât anymore.
Despite being memorialized on the shinobi uniform, the Uzumaki clan were never an official clan of Konoha.
The sharingan and mangekyou sharingan were extremely common during the warring states era, but is exceedingly rare in peace times. So much so that Uchihaâs who got it were congratulated (by people both inside and outside the clan) without others remembering that the sharingan is rarely unlocked for a good reason, making them feel even more upset/isolated.
Although people who get married usually still have wedding rings, it is so rare for shinobi to be seen wearing them (considering their job) that theyâre viewed as a sign of retirement.
Ino and Karui did not get along at first because Ino takes great pride in clan tradition and Karui thought she was behind the times. They only get along now because theyâre both romantics and they respectfully avoid that topic of conversation around each other.
Shino has to be very particular about his doctors to avoid them freaking out them accidentally healing the holes in his skin closed, making long missions away from Konoha all the more complicated and dangerous.
The rookie nine (-Sasuke) all really enjoy the outdoors so they set up a whole park/garden for them to hang out at. Naruto, Sakura, and Ino plant and tend to the flowers. Hinata picks and presses flowers into journals with the date they bloomed, type, and flower meaning written. Shikamaru (and sometimes Choji) likes cloud gazing. Shino and Choji like admiring (and sometimes catching) the bugs they find; Shino appreciates how he can exposition dump about all sorts of insects and Choji will actually listen. Kiba will either run around or take a nap with Akamaru depending on the day. Sakura also sometimes brings a stack of books to read/annotate in the grass.
Ino was the peer leader of their classroom during the academy.
Because Sakura was the introverted friend adopted by the extroverted leader (Ino), when they stopped being friends, Sakura functionally lost all of her friends.
Shino was right behind Sasuke in academics all throughout the academy, resulting in them having a bit of a silent rivalry. Sasuke actually knew Kiba through this because Kiba was one of the few people who acknowledged that Shino existed.
Choji taught Ino and Shikamaru how to cook as team bonding.
Shino and Hinata are pretty close friends after bonding over having to reign in Kiba during their time on team 8.
#naruto#naruto shippuden#naruto headcanon#naruto headcanons#my stooff#hanabi hyuga#hinata hyuga#hashirama senju#tobirama senju#orochimaru#sasori#maito gai#deidara#tsunade senju#kurenai yuhi#yamato#tenzo#sakura haruno#rock lee#tenten#neji hyuga#nagato uzumaki#ino yamanaka#karui akimichi#shino aburame#naruto uzumaki#shikamaru nara#choji akimichi#kiba inuzuka#sasuke uchiha
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I have to admit, I personally cannot stand Vanco. I find it annoying that men can't just be close friends (something already horribly underrepresented in media) without being shipped to death like this, and they literally call each other brother. The writers have confirmed there is no stigma around sexuality in Arcane, so it's not like they would have to hide their true relationship from anyone, you would think it it were canon they would have mentioned it in episode three?
I really hate how they all the sudden make hints of the possibility of Vanco because it's like the Felicia thing, it just doesn't add up to season one and it is extremely obvious that this was not part of the plan when s1 was written, but just random fanservice. All the sudden in season 2 they magically don't see each other as brothers? Really? Not to mention even in the AU Vander literally attempted to kill Silco, but I guess that abuse is perfectly fine because Silco forgives and stays with Vander? First they glorify suicide, now this?
Edit: It also is annoying to me because they don't need to have a romantic relationship to have a close bond, just like they don't need to have to be the kids godfathers to want to adopt them. It just makes their bond a lot less meaningful if it was all just romance like everything in the show must be in s2. And it makes Vander betraying Silco over Felicia even worse than it already was.
#silco#arcane#arcane silco#silco arcane#vander#vander arcane#silco and vander#vander and silco#anti vanco#anti zaundads
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Tw: Heavy topic discussion ahead.
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So I have suffered with suicidal ideation for the majority of my life. As long as I can remember-- even when I was a child to some extent.
Despite current awareness of mental health issues, honestly, I don't think we have as a society really resolved yet how to earnestly address the issue. I don't blame people for not knowing what to say to suicidal people or just defaulting to the whole "oh I'm sorry, you're not alone, blah blah blah" song and dance. I get they don't know what to say, but.
The issue with being always suicidal is that it's kinda a bitch to figure out how to just live with? You don't want to worry people, or emotionally burden them, you dont want them walking on eggshells around you forever because they think at any moment they could accidentally push you over the edge. Because the conversation around suicidal ideation is so focused on NOT being suicidal anymore, it functionally silences people in a well-meaning, but still harmful way.
Like, let ol' uncle Eldritch affirm for anyone reading this right now: it's OKAY to be suicidal. Not okay as in, indulge the urge. But suicidal ideation is a mental health concern like any other. It's not your fault, and stressing yourself out that you feel this way will do you no good. Accepting a feeling is not the same as acting on it.
For most people the feeling is temporary, but the reality is for some of us it's not. The feeling might be more intense sometimes than others, but it's okay if they're always there. Strange thing to say, I know, but you don't owe anyone happiness. You don't owe anyone self-contentment. Yes, we all want those things, but getting upset with yourself that you haven't achieved that beyond healthy degrees is a vicious cycle that will only make you more miserable.
There's a difference between treating negative emotions as an undesirable outcome, and treating them as if they're a mistake. As if they're not often enough a logical outcome to many of life's challenges, especially these days.
Counterintuitive, I know, but accepting that someday I might lose the battle with my own suicidal ideation probably saved my life at several low points. Something I've had to reaffirm within myself several times over my life. And something it's been very hard to get other people to understand.
The problem may be bad, but it's almost always the stigma that makes it dire.
I'm not going to pretend there isn't some degree of a grain of truth to the idea that some people use suicidal intent to get attention, but that's a gross and misleading oversimplification of the issue. Some people have no suicidal intent, but use it as a means of manipulating others. I'd say those types of people are rarer than you might imagine, but yes, they exist. I'd say the majority of people, especially the ones who express the thought over and over again, just don't know what to do with their feelings. They're looking for an outlet, an explanation, validation, solidarity-- something. They're looking to not feel so isolated anymore, having feelings they know they "shouldn't be having." As stated above, our society still doesn't accept the feelings as acceptable even if we've moved the dial on the topic, and they're feeling shame and frustration that they just can't quite move past that.
I don't want to speak for everyone but I do believe I'm very much not alone on this when I say the phrase "I want to die"/"I'm suicidal" with the same type of intent I say, "I want to sleep," or "I'm hungry." I'd rather be awake and full, but, I'm currently feeling compelled to satisfy the urge to go to bed or eat. I'd rather be alive, however, dying feels like a very tempting offer. Inconveniently, of course, that craving happens to have permanent results. Can't go back to living if/when I have enough spoons to keep going, boo.
That's a very confusing sensation to grapple with-- understanding your life is a finite resource you aren't going to be able to get back, but also, being fucking sick of it. It's hard to know what to do about that-- especially because, again, you aren't ALLOWED to feel that way apparently.
If that feeling can be fixed it should, but some of us don't have that luxury. Some of us are broken in a way you can patch up, but we can never be fully restored to a mint-like condition. We still have value, we still are useful and can be fully realized people, if there was only room for us to be taken as we are and not how people want us.
Outrageously irresponsible and fucked Lily had the balls to give advice on this, if that even has to be said. Rest assured, she's on my "To Haunt" list if I do end up offing myself (in Minecraft.)
#lily orchard#lily orchard critical#anti lily orchard#lily peet#lily orchard stuff#lorch posting#youtube#liquid orcard#eldritch lily
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Aventurine Is BPD Coded- Some Thoughts
Ahhh welcome back everybody to another installment of 'Rory writes a ridiculously long essay nobody asked for to shine light on characters who exhibit symptoms of borderline personality disorder so that we can learn to recognize symptoms portrayed in media that aren't just 'crazy manipulative abusive ex' and start to treat the disorder with a shred of compassion' !!
A good chunk of you follow me because of my essay I wrote on Reo Mikage from Blue Lock, my beautiful borderline princess, and I am PLEASED to announce that my essay is now the first result when you search 'Reo Mikage BPD' on Google, AND he has since been added to the BPD character database !! Saving the world one baddie at a time, no need to thank me B)
Today, I want to write something out that I've been dying to share. I think Aventurine can be read as a BPD coded character, and I think he would be able to cop a diagnosis should he go see a therapist (which we all know he CLEARLY has not done). I've been puttering around posting this because I've been spending so long on a full, all encompassing analysis of this sick blonde man, but I want to take a quick break and kick my feet over BPD Aventurine, so I invite you to come kick your feet with me!
Some context before I start:
1.) Borderline representation is extremely important to me. I've got the BPD / CPTSD combo meal, so I'm having TWICE the fun !! But seriously though, it's not easy being viewed as crazy and 'bad' all the time. Trauma disorders are rough enough as it is just to live with / overcome, but it's worse when there are books, forums, blogs, shows, ect. dedicated to hating you and talking about how evil you are. So, I get really excited when I spy BPD-coded characters (especially if they're likable people and not just ghoulish irredeemable villains or manic pixie dream girl characters). Fans, characters, and even Aventurine himself refer to him as 'crazy' 'insane' 'unstable' which only further rang my BPD bells because he's not crazy; he's just traumatized!
2.) Iâm not a psych, so I obviously canât diagnose real people, and donât use any of this to diagnose yourself (I don't need the scandal!) I do, however, have a masters degree in English and structured the basis of my education and published my thesis on mental health, cluster B personality disorders specifically, so I read and research a LOT. Iâm confident enough in my knowledge to diagnose anime characters (lol).
3.) If you're somebody who has a weird hangup about borderlines, feel free to either not read this, or do read it and soak up some useful information! Regardless, I know Aventurine fans can have some really wild takes (/neg) , so believe what you want at the end of the day! This is just my interpretation of what's festering in that sad brain of his. You can disagree all you want to, but what we're not going to do is spread hateful stereotypes or perpetuate negative stigmas about BPD! That's cornball behavior and I will call you out for it ^-^
CW for discussion of death, suicide, self injury, and identity disturbances
Anyways, if you ask me, Aventurine has a case of Beautiful Princess Disorder, and I'd like to explain why <3 So, buckle up! This will be another long one.
