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mysteriouslybluepirate · 1 year ago

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Thank you for offering your askbox. I've been thinking that Izzy being just a side character whose story wasn't main plot thread makes even better proof that not everything was well planned? If I was a writer and this would be easily the most discussed topic about the finale, I'd reflect on storytelling decisions I made. There's a good reason why Izzy's fate overshadows everything despite that he wasn't the point of the show.

(Post posted 10/31/23) Feel free to comment below if you agree or disagree, we're all here for discussions.

Thank you so much for this amazing question!! [If you're seeing this and want to discuss some aspect of S2, or my thoughts on OFMD overall, SEND ME AN ASK! I love doing this]

TLDR: Vague characterization from historical records means Jenkins is free to bend history without a lot of guilt. During early days of casting and during scene changes Jenkins got inspired by Con's audition tape. Con was told to play this shit as a Jesus/Judas relationship. An amazing performance in S1 keeps the character relevant in fandom spaces in the hiatus, and in Jenkin's mind for S2. The S1 season finale accidentally reveals a really interesting dynamic in Ed/Izzy's relationship. [Speculation from this point on] Jenkins feels like he needs to explore, with little plans to fully explore it. Fleshing out both Ed/Izzy abuse and love.

Jenkins realizes 'Oh shit, Izzy wasn't supposed to be this' midway through S2. But he still follows his original plan in killing him off, because he's not needed for the story in his outline, leading to him accidentally killing off a character as they're growing and healing. Leading to what some consider a move SO off-brand for the show, they are leaving the fandom.

[*Tin Foil Hat On*] I expect the original cut of S2 to include more scenes of the crew. I bet for every other Izzy scene, we got a crew scene. So when 'extra' not plot-relevant scenes had to get cut, they kept the Izzy scenes due to Izzy's stable arc, the fact that he'd die at the end either way and Con's amazing performance.

EXPLINATION AND DEPTH BELOW! It's a long one. A lot of this post will be speculation, interviews from Jenkins, and highly dependent on if you were in fandom between seasons 1 and 2. If you need me to hunt for sources, I can do that for you.

I'll separate everything into a chronological timeline as much as possible.

Before we touch on why Jenkins wrote Izzy to stick out in the story, we need to assume how he outlined this entire show.

Pre Con O'Neill:

I am of the personal belief that Jenkins likely wrote out an imagined arc for Ed and Stede. Including a lot of cool set pieces, fights, etc. for the three seasons he wanted vaguely based on the real lives of Stede Bonnet and Edward Teach(watch a YouTube vid documenting their history, it's a wild ride) turning it into something explicitly romantic. This is easy enough to do, as most of what we know about them was written YEARS after their deaths.

Next was filling in the cast. This is where we get our crew, mostly characters Jenkins made up, as very little is known of the men either sailed with.

Izzy Hands being a pirate under the age of 18 whose notable actions with Blackbeard include- Captaining his own vessel, running a ship aground, being Blackbeard's first mate, and getting shot by Blackbeard maybe on accident.

[THEORY] So. If you're any writer you see that and think 'cool a side character we know almost nothing about'. You slot him in as being Edward's one thing keeping him to the pirate lifestyle. Not necessarily romantic, but a serious Boss/underling relationship. This is a bit of how Izzy was written in S1 UNTIL-

Con O'Neill is cast as Izzy.

In interview, Jenkins has admitted that Con's audition tapes influenced how he wrote Izzy. As a writer, this shouldn't necessarily be ringing red flags. But he has gone on record as admitting to changing the script before shooting to suit Con. IN SEASON 1. My guess is Izzy at the end of episode 10 was meant to be more of a side character. Another Frenchie, or Wee John, who serves their purpose and then gets pushed to the side by the plot.

But at some point, Jenkins wrote how important the dynamic was between Ed and Izzy. Describing Izzy/Ed to Con before filming S1 of a 'Jesus and Judas' relationship like in Jesus Christ Superstar.

If you tell a (then closeted) queer actor who has been playing queer roles since the 1990s that his leather daddy character was having a Jesus&Judas JSC dynamic in a TV show that respects and celebrates queerness? 🤩 MY GOD.

