#stede loves him so very much right from the off

[edandstede]

you ever just think about how truly sweet stede is on ed. takes him on a treasure hunt because he thinks he’ll enjoy it. busts down his own door because ed’s upset and says he’s ed’s friend when ed says he has none. learns how he takes his tea. sets two places at his breakfast table every morning. gently but firmly insists ed stand down when he’s angry and hurt and goes to deal with ed’s tormenters himself. reassures him he’s sophisticated when ed is being hard on himself, and tells him he wears fine things well with the biggest sparkliest warmest smile. lip-wobble cries when ed leaves with jack, and beams like the sun when he comes back. watches ed’s fuckery excitedly like it’s the best thing he’s ever seen, and suggests the theatre of fear as a name for it. he’s so enthralled by ed, so obviously falling in love, and it’s never any less of a joy to watch.

[queerly-autistic]

One of my favourite things about S2 was that we got to see so much in terms of Ed's relationships with women, and it just made me love him even more (if that's humanly possible). We didn't see him interact with many women at all in S1 (I think it was only the posh ladies at the fancy party which was...yeah, not a good experience), so S2 actually giving us a glimpse into his friendships with all these (very different) kickass women was so, so special.

I love that, as messy and fucked up as they all are, and even with the 'well we're pirates, we're not normal and we will fuck with each other' threat that hangs over everything, Ed's relationship with Mary and Anne is still so affectionate, and they both thrown their arms around him the moment they see him. Even though Ed is incredibly tactile, I don't think we've actually ever seen him be hugged like this, and it's just so lovely to watch him be embraced and clearly feel very safe being embraced by these women (and I can't with the way he clings to them, as well). I also love that this is a wlw/mlm friendship; yeah it falls apart later and turns into delicious gay-on-gay violence (and I wouldn't alter a note of it), but I love seeing this sort of affection between queer women and queer men, there's not nearly enough of it.

Don't even get me started on the BFF handshake he has with Anne - I want all the history there, give me six spin-off films about their adventures please.

And then we finally get a glimpse of his relationship with Jackie, which is similarly just lovely, but in a different way? You get the sense that they could sit there for hours, talking shit about the world, all whilst casually ripping the shit out of each other (but affectionately). You also know full well these two have talked extensively about men and know pretty much everything about each other's sex lives - we didn't see it, but I'm absolutely certain that Ed went into full gushing details about sleeping with Stede, just like Jackie did when she talked about The Swede fucking like a jackhammer (historical accuracy ftw).

And, again, whilst they're still pirates, and it's messy, the entire thing feels incredibly...safe, particularly from Ed's perspective? He feels more comfortable around Jackie than he is around most other characters (apart from Stede), just like he was with Anne and Mary.

And then, just to hammer the point home even further that Ed has, generally, fantastic relationships with women, and connects with them, and feels relaxed and safe with them, you have Ed and Zheng becoming instant BFFs literally minutes after meeting each other. Ed goes 'ooh, very cool woman kicking ass and killing people, she shall be my best friend, immediately', and Zheng is automatically incredibly relaxed and open with him, too (suggesting she feels as safe and comfortable with him as he does with her).

All I want in life is to see Ed and Zheng get silly-drunk with each other (and this is why we urgently need a S3).

And none of Ed's relationships with these women are a fetishistic 'I love women because they're fabulous' thing, or an overly patronising paternalistic 'I love the women and I must protect them' thing - all the relationships he has with women are very equal, very comfortable, fully believable, just fantastic friendships to watch play out. I feel like, given everything we see on screen, Ed generally feels a lot more comfortable and safe and open with the women he knows than the men he knows (Stede is the only other person he is this physically affectionate and comfortable with). Which is probably very understandable? Yes, the women he's friends with are all violent pirates too (that's part of the joy of it - none of them are lovely demure morally pure women, they're all violent pirates), but Ed has a lot of experience with specifically overtly abusive men - right back to watching his dad abuse his mum. And that's a distinction that matters: the show treats the violence of normal piracy and the violence of abuse very, very differently. Ed is not used to being treated softly or affectionately by men, as we saw in his shocked reaction to Stede holding his hand. I don't think it's any wonder that he gravitates more towards friendships with women (or that the men he feels the most open and safe with, such as Stede, Fang, even Frenchie, are very pointedly the opposite of the abusive men he has experience with). I just love love love that being friends with women is such a core part of Ed's character, and that we got to see all of these fantastic relationships in the show.

[ourflagmeansgayrights]

wait fuck ok i’m back to being sad about it now

like the thing is that ed doesn’t really hang out with anyone but stede in season one, not really. and whenever he is talking to other ppl on the crew, stede is right there. the only exception to this is in episode 8 when jack brings the party energy and everyone is getting drunk and rowdy together specifically as part of jack’s efforts to exclude stede.

and as a fandom we always make jokes and theorize about what the relationship between ed and stede must look like from the outside, if they were all placing bets for when they’d finally hook up or if they had zero belief in stede’s ability to pull THEE blackbeard

but now i’m thinking about the crew’s perception of Ed Himself. of the crew’s perceptions of The Legendary Blackbeard and how that must’ve changed over the course of the first season. because when they first meet him they’re all impressed and starstruck bc yeah, duh, this is Pirate Beyoncé we’re talking about. they’re also in varying degrees “worried he’s gonna kill them.”

but they quickly see that the real pirate beyonce isn’t all leather and murder and head made of smoke. blackbeard swaps clothes with their cringefail (derogatory) boss for fun. he dresses up and goes to a fancy party just because he wants to—he’s not even trying to get anything out of it, doesn’t have an angle the way frenchie does, he genuinely just wants to go to a very un-Blackbeardy party and have fun. he tells them scary stories. he shows them some of his trade blackbeard secrets. he hypes them all up after their first fuckery (and i will never get over how cute that is exchange is, “scared the pants off me” and “i thought blackbeard didn’t feel fear” and “and i didn’t, until tonight” and the crew’s genuine excitement and pride). he goes on a treasure hunt with their cringefail (affectionate, now) boss and lets him dig in the ground to get it out of his system. they learn that ed isn’t just a scary pirate, he also can be silly and goof off and enjoy things that aren’t exactly compatible’s with the Blackbeard Brand

and beyond just not adhering 24/7 to the Brand, they learn that ed—that blackbeard—is human. is fallible. they see his first plan to escape the spanish fail, and they get to participate in the backup plan that he and stede come up with. frenchie sees ed get hurt at the fancy party in a way that he completely understands. lucius realizes that ed is just as into his cringefail boss as his cringefail boss is into ed, and over the course of giving ed a shovel talk he maybe learns that The Legendary Blackbeard might actually be nervous about a boy liking him back.

and none of this—NONE of this—makes the crew lose any respect for him. even pete never has a moment where his perception of his idol is shattered, where he’s disappointed that blackbeard isn’t all nine guns and zero mercy all the time. instead, pete expands his idea of what The Ideal Pirate (the ideal MAN) looks like.

i think by the time jack rolls around, ed is no longer on that Pirate Beyoncé pedestal to them. he’s still on a pedestal, a bit, but instead of seeing ed as this untouchable badass legend, they see him as like. the coolest guy on the ship. still a badass, still somebody they all respect and admire, but someone they can hang out with. someone they really want to hang out with. they want to impress ed because they want him to like them, they want to be his friend. and yeah, it’s played as a “your father and i are getting a divorce but we still love you very much” joke, but they really are so sad when ed leaves with jack.