First, let me define BPD: it's a personality disorder characterized by a long-standing pattern of instability in mood, interpersonal relationships, and self-image. Though it's coined as a 'personality disorder', I urge you to look at it as a trauma disorder. People most often develop it when they are repeatedly traumatized during their formative years. It actually overlaps a TON with complex post traumatic stress disorder, which is why a lot of us baddies end up with both! (On that note, you could definitely view Aventurine as CPTSD-coded as well! I'm a stinky kinnie so I'll just say he's both <3) I won't preach too much on why it's so necessary to treat borderline as a traumatic stress disorder (since hopefully I'll be focusing my own personal academic research on that and I could yap for HOURS about it lol).
But when we look at BPD properly, it's evident that the basis of this disorder is that these people didn't have the opportunity to learn and foster proper emotional reactions. Because of the recurring traumatic events, sections of borderline's brains are underdeveloped as a result. They have a smaller amygdala and they have reduced volume in the prefrontal cortex, as well as other differences in brain development. I've heard it described as 'you were forced to learn some behaviors that helped you survive at one point in your life (for example, maybe fervent efforts to avoid abandonment, unstable emotional reactions, self harming tendencies, lying, mirroring, etc.,) but now you need to unlearn them, because theyâre no longer helping you.'Â They're trauma responses.
Aventurine shows us a perfect example of the kind of shit that would make someone develop BPD: dude grew up in extreme poverty, was constantly told he was special and he was supposed to bring good luck, watched his entire family and race die in front of him when he was literally still just a kid, was kidnapped and sold into slavery, was forced to murder roughly 34 people while everybody watched him like it was a game, probably went through several other fucked up things while he was enslaved, and then killed his slave owner and was promptly sentenced to death for it. That's...a whole lot of ridiculous trauma that would severely impact somebody's ability to mentally grow and develop correctly. The bulk of his childhood/adolescence was spent with no safety, no security, overwhelming guilt, constant fight or flight reactions, learning how to take on other personas to avoid violence or mistreatment â you get the point. He did not have a normal life and it is absolutely probable that he would develop a trauma disorder from the shit he's been through.
So then, what behaviors/signs does somebody need to exhibit to receive a Borderline diagnosis? The 9 diagnostic criteria for BPD are as follows:
1. Fear of abandonment
2. Unstable or changing relationships
3. Unstable self-image; struggles with identity or sense of self
4. Impulsive or self-damaging behaviors
5. Suicidal behavior or self-injury
6. Varied or random mood swings
7. Constant feelings of worthlessness or sadness
8. Problems with anger, including frequent loss of temper or physical fights
9. Stress-related paranoia or loss of contact with reality
As with my last post, I'm going to organize this based on the 5 immediate traits I think Aventurine exhibits most (you only need 5 out of 9 to receive a diagnosis, so let me cut to the chase and stop wasting your time w my yapping).
Fear of Abandonment:
Aventurine has a habit of wanting relationships and then pushing them away once they get too close. He also clearly has trauma associated with losing people prematurely.
First of all, let's look at Aventurine's tendency to view relationships as transactional. With the expectation that a friendship, partnership â whatever â is mutually beneficial, that generally implies both parties will leave satisfied once the 'transaction' is complete. Thatâs his parting line in the game, actually! âSatisfied with our transaction, I trust?âÂ
That being said, he's already prepared for people to leave when they're done getting what they want from him. In one trailer (and the game) he refers to himself as "another cog in the machine known as the strategic investment department" and then says, "Your humble servant aventurine at your disposal [...] I can also play the role of âfriendâ â if needed; Go ahead, use me as you wish, even stab me in the back if you see fit."
This is a very strange thing to say upon first meeting someone LMAO. He's speaking of himself like he's an object, rather than a person. Before the other party even says anything, he's basically saying 'hey btw if you end up disappointing me in some way, i'm already prepared for it!' Establishing relationships with the assumption that the other person will betray you/abandon you/hurt you in some way? Borderline behavior. God forbid somebody does try to break down one of these walls, we'll see Aventurine's second habit to avoid abandonment: pushing people away.
Something people don't necessarily consider is that âefforts to avoid abandonmentâ doesn't always mean the person is on their knees begging you to not to leave them. It can manifest as someone being very flighty and purposefully cutting ties randomly/pushing people away from them so that nobody is able to abandon them. If you leave first, they canât leave you, right? This is a very common behavior for borderlines to avoid the pain that comes with being abandoned.
The most notable moment of this, in my opinion, is when Aventurine tries to gaslight himself into thinking that Ratio really did stab him in the back during their ploy against Sunday. As we know, their fighting, bickering, and Ratio's 'betrayal' were all part of Aventurine's plan. When they leave Sunday's office, Ratio immediately asks if he's okay and if he needs help, and Aventurine is very dismissive/a little rude in his response. Ratio is confused because Aventurine is talking as if he wasn't the one who MADE this plan and TOLD Ratio what to do:
Aventurine is basically saying, "Hey babe this is not in the script we talked about! Let's stay on track, remember? You hate me, you betrayed me, and now you're leaving me!" And Ratio is like "Yeah okay but are you good? Because you don't seem good,â but Aventurine's heels are so far in the dirt at this point that he is NOT budging at all. When he's in the Trauma Maze, Future Aventurine grills him on this moment:
I get why this part confused some people; why would Aventurine think this when the plan was his idea in the first place? Because, he subconsciously doesn't want to get too attached to the idea that Ratio might ACTUALLY care about him or want to help him. He's forcing himself to think "no, that's not what he was doing, he was planning on actually ratting me out all along, he was only asking about my wellbeing to get in my head."
However, I think it's evident that Aventurine wants relationships/attention just as much as everybody else does, he just won't let himself have it. To further this idea, I think the lyrics to White Night (the Penacony trailer theme song) are worth looking at (these specifically):
I don't wanna be alone tonightOh, lead me with your altered signThere's no one else left for me to loseHeadin' to the other side, other side
I don't wanna be alone tonightI'll bring you to my best disguise'Cause you don't need, don't need to know the truthLet me rave forever in your life
The song is obviously about Aventurine when you look at the lyrics, but these lines in particular just further my point that this man does NOT like the fact that he's alone. He wants relationships, he wants closeness, but he rejects it at the same time out of fear that he might lose somebody prematurely again and doesn't want to experience being abandoned or being rejected for his personality (his real one or his fake one), which leads me to...
Unstable Self-Image; Struggles With Identity or Sense of Self:
The shift from Kakavasha to Aventurine screwed this guy up REAL bad. A MASSIVE part of Aventurine's character, in my opinion, is his struggle with his identity/sense of self. I mean, he literally had to kill off who he used to be in order to live how he's living now, and he didn't have much of a choice in the matter. Jade sums it up pretty well when Aventurine is sat before her on trial:Â
Aventurine joining the IPC comes with the price of...well, becoming 'Aventurine'. Since I'm clocking him with a BPD diagnosis, the identity disturbance would have probably happened before this moment, and I think it did. I'll bet it started festering after that first massive traumatic event where he watched his family die and tried to rationalize how that was possible with his 'good luck' (since that was really the only consistent idea he had about himself), and it probably only got worse when he became fixated on the fact that whoever tf he is, he's only worth 60 copper coins (did the math â that's about $3). That's gotta cause some massive identity issues. He's coined as this âgood luck charmâ, this âblessed childâ, a âbeacon of hope for the Avginsâ, and somehow, he ended up in the absolute worst situation possible while simultaneously dooming all of the Avgins (obviously not his fault, but he thinks it's his fault).
When Jade tells him to pick a new identity, ironically he picks one that is everything he probably grew to hate after his childhood/adolescence.
Associating with the wealthy? The rich were the people who paid to brand him and enslave him. The IPC? Promised to help the Avgins but disappeared when the Katicans invaded, then came back and kidnapped him to sell him as a slave. Now he's both wealthy and a part of the IPC, and you have to wonder how he truly feels about it. We'll look into that more later. Regardless, he's not really 'free' now, even if he isn't technically owned by a master anymore. He's chained to the IPC because this is life now; this is his identity. Where else would he even go? What else would he do? (Die, perhaps?) It's not like he can go home, or go live a peaceful life out on the countryside somewhere. He made 'Aventurine' his entire life and his entire personality. On that note, I really like this quote from his third character story:
âThe aventurine, that symbol of power and of the future, is about to be officially handed to him â Yet it would have no more allure or value in his eyes as soon he obtains it, even though he had sought it by putting his life on the line.
He returns to his office in a daze. The aventurine stone emits a peculiar glow on his desk, seemingly congratulating and mocking him at the same time."Was luck truly on your side when you wrestled with fate?"â
Did he really luck out with this one? Comparatively, of course, this is better than his life as a slave, but he essentially just traded his rusted chains for golden ones. Becoming Aventurine might wind up bringing him a lot more pain than it was worth.Â
Also, the outfit he chose? Covered in gold, fur, and jewels, all materials that somebody who knows nothing about being rich would assume rich people wear in excess. It's evident in his tacky taste (sorry honey I love you so much but the hat is just crazy work you look like a pimp) that he doesn't know anything about how to dress himself. And I bully him for being tacky but it makes sense! He dresses exactly how you'd think an out-of-touch billionaire would dress. Back to his sense of identity: it's very important to establish that Aventurine feels guilty about taking on this persona! That's all 'Aventurine' is: a persona. If he were to die tomorrow, the IPC would dust off that stone and give it to another bozo who would end up being the next 'Aventurine'.
While he didn't initially develop this personality subconsciously and it was a 'choice' to start playing this role (not that he had a plethora of alternative options), the perpetuation is damaging him mentally. He does a good job of keeping up the act, obviously. This theme that his entire personality is just one big act is overarching through the entire Penacony quest, but there's one moment in particular I really liked: when Sparkle is being a jerk and he has this offhand comment about how he's so frivolous, vain, and flashy, and how he'd hate to live anywhere where it rained since his outfit is too expensive to get wet.