[Speculation] That's how we get an Izzy Hands who is watching the man in front of him slip away, trying to dig his heels in. Hell, if I were Jenkins, I'd be adding a few more lines for Izzy to be pissed just to see Con have fun in the role. Let him be mad. Let him be in the background of scenes just glaring. Let us see a man slowly lose something he's built up his whole life.

[As mentioned from Comic Con- From Con O'Neill] This was important for me to bring up as Jenkins could have said 'henchman' but he didn't. Hell, when Taika and Con did hair and makeup they'd listen to the JCS cast album. It was a choice on both their parts.

[ovservation from here on out] Con plays it up, and a lot of queer fans saw this and grabbed hold of a man so desperate to keep the man he loved close that he sacrifices almost everything for it (Izzy also signs the Act of Grace to get Ed out of there).

Izzy, in a show full of openly queer people, is still on the fringe of society. SO MANY queers saw this and said 'OMG me'. ME INCLUDED. With a super supportive actor who genuinely is respectful of the fandom? Of art, and fic and meta? The Izzy 'Canyon' became so loyal because Con is a Queer Elder we didn't know we all needed in our lives!

Jenkins accidentally wrote into what could be an amazing story of a queer character living in a homophobic society where he learns to open himself up. All without ever writing a 'coming out' scene for Izzy. Jenkins knows this. Hell, since S1 Izzy fans have been telling him how cool that type of arc would be.

Now here comes the issue of where to take a side character, when you have loose plans for them.

S1 IS TIGHTLY WRITTEN ONTO ITSELF... S2?

Something we might forget now is HOW tightly written Izzy's falling out with Ed is tied into Stede and Ed falling in love. Beat per beat, Izzy is shoved away as Stede takes his place. That's really fucking smart. So smart, it was planned in the writer's room. The fact that some took it as romantic, that Ed could ever really love him back? Well...this is where Jenkins had a decision to make.

So he dips his toe. Let's make Ed even more violent than at the end of S1ep10. Let's include the bit where Blackbeard shoots Izzy Hands. Let's have Izzy confess his love for Ed and have it not be enough for Ed to change his mind. Let's show Izzy rising like a phoenix reborn after a failed suicide attempt where Izzy chooses to mutiny on Ed to protect the crew. Let's see Izzy growing. Because Jenkins loves Con's performance. Everyone in the cast enjoys him as a person. Let's give Izzy one last hurrah.

Jenkins knows this character meant a lot to Con. It's obvious in the way Jenkins recently confessed he told Con about Izzy's death midway through shooting. Sadly we likely will never be told when Con was told. But imagining Con filming the AMAZING character change of S2eps 1-2, then AFTER being told Izzy would die anyway? Oh. I wouldn't be alright. Not after all his fans had spent the last year telling him how much seeing a character like Izzy 'being accepted because they are worthy of love'.

This is the 1 thing that fucks me up. Not telling Con until midway through shooting, Versus his belief that writing Izzy's death was a fitting way to end his story. BOTH CAN'T BE TRUE. Right? If Jenkins felt the need to take con aside and go grab a meal to announce Izzy was dying but then market the ending as a 'Good Idea'. Then...What? If Con felt it fit the character, then he would have likely guessed Izzy would die. But that wasn't the vibe in the fandom at the time. It feels like a decision Jenkins made this season.

Because yes, some general audiences predicted that Izzy would die. But when your core fanbase for a character don't expect it, you didn't plan the death correctly. Fuck, I thought Izzy was trying to RECOVER this whole season. Not that Izzy was hiding how hard he was struggling. That's not a good sign when I've ALWAYS called Izzy as some brand of suicidal/depressed.

[Quote from Jenkins Entertainment Article: Oct 26 2023] 'What's the best journey we can give him(Izzy)? And what's the most interesting thing we can do with Con, who can do just about anything?'

That is not the quote of an author who has planned everything out. That's a writer who knows points A and E and is fighting to find everything in between.

The Fly in My Ointment

There's a point most writers know when a character or story slips out from under you. You didn't mean for this to happen. Hell, I write Scene by Scene outlines. My stories change. When Izzy Hands' growth arc became the most interesting part of S2, Jenkins had a choice.