and ed showing up with no beard and no stede, ed hiding in his cabin for. a day? multiple days? ed singing a song about his feelings. ed saying he no longer wants to go by blackbeard.

the crew is confused, but they’re on board. they don’t laugh at him for his (bad) singing, they don’t think less of him now that he’s sans iconic beard. ed, to them, is still The Coolest Guy On The Ship, and they want to be his friend. they’re excited to be his friend.

they want to put on a talent show.

and ed, right after getting stabbed in the back by jack and izzy, and then stede, and then izzy again—ed, who was so affected by the jeers of the rich fuckers at that fancy party, who grew up in a culture that doesn’t allow for friendship, a culture of everyone in various stages of fucking each other over—can’t see that. he’s got fresh heartbreak and fresh betrayal that are compounding on years of trauma and he hears them all chanting his name and he can’t trust this crew. he couldn’t trust his first mate, and he couldn’t trust his old shipmate, and he couldn’t trust stede. he cannot, cannot risk vulnerability with the crew. not again.

(and like, cmon, who is ed even kidding? he’s not made for things like softness and friendship and genuine camaraderie. trying to be anything other than blackbeard is like a wolf trying to fit in a sheep’s clothing, but the clothing is too small and everyone can see right through him and they’re all laughing and laughing and he’s the only one who can’t see what a joke he is. ed’s not an idiot, he knows there’s no way the crew is up their chanting his name and asking for another song because they like him. they just want the great clown pagliacci to come out and make them laugh.

so sure, ed’ll give them a show. they think ed’s funny? well he’s about to be fucking hilarious.)

EDIT: those of y’all seeing this in the ofmd tags are missing the additions where it gets even sadder

[breeyn]

An essay rebutting the “bad writing” claims of s2 ofmd. Spoilers herein.

I’ll preface this with saying you’re obviously allowed to like and dislike whatever you want. I am in no way opposing that. And your reasons are your reasons. Have at. (Also - this is a collection of observations from the past few days, I’m not calling anyone out)

I AM going to rebut the idea that season two was poorly written and lost the spirit of what the show is about.

My favourite movie of all time is Empire Strikes Back. It’s been my favourite movie since I was four. I’m pretty sure it’s a fave of David Jenkins, too. He and Taika have made absolutely no attempt to hide their love of all things 80’s - Prince, the Princess Bride, Kate Bush, Star Wars, etc.

I have ancient video tapes (that I can’t play because who has a vcr) where Lucas is interviewed by Leonard Maltin? Malkin? I dunno. Who cares. Maltin asks him about the Star Wars (original trilogy) story arc. Lucas says “in act I, you introduce all the characters. In act II, you put them in a situation they can’t get out of, and in act III, they get out of it.”

That’s how it works. This is how stories and literary structures work.

Of course you’re not satisfied with season two. You’re not supposed to be.

The arguments I have read on why s2 loses the spirit of s1 is because no one heals. No one learns anything. No one moves forward properly. The person who makes the biggest move towards healing dies. The two main characters end the show doing the exact fucking thing they had promised themselves and each other they wouldn’t do. Our romantic lead still doesn’t understand his value or make any headway on addressing his tragic flaw. It makes no goddamn sense.

My gremlins in weird: it’s not supposed to. In Act 2, EVERYONE LOSES. This is how it goes.

I’ve read a lot of people saying “but this felt like a series finale, not a season finale.” We all know that outside politics play a part here, the strikes make everything precarious. I remember the last writers strike. It destroyed tv for fifteen years. Anyone remember Pushing Daisies? Some of y’all have never had your fave show cancelled with zero resolution for the characters and it shows.

Daddy J did us a kindness. He softened the blow of a tough season. After the brutal cliffhanger of s1, he gave us a little softness and hope. All those things you’re mad aren’t resolved? It’s because THE STORY ISN’T OVER.

No one on earth thinks “stuff all your trauma into a box and ignore it” is good advice. A way to actually live. This show did not have enough screen time to throw out dialogue for no reason. There was foreshadowing in s1 for s2, and there is foreshadowing for s3 in s2. This is a well-crafted story by very smart people who care very much for these characters. There is zero chance Frenchie explained the box in his head for no reason. The reason people have not resolved their trauma and growth is because they haven’t done it *yet*.

And friends - it’s not thinly veiled. They straight up fucking tell us what they’re doing.

Luke Skywalker spends the first two movies fucking up and desperately trying to prove himself and just generally being an idiot. Sound familiar? He ignores the lessons he is supposed to be learning to go off and do what he feels like doing, and loses fucking badly. At the end of Empire, Han is gone, Luke and Leia wave goodbye to the Falcon that has Lando and Chewy - the rest of their crew - aboard. Everyone has lost everything they care about. Vader is undefeated. Yoda is pissed. Nothing is resolved.

You see where I’m going?

If you think I’m stretching this too far, welp, when Ed tells Stede he loves him - the climax of the finale - Stede quotes Han fucking Solo. Like - *it’s right there*. The story structure. The reason everything is unresolved.

So yeah. They wave goodbye to their ship because they have wounds to heal (like Luke’s hand). The people aboard the ship have things to find. Ed and Stede have *not* learned their lesson about whims and how not to be like Anne and Mary. It’s not stupid that they’re doing the same thing, and it’s not pointless that we were shown Anne and Mary. It’s all relevant.

The resolution comes in Act 3. None of these people are done. The story is far, far from over. And just in case the studios want to be dicks about it, David Jenkins was lovely enough to not repeat my enduring heartbreak over Pushing Daisies.

Thank you, @davidjenks 🖤

[chuplayswithfire]

I have more thoughts on how and why the sex was a mistake. I will be thinking about this all week. All year.

Let's start with: the sex was consensual, they both wanted it, and that does not change that it was the wrong decision for their relationship in that moment. They should not have had sex! Ed is 100% correct and he is not running away when he says that! He is not just avoiding his feelings or getting cold feet, he is genuinely correct, and here's why:

They continue to be on different pages. They have not had a chance to talk it through. It's been like 2-3 max since Ed woke up from the Gravy Basket, and emotions are still running high. Even ignoring that they were just tortured in front of each other and that Stede killed a man right after Ed asked him not to, they were not in the same space emotionally regarding their relationship.

Fir one thing: Stede did *not* get his heartbroken (prior to this). He got his romantic affirmation. Season 1 was an entire arc leading to Stede realizing he is gay, that he is in love, that he is loved in return. For him, for HIM, sex is a natural next step, and we already knew he wanted it from how he deepened their kiss in episode 5. Their relationship itself is not a source of trauma for Stede; he loves Ed and he walked away from his old life to be with him, and now he found him again, and they've agreed to do it together, figure things out, his romantic hopes are realized.

And in that moment, adding to that background informations, is that Stede also wanted to avoid all his messy feelings by being physical. He was tortured and he watched Ed and his crew be tortured, he was insulted and had to listen to Ed be insulted, and he wanted to regain control and power by killing Ned Low, and removing the threat. That's where Stede's head is.

Ed, on the other hand, did get his heart broken and while the majority of what he's working through is about his self-hatred, his dissatisfaction with his career, and his desire to find a life that feels worth living, he is also dealing with a significant amount of trust issues with his relationship with Stede, because Stede left him. He has heard from Stede that he loves him, but Ed's deepest fear is that he's unlovable, and he hasn't gotten over that, or his hurt from how things went, in the like two days it's been.