Then, we have this interaction in the maze: Future Aventurine brings up the memory of him and his big sister playing dead, floating in bloody water to avoid being killed by the Katicans when they attacked. He mentions that it was his father's shirt, the last one his father left behind before dying, and that it was ruined. Aventurine says it wasn't ruined, and he's always kept it. (I wonder if that's the shirt he wore during his time enslaved?) Future Aventurine grills him and asks âwhy keep it? This new person that you are would never wear something so dirty and old. 'Aventurine' wouldn't want that old rag, it's not worth any money. 'Aventurine' would never splash around in murky water like that; he wouldn't need to.â Nobody is hunting him, now he's the hunter. Future Aventurine makes the snide comment that he bets Aventurine wouldn't even dare to go outside in the rain, let alone do any of the things Kakavasha had to do, since he's so much more elite now. Aventurine, clearly hurt by the implication, says that even after all this time, he's never changed.
Of course, he hasn't. Deep down, no matter how much he tries to trick himself and everybody around him, he's still the same scared, traumatized boy he always has been. His future self chastises him for having an inferiority complex and mentions that with every gamble he makes, he has his left hand shaking in fear behind his back.
But the constant pull to push Kakavasha down and keep up this act that 'Aventurine' is the real him obviously perpetuated the identity disturbance in him and made it a hundred times worse, to the point where (as Future Aventurine points out) the hole he's dug is basically impossible to climb out of.
Because of this, I interpret Aventurine to constantly be struggling with his identity, not knowing who really exists under all the masks he wears, not knowing if he or anybody around him will ever figure it out. I imagine he feels very empty and unfulfilled, since as I mentioned in the abandonment section, he doesn't want to be alone. But the higher he climbs on the social ladder, the further he can separate himself from other people. This is a classic issue borderlines face. We masquerade as something we think the people around us will like, someone WE might like, but it always ends up leaving us feeling more empty than before.
(This is just an added bonus to chew on, but I got stuck on this line when I played through Penacony:)
Do you think once he became Aventurine and got the money and the resources, he researched toys that normal kids play with? Fancy ones like building blocks, stuff that he would have never been exposed to as a kid? Obviously baby Kakavasha would not know wtf building toys looked like, and I'm sure teenage Kakavasha didn't have the opportunity to browse toy catalogs. But, he recognizes the toy even though he says he's never played with them before. Maybe he considered buying it but decided against it, since it doesn't fit his new persona. Kakavasha doesn't exist anymore, so there's no reason to nurture that part of him. Anyways, just wanted to hurt y'all a bit more. Speaking of hurting ourselves:
Impulsive or Self-Damaging Behaviors + Suicidal Behavior or Self Injury:
I'm combining these two because my points kept blending together, so bear with me lol.
Aventurine is known for being incredibly reckless and putting himself in the path of danger over and over again. When discussing how he tricked Sunday with the Cornerstones, Future Aventurine asks:
I want to exaggerate how crazy it is (i can say that i'm also a bpd baddie) that he smashed his Cornerstone. I don't think a Stoneheart has ever done that before. Their stone is what makes them a Stoneheart. Ratio mentions that without it, Aventurine would be back to being nobody. Remember: that's what makes him Aventurine. You know, the persona that required him to kill off his former identity? Their Cornerstones are more important than the Stoneheartsâ lives, as stated multiple times. But that's just it: Aventurine doesn't GAF about his life. He doesn't mind putting his life on the line to pull off his plan because he has that deep-rooted desire to punish himself for everything he thinks was his fault. He gets called out for gambling with his life multiple times during Penacony, and while most of the time it's reduced to him just being crazy (cough, bpd) or just having a severe gambling problem. Extremely hot take, but I think he gambles literally as another way to hurt himself. I mean, look at what he says when you ask about his hobbies:
"There's no denying it, my fascination is with the game of chance... be it the exhilarating rush of triumph or the extensive emptiness that follows, both are worth savoring, time and time again."
Being impulsive and risky, betting his life over and over â it makes him feel alive. He knows the end result will hurt, that he'll have to face that 'extensive emptiness' and the extreme guilt he feels regarding his continued good luck, but he does it anyway.
Speaking of betting, his bets are always 'all or nothing', seemingly every time. Future Aventurine calls him out on always risking everything with every gamble, asking:
"Do you truly believe the greater the risk, the greater the reward?"
Or...do you just not care what happens to you? He doesn't need to risk a lot; he's never lost. He could bet the lowest amount and still win every time, and make a lot of money depending on what everybody else bet. In fact, that would actually be a better strategy in gambling (poker/black jack specifically), because it would insinuate that he's not very confident with his hand and prompt the other players to bet higher, assuming that they'll beat him.
I imagine he gets a shred of dopamine betting everything he has knowing that he'll probably win, but hey, who knows? Then after winning and multiplying everything he has, I imagine that 'extensive emptiness' that he refers to is the feeling of 'oh good, more money. More status. More success. A reminder that no matter what I do, I'm stuck here in this role forever.'
For some reason, he also thinks that taking risks makes him appear more confident and secure. He makes a show of always keeping up the big bets and he boasts about how successful he is, while clutching his hand behind his back thinking 'oh god, is this it? will I finally lose this time?' He brings this up when he's speaking with himself and he says, 'How could a weak person take such daring risks?"
Oh, the delicious irony.
That raises the question, though: if he wants to die so badly, why hasn't he yet? It's not like he had an easy life. He fought very hard to stay alive, so why does he act so recklessly now?
I think at his core, he's scared. Dying is scary. His family is there in the afterlife; would they be disappointed in the person heâs become? At the same time, being alive is exhausting. The constant emotional pain this guy probably deals with every day? It's gotta be heavy.
His behaviors around suicide remind of a classic passively suicidal person with BPD: maybe they don't necessarily want to die, but they're tired. They don't have an active plan, but If something is going to kill them, they're not going to move out of the way.
So, carrying out his Penacony plan makes sense. Of course heâs not completely sure what will happen when Acheron kills him, but because he doesnât have anything to live for, heâs fine gambling with his life. He makes a show of finally throwing out every last chip, too, no longer clutching them under the table in fear. He was fine with smashing the Aventurine stone because it's not like he was planning on using it after his final show; the little bit of power it had left in it was more than enough.
That being said, we do have to address this little number:
Aventurine attempted several times in Penacony, he admits it flat out. The writers even went sofar as to bold this line specifically! I think this does also go hand-in-hand with him being passively suicidal, since he's pretty sure he'll live when he attempts in the dream, but he's gonna try it SEVERAL times just to be sure. Mentally healthy people wouldn't try it... once, Aventurine!
As if we needed more evidence that Aventurine constantly puts himself in danger, you know I HAVE to mention...the light cone:
n case you haven't read the description for this light cone, let me share it with you:
"You don't believe me?"He (Aventurine) provocatively looks at the man (Ratio) before him, then draws out a revolver, empties its cylinder, and leaves a single shot in the chamber.
"Seems like I'll need to get you up to speed on how I do things if our cooperation were to remain amicable."He pushes the gun into his opponent's hand, spins the cylinder, and points the barrel to his own chest.
He pulls the trigger repeatedly, and the smile on his face remains the same after three empty clicks."Life is a grand gamble, and I'll always be the final victor."
Now what the HELL is this? Mind you, this is the first time Ratio has met this man!!! Imagine you meet your new mission partner for the first time and he puts a revolver in your hand and fires it thrice, then leaves. WHO does that? (...a baddie, perhaps!)
I don't think it's a secret to anybody who has spent a reasonable amount of time around Aventurine that there's something off about him, and that there's a really deep sadness running through him. There's some instances where other characters mention his passive desire to die â A few quick examples I can think of:
The instance in Story IV with Opal:
"Maybe luck won't be on your side this time, and the bill for all your past good fortune will come due [...] But isn't that what you've been longing for?"
Opal implies Aventurine wants to fail on Penacony, which, as we've discussed, is an accurate assumption. Jade says something similar after Aventurine's stunt: when Topaz says the light in his stone went out, Jade replies by saying "he got what he wanted."
Also, Iâd like to point out that Ratio must have been anticipating that Aventurine would do something rash, since he wrote that note (doctor's advice) long before he started grilling him after the meeting with Sunday.
It's also worth noting the nod to T.S Eliot's "The Waste Land" (a very long poem about life and death). You get the achievement Sibyl, What Do You Want? after playing through the past of Kakavasha's life, and once you defeat boss Aventurine, you get the achievement She Replied, I Want to Die. I don't think that one needs an explanation, but boy does it hurt! (There's other, smaller nods to him being suicidal, like the Waiting for Godot achievement â Google the story if you're unfamiliar. Not as relevant, but I must mention it bc it makes my english major brain go brrrrr)
Also, overspending/gambling/being loose with money is a very common vice for borderlines to indulge in and harm themselves with. It's also implied that he drinks a decent amount. I counted 6 bottles of SoulGlad in his hotel room just from the angles I could see, and he's shown to be passed out at the bar when Ratio goes to get him before they go on their little date-I mean, mission. Aventurine says 'he must have drank too much', and whether or not that was true is irrelevant since it was a believable enough claim that Ratio bought it.
Borderlines are (usually) self-destructive in some capacity, and while some very annoying people assume it's for attention, it's so much more common for it to be because our inner emotions are just so out of whack. Sometimes, matching the inner pain with outer pain is a way to cope. They might also do it to try and combat-
Constant Feelings of Worthlessness or Sadness:
Probably the most nagging, prevalent feeling Aventurine deals with is the constant feeling of worthlessness. One thing about this man? He hates himself. Like, really hates himself. Take a look at the missions during his maze in Penacony. This one is one of my favorites:
It doesn't get much more on-the-nose than him calling himself a selfish, useless loser. He gets stuck on that word, in particular. Loser.
Aventurine, at his core, views himself as a massive loser. Is that ironic because of how much he wins? Not really. Money and materials are just part of the Aventurine persona. He's 'rich' in stuff, but he's not rich in what he actually wants. I think it's obvious that if he had the option to quadruple his wealth or see his sister again just one more time, we all know what he'd be picking.
The only thing he wants is connection â connection with his mother, his father, his sister, anybody at this point â but he can't have it. His family has been dead for a long while, and as I discussed before, his fear of abandonment and his luck scare him away from forming any other relationships.Â
This luck, this destiny to be blessed, leads him to reflect on his life a lot and wonder what the hell the point is. He treats himself like some sort of walking curse, because he's convinced that his luck is bound to hurt other people. Every time he wins, somebody else loses. The luck that keeps him safe destroys everybody else around him. As Future Aventurine puts it:
His luck is "built on the pain of someone" else. This perpetuates the constant feeling of guilt, which in turn, makes him feel worthless. Why is it him that's spared every time?