How far was he willing to bend his idea to keep a character that wasn't 'essential'? Not that fucking far apparently. Because for some reason, Jenkin's labeled Izzy in his mind as 'Blackbeard' and tied Ed and Izzy's fates together. Ignoring how this season Izzy died to separate his old life with Ed from his new life with this crew.

Your question poses it perfectly- If I was a writer and this would be easily the most discussed topic about the finale, I'd reflect on storytelling decisions I made. There's a good reason why Izzy's fate overshadows everything despite that he wasn't the point of the show.

That's a trick they teach you in some writing podcasts. That in the end, you are telling one story. You can have twenty side characters and a romance arc, but in the end, you are telling one story. Each side character is going to show what happens when you fail or succeed at the central thesis.

What do we have in S1? What does Frenchie sing to set up where our story STARTS-

"A pirate’s life, [it’s] short but nice,” -“we won’t live long,” AND “to death we go, a certain death we go.”

Our characters expect a short simple life of what most pirates EXPECT. In my mind, this story has ALWAYS been about survival. From the extravagance of Stede's ship, and a crew ready to throw him overboard, to the barebones Shark eats Shark type of survival described in Ed's own fleet. OFMD is about living in a world that doesn't want you there. About surviving and thriving. About these two men from different worlds coming together and forging a life of kindness for them and for their family.

Saying fuck you, I'm here, I'm still alive, and I'm going to THRIVE. I deserve kindness, happiness, love, and a fully lived life. I deserve to spend my short time on this Earth happy.

IN S2? The ONLY character that matches this thesis is Izzy. After scenes of Izzy struggling. Of finding himself. Of crawling up from his own personal hell, Izzy dies. He dies from a random bullet wound in the same spots that didn't kill Stede or Ed in the previous season. Breaking the one established rule for wounds in this universe that the left side is the safe side so that Izzy can die.

Even if Izzy spent this entire season wanting to die, he tried to live. For a few days after a breakup of over 20+ years of casual intimacy. Of a bond where Izzy was the murderer, the brawn. The dangerous right hand. Where Izzy dying meant not just his death, but likely that of Ed. Given the man's constant depressive moods, crews that didn't like him, and reoccurring suicidal tendencies. Ed didn't need Izzy Hands anymore. Ed had Stede now. He was ready to finally leave Izzy for good. What will Izzy Hands do now?

He gave up. He tried to move on. He listened after being told he was too rough, too loud, too mean. He tried. He tried to survive this new way of life surrounded by people who supported him. But he was tired. After so many years of putting up a mask, tearing it down was too much work. So he wanted to die. In the end. Izzy died in the arms of Edward surrounded by his family.

Buried on a plot of land Jenkins has already told us Stede and Ed will leave when things get boring. Left behind like the corpse of a pet the family has forgotten. Buried without his ring and cravat, items Izzy is only seen without when he's naked. Without the prosthetic gifted to him by a family that cared about him.

Izzy wasn't mourned for more than five seconds, before Stede and Ed were making jokes on his fresh grave, and then the episode moves on to a wedding.

RIP Izzy Hands- a man who loved more than he was ever loved in return.

Was this the right message? FUCK No. But for those of us who believed that theme of queer survival and community- We saw framing Izzy's death like this as a fucking betrayl.

Izzy Hands isn't buried with his most prized possessions- they're left out to be stolen or rot in the front yard. With only one man crying over his death and a silent funeral. He leaves this world without more than a 'he was intense'. Which...isn't great coming from the man Izzy loved for most of his life.

The reason why we're mad about Izzy isn't that it's Izzy. It's that when we boarded this flight we were given a set of rules to follow. It's a comedy about men falling in love on a boat that sometimes gets serious. That's it. To watch a character start to grow only to die for NO PLOT SPECIFIC REASON. Is insulting. If your death has no tie to the narrative (sacrifice or it comes with a revelation) it's a death just set up for shock. Izzy and Ed could have had that deathbed confession talk at the start of episode 7.

A REASON WHY I'M MAD BEYOND THAT SPECIFICALLY. [Very Personal Gripe]

A SALUTE TO CON O'NEILL -AGAIN!