But he loves Stede, and he's attracted to him, and he wants him, so when Stede initiates and manhandles him a bit and things get hot and heavy, he consents. He's all in, carried away by the moment.

And he regrets it.

He especially wasn't ready because Ed is a planner. I know we were all joking about how they definitely weren't going to take it slow and they were going to rush through, but I do genuinely think he meant it. Ed's natural state is as a planner and tactician, everything has an angle for him and even when he wants to just be simple, he always has a bajillion factors in mind that he's juggling, so we can be sure that Ed probably did very much have thoughts about how he wanted their first time to go, and what he wanted them to do and grow into as a relationship before they had sex, and instead they got tortured, Stede killed a man, and then they fucked in the aftermath.

Not bloody optimal indeed.

Now back to Stede: he is utterly unprepared for the idea that the sex could be a mistake because to and for him it was the natural next step in their relationship. This is his romantic fantasy is the thing; he was a cool brave pirate captain who made an enemy walk the plank in defense of his crew and his boyfriend, and then Ed came to him and Stede got to sweep him off his feet and shove him against the wall, kiss him, bring him to the bed, and pointedly shut the curtains on an audience that doesn't exist, followed by a lazy morning after with breakfast in bed.

So it probably hurts extra that Ed is like that was a mistake. This is literally him living his fantasy from episode 1, Ned Low even has facial hair and is mean to him like Izzy used to be. He could ignore all the realities of that situation, because he was living his fantasy, and Ed dragged them both out of fantasyland, back to the real world, where their relationship isn't fixed 100% and sex didn't change that.

They weren't on the same page. They still aren't, because they need to talk.

[izzysillyhandsy]

As much as I'm happy for Izzy for finding love and recognition with the crew, his developing friendship with Stede, him trying out new things and generally trying to move on...

...I don't think he's feeling that great really? I mean he's trying so hard to reinvent himself (being incredibly brave by the way) but something's still very much off.

Compare Izzy at his most relaxed (the "before fuckin' Stede Bonnet" era) - he's clearly having fun playing with this ridiculous would-be pirate, this is happy, playful Izzy, still Ed's number 1, a fixed place in the world (or so he thinks).

Now look at his body language and facial expressions in Ep 7 - he's joking with Ed and Stede, but his face is like a mask. In Jackie's bar he seems painfully tense and almost close to tears in some shots.

I've read so many posts congratulating Izzy on finally moving on, living his best life, even being happy - but I don't see it at all. That doesn't mean he's not on the right path (he is!) but these things take time.

In my opinion, Izzy is actually feeling like shit and still very much not over Ed (everytime he's near him he has this terribly longing gaze).

So, the point of this post (apart from looking at Con's face for far too long) is, maybe, that I can't be happy for Iz yet. For me it's almost painful to see him trying to cope but not really managing.

As great as La vie en rose was, and the crew lala-ing along, this is still a heartbroken man. I'm sure he'll get there in the end. But at the moment he's definitely nowhere near.

I don't think there'll be any real resolution in the finale, but I think Izzy could really do with an "I loved you, best I could" right now :(

[piratecaptainscaptainpirates]

I've been thinking about the pacing this season, and I think a lot of the issues with telling instead of showing we've been noticing come down to two big factors.

ALL the episodes this season are sticking very strictly to 30 minutes or less. Most of s1 did that, too, to be fair, but some of the most important episodes - 4, 8, and 10 - are all closer to 35 minutes. It doesn't sound like a lot but that's extra breathing room that we're not getting now, it means some things that were almost important enough to make the cut had to get chopped. We're probably missing a lot of little lines that would've rounded things out because the writers had to bank on us getting it from context.

I wouldn't be surprised if the writers went in expecting a 10 episode second season and Max hit them with cutting down to 8 eps, or they had to make the hard choice to save as much money as possible to increse the odds of getting renewed and decided to cut it to 8 themselves. Either way, I definitely think they'd planned on 10 episodes and because of that some things feel rushed; it's really starting to show in ep 7 and I think that's because they just haven't had the space to set things up they thought they'd get.

I really think that we're missing an episode here, and I'm pretty sure it would've gone between 5 and 6. That would've been the logical place to let Ed and Stede's relationship breathe a bit between their second kiss and having sex in 6, and it would've been the right spot to wrap up some lose plotlines (when did Ed get off probation? How does he feel about it? The crew seem so much more comfortable with him in 6, does that make him feel safer and more loved?) and forshadow what's coming up (literally just one line with Olu feeling bad about what happened with Zheng Yi Sao would've made that so much less jarring).

On the whole, I genuinely think the writing this season has been smart and efficient, but not to the same standard as season 1 (which, to be fair, was a very high standard, but still). And I really think the things that matter (Ed and Stede's arcs) are largely done very well.

But it has still been so obvious that they tried to make this season as cheap and palatable for Max to produce as possible. I really hope it pays off. I think it will - like I said, I think the writers always managed to keep sight of what matters, and that's Ed and Stede's story. And I'm grateful that, despite trying to make this show an easy one for Max to make the decision to renew, they didn't compromise on the queerness.

But it stings. You know any other show that's so successful and has not only such a devoted fanbase but such a deeply invested cast and crew would've been renewed a long damn time ago. I am so, so happy we got s2, and I've loved it, really I have, but I'm still a bit sad thinking about what we could've had.

[iamadequate1717]

Stede's Strange Day

I want to talk about Stede Bonnet's very strange day. Let's look at the progression of just what Stede sees.

He spends the night with his boyfriend for the first time, and his boyfriend brings him breakfast in bed like Doug did for Mary. They talk about their reunion. Stede is very happy right now!

His boyfriend tells him that he envisioned him as a beautiful merperson and that he thinks he saved his life.

They get dressed, and they go out on a breakfast date on the town. Stede tells Ed about the letters he wrote, and Ed loved that!

Stede then discovers he has a fanclub! Ed laughs and is happy for him! They're going to go down to Jackie's so Stede can enjoy this some more!

Ed throws in some light banter/teasing about this turn of events, and Stede literally squeals before they run off giggling together.

They get to Jackie's, and Ed continues to encourage Stede!

Ed leaves him to it! "Enjoy the night" are his parting words.

So Stede enjoys the night!

He's being accepted! And he still talks about his boyfriend while being fawned over!

Everyone tells him he's awesome! He offs an assassin while saying something cool! No one is making fun of him!

After a bit, he goes to find Ed to share in his fun! He's had a great day.

Only, he's immediately met with this with no context: Ed regrets being with him! Ed is leaving immediately!

Remember: Ed's last words to him were "Enjoy the night!" This is complete emotional whiplash. Stede knows right away what the problem is, but Ed shuts it down.

Ed wants to be a fisherman! A proclamation completely out of the blue! Stede tries to talk him down. That fish wasn't so awesome that it should completely change Ed's life trajectory, casting Stede out of the way.

Ed disagrees and abandons Stede with no real explanation or listening to what Stede was trying to say, which isn't a great move for a healthy relationship.

Basically, Stede spent a few hours (only a few hours!) enjoying himself (in a manner that Ed encouraged him to!). He did nothing awful (because murder is cool in this show), and was a lot tamer than what Ed and company were doing in 1x8 (turtle vs crab is mean!).