Then, right before you start his boss fight, Aventurine says,
"The architect's flawed stone, of no value at all."
Some people speculate he's talking to the MC when he says this, but I can't help but assume that he's referring to himself. Even if it was directed at the MC, so much of what Aventurine says in his bluffs and boasts are just digs at himself. He's sort of an expert at hating himself, and what do people who hate themselves do if not project? Especially when you consider the fact that aventurine is actually a really cheap, undesired stone. It's like $3 a caret and mostly only used to rip people off and pose as jade. I really don't think it's a coincidence that his character is based around a stone that is, essentially, worthless.
The way that Aventurine is also prone to giving people ridiculous amounts of money/gifts can be read as a frantic effort to keep relationships going and prevent people from leaving him (relating to my points on both his feelings of worthless and his fear of abandonment). He has a skewed view on relationships, since the only value that's ever been associated with him is monetary value and that of his 'luck', which in every context is spoken of as an asset to benefit people he cares about. His sister told him that his luck was 'the most precious wealth' of the Avgins and Jade sees him as an investment that can bring her more wealth because of his luck, but he views it as a massive burden that ends up wrecking everybody around him. So how does he prove to other people that someone as worthless as him should be allowed a seat at the table? Deep down, he thinks that he's still worth 60 red copper pieces, and he's desperate to show other people that he's worth more than that now â even though he doesn't believe it at his core. With all the money he wins now, he can throw it at people and say 'look, look how much money I'm worth now, you want me around because I can buy you anything you want, that's a useful quality in a friend!'
(I did use the 'seat at the table line' as a nod to what his slave master said to him when they were discussing his worth: "Don't forget your place, slave. You're not qualified to be at the table." Which is, painfully, what Aventurine says when you open up chests! He scoffs and says that "it's hardly enough for a seat at the table." :â) )
There is also, of course, Aventurine's overarching struggle with finding purpose in his life. We see a lot of his existentialism during his trauma maze, but at the end of his trauma maze, Future Aventurine finally stops ripping Aventurine a new one and is vulnerable for a second, saying he doesn't understand what he's ever done wrong to have suffered as much as he has.
Then, when he's in the Nihility and he's speaking to Acheron, making the decision on whether or not he even wants to keep going, he asks her:
As I said, he has this conversation with himself in the maze as well, but here he's actually being vulnerable and speaking to somebody else about it: what's the point in being alive if we're just born to suffer? If nothing else, this solidifies the emotional struggle that Aventurine is constantly having. I also think it furthers the idea that he has this nagging sort of emptiness inside of him which is another BPD trait: the feeling that you're empty at your core, and you're constantly trying to fill it with things (friends, money, substances, whatever) but nothing ever works. You worry if anything will ever make you feel 'whole' again, and pair with the the identity disturbance? You're left with a constant feeling of despair.
Other Points:
These are a few other random thoughts I have, inspired by in-game moments but I'm taking them for my own evil fiendish BPD narrative. Take them with a grain of salt.
I think the stigma he gets around 'being crazy' is really BPD-coded. Separate from the ridiculous discrimination he gets for being an Avgin where people assume he's a liar and wolf in sheep's clothing (which can this man catch a SINGLE break jfc), he also has this reputation of being crazy, insane, manipulative, cunning, and someone you want to avoid, which is more rooted in his reckless gambling habit and status with the IPC. Living with this reputation of being insane and unstable for...lowkey no reason at all? Very BPD coded. I think Aventurine leans into that stigma to keep people a certain distance away, but it also just ends up making him hate himself even more.
Also, his entire mantra is "all or nothing", which always rang my BPD bells as well. There's not a lot of gray area with him, which is a key trait in borderlines as we often display very black-and-white thought patterns.
In Conclusion:
I think Aventurine is a borderline princess <3
No but actually though, Aventurine is extremely smart, witty, funny, generous, and very kind-hearted, and he also happens to have a lot of BPD symptoms :^) I don't think it does any harm to view him as BPD-coded; in fact, I think it's great to associate positive, fan-favorite characters like this with BPD because it helps to humanize us. Borderlines are not violent, crazy maniacs, they're people who have been severely traumatized and developed some unhealthy habits because of it. They deserve love, respect, understanding, and communication, just as everybody else does.
If you actually made it this far, thank you for reading! I hope I was able to shed some light on Aventurine and his Symptoms. And, as I do in all of my BPD posts, hereâs your reminder to kiss the borderline baddies in your life and tell them theyâre important to you :^) Living with BPD is exhausting and I know I speak for all of us when I say that. We try so hard every day to stay positive and regulated, and though rewarding, it's exhausting and very hard work. Nothing makes us smile more than some recognition that we're trying our best !!
Till next time xoxo (and shout out to @roxirinart for helping me edit this monstrosity mwahhh mwah)
#honkai star rail#hsr aventurine#aventurine#hsr#bpd#borderline personality disorder#analysis#character analysis
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The Tsuyama massacre was a revenge spree killing that occurred on the night of 21 May 1938 in the rural village of Kamo close to Tsuyama in Okayama, Empire of Japan. Mutsuo Toi a 21-year-old man, killed 30 people, including his grandmother, with a Browningshotgun, katana, and axe, and seriously injured three others before killing himself with the shotgun. It is the deadliest shooting by a lone gunman in Japanese history.
Mutsuo Toi cut the electricity line to the village of Kamo on the evening of 20 May, which left the community in darkness. At around 1:30 a.m. on 21 May, he killed his 76-year-old grandmother by decapitating her with an axe in her sleep. Armed with a modified shotgun, a katana, an axe, several daggers and 200 rounds of ammunition, he strapped two flashlights to his head and prowled through the village like a youth engaged in "night-crawling" or "Yobai", entering the homes of his neighbors.
He killed 29 neighbors, 27 of whom died at the scene of the incident, while two others were fatally wounded, dying of their injuries later, and seriously injured three others, in about an hour and a half. This was almost half of the residents of the small community. At dawn, he committed suicide by shooting himself in the chest on a nearby mountain.
Mutsuo Toi (5 March 1917 â 21 May 1938) was born in Okayama Prefecture to well-off parents. His parents died of tuberculosis when he was a baby, so he and his sister were brought up by their grandmother. He was originally outgoing, but at the age of 17 he became socially withdrawn after his sister married in 1934.
Toi left several long notes which revealed that he was concerned about the social impact of his tuberculosis, which in the 1930s was an incurable fatal illness. He felt that his female neighbors became cold towards him once they knew of his illness, and that he was despised as hypersexual. He stated in the notes that neighbors insulted and treated him badly after he was found to have tuberculosis.
For revenge, he decided to enter their homes and kill them. He waited for the time when the women returned to their houses. The authorities were concerned, and his gun license was revoked. He prepared swords and guns secretly.
He regretted that he would not be able to shoot some people he wanted to, as that would have involved killing people he regarded as innocent. He wrote that he killed his grandmother because he could not bear leaving her alive to face the shame and social stigma that would be associated with being a "murderer's grandmother".
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a note heard in heaven - 01
mizu x fem!reader | au based on the film the handmaiden | word count: 3,388 | warnings: mdni. this series will contain sexual and dark themes, including: abuse, sex, sexual assault/harrasment, period typical misogyny, murder, allusions to suicide, and period typical stigmas against mental health. series masterlist | previous part | next part
âFuck!â Mizu grunts, knocking her head into the ceiling of her little room after hearing your scream.
Hissing, she hurriedly flails up and out of bed, Madame Kajiâs words on her mind. The older woman had told Mizu about your nightmaresâ she was no stranger to them herself. If she were back in that dingy village she called home right now, she wouldâve gone right back to sleep. Itâd be a lie if she said she wasnât thinking about ignoring you, even now. Taigen would have her head if she didnât follow through with the plan, though⌠The thought of losing out on the money is enough to make her quicken her pace through your door, nearly tripping over herself.
Your voice is torn between muttering and full-blown shriekingâ crying for your mother. Your mother, who, as far as Mizu knew, was long gone. Once she reaches your bed, sheâs out of breath and already has her arms at, what she assumes is, your shoulders to hold you in place. Buried under your blanket and absolutely thrashing around, Mizu can barely get a word out to calm you down. Eventually, she can tell youâve become more conscious when you start calling out for the name of your old handmaiden.
âNo, no, Iâm the new one,â Mizu hushes you, your wild movements slowly ceasing. âYou had a bad dream, go back to sleep.â Her tone is rough, hoping youâre through the worst of it.
Finally, you take hold of the blanket, easing the hem of it down to your midsection. Mizu, for a moment, gulps as youâre revealed to her. In the glint of the moonlight, your eyes were almost crystalline. Tear tracks stain your cheeks, complexion ruddy with grief. Her eyes trail down to your lips, trembling. Grasped tightly in your arms was a doll. You looked⌠fragile. Fragile in an all too familiar way. Fragile in the way that she knew she once was tooâ a child, having a bad dream, calling for their mother. No mother would come for either of you.
She watches you raise your arm, finger pointing out into the gardens your room faces. âDo you see the cherry tree? My aunt⌠she passed. Thereâs nights where I see her out there.â Your rasping barely breaks through the quiet, hoarse and shaky.
Mizuâs attention is turned towards the large window, squinting out of it. Watching you from the corner of her eye, she canât shake the thought of how eerie you are. Neither Taigen nor Madame Kaji had even hinted at the notion of you seeing ghosts to her. She wasnât superstitious in the slightest, but she felt the weight of her responsibility for you become heavier. Melancholy like yours was easy to sense, deeply buried as it may be. This job was going to be the end of her. She sighed, hoping to turn around and find you peacefully sleeping.
âFor fuckâs sake!â Mizu grits her teeth, finding you not even in the room at all once she turns back.
Sheâs quick to chase after you, finding you huddled in a swathe of your own blankets at the top of the stairs. Youâre sniffling into them, knees pressed tightly to your chest. When you peer up at her, a zing of guilt courses up her spine. Maybe you didnât just look fragile.
âCome to your senses yet?â She asks, tilting her head with her arms crossed. Reaching a foot out, she nudges at your legs.