I had the privilege of hyper-fixating on this show from the entirety of S1 ending to S2 beginning. During this time I explored the catalog of Con O'Neill's work on Tumblr under the tag 'Conography'. I watched this man play queer roles since the 1990s. Genderqueer/somewhere on the Trans spectrum, Gay, Bi. This man loves to play a queer story, even if it's sad. If it's tragic. He will breathe new life into their lungs and express their moments of Joy. Of love. Of community.

After the filming of S2 at a con, Con he felt comfortable publicly coming out due to the love and support he felt from our fandom. Do you know JUST how crazy that is? That Con KNEW Izzy was dead, yet he loved our fandom so much he let himself be vulnerable, and come out as queer? It's fucking INSANE to me, and shows just how much this show means to him.

He's not just Queer. He's a Queer fucking elder whose been protective of this entire community since S1. This 57-year-old man has proudly stood up in the name of Trans rights this entire time. Treating everyone, but especially Trans Izzy fans with so much fucking respect. Trans Izzy is a common headcanon partially because of how comfortable people feel knowing they won't get harassed because they interpret Izzy a certain way. That trans people feel at home seeing themselves as a misunderstood character with a chip on their shoulder.

I'm pissed for every in universe thing listed above AND NOW THIS. Because our Queer Elders are dead. There is a generation of Queer people we can never get back. They died from a mix of society pressuring these people into the closet or an early grave. Of disease running wild in communities unchecked. Of media ruining the careers of anyone who dared to come out. To see Con O'Neill So Fucking Happy and having it cut short because Jenkins thought Izzy was better dead than being an actual background character makes me see fucking red.

No. Jenkins probably didn't know Con was Queer when writing S2. But I'm assuming he still saw how happy Con was at Izzy fans before S2 was written which still makes it feel shitty.

Sure. Give Izzy all the amazing speeches about family and belonging and rip that right from his hands as soon as Izzy realizes it's something he might want for himself. Let's have Con O'Neill say all the prominent lines that are a blatant metaphor for why the Queer community needs to stick together.

Izzy's arc isn't just overshadowing the conversation because it was mismanaged and feels unplanned, it also just feels cruel to the central arc of this series. Add that to an actor who was so vocal about loving this community, it feels pointed to give him a tragic ending.

Jenkins doesn't need to consider why people hated this finale. Because there are SO MANY Ed/Stede fans who just don't care. They put Izzy in the box with every other side character and decided to put their effort into the protagonists and point and laugh when we suffer. Jenkins won't rethink anything because he can just say the 'Izzy community was passionate and are sad their favorite died'. Ignoring how this season made Stede into a shittier, less sympathetic captain and gave Ed an interesting arc only to give up before the finish line.

#Now. I didn't bring up how viewing Izzy as being useless post disability ALSO pissed people off but there are posts everywhere about that #physical disability is not my place so I don't overstep #THE WAY IZZYS DEATH WOULD WORK SO MUCH BETTER IF HE STEPPED INFRONT OF A BULLET MEANT FOR STEDE #Or that post floating around of Ed getting shot for Izzy. Showing that yes. Ed cares. that they're both fucked but are working on it #If most of the fan base hates the *implications* for S3 thanks to this ending it wasn't the right move #GOD I DIDN'T EVEN TALK ABOUT THE DAD/MENTOR THING. Ah well #it's taken me 3 hours to type this up. I'll add later if it needs be lol #ofmd s2 #ofmd season 2 #ofmd s2 spoilers #izzy hands #ofmd s2 finale #ofmd critical #ofmd meta #omfd analysis #israel hands

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daemonbrain · 23 days ago

Text

Part 2

1.8k, cw: ghosts a pervert, smut, readers husband is piece of work, not proofread.

Simon Riley who first saw you at the butcher's shop on the phone.

You were a pretty thing. Wearing a pink little yoga set, one arm holding your mat and the other holding your phone to your ear as you wait for the butcher to bring out your cut of meat.