I'm going to go more into Stede defense in another post. "Last night was a mistake" is an egregious phrasing to use with the man you love who has self esteem and trauma issues (we know what he means but it can be interpreted much worse), but Stede took it in stride. But for some reason people act like Stede committed war crimes with the fish comment? Ed sharing his day and Ed excising himself from Stede's life are different contexts and the fish is viewed differently in each lens. It was an OK fish, and Stede did nothing wrong. Stede is right that Ed is a coward, and I don't think Stede saying a few slightly harsh things in the heat of the moment when being blindsided like this is a character flaw.

Ed behaved appallingly in shutting down the conversation and refusing to even give context to what was going on. With 1x9&10 and Stede deciding Ed was better off without him, I saw plenty of comments about how Stede couldn't make a major life decision for Ed like that. With this, Ed has made a major life decision for Stede (I'm going to dump him and remove myself before he can choose piracy over me!), but I have yet to see the same comments, and I know exactly why that is.

...

More Stede defense!:

[amuseoffyre]

Things worth remembering:

All Stede knows about Ed's breakdown is that it was because of him (You broke him/he took my leg cos I mentioned your name), He doesn't know about Ed's other trauma aside from his dad and while he knows Ed is disillusioned with pirating, he doesn't know the specifics about why.

Ed tends to speak in metaphors and while Stede tries to understand them, it's clear that sometimes he's missing the mark. Sometimes Ed isn't even sure of the metaphors himself, but once he has them, he holds onto them - the fish thing has got him especially.

And the thing is that Ed's only just learned to sit with himself in episode 5 and it's overwhelming him. At the beginning of 6, he's the stillest and quietest we've seen him and is gazing out to sea while having flashbacks to things he's done and people he's hurt (hello 1x09 callback).

And the thing is he's okay at the start of 7. He's made a decision about shedding the Blackbeard stuff. He doesn't say anything to anyone and he's ok until Jackie points out Stede is the rising star just when Ed wants out

He doesn't begrudge Stede being excited and happy with his new fame. He is afraid of what his presence has led Stede to: the conversation with Jackie is very much his "you defile beautiful things" moment, especially his presence brought Ned to Stede ("It's me you want").

He also doesn't understand why Stede killed Ned because Stede bottled up his trauma like his love letters. He doesn't even know why Stede a) became a pirate or b) went back to Mary, especially since Stede never actually told him where he'd been directly. He had to hear it from Anne - and Stede is betrayed by that as well ("I told you that in confidence")

Right now, he's feeling unmoored by his own identity and now Stede has taken a step that has fully changed him as a person too and dragged him straight back into the heart of piracy. He tells Jackie he wants out and she asks if Stede knows that and Ed's face just drops and he whispers "shit".

And he spends of the rest of the day thinking and quiet and realises that to process any of this mess, he needs to be away from the pirate world for a bit so he can get his head on straight because now it's roaring back in for him. He sits, he thinks, he realises he needs that space - he should speak to Stede but he tried that the day before and Stede still killed Ned.

Stede also lashes out, which definitely doesn't help. He's right. Ed is panicking, but Stede is also missing so many little clues. Ed never told him about dropping his leathers and Stede just sees him as Ed in other clothes. He doesn't understand the significance, even when everyone around them realises something is off. If even the Swede picks up on it, you know it's an obvious flag.

They both need to use their words and explain wtf is happening with both of them, but they are also both ridiculously traumatised by their past experience. Ed is afraid he's unlovable and now Stede is talking down his coping mechanism, so maybe he's right and Ed-as-Ed is unlovable, while Stede has been told his entire life he isn't enough, so becoming the ultimate pirate should be the win he's been looking for, only Ed isn't happy and Ed is leaving him, so maybe it's him that isn't enough after all.

They are both tangled up so much in their own histories and don't know enough about each others and that's why they keep lashing out and hurting each other so much - they each don't realise what they're saying is a different kind of weapon to the other.

[izzyhandslightofmylife]

Official statement on why Izzy's death affected me so much

Our Flag Means Death, is, at it’s core, is a show that focuses on queer joy- a form of therapy for those that have been raised on queerbaiting, shipping minor side characters, or watching, when nothing else is available, queer tragedies. You know how it goes- the two main characters, both male, have chemistry. They say things to each other that seem weirdly like declarations of love. They look at each other with love in their eyes. You see these things and the main man gets married off to a badly written, unfinished female character and is left feeling empty. The best friend dies for the main character to live. When everyone talks about how cute the main couple are, you want to scream all of a sudden, because nobody can see this love story play out except you. It’s queer, it’s tragic, and nobody else can understand it. 

Not Our Flag Means Death. From the moment it aired, it was praised as a show with unabashed queer joy, which means more than I can possibly say. The two main male characters meet, they have chemistry, and they fall in love. It’s not implied, or hinted at, but blatantly obvious. Their romances and the queer romances around them attracted so many queer fans who felt that after so many years, this type of show was a vindication for what they had been through with other media. 

In this show, piracy itself was that of a found family. Though Stede Bonnet and the crew of the Revenge start off with many differences, the core of the show centers around a theme that many queer audiences are attracted to: found family. The Revenge was depicted as a safe space, where everyone could express themselves freely, a refuge from a world of judgment. Queerness was not only accepted but normalized on The Revenge. No homophobia, no coming out, no typical complications of queer romance. Just love and safety. Warmth, which was Ed Teach wished for in purgatory. Which was what he found on the Revenge. The ship was a safe space that so many queer audiences had dreamed of. 

Well, a safe space except for one person: Izzy Hands, Blackbeard’s First Mate, who was a man painfully stuck in the wrong genre. This is the general consensus by both fans and the cast: Izzy, Edward and their crew had been in a gritty action movie, whereas Stede and his crew were in a muppet movie of sorts. While the majority of Blackbeard’s crew quickly acclimates to and celebrates the change, Izzy doesn’t. 

And right away, many fans felt a deep attraction to Izzy. The reason that Izzy couldn’t get Edward to love him was because, in the end, the only way that Izzy knew how to love was through blood. To give and receive pain in an action movie is one of the greatest forms of love, but Izzy fails to realize that Ed is not in an action movie anymore. He is happy with this stability, and the reason that so many people felt Izzy’s presence so was strongly was that he wasn’t. 

So many queer people are, in a way, addicted to tragedy. Tragedy is all that is represented in queer media for the most part, or was until very recently. Take Achilles and Patroclus, one of the most celebrated and recognized queer love stories of both ancient and modern times. Why that one? There are other greek love stories, many of them queer. The tragedy of it- Patroclus’ death and Achilles’ rage- made it all the more appealing. Many in the audience of Our Flag Means Death were not comedy fans, they were horror or drama fans, attracted to a comedy because of the love story. But Izzy, to them, was a physical representation of who they were, carrying an awareness of homophobia, of blood and pain that so many queer relationships had previously been illustrated by (i.e. Hannibal). Though Ed may not have understand this type of affection, the audience did- Izzy’s Otherness from the crew despite it’s safety, his expressions of love and his unrequited love story were all things that the audience were familiar with feeling. 