You give her a sluggish nod in response, having exerted all your energy. Between the scrambling in bed and the mad dashing to the staircase, you felt well and truly exhausted. Part of you felt remorse; for looking at Mizu, even in the dim light, you could see the weariness under her eyes. In the gauntness of her cheekbones, too. Despite feeling despair holding you down, you reach your arms out, gesturing for her help. Mizu drags a hand over her face, grumbling. Squatting down, sheâs somehow able to enclose her arms around the mass of blankets covering you, lifting you easily. It barely takes her any time to lug you back into bed.
Her awkward nature is obvious as she stands once more at your side. âOkay, well⌠goodnight?â
Sitting up, you donât hesitate to take Mizuâs sleeve into your hand and pull. In response, she tugs herself away from you, scoffing.
âDonât grab me like that,â Mizu seethes. âEver. Just call for me.â
Your mouth runs dry. Whether thatâs due to the harshness of her tone or the fact you upset her, you arenât entirely sure. âI apologize⌠Could you stay with me until I fall asleep again?â
Her face scrunches. âDonât you have a husband? Call him in here.â
You squirm, clearly uncomfortable. âWe arenât actually married yet. Calling each other husband and wife⌠itâs for appearances,â Your head lolls back onto the pillow, staring at the ceiling. That doll you hadâ itâs returned to its position of being clutched tightly in your arms. âMen like him are only gentle with women when others are watching.â
Mizuâs chest heaves, a strong exhale leaving her as she contemplates her next move. âFine, just for tonight.â
Your eyes light up almost instantaneously. The sight makes her swallow, stiffly. Had⌠anyone ever looked at her like that? Those sparks of joy, finally overtaking that shadowy gloom in your irises; it captivated her. Briefly, at least.
âUgh,â she shook her head, taking little care to climb into the spot next to you. âLook, if Iâm staying here until you fall asleep, youâre facing the other way.â
âYour eyes are blue. I couldnât see them that well before.â
âYes, they are. Just another good reason for you to turn around, right?â she sneers. âOr better yet, go ahead and fire me.â
You frown, holding her gaze. âI wouldnât fire you for something like that,â youâre mumbling as you bring a hand up to her cheek, caressing it with the back of your knuckle. âFor what itâs worth, I think theyâre beautiful. Someone wouldâve been very happy to have you as a wife someday, Iâm sure.â
Mizu snorts at that, carefully edging her face away from your touch. âIâll pass, but⌠thanks. Even if itâs empty flattery.â
She can see your lips form into a pout. âItâs not!â
Youâre playful, all of a sudden. She figures that this is it. Your loneliness bubbling to the surface. An undrownable creature made of desires and aches. Mizu knew your old handmaidens were mostly a lot older than youâ elderly women vastly more experienced than the other youthful servant girls. Itâs been very, very long since youâve had a friend, if youâve ever had one to begin with. It was only slightly unfortunate to her that sheâd have to be the one to prey upon your vulnerabilities.
âDo brats like you whine all the time?â She huffs, taking your arms within her hands and turning you around herself. âYou must be worn out by now, so go to bed. Iâll⌠be here.â
You chuckle at her, the grimace she must be sporting is obvious even though youâre not looking anymore. You canât help but think that your mattress felt a bit softer tonight.
It was a long few minutes that passed by, Mizuâs eyes trained on the motions of your breathing. When your body rose, fell. The slight shivers that would run through you when your blanket slipped lower than wanted. Clearing her throat, she eased herself off of your bed. With her first night as your handmaiden over, she questioned just how sane sheâd be after the end of all this. At least sheâd be rich, she supposed, slipping back into her bedroll with a smirk.
Mizu awoke to a bleary morning and the sound of Madame Kajiâs grating nags in her ear. Something about even the handmaiden eating in the servantâs quartersâ she didnât care all that much, barely half conscious to hear it. It took her a few groggy minutes to make her way outside and get her hands on a bowl of rice and some sort of⌠porridge, she assumed.
The hall was filled with the gossip of the other young girls serving here. Together they squealed about The Count; he was due to make an appearance today. Supposedly they saw a light ghosting through the hallway, speculating it was him meeting you in your bedroom. She almost laughed at that, knowing the reality is that it was her going after you during your nightmare. Fiddling with her chopsticks, she felt little appetite knowing Taigen would be here today. Everything in this plan had to go perfectly, there was no room for her to be suspicious or lack confidence in her abilities. Perhaps the seemingly endless downpour of rain was also putting a damper on her? Taking only a few more bites, she pushed her bowls away from her. Padding over to where she left her shoes, she felt a bristle of anger. One of her shoes was gone, with a crowd of other servant girls giggling. Unfortunately for her, and fortunately for them, Madame Kaji was approaching her with a parasol held over her head.
âIs that how you intend on going to meet with the Lady?â Her eyebrow raises, gesturing to Mizuâs feet.
âI didnât exactly plan on having my shoe taken.â Mizu fumes.
Madame Kaji sighs, massaging her temple. âAh⌠Very well.â
A sense of unease settled in Mizuâs chest. This would be her first official meeting with you. Itâd be up to you whether youâd take her on as handmaiden or not⌠and it was looking grim for her, right now. As if she isnât on enough peopleâs hit list, sheâd have to go and be added to Taigenâs for screwing up. She follows closely behind Madame Kaji as she leads her to your room, trying her best to ignore the sogginess of her footwear. It takes everything in her to not grumble with every step, keeping up a polite disposition. Even if you were willing to put up with her irritable nature, Madame Kaji certainly wasnât.
Before long, she stood in front of you in a deep bow, hands folded at her waist.
âThis is Mizu.â Madame Kaji spoke.
You felt a prickle of heat trail up your neck, a twinge of embarrassment at realizing that through the entire night, you hadnât asked for her name once.
âIâm at your service, my Lady.â She straightens herself out, eyes now set on you.
Youâre much more put together today. That hair of yours is pinned up neatly, off your shoulders. And your eyes, today, arenât sullied by the red tint of sorrow. Your choice of dress guides the eyesâ from nose to lips to neck to the faint hint of exposed collarbones. Delicate; the word that comes to mind when Mizu collects her thoughts. Madame Kaji leaves a less than pleasant swat on her back.
âRight, a letter from my last mistress.â Mizu stands before you, holding out the paper.
You donât open it yet, instead choosing to focus your sight on Mizu. âDid you enjoy your first night here? Itâs rare for the sun to come out. My husband prefers it that way, otherwise his extensive library would be at risk. To take joy in a place like this⌠itâs difficult, no?â
Mizuâs eyesight flickers between you and Madame Kaji, wondering how to answer. âI donât mind it.â
âHm,â You hum inquisitively. âYou donât have to lie when I question you. I want your honesty. Do you have parents?â
âWhat?â Mizu asks, somewhere between anger and surprise.
âIâll be going now.â Madame Kaji shakes her head, sighing.
âI donât have any either, so donât feel bad. I had my aunt and Madame Kaji, so how much can the love of a mother really be worth?â For a second, she hears the twist of something bitter in you. You look back down at the letter Mizu handed you. âRead this to me, if you will.â
âYouâre spoiled, arenât you?â She grunts, taking the parchment out of your hands.
âItâs only because my head hurts before every reading session with my husband. Though your honesty is refreshing.â Youâre grinning, unused to someone like her. Your previous handmaidens were at your beck and callâ annoyingly so.
Itâs odd, but in her mind sheâs quick to consider you⌠charming. Youâve been spoon-fed and privileged your whole life, yet here you are conversing with her without taking any offense. Delight has always been scarce for her; still, she reminds herself whatever she feels now will and must be short lived.
âDear Lady of the House⌠The Count said you needed a new maidâŚâ Mizu starts, reading off the neat handwriting which she knows is Taigenâs, but you're oblivious to.
âAh, enough,â You wave a hand at her, taking the letter back. âYouâll be my handmaid. I know Madame Kaji forbids it, but I donât particularly care if you curse or steal. Itâs my word that decides whether you stay or not.â
âYou speak like you have a condition for my staying?â Mizu questions.
âI do. Donât ever lie to me.â You smile, though your words are cold. Itâs a chilling ultimatum that rings in the back of her mind for a while.
She freezes as you put her hands on herâ resting them on the outside of her arms, slowly trailing to her wrists. Thereâs a second where she can pinpoint the exact change in your expression. Where it morphs from man-eating to genuine. She thinks that through all the rain, the sun might be shining a little brighter through the gray now.
âAnd, another question,â Youâre scanning her appearance, zeroing in on the frames sitting on her nose. âDid Madame Kaji ask you to wear those- your glasses?â
âYes, for my eyes.â She mumbles, finding the topic easily aggravating her.
âYou donât have to wear them if you'd rather not, andâŚâ A finger of yours comes up, untucking a curl of her locks from their neat place. âYou can wear your hair like this. Itâs how you had it last night, too. You seemed more comfortable.â
Since when has anyone like you ever cared about the comfort of someone below you? She opens her mouth to speak, maybe even say some sort of gratitude, but youâre already flitting away from her. Youâre eager, waving her to and fro every corner of your room. Trinkets on display are taken out of their designated place and into her palms, each one connected to a story. You talk.
You talk, and that loneliness once again bubbles, showing itâs soft underbelly to the skies.
âThis is my mother.â You open up a locket to reveal an old photo.
To Mizu, the two of you have an uncanny resemblance. Itâs almost bizarre, the way each of you is the picture of a manâs ideal wife. Again, the word delicate springs to mind. âSheâs stunning.â
You tilt your head, eyes squinting. âAnd me? My husband says I donât compare to my mother.â You turn, mimicking your motherâs pose. Thereâs nerves in your tone, a shadow looming over you as you wait in suspense for her answer.
Fuck. Your own despair would betray you. Youâve unknowingly gotten yourself ensnared in the perfect moment to sink her teeth into you. Your softness would be met only with blades. With her as his wing-woman, youâd be eating out of Taigenâs hand in no time.
Her stare lingers on you. âThe Count saysââ
âYouâve met him?â
âWhat?â She stutters, blinking rapidly. âI mean, my⌠aunt met him. She used to nanny him, so Iâve just heard things from her.â
âSo, what did he say about me then?â Your eyes hold an expression of curiosity, maybe even a tinge of hope.
âHe lays awake at night thinking of you. In bed.â She tacks on the last part of her sentence as an extra measure.