Which was taking a long time

Simon would’ve had it chopped and packed to go by now. Though, he can’t complain with the view he has of your ass- you. The man was touch starved. He hadn’t been back home in a while, back-to-back deployments keeping him occupied. His only company being his calloused and scraped hands roughly jerking himself until he came, bordering on unpleasurable. Not what some could consider enjoyable, but try being in the middle of fuckin’ nowhere for weeks on end and see if you care so much about gentle.

The borderline perverted look you were blissfully unaware of was tracking down your form. He stared at the way the material tightly clung on to every bit of you in a welcoming way, a second skin. The sweat on you from your little session.

Just how flexible does yoga make a bird like you?

It was only when he heard a grating sound come from your phone that he snapped out of his trance. Even with his bad ears from all the bullets whizzing past him, bombs going off within meters of him, and the usual shit show he did for a living he could hear the voice which bled through your phone's speaker.

"Get me a steak this time. Nonna that nasty shit from last time!"

You hurriedly turned your volume down as it blasted in your ear, startled by the voice. Chewing on your lip you pivoted towards the counter to see if your order had been brought out; the motion to no avail as the employee continued chopping away in the back room.

It was only when your other hand came into full view from the motion he noticed the absolute rock on your finger.

"Honey, I thought the salmon was pretty good." That prick clearly firing something back as you winced away from your phone once again. Gritting your teeth as if biting back your arguments, looking around to occupy your time as the man on the phone continues to speak. "I know... I'm sorry. Don't worry, it'll be ready by 7." You placatingly cooed.

"Listen, I have to go. I love y-" You began, but the moment the words tumbled from your lips you pulled the phone fully from your cheek to see a blank screen with the time staring back on you. The asshole hung up!

What a fuckin tosser.

Simon hears the butcher finally call your name with familiarity and with a sigh you step towards the counter.

He leaned on to the wall further as he had been the entire time. Silent. Unsettling. A stark contrast to your bright appearance in the shop, the larger man brooded in his corner waiting his turn.

“See ya’ next Friday!” You still managed a bright smile at the butcher who handed you your meat.

A mild thing like you really shouldn’t be talked to so thoughtlessly, some guys are fuckwits though. He never liked the type. Why lock a bird down with a ring if you were gonna be mean to her?

“S’cuse me sir, i’m just gonna push past you here” You asked. With widened eyes, Simon gruffly mumbled a “Yeah,” out before creating a stupidly small space.

Maybe he really did want you to push past him. Or just push up on him but oh well.

Sweeping past him, you give him a toothy smile as you had so sweetly done to the butcher, as if you hadn’t got yelled at less than five minutes ago. God you really have no common sense, beaming up at the lurker in the corner at least twice your size. A girl as pretty as you should really stick to herself.

From that interaction on, Simon found himself being guided by the memory of you back to the butcher shop the next Friday.

And the next…

And the next.

Every week progressively standing closer and closer to you as you picked up your usual order. One day you had taken the liberty of starting small talk with him after recognizing his unmistakable stature. After all, there were only so many people you had seen in this shop and none so… large.

You could not deny you found this mystery man disquieting. Always dressed in dark colours, not so much as a word coming from him. Like clockwork you would come in after hot yoga, greet the butcher, he would come in, silence would ensue as you both waited for your meat, and you would leave with a quick smile.

It was rude. He had never even said a simple hello to you! Though, you suppose that it could be due to your own curt exits. The thought of the unkindness you might’ve exhibited subconsciously sent your mind into a spiral, leading to your abrupt introduction.

After all, who were you to judge! Kindness is and should always be the response in your books.

At this kindness, Simon swore he had to take a breath in as you politely outstretched your hand and spoke your name casually. Tilting his head down to your face he raises a brow skeptically, and then firmly shakes your head.

He failed to hide the shudder which wracked his body. The way your hand effortlessly slipped into his. Soft and manicured engulfed in his.

“Simon.”

“Well it’s good to meet you Simon” With the twinkly little smile you would grace him as you hauled it out of the shop. He felt the shiver go down his spine a second time when you spoke his name for the first time.

And then- it happened.

You giggled. A soft thing, no doubt intended to be small. It wasn’t to Simon though. It reverberated throughout the room, rang so prettily in his ears. Fuck. He would remember that sound later on tonight.

“Are you cold? You keep shivering. It’s pretty harsh out there right now.”