If Ed and Stede were good queer representation, Ed and Izzy, for example, were a foil of that. They were evil, messed up, and fed into the worst parts of each other because it brought them closer. This is a theme present in a lot of queer media, and by extension, queer lives: “if you love me, Henry, you don’t love me in a way I understand”, is an excerpt classic queer poem about unrequited love that fits the situation. The very reason Izzy stuck in people’s heads because he was of a different genre. His grittiness and bitterness made sense to the audience. They saw Izzy and saw what was familiar. He was exquisitely written, simultaneously making even casual audiences both hate him, and against all odds, find him oddly endearing. The idea of this man sacrificing every inch of himself for an unrequited love was a concept of tragedy, leaking into a comedic show. 

So fans projected onto Izzy. He was a catalyst for the heartache, for the audience’s sheer inability to have a happy show. For one reason or another, some of the audience simply couldn’t live with a show that was all fantastical, which I theorize is because they couldn’t see themselves in it. So Izzy became the epitome of queer suffering: pining longingly after another man that couldn’t understand him. This projection of suffering, however, led to a new wish: happiness for Izzy. If Izzy in Season 1 was a tragedy, assimilating him into the found family in Season 2 would have elevated the safe sense of the ship all the more. It would have proved to so many of these Izzy Fans that yes, even though you view yourself as unloveable, even though you see yourself as Israel Hands, Villain, even he can be loved too. Why can’t you be? 

And Season 2, for the most part, delivered beyond our wildest dreams. Izzy had people who cared about him. And though the genre shifted into the darker, Izzy himself shifted slightly to the comedic side as well. His life, which had been centered for so long around a man that didn’t reciprocate his feelings, was gone. He started a new life, and this life, again, focused on queer joy. The queer joy from Season 1 was suddenly for everyone, even those like Izzy that couldn’t have understood it. He sang, he whittled, he talked about feelings, he dressed in drag. Many elder queer fans also saw Izzy as another metaphor, too: that queer joy can be attained overtime. You don’t have to have had it the whole time, but you can accept yourself even when you are older. The message of Izzy was one of resilience and stubbornness, one that the queer community needed to hear: that you don’t have to be like this, you don’t have to create pain for yourself. You don’t need to watch tragedies all the time. You, too, can heal from the past.

And then, the season finale happened. By this point, many argued that Izzy had stolen the show. Con O’Neil’s acting mixed with his general arc of self acceptance had made him a fan favorite. In the last episode, it is Izzy himself who sums it up perfectly, accepting that he belongs somewhere despite his pain and flaws. Despite the darkness within him, he was still accepted and loved. He says it right to the face of Prince Ricky, who thinks himself above it all. That piracy, a metaphor for otherness, wasn’t actually about being alone; it was about finding others that understood you when nobody else could. 

Listen, this show is known for it’s nonsensicality. In the finale of Season 1, Lucius is thrown overboard by Ed and survives by simply swimming to another ship. Stede reunites with his crew by sailing a rowboat. Buttons turns into a seagull. Stede stabs Ed for a comedic bit. Earlier in the season, Izzy himself gets shot and survives. This queer joy show was celebrated for being, well, joyful. Even when things like getting thrown overboard did happen, they were, ultimately, a blip in the character’s journey towards acceptance, healing, etc, which was what made the show unique. Our Flag Means Death, whose audience had been living for years off of the “Bury your gays” trope, was adored because it illustrated a world where things didn’t have to be that way. A place where the impossible, such as Izzy Hands being loved, could happen. This show was one of survival. 

But not for the one person that was seen to struggle with this concept the most. Not for the one person that was a metaphor for belonging in this place, who became, over the course of a season, the embodiment of the message itself. Not for the Unicorn, the very symbol of this magical, nonsensical ship. Not for the most stubborn, most indestructible, most enduring (queer) person in the show. Not for Izzy Hands. 

This trope, honestly, was one that many have seen before, both in mainstream and queer media. A character, previously shown to be a villain or else to have gone through a lot of pain, is shown to heal, to get better, and then to die in order to “complete their arc”. This trope is common: Loki, Cas. even Ted Lasso, who doesn’t die but goes back to the very place that broke him in the first place. But the reason that Izzy’s death, while it might have been expected in another show, felt like a betrayal in this one is because it was known for subverting those tropes. From the “Bury Your Gays” to the “Up For Interpretation”, it was known to look those tropes in the eyes and say “fuck you, these people deserve to be happy”. And this did happen! Except for the one character who’s healing journey was one of the most relatable, at least to queer audiences. 

What also made it so jarring was that all the other characters got to be happy, except for the one that had struggled with the idea of happiness the most. In the scene immediately after Izzy is buried, Lucius and Pete get married. In the scene after, a montage of queer joy and found family is shown amongst the whole crew. In the final scene, Ed and Stede, our main queer couple, are shown healing themselves and starting a new life together. The last shot, however, showed Izzy’s grave, visited by Buttons the seagull while Ed and Stede had dinner. A tragedy in it’s finest. It wouldn’t have been difficult for Izzy to live. Because, in the end, his death meant nothing. His healing meant nothing. He died and was moved on from in a matter of seconds. He was, as I mentioned, the catalyst for tragedy, more specifically, queer tragedy. But because of this, of his genre, Izzy didn’t get to live. He had to die in order for the rest of the characters to keep living in this fantasy world. This death was, in a way, a preservation of these other love stories.

I maintain, however, that it would have meant more if Izzy had lived. If he had been  able to show to us that yes, despite what you have been through, despite what you may have inflicted upon yourself, you can switch genres. It’s possible. Izzy’s survival up until that point had been a profound testament to many that it is possible to heal, that queerness does not have to mean sadness. It would have continued to be a testament to that if only Izzy had lived. And so, this pirate that we latched onto, not in spite of his darkness but because of it, was buried on land on the side of the road. 

As a side note, many previous incidences in the story point to the idea even though Ed and Stede will definitely stay together, it’s uncertain if the inn would have worked out. It’s likely that, being a whim, those two might have chosen to move, or go back to the sea, or sail to China. If this is true, they would have left Izzy’s grave by itself, like a family pet buried in the yard. If this is true, Izzy Hands, a metaphor for belonging, would rot alone. 

Long live the tragedy addicts. Long live the Richard Siken poems. Long live Izzy Hands. 

*When I talk about the "fandom" I am referring to the canyon.

[is-the-snake-video-cute]

Who is the dumbest snake you’ve ever met? Like I’m-not-even-sure-how-you’re-alive level dumb. Absolutely brainless. The lights are on but nobody has ever been home. I say all of this with love, and with the knowledge that it’s probably a hognose.

So, I love my sweet hognose Sirius with my entire heart. He's one of the best snakes in the world and I love him so so much. But, like, the lights aren't even on up there. He has never had a thought in his entire life.

For the complete first year of his life he insisted on eating every single pinky mouse I gave him sideways. Every week he folded those things into his mouth like a taco and just...forced 'em down like that. He did not learn until he was like a year old and it suddenly clicked that it would be easier to eat them from any other direction. When you hold him, he'll spend a while trying to burrow between your fingers and just be completely clueless why that isn't working out for him. He tries to eat the walls of his enclosure on a very regular basis.

Also, honorable mention to my Trans Pecos ratsnake Stede, who is completely brainless but in a way that makes it seem he's like this by choice. He's not a dumb snake. He's an ambassador in training and he's legit one of the most polite, easiest snakes I've ever had the pleasure of working with. He picks things up quickly and he has a great attitude, I love him to death.