Thereâs a brief flash of a smirk upon your face before you speak. âIn bedâŚâ You trail off, gaze landing on her one shoeless foot. âAnd what happened there?â
When she recalls the events to you of her losing her shoe, you click your tongue, sighing. You reach out a hand to take her by the arm, but remember her warning about never grabbing her. Instead, she herself holds out her arm for you, rolling her eyes. Guiding her over to a large closet, you open the two doors, displaying your wide collection of shoes.
âTake a pair, please.â You indicate which ones would fit her. âItâs not like Iâm allowed to go anywhere, so someone should get some use out of them.â
Mizu, uncertain, takes the plainest pair out of the ones youâve shown her. Theyâre simple and black, seemingly comfortable enough to do her handmaiden work in.
You seem to be happy with her choice, the way your lips upturn. âYou didnât want any of the flashy expensive pairs?â
She shakes her head, shrugging. âNot my style.â
âHm,â You look out the window, then shift your gaze to the roomâs clock. âI have to go for my husbandâs reading. You can stay put, Iâll go alone.â
âItâs pouring out there.â Mizu says, as if you canât see the state of the weather.
âCome get me at noon, okay?â Thereâs that smile of yours againâ do you have to smile so much?
The door is closed behind you before Mizu gets any sort of goodbye out. Adjusting her glasses, she snorted as her eyes landed on the clock you were looking at before. Youâre rich, of course you have the latest inventions at your disposal. It was a handcrafted Western clock made of brass. She wondered who had gifted it to you, were they too trying to get in your good graces? Seduce you? Sheâs not sure if it mattered, since sheâ The Count, she corrects herselfâ would be the one to succeed. Letting out a moan of boredom, she decides to pass her time by looking through your belongings.
The overindulgence of wealth nearly sickens her. Your extravagant kimono collection, sorted by color, the best season to wear them, what obi pairs well with them. She thought that was nauseating until she plucked through the cases of jewelry. Gold, silver, every gem you could imagine existed right here in front of her very eyes. Itâs not impossible for her to picture you bathed in their opulence, as the kind of woman that such a fortune suits. Would you ask her to put your earrings on for you? Moreover, would she be tame, tender? Snapping the jewelry box shut, she checks your foreign clock once more.
Noon. With clouds still darkening the sky, she grabbed one of your umbrellas, heading out the door to follow the path you had taken to your husbandâs library. Stepping carefully to avoid scuffing her shoesâ or, your shoesâ in case youâd ask for them back. There was a thin layer of trust she was willing to grant you, but she of all people knew how quickly one could turn. When she makes it to the door of the library, she sits at the entrance.
Youâre kneeled on the floor, your husband sitting at the table. He shoots you a questioning glare once his eyes land on Mizu.
âThis is my new handmaiden, Mizu.â Youâre talking to him, but your eyes stay on the floor, hands neatly in your lap.
Mizu goes to walk inside, before your husband shouts, pointing at a golden snake decoration. It gives her a shock, stepping backwards. She sees you pull a lever in the corner of the room, bringing down a grated gate.
âYou may not cross that barrier!â He sounds fucking deranged, Mizu notes. She also makes the observation of his black tongue. Ink?
Trying to peer through the gaps of the metal, she searches for you. At the lever she saw before, youâre rooted in place. Trembling, in the face of an unhinged man you were forced to call âhusbandâ, you looked scared. Fragile. Delicate.
Mizu wondered just how long she could pretend to be picking up the pieces of you until she would have to let them fall and shatterâ to dust, to infinitesimal shards no one could see anymore.
a/n: the official chapter 1!! i hope people enjoy and can see where i'm going with mizu's characterization. there's a lot of shuffling i have to do of the plot to make sure i feel it's accurate to mizu. or at least as accurate as it can be in an au. so i hope that it's worth it and people enjoy!! i can't guarantee the quickest publishing rate with chapters, as i'm still figuring out how i want to structure them and they'll probably vary here and there in length. anyway thank you for reading!!
#mizu x reader#mizu x you#mizu#blue eye samurai x reader#blue eye samurai x you#bes x reader#bes x you
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Nesta, Interrupted: gendered perceptions of alcoholism in ACOSF
CW: addiction, sexual assault, gendered violence.
Creds: Iâm a licensed counselor with a degree specialization in treating addiction. I have career experience with multiple modes of mental health, trauma, and substance use treatment in women-specific carceral, institutional, and healthcare settings. And I know anyone can come on the internet and say that, but I pinky promise.
The short version:
ACOSF stigmatizes alcoholism in line with cultural standards.
Western culture feels differently about female and male alcoholics due to systemic sexism, and thus treats them differently.
Womenâs experience of alcoholism is often compounded by or even a result of systemic factors and intersectional identity.
Nestaâs treatment in ACOSF, while repugnant, is in many ways very accurate of attitudes today.
(Iâll be using âwomen/menâ and âmale/femaleâ to denote cis afab and amab people. Little research exists on the experiences of queer, nonbinary and gender expansive considerations in addiction and recovery, which is a fuckinâ shame. Studies are also largely conducted with white participants due to enormous barriers to treatment for Black, Indigenous, and people of color, so this convo is inherently incomplete where it neglects those intersections.)
Okay, first things first: ACOSF is a book that stigmatizes alcoholism. I will not be taking questions.
The number one thing to understand is that in America, land of Miss Sarah, we are very bad at addiction treatment (tx). Why? Because our culture hates addicts has as stigma around addiction. And female alcoholics bear a very specific set of stigmas based in their identity.
In Susanna Kaysenâs memoir Girl, Interrupted , Kaysenâs character is institutionalized following a non-fatal suicide attempt. When evaluated, sheâs diagnosed with borderline personality disorder, that bastion of diagnoses perfect for people (75% of whom are female-identified) who donât fit into our polite definition of functioning. As the book unfolds, she reflects on how (white) women are often pathologized when they buck against systems of oppression that create the dysfunction in them in the first place. That is not to say other women in the institution are not genuinely in need of help, nor that mental illness in women is always from a systemic wound. But itâs crucial in the treatment of female addiction and mental health disorders to considered the systemic factors of gendered violence and patriarchy, and the attitudes we hold about women who struggle with drinking.
Think about female alcoholics in media. If sheâs young, sheâs a loose, reckless sl*t looking for trouble and deserving of the reality check when she finds it (Amy Schumer in Trainwreck, Lindsay Lohan in general). Or if the woman are older, they are discarded, or gross, or pathetic, or evil like anyone Faye Dunaway played or Eminemâs mom in 8 Mile (deep cut lol). Men are afforded a much larger spectrum of experiences and struggles - Ernest Hemingway, Leaving Las Vegas, Sideways, the dude from A Star is Born, Frank from Shameless (brilliant), frat boys, blue collar workers, introspective tortured artists, fucking IRON MAN. I could go on forever, but I hope that illustrates the depth and diversity of male-centric stories of alcoholism not often afforded to women.
One of the most empathetic and accurate portrayals of female alcoholism, in my opinion, is in the show Sharp Objects (the book, too, but actually witnessing it makes a difference). We see Amy Adamsâ Camille swig vodka from an Evian bottle while fending off vicious, veiled attacks from her verbally and emotionally abusive mother and experiencing flashbacks of teenage sexual assault. We watch her struggle to find emotional safety in her conservative hometown, both wanting to fit in and get out in order to survive. We GET why she drinks and I have trouble blaming her for it even as she wreaks havoc on herself and others. We can see her clawing just to make it out alive, and alcohol is the tool sheâs using to do it, for better or worse.
Which is where Nesta enters the chat. When we get our first glimpse of her alcohol use is ACOFAS, itâs portrayed as something everyone knows about but that sheâs still mostly keeping it together - her dress is clean, her hair is neatly braided, she doesnât need a chaperone to show up to a family event. The deterioration between ACOFAS and ACOSF is alarming, and we know that alcoholism is a progressive condition so that tends to happen. Was there a particular trigger? Thatâs hard to say. Solstice certainly didnât help, especially with the pressures to perform and conform to the standards of the Inner Circle aka the people in power. I imagine seeing her sisters bouncey and reveling in the world that stole them and killed their father was probably.. tough, to say the least. The barge party seems to be a turning point as well, though this one is more confusing to me. But given the child abuse, extreme poverty, sexual assault, kidnapping, bodily violation, witnessing her fatherâs murder, almost dying, WAR - and thatâs not even to mention essentially becoming a refugee - it would be amazing if she DIDNâT drink. She 100% has complex trauma, and is looking for ways to cope.
No one with full capacity dreams of becoming an addict when they grow up. Addiction, in my professional and personal experience, is largely a strategy for coping with a deeper wound. People donât drink to feel bad. They drink to feel good, and to survive. Nesta herself is drinking to survive, but itâs having the unfortunate side effect of killing her at the same time. As she slides into active addiction, the thought of her own death may even be comforting, and alcohol in that way is her friend. (There's some interesting research right now framing addiction as an attachment disorder, but I don't know enough to speak on it much.)
So she obviously needs help. Thatâs not a debate. What is a debate is how the IC should best go about intervening. A variation on the Johnson method is used in ACOSF (the one from the show Intervention) and appears to be successful only because they threaten her if she doesnât comply. This method has mixed data to support it, and while itâs very good at getting people into tx, there is a higher relapse rate for those who receive it (1). The âfamilyâ gathers and tells her the ways sheâs hurt them and tell her the consequences if she doesnât seek the help theyâre offering. And again, so many of their reason are the effects on THEM, how sheâs making THEM look, not her pain.
The ICâs ignorance and dismissal of her alcoholism in ACOSF is frankly mystifying. Why do they intervene on all the drinking and sexing, anyway? It seems like theyâve been fine enough with it up to this point. But now it's gone too far, not because of her illness but because she is embarrassing them. And I donât know about you, but between Cassian apparently fucking half of Velaris and Morâs heavily documented emotional drinking, thatâs hard to square. It makes it feel much more likely that they donât like the way she is coping, that she is not fitting into their picture of who sheâs supposed to be. This picture is inherently gendered, because Prythian society and those who live in it have explicit and implicit expectations of gender roles, whether theyâll admit it or not. Cassian and Mor are playing their roles well; Nesta is not.