“Nah. Not really.” His accent thick as he shrugged.

Letting out a little “mhm” you nod and look back to the counter.

“I was freezing outside! Usually I walk home-” Simon already knew that “-but today I called my husband to come grab me! Way too cold!”

That visibly made him stiffen. Of course. Perfectly normal that guy is coming to get you, he’d be an idiot to leave you walking home alone in the cold.

If you were his girl, Simon wouldn’t have let you out of his sight. Fuck sakes you practically had “come mess with me” written all over you. There were creeps all over the place nowadays, (thought the creep).

He would’ve carried everything for you, scarfed down whatever the hell you had taken the time to prepare him. That husband of yours doesn’t like your salmon? Simon would. Hell if he didn’t, he’d cram it down his throat with gratitude anyways. He doubted anything could be worse than some of the rations he’s eaten on duty.

That train of thought is pretty redundant when he takes note of how you wouldn’t be able to leave the bed to make anything.

Maybe you’d cram something of his down your throat in gratitude.

Shaking his head subtly, he hears the bells of the store door opening. He watched your face fall as you step away from him and it’s when he sees your husband's look of complete irritation he understands why.

You had grabbed your order swiftly and with a quick wave goodbye you were on your way back to your husband. Simon could only register your husband's whisper-yell as he disapprovingly glared his way. “The fuck are you doin talking to him?”. And with that you were hurriedly ushered out.

You deigned it necessary to continue greeting Simon, have little chats about the weather, any plans he had for the weekend. Tossing in your stupid jokes that he would laugh at. You interpreted it as something closer to a breathy snort-hopefully positive- and it went on as such for weeks

And every time he returned home Friday night, he came home with only one thought after. You.

As he laid in bed the same thought persisted as he slipped his cock out of his boxers, red and weeping for some sort of stimulation. He took to his usual harsh pace. You’d be so much softer.

You’d be so nice to him wouldn’t you? Coo some compliment as he lets you tug at him. Fuck he wouldn’t know what to take first.

Would you give him a blowie or a hand job?

No. You wouldn’t be on your knees- not yet. If you’d let him have you, you’d be on your back in an instant. He’d rip the stitches of those leggings right down the middle, your panties next.

“Fuuuuuck” he moaned into the quiet of his room. He’d stick it in slow, he’d try. It would be torture not to ram himself right up to the hilt, but he’d do it for such a good girl.

That’s what you were, weren’t you? Always a nice word for someone? What would you say to him when he began to rut into you like a madman. When you would feel the pummeling intrusion, his head knocking into the deepest parts of you.

He’d be able bend you into so many different positions that you’d better hope that yoga has taught you well. Split your legs open to accommodate his imposing body size as he’d take purchase between them. Then you better hope your cunny can accommodate his other size when he spears you open on his cock.

Would you take it smiling? Would your tears roll down your cheeks, the prodding bordering too much? You’d take it either way, he knew you could. He’d rub at your clit with such tenderness he never afforded himself (as gentle as he could anyway). He’d make sure you begged to stay on his cock forever, fuck himself so deep you would be too stupid to pull away unknowing of where he ended and you started. Not that you’d have to care.

He’d flip you on to all fours and rip away your clothes entirely, pounding you from the back and instead of just his own labored breaths, the sound of skin slapping together would ring out.

In silent stoicism, he feels his balls tighten up at the thought of your perfect face stuffed into the pillows screaming your thank you’s. You probably were just as nice with someone stuffing themselves into your pussy.

At both his ruthless ministrations and boundless imagination, his release spurted all over his hand with a breathy sigh. When you were here he’d make sure to slam his hips to yours and keep them flush against you, coat your insides in hot cum better than your limp-dick husband ever could. That man wouldn’t be able to fuck you the way Simon knew he could. You deserve someone who could make you go stupid on his dick, not cry of frustration like you probably did everytime that knob who thinks himself a man rolled over after finishing himself off.

Not that you’ll have to worry about that soon

…

He wouldn’t be around for much longer anyways.

#simon ghost riley #simon riley x reader #ghost x reader #cod fanfic #simon riley smut #ghost cod #ghost mw2

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