But. He makes the worst choices. He's so clumsy I legitimately gave him neurological evaluations because he was falling off things so much it concerned me. I've seen him, multiple times, climb up to the top of his branches, try to support his weight on the skinniest branch he can find, fall down, and then immediately try again. He's gotten stuck inside the door to his hides by trying to wedge his entire body through at once. Sirius is dumb; with Stede it's like he's intentionally putting his braincells aside and saying "I don't need those right now."

[avelera]

OFMD S2 Meta - Stede's Garbage Self-Worth with regards to Ed is still unresolved

(And I'm so hyped for this plotline)

H'ok! So of all the scenes in episodes 1-3 of OFMD S2, this is the one I've been most hyped to discuss but I've been putting it off a few days so people had at least a little time to watch the new eps.

Gifs are courtesy of @ratchet from this gifset:

Hoooo BOY this is such an interesting scene to unpack! Because to me there's at least 3 levels going on here.

What Lucius hears

What the audience "hears"

What Stede literally said

Thing is, I believe when Stede says, "I'm not ready to believe that," the tone that Lucius hears and that the audience is at least 50/50 expected to hear based on the sort of cadence of the scene is, "I'm not ready to believe that Ed's best days are behind him. I'm going to change that."

But I'm not convinced that's what Stede is saying, what Rhys Darby is portraying, or what is literally on the page.

Literally, on the page, Stede says he's not ready to believe that. And given that Stede is very neurodivergent coded, Rhys is self-confessed autistic, and I believe Rhys is bringing that to his portrayal of Stede, I think we really should look at literal words as written and not just run with they're implied to say. This could be read as a declaration that Stede refuses to accept a reality where Ed's best days are behind him or the literal reading: he still can't process that Ed Teach's time with Stede Bonnet was the best Ed's life is ever going to get.

I believe this is for multiple reasons:

Stede isn't going to throw off a lifetime of low self-esteem and bullying overnight just because he's realized he's in love. Especially when the manner of realizing it (end of S1) was hurting the person he loves pretty badly by abandoning him without a word. He's determined to fix his mistakes but each step of the journey is revealing just how big of a mistake it actually was. Not exactly the stuff of sudden self-confidence and positive self-image change.

It requires a full re-write in Stede's brain of every single assumption he had about his relationship with Ed before their separation. Stede in S1, to my eyes, very much saw himself as the junior partner in the relationship. He saw Ed as taking pity on him, to some extent. He felt blessed to have Ed there. It informed so much of their relationship and it especially informed him taking off when he thought his presence was an active burden on Ed. Basically, what Lucius is saying here attacks the very foundations of Stede's understanding of the happiest part of his life so far. To learn that Ed wasn't just the happiest part of his life, but that he, Stede Bonnet, was the happiest part of Ed's life? Whew. Fuck. Not good. Very not good.

Because it's really not good if he was the happiest part of Ed's life, that he so fundamentally misunderstood their dynamic because of his low self-esteem, that he ended the happiest period of Ed's life without warning, without a note, prematurely, and left Ed with the inescapable conclusion that Stede doesn't care about him.

I think worse, even worse, is that Stede has evidence that Lucius is right that he was the best part of Ed's life. But in S1, we're heavily in Stede's POV and Stede's POV of himself is that he's a joke, pathetic, garbage, lucky to have someone like Ed in his life. But Ed's literal actions, louder than words, are that he chose Stede. He gave up piracy for him. He stayed by him. He offered his life for Stede's. Stede wasn't ready to hear that then, he couldn't hear it over the sound of his own low self-esteem whispering poison in his ear, externalized by the Badmintons (both real and imagined). He took their words as fact, rather than Ed's actions as fact. Reexamining Ed's actions shows just how wrong they were. Just how wrong Stede was. And just how badly he hurt Ed because he didn't listen to Ed, the person he loves, over the voices of his own trauma, self-doubt, or of the Badmintons, people who literally hated Stede.

It's a lot. It's a lot for Stede to take in. He's not there yet. But I love that we've had it said aloud: this is a major plot point still. Stede's end-of-S1 glow-up didn't signal that he's self-confident now enough to realize he might be as good for Ed as Ed is for him. He's still grappling with that. It shatters him to even begin to realize this. They have to work through that still. Stede is ready to start listening but he still doesn't, can't literally can't, believe it just yet. It's just too big.

And I am absolutely salivating to see how the rest of the season deals with this thread.

[bobsyourdylan]

Okay, so – a few thoughts on Izzy’s death. I’m sure other people have also laid this out, but I haven’t stumbled across it yet, so this is partially for me to get my thoughts organized. For the record, I love Izzy – he fascinated me (in a horrified sort of way) in season 1, and then he grew on me significantly in season 2. What a weird little guy. But also – I’m fine with them killing him off, and also with how they did it, because I think it makes sense for the story. But I know that a lot of people are super upset about his death, and also about the way he died. So, a few semi-coherent thoughts on that: 

Why not a sacrifice play?

This writer’s room is so self-aware, so deliberate about engaging with tropes – there is no possible way that they sat around breaking the story of Izzy’s death and no one said “woah, wouldn’t it be symbolic and gut-wrenching if he sacrificed himself for Ed? Or Stede?” No way. So why didn’t they go that route? 

Izzy’s arc in season 2 has been all about becoming his own man, separate from Ed/Blackbeard. Like – that’s what he’s worked towards, this whole season. That is his growth. It would be insulting to take that away from him at the last minute, and make his death purely about Ed and Stede.

Listen, I love a sacrifice arc as much as the next person. But Izzy’s life isn’t about sacrifice anymore – that’s the whole point of his season 2 arc. He has spent decades sacrificing both himself and Ed to the altar of Blackbeard. No more. 

It also means that Ed and Stede’s mourning doesn’t have to be tinged with the guilt of “he sacrificed himself to save me/my partner.” They can mourn Izzy purely for himself, because he is worth mourning. This, I would argue, is the send-off that Izzy’s character deserves.

Izzy’s death wasn’t accidental on Ricky’s part – it wasn’t a stray bullet.

We see from the scene when the crew is locked up in Spanish Jackie’s that Ricky recognizes Izzy. We know from their conversation that, for Ricky, Izzy is the epitome of piracy – Izzy, not Blackbeard, is the legend.

The thing is – Ed and Stede are both in the scene where Izzy dies (I’m not sure if you can see Stede on screen, but the bts photos show Rhys’ position, on what would be the far right of the shot). Arguably, Stede would have been the easier shot – Ricky wouldn’t have had to complete a full 180-degree turn before he could pull the trigger. So why doesn’t he go for Stede, who abandoned him to the tender mercies of Spanish Jackie in the first place? Or Blackbeard, arguably the greatest/most famous pirate alive, with the possible exception of Zheng, who he’s already targeted? Sure, you could argue that he’d going for Ed here… but I don’t think he is. The shot’s too low to be accidentally aimed for Izzy – it would hit Ed’s knee or something, probably. I think that yes, it’s a panicked shot, not well-aimed at all. But if it’s aimed at anyone, I think it has to be Izzy. And at the very least, the symbolism of it is very much not accidental.

For probably the first time since they created Blackbeard, Izzy isn’t just a stand-in for Ed. His significance is his own in this scene – in all of his interactions with Ricky. He’s not targeted because he’s Blackbeard’s first mate (why go for the first mate when you could go for Blackbeard?). He’s targeted because he’s Izzy Hands – because he is significant, powerful, famous, respected in and of himself.