That leads me to believe it is NOT all about her, but the systemic and internal factors influencing their perception of her and the ways sheâs struggling. Itâs distasteful to them for her, a female, to be deteriorating this publicly, despite the fact that her very identity makes it harder for her to function in the patriarchy of Prythian. We hear almost exclusively about sexual violence against women, aside from 2 male characters. Past or present assault of women is a major plot point on multiple occasions (Mor, Gwyn, Nesta, Emerie, Rhysands mom and sister, the lady of autumn, Cassians mom, Azriels mom, I could go on). But something about the way Nesta is contending with that is unacceptable, and I believe itâs because sheâs not trying to cover up her dysfunction. In prythian, we keep these things hidden- Morâs assault is never processed in full, Azrielâs mom seems to be alone at Rosehall, priestesses are literally hidden inside a mountain for centuries. Women process trauma alone and in the dark, but Nesta is in the light and she is loud. She is refusing to hide her problems, and the IC donât like that, whether they realize it or not.
So why donât the IC understand this? Like I said earlier, as a culture we hate addicts, or what they stand for, in very much the same way I think we hate people experiencing homelessness. We convince ourselves it was a series of bad choices that led someone where they are, choices we would never make because we are smart, smarter than them. We believe are more in control than that. We can prevent bad things from happening to us because we are good, because we are better than whoever itâs happening to. But the reality is almost ALL of us are one hospital stay away from homelessness, just as all of us are one trauma away from addiction. And with female addicts, we have another layer of expecting women to only struggle nicely and quietly, or to go away. Intersectional factors are at play here, too: white women are much more likely to have alcoholism attributed to mental health and trauma factors, where people of color often suffer the same addiction being more associated with crime. You can imagine how that plays out differently.
So what is the effect of all this? Gendered expectations lead to not only external stigma around addiction and tx, but also to internalized stigma which can limit willingness to seek tx. (2) Many social forces encourage women to drink and discourage them from telling anyone. Factors such as poverty, family planning, access to education, racial discrimination, and location can make services harder to access. Internally, women are more likely to enter treatment with less confidence in their ability to succeed, but report more strengths and more potential to grow recovery strengths during and following tx. For men, the pattern is reversed (3). And women have more successful tx episodes overall when gendered considerations are a part of the design and implementation of services (4). For Nesta, the effect is that sheâs forced into treatment and copes by having hate sex with her ex and changing herself to conform to her familyâs expectations while the House and the Valkyrieâs actually take care of her. I do not see how Sarah drew the line from there to recovery, I truly donât. If anything, she recovers in spite of the ICs intervention, not because of it.
In summary, Nesta Archeron deserved better. Nesta deserved the same compassion the book gives to men who are struggling, and itâs a reflection of not just the bookâs culture but the authorâs culture that she doesnât get it. Female alcoholics are worthy of treatment that integrates their identities, as those identities are often essential factors contributing to their addiction. What's shown in ACOSF is a reality many women live, and they shouldn't have to.
Barry Loneck, James A. Garrett & Steven M Banks (1996) The Johnson Intervention and Relapse During Outpatient Treatment, The American Journal of Drug and Alcohol Abuse, 22:3, 363-375, DOI: 10.3109/00952999609001665
Groshkova T, Best D, White W. The Assessment of Recovery Capital: Properties and psychometrics of a measure of addiction recovery strengths. Drug Alcohol Rev. 2013;32(2):187â94.
Best D, Vanderplasschen W, Nisic M. Measuring capital in active addiction and recovery: the development of the strengths and barriers recovery scale (SABRS). Subst Abuse Treat, Prev Policy. 2020;15(1):1â8.
Polak, K., Haug, N.A., Drachenberg, H.E. et al. Gender Considerations in Addiction: Implications for Treatment. Curr Treat Options Psych 2, 326â338 (2015). https://doi.org/10.1007/s40501-015-0054-5
#nesta archeron#pro nesta#alcoholism#mental health#sexism#acotar#acosf#stigma#rehabilitation#prythian university#sjm critical
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Idk if this is too much of a hot take but I just know that if Junot had died from natural causes or in battle then his reputation would be so much better
Some people act all lofty and pretend that social beliefs donât affect them, but you have to acknowledge that, even with greater awareness of mental illness, there is a massive stigma around suicide
And itâs insane because every time I see someone say âummmm ackshually Junot was evil đ¤â they add nothing new to the conversation and instead perpetuate the same old ideas about him that have been in circulation since before he even died. Junot being a bad person is not a strange new concept- itâs something people have been saying since the 1810s. There are so many newspaper articles from 1815-1840 making Junot out to be an evil bloodthirsty stupid Jacobin with no soul, and then people have the gall to reiterate that and think itâs revisionist
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I swear to god the more I think about how Sumi's toxic/negative thoughts and behavior along with the filter's red flags were not only fully ignored but even outright ENABLED and sometimes mocked by the people around her the more horrified I feel guys. Again, fuck Shujin Academy. Not only that but her whole experience at Shujin just felt so... Isolating. It doesn't excuse it and she needed to grow out of it but it's definitely little to no wonder she primarily clung onto and became dependent on Maruki and Joker for a while.
Like her peers, Shujin faculty, hell even well intentioned ones like Maruki and even her father just kept enabling and putting on temporary bandaids thinking that what's currently happening to her and their ideas to help her were gonna benefit her in the long run when they just... Unwittingly make it worse. It's primarily when Joker steps in to tell her to STOP with the delusions and unhealthy behavior that she finally starts to show actual improvement and snap out of it. Same with her coach who had been trying to tell her to stop from the beginning.
Like don't get me wrong, Maruki and her father aren't horrible and DO care about her compared to Shujin but they kinda still unwittingly contributed to her problems by allowing her to live a lie as Kasumi. But on the other end of the spectrum, there's the added nuance that she did feel like the filter did help her (she was suicidal for Pete's sake) but also felt that she didn't need it anymore because it's ultimately not healthy and just a bandaid solution.
That and she acknowledged and admitted her own faults in the situation saying that she wasn't any better. Actually the more I think about it, the more I realize that one of the mental hangups she's dealing with is being so caught up in her own problems that she doesn't see the bigger picture of things (Kasumi not being this perfect person, Maruki's suffering despite his kindness and smiles, etc.). She even mentions it in a safe room dialogue and can even be shown in the flashback of Kasumi's death. It just kinda adds more to her selfishness even when her feelings are understandable and Kasumi's behavior and methods of helping can definitely come off as condescending to anyone. It just reached MASSIVELY unhealthy levels along with people around her enabling the toxic behaviors (Maruki included).
I guess a tl;dr is that she IS an interesting critique on Japan's fucked up mental health system and stigmas along with Maruki and I feel like people should talk about this more because it's so interesting to dissect.
#starchild rambles#ramblings#persona 5#p5#persona 5 royal#p5r#p5r spoilers#sumire yoshizawa#kasumi yoshizawa#takuto maruki#dr maruki#sorry it's a little messy#just her whole situation was so messed up the more one analyzes it#at the same time the game acknowledged her own selfish behavior with her wish#it's great nuance!
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love letters and second sons | part 3.
Summary: The princess is finally ready to debut in society. But before she does, she decides to disguise herself and see the true faces of the ton.
Warnings for the Series: light sexism in line with the times, light classism in line with the times, mental health stigma, shitty doctor care, smut, suicide attempt (will get it's own warning when the time comes),
Pairing: Benedict Bridgerton x princess!reader
Word Count: 2.5k
Previous Part | Series Masterlist
A/N: Sorry this part is so short
You stood in the drawing room of Kew, waiting for your mother and father to arrive in just a few minutes. Instead of a huge breakfast in the dining room, you opted for a light tea in a more casual setting. Honestly, you were mildly annoyed. The only thing you wanted to do after people returned from their church services, that they never attended weekly because no one cared about the priest admonishing them, was go to the Featherington house. You were shocked that Colin was calling Marina. But friends didnât always fall in love.