And more than that – this is an arc about the end of piracy. And Izzy Hands is piracy – the show has been telling us from the beginning that piracy is a mixed bag, full of the good and the bad, and Izzy represents that  – represents both the toxic, violent side of piracy, and the side of piracy that he grows into, that he explains to Ricky – piracy as family, home, belonging. Izzy dies, and it hurts, because not only is he a great character, but he represents in one person all of the complicated, hilarious, heartbreakin, violent, loving aspects of piracy – and of the show. But it is so, so important that Izzy dies as himself – not as a symbol or shield of Ed, or Stede, or Blackbeard. Not even as a symbol of piracy, but instead as the active embodiment of piracy – as something/someone who grows, changes, ends. Not as static or passive, but as better than when we first met him, as transformed as Buttons in his own way. 

Izzy’s death sets up a possible revenge arc:

We know that everything in this show ties back to the main relationship between Ed and Stede. Izzy’s death is, I think, significant on its own, for him as a character – but it is also, by necessity, significant to Ed and Stede’s relationship. Namely – it sets up an interesting conflict for season 3 re: a potential revenge arc for Ed. 

Now, clearly they’ve carefully ended season 2 on a relatively high note in case we don’t get a season 3. But we know they’re gonna be terrible at running an inn, and we know there’s unfinished business with Ricky. Ed’s current strategy of dealing with everything that’s happened seems to be “I don’t want to be a pirate, get me out of here” – which, while fair enough, won’t last, because that’s the nature of unfinished business. So, at some point, Ed and Stede are going to need to confront Ricky again. And, if the writers decide to lean into the revenge arc, I’d say the odds are pretty high that, when Ed lays eyes on Ricky again, we get a flashback to Izzy’s death. 

And this sets us up for a pivotal, and necessary, moment in Ed’s character arc: when confronted with pain, loss, negative emotion in general – can Ed deal with it without losing himself? Ed needs a balance between the Kraken, Blackbeard, and Edward, and we see at the end of season 1 and beginning of season 2 how challenging that balance is for him to find, especially when confronted with loss or pain. We can see Ed working towards that balance when he’s interacting with Low – Low’s taunts don’t push Ed to violence, but instead get to Stede. But comparatively, Izzy’s loss is a much greater blow, and at some point, Ed is going to need to confront that.

Plus – we know the writing team are thinking of Izzy’s death at least partially in terms of the mentor/mentee arc, which often confronts the question of revenge – after the mentor’s death, the mentee is required to choose on their own how to go on, what kind of person they want to be. And this often requires a confrontation with both the mentor’s loss and a decision about how far they want to take their desire for revenge.

Why not a cooler death?

Okay — I get this criticism. I do. Izzy is an amazing fighter, we all love that about him. And you can keep most of the above symbolism and still have him die fighting two dozen British soldiers. 

But — again — we are back to the root of this show: Ed and Stede. 

Izzy has two deaths this season: one in the premiere, one in the finale. The first is Stede’s fantasy. Cool swordfight, and Stede triumphs, obviously — but the premise of the fight is that Izzy’s a great swordsman and Stede bests him because now Stede’s a great pirate. This is Stede’s ideal pirate fantasy. 

But Izzy’s actual death is not like this. It is messy and inelegant and painful and no one gets any glory from it at all and Ed is crying with Izzy dying in his arms, and Stede wants to help, goes for bandages, but he doesn’t know what to do and it’s not enough anyways — And this is not a fantasy anymore. This is piracy, and this is the piracy that Ed wants to escape. And it’s important that Stede sees this, sees what Ed is done with. 

And it’s also important that Stede tries to save Izzy. Izzy isn’t just a symbolic barrier between Stede and Ed anymore, to be sacrificed to Stede’s reunion fantasy. He’s his own person, with his own death, and Izzy has grown, yes, but so has Stede.

And by using Izzy’s death to make this point, we both get Stede learning the reality of piracy and growing beyond his fantasy, and the glorious fantasy fight kiss i love you reunion between Ed and Stede (if Ed and Stede had reunited by fighting off dozens of British soldiers, but Izzy had died doing the same, the dissonance would have messed with both the death and the reunion, because we the audience wouldn’t be able to distinguish between the fantasy and reality worlds). And getting both of these is the premise of the show — fantasy and reality both. 

And sure — you can be mad that the show used Izzy in this way. But that is the show’s premise — everything is in service of the protagonists and their relationship. This is not a surprise— it’s been openly talked about since day 1. 

You don’t have to like what the writers did. You don’t have to agree that it was the correct choice. But they have proven to us, time and time again over the last year, that they are self-aware and careful with this show that they know we love so much. So we absolutely owe it, to them and to ourselves, to ask why they made a choice that not everyone may agree with. What is the payoff? Why did they decide to do this thing that they knew would upset fans? Because we know it’s not that they hate us. So what is it? You don’t have to agree that the payoff is worth it. But do the writers, and the show, and yourself the favor of recognizing that there is a payoff here.

[bougiebutchbitch]

I saw so many of your OFMD rbs today that it reignited my OFMD/izzy/steddyhands hyper fixation lol. Not that I’m upset abt it!! What r ur fav headcanons abt them?

jgfhfjf I was on a roll this morning! I like the idea that Izzy survived, but it was covered up by the crew (and Izzy!) to get Izzy away from Ed and Stede. Frenchie, Jim, Fang and Archie were still very wary of Ed, for obvious reasons. Plus, everyone was worried about their unicorn and thought he deserved better than to be the eternal third wheel!

So Stede and Ed legitimately grieve him, and bury a 'body' (actually a mop with two coconuts attached to it, though they're unaware of this skjldsdg - IF YOU KNOW THE FANART, YOU KNOW) all while Izzy is healing and happy with his family on the Revenge, under Frenchie's captainhood! Stede and Ed are repairing their relationship, coming to terms with everything that happened to them and everything they did, good and bad alike. Ditto for Izzy and his crew! It's a perfect happy ending for everyone!

But.

But.

Stede and Ed never quite feel 'whole', by themselves on a little desert island, trying to start a business, every day bogged down with routine and basic hard work that neither of them are used to.

And Izzy loves his crew so much, but he doesn't quite feel 'whole' either. He wants so desperately to see how Stede and Ed are doing. He misses them a lot, and though he holds everything together for Frenchie and the others' sake, Frenchie has caught him a dozen times sat in the crows' nest at night, looking out in the direction of Ed and Stede's island and sighing...

They pass by the island one time, and Izzy is obviously SO fucking forlorn, though he's doing his utmost to pretend otherwise. Frenchie, Jim, Archie and Fang can't bear it. They thought they were doing the right thing by giving Izzy a life away from his captains. And they were! It was what Izzy needed! He's grown in himself, and seems far more grounded and happy!

But he wants to go back to them anyway.

And Frenchie knows it would be wrong to stop him. Plus, who's to say Ed and Stede haven't done some GrowthTM of their own?

So, he wakes Izzy from his cabin and gives him a big hug, before leading him out onto the deck. The whole crew have gathered. Cue hugs all around, and they each give him a little present - a clumsy wooden sculpture from Lucius, a far better one from Pete (he's teaching his husband how to whittle!), a garlic knot necklace from Oluwande and Archie and Jim for luck, etc. etc. etc.

Izzy is gruffly trying not to cry (because he loves them so much and he'll miss them so much, but he has felt like a fucking burden lately (even though he absolutely isn't; after Zheng set off to rebuild her armada, he was in charge of teaching the crew how to Pirate Right, and he did a damn good job!) And he's in a lot of pain trying to keep up with life on the ship with all his old injuries. He knows he's not the best swordsman in the Caribbean anymore, and deep down, he feels, it's time ot pack it in.) He gives each of them a tight hug and a rough-voiced compliment (small and genuine and kinda backhanded in typical Izzy fashion; telling Lucius he's not fucking useless; telling Oluwande he's far too nice to be a quartermaster but he makes it fucking work and that's good, Izzy figures; telling Frenchie he's far from the worst captain Izzy's sailed under). Then he quietly strips his glove off, and hands it to Jim. They don't hug. They just nod at each other, one guard dog to another.

As Izzy rows to shore, to where Ed and Stede's little inn stands, a candle in the window burning like a lighthouse in the night... He hears the music blossom out from the ship, La Vie En Rose, playing him towards his retirement. And he finds himself smiling, so hard it hurts.

...Then he walks into the inn like 'sup twats. Bet you thought you'd seen the last of me.' and Ed and Stede start screaming lskdfhkjsdgf

[beelzeballing]

actually i dont think ive posted my thoughts on ofmd s2 overall here yet have i?

ok here goes: i think it had incredibly high highs, and at some parts i genuinely enjoyed it more than i did the first season, episode 6 being peak imo. however, it had equally abysmal lows with some glaring writing-, tone- and pacing issues that all came to a head in the finale.

i once read someone say that, if you ever feel like a finale ruined the whole story, maybe you should take another look at the story. there were most likely cracks and problems all along, and the finale did nothing besides dashing the hope that these would perhaps be addressed later. very rarely do genuinely well written stories go completely off the rails in the finale and ruin the whole thing.

i think this is applicable here in some ways, SPECIFICALLY in regards to edward. good god edward was a MESS this season, and it's so sad because i loved the starting point! the kraken era was absolutely terrifying and iconic as FUCK but... they shouldn't have leaned so hard into the drama and trauma of it all. don't get me wrong, i loved that it did. it's one of my favorite parts of the season and i'm so glad we got it. but if they wanted this arc to work with the overarching plot as they wrote it, they would've had to lighten up the tone here CONSIDERABLY. had they played the kraken era for comedy then sure! edward's bad youtuber apology would've been funny. his fast redemption would've been less jarring. the lack of consequences less disturbing. but as it stands in the show, this arc is too dark to function with the later episodes.

i feel like they wanted to have their cake and eat it too here. they wanted the gritty drama of ed coming off the hinges entirely but also didn't want to deal with the aftermath of such a heavy arc in their silly pirate romcom. be that due to time constraints and budget cuts or because they were simply unwilling to, doesn't really matter in the end. the result is the same either way: a very tonally messy season with some accidentally troubling implications regarding abuse.

and mentioning troubling implications regarding abuse; izzy. my poor, poor izzy... his arc was absolutely glorious. i liked izzy the second he showed up in s1 and i was absolutely EATING this season up in that regard. and i think in this case, they genuinely did fuck it all up in the finale with that one stupid choice:

choosing to kill izzy was the DUMBEST thing they couldve done here.

ive talked about this over and over and over again. ive reblogged so many meta posts. and still i am left absolutely flabbergasted by how stupid of a decision this was. the fridging, playing at the fallen woman trope, killing the beating heart of the season and the character who delivers what is essentially a thesis statement, killing off the character whose arc is about coming to terms with his disability, having him die in edward's arms, comforting him and apologizing after an entire season of finding community and love outside of edward, the absolutely godawful pacing of it all, the extremely easy and obvious solution of just having IZZY become the new captain of the revenge to mirror s1 and hammer home how much he has developed since then in one go... i could go on. and i have. it was a stupid writing decision, completely fucked the tone and pacing of the finale and took away attention and time from things that really would've deserved a better wrap up (lucius and black pete deserved better)

now. the whole prince ricky & zheng plot line... yeah that shit sucked ass, sorry. they bit off more than they could chew here. i honestly think those are the arc words of this season:

✨️ bit off more than they could chew ✨️

right off the bat: i think he was good as a concept. bringing in a foil for stede who just doesn't Get It as stede does could've made for very good comedy and drama (and to be fair there is some of that). but that shit got away from them extremely quickly. nothing about how he's implemented past his first episode works, and i think this is very specifically because he's mostly played as the comic relief in his debut episode. making this completely bumbling fool, who gets his nose hacked off on his first job, the main villain of your entire season is... definitely a choice. idk. he didn't work for me at all.

ok wow mentioning shit getting away from the writers. this definitely got away from me. this was supposed to be a short lil post. well. i guess tl;dr i loved this season but jesus christ there was a lot wrong with it. if you want to hear more thoughts. ask box is open. be my guest. i have more to say so even if you dont ask i might add more to this at some point but im tired and have work tmrw.

[piratecaptainscaptainpirates]

Some musings on how to write Stede. He's genuinely a tough one to pin down because his voice is very him, he'll say things like "methinks" just as readily as "here's the deal, buckos." But I think I've got a few things nailed down and wanted to share in case they help anyone else.

Biggest thing: if you're struggling with getting Stede's voice right, his voice is a hell of a lot closer to Ed's than it is to the Aziraphale-brand "generic posh British" voice. If he's been surprised, Stede's more likely to say "oh shit" than "good heavens," you know what I mean?

My guy is not going to say something like "good evening! I was wondering if you would be interested in doing intercourse with me this fine evening" unless, and this is crucial, it would be funny for him to say that. Sometimes when it comes down to him using a fancier affect your judgment call needs to be based on how funny that line is going to be. Like, that line isn't in character if it's meant to be an example of just how he talks but if it's Stede trying to awkwardly flirt over text then it's fine.

I think that's important so it bears emphasizing: if you're going to have Stede talk overly-posh and use unusually fancy words, it's okay if it's funny. This seems to be the main rule the show uses, too.

Stede is usually polite but he's not timid. He has very few qualms about being a bitch to someone if he knows them well already or if they were rude to him first. Think about him telling Jim that they're "welcome to borrow [his suit]...or, well, look at it." Let queen bitch over here be a bitch!

Stede is ruthless. This doesn't mean he's unkind; it means he's very good at seeing exactly how to get from Point A to Point B and he will commit himself to getting there. The threat Ned Low posed is already neutralized? Doesn't matter. He hurt Ed, he's going down.

Stede's voice is much more formal and flowery when writing than when speaking. Think about "we're joined to one another, intertwined. We wrote our names on each other in permanent ink" in his letter compared to a more simple "I love everything about you" when speaking.

Let 👏🏾 Stede 👏🏾 Say 👏🏾 Weird 👏🏾 Things!👏🏾 This guy is weird, he's a weirdo, he doesn't fit in. If you're thinking to yourself "why the fuck would you say that" you're probably onto something. Let him make weird choices. Stede, especially after a bit of character development, is very himself - if he's a college professor, let him drag a full comfy armchair up to his fifth-floor office. If he runs a sex toy shop, let him proudly show off his invention called "the Cervix-Slammer 9000" that'll leave Ed very satisfied but also unable to walk for a week. Let him be enthusiastic and weird!