It wasnât like Penelope was upset about it. She didnât even like Colin. But like your mother you wanted to matchmake someone and figured they would have been the easiest couple to form. But you wanted to spy on Colin and Marina under the guise of aiding in chaperoning with Penelope since Lady Featherington was running around between girls and their callers. Â
Your thoughts about who to matchmake were interrupted by your parents arriving. You poured tea for them. Breakfast was a bit awkward in a way it had never been before. George and Charlotte were assessing you intently. You got in two bites of bread when the physician entered. Your parents continued their conversation while you were being checked over. The physician made little comments for the nurse to jot down. Overall, you were fine. That seemed to satisfy your mother and father. There was a glint in Charlotteâs eye.Â
âThe King anâ Everyone, out.âÂ
The room, aside from Brimsley and Reynolds, cleared out.Â
âGeorge and I have decided that weâd like to give you an opportunity. There is an opera coming up. Agatha and her friend Violet will be attending. You may come with. You will meet them before the show starts and then we will stay to watch the entire performance. Afterwards, you must go home. No exceptions.âÂ
âThank you! Thank you so much! I woââÂ
âCalm yourself. You know getting excited makes your condition worse.âÂ
You sat back down, trying not to bounce up and down. She was right after all. Being overly excited made you sweaty or a little hot for some reason and being too warm made you start to see things or think strange things. When your parents left, you ran to your wardrobe.Â
The dresses needed to be fancy but not too fancy since it was a sit-down event. You picked a yellow dress with short puff sleeves. It ended just above the bottom of your ankle â very stylish for the times. Pairing it with light blue gloves that went past your elbows, you added a light blue skirt piece that made a small train.Â
âYou look beautiful, Your Highness,â Brimsley said.Â
âI have to agree.â Both Pandora and Reynolds looked at each other, shocked they said the same thing at the same time.Â
âThank you. Shall we go? Reynolds, would you like to be dropped at home to see Father?âÂ
âThat would be nice, Your Highness, thank you.âÂ
âThen let us leave now.âÂ
You rolled your eyes in the carriage, setting down your copy of Lady Whistledownâs society papers.Â
âIt is utterly ridiculous. She is a disgraceful woman. I tolerated the gossip but speculating death, wishing death on my father is something I cannot accept nor tolerate. How dare she?âÂ
Your confidantes agreed with you and shared their own opinions on society and gossip.Â
Whispers started to spread throughout the opera house while people still rolled in and music still played. How could it not? The youngest royal child was actually outside. There was no opening for the mouth on this particular mask which meant this was not your introduction. You might speak to a lucky few but there would be no speeches or announcements tonight. People couldnât hear you from far away with ceramic blocking your mouth. You stuck close to your mother while everyone tried to look at you or talk to you.Â
âLady Bridgerton!â Lady Danbury yelled from across the room. âDo join us.âÂ
Violet tried to conceal her wide eyes and smile as she grabbed Daphneâs arm before her daughter could walk away from whoever she was trying to avoid. She made eye contact with you. You watched as she rather frantically waved over someone else.Â
Anthony â or should you call him the viscount for the evening â began walking towards you, bowing to the Queen before turning his full attention to you. You let him take your hand and give it a kiss. A kiss that you noted was considerably longer by a minimum of five seconds than when he kissed you as Miss Beckett. So it was definitely Violet trying to set up the princess with her son and not the valet with Colin.   Â
You let Anthony talk your ear off about his responsibilities as the eldest and his horseback riding hobby, notably leaving out the details of riding through the mud and staying out there for hours. He was considerably more boring when trying to impress a woman. Ignoring the whispers that permeated through the room, you tried to focus on your friend.Â
You motioned for him to lean in so you could speak into his ear and actually let him hear you rather than sounding muffled, practically silencing the hall. Anthony laughed at the joke you told which caused both of your mothers to turn around. This was the Anthony you liked better. Violet gasped when you placed a hand on her sonâs arm â your mother raised her eyebrows as she and Lady Danbury gave you a slight nod of approval.Â
âWill you escort me to our box, Viscount Bridgerton?âÂ
âPlease, call me Anthony.âÂ
âLord Bridgerton, that is most forward when we donât know each other.âÂ
âI was told royals didnât obey our rules of upper society.âÂ
The two of you started up the stairs, away from prying eyes, that led up to the Queenâs box.Â
âAnthony?âÂ
âNow we speak of first names.âÂ
You rolled your eyes. âI will allow you to call me by mine, just this single occasion. Anthony, where are the other Bridgerton siblings? If I remember correctly, you have seven of them? Miss Bridgerton is here but I do not see the others.âÂ
âTruthfully, they were very bored by the show being put on tonight. Weâve seen it before. Iâm merely here to aid my mother and chaperone my sister. Have you seen this show before?âÂ
âIf I have then it was when I was very little.âÂ
âWell, then please do not let my words discourage your enjoyment of the performance. Here is your stop.â He extended a hand to help you up the short steps into the box. âY/N, thank you for the flowers from the other day. Truly, they are appreciated.âÂ
You studied his face for a moment. He really was handsome. His hair didnât cover as much of his face this evening as it usually did whenever you visited. The stark colors of his black and white attire made his features stand out.Â
âI am glad you liked them. Now is where I leave you for the evening, Lord Bridgerton. I shall hope to see you some more once I formally introduce myself to society.âÂ
âI will look forward to that day. Goodbye⌠Y/N.âÂ
âGoodbye, Anthony.âÂ
Taking your seat, you waited for your mother and her friends to come to the box. The smile on Charlotteâs face grew wider the closer she got to the box. She was going on about Anthony. Obviously, you were going to have many suitors to entertain but a viscount was certainly a very important suitor and only made your prospects have to be better in their courting.Â
âExcuse me, Iâm going to the privy,â you told your mother when you felt your throat start to tighten up.Â
She just gave you a nod. The shadows of the opera house were closing in on you and you couldnât calm your mind down. You needed to be in a place with more candlelight. You jumped at the sound of several dogs barking from the shadows. They were big creatures. You had never seen them but you could tell from their bark and â when you got too close â how their breath fanned across the top of your head. Hastening your steps to get away, you ran straight into Violet.Â
âOh, Iâm terribly sorry. I decided to take a walk after going to the privy and wasnât watching where I was going.âÂ
The woman in front of you smiled. âYour Highness, if I may be so bold to ask? Would you like to attend a dinner we are hosting? The Duke of Hastings will be there. I understand that you arenât yet introduced but it woulââÂ
âI shall love to come. Just tell me when.âÂ
âSaturday evening.âÂ
âPerfect.âÂ
Saturday evening couldnât have come any sooner. You were tired of counting the floor titles in the bathroom and needed to leave. For the sake of your valets, you hadnât snuck out at all that week.
You turned to your valets. âI will be back in a few hours.âÂ
âPlease be careful,â Pandora said.Â
âI always am.âÂ
âNot really.â You heard someone mutter inside the carriage.Â
Marshall escorted you in. You had to stop yourself from smiling, remembering that he had no clue who you were. It was almost alarming when everyone â including the Duke of Hastings â stood when you entered the dining room. You werenât sure why you didn't expect it. Perhaps you were already too used to your disguise as Miss Beckett. You gave a slight curtsey.Â
âI apologize for being late.âÂ
âNo. You arenât late at all,â Anthony said as he started to gather his plate.Â
You shook your head. âOh, stay where you are.âÂ
âBut, Your Highness.âÂ
âI can afford to not be the head of a table for a single night.â You looked around. âI shall sit across from Miss Daphne Bridgerton.âÂ
âShe knows your name!â Hyacinthâs voice rose three octaves. You figured you could make her night by having the princess knowledgeable about the Bridgertons.Â
Colin and Benedict scrambled to pull their chairs apart so you could sit in between them. You waved Marshall away, plating your own food. You could feel the silence of the dinner table as you did things the normal way you would at Kew or Buckingham House.
They also might have been preoccupied with your disguise rather than the way you dragged your own spoon through the mashed potatoes. It was natural. Your siblings had told you all about how people would scrutinize the different masks you would wear. They'd try their hardest to get a real glimpse of your face.
The eye holes had sheer coverings on them that made it hard to see your true eye color. And when it came to your mouth. Your maids had taken their painstakingly slow time making sure the makeup covered up an unique qualities around your mouth and changed the shape of your lips to a shape unrecognizable to you at all. Hungry mamas with daughters they'd want to be in your court or sons they'd want to court you are able to sniff out something like the tiniest wrinkle by the bottom of your lip and use that to scout the whole ton until they found you without the mask on.
It happened to Edward countless of times and was the reason for all the rules regarding the masks in the first place. You looked up after cutting your chicken.Â
âWhat were you all talking about before I arrived?âÂ
âLady Whistledown,â Eloise cut in before anyone could stop her.Â
âReally? Tell me more.âÂ
âYou want to know?âÂ
âOf course I do. I must know her identity. However I must say I will be having a private word with her about not publishing speculation of my fatherâs death.âÂ
âHow is he?âÂ
âOh, heâs perfectly fine. No matter, though, I need to know every thought you have on our mysterious Lady Whistledown?âÂ
You enjoyed the bickering between everyone. There wasnât even a firm thought on what class Whistledown belonged to. In your opinion it had to have been an upper class woman. Only someone like that could have enough time on their hands and still survive day to day needs. You dipped your fork into the potatoes.Â
âViscount Bridgerton, I must say that any correspondence between the royals and the Bridgerton House should be sent to Kew. I stay there now.âÂ
âCorrespondence?â Violet asked, trying to suppress the excitement in her voice.Â
âYes. I shall need to understand the ton more than what I have studied. Donât bother putting them together. I much prefer to read individual letters. Now, I have engagements already arranged for tomorrow so I must be on my way. However, I would love to attend dinner again. Goodnight, Lady Bridgerton, Viscount, Bridgertons, Your Grace.âÂ
Anthony stood up from the table. âLet me escort you to your carriage.âÂ
âThat would be much appreciated, Lord Bridgerton.âÂ
~~
My Dearest Ton and Wonderful United Kingdom,Â
I implore you all to remember that gossip, particularly baseless gossip, can be a dangerous thing. While we all are very entertained by Lady Whistledown, remember that you must discover the truth for yourself. I would hate to see lives ruined over entertainment.Â
Yours Truly,Â
Princess Y/N Hanover
Dear Viscount Bridgerton,Â
The dinner at your house was very lovely. Your family seems to be a wonderful group of people. I am sorry for keeping my ladyâs maid away for so long. She has been in Ireland, procuring plant seeds and fabrics for me. Please fret no more for she will be back soon. But I do have to say our correspondence might be limited to letters for a majority of our current time. Until I am introduced to society, it is not wise for me to constantly be out. I shall look forward to more times spent with the Bridgertons at a later date.Â
Yours Truly,Â
Princess Y/N HanoverÂ
You finished signing the letter, handing it to Pandora to take to the press for copies to be made. Moving an entire printing house from Buckingham to Kew wasnât exactly quick and easy but your staff had managed to do it in no time at all. For the time being, Kew was entirely self-sufficient.Â
âPlease take the letters for the Bridgertons to their house after you have visited the press.â Â
âYes, Your Highness.â
âBrimsley, what is on the schedule after the physician leaves?âÂ
âYou wanted to ride horses and then prepare a bouquet for the ball tomorrow night to be delivered by one of us.âÂ
âYes, thank you. And after that?âÂ
Reynolds looked at you and then his partner. You had just made the schedule no less than an hour ago. It didnât seem normal for you to not know. Their eye contact didnât waiver as they silently communicated to not say a word but just answer all your questions. You got up, moving to your wardrobe to get a petticoat for outside.Â
âAh, yes, Brimsley. Are we preparing the bouquet tonight before or after the physiciâŚanâŚâ
Tears started to well up in your eyes as you realized you had asked the question already. Brimsley and Reynolds were a tad too slow. You were already in the wardrobe, trying to calm yourself down. Every time a sob left your mouth or you begged them not to tell your parents caused some pain in their hearts. Reynolds stopped Pandora from leaving, handing the letters to a different lady-in-waiting.Â
You looked up in the dark space when you heard the knocking. It was hard to ignore the dogs in the shadows just waiting to snap at you. But the dark stopped the heavens from coming in. It was always a compromise. And since the heavens confused your mind and blocked your memory, the dogs would have to wait.Â
âYou can open it.âÂ
Pandora stuck her head in, trying to prevent too much light from coming in. âYouâre stronger than whatever you have, you know? It doesnât matter. None of it does⌠Maybe you should show the planets and shadow dogs and other shadow creatures that they cannot control a princess. They do not control you.âÂ
Reynolds sighed as he said a quick prayer to not be fired. âMaybe going to the ball would show the shadows that they cannot control you.âÂ
You didnât really have a choice. Pandora practically pulled you out of the closet and started making plans for tomorrowâs ball, including how to enjoy yourself but stay hidden.
(part 4)...
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